GALERIE KUNSTKOMPLEX
SCOPE BASEL 2017 CARLA SOPHIE SCHNETTLER KIM DEMUTH MAUREEN BACHHAUS STEVEN HAUTEMANIÈRE
GALERIE KUNSTKOMPLEX
Galerie KUNSTKOMPLEX Hofaue 54 D-42103 Wuppertal Germany tel +49 202 39 31 24 94 info@kunstkomplex.net Director: Nicole Bardohl kunstkomplex.net
GALERIE KUNSTKOMPLEX
SCOPE BASEL 2017 June 13 - 18, 2017
GALERIE KUNSTKOMPLEX booth# A.14
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GALERIE KUNSTKOMPLEX
KIM DEMUTH 킴 데무스
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GALERIE KUNSTKOMPLEX KIM DEMUTH Born in the UK, Demuth continually moved around the world as a child before his family eventually settled in Australia when he was a teenager. he graduated from Queensland University of Technology (Australia) in 1999 with a BA (Honours) in Visual Arts (First Class).
GROUPSHOWS
SOLOSHOWS
2017 INTRODUCTION, Bardohl&Scheel, Berlin, Germany 2017 SCOPE BASEL, Basel, Switzerland 2016 SOMMERKOLLEKTION, Galerie Kunstkomplex, Wuppetal 2016 CONTEMPORARY ART RUHR, Essen, Germany 2016 SCOPE BASEL, Basel, Switzerland 2016 SCENE, Keumsan Gallery, Seoul, Korea 2016 KÖLNER LISTE, Cologne, Germany 2016 SELEKTION, Galerie Kunstkomplex, Wuppertal, Germany 2016 SOAF, Seoul, Korea 2015 SCOPE MIAMI, Miami, USA 2015 SPOON ARTFAIR, Seoul, Korea 2015 PREVIEW, Galerie Kunstkomplex, Wuppertal, Germany 2015 ART EDITION, Seoul, Korea 2015 INCIDENCE, Lmtdspace, Southport, Australia 2015 KIAF, Seoul, Korea 2015 BLOOOM / art.fair, Cologne, Germany 2015 CHEONGJU, Korea 2015 AHAF, Seoul, Korea 2015 SCOPE BASEL, Switzerland 2015 Photo Contemporary (with QCP), Los Angeles, USA 2015 photo la (with QCP), Los Angeles, USA 2014 Group, Galerie Kunstkomplex, Wuppertal, Germany 2014 View from the Window, Wallflower Photomedia Gallery, Mildura 2014 View from the Window, Edmund Pearce Gallery, Melbourne 2014 Dusk to Dark, Queensland Centre for Photography, 2014 Dusk to Dark, Toowoomba Regional Gallery, QLD 2014 photo la (with QCP), Los Angeles, USA 2013 Works on Paper, Dirty Linen Gallery, Bundaberg, QLD 2013 Treasures: the art of collecting, Queensland Centre for Photography, 2013 photo la (with QCP), Los Angeles, USA 2012 North by Northeast, Depot Gallery,Sydney 2012 Flipside: Australian Photography, Project A7 Gallery, Santa Monica, 2012 Orientation, Beam Contemporary, Melbourne 2012 photo la (with QCP), Los Angeles, USA 2011-12 Synchronicity, Grafton Regional Gallery, NSW 2011 Just Ideas, Dirty Linen Gallery, Bundaberg, QLD 2011 Turn Around, Schwartz Gallery, London, UK 2011 Fast Friends (Pace Project), Brisbane Institute of Art 2011 Open Sky, Metro Arts, Brisbane 2011 photo la (with QCP), Los Angeles, USA 2010 Public Sale, Kunst Pavilion, Munich, Germany 2010 Interactive Reactions, Glow Gallery/City Studios, 2010 Brave New World, Queensland Centre for Photography, 2010 Transfusion, PS Gallery, Brisbane 2010 photo la (with QCP), Los Angeles, USA 2009 Synchronicity, Toowoomba Regional Gallery, QLD 2009 She's a Tough Old Broad – A Social History of Metro Arts, Brisbane 2009 Second Skin, Queensland Centre for Photography, 2009 photo la (with QCP), Los Angeles, USA 2008 Netzwork’s Changed Conditions Ahead, Jugglers Gallery, Brisbane 2008 photo la (with QCP), Los Angeles, USA 2007 Topsy, Metro Arts, Brisbane 2006 Top Ten, Gadens Law Firm, Brisbane 2005-06 High Light, Blindside Gallery, Melbourne, Ipswich Art Gallery, Metro Arts, Brisbane 2005 Art, Design & Craft Biennial, Brisbane City Hall 2005 Journey, the block, QUT, Brisbane
2016 EXODUS, Galerie Kunstkomplex, Wuppertal, Germany 2015 Industrial Zen, Ipswich Art Gallery, Brisbane 2012-13 Camino, Queensland Centre for Photography, Brisbane 2012 Industrial Zen, Beam Contemporary, Melbourne 2011-12 Camino, Art Space, Mackay 2010 Camino, Beam Contemporary, Melbour+.ne 2010 Second Hand Pose: Portraits of the Unknown, Jan Manton Art, Brisbane 2008 Time Date Space, Jan Manton Art, Brisbane 2006 Signs of Life, Jan Manton Art, Brisbane 2004 4D, Esa Jaske Gallery, Sydney 2004 Over and Out, The Farm, Brisbane 2003 Perception Deception, GALLERY 482, Brisbane 2003 Seeing You Seeing Me Seeing You, IMA, Brisbane GRANTS & AWARDS 2015 THE SOVEREIGN ASIA ART PRIZE (Nominated by Gael Newton) 2014 GRACEVILLE SUBURBAN PROJECT (Short listed For Public Artwork-TBA) 2011 ROYAL BRISBANE & WOMENS HOSPITAL BUSWAY STATION (Platform: Public Art Installation) 2010 ARTS QUEENSLAND GRANT (Career Development) 2009 METRO ARTS (Permanent artwork commission) 2009 CLAYTON UTZ TRAVELLING ART PRIZE (Short-listed) 2008 SYDNEY THEATRE COMPANY Artistic imagery for the theatre production of Manna 2008 QUEENSLAND STATE ARCHIVES (Public Artwork for building extension, Brisbane) 2007 DURACK FIRE STATION (Public Artwork for new building) 2006 OLD MUSEUM OF BRISBANE (Public Artwork) 2005 AUSTRALIA COUNCIL GRANT (Barcelona Residency) 2004 CHURCHIE CERTIFICATE OF COMMENDATION 2004 QLD MUSEUM'S NEW ENTRANCE (Short listed For Public Artwork) 2003 ARTS QUEENSLAND GRANT (New Work) 2001 AUSTRALIA COUNCIL GRANT, Collaborative Project for Apostrophe Ess Project, WebSite & Art Space 2001 ARTS QUEENSLAND GRANT (Professional Development) 2000 CHURCHIE CERTIFICATE OF COMMENDATION 1998 OBJECT MAGAZINE AWARD
COLLECTIONS Artbank Artspace, Mackay Daryl Hewson Photographic Collection Metro Arts, Brisbane Old Museum of Brisbane Paul Greenway Gallery, Adelaide Pierre Sametzky Collection Queensland Centre for Photography Queensland State Archives Ryan Renshaw Gallery, Brisbane Van Halen Family Collection, USA
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Kim Demuth utilises images of both his own but also found, often resourced from old albums that bare little to no trace of their origins. He became interested in vernacular photography from early on, as a means of exploring the space, the worlds of others, but from a distance. Because there is little other than what we see in an unknown image, we have to contribute our own imagination to it. He has developped an optical device to drive his imaginary into the realm of illusion, oscillating between 2D and 3D points of perception – creating an interspace; neither here or there, an ’in between world’ of sorts. The illusionary photographic image is mainly a way of examining and portraying a reflection of the outer world. Like a distorted mirror, his photographic images stare back and query our own skewed perceptions, not to provide answers, but to encourage questions. Most of his practice has been focused upon the notion of escape, as in a way out off where we find ourselves. He never saw visual art as a way out, but more a means to build or create a perceptual route – and to finally realize that.we are trapped within an illusion. Für seine skulpturalen Fotografien nutzt er Aufnahmen aus seinem eigenen Archiv, aber arbeitet auch mit gefundenen Fotografien oder Videostills aus Amateuraufnahmen, die er verändert, aus dem ursprünglichen Kontext herauslöst und ihnen in einem aufwändigen Arbeitsprozess eine ungewöhnliche Räumlichkeit zwischen Zwei- und Dreidimensionalität gibt. 데무스의 작품 대다수는 탈출이란 화두에 근원을 두고 자기 자신을 찾는 곳으로부터 벗어나려 한다. 그는 예술을 탈출구가 아닌 지각적 경로를 쌓는 도구로 보았으며, 그 환상은 그의 예술적 관습에 지속적으로 영향을 미친다. 그의 작품들은 마치 우리가 아는 것보다 더 거대하고, 위대한 것이 있다는 약속과도 같다. 작품 내에는 memento mori (죽음을 기억하라) 라는 자의식이 자리잡고 있어, 불가피한 우리의 ‘출발‘은 우리의 ‘시작‘을 하고자 하는 욕망과 함께 영원히 혼란스럽게 공존하고 있다는 것을 그려낸다. 그는 그가 직접 제작한 이미지와 찾은 이미지를 사용하지만, 공통점이 있다면 결과물이 본래의 모습과는 판이하게 다르다는 것이다. 작가는 이미지들을 능란하게 조작하여, 완성품이 디지털 회화라고 보일 수 있을 정도로 바꾸지만, 그의 작품의 중요성은 기법도 원산지도 아닌, 결실이다. 데무스가 어떤 재료나 기법을 사용했던지 간에, 관객 안에 ‘타자‘의 존재의 믿음을 심어주는 것이 관건이다. 작가는 관객이 자신이 시각적으로 속았다는 것을 이해하면 그 이해가 외부 세계에도 작용을 한다고 믿는다. 이로써 우리는 모두 환상의 세계에 갇혀있는 것이다.
GALERIE KUNSTKOMPLEX
MOTHER MOON sculptural photography, 2015 40x90 cm | 15.8x35.4“ Edition: 5
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GALERIE KUNSTKOMPLEX
BUNNY BOO sculptural photography, 2017 22x49 cm | 8.7x19.3“ Edition: 5
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GALERIE KUNSTKOMPLEX
OPHELIA sculptural photography, 2017 21x49 cm | 8.3x19.3“ Edition: 5
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GALERIE KUNSTKOMPLEX
BIM sculptural photography, 2017 21x32 cm | 8.3x12.6“ Edition: 5
BAM sculptural photography, 2017 33x32 cm | 13x12.6“ Edition: 5
BOOM sculptural photography, 2017 21x32 cm | 8.3x12.6“ Edition: 5
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GALERIE KUNSTKOMPLEX
LONELY PLANET 01 sculptural photography, 2017 98x36 cm | 38.6x14.2“ Edition: 5
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HER sculptural photography, 2015 31x14 cm | 12.2x15.7“ Edition: 5
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HIM sculptural photography, 2015 31x14 cm | 12.2x15.7“ Edition: 5
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ADAMA sculptural photography, 2010 54x90 cm | 21.3x35.4“ Edition: 5
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GALERIE KUNSTKOMPLEX
EVA sculptural photography, 2010 54x90 cm | 21.3x35.4“ Edition: 5
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NOCTURNES
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GALERIE KUNSTKOMPLEX
NOCTURNE 01 2010, sculptural photography, 23x35 cm | 9.1x13.8“, unique edition NOCTURNE 02 2010, sculptural photography, 30x28 cm | 11.8x11“, unique edition
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GALERIE KUNSTKOMPLEX
NOCTURNE 04 2013, sculptural photography, 29x24 cm | 11.4x9.5“, unique edition NOCTURNE 05 2015, sculptural photography, 27x35 cm | 10.6x13.8“, unique edition
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GALERIE KUNSTKOMPLEX
NOCTURNE 06 2010, sculptural photography, 37x24 cm | 14.6x9.5“, unique edition NOCTURNE 08 2010, sculptural photography, 27x29 cm | 10.6x11.4“, unique edition
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GALERIE KUNSTKOMPLEX
NOCTURNE 09 2017, sculptural photography, 32x46 cm | 12.6x18.1“, unique edition NOCTURNE 12 2017, sculptural photography, 29x43 cm | 11.4x16.9“, unique edition
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GALERIE KUNSTKOMPLEX
NOCTURNE 13 2017, sculptural photography, 28x45 cm | 11x17.7“, unique edition NOCTURNE 17 2016, sculptural photography, 25x35 cm | 9.8x13.8“, unique edition
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GALERIE KUNSTKOMPLEX
NOCTURNE 24 2017, sculptural photography, 30x44 cm | 11.8x17.3“, unique edition NOCTURNE 33 2017, sculptural photography, 44x30 cm | 17.3x11.8“, unique edition
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GALERIE KUNSTKOMPLEX
STEVEN HAUTEMANIÈRE 스테벤 오뜨마니에
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GALERIE KUNSTKOMPLEX
STEVEN HAUTEMANIÈRE Born 1975 in Quimper, France. Studied Visual Arts at the University of Rennes, France. Since 2001 lives and works in Berlin and Wuppertal.
EXHIBITIONS | selection 2017 INTRODUCTION, Bardohl&Scheel, Berlin, Germany 2017 SCOPE BASEL, Basel, Switzerland 2016 SOMMERKOLLEKTION, Galerie Kunstkomplex, Wuppetal 2016 CONTEMPORARY ART RUHR, Essen, Germany 2016 SCENE, Keumsan Gallery, Seoul, Korea 2016 KÖLNER LISTE, Cologne, Germany 2016 SELEKTION, Galerie Kunstkomplex, Wuppertal, Germany 2016 SOAF, Seoul, Korea 2015 SCOPE MIAMI, Miami Beach, USA 2015 SPOON ARTFAIR, Seoul, Korea 2015 P/REVIEW, Groupexhibition, Galerie Kunstkomplex, Wuppertal, Germany 2015 ART EDITION, Seoul, Korea 2015 KIAF, artfair, Seoul, Korea 2015 CHEONGJU, Korea 2015 BLOOOM/ARTFAIR, Cologne, Germany 2015 AHAF, artfair, Seoul, Korea 2015 KÖLNER LISTE, artfair, Cologne, Germany 2014 Gruppenausstellung, Galerie Kunstkomplex, Wuppertal, Germany 2014 BLOOOM/ARTFAIR, Cologne, Germany 2014 BERLINER LISTE, artfair, Berlin, Germany 2014 SHOWCASED, Groupexhibition, Galerie Gold, Berlin, Germany 2014 KÖLNER LISTE, artfair, Cologne, Germany 2013 VORSCHAU-RÜCKBLICK, Groupexhibition, Galerie Kunstkomplex, Wuppertal, Germany 2013 CONTEMPORARY ART RUHR, artfair, Essen, Germany 2013 FEATURING, Groupexhibition, Eclectic Window Gallery, Berlin, Germany 2013 BERLINER LISTE, artfair, Berlin, Germany 2013 DUNKEL, Groupexhibition, Galerie Kunstkomplex, Wuppertal, Germany 2013 C.A.R. Medienkunstmesse, artfair, Welterbe Zollverein, Essen, Germany 2013 AAF Bruxelles, artfair, Brussels, Belgium 2013 GRUPPE, Groupexhibition, Galerie Kunstkomplex, Wuppertal, Germany 2013 LA Art Show, artfair, Los Angeles, USA 2013 „DAS PAAR“, Groupexhibition, Gallery 825 /LAAA, Los Angeles, USA 2012 ONE DAY EX, Groupexhibition, Galerie Kunstkomplex, Wuppertal, Germany 2012 Contemporary Art Ruhr, artfair, Zeche Zollverein, Essen, Germany 2012 Kunsthalle Lindenthal, Cologne, Germany 2012 IMPLOSION, Soloexhibition, Galerie Kunstkomplex, Wuppertal, Germany 2012 „Ausstellung #4 ...“,Groupexhibition Galerie Kunstkomplex Wuppertal, Germany 2011 ANDERSWO, Groupexhibition, Galerie Kunstkomplex, Wuppertal, Germany 2011 SOMMERRESIDENZ, open air gallery, Groupexhibition, Historisches Freibad Mirke, Germany 2011 JAPAN, Groupexhibition ,Galerie Kunstkomplex, Wuppertal, Germany 2010 OPEN, Soloexhibition, Galerie Kunstkomplex, Wuppertal, Germany 2008 Groupexhibition, Halles de Douarnenez, Douarnenez, France 2007 GEBÄUDE, Soloexhibition, Bessy II, Berlin, Germany 2007 Haras de Bannalec, Groupexhibition, Bannalec, France 2004 LS, Soloexhibition , IBFI Schloss Dagstuhl, Saarland, Germany 2002 Soloexhibition, Zentralbibliothek der Stadt Remscheid, Germany 2001 Groupexhibition, Lemeitour Gallery, Portland (Oregon, USA 2001 Soloexhibition, Allegro Kulturzentrum, Wuppertal 2001 Atelier Stranzky, Ennepetal, Germany 2000 Groupexhibition, Galerie Variations de Lumière, Quimper, France 1999 "Le Grand Squatt des jeunes créateurs" artfestival, Vannes, France
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GALERIE KUNSTKOMPLEX
Collapse, instability, and escalation is the primary issue of his work. Territories and fragmentations move beyond appearances, manipulate the beholder's eye and demand to scrutinize, analyse and getting involved. The artist works with perception and manipulation, abstracting fugacious moments into a spiral of different impressions. A struggle of power between oeuvre and beholder, a collision of geometric and human bodies, ironically symbolizing the opposite values of the society we live in.
Territorien und Fragmentierungen dominieren seine Werke. In unterschiedlichen Wahrnehmungsebenen manipuliert er den Blick des Betrachters und abstrahiert flüchtige Momente zu einer Spirale unterschiedlicher Eindrücke. Bizarre Landschaften und Wälder mit surrealer Atmosphäre wirken wie die Utopie einer Welt, in der sich die Natur zurückerobert, was der Mensch einst zerstörte. Mit einer dreidimensionalen Anmutung erschafft er eine Art virtueller Realität, in die der Betrachter eintauchen kann, spazieren geht und immer wieder neue kleine Details und Pfade entdeckt.
오 뜨마니에의 작품들은 파편들과 영토로 지배되어 있다. 그들은 겉모습을 지나, 관객이 세심히 살피고 분석하여 관여할 것을 요구한다. 관객의 눈은 여러 단계의 지각작용을 통해 조종된다. 손에 잡히지 않는 듯한 순간들이 여러 추상적인 느낌으로 소용돌이 친다. 작품과 관객의 권력 전투이자 도형과 사람의 형상의 충돌이며, 우리가 속해 있는 사회의 상반되는 가치 기준을 아이러니하게 상징한다.
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GALERIE KUNSTKOMPLEX
RETAKE Oil and acrylic on canvas, 2016 140x180 cm | 55.1x70.9“
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GALERIE KUNSTKOMPLEX
MEMORY I Oil and acrylic on canvas, 2016 60x80 cm | 23.6x31.5“
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MEMORY II Oil and acrylic on canvas, 2016 60x80 cm | 23.6x31.5“
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MEMORY IV Oil and acrylic on canvas, 2016 50x70 cm | 19.7x27.6“
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MEMORY V Oil and acrylic on canvas, 2016 50x70 cm | 19.7x27.6“
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GALERIE KUNSTKOMPLEX
MEMORY VII Oil and acrylic on canvas, 2016 50x70 cm | 19.7x27.6“
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TREES V /FRAGMENTS Oil and acrylic on canvas, 2015 10x30 cm | 3.9x11.8“
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GALERIE KUNSTKOMPLEX
TAKE-OVER P01 Acrylic on paper, 2017 40x60 cm | 15.7x23.6“
TAKE-OVER P02 Acrylic on paper, 2017 40x60 cm | 15.7x23.6“
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GALERIE KUNSTKOMPLEX
TAKE-OVER P03 Acrylic on paper, 2017 40x60 cm | 15.7x23.6“
TAKE-OVER P04 Acrylic on paper, 2017 40x60 cm | 15.7x23.6“
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GALERIE KUNSTKOMPLEX
TAKE-OVER P05 Acrylic on paper, 2017 40x60 cm | 15.7x23.6“
TAKE-OVER P06 Acrylic on paper, 2017 40x60 cm | 15.7x23.6“
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GALERIE KUNSTKOMPLEX
TAKE-OVER P07 Acrylic on paper, 2017 40x60 cm | 15.7x23.6“
TAKE-OVER P08 Acrylic on paper, 2017 40x60 cm | 15.7x23.6“
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GALERIE KUNSTKOMPLEX
TAKE-OVER P09 Acrylic on paper, 2017 40x60 cm | 15.7x23.6“
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GALERIE KUNSTKOMPLEX
TAKE-OVER P10 Acrylic on paper, 2017 60x40 cm | 23.6x15.7“
TAKE-OVER P11 Acrylic on paper, 2017 60x40 cm | 23.6x15.7“
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GALERIE KUNSTKOMPLEX
TAKE-OVER P12 Acrylic on paper, 2017 60x40 cm | 23.6x15.7“
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GALERIE KUNSTKOMPLEX
TAKE-OVER P13 Acrylic on paper, 2017 60x40 cm | 23.6x15.7“
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MAUREEN BACHAUS
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GALERIE KUNSTKOMPLEX
MAUREEN BACHAUS geboren in den Niederlanden. Studium an der Academy for Fine Arts Maastricht und Conceptual Post-graduate Academy in Amsterdam. Ausstellungen u.a. in der Galerie Wansink, National Gallery of Macedonia, Flux Museum Santa Fe, Museum Elburg. Registered and evaluated by Sotheby’s Amsterdam. Maureen Bachaus sammelt Gedanken von Menschen unterschiedlicher Kultur und Herkunft und übersetzt diese in ihren fotografischen Assemblagen, Video- und Performanceprojekten, Installationen und Skulpturen. Sie kombiniert ihre Fotografien mit Seil, Nähgarn, Zeichnung oder Fundstücken und erzählt damit unterschwellig die Geschichte ihrer Protagonisten. Gestickte Texte scheinen wie Gedankenfragmente, mit verknoteten Seilen umwickelte Fotografien drücken Freiheit und Unfreiheit unserer Gefühle und Gedanken aus.
AUSBILDUNG | EDUCATION Academy of Fine Arts, Maastricht Netherlands! Conceptual Post-graduate Academy, Amsterdam Netherlands STIPENDIEN & AUSZEICHNUNGEN | GRANTS & AWARDS 2014 Art Colony Galichnik, Macedonia, international multimedia residency 2013 Art Colony Galichnik, Macedonia, international multimedia residency 2013 Varg e Vi, Center for contemporary art, Gjilan Kosovo, residency prior to solo exhibition PUBLIKATIONEN | PUBLICATIONS 2017 Public art billboard and interview in newspaper about the sculpture ‘Cloud of Thoughts’, ‘Art in the Street - project’, Netherlands, 2016 ‘The Unnoticed Art Festival’, exhibition catalogue 2015 ‘Unerasable’, Hardcover exhibition catalogue 2015 ‘No Utopia / Good Utopia’, exhibition catalogue 2014 ‘The vulnerability project’, Hardcover project booklet on occasion of solo exhibition at EXIT11 2013 Catalog ‘Secret Properties’, on occasion of solo exhibition at Gallery S&H De Buck 2013 Catalog ‘Maureen Bachaus’, on occasion of solo exhibition at Varg e Vi, Center for contemporary art 2011-2015 De God van Nederland, literary and cultural quarterly - publication in each issue 2011 Catalog ‘Identification’ - on occasion of solo exhibition at Galerie Wansink 2009 Catalog ‘Transformations’ - on occasion of solo exhibition at Galerie Wansink 2007 Catalog ‘Maureen Bachaus, assemblages’ - on occasion of solo exhibition at Galerie Wansink ÖFFENTLICHER RAUM | WORKS IN PUBLIC SPACE Cloud of Thoughts, roundabout-sculpture for the city Roermond, Netherlands Tree Installations, temporary installations in Parc de Woluwé Brussels, Belgium
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GALERIE KUNSTKOMPLEX
EINZELAUSSTELLUNGEN | SOLOEXHIBITIONS 2014 solo exhibition, Exit11 Contemporary Art, Belgium 2014 MYSTERY MINING, Art Gallery O-68 Velp (Netherlands) 2013 TELL ME WHO I AM, Lieux Communs, Namur, Belgium 2013 SECRET PROPERTIES, Galerie S&H De Buck, Gent, Belgium 2013 Varg e Vi, Center for contemporary art, Gjilan Kosovo 2013 Art at the Warehouse Rotterdam, solo presentation, Eduard Planting Gallery 2012 TELL ME, performance, Chelsea Art Tower, 21th floor Gallery, New York 2011 IDENTIFICATION, Galerie Wansink 2011 HERE I AM, Vishal Haarlem 2010 ALL THOSE PEOPLE, De Nederlandsche Cacao Fabriek 2009 TRANSFORMATIONS, Galerie Wansink 2007 ASSEMBLAGES, Galerie Wansink
GRUPPENAUSSTELLUNGEN | GROUPEXHIBITIONS 2017 Under the Surface, duo exhibition with Christina de Vos, Gallery O-68, Velp (Netherlands) 2016 Visions 2016, selected performance, Nunnery Gallery London, curated by Cinzia Cremona 2016 Biennale of Jodoigne (Geldenaken) Belgium, selected performance 2016 Unnoticed Art Festival, performance festival, curated by Frans van Lent, Netherlands 2016 EXIT11 Contemporary Art, Belgium, group exhibition 2016 Rotterdam Contemporary (with Gallery O-68) 2015 Gallery De Buck Gent Belgium, group exhibition 2015 National Gallery of Macedonia, Spacial Extension of Art, Galichnik, Skopje 2015 International video festival ‘artvideoKOELN, ‘audiovisual experiences 01’ 2014 CC De Ververij / MOW Belgium, ‘Cradle to Cradle’, 2014 CologneOFF IX International Videoart Festival 2014 ScenesConnected Maastricht, interactive artproject 2014 Exit11 Contemporary Art, Belgium 2014 PARCours / PARKunst, Parc de Woluwé, Brussels, via Lieux-Communs platform for contemporary art: Open air exhibition with a new installation 2014 Galerie Wansink, duo exhibition with recent work 2014 Galerie S&H De Buck, group exhibition 2013 Liquid Borders Art Festival (photography, video-art), Bari, Italy 2013 Museum Elburg, group exhibition ’in conversation’ 2012 Art Gent, group exhibition via Galerie S&H De Buck 2012 Galerie S&H De Buck (Gent), group exhibition ‘The paradise’ 2012 Galerie Wansink, group exhibition ‘Not for your eyes only’ 2012 Galerie Daniel Tanner, Zürich, group exhibition ‘A little bit nasty 2012 UNIT24 Gallery Londen, group exhibition ‘Passion for Freedom’ 2012 Galerie Smarius, group exhibition 2012 Amsterdam Book night, presentation via magazine ‘De God van Nederland’, Amsterdam 2012 Rabobank, Series of commissioned photoprints 2011 Galerie Wansink, group exhibition ‘Confrontations’ 2010 FLUXmuseum, Museum for Contemporary Fluxus Art, USA, 2009 Galerie Wansink, group exhibition ‘Assemblages and collages’ 2008 Galerie Wansink, group exhibition ‘ Stock and new work’ 2007 Art Amsterdam, duo exhibition with Christina de Vos, (with Galerie Wansink) 2006 Museum ‘Villa Zebra’, Rotterdam
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GALERIE KUNSTKOMPLEX
ATONEMENT Print and rope on Hahnemühle, 2012 66x88 cm | 26x34.6“ Edition: 3
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GALERIE KUNSTKOMPLEX
MY HANDS THEY WANT TO Print on Hahnemühle, 2013 58x59 cm | 22.8x23.2“ Edition: 3
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I AM BORN, IT WAS TIME TO Print on Hahnemühle, 2013 75x83 cm | 29.5x32.7“ Edition: 3
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GALERIE KUNSTKOMPLEX
BECAUSE I WALKED INTO THEIR OWN PATH Print on Hahnemühle, 2013 32x45 cm | 12.6x17.7“ Edition: 3
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GALERIE KUNSTKOMPLEX
JE VOIS Print on Hahnemühle, 2013 74x100 cm | 29.1x39.4“ Edition: 3
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THE DAY BEFORE I WAS BORN (II) Print and rope on aluminium, 2012 17x26 cm | 6.7x10.2“ Edition: 50
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PURIFIED Print and rope on aluminium, 2012 109x70 cm | 42.9x27.6“ Edition: 3
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LE VOYAGE – ET MOI, MOI SEULE Print, paper, wool on Hahnemühle, 2007 81x107 cm | 31.9x42.1“ unique piece Officially registered and evaluated by Sotheby’s Amsterdam
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GALERIE KUNSTKOMPLEX
UTOPIA Vintage photo and wool, 2012 17x26cm | 6.7x10.2“ unique piece
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GALERIE KUNSTKOMPLEX
LOVE? Print and rope on aluminium, 2012 18x25 cm | 7.1x9.8“ Edition: 50
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GALERIE KUNSTKOMPLEX
THE SECRET GROWS Print and rope on Hahnemühle, 2017 48x59 cm | 18.9x23.2“ unique piece
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GALERIE KUNSTKOMPLEX
THE LATE WALK Print on Hahnemühle, 2017 35x45 cm | 13.8x17.7“ Edition: 9
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GALERIE KUNSTKOMPLEX
CARLA SOPHIE SCHNETTLER
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GALERIE KUNSTKOMPLEX
CARLA SOPHIE SCHNETTLER
Carla Sophie Schnettler wurde 1991 in Rheinland-Pfalz geboren und studiert Kunst, Mediendesign und Designtechnik an der Bergischen Universität Wuppertal. Nach ihrem Bachelorabschluss wird sie ihr Studium an der Kunstakademie Düsseldorf beginnen. Die gestischen Malereien der jungen Künstlerin lassen die Zeiten verschmelzen. Die Geste des Jetzt, die im Augenblick der Ausführung bereits Geschichte ist. Erlebnisse aus der Vergangenheit, die sich - von der aktuellen Emotion beeinflusst - mit noch nicht erlebten Ereignissen überlagern. Sie experimentiert mit ihrem Material, vermischt Spray, Bleistift, Acryl, Pastellkreide. Das Material interferiert mit dem Motiv, präzise Zeichnungen werden durch abstrakte Elemente aufgebrochen und umgekehrt. Mit größtmöglicher Offenheit und Spontaneität lässt sie Malerei passieren, agiert und reagiert gleichermaßen. „Meine Malerei kommt durch sich selber. Ich führe sie nur aus.“ sagt sie über ihre Arbeiten, die sie selbst als Interferenz aus Emotion, Motiv und Material beschreibt.
AUSSTELLUNGEN 2017 INTRODUCTION, Gruppenausstellung, Galerie Bardohl&Scheel. Berlin 2017 SCOPE BASEL, Messebeteiligung, Basel! 2017 Q.E.DEBUT, Einzelausstellung, Galerie Kunstkomplex, Wuppertal! 2016 CONTEMPORARY ART RUHR, Messebeteiligung, Essen! 2016 SOMMERKOLLEKTION, Gruppenausstellung, Galerie Kunstkomplex, Wuppertal 2016 SCOPE BASEL, Messebeteiligung, Basel! 2016 HINTERZIMMER, Galerie Kunstkomplex, Wuppertal! davor: regelmäßige Ausstellungsbeteiligungen an der Bergischen Universität Wuppertal!
kunstkomplex.net
GALERIE KUNSTKOMPLEX
RAUSSCHMISS Mixed Media on canvas, 2017 120x130 cm | 47.2x51.2“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
KREUZWEG Mixed Media on canvas, 2017 73x80 cm | 28.7x31.5“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
WAS NICHT Mixed Media on canvas, 2017 90x114cm | 35.4x44.9“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
GEGEN 1 Mixed Media on canvas, 2016 69x88 cm | 27.2x34.6“
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GALERIE KUNSTKOMPLEX
GEGEN 11 Mixed Media on canvas, 2016 80x108 cm | 31.5x42.5“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
GEGEN 14 Mixed Media on canvas, 2016 108x118 cm | 46.5x42.5“
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GALERIE KUNSTKOMPLEX
BUTTERBLUME Mixed Media on canvas, 2016 70x82 cm | 27.6x32.2“
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GALERIE KUNSTKOMPLEX
DELTA Mixed Media on paper, 2015 42x60 cm | 16.5x23.6“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
MATHEMATISCHE BALLERINA Mixed Media on paper, 2015 42x60 cm | 16.5x23.6“
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GALERIE KUNSTKOMPLEX
BALLSPIELEN Mixed Media on paper, 2016 70x100 cm | 27.6x39.4“
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GALERIE KUNSTKOMPLEX
KELLER Mixed Media on paper, 2016 70x100 cm | 27.6x39.4“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
BIRKE Mixed Media on paper, 2017 70x100 cm | 27.6x39.4“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
WINTER Mixed Media on paper, 2016 70x100 cm | 27.6x39.4“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
CHX Mixed Media on paper, 2017 70x100 cm | 27.6x39.4“
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GALERIE KUNSTKOMPLEX
MEINE DAMEN UND HERREN Mixed Media on canvas, 2017 Durchmesser: 30 cm | 11.8“
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GALERIE KUNSTKOMPLEX
BIS HEUTE Mixed Media on canvas, 2016 Durchmesser: 50 cm | 19.7“
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GALERIE KUNSTKOMPLEX
FLG 01 / 02 / 03 Mixed Media on paper, 2017 12,5x17,5cm | 4.9x6.9“
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GALERIE KUNSTKOMPLEX
IM ATELIER (II) Mixed Media on paper, 2017 21x29 cm | 8.3x11.4“
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GALERIE KUNSTKOMPLEX
CHX 02 Mixed Media on paper, 2017 50x70 cm | 19.7x27.6“
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GALERIE KUNSTKOMPLEX
SECHSEINHALB Mixed Media on paper, 2017 50x70 cm | 19.7x27.6“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
STURZBACH (II) Mixed Media on paper, 2017 50x70 cm | 19.7x27.6“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
WILDBLUME (II) Mixed Media on paper, 2017 50x70 cm | 19.7x27.6“
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GALERIE KUNSTKOMPLEX
ACHTEINHALB Mixed Media on paper, 2017 50x70 cm | 19.7x27.6“
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GALERIE KUNSTKOMPLEX
ZEHNEINHALB Mixed Media on paper, 2017 50x70 cm | 19.7x27.6“
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GALERIE KUNSTKOMPLEX
HENRI VAN NOORDENBURG 헨리 반 누르덴버그
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GALERIE KUNSTKOMPLEX HENRI VAN NOORDENBURG Born in Amersfoort, Netherlands. Studied Fine Arts and Theatre at Queensland University Brisbane, Australia (B.A. in Fine Arts and Theatre). Lives and works in Australia and the Netherlands.
SOLO EXHIBITIONS 개인전 2013 EFFACE, Edmund Pearce Gallery, Melbourne, Australia 2011 FOREIGNER, Queensland Centre for Photography, Brisbane, Australia 2010 (DIS)PLACE, Queensland Centre for Photography, Brisbane, Australia 2008 DIASPORA, College Gallery Queensland Collage of Arts, Griffith University, Brisbane, Australia 2007 COMMON GROUNDS, Queensland Centre of Photography, Brisbane, Australia 2006 STORIES FROM HOME, Brisbane Powerhouse, and Bendigo, Australia 2004 HOME, Museum of Brisbane, Brisbane Powerhouse, and Brisbane City Council Libraries 2004 WHEN A MEMORY BECOMES A STORY, Brisbane Powerhouse, Australia 2001 WORKERS’ HANDS, Campbell and Mahoney, Brisbane; Artre, Amersfoort, The Netherlands 2006 – 2011 KODU / HOME Estonian Parliament; Linna Gallery, Tallinn, Estonia; and European tour (including Hungary, St Petersburg, Nikolai Roerich Museum, Stockholm and Mannaminne. Sweden)
GROUP EXHIBITIONS 그룹전 2016 SCOPE BASEL, Basel, Switzerland 2016 GROUPSHOW, Keumsan Gallery, Seoul, Korea 2016 KOELNER LISTE, Cologne, Germany 2016 SELEKTION, Galerie Kunstkomplex, Wuppertal, Germany 2015 SPOON artfair, Seoul, Korea 2015 ART EDITION, Hongik University, Museum of Art, Seoul, Korea 2015 P/REVIEW, Galerie Kunstkomplex, Wuppertal, Germany 2015 INCIDENCE, Limited Space Gallery, Gold Coast, Australia 2015 CHEONGJU artshow, CHEONGJU, Korea 2015 QCP LIMITED EDITIONS, Woolloongabba Art Gallery, Woolloongabba, Australia 2015 A LAND THAT DOES NOT YET EXIST, White Canvas Gallery, Brisbane, Australia 2015 AHAF, Seoul, Korea 2015 SCOPE BASEL, Basel, Switzerland 2015 PHOTO LA, Los Angeles, California, USA 2015 COMTEMPORARY PHOTO, Los Angeles, California, USA 2014 PART ONE, Galerie Kunstkomplex, Wuppertal, Germany 2014 BERLINER LISTE, Berlin, Germany 2014 BLOOOM/ ART.FAIR, Cologne, Germany 2014 DUSK TO DARK, Queensland Centre for Photography, Toowoomba Regional Art Gallery 2014 PHOTO LA, Los Angeles, California, USA 2013 SILENCE 11, Bundaberg Regional Art Gallery, Bundaberg, Australia 2013 BOOK ABOUT DEATH, Tweet River Regional Gallery, New South Wales, Australia 2013 CABOOLTURE, Regional Art Gallery, Queensland, Australia 2013 PHOTO LA, Santa Monica, California, USA 2012 POLARIZED, Colour Factory. Firzroy, Victoria, Australia 2012 REFRAMED, White Canvas Gallery, Queensland, Australia 2012 SILENCE, Woolloongabba Art Gallery, Woolloongabba, Queensland, Australia 2012 NORTH BY NORTHEAST, Depot Gallery, Waterloo, New South Wales, Australia 2012 PHOTO LA, Santa Monica, California, USA
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GALERIE KUNSTKOMPLEX 2012 Sarah Lee Artwork & Projects, Santa Monica, California, USA 2012 SIX BY SIX, Redcliffe Regional Gallery, Queensland, Australia 2012 SILVER Gelatin Print, Gympie Regional Gallery, Queensland, Australia 2011-12 Shared Vision, Poland. 2011 STANDING ROOM ONLY, Circle Gallery Brisbane, Queensland, Australia 2011 PINE RIVERS, regional Gallery, Queensland, Australia 2011 PHOTO LA, Los Angeles, California, USA 2010 SOMETHING MORE, Circle Gallery Brisbane, Queensland, Australia 2009 SHARING, Touring exhibition in Poland 2008 EKKA, Brisbane RNA Showgrounds, Australia 2008 Clayton Utz Travelling Scholarship Exhibition Brisbane 2008-12 Syncronisity, Queensland tour and Grafton Regional Gallery, Queensland, Australia 2005 Olive Cotton Award, Tweed River Gallery, New South Wales, Australia 2005 R.A.I.S.K, National Library, Tartu, and Ulemiste, Tallinn, Estonia 2003 WAKE, Palace Gallery, South Brisbane, Queensland, Australia 2000 CONTACT, six venues in Brisbane, Queensland, Australia 2000 VALLEY FIESTA, Brisbane, Queensland, Australia 2000 RITUAL AND REFLEX, Smith and Stonely Art Gallery, Queensland College of Art, Brisbane GRANTS & AWARDS 레지던시 2013 Moreton Bay Art Prize (short listed) 2013 See Me (short Listed) 2013 Emerging focus (top ten folio reviews) Photo LA 13 2012 Clayton Utz Art Prize, 1st Prize. 2011 Arts Queensland, Career Development Grant 2010 Clayton Utz Art Prize (short Listed) 2010 New Acton Nishi 1st Prize 2008 Clayton Utz Art Prize (short Listed) 2006 Olive Cotton Portrait prize (short listed) 2004 Eesti Instituut, Estonia (6 Month Residency)
COLLECTIONS 소장 Bundaberg Regional Art Gallery Daryl Hewson Gallery Mater Hospital Queensland Centre for Photography Prince Charles Hospital Private Collections (Australia, Europe and USA) PUBLICATIONS 출판 2014 Vanguard Installation online magazine 2013 Artblart, Art Blog (Melbourne Australia 2013 Art Monthly 2013 Queensland Centre for Photography text for Exhibition catalogue 2013 U on Sunday (Sunday Mail) 2013 Lenscratch (blog, USA) 2012 Unless you will (blog, Australia) 2012 IANN (Korea) 2011 Compendium 2008 ‘Kodu / Home’, The Estonian Institute, Tallinn, (Estonia) 2007 ‘Stories From Home. Courier Mail, Time Off Magazine, Map Magazine
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GALERIE KUNSTKOMPLEX
Abstracted within the landscape the artist features as the protagonist facing the threats of a seemingly hostile bush. The work reference "The Expulsion from the Garden of Eden" with a focus on overlaying a European aesthetic on a physical and intellectual landscape. Starting with self-portraits set amid a featureless black background, van Noordenburg slowly and meticulously hand-etches the photographic surface. Van Noordenburg describes the process of self-nude photography as a "incredible mix between strength and weakness, frustration and content - a feeling of euphoria and adrenaline". Feelings, which mirror his attempts to assimilate within a dominant foreign culture, where minority groups are often treated like second-class citizens. The central figure's way back to "the Garden", his continual search for belonging is impeded by social and political frustration.
헨리 반 누르덴버그는 1975년에 네덜란드의 아메르스포르트시에서 태어났으며, 호주의 브리즈번에 있는 퀸즐랜드 대학에서 예술과 연극을 전공을 하였다. 현재 호주에 거주하며 활동 중이다. 반 누르덴버그의 작품에는 풍경 속에 적대적이고 위협적인 덤불과 작가가 대면하는 모습을 추출할 수 있다. 이 같은 작가의 작품에는 능동적이고 지적인 풍경에 유럽적인 미학을 집중적으로 가미한 것을 볼 수 있다. 반 누르덴버그는 자화상을 텅 빈 검정색 배경에 놓은 후, 세심하게 사진화될 평면에 손수 에칭을 한다. 작가는 이 같은 나체 자화상을 만드는 작업을 “용기와 나약함, 불만과 만족감의 엄청난 혼합체 – 희열과 아드레날린의 느낌“이라고 묘사한다. 그가 얘기하고자 하는 그 “느낌“은 소수 집단들을 2등 시민처럼 보는 대중적인 외국의 문화에 그의 동화되려는 시도를 비춘다. 하지만 이 또한 작품에서 알아낼 수 있듯이, 소속을 찾으려는 그의 노력은 사회적, 정치적 불안이 방해한다.
kunstkomplex.net
GALERIE KUNSTKOMPLEX
COMPOSITION XXIX Photographic carving on paper, 2013 20x20 cm | 7.9x7.9“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
COMPOSITION XXV Photographic carving on paper, 2013 20x20 cm | 7.9x7.9“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
COMPOSITION XXX Photographic carving on paper, 2013 20x20 cm | 7.9x7.9“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
COMPOSITION XXXI Photographic carving on paper, 2013 20x20 cm | 7.9x7.9“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
COMPOSITION XXXIV Photographic carving on paper, 2013 20x20 cm | 7.9x7.9“
kunstkomplex.net
GALERIE KUNSTKOMPLEX
GALERIE KUNSTKOMPLEX Hofaue 54 D-42103 Wuppertal tel +49 202 39 31 24 94 info@kunstkomplex.net Gallery Director: Nicole Bardohl www.kunstkomplex.net kunstkomplex.net
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