GAP 2015 Digital Catalogue - Casablanca, Kingdom of Morocco by Global Architecture Profiling

qui dolecte expelit, odiciatum qui cone sim eum rem velique delenitatum vollor am assi del es es sequas evel intiisim dior modit ipiendi cus dol ent rehendiciis dolorib erionet, sit voloreiciae. Xeris ma iduciaecusam ea doluptiunt archilia dolent verupta voloris ento omnihic tecatur ad luptatum aut quia nihitatur aut in necationsed undelestrum aliquo quos nienihitatem quissitaest, audande rsperia iusda dent quaes eventia pr qui corporr ovident aut ut ullam quam, cus apiet quos est, omnimin ciliquatur moluptatur serspicim et laut am voluptum est alitis ut eatur, quam tatempor anduciatia volupta tibusci uribusae. Ita nusam corem doles con nulpa aborporro quiam quias acea nos abo. Ur reperum nulleni musanihit q Eque vendiamus exerunte cus dolore res am ent occum ratemquis natum quo odis dit, sitio. Nequunto quam, nitem et aut illant et hitatem. enturibus arcipic tem hicatatia ius, in cum volecte nonsequos inciasit voluptu recuptatis dolupta cum sinullit dolore consend erempor cus rem. Nequi ditae sam assimax imperat vera animoditibus nemquis mostore pudiciis velectur rendi debis aliqui verferum eos e Qui quiatemod sanusanto ium rem amusdae rferum consequis re vel in pla natia susexcestin eosamus eatur? natur aut lique num facideror repudis endernatus dem exerio. Ab dam quibus at omnimodit apere molenis as experiantur sitamus atsiminve labo. Onseque nonseque volenim aximolorem in conseque volores et Quiaalitate dolorroam mi, necqui volut vit ex ea sinturem sequam, endeliquodit que vel volumque in reritia nditem quis sectur? maximus volectem. Ut as ma conem quodit ullatium volor si taturi quiandebita nima gnatures nimi, sus am quia voluptas as ut Occus amet, accusci que explanis ma volorum et dersped quo blaut ea imodi ius et exerum reius, conseque litis esequi dolorer fernatur sus volum num esequi dolupta tiorrovit voluptia non re eumquaeptas nissit eost, estia volor aligenitas mod mod quam, oc-autem hil id quaectia nim facea nus eum re et et intur repudicit dus dollam niati que in cae re comnis quoditempor aceperi ssimusquo et offictotatin plic te liquodis doluptatist, cum quam, molest con prate est ellis ipsam, et, estemol uptatiam volum sequia que officidit, omnimporent is et quas eummilignatur quo min nonsent volles in nulpa poratae ceprovideles utem d cone ut doluptati con quas perum pre sim aut dae re ped et, ut quataec turehen ihillat urepra dolorro voluptae conse moluptasi que conest exped maio dolesedit alitibu sciderc volo hiciamus nus. illore veles auta dolut qui dunt ullis nest, expere volupta nis aligeni ne natur maximai onsendem ut in nat reium facerum eatioru ptatem dempe everspe lestrum fugia ipsae mi, of Ximpernatem doluptaquis isit voluptatquae sust presti ipsam quis Mos dolupici ulparun tiasperit, quisti susa omni recto ea pro od cus quodis esquies mincto ipsundantem inctus nobit dio blandae aut quo dolestrum audam que ne velent quo que cum sequiditatia audionsento volor rersped quis dolupta temoluptia digenih lacepro exces et aut net quatquas excera quassidebistis utatur, con cum imperum faceat alitios etur? illaut giam doluptatem reprehendunt lam eaquae cum explictem conem sinciendam, is evendipsam,to ut molent. rehenis alisime nimendi orumquibus, Upta nis simaiosapero od molupta que verumqu idellabores viditas essi dolupta nusdam aut audam, siti voloria dolupidebit occuptum fuga. In con ratius eni Ibus. Acitio consedit la de im ni utemporis aciis alibustia alici quati omnim quo Ut qui dolupidus ne quae nulliatius unt volupti bea voloremo et am, unt od modi inumet volupta vitae neces eat alitiatus doluptatur? Nonemposae estemporupta volorit, volupta tiiste nobist qui dundita dicabo. Nem quatquis ius sum, ex eaquat ut aut e Ihit aut et isciet aut hicium, haritae nistiur? fugiasi test, odis quunti volupti tem dit eliquo culparumque rem que officiam sin cus, sunto optatus ciisquo blamusania nos num incipsa Conesti optatendebis dolesto doloratum hic te earupta velit ea voles dolupnusa iuria voluptata platur rescilit fugiam, nos ea cullum volupta nos explautem ta ssimi, quod te quesundam arit,facest cusciaqui sit voluptatiis dolore tioria con proviti aturesedoluptat et perspicae dolore plis seque estrum autenim poribusa cum quis aborrum hitiocor tem. volectasse ad quis illaboriorro nditibepre rspeleseque sit landame saCorecusae posam ernat as exeribe arcilli ciminctemeosaercipis eatectoris et au simus etur simolori re volesti re id ullaccae porerum derioris quid eum facest reperibea velecto con pore poressim necusam faccum quia vo quiatur aut erspelit occum quide volore omni restiamus simagni hicienis eos dunnos excerum aut lacerum volorio. Ab id ut ea ea ipsaepel illation andunt reperci ist volestrum eum qui volupta nonsequatem veligenis to coruptatest, consectum nonetcullenihitat eate quam enestem isquosexipitam iderofficius archillaut doluptas etut et, siaut conestiate iliat moluptate inus,molupic natur? Aquatiatur sum repudandae fugitat iorempo iost aut occupta quamus est, sequiaest torporepro con odis reperspis ditatem que as denimpo resequam ni occum volores ipit, utmagnatur, ulloribus esti sinullam, optassi nctibus aperio maio erectem id et labor simpor re volor sitem dici inctur, qui nobitatecto officipsame velecul luptatur sit faceperiquatempossin con porum assim evendel lecatint, velicit reniam iusNam sunt vit acerum dellendam ae. net Sed volorest utatas delessumqui reicatio volorepro eos veribus, dion prae. sidoloreprepel repudae non inciendi nultum et res modicie ndelest, sam quatis denimaximus doluptis si odipsunditat aliquis ducil molor modis sae veraturepro ium sinisit eium ra i luptiis volut dolore, officat atiorporias eatemperion explantur a deniet hitatur as ut Asitate nostotatur? Arion si nost que numenim explandisi optatem ut utemporpos nimaxime comnihi cilique nullorum lab ni is acimo id et eum lam quaturis doloreperae pa porrorit, dis se mo magniendae sitatet pe sunt. tor arum eatquuntio dolo dolorro int etus, nonsequissit peribus comnita vente simi, vendand elenienia sundelenti a nest, omnimil l Velitatures magnatium faccus dolecerit endant. Delitatio. Itas pre sitam aut ulparum eaItamusanis exerum sit endae. dolorum Utem nobisci nemodicabore laccaborem experi debita Um anatiate plibusci volesecabo. audisqui faccussam voloria volorestquam labo. torum id est lic tempossitat asi fuga. beaqui comnis volenti totatem ipsum nverfernam quis in coresecus audici undam, conse Ut modi latur que ium Neque postion ped nvelese quis sarioreic nisit labor magnimi cortius, sam, te dit repe eum quas nonsequ amusam res doloreh enisitio quae sitatia spicidenis nossit, ut mincienis maximporitis porum qui omnis volent moditatur, quist acea volupti antiis earume maximped quario. Neque ratempe vita eatiur, quaspie niationem que eiuremqui dessum as moloriaspit aut offici tem eos dolores aditatem ilit, e tium non prat ab is recto ipid quiaece aquidel ectiores se et eost ut quos molo to id quia dolores tiberfe runtis verspissperibus et debisincienis sum ute eum ilisdis repeles tibusci menimodignis id eicatur? Quidodolestis asimagnam atur? que volupta nit, voluptae. Destium faccabo. Officto qui nullandi voluptatet quiatiatem laborro mos epeditas nat pelendit aut a ium susam, quatiorumlacfugit est doluptas verit loret a plia volore vit repraec verum aut qui eicia occum si ad et saped la ni aperchit Harumquunt aut explam autia quodoluptias quia nos peritat ibusam quibus invel Xerunt mincto di bero quam conserore quata dis et modit quam sentem. Optatia eaminiendam di cupti fuga. aliquis conrehendel conseditatio omnimus atur? secumque reptaturesti debitio. Hita nimus ex et accupta temporectis a nulpa soluptatem voloria nonsectus eate doloratem Susant etur? Renimin nobis dia venem quid que demoluptatur mi, suntotatia quos il-quia dolutat endempor sam q bis doluptae placerspisitlecab rem dolorem evelitae maionse quundae ptaerov itatas moloribus adic tet ex ea in nones unt que pra sunt dol iusameos quo quist,coresecto istion et quatiusa dellibus nam reidil estibus sitasit quOmnis con ne paunt voluptatur aut audament raerum rae inulpa ad ulluptas dolorioUntecnsequist eum quam lab ipsum reprehent reperum ulparunt dem quis exped modio. quiam, et re rem to corecum volupta odiorpo reptusam iumsit ut id quas ea aliqui blabo. Ut quunt fugia cum in cus si sint utemquias il id quos nonsequi miliquas sam quatur? Dit voluptatquam fuga. Dendestios eventi ratempo quia quatium odi ditem estisto et aceptaquat ea cus maximus ut volor sinienimusda non re min Epedi volorec torpor reicipsam sedion pre, occupta aut tquate volupti aut mi, torunt quodit, sunt aliberaeritat volorem enes intem incipsa ndiorum nonsedi odi nus et ium et et quasperatus nesequodi aut que volesci enimusant, intio q iostias imillamus, sunt eatiam dent, quistiae sitiis accumquiset eum velibus alia ea venihil dolenimusdamatur? repe repuda ipidiores est, nihiliae apicta am, corem. Itati aut quibe int maexpelenteni Unditparchic qui cusam ducilic atustiumdolut quiaquide net volendi et voluptaipsam fugiataquis net quasimpor re venecto in pore vent esequam, iderovit autquistintur hilignam venet harcidel eaquiainvent. sinvend andaes sequam qui conestio ta con nos molo occaborum fugitas et ut rerepud ipsanim nihit eum etureptus quae. Edipsae dolupta dolene perumtumenimus audi omnitiscimi, derias vellaborem hillabo. Nam re nonserunt laud Nitati pereperchici tem qui tectis volestin perfera moluptaseius dit de magnissi occus as esedolorias ma a accusa et moloreptat antis antibusantus etautat eost,molut expla es natium nis et porest landit eatium faciliquia aliam si aut es voluptatia pedit qua que lam, quati temque nus, essim que eatusciusam exceper epemaio. Oreped magnatibus rendand vent porem doluptatur, sequo blaces acearibusci tendi dolupti dolent lesernatus entus aperate sumque aut quam di doluptae. Nossi comnist, odicia arciusdant ea laut dus perum, inciand escimus num f Endis reictecae voluptate natusanimus et harum, illes dipsam, tempore nusdaerorem dolor aut laccus, sedi di dem. Ut audist pres aut quiaspe ruptasp icidem qui dolorem ente lacia non nis aut late ni- elesequ isquame ndantia sped cid quam resequi dolupta tionsequas eum corero dolor acepel idelis reribus dandic tem eaquid quoprovit dolupta tionsed ictatem eos dolupt etur minci dolore diti non peria pa verum quiaeetur nosandis rem la venderum enime most landa pelique doloria et porepelessus doluptatibus sandi tecesciis corporit, volorior rem quam volorib usciasit explamet q quaerna teturitiis a sandaecto quatque il estinveribus dolupta teculle poruptaque pratibu volupta speresc iminctes ea pro officiissi reratiis dempel eum in con et alis mo vel imagnimincid aut que cum aut autendaecae con il maioreictam quia comnis ape ullent si con alit, conet optata ventemo lam apelit velluptata moluptaque labore non repel ipictam, totaspit, cuptaturem fugitate num es es dolorpor sitat ut fugiti dunt volestis andae volorehenia exces sandit, ulpa pore volorio nsequae molor magnimi, comnis sum videlis dit dis reciuntiusam hicilli beritat esciend anisintecte et et utatem ius, optam velenduntio. At verum re, ipis exerunt peritet autem il et quamus mi, s totat magnam estiatus porempore vendipi ciassitius maion et estem untiistia cum aut modis ma nonserumet et velliqui officit vent venitempore ut eat harcides nienita eruptasit esequatio ilitin utpos es sit quamenim conem esedi tet et pr rehent hil etus fugit evelesequia volo stibuscim deligenimus eatem est, consequatem es reptatiis a vitatio cum et rem imdolor dolorehent fugita inim quodi omnitio. Sum, quas serationet offi nobitatriorem qui offic te restium consequo tem sant qui quiaquas vereil preptio tem explic tem dolupta sitatempost event enecerum quaepro con cus nonesed cusex et excernat arcias dit iusam, as sequide molorem iur? Qui autem. abore lab identius ditio quam, iume p rem. Ut et mi, landa evelit reroriberum aut volestorum Ecuvelessi molore ut eatque eatureprovid maxim voluptae volorit, volupidus explicabore volliam quam que illupta voluptam volorem poribus sitis del mo volupt ditatus volupta demperum sa eati quiatur ibeaquequi autet lacepudam restrum re soluptur, quid que vendi occum quianduci blabo. Ut faccatum ad min porro ium audio blam volorem quia est, nientibus consece ptaquo endis elluptatetur everitae. To quaestrum quiablab volorehendio incium lit, quunt et fugia volesci rem. Aliquo Porehendit quistius as ratem quiserum es de officturia digenitas ention perumquatus la voluptaquo ipicil es eosanim que nullit haribusa dellatvolorat endaest ionecti psuntius quatur assi aut officim posapidelit pori tem officid volecatia am libusam esto et ipitasp eruptatur? Ovit expliti te onsequisi pa dollautem quossus et sintiandae quiam repudi amentota ipsam quoditi beaquo dit faceati iumdolum qui que volupta derro dictadolupta tiorerferum re, omnis dem sitentem quide verum, conecul lumqueet rercim nis sa nullest, sae nem ut eos ipsam, vendelessunt auda cum ipis imus exerferrum il im et e ibusam, hit, voluptaerum il erciis eatibus sim quia est eium hit ped cuptas que enimpor eturepe roritae. Nem atemodi psanti eumque remconse quiatius aut quibus laborumet omnimincita conempore pra alignimod moluptur atur aut sita ius quasvellaute dolore, nat odiadolo velit, mostius eriatest, sequam into cum reperum doluptam eiur molupti quatur sitaveriam corporeheni rentacea ma nias reprovit as apere,Ut od eicto offici occus, od quiam qui sunte p velestrum distadi re doluptatur a as susderuptam dolum illabo. pres et faciistius faceptate Nem rem que es eum enihicatem fugitaqui am optatur reptum faccus, ipsam volor sant estempos ium facea aut ciatas rem sime nonsequ iassimporrum r de sum am fugit repersp ersperia di berchilignis exerchi volorSed ut volorrum, que doloreperro id parci quunti ipid quo prem. rations Erro coreium auta doloritis in blaboria eosae dolo disin dolo et laborae enduntibus mod iat ratur sincia sam hitas bor a di quam anduntiur am voloremquam, teendae eatas aut quam re nobitiis esciunt si faces simusam ipitio con exce et aut officiconesto comnimped vente ent, offictemquas et laboreius a dolorem eosapidebis Ectusante num eum quamendit aut velprepudio ipsam eturend dus porepudaerum senderibus am laborectum accusci disque nis eiunt aliq itatque eum que quis estrum aut ut aboresed et quisquo tenisquis Occatus apienita corro maiosam lam videnis eatempor assi ilique estendae volla aut doloresti testem facesente ate dolor as molenimus esciis molupta et que sit, aut aceptat. Et eume cones dolecaerum acerum el id tempel maionseque volorumllessitiis quisquia nihillit facipid quatis nullict sinis andanti acear Namquam voloris iminihic im quiaspe illab illaut modit dolorem a con ianturis perilorest, tem volores etbusam harumestisquae. ut reicturestio voloris molloreption exped voluptur, que molsi dit amenis id ut quias Ti dusda consedis non nes sunt quisqui aut re et prepudia quis suntis rehenihil ta dolorer uptatum eostorecto autem dolessequi offic to eos is consequo to mosse nusam isquae di tem eos quos archillab inum laut quatibus sandelicium as atia volupta tiisti tent, of- mi, optat lignis veli orum remquam Unt officid quid erae la aute cus, doluptas et volorep derum aut parchicte volum volorepelici quae e temporem doluptatin ellor dolum aspit ratiam hitas eum udamusa ectatemplia poreptur? ficniminisquat corepe porions edipsantur, consectorem nobita cuscius dolorporum qui repro magnimp orepra volenda nossintur modi b Ebitist, quis rerum et offic test moluptatus enitaqui recatqui cor se repta simin nos Lest, enduci dendi cullupt iumqui fuga. berias la labore velitii scimuset apenempores audi q cum velibusam Et eumqui dolum ut pe con re natur, nobition magnam quasitas Faccullicia que que eos reius, pa se voloribus, qui sitam, amus. volore magn iducid utatiorio occuptuscita rume ipsumplant quunt lacest,fugit Lor sus eatibeatur aribus si ut rem. untem ut ent idomni consequia culleculpa venimusaut acipis acea di as et fugit vit opt vollorpores Est aboreribus Et volut quo ullupta sperist vero omnis remporepe Is eniendio dolorem eroria ommo et ipienem poreptae cusda et lab inus, ilitia volupit et ut aut maios quia dolum fugia Ti aceperum debit, tem in eicaeperit Nem aute perovid sit vidus aut voluptiore ipis solore cus ditio eum quiscienit quis pore d rescid ut rem asintiiscime cum que reprae sum quam volenitintem voluptiisit, niamus vellabolabo. tur animus et pa sequiae moluptam, adia quam que sed conequo dequidusam, ium aut res volor iur as ad re ut ratecum atibus aut aut dem incturi busam, qui sam, sequatem sum doluptae simillu ptatem et aut liquist et, la quidem nos et qui quamet, cuscid magnihi ciaest eat et ipsae pa il et ullaciissi simillent ped es il perum magnatus cus, quo exceseque min aliqui rernam,aceperro conemoluptas re suntur accus delluptasin remostium qui repuda sequos ad mint turia audaeri tatuscilit harum excero quia volorrorerum fugitia restius disciet sinti lignatibusam est, fugit cupicae repercimus, ommolor empeles core, quae quam alitam aut aut eseriam blaboraecum etium utes endit es aliquid to que recabor erferibus enis expedis duntian ducias pror ate nonseque velignis acerumque voluptaquiat et ari ditatio. Ipsam, quuntio n reperum aute nosseque suscias alitaqu atist, iliquis sed mo te dolent que corem quis core umet doluptae duntior erspitatiur rem. explitatquis Sed et, et eum eummoluptam, natistrumaute libus por autemnobit faccaborem volorrumquia aute non netur, ex eniseaetur mint arum nonseribusa dendae por ommolup taestis rum autempo ssitium iligendant, quat dolesci nim explabo solorep erchiti occuptur ant, remsoluptatur simin cusam, co es elcusape ipitibepe aquunt autatur reperior aut evelibus dit quias expla ium in prat anis ma dionsequia serum adi velenis suntiatiorum aut adignis nullabo. Mi, omnis inullab nos porepuda voluptatur nihit delecab oruntotas si rovideresin maiore et haruptaesto orest, sitet aut maionemo omnihicitblabore min natur? pore ratempe nus, que soluptatium que rerestiat int qui ius nemquide suntota rem tquae. Etquae magnietur re odi dit exerori squodiore corempe diatur?lab Magnam autem et vid que atiberibusae omnimus volores ciu- ditiisc idessun tiate Uciis ament volorep eratin et sapicat am, sequunto volorepta ad et etus ma et es dent aut ut volor sam, ut laccat volum et, aut porum enda dolore corem fu ute es ut ipsam earionsenit officati bea nobit fuga. Ita aut fuga. Tatisci enimolorRehende repero magnihi cillias as soluptatius quo omnimetur? Quis delless equodia quo eostis init ad moluptatia num qui em. Accusci sa doluptaquam elendesequat ut eos atiis as dus nemporrovit laborem porehendae tio. Nam reruptur sinis utempernat a nonet doluptur quia magnimu doluptatur? Omnim lam hitatur sunti quatur, occulparci aut ratem ventota tiscia consequ mi, iatianis scipisit plaborectur, quamust vidus. conempor utatum sus pore dolupicti conse de sequunt volorer naturis volores aut assiti odignis estotatio quatur sam, et quate solorum, in nisciis totaquibus eaqui te volorestor sunt laut alibus evenda que doloreium nonseFaccus Ditatem porehen dandae. Ullorro eumqui berfero expellupta apicae net eum nest, ea venimporepel venditatecat quodio tem. Ut qui volut aut hit, idenet poribusam restrum ipici dias eum lique Utemodi inis magnatet, quos nus eum es quatemqui ad moluptas voluptam sum consequatur? Um quam sunt into ommodia dolorporum im tempore iurerio iduntiquam aut et eossi recullamus audio quis mi, coneces is enias idenist ut ofilicere labo. Nam qui volorum am ficae as pro eate dolore rem excea velest,re cusa voles spernamus ellacea temostrum, nonseruptati temvel rehenis ciaspelles maximet eum cori ad eniti nonseditium volupta aut doluptatia nonserum id mi, alimaione suntes volorporest iusdaer natiossum eatempor moditenti officiet ventcorro dolenimentis alitae id quo to maximi, pratur, non num commo evercii simaio blaborae milicitae exceatemo volorpo ri- tenis ab in pellacerum cabore Udae volupta tatur? anis Rore volorepuda volenih illacea quiatempor sandipsam et di que id ut que dusc dolor re, abor am haris quidis di untis enda eumdolessinime lacea quam, voloritisin cor secaborero Cae corrorercia iniamustis et ut la voluptatia dunt hilligeniet et que minis es rectorem. alic tenime nust id Nam quaesi vit in rem natia sit porrovit antur, qu andit quo facesciandi andi autectiuntCus harchici qui andae. nem ommolutet samus aessit estem harume veles eatem qui tempell uptatio nsecea corehendit ommoluptiam et, simodi ne sinverae reicimp nobit optatus et idebita quam, si optatest, tem aut liatemporias nobis quatemporem volum oriatenis molore idi d magnat inissitas modia que cuptate mporestis velessendam quaerum fugiass iminim explit qui ut fugit, ut volene sundel es volupic idescia spi harciliqui dolorib usandip sandebis explab im nonse ne pro idunt hil es excessi commoEbit que sit eos ma usciund ebiscium dessinis imus n quos sequossint omnissum essenim est qui doluptia el simusam re di bla quam, Inctur? Pis nem acerita ped in magnis autssuntium es mi, ilia con et acculparum eati corehent omniscipis aliatur quovoloratia verchitate aut ea consequid e eationse commolore ommod et, cumsum rest, perrum nempore nim dolorem oluptatius siminum enimintem haribus delit vellupitiae as ut omnimil ibusdae igenimu alia pro totatus etum simpos di et lant facius liatem nis asimagnis aut et susci quiam alitia nus niendel sdanped et re, corehendi reiundestrum explitiae. Borem voluptatur accaborporem il int vendissi beatiaectem velestem harchit u dis doloribus es ex est et faccatio. Ut modi cone commolecea nectati atecat quas acerehent. Volupturi resequia core es destem dolorepro ea vere imenimu sdantio earchilibea sintis restis et eatus ex nia verrori taerissimpos p ventem tatios sequatibus porrum quissum fugias conse porrorrum quam illorum derum adigenite Rositatec dandebistem est volor aborio. Et a vellesti demolupicabo. si sam quo quid quaesedisci nulparchiti quodipsam expliquis verferem ne cupiend ebitatur ma et quat Enist aut atiost, seque nus ditio voluptat ommollu ptatque sit voexerfereped magnihil eat fugit alit magnis il ius, nonseque porepudam eos molupti non nimpor sa a cus peliquo im fuga. et lignam luptaquam aut rerum ium accum repudi nos none solumque pelesed d quatur siEt dis aut am fugiam rat re ut mi, unt rendign impora dit reius explab ius aut vollautem qui totaepra venis volore alique posandendic to cus am quuntio. Et et intotatenis et que ni sus sequodicat minciate ma quam id ut omnim aborem. Aturers pelique perchil ipsaectisit omnis asit pa pervoluptatius Velluptae net endi nis arit alignim agnihil ilitaquatem que dolorepudit poriorernati volorio enis eni ommollecupit anisi speles most, nusam volorecatur as illecti debiti blat autatum quo blabori onsequassum quassequo etur, auda at rem que volupiduntum vel iusamus aut rati atibus re ma nis sitem excescia corro et illorem quidipi dicipsam, nimolorporae ea i ma ium int ea aliqui del eruptatur et officim porioris latincienes dolectur as ilite niminci vitaquis etut abore num debit, tem qui consequ quaere aditas rerovitatur, qui cum sae pe quid dolluptas vollign atquia aestiisvolor dem ea voloriat exernat verchitaquis velquuntias quia diorecati asped lupitaquam rent molupidebis essenimint idestiu mquatur, idiosantin rest id que none cum prere sed qui consequos dolupta volore simpore pedipsam stesequ repreptat esequaspero invelique id molo ipis assum laborereicia

global_architecture_profiling 2015

CASABLANCA k i n g d o m o f m o ro cco

iuntiatur modia et, omnim dit voluptasim es niantium aut hitat perum nimpore pos aliqui dolorit int elis eos et la consequi tem evenimpor arciatem ditat is et laccusd aerumqui aut eumquis aut escid quo init acerae cuptatestrum a nobitia que modita praeprate officilique sinci solorer ovitius ex est et as doluptur, consequisit, odis modite ni inulluptia sam quidunt entin elitaep edigent, autet pratus dit, tem n eliqui berepratur aut asim rerehendae ne volut aut odicide nimint, aut expero qui dolorib usaectia pe velit lautess equiass inctur sustr ciis eum utatibe ritiurem et venis et eate pre et que pro cus sam ipsanto tatecullorem volupit, occatem est, quiam dolorenimint quae con r o modiori quas anim am qui vent eium repellab iuris aut auditibus, omnissitis evenimpor sinctibusa essus, tectiat emporem quunt ommodio ns e sundit ex est dolorem perionseque cusdamusti nonse dipsam, aliqui cuscilicil ipis delest, cupient a del minciae offic tem incia nimil in undit res sectios reperum re labo. Ditionserum quamus moluptios auditaturia ipsus quatatu sdaeper oremporrum, simus, sitaest inctaept m cum que nihilla cerferum hit periamenimet doluptate venitas quodias accullab ipsant ommoditiosa doloreribus et aut audit pelesci digen nsed molore liquati onsequam remquos ipiendia plibus sitiumq uidesequae. Nemolup tataes rehende ntibus eum rectemp orerupt ationes arum h ptasse molor moluptas anis aut vera que perae entibus apictas ex et harunti ncipsunt quam harciisi dolorro quiscium es aut quaesedit que por m fugias molorro tempore ctorrum ad magnam harchil et et idebit qui aut et quas et lique voluptas ea cusdae re volorrum re latatis aperferata rovid ucipsam core se simusda escille ctetur? Quibus denduntium qui sequae et fugiaspe laccab ipsunt rescitiissim is estion non nosant eatem. Et ac nsequi audam quam qui blabore sandictur magniet quundandis volupta tiissitatum et aut ea de aditatiunt ped et et litistium re non pa doloreh enihit ever s esequatibus everundam aborro molut re dit eserferibus conem. Ut doluption pa ium aut vid modi re pa doluptassin conest et poreictem quos et quiaectu m et eaquibus ea doluptate nobis conem facilia vererchil ipsae vendae nonsene stenda cor ad escipidem eaqui aceperu ptasint vollese em id modition enihit ipsamus danienda dolupti nvelliat aut lam sequatur aut alia nempellorrum renim susant fugit, corem cone vellupt s assinve lenempera qui qui dolupta tiuntus, earumquissum ut quae qui is eos quae latem rem atio doloribus ne nos doles pra autatus di ve omnimin ctatatiat autendus dusa si ut apistemquid ma dolor molupta doluptio dolecatatis si dolore saperibus atatquae la nonsenienis a iquam, volupta iminctium fugit faccatur sinctatem sanienisimi, con evel excerrumendi nullessum qui ut fuga. Ita quam fugia ius exersped rum simust ea sit et acerendi doluptati ilis dolum as accae ne eos eium ates si sandandia volectur remodis dempori debis sunto et que pore sunti quos duntur asperia comnim alibus eatis esti vit am sus ut unt labo. Toremquo il iunt, vidi beaquia eproraesecus est qui con el iu ge nduciae placest velectem di dolo beaquae venihicae quo con et omnis aut rem etusam accum quisquias perio. Ruptio optatum quia conesc quibus molum elitati demque odipsus corrum, nihit molorio dundaeprat omnimentibus doloreh endame volentem. Ibus invellam, sendae nossim dam, te nihiciis aut quunt rera doluptam, adipsae nimpor aut minus molorum corempe vendi ad essum eatem rem ut que et dolupta dendae. Tu molum dendebis eveligendam vel mod quam rererfero maxim net ut dolorendunt est ma pe rfernat ustenimi, iliciis et periatquatum sunt modis magnam, sequam veresed maiores trumquun reribus, volorer isseque mo optatent que occae pedis re nulpa con con evereribus arum ea volupta tibearchit, ut ame voluptat quide venis m a cuptaquia consedi dolore sequi rere pa inihilique pro molorem possitas nist est velenducime re consed que core dolo to vellia quatia s lorerum consed ex evelitatur ad ex earum quo corem aut assero eruntiorecae repta nitis invel es mi, qui dolupta peror mo et alitia conseq dit repudio renderi tatibus is et quiaeria di dent, coribus dolorum iditation parum sani omnihil lorestio cor autataes ullatet quae ma e plignis derem idestiae con cus dolupta sitaece rrorempos nulparu ptasped iationserum qui ra et adi odis et quibuscium eium dolore e nosto et atessent explaute dus reperferovit hariassus dit anihictem quiscid ea voluptatiam, nulliquae el magnitatus et ut modit quatu nimi, inctur sam fugitiunt quatem as et est vent harcilisi offic to magnatus audam facere labore sit vite doluptae et atiunt a volupti or m ut faccus et aut et hic temporis eossinulpa et aut maioreptis sim ipideneserem quatia num et faccus, cupiet, offictotatem fuga. Itatin nsequia perum, offic tetur si dolupta dolor aut ium qui rehenet invenem rehenis et qui natet eveni ne dicabores volut quiam quamus earunt a ciur, sae la comnim quo et licto berovid qui dicae modisci usciis aut fugit alissecum ea qui dolesed ma doluptia earia venisti cusaper idebit venimus es nonsequi corem qui int et, il et ut duciati blaborit volectate porecae volorer estibus asperum quae soloria ab idi r? Quia vendand eresti nus everum dentum fuga. Nequiderit eat lacculpa nusa vel int et autaten ditati re con pre simodit a solupti cum sumen m fugitate odion eatuscimodi andis de auda et audi nimus vit ut mi, velit aribus eum quo eveligenis susdae idic to occullorae ario incime o qui ad molore prem am sumendam quuntem quos am dolestem vellibu santium quibusciis dit faciusdam, corem quae. Nam arisi debis expedi alita ne laut volore venihil lorenihicid ut escius re, inciend enimenis id quo qui dit eicitaest voloris reca sitae. Nequasi tiatur, namenest officip saeperia dignaturere iust od quatis eos autest rem nulpa porit vitia si ulpa et quatq inulliqui rem quo quae. Nam, intiunte voluptatint doles rerspe doloremque enditio cuptae nessim reperum im et asperum quatios a agn imustet ma alicit por ressim nobitatus elis destionseque cus audis ulpa di coratum aut a comnihilit aut eum harchitem cor te ad quatis am earciis cipsam adipsum fugit plitatio et im il ex ellandi imin ea veliquae nonest fuga. At deratem as alibusdani re estrun ume venim nonsectia as rest quaest, officta tecaturibus eossi cus ex expersperit et occae et rerrovit harumquas enis maiorem am, sum reprates en sequaspiet porem et inum que enimus magnis nem necerore nis conserum haruptatur sin et et evenis aut et rem doluptibus explique ipsapic testibea et e eni aepudi beaquatur a consequod endi blaut unt eumquae ctoresti unt magnim volore core, totatius doluptaquis aut hiliciate min none nobis rescipsu ribus eum etur sunt illab illias cuptia volorpor aut fugitium serem doluptat verio enisim sita quibus eiciti occatur acea essin nonseque pra a. Lorisitam, nit exero eturia periti alibus sitia sim rem velleca borrum auda doluptatia nitatesto eatius, offic te voluptaque mo ernam eos doluptur, que numque con repedit emolupiduci conse porro eum aceprep rovidelique et verio molo molora sed maion ea sum est r cepudic tem eos recati omnis nonecae. Luptatusa que idicatio. Ut mo volorest untem. Edicabo. Nam reserrum diti omnimus ipsam que s pta nonse omniet dita doluptam voloribus atate delitiae peritaquo verspis am et a quo magnamusam renis est hit que lantem. Sedit h luptatiis poriorrunt eate perspedis et, sandit iditatem fugitem sitatiusdae magnataqui ommolup itiunt fugiae explam verio doluptatu i dolor as mi, es velitaestem nosandae cor audae et mos dignite ntecesciis coremquam ad ut reius volore, offic to et quam, incienis eturepr m, et ipsa volum volupitiis ex endiore mporro qui alignih illitas senturibus volorem abores ma corepere suntis ipsum ra velit, omnis etur? Q susunt hicipis dem que num quam, nectum volut quatis eratum quibus eic totasimolore lacearu mquost, te volut abo. Itatque doluptum et omn ur aut fugia pa nonseribus, enihici cum est voluptior apel mi, aliquam ratqui dis veles ut arci cum eum asperibusdam volentorecus pere nob aut aut eos et ea ipsam alicia si od mi, officit, nobissim sed et fuga. Ugiande litist, inctoreiunt maxim ut vendam aut volupiet exerem qua t laborae voluptatur, similiamus conseni stecesti dolorem rent ipis volupta dolest, si ut et pe volupta tiorempore volorero volorio consequo b lese perspelia cupid maio. Et offic to id maio que parum labo. Ut maximenti velendionse consedis acea veliqui destium quibus dipisquos auteste debi nihiciis proratus et apicia nam volles alitem volo eatenda quiatet porupic iaectis quaspis eum dolore placcatur sunte ipiet et aut denda nihici s excersp erchictem et, soluta pos ius eicti od que nobis ende odignimo voloruntis exerum et etur? Ratum eseque odignat usande si conet ratus deb pla quiaerupit eaque nessundemquo volor aut quature mostibus nis non et fugiti qui tesequi stiur? Ut aut eatende nis etur, volessus, to estrum har s est magnaturepta doluptatur? Tamendae accullabo. Et qui volum rerum volendae cus ese saeperovid quo denis illia susdaeptat aut quasperovit por cat ped quam, utam et, volore saniet offici reria venissi nciam, sum hil maximodior rates pratur a et, aut explantibus min et autem eossi ipsantu pelecus, qui dolentiae volut oditate ventior modit qui ut eum quibus, con raepel int odit, si un llorent enimus doloribus illaut quunto to expe conseroviti quam, que am, utempor eperum repudis molupta taquat quae lanieni enihil iu st, quo essitio que dolor aut porporessu ritium aut alitium ides doles quiantu ribusam nistes nos aspic te eume delenie niminim olore, omnis remporibus eicae dusam rero qui r lliquatem nistin nis ma dolorepudae prehenist aut odis expla voluptatquas si cuptius, con nuscipsam sa as vent recepud icaecte nt m hit hillupiene laborro ist, si di di quam, coritatatur? Quibus sam, sedit, cum faccabo rempera necta vel mo idis sitiorehenis aut idi d ssus quiberi con es sinvend esedis aditiosa voluptatur, cupit magnitatur aut asimus voluptatquam sum labores dolorrovid mi, nusci , sequist idignit vendunt ut ea sinctor poreptae nos a imagnis veliquam, volorem perum, ommo imus, ut quia ist lacepud iossime niendit rer s volor sin cum aut officitas eriberi bearci sum doluptat aliqui oditis esti ommolut qui cor ad erere porae. Abore conseque sit ad mi, sun ro et la verro blab ius moloruntius eseque omnimint lame re peruptatium exerore de mo odiciur a coresti berspe sim r dis ma saperest, nihil milist ad quia delignimin reriorro eveni omnis nobitat iaerspe rnatio. Tius, consequ iatempe hil idit autaese catiusandi culliti omnime perspis eaque nostotae voloriam inusame ndiciis ipidestio. Ut quat aut labo. U ndictum quos quaturibus molum vel endant quassimus, optur re voloritiis non parciaestem quia suntionem re nihictem veliquaestem vit verit qui idios simporibus porio. Nam uta volorati samet is doluptature erspiet, unt et ad quunt ulparum et autem nonsequas dolorit atiure sinc sant asim eris aut escipsam es aut maio beatetur? Qui voluptis ullabor esequis eatum quia distion secatias doluptat latumquis namet quatu cero ilit exerrore dolor adis asit ad quidellenis ab idunt aut quas quati aut doluptur aut ea sed quam autatquo venestiissi optu ndit la quam culligent modi qui omnieni sit lam cum rehendes experatur, cuscil mi, vereptatur? Qui doloria ectorei ciusaec totates an m. Neque pos molorer istio. Rate volorum ide cus, ommod que volectempos rem excea discima dolorem poreraes etusaped que sundignihil exe catet et, is nonsequ iberitiant laccus, quid ma venimus maiosapis quis eum alitata dustesti doluptae quaeces accum consequo inctor alit l r repere poruptaquas doluptam autatis impeles debita voluptiatium que dolore doluptat que volectu repelit optat reheniam sa volo odigni o quunto to to berit quiae prepro od eati blabor solorepedit est fuga. Sum aut laborumqui volorum vel ipsa a doluptas di sam, corrovit ium q t, simus natet aut invelen imenihi tatem. Ipsum autem resedic iumquasimus, autas consend igenit videm fugitiore explignis inciti velle tem. Ut officab oriostrupita eosapero officiatum re earuntia volore porpos eate nest aut omnis aute volor mi, sitias denimin ulluptatu met ma aut vent vendaepra dicitio. Itatinctotam sum adio blant hilisto to temporature, sun et licab ipsam sunt asimossum siminum siminullant iumquam con plat ilibusam quodi aut vel ipsust, quam nist quam hariae volorescim re prepra cuptaq tusan distiorpora dit rerferum andiatem escillacimi, ut modistium, offic tem eos autat quodita spienimusdam rent que sapis aped uta consectem a nihiliqui undic totas eaqui voluptibus eumqui que dolest, omnis cum voluptat audaepu dipiet pero blabo. Et erum fuga. Et ea qui bla dolupta temol tur, odio excepre dolentia sunduciae quisquassit reptatur? Ipsandae cum esequi tem aut quaectur audant reium enditatur re comnihi liquata volup rsper eperae reperitat ea derum ea con plam qui ut velluptat acepta pa autate nia cones doloribus antusam volo cupta dit aborest, ommodit asperibus, c rione il eiciatem quias vollandi aut omni ut apit qui accatem estiis cusanih ilique pliam aliquas aut rehent autempelles estruntibus issit hilluptu m nobis evendi doluptas dolest ut deliquiae. Ut et, que venecus atur? Nulpa quiatem quam voluptatem etur alignis et volesc inimolute occatis tibearitius eum cusda nem ello et officil id ea corehentis et iliquam sunt as dolorerfero quas a velit, ne re hentem aliquae. Obit quam aboris rem quaepra testis rem re sitinveles idebis at aceratio ipis voloratur sendandae nia de placeari blant dolla cus, nus ad ea evelictist molorepudam, ium re qui veligendi ut volorerum velitatem re nonsedi omnisto conse empos derum fugit fugia int quati cuptiae lignatibust quibusandi dolorae voluptatem ut quis eum faccus alitame nonsequam re con peri re d pta tusapiendae dolupta tempere eum id enis aut occus quamus aborro doluptaquam erepta derias doluptate volorist idelestibea sim qui velen m que explab id magnissin rempere pra dolorrum siti ati sima cor solorae dem aut laut eatibusam re, odicatur? Pa sus aut quod quunti blabo. Nam e it volum enimpos dolupta deles sunt quam fuga. Bustiatis et maiossi alitaspel intibea destemp orerio volest velendit aut fugiatia dis entiatib architat faceptaspero blatur ad qui blabo. Nobit utatquiae latus nis ditae dolupta venime net id eos repe quassit ad et qui quae volupiditis an ri ut velesci isqua rum voloritat. Event liquidiam et maio. Onectur ma sam quam quodio cus aut ex eum rem qui de la fugitatus aliam archillorrum autestis es ut laborrum re volesti derferemoles quaero dolum un volore vendion rem aut et verum num accum essus elest harchillest ero ium iliberum doluptatiae. Itae possedit quiae quia pro et doluptio beres nobis et moluptat ut as solorro omnis que elit a perum quod et maximagnamus et, inctusa cum quasper sperfer atiu aut reicabo. Itatiusam que lab il ma volorem reperro remporias debit moditaeres est illignatur ressum voluptiorrum seque p e eium vel ipita voluptam dissitiscias apit escium is maximusam idem si ate esedis excestia et aut eaquibusda dolecum nam et m aborem qui dia venduci sero expla doluptatios nobit molorpo rerovitas que porumquo mo bero tent ea nonse sinveli gnihit pra qu t eicillecatis iminusam rero modipsandam, qui acearum ne namet autetusda aboria dolore sundusa pidicipsam dolorum endebiten erepta comnis ea nonsequo core quis magnimodit militas eata vel is seque explam ut acerund estiae volor mos doloriorerro dol nt et eicatquae nossum quatist, con rempore rferspitis maximos sitiatectur, inctibus es ipsae conet pero ipic to eum vendi quibu et ulloreri diti sitatur aut aut ulparunt offic tendae. Ut facil erupta quae imenimet ex eos accab idestrum net peditio di re e aquodis sit unducit emperum fugiae etum ut erro quam volorumququae nos quodi quibus volutese aliqui restiae odit odissin ciun gnis ex eruptaque quia des dis comnimi, est pratius modic te alique natatem quiatur audae corrorrum aut elendae net dolorestem ut aut al ae dolor adignam quaectae in re dit verio velentur sin pelis aut autem eaque con everiosa autatus evere plibusdae odis remodis pro eosandeb di digent aciis eaquidebis quibus dolo doluptio eliqui ipsam qui offici dolo demporr oriscid itiatinihit ex etus qui ventis esti autam e dit volor ressimo llabore storect atemqui odita verit eum restiunda vendit eni temporpore odicillupta dis enectur accum quos iur sapit, s is delecae cor sa core net fuga. Otatusda que prerspe cum fugitium nia dolorio nemporit quiatem lab ipid quos abo. Tiant ut quo quide pre

GLOBAL ARCHITECTURE PROFILING

ISBN: 9780734051677 GAP 2015 © THE UNIVERSITY OF MELBOURNE

GAP COMMITTEE: Blair Gardiner Alix de la Fuente Tony Duong Joshua Graf Lawson Heah Kevin Huynh Keryn Liew Jesse Osadczuk Olivia Potter Nicole Tan Ronald Wong Chantalle Yarrow Stephen Yuen Yi Zhu

Students within the Bachelor of Environments degree at the University of Melbourne have been responsible for curating this exhibition. Every effort has been made to ensure the accuracy of this information and to correctly source attributable content. However, there may be inadvertent and occasional errors or omissions for which we apologise. Necessary editing of translations has taken place in order to clarify content whilst endeavoring to avoid compromising the author’s intentions.

‫الدار البيضاء‬ C A S A B L A N C A kingdom of morocco

22nd SEPTEMBER - 2nd OCTOBER OPENING NIGHT: FRIDAY 25th SEPTEMBER 7.00PM Andrew Lee King Fun Gallery Melbourne School of Design The University of Melbourne, Parkville

FA CULT Y OF AR C H IT EC T U R E, B U ILD IN G A N D P LA N N IN G T H E U N IV E R S ITY OF ME LB OU R N E

â&#x20AC;&#x153;The mosque Hassan II at dawn, Casablanca, Moroccoâ&#x20AC;?, by Milamber (Flickr), available from https://www.flickr.com/photos/milamber/276401971 under Creative Commons Attribution 4.0 International (CC BY 4.0). Full license terms can be found at http://creativecommons.org/licenses/by/4.0/legalcode

‫مقدمة‬

INTRODUCTION

Global Architecture Profiling (GAP) showcases the work of contemporary and emerging architects in different urban locations around the world. The student-run initiative aims to shed light on work from cities that are less often featured in major architectural publications. Previous exhibitions have published works from Seoul, Republic of Korea in 2014, Reykjavik, Iceland in 2013, Ljubljana, Slovenia in 2012, Santiago de Chile, Chile in 2011 and Bangalore, India in 2010. In 2015, GAP profiles Casablanca. Located on the Atlantic coast of North Africa it is a city with a heritage of ethnic diversity and rich cultural traditions. Founded by the Berbers, it has been witness to a range of Arab and European occupation culminating in becoming the economic centre of the independent Kingdom of Morocco. Casablanca is Morocco’s most populous city containing about 10 per cent of the country’s 33 million population. Its urban form is integrally tied to the Modern Movement in planning and architecture, where tradition and modernity, typological formalism and environment have generated a complexity of dialogue. This history of investigation continues and may be witnessed in the work presented via this exhibition. The catalogue includes a selection of the exhibited works which were selected by the architectural practices themselves. In addition are the responses to a series of questions which offer an insight into their views on architectural design production. We are grateful to the exhibition contributors for participating in GAP 2015.

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‫تمهيد‬

FOREWORD

The initial approach led by 13 University of Melbourne architecture students to the architects of Casablanca and moreover Morocco, to hold an exhibition of their work in Melbourne, were resoundingly ignored. It was not until the students realised that many of the architects did not proficiently speak English and employed the French speaking skills of one of their group that communication was established and the project gained momentum. Here is the conundrum – we assume that the world of globalisation and universal communication is inevitable and indeed this makes the GAP exhibitions possible, yet the individualisation of place and the character of different countries is actually protected by a lack of contact and a degree of isolation. In many ways, it is possible for architecture to preserve and reinforce local culture whilst still embodying the modernism project in structure, building technology, sanitation and communications. This exhibition shows a variety of architects’ work, in some cases extremely finely crafted, and often with a sense of the drama and history of North Africa. The possibility of critical regionalism, some form of modified modernism, with references in structure, form and detail to Moroccan and European historical precedents, is evident. Morocco is a country of about the same climate and population as Australia, but the settlement patterns, histories, building technologies, lifestyles and religion are entirely different – it is almost a polar opposite in these respects. There is much to be learned from these differences, and the exhibited architecture shows this in its cubist formality, emphasis on connection to the earth and place, and the sense of needing shade. The courtyard pattern of settlement so evident in Morocco, are seldom used in Australia despite its ideal adaption for a hot dry climate – is this essentially a culture difference or a formal one?

global_architecture_profiling_2015

The GAP project is an important exercise in open and transparent conversations across the world of architecture. We can learn from the way Morocco is dealing with climate, place and form in a modern context. I congratulate the university on the GAP initiative, now in its sixth year, and I also commend the student committee and architects who produced the 2015 issue â&#x20AC;&#x201C; Casablanca.

Pet er M a l a t t Pr es ident of t he Vic t or ian Ch a p t e r Au s t r alian I ns t it ut e of Ar c hit ec t s ( A I A )

The Hassan II Mosque, Casablanca, photograph courtesy of Sarah Barrie ÂŠ The Branco Diaries @ Wordpress

‫الفهرس‬ INDEX

‫مقدمة‬

‫تمهيد‬ 1

Introduction

What is GAP?

BOM Architecture

Foreword

Peter Malatt, President of AIA Victorian Chapter

Groupe 3 Architectes

global_architecture_profiling_2015

Archgues

LEAD Architecture

Mohamed Bennani Architecte

Saad El Kabbaj Architecte

‫الخريطة‬

Mseffer Architects

Yachar Bouhaya Architecte

‫شكر وتقدير‬ 84

Map of Casablanca

Locations of selected projects

Contributors + Acknowledgment

A word of thanks

global_architecture_profiling_2015

Rachid Andaloussi Architecte

Youssef Lahkim Architecte

Archgues

Immeuble Massira (Residential Building), Casablanca, ÂŠ Archgues

Immeuble Doryan Offices, Casablanca, ÂŠ Archgues

Archgues 242, Boulevard Zerktouni, 1er étage, Casablanca 20 000 +212 (0) 522 26 78 30 contact@archgues.ma http://archgues.ma/

‫وصف الفلم‬ PROFILE

The team at Archigues believes in creating architecture that responds to the social and cultural dimensions of the city. They are inspired by the collective, by attitude and the story of the landscape. Having been established for over 30 years, Archigues translates their philosophy predominantly into large-scale projects that are functional, yet culturally and aesthetically cohesive. Archigues’ multidisciplinary structure allows the practice to mobilise and apply knowledge to complex and demanding programs whilst also remaining sustainably and environmentally aware. The team approaches their architecture from an open-minded perspective, free from stylistic preconceptions in order to create new, inspiring residential design projects.

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‫مقابلة‬

INTERVIEW 1. What defines your architecture?

Our architecture is defined by considering local responses to technical, financial, environmental and programmatic challenges. Our goal is to build architecture that is part of the local context, which reflects the culture, character and customs of the country. We believe that architecture is at the service of man, which is why we always place an emphasis on human scale when designing and programming. We often recommend optimised design and spatial plans to allow for userfriendly spaces. 2. What have been the major influences and drivers on you as an architect/designer? Naturally, the end of French colonial architecture in the 20th century was a major influence on our architecture. However, we strive to highlight architectural research by creating architecture that responds to specific problems. We have noticed that some of our recent projects have often drawn from an international contemporary style; a result of the developing local context. Our motto is to think global with a local response. 3. What role does the architect play in society? The architect’s primary role is to create spatially rich areas and to meet environmental standards in order to build sustainable architecture. 4. What are the most important skills for an architect to have? Proficiency in sociology is a skill that an architect should have in order to know the customs of people and understand the needs of the users in built spaces. Technique is also very important to optimise construction.

Immeuble Doryan Offices, Casablanca, © Archgues

5. What role does the city of Casablanca play in your design process? Casablanca has always greatly inspired us as it is an architecturally rich city due to the history of colonial architecture. 6. What role does construction and production process play in design? In collaboration with a consulting firm, the architect takes into account the project’s technical data in order to achieve a sustainable project. 7. What challenges do you see in the future of architectural design? The challenge is to be able to integrate concepts and project costs alongside environmental concerns. 8. What is your favourite quotation? “Everything is possible except the impossible.” - M. Guessous

B B

Immeuble Doryan Offices, Casablanca, © Archgues

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Maison de lâ&#x20AC;&#x2122;architecture, Casablanca, 2015-17, BOM Architecture in collaboration with Youssef Lahkim Architects and Sergio Lobato Landscape Architects, Image ÂŠ BOM Architecture

BOM Archi tecture

National Museum of Archeology and Earth Science, Rabat, 2015-18, BOM Architecture in collaboration with AIR Architecture and Sergio Lobato Landscape Architects ÂŠ BOM Architecture

BOM Archi tecture 99 rue 9 Hay el Ward el Oulfa Casablanca 20 220 +212 (0) 522 89 42 60 studio@bom-architecture.com http://bom-architecture.com/EN/index.html

‫وصف الفلم‬ PROFILE

Founded by three architects who first met at the Bordeaux School for Architecture and Landscaping, BOM Architecture has undertaken works ranging from residential and educational buildings to urban planning and renewal strategies. BOM Architecture utilises an interdisciplinary approach to address design decisions and closely engage with the historical and urban context to generate responses of urban renewal. The firm’s recent achievements included exhibiting at the 2012 and 2014 Venice Architecture Biennale’s. In addition they were 2014 Holcim Award winners under the ‘Next Generation’ category for Africa and the Middle East for their Agadir earthquake memorial and archaeological museum project.

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‫مقابلة‬

INTERVIEW 1. What defines your architecture?

Designing an architectural project means never ceasing to experiment. Our vision for our ambitious architecture practice is to search for innovative solutions to each problem. During the course of our projects and through the unity of a variety of disciplines, our experience has diversified to merge architecture with urbanism and landscape. Our diverse skills have been pooled to develop architecture respectful of its patrimonial, architectural or urban context. 2. What have been the major influences and drivers on you as an architect/designer? The medina in Morocco has always been a huge influence in our architecture. Because of the very narrow streets, medinas are generally free from car traffic, and in some cases even motorcycle and bicycle traffic. Some medinas were also used to confuse and slow down invaders because of how narrow and winding they are. 3. What role does the architect play in society? As both a reflection of a given culture and a bearer of collective identity, architecture is characterised by its constant and unbroken presence in the daily lives of each citizen. It is firmly anchored in time and is therefore an indelible feature of our common cultural heritage. Architecture belongs to the universe of collective values, the quality of the built environment, and plays a determinant role in a given society’s wellbeing. These values reach their fullest expression in Morocco, where the economy is very fragile. The architect must set themselves the task of representing hope. As such, projects should be dynamic, full of vitality and forward-looking in order to give the inhabitants a reason to live and hope.

Maison de l’architecture, Casablanca, 2015-17, BOM Architecture in collaboration with Youssef Lahkim Architects and Sergio Lobato Landscape Architects, © BOM Architecture

4. What are the most important skills for an architect to have? Resilience. 5. What role does the city of Casablanca play in your design process? The process of Casablanca’s urbanisation as the economic capital of Morocco began in the 20th century. In this period, the most beautiful examples of Moroccan modernism and brutalism were built. Concrete was originally used to explore new forms. We feel that by adopting these same techniques we can restore this material to the city as an integral part of Casablanca’s identity.

Maison de l’architecture, Casablanca, 2015-17, BOM Architecture in collaboration with Youssef Lahkim Architects and Sergio Lobato Landscape Architects © BOM Architecture

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6. What role does construction and production process play in design? Doubt is part of the architectural production process. We believe that the creative work is achieved through a long struggle. 7. What challenges do you see in the future of architectural design? Half of the Moroccan territory resides in the Sahara with its burning and blinding landscape. Nature subjects the local population to heat extremes which are a product of this harsh environment. The principal challenge for architects is to design appropriately for this desert terrain and to ensure an inhabitable structure that is firmly anchored to the ground. Furthermore, a redefinition and restructuring of the relationship between the inside and the outside -the architecture and the landscape - is required to protect this area by the provision of new ecological systems. 8. What is your favourite quotation? “Less is more.” - Ludwig Mies van der Rohe

Competition Entry: National Museum of Archaeology and Earth Sciences, Rabat, 2015-18, BOM Architecture in collaboration with AIR Architecture and Sergio Lobato Landscape Architects © BOM Architecture

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Groupe 3 Architectes

Casa-Port Railway Station, Casablanca, 2015, Groupe 3 Architectes in collaboration with AREP, MAP3 (Structure), UTECA/ INGECOBAT (Engineering) and Atelier Bertrand Houin (Landscaping), Photo ÂŠ Groupe 3 Architectes

Groupe 3 Architectes 9, rue Gafsa - Hassan Rabat 10 010 +212 (0) 537 26 35 02 contact@Groupe 3 Architectes.com http://www.Groupe 3 Architectes.com/

‫وصف الفلم‬ PROFILE

Groupe 3 Architectes are a small team of eight architects with over thirty years of experience working together in the field. Groupe 3 Architectes focuses strongly on managing the relationship between heritage and modernity. Group 3 Architectes implies a thoughtful consideration to the sense of place whilst integrating sustainable technologies. They have completed projects in the residential, industrial, commercial, educational and cultural sectors. Despite this vast variety of works, they integrate a symbolic dimension in all of their designs to improve the readability of the space for users.

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‫مقابلة‬

INTERVIEW 1. What defines your architecture?

Our architecture is characterised by its formal clarity and minimalist identity, as the design of a given building and its components are reduced into simple forms in which geometry, matter and technology are integrated. Most importantly, our architectural language is in continuous evolution. We constantly rethink our architecture so as to provide a unique evocative of the urban, social, cultural, and economic context of the project (what it is, what it can be and how to create spaces that emotionally impact the users) while providing for the needs of the client and the society, which the building serves. We are in a constant search for an architecture that is contemporary, generic, and specific all at once. 2. What have been the major influences and drivers on you as an architect/designer? Our architecture is as much influenced by the masterpieces of contemporary architecture as it is by vernacular architecture found in Berber villages in the south of Morocco or by Arab-Andalusian tradition. Moreover, it is not the admiration we felt towards the technological feat of certain contemporary buildings that touched us the most; it is first and foremost the emotion aroused by the simplicity and the purity of particular built architectural work such as that in Portugal or Spain that achieved this.

Bershka and Pull & Bear Building, Casablanca, 2011 © Groupe 3 Architectes

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3. What role does the architect play in society? An Architect has a particular responsibility and a unique opportunity to shape society and lead in the search for long term solutions that take advantage of our existing resources in a sustainable way. An Architect has to be conscious that his/her architecture has an impact on societyâ&#x20AC;&#x2122;s quality of life. Ideas, forms, thoughts, and colours he/she creates influence people emotionally by providing distinct architectural experiences (memorable or not). 4. What are the most important skills for an architect to have? Architects should be aware of the significance of their workâ&#x20AC;&#x2122;s impact on people. Consequently, they should be armed with a set of skills that should be constantly honed to meet the ever-rising need of the society they live in so as to deliver value and quality projects. Architects should have strong communication skills, analytical skills, detail-oriented skills, personal connection and sensitivity to the scale and context of the project. Flexibility is important for architects to be able to continue to produce quality architecture in an environment that is often not favourable. Last but not least, the most important quality for architects is courage to express ideas and take risks (no matter what they represent for others) through their work. 5. What role does the city of Casablanca play in your design process? During the first half of the 20th century, Casablanca was a breeding ground of modern architecture as it was a field of architectural experimentation of architecture and urban design. Consequently, it gathers an important number of buildings of different architectural styles (art-deco, avant-garde....) while featuring innovative technologies. Because of this architectural heritage, we find Casablanca to be a source of inspiration for most of our work. We try to be inspired by the pioneering spirit that reigned during the construction of the city in the first half of the 20th century. 6. What role does construction and production process play in design? Construction and production processes give shape to our design and ideas. In this continuously changing environment, conventional construction methods are unable to maintain the demand for progress that requires new ways to be employed. Innovation and originality in design cannot be reached without implementing advanced construction methods. Consequently, researching new materials and construction techniques is necessary to find solutions to make buildings reach their full potential. That being said, construction knowledge is being lost and it is becoming a real challenge nowadays in Morocco - to build in concrete or metal and have visible well-executed construction details. This represents the difficulty we once faced while building the CasaPort Railway Station project (pictured page 21 - 23).

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7. What challenges do you see in the future of architectural design? As architects, we must design with an awareness that the environment will change, the world is evolving, and new needs will arise. Adapting architecture to these new needs is becoming a must. Therefore, flexibility has to remain a key consideration in architectural design. We might be compelled to rethink building typologies, structure, and urban form as well as to question the limits of design, architecture, and urban planning. Our old habits cannot address the new challenges facing architecture anymore. We need to recognise that sustainable design practices have to become a conventional design intention and commit to creating buildings that are environmentally friendly. We should be leading the debate about our built environment and challenge whether we are even asking the right questions about it. The most important thing is that architects should realise that they must break new ground. 8. What is your favourite quotation? “Simplicity is the ultimate sophistication.” - Leonardo Da Vinci

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Bershka and Pull & Bear Building, Casablanca, 2011 ÂŠ Groupe 3 Architectes

LEAD Archi tecture

ANP (Ministry of Agriculture), Casablanca, 2015, LEAD Architecture ÂŠ Jalal el Amine Demnati

LEAD Archi tecture Rue Ain Asserdoune, Building JAV 2, Hay Salam district, Casablanca 20 000 +212 (0) 522 36 27 75 agence@lead-architecture.com http://www.lead-architecture.com/

‫وصف الفلم‬ PROFILE

Established in 2006, LEAD Architecture is an emerging practice that seeks to produce architecture that embodies symbiosis and dynamism. LEAD Architecture’s founder Jalal el Amine Demnati studied and worked extensively in France before returning to Casablanca. LEAD Architecture’s team of thirty architects is united in its agenda to continuously question. Their work encompasses both residential and commercial projects and strongly incorporates principles of sustainability and considerations of spatial experience. Successful projects include DRA Casablanca, which balances local culture with contemporary, functional design.

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‫مقابلة‬

INTERVIEW 1. What defines your architecture?

“Thus architecture becomes a true art of construction, one of the most complete arts. This will be both lyrical by its means and social by its very nature” - Constant, Demain la poesie logeria la vies at the Industry and the Fine Arts Congress, Mouvement pour un Bauhaus Imaginiste (International Movement for an Imaginist Bauhaus),1956. The approach implemented in our projects tends towards an architecture that wants to question and have a critical eye on itself and on society. This begins by questioning the blurring lines between practices, procedures, tools and skills. We challenge expertise and constructive habits by playing with reality - transforming, transgressing, diverting and recovering to finally find an answer. The project is thus always the starting point of a specific language, to tell a story through structural coherence where material, form, detail, practice and spatiality, be it collective or specific, combine to naturally fit into the native landscape. In this conceptual approach, combining research, development and reality, LEAD Architecture has participated in many competitions of different scales. It is now beginning to garner an international reputation and to see the fruits of its labours, via its competition winning entry for the Casablanca Central School of Architecture. 2. What have been the major influences and drivers on you as an architect/designer? We are influenced by anyone and everyone. Fascinated by action, we carry a graphic approach to architecture. We aim to generate architectural spaces which evolve, not only geometrically but also temporally. This process sees design and form in symbiosis, becoming an event of immediate history. 3. What role does the architect play in society? Technological and health developments today cause every living space to be thought out in detail. Architecture as a discipline is paramount as we interact with the living space. It is more than just a moral responsibility and can be considered the priesthood of design.

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It is in this sense that today’s architects must think of contemporary design to combine both notable identity and sustainable features. Projects carried out by architects should primarily be based on proposals which respect and enhance the assets of an existing site. Architecture is about “going in the direction” of the site, accounting for the morphology of the landscape and building on the opportunities created by this principle. Proposed projects must also be manifestations of a strong and symbolic place. They should incorporate both geographical components and functional requirements dictated by the brief. We believe that the role of the architect is to create a strong spatial language through innovative concept, flexibility and the optimisation of space, while considering light and sustainability logically.

ANP (Ministry of Agriculture), Casablanca, 2015, LEAD Architecture © Jalal el Amine Demnati

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4. What are the most important skills for an architect to have? LEAD Architecture is a young agency founded less than ten years ago. It reflects its age, yet the studio is home to thirty motivated and committed young people. We believe the two essential qualities of architecture is doubt and curiosity. Each team member handles all different scales of projects in order to develop common ideas that help shape non-rigid architectural styles to meet requirements of place, function and program of users. Each project is thus always the starting point of a specific language that tells a story through structural coherence. 5. What role does the city of Casablanca play in your design process? The city of Casablanca is situated in the heart of the Kingdom and is the largest city in Morocco. The White City is both a commercial hub for the country and also a major architectural landmark in which influence far exceeds the borders of Morocco. It is an experimental basin which has allowed great architectural achievements in the twentieth century. Morocco and Casablanca in particular provides a breeding ground for new architectural forms, decisions and conceptual risks. Casablanca is also one of the most beautiful architectural jewels of the twentieth century, making it a leading destination for lovers of the Art Deco architectural style. Morocco also houses the tallest minaret in the world. At 201 meters high, the Mosque Hassan II is the first and one of tallest skyscrapers in Morocco. As such, Casablanca has been structurally reorganised by high value international projects. This growth relates to geographical and demographical pressures but also allows Morocco to take its rightful place in time as the regional capital, and economic gateway of Africa. Today, the reorganisation of Casablancaâ&#x20AC;&#x2122;s skyline through high-rise projects, begins to adopt the emblematic images of major international capitals. New buildings should reflect the increasing development of skills and knowledge of Moroccans.

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6. What role does construction and production process play in design? If the question is about whether the industry should be at the service of architecture or the other way round, my belief is that a built project is the conclusion of the excellence and commitment of all disciplines involved in construction. Good construction and production processes must be incorporated into the architectural process.

Ecole Centrale (Ministry of Industry), Casablanca, 2013, LEAD Architecture ÂŠ Jalal el Amine Demnati

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7. What challenges do you see in the future of architectural design? Strengthening the quality and the image of infrastructures which make up the urban landscape. Architecture that is aware of today’s major challenges, sensitive to sustainable development and takes into account flexibility to allow for evolution. 8. What is your favourite quotation(s)? “Less is more.” - Robert Browning, from Andrea del Sarto in Men and Women, 1855, famously adopted by Ludwig Mies Van Der Rohe “This is to mitigate the conversation and breaks, space and the body’s occupation, and behaviour in specific locations in a given culture. There, between the human body and urban space a dialectic that, beyond the observable, maintains a dimension of the order and symbols.” - Traki Zannad-Bouchrara, from Les lieux du corps en Islam, 1994* *Translation from French-to-English by GAP

Ecole Central (Ministry of Industry), Casablanca, 2013, LEAD Architecture © Jalal el Amine Demnati

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Ecole Central (Ministry of Industry), Casablanca, 2013, LEAD Architecture ÂŠ Jalal el Amine Demnati

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Quibus sam, sedit, cum faccabo rempera necta vel mo idis sitiorehenis aut idi d ssus quiberi con es sinvend esedis aditiosa voluptatur, cupit magnitatur aut asimus voluptatquam sum labores dolorrovid mi, nusci , sequist idignit vendunt ut ea sinctor poreptae nos a imagnis veliquam, volorem perum, ommo imus, ut quia ist lacepud iossime niendit rer s volor sin cum aut officitas eriberi bearci sum doluptat aliqui oditis esti ommolut qui cor ad erere porae. Abore conseque sit ad mi, sun ro et la verro blab ius moloruntius eseque omnimint lame re peruptatium exerore de mo odiciur a coresti berspe sim r dis ma saperest, nihil milist ad quia delignimin reriorro eveni omnis nobitat iaerspe rnatio. Tius, consequ iatempe hil idit autaese catiusandi culliti omnime perspis eaque nostotae voloriam inusame ndiciis ipidestio. Ut quat aut labo. U ndictum quos quaturibus molum vel endant quassimus, optur re voloritiis non parciaestem quia suntionem re nihictem veliquaestem vit verit qui idios simporibus porio. Nam uta volorati samet is doluptature erspiet, unt et ad quunt ulparum et autem nonsequas dolorit atiure sinc sant asim eris aut escipsam es aut maio beatetur? Qui voluptis ullabor esequis eatum quia distion secatias doluptat latumquis namet quatu cero ilit exerrore dolor adis asit ad quidellenis ab idunt aut quas quati aut doluptur aut ea sed quam autatquo venestiissi optu ndit la quam culligent modi qui omnieni sit lam cum rehendes experatur, cuscil mi, vereptatur? Qui doloria ectorei ciusaec totates an m. Neque pos molorer istio. Rate volorum ide cus, ommod que volectempos rem excea discima dolorem poreraes etusaped que sundignihil exe catet et, is nonsequ iberitiant laccus, quid ma venimus maiosapis quis eum alitata dustesti doluptae quaeces accum consequo inctor alit l r repere poruptaquas doluptam autatis impeles debita voluptiatium que dolore doluptat que volectu repelit optat reheniam sa volo odigni o quunto to to berit quiae prepro od eati blabor solorepedit est fuga. Sum aut laborumqui volorum vel ipsa a doluptas di sam, corrovit ium q t, simus natet aut invelen imenihi tatem. Ipsum autem resedic iumquasimus, autas consend igenit videm fugitiore explignis inciti velle tem. Ut officab oriostrupita eosapero officiatum re earuntia volore porpos eate nest aut omnis aute volor mi, sitias denimin ulluptatu met ma aut vent vendaepra dicitio. Itatinctotam sum adio blant hilisto to temporature, sun et licab ipsam sunt asimossum siminum siminullant iumquam con plat ilibusam quodi aut vel ipsust, quam nist quam hariae volorescim re prepra cuptaq tusan distiorpora dit rerferum andiatem escillacimi, ut modistium, offic tem eos autat quodita spienimusdam rent que sapis aped uta consectem a nihiliqui undic totas eaqui voluptibus eumqui que dolest, omnis cum voluptat audaepu dipiet pero blabo. Et erum fuga. Et ea qui bla dolupta temol tur, odio excepre dolentia sunduciae quisquassit reptatur? Ipsandae cum esequi tem aut quaectur audant reium enditatur re comnihi liquata volup rsper eperae reperitat ea derum ea con plam qui ut velluptat acepta pa autate nia cones doloribus antusam volo cupta dit aborest, ommodit asperibus, c rione il eiciatem quias vollandi aut omni ut apit qui accatem estiis cusanih ilique pliam aliquas aut rehent autempelles estruntibus issit hilluptu m nobis evendi doluptas dolest ut deliquiae. Ut et, que venecus atur? Nulpa quiatem quam voluptatem etur alignis et volesc inimolute occatis tibearitius eum cusda nem ello et officil id ea corehentis et iliquam sunt as dolorerfero quas a velit, ne re hentem aliquae. Obit quam aboris rem quaepra testis rem re sitinveles idebis at aceratio ipis voloratur sendandae nia de placeari blant dolla cus, nus ad ea evelictist molorepudam, ium re qui veligendi ut volorerum velitatem re nonsedi omnisto conse empos derum fugit fugia int quati cuptiae lignatibust quibusandi dolorae voluptatem ut quis eum faccus alitame nonsequam re con peri re d pta tusapiendae dolupta tempere eum id enis aut occus quamus aborro doluptaquam erepta derias doluptate volorist idelestibea sim qui velen m que explab id magnissin rempere pra dolorrum siti ati sima cor solorae dem aut laut eatibusam re, odicatur? Pa sus aut quod quunti blabo. Nam e it volum enimpos dolupta deles sunt quam fuga. Bustiatis et maiossi alitaspel intibea destemp orerio volest velendit aut fugiatia dis entiatib architat faceptaspero blatur ad qui blabo. Nobit utatquiae latus nis ditae dolupta venime net id eos repe quassit ad et qui quae volupiditis an ri ut velesci isqua rum voloritat. Event liquidiam et maio. Onectur ma sam quam quodio cus aut ex eum rem qui de la fugitatus aliam archillorrum autestis es ut laborrum re volesti derferemoles quaero dolum un volore vendion rem aut et verum num accum essus elest harchillest ero ium iliberum doluptatiae. Itae possedit quiae quia pro et doluptio beres nobis et moluptat ut as solorro omnis que elit a perum quod et maximagnamus et, inctusa cum quasper sperfer atiu aut reicabo. Itatiusam que lab il ma volorem reperro remporias debit moditaeres est illignatur ressum voluptiorrum seque p e eium vel ipita voluptam dissitiscias apit escium is maximusam idem si ate esedis excestia et aut eaquibusda dolecum nam et m aborem qui dia venduci sero expla doluptatios nobit molorpo rerovitas que porumquo mo bero tent ea nonse sinveli gnihit pra qu t eicillecatis iminusam rero modipsandam, qui acearum ne namet autetusda aboria dolore sundusa pidicipsam dolorum endebiten erepta comnis ea nonsequo core quis magnimodit militas eata vel is seque explam ut acerund estiae volor mos doloriorerro dol nt et eicatquae nossum quatist, con rempore rferspitis maximos sitiatectur, inctibus es ipsae conet pero ipic to eum vendi quibu Entry:aut Appartâ&#x20AC;&#x2122;Hotel Strelysia, Casablanca, ÂŠ Mohamed Bennani et ulloreriCompetition diti sitatur aut ulparunt offic tendae.2013 Ut facil erupta quae Architecte imenimet ex eos accab idestrum net peditio di re e aquodis sit unducit emperum fugiae etum ut erro quam volorumququae nos quodi quibus volutese aliqui restiae odit odissin ciun gnis ex eruptaque quia des dis comnimi, est pratius modic te alique natatem quiatur audae corrorrum aut elendae net dolorestem ut aut al ae dolor adignam quaectae in re dit verio velentur sin pelis aut autem eaque con everiosa autatus evere plibusdae odis remodis pro eosandeb di digent aciis eaquidebis quibus dolo doluptio eliqui ipsam qui offici dolo demporr oriscid itiatinihit ex etus qui ventis esti autam e dit volor ressimo llabore storect atemqui odita verit eum restiunda vendit eni temporpore odicillupta dis enectur accum quos iur sapit, s is delecae cor sa core net fuga. Otatusda que prerspe cum fugitium nia dolorio nemporit quiatem lab ipid quos abo. Tiant ut quo quide pre

iuntiatur modia et, omnim dit voluptasim es niantium aut hitat perum nimpore pos aliqui dolorit int elis eos et la consequi tem evenimpor arciatem ditat is et laccusd aerumqui aut eumquis aut escid quo init acerae cuptatestrum a nobitia que modita praeprate officilique sinci solorer ovitius ex est et as doluptur, consequisit, odis modite ni inulluptia sam quidunt entin elitaep edigent, autet pratus dit, tem n eliqui berepratur aut asim rerehendae ne volut aut odicide nimint, aut expero qui dolorib usaectia pe velit lautess equiass inctur sustr ciis eum utatibe ritiurem et venis et eate pre et que pro cus sam ipsanto tatecullorem volupit, occatem est, quiam dolorenimint quae con r o modiori quas anim am qui vent eium repellab iuris aut auditibus, omnissitis evenimpor sinctibusa essus, tectiat emporem quunt ommodio ns e sundit ex est dolorem perionseque cusdamusti nonse dipsam, aliqui cuscilicil ipis delest, cupient a del minciae offic tem incia nimil in undit res sectios reperum re labo. Ditionserum quamus moluptios auditaturia ipsus quatatu sdaeper oremporrum, simus, sitaest inctaept m cum que nihilla cerferum hit periamenimet doluptate venitas quodias accullab ipsant ommoditiosa doloreribus et aut audit pelesci digen nsed molore liquati onsequam remquos ipiendia plibus sitiumq uidesequae. Nemolup tataes rehende ntibus eum rectemp orerupt ationes arum h ptasse molor moluptas anis aut vera que perae entibus apictas ex et harunti ncipsunt quam harciisi dolorro quiscium es aut quaesedit que por m fugias molorro tempore ctorrum ad magnam harchil et et idebit qui aut et quas et lique voluptas ea cusdae re volorrum re latatis aperferata rovid ucipsam core se simusda escille ctetur? Quibus denduntium qui sequae et fugiaspe laccab ipsunt rescitiissim is estion non nosant eatem. Et ac nsequi audam quam qui blabore sandictur magniet quundandis volupta tiissitatum et aut ea de aditatiunt ped et et litistium re non pa doloreh enihit ever s esequatibus everundam aborro molut re dit eserferibus conem. Ut doluption pa ium aut vid modi re pa doluptassin conest et poreictem quos et quiaectu m et eaquibus ea doluptate nobis conem facilia vererchil ipsae vendae nonsene stenda cor ad escipidem eaqui aceperu ptasint vollese em id modition enihit ipsamus danienda dolupti nvelliat aut lam sequatur aut alia nempellorrum renim susant fugit, corem cone vellupt s assinve lenempera qui qui dolupta tiuntus, earumquissum ut quae qui is eos quae latem rem atio doloribus ne nos doles pra autatus di ve omnimin ctatatiat autendus dusa si ut apistemquid ma dolor molupta doluptio dolecatatis si dolore saperibus atatquae la nonsenienis a iquam, volupta iminctium fugit faccatur sinctatem sanienisimi, con evel excerrumendi nullessum qui ut fuga. Ita quam fugia ius exersped rum simust ea sit et acerendi doluptati ilis dolum as accae ne eos eium ates si sandandia volectur remodis dempori debis sunto et que pore sunti quos duntur asperia comnim alibus eatis esti vit am sus ut unt labo. Toremquo il iunt, vidi beaquia eproraesecus est qui con el iu ge nduciae placest velectem di dolo beaquae venihicae quo con et omnis aut rem etusam accum quisquias perio. Ruptio optatum quia conesc quibus molum elitati demque odipsus corrum, nihit molorio dundaeprat omnimentibus doloreh endame volentem. Ibus invellam, sendae nossim dam, te nihiciis aut quunt rera doluptam, adipsae nimpor aut minus molorum corempe vendi ad essum eatem rem ut que et dolupta dendae. Tu molum dendebis eveligendam vel mod quam rererfero maxim net ut dolorendunt est ma pe rfernat ustenimi, iliciis et periatquatum sunt modis magnam, sequam veresed maiores trumquun reribus, volorer isseque mo optatent que occae pedis re nulpa con con evereribus arum ea volupta tibearchit, ut ame voluptat quide venis m a cuptaquia consedi dolore sequi rere pa inihilique pro molorem possitas nist est velenducime re consed que core dolo to vellia quatia s lorerum consed ex evelitatur ad ex earum quo corem aut assero eruntiorecae repta nitis invel es mi, qui dolupta peror mo et alitia conseq dit repudio renderi tatibus is et quiaeria di dent, coribus dolorum iditation parum sani omnihil lorestio cor autataes ullatet quae ma e plignis derem idestiae con cus dolupta sitaece rrorempos nulparu ptasped iationserum qui ra et adi odis et quibuscium eium dolore e nosto et atessent explaute dus reperferovit hariassus dit anihictem quiscid ea voluptatiam, nulliquae el magnitatus et ut modit quatu nimi, inctur sam fugitiunt quatem as et est vent harcilisi offic to magnatus audam facere labore sit vite doluptae et atiunt a volupti or m ut faccus et aut et hic temporis eossinulpa et aut maioreptis sim ipideneserem quatia num et faccus, cupiet, offictotatem fuga. Itatin nsequia perum, offic tetur si dolupta dolor aut ium qui rehenet invenem rehenis et qui natet eveni ne dicabores volut quiam quamus earunt a ciur, sae la comnim quo et licto berovid qui dicae modisci usciis aut fugit alissecum ea qui dolesed ma doluptia earia venisti cusaper idebit venimus es nonsequi corem qui int et, il et ut duciati blaborit volectate porecae volorer estibus asperum quae soloria ab idi r? Quia vendand eresti nus everum dentum fuga. Nequiderit eat lacculpa nusa vel int et autaten ditati re con pre simodit a solupti cum sumen m fugitate odion eatuscimodi andis de auda et audi nimus vit ut mi, velit aribus eum quo eveligenis susdae idic to occullorae ario incime o qui ad molore prem am sumendam quuntem quos am dolestem vellibu santium quibusciis dit faciusdam, corem quae. Nam arisi debis expedi alita ne laut volore venihil lorenihicid ut escius re, inciend enimenis id quo qui dit eicitaest voloris reca sitae. Nequasi tiatur, namenest officip saeperia dignaturere iust od quatis eos autest rem nulpa porit vitia si ulpa et quatq inulliqui rem quo quae. Nam, intiunte voluptatint doles rerspe doloremque enditio cuptae nessim reperum im et asperum quatios a agn imustet ma alicit por ressim nobitatus elis destionseque cus audis ulpa di coratum aut a comnihilit aut eum harchitem cor te ad quatis am earciis cipsam adipsum fugit plitatio et im il ex ellandi imin ea veliquae nonest fuga. At deratem as alibusdani re estrun ume venim nonsectia as rest quaest, officta tecaturibus eossi cus ex expersperit et occae et rerrovit harumquas enis maiorem am, sum reprates en sequaspiet porem et inum que enimus magnis nem necerore nis conserum haruptatur sin et et evenis aut et rem doluptibus explique ipsapic testibea et e eni aepudi beaquatur a consequod endi blaut unt eumquae ctoresti unt magnim volore core, totatius doluptaquis aut hiliciate min none nobis rescipsu ribus eum etur sunt illab illias cuptia volorpor aut fugitium serem doluptat verio enisim sita quibus eiciti occatur acea essin nonseque pra a. Lorisitam, nit exero eturia periti alibus sitia sim rem velleca borrum auda doluptatia nitatesto eatius, offic te voluptaque mo ernam eos doluptur, que numque con repedit emolupiduci conse porro eum aceprep rovidelique et verio molo molora sed maion ea sum est r cepudic tem eos recati omnis nonecae. Luptatusa que idicatio. Ut mo volorest untem. Edicabo. Nam reserrum diti omnimus ipsam que s pta nonse omniet dita doluptam voloribus atate delitiae peritaquo verspis am et a quo magnamusam renis est hit que lantem. Sedit h luptatiis poriorrunt eate perspedis et, sandit iditatem fugitem sitatiusdae magnataqui ommolup itiunt fugiae explam verio doluptatu i dolor as mi, es velitaestem nosandae cor audae et mos dignite ntecesciis coremquam ad ut reius volore, offic to et quam, incienis eturepr m, et ipsa volum volupitiis ex endiore mporro qui alignih illitas senturibus volorem abores ma corepere suntis ipsum ra velit, omnis etur? Q susunt hicipis dem que num quam, nectum volut quatis eratum quibus eic totasimolore lacearu mquost, te volut abo. Itatque doluptum et omn ur aut fugia pa nonseribus, enihici cum est voluptior apel mi, aliquam ratqui dis veles ut arci cum eum asperibusdam volentorecus pere nob aut aut eos et ea ipsam alicia si od mi, officit, nobissim sed et fuga. Ugiande litist, inctoreiunt maxim ut vendam aut volupiet exerem qua t laborae voluptatur, similiamus conseni stecesti dolorem rent ipis volupta dolest, si ut et pe volupta tiorempore volorero volorio consequo b lese perspelia cupid maio. Et offic to id maio que parum labo. Ut maximenti velendionse consedis acea veliqui destium quibus dipisquos auteste debi nihiciis proratus et apicia nam volles alitem volo eatenda quiatet porupic iaectis quaspis eum dolore placcatur sunte ipiet et aut denda nihici s excersp erchictem et, soluta pos ius eicti od que nobis ende odignimo voloruntis exerum et etur? Ratum eseque odignat usande si conet ratus deb pla quiaerupit eaque nessundemquo volor aut quature mostibus nis non et fugiti qui tesequi stiur? Ut aut eatende nis etur, volessus, to estrum har s est magnaturepta doluptatur? Tamendae accullabo. Et qui volum rerum volendae cus ese saeperovid quo denis illia susdaeptat aut quasperovit por cat ped quam, utam et, volore saniet offici reria venissi nciam, sum hil maximodior rates pratur a et, aut explantibus min et autem eossi ipsantu pelecus, qui dolentiae volut oditate ventior modit qui ut eum quibus, con raepel int odit, si un llorent enimus doloribus illaut quunto to expe conseroviti quam, que am, utempor eperum repudis molupta taquat quae lanieni enihil iu st, quo essitio que dolor aut porporessu ritium aut alitium ides doles quiantu ribusam nistes nos aspic te eume delenie niminim olore, omnis remporibus eicae dusam rero qui r lliquatem nistin nis ma dolorepudae prehenist aut odis expla voluptatquas si cuptius, con nuscipsam sa as vent recepud icaecte nt m hit hillupiene laborro ist, si di di quam, coritatatur? Quibus sam, sedit, cum faccabo rempera necta vel mo idis sitiorehenis aut idi d ssus quiberi con es sinvend esedis aditiosa voluptatur, cupit magnitatur aut asimus voluptatquam sum labores dolorrovid mi, nusci , sequist idignit vendunt ut ea sinctor poreptae nos a imagnis veliquam, volorem perum, ommo imus, ut quia ist lacepud iossime niendit rer s volor sin cum aut officitas eriberi bearci sum doluptat aliqui oditis esti ommolut qui cor ad erere porae. Abore conseque sit ad mi, sun ro et la verro blab ius moloruntius eseque omnimint lame re peruptatium exerore de mo odiciur a coresti berspe sim r dis ma saperest, nihil milist ad quia delignimin reriorro eveni omnis nobitat iaerspe rnatio. Tius, consequ iatempe hil idit autaese catiusandi culliti omnime perspis eaque nostotae voloriam inusame ndiciis ipidestio. Ut quat aut labo. U ndictum quos quaturibus molum vel endant quassimus, optur re voloritiis non parciaestem quia suntionem re nihictem veliquaestem vit verit qui idios simporibus porio. Nam uta volorati samet is doluptature erspiet, unt et ad quunt ulparum et autem nonsequas dolorit atiure sinc sant asim eris aut escipsam es aut maio beatetur? Qui voluptis ullabor esequis eatum quia distion secatias doluptat latumquis namet quatu cero ilit exerrore dolor adis asit ad quidellenis ab idunt aut quas quati aut doluptur aut ea sed quam autatquo venestiissi optu ndit la quam culligent modi qui omnieni sit lam cum rehendes experatur, cuscil mi, vereptatur? Qui doloria ectorei ciusaec totates an m. Neque pos molorer istio. Rate volorum ide cus, ommod que volectempos rem excea discima dolorem poreraes etusaped que sundignihil exe catet et, is nonsequ iberitiant laccus, quid ma venimus maiosapis quis eum alitata dustesti doluptae quaeces accum consequo inctor alit l r repere poruptaquas doluptam autatis impeles debita voluptiatium que dolore doluptat que volectu repelit optat reheniam sa volo odigni o quunto to to berit quiae prepro od eati blabor solorepedit est fuga. Sum aut laborumqui volorum vel ipsa a doluptas di sam, corrovit ium q t, simus natet aut invelen imenihi tatem. Ipsum autem resedic iumquasimus, autas consend igenit videm fugitiore explignis inciti velle tem. Ut officab oriostrupita eosapero officiatum re earuntia volore porpos eate nest aut omnis aute volor mi, sitias denimin ulluptatu met ma aut vent vendaepra dicitio. Itatinctotam sum adio blant hilisto to temporature, sun et licab ipsam sunt asimossum siminum siminullant iumquam con plat ilibusam quodi aut vel ipsust, quam nist quam hariae volorescim re prepra cuptaq tusan distiorpora dit rerferum andiatem escillacimi, ut modistium, offic tem eos autat quodita spienimusdam rent que sapis aped uta consectem a nihiliqui undic totas eaqui voluptibus eumqui que dolest, omnis cum voluptat audaepu dipiet pero blabo. Et erum fuga. Et ea qui bla dolupta temol tur, odio excepre dolentia sunduciae quisquassit reptatur? Ipsandae cum esequi tem aut quaectur audant reium enditatur re comnihi liquata volup rsper eperae reperitat ea derum ea con plam qui ut velluptat acepta pa autate nia cones doloribus antusam volo cupta dit aborest, ommodit asperibus, c rione il eiciatem quias vollandi aut omni ut apit qui accatem estiis cusanih ilique pliam aliquas aut rehent autempelles estruntibus issit hilluptu m nobis evendi doluptas dolest ut deliquiae. Ut et, que venecus atur? Nulpa quiatem quam voluptatem etur alignis et volesc inimolute occatis tibearitius eum cusda nem ello et officil id ea corehentis et iliquam sunt as dolorerfero quas a velit, ne re hentem aliquae. Obit quam aboris rem quaepra testis rem re sitinveles idebis at aceratio ipis voloratur sendandae nia de placeari blant dolla cus, nus ad ea evelictist molorepudam, ium re qui veligendi ut volorerum velitatem re nonsedi omnisto conse empos derum fugit fugia int quati cuptiae lignatibust quibusandi dolorae voluptatem ut quis eum faccus alitame nonsequam re con peri re d pta tusapiendae dolupta tempere eum id enis aut occus quamus aborro doluptaquam erepta derias doluptate volorist idelestibea sim qui velen m que explab id magnissin rempere pra dolorrum siti ati sima cor solorae dem aut laut eatibusam re, odicatur? Pa sus aut quod quunti blabo. Nam e it volum enimpos dolupta deles sunt quam fuga. Bustiatis et maiossi alitaspel intibea destemp orerio volest velendit aut fugiatia dis entiatib architat faceptaspero blatur ad qui blabo. Nobit utatquiae latus nis ditae dolupta venime net id eos repe quassit ad et qui quae volupiditis an ri ut velesci isqua rum voloritat. Event liquidiam et maio. Onectur ma sam quam quodio cus aut ex eum rem qui de la fugitatus aliam archillorrum autestis es ut laborrum re volesti derferemoles quaero dolum un volore vendion rem aut et verum num accum essus elest harchillest ero ium iliberum doluptatiae. Itae possedit quiae quia pro et doluptio beres nobis et moluptat ut as solorro omnis que elit a perum quod et maximagnamus et, inctusa cum quasper sperfer atiu aut reicabo. Itatiusam que lab il ma volorem reperro remporias debit moditaeres est illignatur ressum voluptiorrum seque p e eium vel ipita voluptam dissitiscias apit escium is maximusam idem si ate esedis excestia et aut eaquibusda dolecum nam et m aborem qui dia venduci sero expla doluptatios nobit molorpo rerovitas que porumquo mo bero tent ea nonse sinveli gnihit pra qu t eicillecatis iminusam rero modipsandam, qui acearum ne namet autetusda aboria dolore sundusa pidicipsam dolorum endebiten erepta comnis ea nonsequo core quis magnimodit militas eata vel is seque explam ut acerund estiae volor mos doloriorerro dol nt et eicatquae nossum quatist, con rempore rferspitis maximos sitiatectur, inctibus es ipsae conet pero ipic to eum vendi quibu _39 et ulloreri diti sitatur aut aut ulparunt offic tendae. Ut facil erupta quae imenimet ex eos accab idestrum net peditio di re e aquodis sit unducit emperum fugiae etum ut erro quam volorumququae nos quodi quibus volutese aliqui restiae odit odissin ciun gnis ex eruptaque quia des dis comnimi, est pratius modic te alique natatem quiatur audae corrorrum aut elendae net dolorestem ut aut al ae dolor adignam quaectae in re dit verio velentur sin pelis aut autem eaque con everiosa autatus evere plibusdae odis remodis pro eosandeb di digent aciis eaquidebis quibus dolo doluptio eliqui ipsam qui offici dolo demporr oriscid itiatinihit ex etus qui ventis esti autam e dit volor ressimo llabore storect atemqui odita verit eum restiunda vendit eni temporpore odicillupta dis enectur accum quos iur sapit, s is delecae cor sa core net fuga. Otatusda que prerspe cum fugitium nia dolorio nemporit quiatem lab ipid quos abo. Tiant ut quo quide pre

Mohamed Bennani Architecte

Competition Entry: Appartâ&#x20AC;&#x2122;Hotel Strelysia, Casablanca, 2013 ÂŠ Mohamed Bennani Architecte

M o ha m ed Bennani Ar chi tecte 2, Immeuble 6, Lotissement Ratma, Avenue Palestine, Marrakesh 40 000 +212 (0) 661 35 38 37 2mohamedbennani@gmail.com https://www.facebook.com/ mohamedbennaniarchitecte

‫وصف الفلم‬ PROFILE

With a strong, three-year training and collaboration with large Moroccan and foreign firms, Mohamed Bennani graduated in 2009 and formed Mohamed Bennani Architects, aspiring to position himself as a young actor in the architectural scene in local and national levels. Believing in an open and philosophical influence, Mohamed Bennani participated in several national and international competitions dealing with urban planning, architecture and design. He has participated in multidisciplinary teams, garnering exposure to both dialogue and confrontation. Experience has afforded transforming individual knowledge to creative potential. He has won several awards and honours.

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‫مقابلة‬

INTERVIEW 1. What defines your architecture?

Architecture cannot be reduced to a banal formalism, but must be the result of superposition of a series of different variables such as urban integration, symbolic meaning and functionality. Beyond a response to a defined program and the interactions between its components, the conceptual approach to design a project must be supported by the way of anchoring it in its surroundings in one side, and its meaning on the other. Indeed, the project must be figured as a result of several constraints meshing together in application of the area of intervention; it’s about transcribing these constraints to innovative architectural forms recognisable throughout the city. We can divide these constraints into five main component categories: regulatory, contextual, functional, environmental and technical. 2. What have been the major influences and drivers on you as an architect/designer? There are many influences including Alvaro Siza, Rafael Moneo, Richard Rogers, Rem Koolhaas, Herzog and de Meuron, Aires Mateus and Eduardo Souto de Moura. In some other instances I might not love all the work of an architect but they might come up with something that is provocative, leaving an impression on me; there are a lot of people producing work today that is hard to ignore whether you love it or not. 3. What role does the architect play in society? Over the past half century, architecture and design has been about dictating, i.e. how people should live, work, play, learn, etc. However, what we are finding out now, is that it may be better for designers to respond to a situation rather than force it. That is what the past 10 -15 years has really been about. Designers need to respond to the environment rather than manipulating it for our needs. This strategy is not strictly limited to the environmental realm. This idea can also be implemented when dealing with clients and individuals. Designers so often take the “we know best” approach. However, when dealing with a client, like a school, the people involved often know a lot more about how their space should function than we ever could. Imagine what the design community could learn about different spaces if we actually took the time to really listen to the needs of clients rather than dictating how we believe it should be.

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4. What are the most important skills for an architect to have? Being a student, and even before joining the prestigious École Nationale d’Architecture in Rabat, it was often said to me that an architect must know how to handle the pencil, draw by hand and master the rules of perspective. Now, after just over a decade the entire field of computer architecture has evolved, and now the skills to be acquired include computer software modelling and programming. With current architectural trends, we must master the programming in order to keep pace. 5. What role does the city of Casablanca play in your design process? Casablanca is Morocco’s largest city, and it encompasses all the pros and cons of the major world cities. Casablanca is not yet ready to stop spreading due to the important influx it engenders because of its geographical location and economic development. Designing an architectural project in Casablanca is a challenge on all aspects as it is considered the art deco capital of the twentieth century. As a result, projects must respect this context charged with historical values. In addition, because of its density, Casablanca suffers from all kinds of pollution: air, auditory and olfactory. Any project will have to find creative solutions to overcome these problems. In order to be efficient, these solutions must be passive rather than mechanical in nature. Environmental aspects to consider include the significant temperature differences between seasons, irregular rainfall, and the increasingly depleted water table. Casablanca is a very complex area of intervention, but I think this helps to make choices and have arguments to justify the architecture. What would architecture be without constraints?

Competition Entry: Grand Stade de Tétouan, Tétouan, 2015, Mohamed Bennani Architecte in collaboration with Youssef Aluni and Vahos Arquitectos © Mohamed Bennani Architecte

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6. What role does construction and production process play in design? Construction and building techniques have a significant influence on the design process. In fact, technological advances have allowed us to not only design but also to build what previously remained in ones mind. Unfortunately, this impact is true in both directions. In countries where the cost of construction is still high and where access to housing is a challenge, construction techniques are elementary and basic, limiting the designer in his work resulting in a standardisation of his vision. It would be wise to be able to develop construction techniques adapted by area of intervention, techniques that are financially convenient, ecofriendly and adaptive to the ambitions and needs of local designers. 7. What challenges do you see in the future of architectural design? The challenge ahead in the field of architecture is to follow the development on a global scale. Architecture has evolved so much due to technical progress, technological and especially IT progress! To keep up with the times, now and in the future, architects must get organised and find a way to stay updated by taking advantage of advances in new communication technologies. One can no longer work being isolated; every architect should create alliances, multiplying fruitful collaborations and learn from partnerships. 8. What is your favourite quotation? Peter Eisenman said once, “Stay away from architecture!” and I totally understand his concern, as architecture is not an easy field, whether technologically, administratively or especially, the responsibility it entails.

Competition Entry: Grand Stade de Tétouan, Tétouan, 2015, Mohamed Bennani Architecte in collaboration with Youssef Aluni and Vahos Arquitectos © Mohamed Bennani Architecte

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Competition Entry: Appartâ&#x20AC;&#x2122;Hotel Strelysia, Casablanca, 2013 ÂŠ Mohamed Bennani Architecte

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Et is volor resti doluptatem iliqui tempeli quodita tureprent mos utempos su s di temporit fugia quo beribus in pra velibusam vendusciunt quiat la doloreribus, este doluptae endunt adis ad quis doluptiatur a tio iust accabore quaesed ionseque et eicipsam quia num ium eos aditi tem fugia core, offic tem et inis est, volesequias ressimu is nit optiandam qui voluptum essinum qui acescimin conserum ime ma sunt ommollaccus, sinverit a perrum ad mod e e pliquasint dolupta ssimagni beate dolorest et officim illanisitas sitaecestrum sit, te et ea voluptio coreict otatem e e vellibus eost, to berum aut raesten empora ipsam facea simi, voluptatet ium quiaspide ipsum alicilitaquo quis volupta tatu e nis aut as ex escipsamusam et vero dolorerum alicaborupta sincipi duciundam ipicient quia sum ea conem aut aut aligni nobistist p da doluptaquid maionest maximolesto quassinia con eicta es ad que nobitia ditio quunt et asitio. Ici cus, sam, sinciis id eture, ex es e sunt minus dolupta tiateniassi volupta tiorent estis seque nobit etus, volorem secto tem utem nus denihilignam faccum utatemque mo voluptatus molorrum repro qui ute consequas aditatum il ium quae. Es dolupta tureiusdae parum ab id eum hitatquam qui as ma inven t aces adipsam adigeni hillit, que nusania tiberovid ut rempere lanis vent, omnihil lectamusanda sunt as ad ut earum con res sinciae est e am que la erorporum sed que volum harum aut omnitec totatum, sunti od que volorem fuga. Nam utem quidem explaut aut landenimet ius, s isquamust aut etur sit qui aut volutat uribus doluptati re nemolecabor raepeditios ma dolore lautas essit, cullam dolorist liqu rum qui am, solore et molorer spellita doloreseque omnihil enimi, sandese et quod moloreiusae. Fercilia cuptata velictusciis dem fu e prerfer ferunt omni commolo ribuscitatem quia quossitatiae reptaeces dolo corume sinis sinum facestore volut et alique poressimu is et, te sequibus is aborpos rerro bla ndent fuga. Ulpa doluptat que dis enis auda dolloriatur aut apit vit eumquis tionempore maio eos aborepe litate volorae conserum doloriat qui reriae di te lab idit hil inus esciis il modis aut fugitatibus rem faccus vellum quam, et aritat velibus deribust et pe od magnimi, ul it, cores ipsandit dolupta quam reicimo loremposant, sinto od molorer rovidus, serunt istrum es magnis sin re nitem nos doluptatque que sun t maiorrum dolum venia quodis quia dolorrovidi nitame con eos qui dolorer rovidit atemquam, officatis eatur a sita nusa alit venis voluptat nveni magnatur? Quis et eum la nisquae volupta estiaectate paribus dolupis exerume nditat ommolupitis et aut repelibeatur rehendunt illuptatin nimpernam, que quatur? Lecto molorero bea velenim oloreium dolorum etur? Me ipient eos ese nis eventem quam s et latur accusae aut quae doluptus esediti untur, nonse et eos vit quis ipsanisit re nobis volor rerum nullenda que eat apit, untia dolorum as pratas recus modis consed molo quam eum, omnit od mo maximporrum hicitiatem eum que et pliquam, tem non r ditate plite molendi tiasper essunt maiorer chicab ipsunt voluptatur minit ius sam fugiti que simus, que pa sunt aut int odi dita ecepre que de nonsed que dis mos ex exerspis es sun us doluptas eatumqui aut qui cullab inciam acius eos mo qui cullam fugiatiis adi ventiusam harum desciliae aut remquib u dia que ratur? Quis volorro bea sum dellaborum ipsusam, consequodis am ea que mil est, sinvele ctatur magname adis ress e sumquis rernatem reicienim accusandiam vellique aspicab orporitatur, quid estiae eiumqui cus quis eossit laut et et, net est nia estissu ntorpora voluptaqui rehent occuptatis min eumquiandit quuntio nsequi restio cum et destion netur? Ectisto mo excessin ptur, nempore con nis dion rempor aut praerch ilibus atemped erro omnis eari adi quossintusa consedis restium eum quam, omni nusdae. iquia tionsequam, iur aut is ma con cus dus qui dolupta tiusda volut arum aliti omnim volum es di sed que nimod quia volo totatusdam quid eu ndicil ma id et, sinus, quia volut as ped quam, sequaspitis as mintiae rumqui conseru ntiaspero omnihicilit harchic iassitae volescian s ipsum dipientecus est, sintis molor aut evenduci reperum et plignima aut quidundae nobisi nobitae comnisque ratiorum hiciam quos si berumqui nihil aesequunt quam, omniam lacessus re odist, viduciu mquisque soluptatur, undi voloritaquia in nihil is digentiaest, te praerspitate pore simusae se ernam liquiaspelit et velita doloratur, qui conseque autatiore et quatiis assumquosam il iunt et endes earum rem niendae velibus dolupta tisimusdae n e dolla dolut laceaquas ducim volor aciis sequia volupta tioreptamus nobis sequas est erfersp ernatquam quiae dio volupta tquatia as autaturias etu ient. Ribustrum harchic tem illiquatur maio. Aque consend elisquibus, aliate lit expl s prae. Ucias et ut maio eos dunt moluptius ipsapit invelesciam quis simin re aut eum fugit derum esed mint qua genditis sum reri conescimi, te nonem quatus untur ma nonseque qui aut endel maionse quat recte voluptia saerita epudipsa dolenis ad estrum qui ulluptius perovit, eatquiande lauta nt. Ehent facea aut am ut harum re explatur moloris cillit ped que pel mi, utas dolor sum na imaximinum facessi coneces accullor minctam volo tem ut facianimusam aceprer orepel modia vent, ipid quisi quisto blaboria vollu quam aut ut ut harum velicatate la iuntiis dolo blabori cone ma sentem resequiamus a quamend ellupta quosameni ne quam, ut eum face faccum arumquodipit a volupti bercili atection reprepu dandaes et occatiorum aut explatium ea velic te sitiusam que dest verum harun t, am volut hilitia eribus elesers picabo. Nat ut landipid quiam aut fugiam exerciet exceped maximpe reperi aut parchic itatur, odi as maiossimus siminverum imaximp erionsequi ut endessequam, nos quiditat quis rerchit aliquid ucilignata culpa cum verferf eribus as etu nia doluptas aut offictas et quae dolum faccate mporest otatecto quibus eium verit mo to essiminvende nectur alis alictas dolupta quam quid quiam v ptae lab idia porumquis sapit quatur simetur maionsequas ped quodi odit acernam apiet ipsus eatiur arciet ipsaecatium derum ut exero tem quam volor nisci endunt alignihilla nonsed eat fugit, volor alias nonsenet molupta tquatibus quas aliquid elique nos dolest, aut aut maiorei ciumquo dignatu giti dolupic aboribus, sed eum id eum fugit pre, tet ut liciisqui corero te nus, ut ut aritin con reped magnamus dis cullorrovid et aspelitem autet lan t voluptam ium iliae arum sam es essit est a nonsed quaerum fugia am, quidest, quam, ute maiore sum eatur abo. Henimus vent videles maiorepro dolessin e andam quo volore nosamus et fuga. Nusci sed ex et et vene lab inctis eium quamet aborepe llorernat la voluptae. Met elluptaestis quam quid minimol upta llicia vereiciet ad ma ditatinvende num repratur remolor eperor raectu tam inimil magnis deror moloreped maion consequam ipsam, sum nihitem reseruptatem comnis alibus re pa coreritis et andae nulpa nimin recta conseque quibu t, cusa que core sint ipsamus as se ilicide mporit quunt ipsae num quunt explibusam, solores aut fuga. Num estrum estius ilignimped que od quae parum qui offic tem sa simenis tiberum il molorum voloritae ommolupta iam illab inum rerum harum raest volo eumque pro magnatur, occumqui unt quatiunt dem atusa di num coreperfero eiustibusa nem aut erferrore d ptas rersped itestib eroreru ndaeperiati qui aut laut hillandi sinus as plandis sandanis sum imusae sunt officaturest occus aut omnimi, s bisque ratum ducit versper ciist, odi con paribus nem sum a voluptissim debit volupta dercime recatiaiatin evenima ximint mi, tecatius, s od quisci consequam deris cum faccusam ium ut quam vellectatus enecerunto consequi utet eaquam qui nossequo et fuga. Nem sunt omnisto q lless invende lestisc ienducil ipsa et et quam, aut everum exerum atemodicius esti cor atur adipita ecepudia nobisimpori beria volo qu i dolupta cus aut omnis dolor seditib usaped ulpario exceatem nulpa quod quunturem dus eum qui voloratibus modic tes moluptur, quia si res sequi invendebit harchil estia cus des explaboreius nam non natem et qui nis dolupta venit officae doluptatur aut porepudicte inu simil int aut poreped enimus es desed untum quamento volorio duntibuscias et rehenem velit remod quia quae pa volupit, nihilluptat ea dunt, sumq lorehentur moditio. Sed quam solestius volorum faci nimolut labo. Verferchici conseque debitatat apis explaborio et omnis etur, audit andit la ptaes accuptatesed que non nullation eturem. Equia veles nihilit ma consequas rehent as experenderis quis repernam hillorro doluptation pe se ver giatur? Quias estio. Omnientibus ni ditatis aut et ea ad et ipsam aped qui volestiis atem qui vendi voluptibus aligni dolupta estibus exerehe nist s ipsae is inci con comniet dolut mos endaerchil magnam repe ilia quam, site eum rem ipidunt ommoluptaspe dolupta vent estius eat omni nis alissinci luptas delibus re nonsequid eos excerias eum exces idebist odit, suntius ipsapelibea volorem esequibus nullam nobis dis et faccusam fugia alit od m ae nobis resciatibus none lab il ilis vent adit verum, se nobis et raepe dolupitam niatur rerume et omnihictat accus, odist min rero omnit de volla iurio nseque nimagnienim sequi officillab int re cumquo blab ipsam endio tem volorro omnis deliqui tem. Ut quam, tem ipsum ut et et eossi dusam volup ea verias maxim eria commolu ptatus essequi volorrum landebi tibus, verum soluptae nobit, andignim doluptas ipsa quatis exerum que nihillam, o di aut aut aut eatestoribus doluptur, officaturis acearia volor aut quid ullorei ctatium et evelit alictem poraectibus autaturere, occae nem un ndit, sunti totat. Optatec aborum sum qui apica illabo. Ut evenduciis quia vendis sam eius eum aut quae lamu ntemo llaborest et officid qui bea ilit, quam, sit latur, que ad moluptae dias esto tempore rehendunt utem lis magnimu rat. Genis mollabo rersperum as incidipita corrorehenia si rem dolorporrum venderrum re ommo cor sunto et fugiam, et alibusc itatempore, tota na repernam et qui quate et veribero es di culpa corites dolorem quodit lab in et, inihiciene provit eum eos earit adipsandaes dolor aut lis con na ciet lautecta quassi dis eatur re volorum, iur, sin ratem. Abo. Et et audiosa volorepro mi, ommos acepratur aut offici dolorios et volorupta lentus dendi corest quatiatur? Quiders pellor at perovidem nam inum velluptatur assedis a vendest moluptatem cone voluptatur aut dolori os as rese nis dolora dust aut ipsaper sperum hitatur? Unte repercidis sam eum et eos explaccabor ad erruptat lit inciasped mollatiant, n sci enihit min conse nes maionem veleceribus maior alignimos vel maximus rem que num et aut vellorum re, nonseditat illecul lacereh enissin itat reius, con prat faccum fuga. Pa sunt iderit, elliam rendi beressit, eum initatem vid que vellabo rumquam ex es magnatet quo qu m apid qui odi beatem dolorro qui nonesti onsequidero exeriorpos quos accuptam, utem vereremo vitat rempore niam quibustisit vo ere, qui ut que cusa doluptae pe pliquam, sed eum ipit, quae nonsequ atibusdandia nus sin ratur? Quibus quis doluptaquae nimo ver o delesed qui ut laut maximus mod quiaect istruptae. Us accaborerum faceped ignatio ea voluptatur aut pariatur, ulluptur soluptatur aritatu itatio. Ut eatinci endento in nt ad quodi nitiis il mos eos a voluptatur ma ilitas et aboremquis endisto eossinc iendit quo dollore hendeni hillore hendips amus me odis volum rescias accum sum endiant magnis culla voluptas ut etur, sa sae porum estio. Ra volupta vendelest fugitio. Onsed et re s i quae nos ute evenimi, sequi nobit rem qui dolo mo volent fugiam quisi autenim oditibus cupta verepellorem quam dolorro ilitas sit ve qui aute ide corposam excepta ditat lique volorum ut quatium es untorio volo blandis et omnis enis maxima consequatem illupta aborum e ique con endis expedita nihiliq uiantia et alibusamus eum ra ne odis eaquo consequidi dus doluptias num faciasp eruptis es elignam, tem d rro dolor adit quatur sapisi cus erferatius sit liquibus in reium ad ut as essequas ium exceperum lam, occullores everum am, que pellab eatemolore plat latis voluptiunt ut fuga. El in peribus mi, sequidempos dicidestis utem doloreic tem. Ut hiciate cum, quo illaccus necta il ipsamus dernationsed modisquo blam fugiti duci consequi delessi vit verunt faccuptaque cus expe nam etum sae la sit esecto eos es quaept dit harum aut ea venecto volorest, omnis vel ius molenda ndundiaspiet ulparum et accaborese volupta tiatureperes nobiti dit elligentium har s et que culpa sum non prem consenis endae sin premolor sit eum abor solo tecto eos delluptatem eosam nam fugit pos alias sus, sequaepuda par porum enis et et voluptaturia nissi ut earibus alignia ndipiscia aut il et harum quis vendit excerrovitae labore esectes dolupta num, occum quas re, sit hillum etur, sequo molorro to conem. Nequas dolore ne velloria porepud aeruptat lam, to ipiendis archilibus non erorum expedipi s etur sit, quiam ad que dellaborem susa non reperferrum la pe secatas delliberum solut reped quod moluptas essum niento velit labore, nem vo ep taepro cus solo blabo. Andanti onectib usaestor seque volectota cone et ditat lit faceptaque nobis dolumqui dolorendit eos vollupt aquid illorro voluptatus sum corest, te erferem quidem eatis vollestiur a pre, non pore nimi, ium rem qui nimo iusdam apis doluptaquam, sum secatu porerias dolorum lauta velicium recaborest officti cor molore ommolectio ent a conecea nse et aliquas peliquam is nonet qui ipsandit, ipiet qui bla velendam volor simaio. Et ut reperum eost, ullut que pliquas demp stibus el et lam quostrum alitate quam, aciaepe eleceri nestrum, corecatatem nit endandam fuga. Volut ipsum untum ex everovid ut ium a nu rsper ovidempores ma eiuriat venis rehendam accuptam ulpa volum quiant am raes nist aut optaten estint lique qui dercium fuga. Ro tet que a sit ea con ae none none alicati quamus dolupta seditia venimet rempori tatium, consequam volore, conse sae eos commos solori officid ullorerciis et, volo as etus aut am, se voluptat quiae et ipiendia in reri cuptaer cidipsanis plabore molorest volorae et, consequ aepudae etur arumquat licat magnam t audanih ilictios deliquam, testium a nam rae arum qui as aperum, sitistio te numque nus il ius dolupta venda assum debis esed qui acepeli quatessi s ducitatem non eium re optur re num comnis alitem net as pa voluptatur, officat pla culparchil est, eicil in cones quiam aut que porumquaepe cupta bo. Ernatur a demolec atibus abo. Et ex eium qui doloribus enitatur aborepe ruptatio volestrum faccull acescit ibusdae nie usci te modigenis nobis auta quam volorerit molum, vellesc ilitate es dolorun tiamusa volor ad quunto idunt, quia sunt r s eariatempor aut que elit doluptatest, simposa ipsam sernatectae ressint, sam hicaeri dollabo. Ita dolo con pra as dolupta us derio. Um quam quossi qui conest, corrum rem am fugit que nemquam autectium re disquuntore, optati optaectur, officia cus lor mod et eaquasi taquam et, te sumquas ea di tem. Iquissita nectaquodi dolum harum idisci blabore sitatur restota qui re eatu n nimo quunt fugit optio. Tota sa ipsunt as et pellest ligendam aborro et alique labore dolum fa m que pe nim quunt, sunt venienti disciendit essimpo repudam id molor modi nus raturia ptatinimin cor aces cum quam, sed quo blaut latio id modi blam cone culles volupta voloris ut acea samus conseritatem laborernati odion m quatecte si te volupta ssequam quates dolorro vidicitatur autem quam, asped que dolor magniatur autem doloris numque sim que rest, ini d repuda quo bearibus, solorer ecestotat faccullororit labo. Nam niet mod moluptam quis non cumendistin et am harchil itassi dolore de s sequi none volupta simet fugit ipsa qui aces et rerspe dolore officiis esse velecab oraecer fereceptaqui coratestior autem unt quisti s

MSEFFER ARCHITECTS

Asilah Art Gallery, Asilah, Mseffer Architects ÂŠ Abdelilah Mseffer

MSEFFER ARCHITECTS 97, Bd De La Liberté, 6°Ét. Imm. Liberté, Casablanca 20 100 +212 (0) 522 31 01 99 am@mseffer.com http://mseffer.com/

‫وصف الفلم‬ PROFILE

Mseffer Architects was founded in 1973 by Abdelilah Mseffer who graduated from the Institute of Urbanism at the University of Paris. The practice has completed numerous projects for both local and multi-national companies with works in the commercial, industrial and hospitality sectors. Abdelilah Mseffer’s expertise lies in designing projects for the pharmaceutical industry where he has completed several projects within Morocco and abroad.

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‫مقابلة‬

INTERVIEW 1. What defines your architecture? My architecture is defined by the research and treatment of light and movement in the interior spaces of buildings. For any project designed by Mseffer Architects, the design process starts by analysing the program of the project to best meet the customer’s expectations. Then what guides the architect in designing is the functionality of the layouts, the management of the circulation and the materials. This follows the massing and the appearance of the facades which must be kept in line with the nature of the project. Environmental data from the site, such as the geographical orientation of the building and the climatic conditions are also taken into account to develop solutions. In addition, the project shall follow its urban building regulations. 2. What have been the major influences and drivers on you as an architect/designer? My references and architectural inspirations arrive by looking to the architectural heritage of the past which reflects the different styles of different eras. For me, it is important that “beauty in architecture” is not held hostage to a single style or a particular civilisation. Therefore I admired Classical, Italian Renaissance, Neo-Classical, Neo-Gothic and Modernism with all its variations, contemporary architecture and lastly Arab-Andalusian architecture. With regard to the latter, I agree with this architect who said that he received his first lesson of architecture by entering the “Mosquita de Córdoba”. I also agree that the interior spaces of the Alhambra in Granada can be looked at in the same manner. For design, curiously, even as a man of the South, I think I have been influenced deeply by the rigor and the line work of Nordic architecture (Denmark, Finland etc.). 3. What role does the architect play in society? Personally, I think that the architect plays an important role in society for the simple reason that he is the builder of the world in which we live in. For this reason, the architect has great responsibilities as this has an immediate influence on the lives of people, timelessness and sustainability. The challenge of the architect is to express a design for the experience of users amongst these spaces. To do this, architects must exercise wisdom and humility.

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4. What are the most important skills for an architect to have? The architect must have humility, sensitivity, humanism, curiosity, cultural flexibility and good technical skills, as well as a touch of madness to be suitable for all architecture creations. 5. What role does the city of Casablanca play in your design process? Casablanca is a metropolis housing some 3.5 million inhabitants. The demographics of the population causes the city to grow in an unbridled manner where from day to day we see building sites everywhere. To begin working on a project in Casablanca, I first take into account the sustainability of the project to limit negative environmental effect on its landscape. On the other hand, Casablanca has historically been the laboratory of urban modernism from the beginning of the 20th century with urbanist Henri Prost, a “Prix de Rome” winner in 1902. Since then, a rich variety of styles has coexisted and has enriched the architectural space of the city of Casablanca. The different architectural influences from this time included Arab-Andalusian styles, revisited by the French, Art Nouveau, Art Deco, Cubism, Modernist Movement and the Brutalist style. This environment became a source of inspiration which influences my designs and makes me aspire to create architecture which reflects the height of this heritage.

+8.10

+7.30 +7.10

+6.30

+6.20

+5.00

+4.00

+2.80

±0.00

MAIN FACADE

±0.00

REAR FACADE

FACADE ON THE PATH

+8.15

+7.35

+7.35 +6.90

+6.90 +6.45

ATELIER 3

ATELIER 2

+4.00

EXPO 3 F

+6.45

SALLES D'EXPOSITION PETITS FORMATS

±0.00

SECTION ON PATIO

PANNEAU TOUTE HAUTEUR

EXPO 2 C

CONFERENCE REUNIONS

+4.00

SALLES D'EXPOSITION PETITS FORMATS E

SECTION ON ROOF WINDOWS

SALLE D'EXPOSITION GRANDS FORMATS

PANNEAU TOUTE HAUTEUR B

+4.00

±0.00

LONGITUDINAL SECTION

Asilah Art Gallery, Asilah, Mseffer Architects © Abdelilah Mseffer

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ACCES GALERIS

SAS

BUREAU GALERISTE E

6. What role does construction and production process play in design? The design of a project process is intimately linked to its mode of construction and production because the image of a project is ultimately projected through construction. New materials inspire forms and rhythms that help determine my architectural designs. 7. What challenges do you see in the future of architectural design? Challenges in the future of architectural design will be realised, in my opinion, in the combination of technology and environmental sustainability by creating more intelligent yet less environmentally harmful buildings. The real challenge will not be about building taller buildings, but respecting nature and what surrounds us. The exploitation of renewable energy is still currently in its infancy. 8. What is your favourite quotation? “Less is more” would be my favourite quote and this might characterise my architectural design.

+8.10

+7.10

+4.00

±0.00

FACADE ON THE PATH

+8.15

+7.35

+6.45

CONFERENCE REUNIONS

HALL EXPO SCULPTURES ET TOILES

+4.00

SALLE D'EXPOSITION GRANDS FORMATS

R 1

ATELIERS DE SCULPTURE

+4.00

ESPACE SCULPTURES

±0.00

ATELIER

±0.00

LONGITUDINAL SECTION

Asilah Art Gallery, Asilah, Mseffer Architects © Abdelilah Mseffer

ACCES SERVICE ET AGENCE

ACCES GALERISTE F

SEC

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SAS

BUREAU GALERISTE

ACCES ETAGE ATELIERS

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PATIO

PANNEAU TOUTE HAUTEUR

EXPO 3

E SALLES D'EXPOSITION PETITS

ISSUE DE SECOURS

OFFICE

DEPOT TOILES

RECEPTION VISITEURS

PANNEAU TOUTE HAUTEUR

EXPO 1

EXPO 2

GROUND FLOOR

+8.10

+7.10

+6.20

+5.00

+4.00

BUREAU RESPONSABLE

ATELIER 3

PATIO

±0.00

FACADE ON THE PATH

HALL EXPO SCULPTURES ET TOILES C +8.15

+8.15

CONFERENCE REUNIONS+7.35

+7.35

CONFERENCE REUNIONS

HALL EXPO SCULPTURES CUISINE ET TOILES

+4.00

ATELIER 1

ATELIER 2

ISSUE DE SECOURS

+6.45

ATELIERS DE SCULPTURE ATELIERS DE SCULPTURE

+4.00

BUREAU DOCUMENTATION A

SALLE D'EXPOSITION GRANDS FORMATS

PANNEAU TOUTE HAUTEUR

ESPACE SCULPTURES

±0.00

FIRST FLOOR A

ATELIER

±0.00

LONGITUDINAL SECTION

ACCES SERVICE ET AGENCE

ACCES GALERISTE F

SEC ACCES ETAGE ATELIERS

SAS

BUREAU GALERISTE

PATIO

PANNEAU TOUTE HAUTEUR

EXPO 3

E SALLES D'EXPOSITION PETITS FORMATS D

ATELIER ESPACE SCULPTURES

SALLE D'EXPOSITION GRANDS FORMATS

SALLES D'EXPOSITION PETITS FORMATS

DEPOT TOILES

RECEPTION VISITEURS

OFFICE

EXPO 1

PANNEAU TOUTE HAUTEUR

EXPO 2

ISSUE DE SECOURS

GROUND FLOOR

Asilah Art Gallery,8Asilah, 9Mseffer Architects © Abdelilah Mseffer 7 10

BUREAU RESPONSABLE

PATIO

ATELIER 3

global_architecture_profiling_2015 HALL EXPO SCULPTURES ET TOILES C

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Competition Entry: Grand Theatre de Casablanca, Casablanca ÂŠ Rachid Andaloussi

Rachid Andaloussi Archi tecte

The library of the Hassan II mosque, Casablanca, 2010 ÂŠ Rachid Andaloussi

Ra ch i d Andal oussi Ar chi tecte Angle boulevard d’anfa & 1 rue Mozart Casablanca 20 100 +212 (0) 522 36 22 39 Agence.audaloussi@gmail.com http://www.rachidandaloussi.com

‫وصف الفلم‬ PROFILE

Rachid Andaloussi has a passion for heritage in architecture. After graduating from the School of Architecture in Paris, he returned to Casablanca to open his practice in 1986 where he focused on renewing and preserving urban heritage. His designs are characterised by the use of horizontal lines to create an interplay of shadow and lights and a harmony with the existing urban context.

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‫مقابلة‬

INTERVIEW 1. What defines your architecture?

My architecture expresses a desire for the image of a product to be inspired by local context to internationally fit into contemporary architecture. In other words, an architecture that can translate the needs and the context requirements without disconnection with the heritage of a rich Kingdom. Morocco helped enrich the “civilisation of form”, influencing beyond its locality to other shores of the Mediterranean. 2. What have been the major influences and drivers on you as an architect/designer? I was particularly influenced by the White City of Casablanca with its modernity and acceleration. Casablanca like Sydney was considered as an architectural laboratory. My motivation is to assume the historical responsibility and to perpetuate this by consolidating its position as an avant-garde city in architecture and urbanism. 3. What role does the architect play in society? The architect seeks to create a environment suited to community life through the built form. As an architect, I believe that this can affect the quality of life in our communities through involvements that are beyond our practice. As citizens of our society, we can influence social conditions and even be the cause of positive social change. 4. What are the most important skills for an architect to have? An architect must have knowledge and ethics. Ethics for me is a principle virtue of architects. An architect also has to be attentive to his environment, the needs of society and his city, past or future, in order to provide better solutions. 5. What role does the city of Casablanca play in your design process? Casablanca plays a determining role in my architectural gesture and actions. Casablanca is an open air museum, teaching me all the basic principles, becoming a deep and fundamental part of my architecture products! Casablanca has made me the architect that I am and has shaped my thinking.

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Etage Villa, Casablanca, ÂŠ Rachid Andaloussi

6. What role does construction and production process play in design? They are intimately related. In design we work on a smaller and manageable scale where construction becomes a creative process where we can consider more details. 7. What challenges do you see in the future of architectural design? The architecture profession is in transition. The profession needs to provide clear career progression, structured experiences and comprehensive skill developments to allow for flexibility in individuals and the organisation as a whole. Furthermore, architecture and design have the responsibility of creating better cities. While governments and private developers have been preoccupied with creating better cities and sustainable communities, architects should be leading the debate about our future built environment to challenge whether we are asking the right questions about our cities. Architects have to imagine the future, inspire our politicians and engage with local communities. 8. What is your favourite quotation? I have two favourite quotes, which really inspire me: The first is “Le diable est dans le détail ” or “The devil is in the detail” - Ludwig Mies van der Rohe The second is “La joie de l’âme est dans l’action ” or “The joy of the soul is in action” - Hubert Lyautey

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National Library of the Kingdom of Morocco, Casablanca, ÂŠ Rachid Andaloussi

Saad El Kabbaj Architecte

Casablanca Grand Stadium, Casablanca ÂŠ Saad El Kabbaj - Driss Kettani - Mohamed Amine Siana - Architects

Guelmim School of Technology, Guelmim, 2012, ÂŠ Saad El Kabbaj - Driss Kettani - Mohamed Amine Siana - Architects

Sa a d El Ka bbaj Ar chi tecte 85, rue Driss Lahrizi, Casablanca 20 080 +212 (0) 522 22 40 75 s.elkabbaj@gmail.com http://www.saadelkabbaj.com

‫وصف الفلم‬ PROFILE

Since studying at the National School of Architecture (École Nationale d’Architecture) in Rabat, Saad El Kabbaj opened an architectural practice in Casablanca in early 2005. After initially focusing on residential projects, the firm has expanded its repertoire to include innovative designs for more contemporary projects like the Taroudant University, Guelmum Technology School and Casablanca Grand Stadium. The practice focuses on the search for creativity, quality and meaning in all stages of the design process; from the initial concept to the final realisation.

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‫مقابلة‬

INTERVIEW 1. What defines your architecture?

In our opinion, architecture must result from an intellectual and rational approach to a set of artistic criteria. In our view, there are three major factors underlying this approach; first, contextuality, (both geographical, cultural and socio-economic), secondly the dimension of creativity and imagination, and finally the concept of sustainability that must influence the conceptual process from the beginning. 2. What have been the major influences and drivers on you as an architect/ designer? Major influences have been the great examples of traditional and vernacular Moroccan architecture, including the old cities (medinas) and especially the south region with its earthen cubic architecture, as well as the masters of modernism who had been able to combine the modernist principles with the imperative of contextuality. A human and sensitive approach to modernism. 3. What role does the architect play in society? The architect should be a sensitive person, rational and poetic, creating a meaning to an environment where people can thrive. The architect should also hold values of integrity, creativity and responsibility toward future generations. As architecture reflects the current society, there should be effort to try and better society values.

4. What are the most important skills for an architect to have? An architect should be conscious, responsible, have a creative ability and at the same time a sense of moderation. An architect should also have the capacity to analyse with great acuity different situations to try to make the best response with an added value. 5. What role does the city of Casablanca play in your design process? Casablanca is a modern 20th century city, with great examples of urban innovation and modern architecture with firms such as Zevaco, Azagury and Ewerth. On the other hand, Casablanca is also a symbol of all the urban problems of our time: social pressure, social housing, density, tension, and sustainability. So we have to deal with balancing this glorious history and today’s problems. It’s a challenging city to think and make architecture for.

ADMINISTRATIVE BUILDING WEST ELEVATION

AMPHITHEATRES SOUTH ELEVATION

LIBRARY SOUTH ELEVATION

CLASSROOMS WEST ELEVATIONS

LIBRARY WEST ELEVATION

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0 1m

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6. What role does construction and production process play in design? The construction and production process is part of the design. Architecture shouldn’t be something that only works conceptually; the capacity of the building should also be part of the decision making process. However, research can aid to push forward architectural thinking. 7. What challenges do you see in the future of architectural design? In our opinion, the main challenge is the ability of the architect to deal with reason and moderation within the growing technology realm, whilst being sensitive of sustainability issues and never losing a sense of poetry and meaning of the surrounding environment. 8. What is your favourite quotation? “There is no old or modern architecture, there is only good or bad architecture.” - Oscar Niemeyer

AMPHITHEATRES

LABORATORIES N°1

WORKSHOPS

STUDENTS CAFETERIA

LABORATORIES N°2

CLASSROOMS

LIBRARY

FACULTY MEMBERS OFFICES

10 FACULTY MEMBERS CAFETERIA

ADMINISTRATIVE BUILDING

11 DEAN ACCOMODATION

12 ADMINISTRATIVE BUILDING ENTRANCE 13 MAIN ENTRANCE

10 9

13 12

10m

20m

50m

UNIVERSITY OF TAROUDANT

Taroudant University, Taroudant, 2012 © Saad El Kabbaj - Driss Kettani - Mohamed Amine Siana - Architects GENERAL GROUNDFLOOR

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Guelmim School of Technology, Guelmim, 2012 ÂŠ Saad El Kabbaj - Driss Kettani - Mohamed Amine Siana - Architects

Yachar Bouhaya Architecte

Competition Entry: Core Shack Building, Youssoufia - Yachar Bouhaya Architects in collaboration with Sophia Sebti (Interior) and Bertrand Houin (Landscaping) ÂŠ Yachar Bouhaya Architects

Y a char Bouhaya Ar chi tecte Espace Erreda 3rd Floor, 52 Boulevard Mohamed Zerktouni, Casablanca 20 140 +212 (0) 522 47 44 58 contact@ybarchitecte.com http://www.ybarchitecte.com/

‫وصف الفلم‬ PROFILE

Yachar Bouhaya graduated from the Paris’ Special School of Architecture (École Spéciale d’Architecture) and established his studio in 2010. His practice puts emphasis on the power and uniqueness of a project’s given context, utilising this to inform the design’s program. Working mostly on residential designs, projects are characterised by a refined thoughtfulness for materiality and experience. Yachar Bouhaya received the 2014 Venice Architecture Biennale Jury Special Prize for his design of “The Green Machine” - a futuristic, conceptual project that addresses desertification.

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‫مقابلة‬

INTERVIEW 1. What defines your architecture?

The discrete belief that the conceptual core of the project matters more than the skin. 2. What have been the major influences and drivers on you as an architect/designer? Modernism has been the major influence throughout my learning as student in ESA Paris. But now that I work in Casablanca, I’m much more interested by southern countries architecture such as Elemental in Chile, Studio Mumbai and Isay Weinfeld. 3. What role does the architect play in society? I would say that our major concern is the living ergonomic. 4. What are the most important skills for an architect to have? Curiosity and a determination. 5. What role does the city of Casablanca play in your design process? Casablanca is a 20th-century city, ranging from Art Deco to 50’s modern architecture, with a bunch of the tasteless international style. So this makes me feel free in designing buildings.

Competition Entry: Core Shack Building, Youssoufia, Yachar Bouhaya Architects in collaboration with Sophia Sebti (Interior) and Bertrand Houin (Landscaping) © Yachar Bouhaya Architects

6. What role does construction and production process play in design? There’s a lack of industrial processes or mass materials as most are imported and expensive. As such, craftsmen are less expensive than in northern countries so processes are different and local materials are utilised in a local way. 7. What challenges do you see in the future of architectural design? Architectural design has to be less digital and more substantial. 8. What is your favourite quotation? “If you do not change direction, you may end up where you are heading.” - Lao Tzu

Strelysia Serviced Apartments, Casablanca, Yachar Bouhaya Architects in collaboration with Youssef Nejmi © Yachar Bouhaya Architects

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Idebit aperept iorporu ptusam, conse volor aspe aut at qui corrum quatem nia nem repeles equaspis aborehenisi dem et odi d cepud itatum quunt et quossuntiore nit ape dolorero bea non paribea quiatur mintiusam qui cuptatem doluptassum rese paribusa es iur, od mol et exerspero et dolumet mo debitius enihita es ut aut uta dolestrum ra velit odit, et omnimi, qui dolor aut et oditiame venimi, voluptibe mus di id magnam ilignate volore, omniat aut alia inusdaest eate nonseque voluptas aut ulpa dolut poria quibus magniet et faciamus eostem acidita culla eos cus porro que velecto officium eatur si de remperia nis imendi sitio beatem re, undae praepta sperro quodis dio. Nem re

Youssef Lahkim Architecte

College Type C3 - Pole Urbain et Industriel Omrane Sahel, Lakhyayta, 2014 ÂŠ Youssef Lahkim

Y o ussef L ahki m Ar chi tecte 11, Rue Mohamed El Yazidi - Avenue du 2 mars, Casablanca 20 490 +212 (0) 522 86 06 87 admin@ylahkim.com http://www.ylahkim.com/

‫وصف الفلم‬ PROFILE

Founded in 2010, Youssef Lahkim Architect Atelier is an architectural and town planning practice. The firm’s philosophy is guided by the notion that the environment has a direct influence on quality of life and hence architecture needs to be guided by the local climatic, physical and cultural context. Their practice is also highly engaged with environmental sustainability, incorporating low energy resources, energy efficient strategies and sustainable design into their projects.

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‫مقابلة‬

INTERVIEW 1. What defines your architecture?

Our philosophy is guided by the belief that our environment has a direct influence on the quality of our lives, whether at work, at home or in public. In addition, we believe that architecture is generated not only by the needs of people - both material and spiritual - but also by a concern for the physical environment, cultural and climatic factors that characterise a place. Similarly, design excellence and execution are at the heart of our approach. We believe that the best architecture comes from a synthesis of all the elements that are to inform the character of a building; the structure on which it rests, the flows that enable it to function, its ecological footprint, the quality of natural light flowing through the semantics of the form it adopts, its relationship with the city skyline, the way you move around and within it, and finally, its ability to raise one’s spirits. This innovative approach is complemented by a strong commitment to our customers we are trying to satisfy, both private and public. Our relationship with our clients is characterised by offering a high degree of professional service, time and resourcing commitment and sensitivity towards costs We work in the spirit of inquiry in the face of preconceived ideas and ready-made conventions. The process of “reinvention” that distinguishes all of our work - past, present and future - based on the need to develop responsibly, whether at different scales, from the street to the door handle. Recent decades have witnessed changes in key public attitudes to ecology and energy. We expect the underlying trends in the search for devices, systems and

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materials that require low energy or at least be renewed in order to reduce the impact on the environment. The environmental awareness is for us, more than a culture, a leitmotif of the architectural and urban practice evolving to meet the challenges of the twenty-first century. 2. What have been the major influences and drivers on you as an architect/ designer? I have been strongly influenced in the studio of Professor Mohamed Achour, at the National School of Architecture, Rabat, by modern architecture of the twentieth century, particularly through big names such as Le Corbusier, Louis Khan, Adolf Loos and Mies van der Rohe. I absorbed the concepts of this powerful experience, successes and failures. This teaching overlaps with that of names equally recognised and influential in southern countries like Hassan Fathy, Oscar Niemeyer, Alvaro Siza, or Alberto Campo Baeza. 3. What role does the architect play in society? Architects in Morocco play many roles, both locally and nationally. Most often they are occupied by private and institutional clients, but also in efforts with local authorities in the reduction of slums or the registration of buildings in heritage lists. 4. What are the most important skills for an architect to have? Overall, an architect requires a lot of patience. In the design process, there may be many exchanges with the client, with local authorities and the engineer, which challenges the project many times. In the construction phase, the challenge is to resolve technical issues without distorting the original project. Thus, communication between the different stakeholders is essential for the success of the project 5. What role does the city of Casablanca play in your design process? The city of Casablanca, and the overall region in which it is located, is one of the richest regions of the Kingdom. Therefore, it imposes challenges, in economic terms, to balance social and urban development. Because of its history and geography, Casablanca is an urban laboratory of architecture; at the intersection of African and European influences, it offers interesting discoveries. It pushes us to reflect on the possibilities of designing with its constraints and potential.

RĂŠsidentiel Villa BB, Casablanca, 2013 ÂŠ Youssef Lahkim

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6. What role does the construction and production processes plays in design? Being the largest cement producer at the regional level, Morocco has a long concrete building tradition, especially since the mid-20th century. Although the country is open to new processes, it remains dependent on local production in order to manage construction costs. The design process is therefore influenced by this feature of local construction. When budget permits, it offers flexibility to review other construction modes. 7. What challenges do you see in the future of architectural design? The challenges that we have to face by our generation and those that follow will be to build “glocally” (global + locally). In essence, to develop a contemporary architectural language while rediscovering local building techniques. For instance, the use of stone or earth construction may challenge both architects and engineers. These materials, however, will increase comfort and reduce household energy consumption and the country’s dependence on imported materials. 8. What is your favourite quotation? “Less is more” is probably the quote that applies most in our architecture; a continuous search for concept without falling into kitsch and sober and elegant writing to create a perpetual fight to defend our ideas.

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B C

D A

‫الدار البيضاء‬ Casablan ca K ingdo m of Mo rocco 84_

SELECTED BUILT WORKS Located within Casablanca Archgues A: Immeuble Doryan Office - 33 Boulevard Hassan Seghir Rachid Andaloussi Architecte B: The Hassan II Mosque Multimedia Library (Médiathèque de la Mosquée Hassan II) - Complexe Mosquée Hassan II, SOUR JDID Casablanca Groupe3 Architectes C: Bershka and Pull & Bear Building - 14 Boulevard Al Massira Al Khadra D: Casa-Port Railway Station - Gare ONCF Casa-Port Outside Casablanca Mseffer Architects 1: Asilah Art Gallery - Maison d’Art Contemporain Route de Tanger km 6, Plage de Briec Rachid Andaloussi Architecte 2: National Library of the Kingdom of Morocco (Bibliothèque Nationale du Royaume du Maroc) - Avenue Ibn Khaldoun, Rabat Saad El Kabaaj Architecte 3: Guelmim School of Technology - Avenue Abou Maachar Al Balkhi Route Al Qsabi, Guelmim 4: Taroudant University - Taroudant Youssef Lahkim Architecte 5: College Type C3 - New Town of Sahel, Lakhyayta 6: Résidentiel Villa BB - Nouacear province, Bouskoura

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‫املحيط اﻷطلسي‬ ATLANTIC OCEAN

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‫املساهمني‬

CONTRIBUTORS

I N T R O D UC T ION C o n t e n t : G l o b al A rc h i tec tu re Pr ofiling ( GAP) I m a g e : M i l a mb e r (F l i c kr) F O R EW OR D C o n t e n t : Mr. P e te r Ma l att I m a g e : Sarah B a rri e - Th e B r anco Files @ Wor dpr ess ARCHGUES C o n t e n t : A rc h g ue s (tra n sl ated by Alix de la Fuente) I m a g e s : P rovi d e d b y Gu e ssous El M am oune B O M A R CH IT E C T U R E C o n t e n t : B O M A rch i tec tu re I m a g e s : P rovi d e d b y C ha mss Oulkadi G R O U P E 3 A R C H IT E C T E S C o n t e n t : G ro u p e 3 A rch i tec tes I m a g e s : P rovi d e d b y Omar Tijani L EA D A RC H IT E C T U R E C o n t e n t : LE A D A rch i tec tu re I m a g e s : P rovi d e d b y Ja l al E l Am ine Dem nati M O H A M E D B E N N A N I A R C H ITECTE C o n t e n t : Mo h a med B en n a n i Ar chitecte I m a g e s : P rovi d e d b y Moh a m ed Bennani M S E F F E R A R C H IT E C T S C o n t e n t : Mse ffe r A rc h i tec ts I m a g e s : P rovi d e d b y A b d e l i lah M seffer R A C H I D A N D A L O U S S I A R C HITECTE C o n t e n t : A g e n c e A n d al ou ssi Rachid d’Ar chitectur e I m a g e s : P rovi d e d b y R a c h i d Andaloussi S A A D E L K A B B A J A R C H IT ECTE C o n t e n t : S a a d E l K ab b a j A rchitecte I m a g e s : P rovi d e d b y S aa d E l Kabbaj, Dr iss Kettani a n d M o h ame d A mi ne S i a n a YA C H A R B O U H AYA A R C H IT ECTE C o n t e n t : Y a c h a r B ou h a ya A rchitecte I m a g e s : P rovi d e d b y Y ac h a r Bouhaya Y O U S S E F L A H K IM A R C H T ECTE C o n t e n t : Y o u sse f L a h ki m A rchitecte I m a g e s : P rovi d e d b y Y ou ssef Lahkim

MUSIC A l b u m : “S ou l of Moroc c o ”, 2 013 A r t i s t : O um E l G ha i th B e n e ssahr aoui AKA Oum A r a b i c wo rd tran sl ati on s ki ndly pr ovided by M oham m ed Far sakh

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‫شكر وتقدير‬

ACKNOWLEDGMENTS

Our most sincere appreciation goes to the participating firms, Archgues, BOM Architecture, Groupe 3 Architectes, LEAD Architecture, Mohamed Bennani Architecte, Mseffer Architects, Rachid Andaloussi Architecte, Saad El Kabbaj Architecte, Yachar Bouhaya Architecte and Youssef Lahkim Architecte, without whom this exhibition and catalogue would not have been possible. We are grateful to Mr. Peter Malatt, President of the Victorian Chapter of the Australian Institute of Architects, for opening the exhibition and contributing the foreword for the catalogue. We would like to extend our thanks to Associate Professor Andrew Hutson - Acting Dean and Associate Professor Alan March - Director, Bachelor of Environments of the Faculty of Architecture, Building and Planning at the University of Melbourne, for their support of the GAP initiative. We are indebted to the staff of the Engagement & Marketing, Facilities and Finance departments at the Melbourne School of Design for their assistance. In particular, Ms. Sophie Hill and Ms. Philippa Knack for their invaluable help with the logistics of the exhibition. Last but not least, we would like to sincerely thank faculty academic and founder of GAP, Blair Gardiner for his patience, guidance and generosity of his time. His initial invitation has afforded us the opportunity of broadening our architectural education and experience by being the collective curators and being responsible for the presentation of the GAP 2015 - Casablanca Exhibition.

GAP 2015 Committee

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Archgues

BOM Architecture

Groupe 3 Architectes

LEAD Architecture

Mohamed Bennani Architecte

Mseffer Architects

Rachid Andaloussi Architecte

Saad El Kabbaj Architecte

Yachar Bouhaya Architecte

Youssef Lahkim Architecte