Portfolio2007-2013 by Akihiko Tanigaito

Portfolio Akihiko Tanigaito

2007 - 2013

Profile

[Biography] 谷垣内晶彦 / Akihiko Tanigaito

26.09.1987

Born in Yokohama, Japan

2002.04 - 2006.03

Keio High School

2006.04 - 2010.03

Facility of Environment and Information Studies of Keio University, Major of Architecture( Shigeru Ban Lab."07-09",Yasushi Ikeda Lab."10")

2010.04 - 2012.03

Graduate School of Media and Governance in Keio University, Major of Architecture( Yasushi Ikeda Lab."10-12")

2012.04 - 2012.08

Resercher of Keio Research Institute at SFC

2012.09 - 2014.03

ETH Zürich, Institute for Technology in Architecture, Chair for Computer Aided Architectural Design, Master of Advanced Studies, Architecture and Information

[Awards] 2009

Japan Project International Award, Student Jury’ s Award: Chengdu Hualin Elementary School, China ( Shigeru Ban Architects )

2010.08

1st Prize of Busan International Architectural Workshop

2010.10

2nd prize of colloquium 2010 competition

2011.12

Gold Award of Design For Asia Award 2011 in the category of environmental design ( Shigeru Ban Architects + Voluntary Architect's Network ) Grand Award of Design For Asia Award 2011

Profile

[Skills] Adobe > Adobe Illustrator // Adobe Photoshop // Adobe InDesign // Adobe Premire // Adobe After effects 2D > Auto CAD // Rhinoceros 3D > Rhinoceros Rendering > V-ray // Maxwell rendering Computational tool > Processing, Grasshopper, Python

[Language] Japanese ( mother tongue) English (B2) German (A1)

[Work Experience] 2010.03 - 2012.03

NIKKEN Sekkei

Draftsman / Making a model (part time job)

2011.07 - 2011.09

Noiz Architects

Making a model / Research (part time job)

2012.04 - 2012.08

Resercher of Keio Research Institute at SFC

Assistant

[Interests] Football (18years) Photography (http://www.flickr.com/photos/gaito/) Travel

[Contact] Mail : akihiko0926@gmail.com akit@ethz.ch Phone : +41 7 8832 1555

Profile

Akihiko Tanigaito's Works .03

2010

.10

.01

2009

.09

.07

.06

.03

2008

Shigeru Ban lab.

Chronological Table

.11

Yasushi Ikeda lab.

.09

.07

Studio Works

004年の新潟中越地震および2005年の福岡県西方沖地震における、避難所での紙の避難用間仕切りシステムに更なる改良を行った。これまでは空間を壁で仕切るために、紙のハニカムボードを用いたが、緊急時により早く安価に手に入る紙管を使ったフレーム式とした。また、各ユニットを布により間仕切る形となる。布を簡単に開け閉め出来ることによって、例えば皆で一台のテレビを見ることも可能である。ジョイントは、ＣＮカッターで少ない種類の部材をカットし、釘で組み立てられていた。紙管フレームの両剛性は登山用のロープと金物でとる。紙管の長さは梁も柱も共通した1800mmとすることにより、様々な家族規模に適合可能にした。なお組み立ては、10人の学生の手で30分以内に行うことが出来た。

2014

.05

.03

.01

2013

.12

.11

.09

2012

.11

.09

.08

.03

2011

.11

.08

.06 Busan International Architectural Work Shop

GRADUAL CHANGING CITY History × Ecology × Economy

History

site Ecology

Economy

CAAD in ETH zurich

岩手県大槌高校：間仕切り前

岩手県大槌高校：間仕切り後

五嶋みどりさんコンサート 2011年5月29日福島県郡山市の避難所、ビックパレットふくしまで、ヴァイオリニスト五嶋みどりさんのコンサートも開催した。五嶋さんは以前から世界中のさまざまな施設でチャリティーコンサートを開いてこられた。避難所の皆さんも目の前に現れた世界的ミュージシャンの演奏に、一時日常のつらい生活を忘れ、引き込まれているように思われた。

Chronological Table

MAS AI 2012 - 2013 Master of Advanced Studies in Architecture and Information Chair for CAAD, ETH ZuĚ&#x2C6;rich, Switzerland 2012-2013

MonsterCity MorphoCity Woven Wood 3D Printing Architecture Resinance

MAS in Architecture and Information, CAAD, ETHz

Monster City

MorphoCity

Woven wood

3D printing Architecture

Resinance

MAS in Architecture and Information, CAAD, ETHz

Monster City MAS in Architecture and Information CAAD, ETH Zürich, Switzerland Module 2, Programming Urban Grammars 2012-2013

monsterCITY is the result of a 3-day group programming exercise, exploring Shape Grammar concepts in Processing. Setup

city

like a game of The Exquisite Corpse, each student was assigned a part of the city to code – from terrain to window mullion – while developing rules to generate the city using a prescribed set of geometric functions. Just as in the Surrealist’ s game, each collaborator adds to the composition without seeing what came before and without knowing what will come after – the only connection between each part is a set of agreed tags that will allow the final sequence to be connected. The resulting monstroCITY is a quirky, sometimes-uglybut-often-charming place, autonomously conceived by the class’ s first introductory steps into programming.

Monster City

MONSTRO_CITY(); ETH MAS CAAD 1213 / M2

processing screen shot

Monster city

MAS in Architecture and Information, CAAD, ETHz

MorphoCity panoramic Alpine Urbanism

MAS in Architecture and Information CAAD, ETH ZuĚ&#x2C6;rich, Switzerland Module 2, Programming Panoramic alpine urbanism 2012-2013 Akihiko Tanigaito Nicolas Miranda Jiang Nan

MophoCity is the generated city on the terrain in the Swiss Alps by programming. We calculate the density and gradient of the mountain of the site, define the place where we want to build the buildings, generate the city according the sunlight, density, gradient of the terrain, and the relationship of the neighborhood.

MorphoCity

processing screen shot

generate the buildings on the terrain

Various type of buildings

MAS in Architecture and Information, CAAD, ETHz

3D printing Architecture MAS in Architecture and Information CAAD, ETH ZuĚ&#x2C6;rich, Switzerland Module 5, Programming Printing Architecture 2012-2013

New materials and fabrication methods have historically led to radical changes in architectural design. They have indeed been the primary drivers in its evolution. The introduction of new methods and materials is usually followed by phases of intense experimentation, during which architects explore the new potentials â&#x20AC;&#x201C; often without preconceptions - and try to determine how these can best be applied. On both the computational design and the fabrication side, parallel concepts have evolved based on the idea of particle elements or voxels. Nearly endless abstract geometrical elements can now be computationally composed to form the architecture of entire buildings. Countless particles of material can now be solidified by 3D printers into massive building components. Numerical material and physical material are merging into one. The field of architectural synthesis is open. The potential implications for architectural design are extraordinary. First, as there is potentially a WYSIWYG correspondence between design and fabrication, it is no longer necessary to produce two-dimensional plans, details or construction drawings. Design never enters a 2D space, nor does it need to originate there. Second, there can be unlimited differentiation within and element, and unlimited inidividuality between elements. Uniformization is not imperative as there are little economies of scale to be gained. Finally, there is no longer a cost for complexity - neither in terms of time nor in terms of material. In this module we will explore these new technologies through the design of a villa situated at the Blatterwiese at ZuĚ&#x2C6;richhorn.

Printing Architecture

voronoi volume optimization by grasshopper (galapagos)

process

process of voronoi cell structure

smoothing of mesh (parametric)

Various types of parametric structure

applying for all structure

MAS in Architecture and Information, CAAD, ETHz

Spatial Aggregations 3 , Gramazio & Kohler

Woven wood Spatial Aggregations 3 Gramazio & Kohler Architektur und Digitale Fabrikation ETH ZuĚ&#x2C6;rich, Switzerland 2012-2013

Akihiko Tanigaito / Mark Baldwin / Jiang Nan

The goal of the semester is to investigate spatial assembly procedures using robotic fabrication. During the elective course we will use 1x1 cm wood beams positioned in an orthogonal system and connected through a simple side to side connection, thus avoiding special joining systems. Spatial information will be introduced through robotic assembly using the Chair's robotic cluster. For the beginning we will use standardized elements (of equal length), but during the course of the semester we will explore systems with varying parameters. It is designed and developed a structural system using the given parameters and fabricate iteration models using Chair's robotic cluster. Integrating spatial assembly rules, construction principles and limitations and potentials of the robotic fabrication processes will be a central topic in every project. Beam profile - 1x1 cm Beam length - 5-15 cm (all beams of the same length!) Building volume - 50 x 50 x 50 cm

Woven Wood

alternative design

Type1 process

Type2 process

Final design process

Shifted Frames investigates the spatial assembly of complex t imber structures. These were designed based on a large number of simple frames, which were reciprocally interlocking in order to form a constructive whole. Because of the overall orthogonal geometry, the frames could be shifted in relation to their neighboring frame, allowing a wide range of spatially complex configurations. Despite the simple joining logic and the orthogonality of the system, the resulting structures reached an enormous constructive complexity, which was investigated with the aid of robotically fabricated prototypes.

Spatial Aggregations 3 , Gramazio & Kohler

MAS in Architecture and Information, CAAD, ETHz

RESINANCE

Resinance | Materiability Research Network | www.materiability.com | Chair for CAAD supervision Manuel Kretzer co-supervision Benjamin Dillenburger, Hironori Yoshida [CAAD], Lei Yu, Weixin Huang [Tsinghua University], Andrei Pruteanu, Mariana Popescu, Stefan Dulman, Tomasz Jaskiewicz [Hive Systems]. student team Achilleas Xydis, David Schildberger, Demetris Shammas, Evi Xexaki, Irene Prieler, Jessica In, Joel Letkemann, Maria Smigielska, Mark Baldwin, Nan Jiang, Nicolás Miranda Turu, Akihiko, Tanigaito , Tihomir Janjusevic, Yuko Ishizu.

Resinance is a speculative installation merging digital design and fabrication processes with smart material research, physical computing, electronics and investigations into distributed networks, swarm intelligence and agent based behaviour. It was realized in March 2013 by the MAS class at the Chair for CAAD at ETH Zurich as part of the materiability research. The project consists of 40 active elements that respond to human touch by the subtle process of changing surface colour and transparency, as well as the more immediate response of shivering and vibrating. On top of the individual behaviour, the elements are networked, and interactions are transmitted and processed throughout the installation. Resinance takes its inspiration from simple biological processes of adaptivity and camouflage; as such, its performance is not a one-to-one correlation of interaction to effect. Instead, the installation uses networked and evolving behaviour that relies on colour and vibration to reward or discourage interaction. Resinance is conceived at a number of levels. The first, ‘Cell,’ focuses on the digital design and fabrication of hollow components, emphasizing the material behaviour and fabrication methods. The second, ‘Metabolism’ investigates the responsive nature of each element, in its embedded electronic sensing and activating capabilities, as well as its control algorithms. The last part, ‘Ecology,’ adds communication between the elements, and develops their emergent behaviour and networked agency.

Resinance

Each element in the project is produced primarily from polyester resin, enhanced with thermochromic pigments and optimized for hardness, appearance and curing time. Every four elements are grouped together with a fifth transparent control unit that contains an Arduino Fio, a 12V power connection, XBee wifi communication and a custom-built Arduino shield that routes signals between the arrays of sensors and actuators. Each active element has a touch sensor, an internal temperature sensor, a heating element, a modified CPU fan for cooling, and a vibrating motor and holds a small amount of water. The temperature of the liquid is kept at a metris Shamma s | A c h i much l l e a s X y d as i s | J46ºC, e s s i c a I nwhich | J o e l L e tleads kemann | Manuel Kretzer | Chair for CAAD | ETH Zürich | Materiability Research Network baseline of 26ºC andD eincreases to as

to a gentle change in colour of the thermochromic plastic material until full translucency is reached.

resin components making process: mold assembly, mixture preparation and casting

Since the sensing capabilities of the installation are limited to touch,

touch sensor vibrating motor

and its outputs are based on colour and opacity changing as well

plexiglass fan cap

as immediate vibration, two main kinds of responses are defining the interaction. The first is a direct reaction, a small ‘shiver’ when an element is touched, which is passed along to its neighbours,

cooling fan

which can be seen as an echo of the first reaction, played out in communication across a larger distance, and for a longer length

vibrating motor

30 ºC

plexiglass fan cap

and varied according to its ‘popularity’ . The second is a long term, more ambient, but continuous response, the color transformation,

touch sensor

resin component

cooling fan

30 ºC

35 ºC

temperature sensor and heating element

resin component

of time. In addition, the effects of the interaction are cumulative in that the installation ‘remembers’ its prior interactions, and varies its behaviour according to its record. 35 ºC 40 ºC

temperature sensor and heating element

components making process: mold assembly, mixture preparation and casting Resinance explores currentresinresearch into adaptive systems,

dynamic matter and distributed networks and displays its potential in a responsive installation that responds sensitively to human gesture. 45 ºC

40 ºCexperiments heating resin components making process: mold assembly, mixture preparation and casting

MAS in Architecture and Information, CAAD, ETHz

Yasushi Ikeda Lab.

Yasushi Ikeda Laboratory's Works

Graduate School of Media and Governance, Major of Architecture Yasushi Ikeda Lab. Keio University, Japan 2010-2012

Digital Woods ( Timberize Forum) Porous Torus( SFC Open Research Forum 2010 ) Fish Arch( Kesennuma Project ) Glass ball wall( SFC Open Research Forum 2011 )

Yasushi Ikeda Laboratory's works

Digital Woods (Timberize Forum)

Porous Torus

Fish Arch( Kesennuma Project )

Glass ball wall

Yasushi Ikeda Laboratory's works

Yasushi Ikeda Lab. Works

Digital Woods

Sustinable timber techtonics applying computational design Graduate School of Media and Governance, Major of Architecture Yasushi Ikeda Lab. Keio University, Japan Timberlize project Exhibition at Aoyama Spiral hall, Tokyo , Japan Spring 2010

digital woods

Building of Site Timberize project was the competition scheme for a commercial building. We suggested a new timber construction method instead of an ordinary reinforced concrete structure. We used the algorithmic design for positioning the columns and slabs. There were two different themes in the design. Firstly, it was the design method for users to organize space themselves. Secondly, the timber structure needed to be fire protection. We try to combine these. Structure-wise, the number of a timber member gets more than thousands because of its complexity of the form. Therefore, we applied an algorithmic design process to ours.. Firstly, we defined the floor area, the floor height and those locations. Secondly, we draw guide for the position of the main structure. In the Japanese building standards, the timber structure is required to be a large section for a fire and an earthquake resistance. We suggested the use of three different kinds of glued laminated timber for the structure which includes non-combustible timber. The inserted locations of these timbers were controlled and placed by algorithm with a specified guideline.

Yasushi Ikeda Laboratory's works

Material System

Structural System

0 30

900

300

0 30

300

Assemble the Wood blocks with mortise without nails or screws.

Connect and stack the plate unit and the block unit alternately.

create various spaces by using pitch of 350mm layer. It is easy to match the physical scale.

Computer program

Choose a position and height of the floor to match the spatial request to set the reference line can be placed a rough structure (line of the trunk).

digital woods

Calculate the density of the floor, the base line which connect between trunks is created, the line of the branch may be extended from the trunk line to support the floor. The state of aggregation of the branch determines the number of the trunk.

Based on a base line, a computer seeks for arrangement of the plate unit and the block unit rapidly.

Produce a unit by based on the date, that is created automatically, using the ID to manage the assembly parts. The parts itself point for a layout of being managed by ID, the complicated form can be assembled easily.

All the units -- the history of an assembly and a layout are becoming information data and managed. While a building is used, the unit is rearranged, it is that the state is feedback and a computer presents component movement, an addition, etc. for a complement and reinforcement.

Model / workshots

2nd prize of colloquium 2010 competition.

Yasushi Ikeda Laboratory's works

Yasushi Ikeda Lab. Works

Graduate School of Media and Governance, Major of Architecture Yasushi Ikeda Lab. Keio University, Japan Keio SFC, Open Research Forum 2010 Exhibition at Roppongi Hills, Tokyo , Japan Winter 2010

Porous Torus

The project Porous Torus was designed for the exhibition at Roppongi Mori tower in 2010. It was a temporary display design which expresses our Lab’ s theme, digital fabrication. There are porous holes in the structure. The form was taken from 3D curved surface called ” Torus” which basically looks like a doughnut. The

reason, why we made it to be the form

of the torus is that we must put the pavilion at the place in between the walkway and the display wall. Thus, we wanted column and wall to be connected continuously for the display. We made a lot of holes for the safety reason. There was the regulation that the structure can’ t block extinguishing sprinkler. So we tried to make the form as hollow as possible. At the same time, we need to maintain the self standing structure. Because there was a limited time for the installation of the Porous Torus.

Grasshopper code

We prepared matching of each piece intensively for the ease of the fabrication. It actually took long time to prepare and pack them, but because of that Porous Torus could be built within 1 hours by 15 people. In order to divide the whole Torus surface into pieces, we use a parametric design to find the best point of division. If the form change during the design process, the parameter response to it. So it divides its form into pieces by itself. There was the strict limitation in this exhibition. We need to install the structure within 2hours. The exhibition space was in the office building. So we couldn't use machine tools. Under these conditions, we designed the structure in the way it doesn’ t require nail or glue. We succeed to realize 4m long structure by just joining the pieces.

Processing screen

Grasshopper screen

Yasushi Ikeda Laboratory's works

How to assemble

How to construct

Porous Torus

How to construct

Plan

Plan 1:50 Plan

Perspective Perspective Perspective

Plan

Perspective Perspective

Plan

6000 6000

Elevation Elevation

Elevation 1:50

2600

Elevation Elevation

2600

Elevation 1:50

Elevation Elevation

6000

2600

6000

Porou Torus Porou Torus

1:30

Porou Torus Porou Torus

1:30

1:30 Yasushi Ikeda Laboratory's works

Yasushi Ikeda Lab. Works

in KE S

EN NU M

ARCH A AN K A

Graduate School of Media and Governance, Major of Architecture Yasushi Ikeda Lab. Keio University, Japan Tohoku earthquake disaster relief project Workshop at Kesennuma elementary school, Miyagi, Japan Summer 2011 Keio SFC, Open Research Forum 2011 Exhibition at Tokyo MidTown, Tokyo , Japan Winter 2011 Fish Arch is the voluntarily peoject for the Tohoku earthquake disaster recovery. It's a temporary architecture project for the Tohoku’ s local children to construct by their hand. We actually built this Fish Arch together with primary school students of Kesennuma where the

Brevoort city had a serious damage by earthquake and Tsunami.

Each piece of the fish has a slit by joining these slits one by one, the piece of the fish begins to form Fish Arch. This working process should be easy and safety for the children for construction, so we designed the entire structure can be built without glue or nails.

Bonito

We chose Kesennuma’ s local famous fish for the children to get familiar with. There are three different kinds, Bonito, Brevoort, and Shark. Firstly, we constructed the Fish Arch at the festival of Keio University as a demonstration in

basswood plywood t=4 mm

Tokyo. A lot of university students wrote a word of encouragement on the each fish. Then we brought this arch with the messages from Tokyo to the elementary school of Kesennuma. This structure height is for children to go through it. It’ s a little small for adults, but just suitable for a children.The arch’ s height is 1700mm.Not only because a children can play with, but also a children can get at the top of the arch during construction, we determined the form so they can build this arch by themselves. There are about 1000 pieces of fishes in 3 arches. We consider the outside working condition which gets extremely hot in summer. So the ease of the transportation and the construction was very important. We designed three arches could be constructed within 2 hours.

basswood plywood t=4 mm Shark 28

SKANA ARCH in KESENNUMA

A AK

EN NU M

Brevoort Bonito basswood plywood t=4 mm

basswood plywood t=4 mm Shark

Cryptomeria japonica t=12 mm

Bonito

Shark

Brevoort

カツオとカツオをサンマが挟むように繋ぐ。そのサンマをサメが下から支える。魚の向きは、どちらでもよく施工の自由度を持つ。しっかりとはめ込み繋ぎ続けることで、自然とアーチが出来上がる。

Grasshopper screen

Parametric model

Yasushi Ikeda Laboratory's works

PLAN

PERSPECTIVE

1750mm

SECTION (front)

SECTION (side)

1750mm 1300mm

3500mm

SKANA ARCH in KESENNUMA

1750mm

Plastic Bottle

workshots

Yasushi Ikeda Laboratory's works

Yasushi Ikeda Lab. Works

Glass Float Wall Tohoku earthquake disaster relief project

Graduate School of Media and Governance, Major of Architecture Yasushi Ikeda Lab. Keio University, Japan Keio SFC, Open Research Forum 2011 Exhibition at Tokyo MidTown, Tokyo , Japan Winter 2011 The Glass Sphere Wall is a temporary wall supported by a wood structure. It is built with glass balls foxed on a wooden panel. On March 11, 2011, a terrible earthquake took place on the east of Japan. The glass floats used for fishings in the Kesennuma harbor were moved to the land. We received the request to use the glass floats to build a monument, we proposed a temporary wall. Since the glass balls were made by hand by craftsmen, they had all different sizes and colors. To be able to work with these balls, they were scanned using a KINECT to calculate each volume. KINECT created a point cloud of the sphere's surface, and then calculated the whole volume. The information was analyzed and imported, using Grasshopper in Rhinoceros, to build a model of each glass sphere, giving accurate information of its shape and size. A plywood structure was created to support all the balls. The information and shape of each volume were positioned in specific places and the structure was cut by laser cutter to give a perfect fit to each sphere. This 3D scanning technology allowed us to use an irregular material in the project that required precision, giving an example of designing from analog to digital.

Glass Float Wall

Yasushi Ikeda Laboratory's works

KINECT scan

Grasshopper code

Glass Float Wall

How How to assemble to assemble

How to construct

Yasushi Ikeda Laboratory's works

How to construct

Glass Float Wall

Plan 1:30

Perspective Perspective Perspective Perspective Perspective

756.90

756.90 756.90

756.90

Plan Plan PlanPlan

2092.13 2092.13 2092.13 2092.13

Elevation Elevation Elevation Elevation

Elevation Elevation 1:30 Elevation Elevation Elevation

ORF2011 ガラス玉ウォール ORF2011 ガラス玉ウォール ORF2011 ORF2011 ガラス玉ウォールガラス玉ウォール

1909.33

1909.33 1909.33

1909.33

Elevation 1:30

1:20 1:20 1:201:20 37

Yasushi Ikeda Laboratory's works

Shigeru Ban Lab. works

Shigeru Ban Laboratory's Works

Facility of Environment and Information Studies of Keio University, Major of Architecture Shigeru Ban Lab. Keio University, Japan 2007-2010

PTB(Paper Tube Brigde) PBS(Pettbottle Structure) PPS4(Paper Partition System4) PPS3(Paper Partition System3) PTTH(Paper Tube Temporary Housing) PTTS(Paper Tube Temporary School) SPES(Srilanka Paper Emergency System)

Shigeru Ban Laboratory's works

1915 3830

PTB(Paper Tube Brigde)

PBS(Pettbottle Structure)

PTTH(Paper Tube Temporary Housing)

SPES(Srilanka Paper Emergency System)

PPS4(Paper Partition System4)

PPS3(Paper Partition System3)

岩手県大槌高校：間仕切り前

PTTS(Paper Tube Temporary School)

1870

Plan scale=1/100

1915 3830

Elevation scale=1/100

2004年の新潟中越地震および2005年の福岡県西方沖地震における、避難所での紙の避難用間仕切りシステムに更なる改良を行った。これまでは空間を壁で仕切るために、紙のハニカムボードを用いたが、緊急時により早く安価に手に入る紙管を使ったフレーム式とした。また、各ユニットを布により間仕切る形となる。布を簡単に開け閉め出来ることによって、例えば皆で一台のテレビを見ることも可能である。ジョイントは、ＣＮカッターで少ない種類の部材をカットし、釘で組み立てられていた。紙管フレームの両剛性は登山用のロープと金物でとる。紙管の長さは梁も柱も共通した1800mmとすることにより、様々な家族規模に適合可能にした。岩手県大槌高校：間仕切り後なお組み立ては、10人の学生の手で30分以内に行うことが出来た。

Shigeru Ban Laboratory's works

Shigeru Ban Lab. Works

Paper Tube Bridge

Facility of Environment and Information Studies of Keio University, Major of Architecture Shigeru Ban Lab. Keio University, Japan construction at Pont de Gard, France Spring 2007

A bridge using paper tubes was constructed in Nimes (France) next to s Roman aqueduct, Pont du Gard, which is designed as a World Heritage site. Based on the site situation and structural effectiveness, an arched shape was selected. The stones of aqueduct represent the historical weight and strength, while the bridgeâ&#x20AC;&#x2122; s tubes made of paper represent lightness and weakness, giving a contrast I material. Harmony was accomplished by using a scale inspired by the ancient aqueduct. The paper tubes in this product had a 115mm diameter and 19 mm thickness with steel joints and cables used in post-tension structure forms. Working drawings and model studies were done with the collaboration of Shigeru Banâ&#x20AC;&#x2122; s office in Paris and Keio University. The construction work was mainly by students from Montpellier University studying architecture. After completion, the bridge could bear 1.5 tons with 9mm warping at the summit.

Paper Tube Bridge

Plan 1:30

Shigeru Ban Laboratory's works

Shigeru Ban Lab. Works

Plastic Bottle Structure

Facility of Environment and Information Studies of Keio University, Major of Architecture Shigeru Ban Lab. Keio University, Japan Exhibition at Museu de Arte Moderna de S達o Paulo, S達o Paulo, Brazil Spring 2008

For the exhibition "When Lives Become Form" at the Museum of art modern S達o Paulo, Plastic bottles were used structurally in order to create an arched entrance gate. The arch structure was created by forming individual plastic bottle units from two bottles taped together at the bottom, then replacing caps tightly after uncapped bottles were passed through the holes of transparent acrylic joint boxes. Since bottles were always used as compressed material, bottles and wire as tensile material switched position inside and outside the arches at the point where deflection due to their own weight changed from inside to outside. An optimum structure for indoor installation was sought by repetition of experiments such as on how to reduce unwanted external force and distortion produced during assembly.

Plastic Bottle Structure

Elevation 1:50

Plan 1:50

Shigeru Ban Laboratory's works

Derail of Acrylic Joint

Exhibition shot

PART-C

PART-A(Removable)

PART-B 90

PART-B

HOLE φ30

view from upper side

PART-C

PART-A(Removable)

3 8

PART-B

PART-C PART-B

8 3

HOLE φ30 80

PART-D

view from side-1 PART-D PART-D

PART-B

HOLE φ30

view from lower side

Plastic Bottle Structure

PART-C

Process

workshots

【1】 512 Petbottles which bring from Japan. 【2】Connection of acrylic joint and bottles. 【3】Acrylic joint and bottles and wire. 【4】Arch joined on the ground. 【5】Marking on the ground to construct the arch. 【6】Set of arches assembled on the frame. 【7】Bottom base bottles filled with gelatin liquid. 【8】Completion.

Shigeru Ban Laboratory's works

Shigeru Ban Lab. Works

Paper Partition System (PPS3) Facility of Environment and Information Studies of Keio University, Major of Architecture Shigeru Ban Lab. Keio University, Japan Spring 2008

Constant revision of the system was done whenever large earthquakes occurred in Japan, aiming to fit the needs of evacuation sites since the first attempt made in Nigata(2004). After the project in Fukuoka, walls that had been honeycomb boards were changed to a strut-beam structure using paper tubes that can be furnished faster and more conveniently ar any site, with white cloth for partitions. The joints were made of plywood, and ropes were used for braces. For flexible partitioning depending on the family size, the modularized unit dimentions were stndardized at 180 cm. For local governments, it is impossible to forecast partition needs, so low cost and high speed were priorities in developing this partition system.

Paper Partition System (PPS3)

① Set the Honeycomb board and Base plywood joint

② Stand the Paper tube for Column

③ Assemble the paper tube for beam

Set the 8 honeycomb board per one unit.and then put the base plywood joint one by one.

Insert the paper tube to base plywood joint.

Assemble the joint, and then connect to the paper tube for beam.

paper tube for beam (1800mm)

Base plywood12mm

joint paper tube for column (1800mm)

honeycomb board t=20mm (1800x900)

④ Fix the angle brace and the brace

⑤ Lace the brace

⑥ Put on the Cloth

Fix the angle brace and the brace to prevent change of shape.

Lace the brace from a hole in the joint aslant to the foundation. It is stabilized by pulling.

Put on the cloth for partition.It is freely extensible by repeating the same procedure.

Brace plywood12mm Brace rope

cloth（easy to put on and take oﬀ）

Brace plywood12mm

Shigeru Ban Laboratory's works

How to make a joint

Assemble the 4 parts(3 kinds parts) like under ďŹ gure

c a

How to connect the paper tube and the joint

Paper Partition System (PPS3)

How to make a joint

5 1915

1915 3830

Plan 1:25

1915

Plan scale=1/100

Demonstration

Forecasts tell that there is a probability

1870

1915

region before 2036. To prepare for the forthcoming earthquake, a drill was held by

1915

Fujisawa city (Kanagawa pref.) on Sept.1, 2007. Shigeru Ban Labolatory demonstrated 1915

1915

3830

the construction of the paper partition 3830

1915 1915 3830

will strike the south area of the Kanto

3830

of 70% that a magnitude 7 earthquake

system 3 to the citizens, and also had them

1915

Plan scale=1/100

1915

test it to verify its comfort. Elevation scale=1/100

2004年の新潟中越地震および2005年の福岡県西方沖地震における、避難所での紙の避難用間仕切りシステムに更なる改良を行った。これまでは空間を壁で仕切るために、紙のハニカムボードを用いたが、緊急時により早く安価に手に入る紙管を使ったフレーム式とした。また、各ユニットを布により間仕切る形となる。布を簡単に開け閉め出来ることによって、例えば皆で一台のテレビを見ることも可能である。ジョイントは、ＣＮカッターで少ない種類の部材をカットし、釘で組み立てられていた。紙管フレームの両剛性は登山用のロープと金物でとる。紙管の長さは梁も柱も共通した1800mmとすることにより、様々な家族規模に適合可能にした。なお組み立ては、10人の学生の手で30分以内に行うことが出来た。

1915

1915 3830

1915

1915 3830

1915

Plan scale=1/100

1915 3830

Plan scale=1/100

2004年の新潟中越地震および2005年の福岡県西方沖地震における、避難所での紙の避難用間仕切りシステムに更なる改良を行った。これまでは空間を壁で仕切るために、紙のハニカムボードを用いたが、緊急時により早く安価に手に入る紙管を使ったフレーム式とした。また、各ユニットを布により間仕切る形となる。布を簡単 2004年の新潟中越地震および2005年に開け閉め出来ることによって、例えば皆で一台のテレビを見ることも可能である。ジョイントは、間仕切りシステムに更なる改良を行っＣＮカッターで少ない種類の部材をカットし、釘で組み立てられていた。紙管フレームの両剛性はこれまでは空間を壁で仕切るために、手に入る紙管を使ったフレーム式とし登山用のロープと金物でとる。紙管の長さは梁も柱も共通した1800mmとすることにより、様々な 1915 1915 に開け閉め出来ることによって、例えば家族規模に適合可能にした。 3830 10人の学生の手で30分以内に行うことが出来た。ＣＮカッターで少ない種類の部材をカ 2004年の新潟中越地震および2005年なお組み立ては、 1870

1870

Elevation 1:25

Elevation scale=1/100

1870

1915

1915 3830

Elevation scale=1/100

登山用のロープと金物でとる。紙管の間仕切りシステムに更なる改良を行っ家族規模に適合可能にした。これまでは空間を壁で仕切るために Shigeru Ban Laboratory's works 49 なお組み立ては、 10人の学生の手で3 手に入る紙管を使ったフレーム式としに開け閉め出来ることによって、例え

2004年の新潟中越地震および2005年の福岡県西方沖地震にお

Voluntary Architectural Network (VAN) work

Paper Partition System (PPS4) for Japan Earthquake and Tsunami

Voluntary Architectural Network (VAN) , Tokyo , Japan 2011.3.11 -

Our paper partition system is very simple and flexible.The frame is entirely made of paper tubes that interlock. It is fast that and easy to assemble and disassemble. It can be delivered directly to each facility in approximately one week after materials are ordered. Materials: Column: Paper tube( Large ) Beam: Paper tube( Medium )

Curtains Closed

Connection: Paper tube( Small ) Curtain: Cloth. Safety Pins, Adhesive tape, Clips

Curtains Open

Paper Partition System (PPS4)

Plan

Elevation up to 2m

up to 2m

Beam: Paper Tube (M)

Adhesive Tape

up to 2m Column: Paper Tube (L)

Adhesive Tape

1.9m 1.8m

Beam: Paper Tube (M)

Safety Pin

Clip

Column: Paper Tube (L)

Cloth Curtain

Plan

How to assemble

4） S4）

nd andﬂexible. ﬂexible.

at hat interlock. interlock.

mble. le.

yn inapproxiapproxi-

Paper （PPS4） PaperPartition PartitionSystem４ System４（PPS4）

Adhesive Tape

for forJapan JapanEarthquake Earthquakeand andTsunami Tsunami

Elevation

Connection: Paper Tube (S)

5 cloth

safety pin

Beam: Paper Tube (M) Column: Paper Tube (L)

Our paper partition system is is very simple and ﬂexible. Our paper partition system very simple and ﬂexible. The frame is is entirely made ofof paper tubes that interlock. The frame entirely made paper tubes that interlock. It It is is fast and easy toto assemble and disassemble. fast and easy assemble and disassemble. It Itcan canbebedelivered delivereddirectly directlytotoeach eachfacility facilityin inapproxiapproximately one materials are ordered. mately oneweek weekafter after materials are ordered. Materials: Materials: Column: Paper tube (Large) Column: Paper tube (Large) Beam: Paper tube (Medium) Beam: Paper tube (Medium) Connection: Paper tube (Small) Connection: Paper tube (Small)

Shigeru Ban Laboratory's works

April 20

大槌高校体育館に142ユニットの設置を行いました。 142 units had been installed in the Otsuchi High School Gymnasium.

Place where we construct PPS4 49 place / 1872 unit Iwate pref. : 13 place/ 309 unit

After the earthquake in Japan, many families found themselves living on the floor of shelters and gymnasiums, sharing one space

Yamagata pref. : 1 place/285 unit

with strangers in the same situation. Although this was tolerable

Miyagi pref. : 23 place/522 unit

for a few days, their lack of privacy started becoming an issue after

Fukushima pref. : 5 place/ 584 unit

weeks of living in this way.

Nigata pref. : 3 place/ 82 unit

Installation in Yamada City (kamiheii-gun, Iwate Prefectur

Tochigi pref. : 3 place / 88 unit

Made of two sizes of cardboard tubing, plywood, ropes and white

Kanagawa pref. : 1 place / 2 unit

curtains, the modular system allows for fast and easy assembly and disassembly. The structure can be made different dimensions for different sized families depending on where the cloth is hung. 1,800 individual units of the PPS paper partition system were assembled in 50 provisional shelters for evacuees affected by the disaster. It is a cost effective solution to harness materials that are easily available and recyclable.

大槌高校避難所内

岩手県大槌高校：間仕切り前

設置の様子

岩手県大槌高校：間仕切り後

Paper Partition System (PPS4)

五嶋みどりさんコンサート

株式会社イッセイミヤケ株式会社イッセイミヤケ株式会社イッセイミヤケ株式会社イッセイミヤケ

サンケーキコム株式会社サンケーキコム株式会社サンケーキコム株式会社サンケーキコム株式会社

Work shots

組立てのプロセス組立てのプロセス組立てのプロセス組立てのプロセス組立てのプロセス組立てのプロセス

Shigeru Ban Laboratory's works

1 1 1

2 2 2

3 3 3

4 4 4

5 5 5

Shigeru Ban Lab. Works

Paper Tube Temporary Housing

Facility of Environment and Information Studies of Keio University, Major of Architecture Shigeru Ban Lab. Keio University, Japan construction at Jiaotong University, Chengdu, China June 2008

After the Sichuan Earthquake in May 2008, many people lost their houses, and it was reported that a million temporary houses were needed. Through on-site inspection in collaboration with Hinori Matsubara Laboratory at Keio University, Shigeru Ban Laboratory rapidly established a cooperation system with Southwest Jiaotong University in Chengdu. At a symposium held at Jiaotong University, a temporary house which could be built by students was proposed. This temporary house was designed to meet the standards of the government, which required 15 ă&#x17D;Ą area and 400 yuan/ ă&#x17D;Ą in unit construction cost. The shelves made of plywood are used as structural elements and also as a wall between houses. Shigeru Ban Laboratory built the full-sized prototype together with local students at Jiaotong University in June, and at the same time, held a discussion about disaster relief activity after the earthquake.

Axonometric

Paper Tube Temporary Housing

Short period ver.

Plastic Sheet

Bracing Rope

Paper Tube

How to construct

Shigeru Ban Laboratory's works

Plan 1:50

Elevation 1:50

Elevation 1:50 We had an on-site inspection on May 22, 10 days after the earthquake. Through the inspection, we found that the supply of temporary housing was inadequate. After an investigation of the building materials market, we decided to propose a temporary house using 12mm-thick plywood, which is available on the mass market. This temporary house consists of shelves in which insulation foam is sandwiched with plywood, and these shelves work as a structural element. The shelves were fixed on a floor made of gridpatterned plywood on a plastic sheet. Door and window sashes used PVC sash, which is available at low cost. The roof structure was made with a paper tube frame and roof panels were fixed to it. Each room shares its wall as a row house to reduce the cost and the working period. We visited Chengdu in June again and built this prototype in five days at Southwest Jiaotong University.

Paper Tube Temporary Housing

How to construct

Work shots and Exterior view

【1】Plastic sheet for dampproofing【2】Fixing plywood on the lattice-jointed plywood to make a floor panel.【3】Fixing a shelf unit as a partition wall.【4】Wall unit is a sandwich panel, inslation with 2"*4" timber frame.【5】Housing project plannes as a row house sharing a partition wall.【6】Fixing of a paper tube roof frame.【7】Fixing a PVC sash, which is available on the local market.【8】Fixing a roof panel. Shigeru Ban Laboratory's works

Shigeru Ban Lab. Works

Paper Tube Temporary School

Facility of Environment and Information Studies of Keio University, Major of Architecture Shigeru Ban Lab. Keio University, Japan construction at Chengdu, China Summer 2008

After the Sichuan Earthquake, reconstruction of educational facilities was put off as a result of concentrating on the construction of temporary houses. To enable construction by volunteers, simple methods were developed. The structural frame consisted of wooden joints and paper tubes, which were readily available on-site, and ready-made PVC sashes were placed in between the paper tube poles to improve construction efficiency. During the summer vacation, about 120 volunteer students from Shigeru Ban Laboratory, Hironori Matsubara Laboratory< and Southwest Jiaotong University and teacher from the Education Bureau worked together on the construction. As a result, three buildings (nine classrooms) were completed in about 40 days. I took charge of the one of the buildings. These were the first buildings in China to have a paper tube structure and were also the first school buildings to be rebuilt in the earthquake-stricken area.

Paper Tube Temporary School

Site Plan

Axometric View

Shigeru Ban Laboratory's works

Section 1:150

Paper Tube Temporary School

Plan 1:150

Detail

Wooden Joint

Plywood Middle Joint Polycarbonate Insulation t=45 Plywood t=12 Structural Plywood t=18

Polycarbonate

Plywood t=12 Wind Resisting Beam Lag Screw M-12 Timber 75*45

Wooden Joint

Paper tube

Steel Pipe

Paper tube

Steel Brace t=18

PVC Sash (Glass)

Paper tube

PVC Sash (PVC Panel) t=7

Wooden Joint

Shigeru Ban Laboratory's works

Work shots

Paper Tube Temporary School

Interior and Exterior

Shigeru Ban Laboratory's works

Shigeru Ban Lab. Works

Sriranka Paper Emergency System Facility of Environment and Information Studies of Keio University, Major of Architecture Shigeru Ban Lab. Keio University, Japan construction at Sriranka Autumn 2008

The civil war between the Sri Lanka government and Liberation Tigers of Tamil Eelam(LTTE) intensified in 2008 and generated numerous internally displaced persons (IDPs). At that time, most of the IDPs had been confined in the area dominated by LTTE, and the international Organization for Migration (IOM) asked Shigeru Ban to design a shelter for them. Permission from the Sri Lanka government was necessary to provide shelters in the area dominated by LTTE, and metals or cement could not to be used out of concern they might be used on weapons. To this end, Shigeru Ban Laboratory redesigned the paper tube shelters in Rwanda, changing the plastic joints into plywood joints so that they could be locally produced at a low cost. After making prototypes several times at Shigeru Ban Laboratory in Keio University, we held a presentation of a mock-up at the office of the international Organization for Migration in Colombo. With the intensification of the civil war, LTTE rapidly lost their strength. The war finally ended in May 2009 before the shelters were actually provides.

Sriranka Paper Emergency System

Elevation 1:50

To make the construction easy enough to be done by IDPs, we designed shelter with

1,2

simple details such as using only two lengths of paper tube. Plastic joints were preferable to connect paper tubes easily. But because of the lack of time and budget to make a mold

1,756

for the plastic joints, we prepared timber joints using plywood. Waterproofing of the paper tube was done by the paper tube company to cut the process of painting on-site. Ropes would work as bracing to keep the shape of the paper tube frame. 200

3,413

Elevation 1:50 1,832

4,000

Shigeru Ban Laboratory's works

Construction Manual only with Illustration

Sriranka Paper Emergency System

x 12 x 12

x4 x4

The illustrated construction manual shows the procedure of assembly and how to make a knot of the rope to work as bracing. It takes only 30 minutes by four people to assemble this shelter.

x 16x 16

土井が書いた表紙のやつと差し替え

Shigeru Ban Laboratory's works

Studio Works

Design Studio / Workshop

Facility of Environment and Information Studies of Keio University, Major of Architecture Keio University, Japan Graduate School of Media and Governance, Major of Architecture Keio University, Japan 2006 - 2012

Diploma : Re: AAST Workshop : Python Shelter Busan International Architectural Workshop : Gradual changing city Design Studio A : Analysis of Villa Mairea Design Studio B : Ikebukuro Station Design Studio C : Shonandai High School

Own Works

Re:

Python Shelter

Gradual changing city

Busan International Architectural Work Shop

GRADUAL CHANGING CITY History × Ecology × Economy

History

Analysis of Villa Mairea

Ikebukuro Station

Shonandai High School

site Ecology

Economy

Own Works

Diploma

Re:

Facility of Environment and Information Studies of Keio University, Major of Architecture diploma project Yasushi Ikeda Winter 2010

Diploma

Concept images

The project site is a Mitsui warehouse in Higashi Kanagawa, Chiwaka, Japan. Now, it is used in the warehouse of grain and tobacco etc. But in the near future, these buildings will finish its roles, these areas will be faced redevelopment.These kind of buildings exists in all over Japan. It's not so special as historic resources and cultural resources, but it's a symbol of the town as one of the landscape. Mostly, architecture could be easily destroyed and renewed due to economic development or commercial development in Japan. But these ways of development, it loses atmosphere of the city, but also lose the richness of the city. I'd like to suggest the way to preserve and renovating buildings instead of scrap and build development. Program is leisure center( communication through sports ). There are two main objectives of this propose. One is, by designing a new shaft through the warehouses, various kinds of spaces are made. It leads people both "interior to exterior" and "exterior to interior". There is a redevelopment project for this site. So the second objective is to propose a plan preserving the warehouses, instead of scrap and build.

Current images of site

Current land use / Potential of site

Higashi kanagawa area

Higashi Takashima freight depot Factory area

High residential buildings

Factory area

sewerage disposal plant new yacht harbor

Factory area

American military base

Diploma

土地利用土地利用

・ゾーン拠点・ゾーン

Site Analysis

Land 土地利用 use

Concept

拠点・ゾーン

建物

Buildings

水・緑・地域資源水・緑・地域資源

水・緑・地域資源

都市基盤（歩行者空間）都市基盤（歩行者空間）都市基盤（歩行者空間）拠点・ゾーン Urban infrastructure

拠点・ゾーン

Zone planning

水・緑・地域資源

Water / Green

拠点

Infrastructure planning

Site Analysis before

After

Site Plan

Diploma

1F Plan 1:700

50 (m)

Elevation

Selection

Diploma

Activities

Perspective

Diploma

Perspective

Diploma

Perspective

Workshop

Python Shelter AAST Workshop

Summer 2011 Exhibition at Mokuzai Kaikan in AAST ALGODE TOKYO 2011, Tokyo, Japan

Python Shelter is the works of AAST (Adbanced Architecture Settimo Tokyo international workshop). And as the joint event of ALGODE TOKYO 2011 the international symposium on Algorithmic desig held by AIJ( Architectural Institute of Japan). Theme is Generative Space for Tokyo: inovative use of wood with algorithmic design. Digital fabrication processes, such as CNC cutting can deal with extremely complicated but algorithmically contorolled work, making it possible to use this sustinable and natural material in innovative ways. By joining smaller machine cut pieces, according to an assembly rule to generate a whole it is possible to inovate along the Japanese tradition of creating petterns. Tradition and innovation, digital design and real fabrication will be the topics of this workshop, with the aim to advanced theoretical research as well as potential practical applications of algorithmic design in architecture and urban design.

Workshop: AAST Workshop

Python shelter

prevent the window & rain

Concept

prevent the window & rain

mobility

hummer

How to construct 1

hummer

Rhinoceros

Making 1:10 model

4 humans

easy to assemble

Tool

How to construct 1

easy to assemble

Tool

Study of joint system

4 humans

mobility

Tool

Grasshopper

Rhinoceros

Grasshopper

Python

Joint mock-up

Workshop: AAST Workshop

How to Assemble

How to Construct

How to construct 1

Workshop: AAST Workshop

Grasshopper code

Parametric model

How to Assemble

Workshop: AAST Workshop

Plan 1:50

Perspective

Plan

Perspective Plan

Plan

Perspective

Plan

Perspective

967.06

1314.22

967.06

1314.22 967.06

967.06

1314.22

2832.77

Elevation Elevation 1:50

2832.77

1421.03

2093.26 2093.26

2093.26

AAST Workshop Python Shelter

Elevation

1421.03

Elevation

1584.79

Elevation

1584.79

2832.77

2093.26

Elevation

1584.79

Elevation 1:50

Elevation

1584.79

Elevation

1:30

AAST Workshop Python Shelter 86

1:30

Workshop: AAST Workshop

AAST Workshop AAST PythonWorkshop Shelter Python Shelter

1:30

Work shots

Workshop: AAST Workshop

Workshop

Gradual Changing City

Busan International Architectural Workshop Busan International Architectural Work Shop

2010 GRADUAL CHANGING CITY

History Ă&#x2014; Ecology Ă&#x2014; Economy

The proposal which reproduced redevelopment of the Jagalchi market of Busan in South Korea with a history, an economy, and three axes of ecology. The activity of the past water's edge is caused by drawing a waterway. An existing frame building and ridge of a low layer are also reconstructed by a certain material, making the space which maintained the human scale and connecting the past memory. 1st prize of the Busan Internat ional Architectural Workshop (Prize of Busan mayor)

Workshop: Busan International Architectural Workshop

History

site Ecology

Economy

Regional Analysis Population Distribution 39. 4 4

Capturing Essences of Busan

Busan Layers

Annual Event 12.0 8

北区 315,606

蓮堤区 211,184 51.4 6

179

.14

海雲台区 427,619

江西区 63,753

29.6 9

36.0 6

10. 2 0

水営区 178,231

釜山鎮区 398,101

沙上区 258.975

MOUNTAINS

9.78

東区 102,440

13.88

西区 126,811 40.95

26.6 2

WATER

南区 301,043

2.28

INFRASTRUCTURE

中区 49,983 14.13

LAND USE

影島区 149,787

沙下区 363,630

number of event

766.12( km 2

)

MOUNTAINS

釜山市

3,574,340(人)

month 1月 2月

Shape of Busan topography of Busan

5月 6月

8月 9月 10月

INFRASTRUCTURE

Induce the shape of Busan into the site. shape of Jagalchi

Map of Busan

WATER LAND USE

12月

Condensing the essence of Busan into the site.

Map of Jagalchi

BUSAN MAP

A’

Land Use and Commercial Activity

Circulation Planning

B’

Pedestrian Planning

LAND USE COMMERCIAL ACTIVITY RESTAURANT SEAFOOD MARKET DRY SEAFOOD MARKET FASHION GENERAL STORE BRANDS OTHER USE OFFICES RESIDENCE INTERACTIVE SPACE

Many commercial activities exist around the site area. We propose a space of calm, where people may communicate, and experience culture, away from the hustle and bustle, allowing visitors to rest and relax. A place to escape from the intensity of consumption, the site can promote cultural value and allow interactive communication.

CAR PEOPLE EMERGENCY ROAD

Free access from historical bridge and open space gives the recuperation to visiters.

Workshop: Busan International Architectural Workshop

Concept

History

Ecology

History

site Ecology

Economy

PRESERVATION OF THE HISTORICAL SCALE

History

Economy

History

site Ecology

Economy

site Economy

site

Biomass Energy

The creation of the

Reuse Rainwater

Adding diversity New Inhabitant Visitor Worker

TIME

Dirty Water

canals in the site is a

Economy

ECONOMY

CH4

Creating Diversity

SHORELINE CHANGES

Ecology

History

Ecology

METHODS OF ECONOMIC GROWTH

ENVIRONMENT FRIENDLY

1950

Making Relaxing Place

2010

2020

reminder of the RESTING COMMUNICATION

historical shoreline.

Micro Hydro Energy

Before 1876 1876–1910 (after opening bay) 1910-1944（during world war） 1963-1994-PRESENT

Clean Water

Water Cleaning System

Commercial Activities only

ENVIRONMENT FRIENDLY is now the keyword to design a 21st century

CULTURE

HEALTH

Recuperation

Grow Interaction Activities

city so we create the 4 eco systems in the site.

PROCESS OF COMMUNICATION THE SITE PROCESS OFOFCOMMUNICATION

FLOWS OF PEOPLE

OF THE SITE

Flows bring people together

Axis

(View, Induction)

in this space. One flow leads

Void

Void Expansion

Void

to green space for a feeling

Void

of relaxation, a place to rest

Void Expansion

and recuperate in nature.

Communication Expansion Communication Expansion

Another flow leads people

Communication Expansion

Axis

via a watercourse to a

Communication Expansion

communal space, where people can mingle and

(View, Induction, communication,)

Axis

interact with each other,

(View, Induction, communication,)

1. Capturing the existing void.

2. Growing the court yar d to the PLAZA creates

3. Axes of gathering community will lead from open

4. Flows of people will lead to new encounters and

human interactive space.

to more intimate space.

increase interaction.

Facade Composition

SITE COMPOSITION: Transition of Building Space

communication.

ECOLOGICAL SYSTEM INTO THE SITE

Program Composition

House

exchanging experience and

Gallery Dried ﬁsh shop

Restaurant

A Clean Water System

Studio

Porous Concrete

wood concrete brick white cube porous concrete

CH4

Biomass Energy

There are five materials in the facade and these link to use of Program to make unique identity. WATER LEVEL CHANGES THE SPACE / by

the Tide and Controlling Water

CHANGES OF WATER LEVEL GIVES MULTI ACTIVITIES Large

Controling Water: Water Level Control by Gate

Natural Change:

Medium

WATER LEVEL CHANGESOF THE SPACE / by tide and creating dry canal TRANSFORMATION THE SPACE

Small

Large Scale Event

GL -300mm (at high tide)

Micro Hydro Energy

ex) movie

Use of Rainwater Medium Scale Event ex) temporary gallery

GL -1500mm (at low tide)

▽GL -300mm (at high tide) ▽GL -300mm (at high tide)

▽GL -1500mm (at low tide)

Workshop: Busan International Architectural Workshop

▽GL -1500mm (at low tide)

Small Scale Event

TIDAL GIVES ACTIVITIES:

CREATING DRY CANAL:

ex) vendor

As the sea level advances and recedes it will create

Control of the space is achieved

diverse uses of space throughout the day.

using water barriers, which allow

Transforming water friendly spaces from pools and

the space to be used for a diversity

channels to pavilion, concert hall, and activity

of activities.

space.

Perspective

KEY PLAN

Workshop: Busan International Architectural Workshop

Studio Works

Shonandai High School Design studio C (Nature and Architecture)

Facility of Environment and Information Studies of Keio University, Major of Architecture, Keio University, Japan 2008

Design Studio C: Shonandai High School

passage

concept

grade

Concept

Nature

The Proposal of the new high school which is on the Hikichi riverside in Shonandai. In the

Class room

conventional school, a classroom is located in a line to a passage. In scenery of every floor are resembled and monotonous. People can grow up in school life at the kind of reverse sides

passage

other than classrooms, such as the gymnasium, a passage, a landing etc. By passing sensitive time in such kind of spaces, people can find own mind by thmeselves,build them personality. The classroom is distributed by a grade, in the City three years student life, they spend a lot Connect the slab and the relationship of each building is strengthened

distribute

ofFibonacci timeseries at the class room, under the roof, the bottom of a tree etc. They can change them Long distance span is possible by void slab. scenery and find their favorite space.

daiagram Diagram

View to the Park

daiagram grade Nature grade Nature

View to the forest

Analysis

City distribute Fibonacci series

City

Connect the slab and the relationship of each building is strengthened

Connect the slab and the relationship of each building is strengthened Long distance span is possible by void slab.

distribute Fibonacci series

View to the river

Long distance span is possible by void slab.

Changing the scene by the grade

Green invation

Walking in the forest

引地川遊水池公園計画地

県立境川遊水池公園

老人福祉センターこぶし荘

View to the Park

対象地

国道 22 号

木造１階

View to the Park

畑・水田

木造２階

水田

木造３階以上 View to the forest

今田遊水池

水田

非木造１階

View to the river

非木造２階非木造３階非木造４階

View to the forest Green invation

Changing the scene by the grade

View to the river

Walking in the forest

水田

非木造５階非木造６階非木造７階非木造８階

線道路

計画幹

藤沢工科高校

349 号

非木造９階

Shonandai st.

下飯田遊水池

桜並木

非木造１０階以上

Changing the scene by the grade

Green invation

Walking in the forest 湘南台高校

俣野遊

S=1：7000

hikichi river

Design Studio C: Shonandai High School 桜並木

1:20000

水田引地川

藤沢工科高校畑

classroom

art

pre-artclass

staffroom

singing room

music room

multi room

dining room

library room

barn

security office

bay

counseling room

student concil

assembly room

machine house

elecrtic room

club room

change room

gym

office

principal’ s room

national language’ s room

math ‘ s room

chemistry room

shop

social room

technical office

art of calligraphy

rules of behavior

a living thing

physical

computer

8 2

4 3 6

3 5

8 １

１

13 14

17 20

18 11

Design Studio C: Shonandai High School

3F １

１１

１

29 30

8 １

１

１ 27

１

34 32

１

23 21

１

classroom 1 classroom

8 multi room room 8 multi

student concil concil 15 student

office 22 office

art 2

9 dining room room 9 dining

assembly 16 assembly room room

principal’s 23 principal’s room room

pre-artclass 3 pre-artclass

machine 17 machine house house

national language’s room room 24 national language’s

art

library 10 room library room

Design Studio C: Shonandai High School

Gymnasium Section view from South 1:400

Gymnasium Section view from East 1:400

Design Studio C: Shonandai High School

Perspective view

Design Studio C: Shonandai High School

Studio Works

Ikebukuro Station

Design studio B (Urban and Architecture) Facility of Environment and Information Studies of Keio University, Major of Architecture, Keio University, Japan 2008

Teachers: Yasushi Ikeda Satoshi Yamashiro Tomio Yamamoto Tomoyuki Utsumi

Design Studio B: Ikebukuro Station

State of Ikebukuro Station 1.Location Situation

3.Situation of Utilization

Ikebukuro Station has been developed in 30 years as residensial area of suburbs, and developed to Yamate area

A large number of passenger use Ikebukuro Station is the 3rd biggest terminal satation of number of passenger use in Japan. But many people use for a transfer station. graph of passenger use of main station

with Shibuya and Shinjyuku. Nowadays increaseing of developing in Ropongi and Marunouchi in Center of Tokyo,as the result of tendency of people to return to the city centers, Ikebukuro is facing the

Signal oprrate building North underground passage

problem of competitive commercial developement of the city.

The ﬁrst ride 2% The ﬁnal ride 21% local people 23%

PARCO Ikebukuro

The ﬁrst ride 1%

635,654 people

transfer 66%

transfer 77%

New TOBU department

between east and west by underground passage

Ikebukuro Station

Meiji Street

TOBU

446,311 people

SEIBU

store

Shibuya Station

Situation of Utilization

1600

Opening Fukutoshin Line

JR Kosen Bridge

Opening Shonan Shinjyuku Line

Tokyo Metro Yurakuchyo Line

1800

Yurakucho Line connected to Seibu Ikebukuro Line

Tokyo Metro Marunouchi Line

Comprete Yurakucho Line

Tobu Tojyo Line

Takasaki / Touhoku Line connect to Ikebukuro

Seibu Ikebukuro Line

Yurakucho Line conected with Tojyo Line

store

Yurakucho Line Narimasu / Shinsakuradai open

department South underground passage

Ikebukuro

Shinjyuku Station

A large number of transfer There is 4 kind of company of train connected in Ikebukuro Station. The people of 40% of passenger use for transfer

department

Situation of population in the hinterland

transfer 64%

Center underground passage

store Aseria Street

891,284 people

1989

store and SEIBU department store,There is no passage on the ground or 2nd ﬂoor. it means there is only connected

The ﬁnal ride 34% local people 36%

Green Street

1988

Ikebukuro Station is located betweenTOBU department

The ﬁrst ride 2%

The ﬁnal ride 33% local people 34%

Shinjyuku

SEIBU

pedestrian deck

SMA building

passenger use（1000／day）

1400

Metoropokitan Plaza

1200 1000 800 600 400

Shibuya

2008

2004

2003

2002

2001

2000

1999

1998

1997

1996

1995

1994

1993

1992

1991

1990

1987

1986

1985

1984

1983

1982

1981

1980

1979

200

Bikkuri gard

1978

：池袋（鉄道から１ｋｍ）：池袋（鉄道から２ｋｍ：新宿（鉄道から１ｋｍ）：新宿（鉄道から２ｋｍ）：渋谷（鉄道から１ｋｍ）：渋谷（鉄道から２ｋｍ）

1977

凡例後背圏範囲

1976

凡例人口密度（人／㎢）

Plan of Ikebukuro Station

駅から５Km 圏

2.Space Structure

75m

100m

30 - 95m

Metropolitan Plaza 22F TOBU New department store 17F TOBU department store Tobu-tojyo line

4 platform

8 line

3 platform

4 platform

F 12

F 11

F 10

F 09

Ikebukuro

Tokyo Metro Fukutoshin line

Section of Ikebukuro Station

F 13

Zoushigaya

Tokyo Metro New Yurakuchyo line

F 14

NIshiwaseda

Tokyo Metro Marunouchi line

Shibuya

Tokyo Metro Yurakuchyo line

F 15

HIgashi Shinjyuku

F 16

Shinjyuku Sanchome

4 line underground passage

KitaSando

3 line

8−12F Seibu-Ikebukuro line

Meiji Jingumae

SEIBU department store

JR Ikebukuro Station

Inﬂuence of connecting Fukutoshin Line for Ikebukuro 14th on June, 2008, Fukutoshin Line opend and connected between Wako and Shibuya. This Line can increause accessibility to Ikebukuro and Shinjyuku, Shibuya, but the other hand, there is concerned of decrease of visitor in Ikebukuro

Design Studio B: Ikebukuro Station

や人々をひとつのランドスケープとして眺められる場所。

Concept

Diagram

daiagram The concept of this proposal is ''The connected space, feeling space, visible space'' Ikebukuro where we are anxious about the fall of passenger reduction under the influence of newly Fukutoshin line opening of traffic. I proposed the new Ikebukuro Station which it can gather and people can come and go at the center in Ikebukuro. A roof is built with a megastructure like a big angle over North JR platform, and a huge atrium greets people who visited Ikebukuro. The ground accessway is connecting JR concourse, connecting between the western part and the eastern part.The second layer function further as commercial establishment, a restaurant, and an open space. The third layer is green plaza. The roof of a bold structure which waits for the person who visited Ikebukuro Station. The open space as a place of a local resident's community area. It is a place which can look at the train and peoples which come and go as the landscape.

View from Top floor

100 Design Studio B: Ikebukuro Station

model view

4F Green Plaza

3F Shop + Cafe

2F Concorse + Corridour +Cafe

Design Studio B: Ikebukuro Station

101

2F PLAN 2F Plan 1:1000

102 Design Studio B: Ikebukuro Station

3F Plan 1:1000

4F Plan 1:1000

3F PLAN 4F PLAN

scale=1/1000

4F PLAN

scale=1/1000

Elevation 1:2000

scale=1/1000

Design Studio B: Ikebukuro Station

103

Perspective view (day)

104 Design Studio B: Ikebukuro Station

Perspective view (night)

Design Studio B: Ikebukuro Station

105

Studio Works

Analysis of Villa Mairea Design studio A (Life and Architecture)

Facility of Environment and Information Studies of Keio University, Major of Architecture, Keio University, Japan 2007

Teachers: Shigeru Ban Hiroshi Takahashi Jun Matsumoto Koichi Tsurushima Tomoyuki Utsumi

106 Design Studio A: Analysis of Villa Mairea

Analysis

An analysis of master architect Alvar Aalto's Villa Mairea in the 20th century, learned how to design using the golden ratio and geometric. The range is decided from a square grid to a site, and the room is assigned by the golden ratio. Structure of servant area is box frame construction, and service area is trabecular structure.Exsist the middle space between the servant area and the service area, has arranged the approach from an entrance to the dining room.

Concept diagram reinforced concrete structure servant area

middle area

service area

column structure

Design Studio A: Analysis of Villa Mairea

107

Site Plan 1:150

108 Design Studio A: Analysis of Villa Mairea

1F Plan 1:150

2F Plan 1:150

Design Studio A: Analysis of Villa Mairea

109

Elevation 1:150

110 Design Studio A: Analysis of Villa Mairea

Perspective view

Design Studio A: Analysis of Villa Mairea

111