PORTFOLIO GAYATRI JAIN
The Chessboard In-between intervention 2nd year project Group of 4
Statement Tower Mixed-use high rise 3rd year project
The Circle Cricket stadium 4th year project Group of 2
The Wave Mixed-use cruise terminal Graduation thesis project
Urban Loop Urban design module 5th year project Group of 4
Crate Mart Retail of tomorrow (uni.xyz competition) First prize Group of 4
Work Experience Architecture + Interiors Academic internship
Additional work
Digital art Alternate reality series
*All graphics and diagrams in this portfolio have been produced by me if if not mentioned otherwise
THE CHESSBOARD
IN-BETWEEN INTERVENTION GROUP OF 4
[Bharati Gupta, Gayatri Jain, Namitha Niji, Rohin Sikka]
YEAR 2 TYPE: LANDSCAPE LOCATION: NEW DELHI, INDIA
Interaction through design We were asked to transform the barren area between two exhbition halls into a space through which people can move while interecting with the space and surroundings. Our aim was to create a space that played with light and shadow to hold visual interest and design it in such a way that a person could choose their own path, thereby increasing interaction.
Site model 1:200 Made by the group [Bharati Gupta, Gayatri Jain, Namitha Niji, Rohin Sikka]
Orthogonal design language 2x2 m square grid
Functional flexibility Extrusion to varying heights, forming different volumes; increasing interaction
User experince Continuing the pattern on the major horizontal surface to enhance experience
Connecting spaces 2 paths; 1 connecting the main road to the hall and the other connecting 2 halls
Visual and spatial connectivity Form dips at the ends to increase visual interaction and physical interaction by giving the public the freedom to pick their own route
Sheltered walkway Keeping the Delhi heat and differently abled in mind, an option of a flat sheltered walkway has been provided
Made by the group [Bharati Gupta, Gayatri Jain, Namitha Niji, Rohin Sikka]
The view shows: Interplay with the public; various public activities like, working, walking, conversing, reading or even having a picnic, can be accomodated. Interior-Exterior fluidity; the space has been designed such that the indoors and outdoors blend seemlessly and there is no distinction between the two
Sectional perspective showing pubic interaction and light and shadow play
Tensile fabric panel Panel given for light, shadow play and increased visual porosity; making the form appear lighter and brighter The panel also acts as a skylight; reducing the energy load
Steel frame Woven textile fabric Tensile fabric panel detail Made by the group [Bharati Gupta, Gayatri Jain, Namitha Niji, Rohin Sikka]
Typical concrete panel Steel frame with structural reinforcement to support public load and movement.
Concrete Profiled steel decking Steel rebars Steel columns Typical module detail
Steel girders
Made by the group [Bharati Gupta, Gayatri Jain, Namitha Niji, Rohin Sikka]
STATEMENT TOWER MIXED-USE HIGH RISE YEAR 3 TYPE: MIXED-USE LOCATION: NEW DELHI, INDIA
Bridging the gap through design In today’s society, where we do not even know who our neighbours are, this project’s idea is to overcome the structure and create platforms that will generate dialogue. The relief (outdoor) spaces povided are given to break the monotony of having a 9-5 desk job. For the residents, a central courtyard has been provided to nurture the feeling of living close to the ground, while still getting the privacy and views that a high rise offers. This courtyard doubles up as a space for interaction
External staircases provided between office floors to encourage interaction
Typical service apartments
A square plan with 9m x 9m grid was taken as the starting point keeping the ground coverage and setbacks in mind
Typical office 3
Typical office 2
Typical office 1
Exploring the vertical; zoning done according to privacy. - most private spaces at the top.
Creation of relief spaces every 2 out of 3 floors.
Typical retail 2
Arriving at a profile for SE and SW faces of the building to reduce solar heat gain while maintaining optimum light levels on all floors
typical retail 1
Low winter sun
High summer sun
Lvl 1
Site
Residential courtyard All apartments look into a common courtyard, which facilitates interaction and brings in natural light from the outside as well as inside.
Art gallery
Drop off Schematic sectional perpective showing the mutipurpose public hall and the shaded drop off area created within the footprint, owing to the small site area.
Solar analysis done using insight 360
The use of a second skin (5) and the profile (2) help in decreasing the solar load significantly as seen above.
Cutouts (1) in the roof are given to reduce solar heat gain in the courtyard, while bringing in ample natural light.
1
2
3
5 4
A sectional 3D view showing the elements used
Lighting analysis done using insight 360
The lightwell (4), along with an all glass exterior, helps ensure minimum ambient light of 300 lumens/sqm on office floors during office hours.
THE CIRCLE CRICKET STADIUM GROUP OF 2
[Gayatri Jain, Rohin Sikka]
YEAR 4 TYPE: SPORTS LOCATION: GHAZIABAD, INDIA
Immersive cutural experience through design The structure has been designed in a way to showcase the rich and diverse culture of India, while keeping the structure lightweight and minimising the quantity of material. The idea was to celebrate the nation and engulf the audience in it.
Made by the group [Gayatri Jain, Rohin Sikka]
3D printed model
Straight 猀琀爀愀椀最栀琀 seem 猀攀愀洀
Out 漀甀琀swing 猀眀椀渀最
In椀渀 swing 猀眀椀渀最
吀愀欀椀渀最 different 琀栀攀 搀椀椀攀爀攀渀琀 猀攀愀洀 瀀漀猀椀琀椀漀渀猀 Taking seem positions of 漀昀 愀 挀爀椀挀欀攀琀 戀愀氀氀 a cricket ball 猀琀爀愀椀最栀琀 猀攀愀洀
漀甀琀 猀眀椀渀最
椀渀 猀眀椀渀最
吀愀欀椀渀最 琀栀攀 搀椀椀攀爀攀渀琀 猀攀愀洀 瀀漀猀椀琀椀漀渀猀 漀昀 愀 挀爀椀挀欀攀琀 戀愀氀氀
匀甀瀀攀爀椀洀瀀漀猀椀渀最 琀栀攀 Superimposing 搀椀椀攀爀攀渀琀 猀攀愀洀
匀甀瀀攀爀椀洀瀀漀猀椀渀最 琀栀攀 搀椀椀攀爀攀渀琀 猀攀愀洀
吀愀欀椀渀最 hemisphere 愀 栀攀洀椀猀瀀栀攀爀攀 Taking 吀愀欀椀渀最 愀 栀攀洀椀猀瀀栀攀爀攀
Realised form 刀攀愀氀椀猀攀搀 昀漀爀洀 10
刀攀愀氀椀猀攀搀 昀漀爀洀
10
South elevation
吀栀攀 瀀氀愀渀 椀猀 搀椀瘀椀搀攀搀 椀渀琀漀 挀漀爀爀攀猀瀀漀渀搀椀渀最 琀漀 攀愀挀栀 愀渀搀 㜀 甀渀椀漀渀 琀攀爀爀椀琀漀爀
刀漀琀愀琀椀渀最 琀栀攀 栀攀洀椀猀瀀栀攀爀攀 Rotating
刀漀琀愀琀椀渀最 琀栀攀 栀攀洀椀猀瀀栀攀爀攀
䔀愀挀栀 瀀愀渀 琀爀 琀攀渀猀椀氀攀 昀愀戀爀
South block
Elevated road for VIP entrance
Ramps for concourse level
猀琀爀愀椀最栀琀 猀攀愀洀
猀琀爀愀椀最栀琀漀甀琀 猀攀愀洀 猀眀椀渀最
漀甀琀 猀眀椀渀最 椀渀 猀眀椀渀最
椀渀 猀眀椀渀最
吀愀欀椀渀最 琀栀攀 搀椀椀攀爀攀渀琀吀愀欀椀渀最 猀攀愀洀 瀀漀猀椀琀椀漀渀猀 琀栀攀 搀椀椀攀爀攀渀琀 猀攀愀洀 瀀漀猀椀琀椀漀渀猀 漀昀 愀 挀爀椀挀欀攀琀 戀愀氀氀 漀昀 愀 挀爀椀挀欀攀琀 戀愀氀氀
甀瀀攀爀椀洀瀀漀猀椀渀最 琀栀攀 搀椀椀攀爀攀渀琀 猀攀愀洀
匀甀瀀攀爀椀洀瀀漀猀椀渀最 吀愀欀椀渀最 愀 栀攀洀椀猀瀀栀攀爀攀 琀栀攀 搀椀椀攀爀攀渀琀 猀攀愀洀
吀栀攀 瀀氀愀渀 椀猀 搀椀瘀椀搀 挀漀爀爀攀猀瀀漀渀搀椀渀最 琀 愀渀搀 㜀 甀渀椀漀渀
吀愀欀椀渀最 愀 栀攀洀椀猀瀀栀攀爀攀 刀漀琀愀琀椀渀最 琀栀攀 栀攀洀椀猀瀀栀攀爀攀 刀漀琀愀琀椀渀最 琀栀攀 栀攀洀椀猀瀀栀攀爀攀
Pedestrian plaza
Turnstyles
㈀渀搀 挀漀渀挀漀甀爀猀攀 氀攀瘀攀氀
Feature wall
Pedestrian plaza刀攀愀氀椀猀攀搀 level plan
攀渀琀爀礀 氀攀瘀攀氀 挀漀渀挀漀甀爀猀攀
昀漀爀洀 刀攀愀氀椀猀攀搀 昀漀爀洀
挀愀爀 瀀愀爀欀椀渀最 挀愀爀 瀀愀爀欀椀渀最
匀攀挀琀椀漀渀 琀栀爀漀甀最栀 䔀愀猀琀 猀琀愀渀搀
䔀
琀攀渀猀
倀攀搀攀猀琀爀椀愀渀 瀀氀愀稀愀 䔀吀䘀䔀 瀀愀渀攀氀猀
Second concourse level
Section through the stands
level愀爀攀 concourse 䔀吀䘀䔀Entry 瀀愀渀攀氀猀 瀀氀愀挀攀搀 愀氀氀 愀爀漀甀渀搀 琀漀 最椀瘀攀 ramp 琀栀攀 椀洀瀀爀攀猀猀椀漀渀 漀昀 External Pedestrian plaza 琀栀攀 猀攀愀洀 漀昀 琀栀攀 戀愀氀氀⸀ 吀栀攀礀 椀氀氀甀洀椀渀愀琀攀 琀栀攀 猀椀琀攀 椀渀 琀栀攀 搀愀爀欀 愀渀搀 洀愀欀攀 琀栀攀 猀琀愀搀椀甀洀 猀琀愀渀搀 漀甀琀
The plan is divided into 36 parts oweing to the 29 states and 7 union territories of India The trusses are designed to intersect each other for increased structural stability and reduced material requirement; lightweight structure
36 tensile fabrics are woven along the trusses; each Division of 椀渀琀漀 the plan Truss formation 琀爀甀猀猀攀猀 愀爀攀 搀攀猀椀最渀攀搀 吀栀攀 琀爀甀猀猀攀猀 琀漀 椀渀琀攀爀猀攀挀琀 愀爀攀 搀攀猀椀最渀攀搀 攀愀挀栀 琀漀 椀渀琀攀爀猀攀挀琀 搀攀搀 椀渀琀漀 吀栀攀 瀀氀愀渀 ㌀㘀 攀焀甀愀氀 椀猀 搀椀瘀椀搀攀搀 瀀愀爀琀猀Ⰰ ㌀㘀 攀焀甀愀氀吀栀攀 瀀愀爀琀猀Ⰰ showcasing the 攀愀挀栀 rich culture of 猀琀爀甀挀琀甀爀愀氀 昀漀爀 椀渀挀爀攀愀猀攀搀 猀琀愀戀椀氀椀琀礀 愀渀搀 猀琀爀甀挀琀甀爀愀氀 猀琀愀戀椀氀椀琀礀 愀渀搀 琀漀 攀愀挀栀 挀漀爀爀攀猀瀀漀渀搀椀渀最 漀昀 琀栀攀 ㈀㤀 猀琀愀琀攀猀 琀漀 攀愀挀栀 漀昀 琀栀攀 ㈀㤀 漀琀栀攀爀 猀琀愀琀攀猀昀漀爀 椀渀挀爀攀愀猀攀搀 漀琀栀攀爀 India 琀漀 愀挀栀椀攀瘀攀 猀琀爀甀挀琀甀爀攀 愀 氀椀最栀琀眀攀椀最栀琀 猀琀爀甀挀琀甀爀攀 渀 琀攀爀爀椀琀漀爀椀攀猀 愀渀搀漀昀㜀䤀渀搀椀愀 甀渀椀漀渀 琀攀爀爀椀琀漀爀椀攀猀 漀昀 䤀渀搀椀愀 琀漀 愀挀栀椀攀瘀攀 愀 氀椀最栀琀眀攀椀最栀琀
ETFE panels 䔀吀䘀䔀 瀀愀渀攀氀猀
Tensile fabric 吀攀渀猀椀氀攀 昀愀戀爀椀挀 Inner steel ring/lighting ring 爀椀渀最 匀琀攀攀氀 椀渀渀攀爀 爀椀渀最⼀氀椀最栀琀椀渀最
䔀愀挀栀 瀀愀渀攀氀 椀猀 搀攀猀椀最渀攀搀 䔀愀挀栀挀愀爀攀昀甀氀氀礀 瀀愀渀攀氀 椀猀 琀漀 搀攀猀椀最渀攀搀 猀栀漀眀愀猀攀挀愀爀攀昀甀氀氀礀 琀栀攀 挀甀氀琀甀爀攀猀 琀漀 猀栀漀眀愀猀攀 愀渀搀 琀栀攀 挀甀氀琀甀爀攀猀 愀渀搀 琀爀愀搀椀琀椀漀渀猀⸀ 吀栀攀 洀攀搀椀甀洀 琀爀愀搀椀琀椀漀渀猀⸀ 漀昀 攀砀瀀爀攀猀猀椀漀渀 吀栀攀 洀攀搀椀甀洀 椀猀 瀀爀椀渀琀攀搀 漀昀 攀砀瀀爀攀猀猀椀漀渀 椀猀 瀀爀椀渀琀攀搀 猀椀氀攀 昀愀戀爀椀挀Ⰰ 猀栀漀眀椀渀最 琀攀渀猀椀氀攀 搀愀渀挀攀 昀愀戀爀椀挀Ⰰ 昀漀爀洀猀Ⰰ 猀栀漀眀椀渀最 氀漀挀愀氀 挀甀椀猀椀渀攀Ⰰ 搀愀渀挀攀 昀漀爀洀猀Ⰰ 氀愀渀最甀愀最攀 氀漀挀愀氀愀渀搀 挀甀椀猀椀渀攀Ⰰ 愀爀琀 氀愀渀最甀愀最攀 愀渀搀 愀爀琀 昀漀爀洀Ⰰ 昀爀漀洀 琀栀攀 ㌀㘀 猀琀愀琀攀猀 昀漀爀洀Ⰰ愀渀搀 昀爀漀洀甀渀椀漀渀 琀栀攀 ㌀㘀 琀攀爀爀椀琀漀爀椀攀猀⸀ 猀琀愀琀攀猀 愀渀搀 甀渀椀漀渀 琀攀爀爀椀琀漀爀椀攀猀⸀
11 11
Exploded view showing the structural elements 嘀椀攀眀 昀爀漀洀 琀栀攀 猀漀甀琀栀
Steel琀爀甀猀猀攀猀 trusses 匀琀攀攀氀 RCC挀漀氀甀洀渀 column 刀䌀䌀 11 11
13 13
WAVE
MIXED-USE CRUISE TERMINAL YEAR 5 - THESIS PROJECT TYPE: TRANSIT LOCATION: GOA, INDIA
Boosting local economy through design The project has been proposed on a 4 hectare site which has the potential to act as an entertainment hub for locals as well as a cruise terminal for international and domestic tourists. The intent is to create a recreational hub that can act as a medium for exchange of thought, ideas, concepts and visions. A safe space where locals can present their arts and crafts for all to see. Tourist hubs usually boast souvenir shops, a gallery space has been given in its place, which would give the local artists global exposure -boosting the economyand the tourists get to go home with a beautiful handmade souvenir. Vision
Translation
Sustainable Sea side
Drop off lanes Visually porous
International terminal
Domestic terminal
Gallery Maximum views
National highway
Interactive
Site overview
City side
The international terminal is given on the left, and domestic to the right, for access to respective berths. Public entry is given from the middle towards the sea side for enhanced experience.
Rotation of terminal blocks done to follow sun path. This results in increase of public area and better connectivity to piers. Site zoning
Split road from highway
1. Views from all sides of building 2. North-South orientation 3. Adequate public area
Towards airport and Mormugao
Coal transporation hub: No views given towards the eastern side Water: All views directed towards water Greenery: Public terrace garden given towards the south.
Surrounding influence
Departure (+13650)
Services
Arrival (+6150)
Arrival
Services and parking (+00)
Departure
Split road: down to +6150 and straight to +13650
U-turn back to towards the site
Ramp from +6150 to +13650
Roads are built across levels around the site connecting to the main highway, separating the entry and exits for arrival, departure and service vehicles; improving circulation and reducing traffic hold-ups.
+22000
Terminal connected to the ship via telescopic gangways
Apron area given on the ground to increase efficiency and security
+14000
+6500
+00
Schematic section showing the division of functions across levels and connection of ship to the terminal buiding via telescopic ganways
4m x 4m waffle slab grid using holedeck technology to help with the large span structure, while making it easy to weave conduits through it. Tree like structure with concrete columns in the middle and hollow pipes supporting the curved electrical grid help make the electrical and air conditioning services look neat, while helping bring the outdoors inside Structure
Bracket holding the facade structure
Shaded walkway with solar panels given on the south facade at the departure level
Rhombus grid facade
+22000
Double pane glass
+14000
+6500
+00
Schematic sectional perspective
Schematic external wall section
Drop off
Staff area Public parking
Departure Public circul Baggage handling Arrival
lation
300
s ray n u
2000
Photovoltaic panels
S
Solid GRC panel 20mm dia. steel frame
2000
Second skin deta Bolt connection Perforated iron plate Aluminuin lamella Aluminium bracket EPDM rubber Glass spacers Double glazed window EPDM rubber
2-pane low-E coated glass given towards the sea side of the building, maximising views while minimising solar heat gain. The R value of 2-pane glass ≥ 3-pane glass; more economical.
Retainer Facecap / covercap
Curtain wall detail
Facade treatement
Public level +22000
Departure level +14000
Arrival level +6500
Parking and Services +00
Service circulation Open air theatre
URBAN LOOP URBAN DESIGN PROJECT GROUP OF 4
[Gayatri Jain, Muskan Garg, Sheena Jain, Shruti Misra]
YEAR 5 TYPE: URBAN DESIGN LOCATION: NEW DELHI, INDIA
Decreasing footprint and increasing connectivity through design 11 hectare site area was allotted for the design probem. The project includes housing, offices, retail and hotel. Emphasis has been put on 2 concepts; continuity and porosity. In order to achieve porosity, the housing is stacked such that gateways are formed at the ground level. The retail blocks have double height spaces connecting the retail streets at the ground level and the horizontal blocks are built as bridges to make the ground movement more porous. For continuity, loops have been created at the upper levels to connect the individual built blocks; one connects all the HIG and MIG cores, the other connects the individual retail blocks and the amenities floor in the hotel. Arches and jaalis have been used as a response to the history of Hauz Khas. Office buildings and most HIG and MIG apartments have north south orientation, for proper natural light and minimum heat gain throughout the day.
Made by the group [Gayatri Jain, Muskan Garg, Sheena Jain, Shruti Misra]
Pedestrian centric: Multiple axis created at ground to increase porosity and vehicular circulation is kept around the periphery.
Made by the group [Gayatri Jain, Muskan Garg, Sheena Jain, Shruti Misra]
Climate resposive: Majority of building have N-S orientation to prevent heat gain in summers
Made by the group [Gayatri Jain, Muskan Garg, Sheena Jain, Shruti Misra]
An exploded 3D cut at the forest floor level showing the circulation and division of mercentile
Section through office, retail and ho Made by the group [Gayatri Jain, Muskan Garg, Sheena Jain, Shruti Misra]
Made by the group [Gayatri Jain, Muskan Garg, Sheena Jain, Shruti Misra]
Sectional perspective cut through the chaar-bagh showing the elevation of the hotel
Majority of retail, barring multiplex and club house has external circulation to increase the interaction with the site and reduce the rate of spread of virus; keeping the current affairs in mind. As seen from the section below, the retail and hotel blocks are connected at forest floor level, to maintain the flow of movement and make the transition seemless.
otel blocks looking towards housing
Made by the group [Gayatri Jain, Muskan Garg, Sheena Jain, Shruti Misra]
Sectional perspective through HIG and MIG residential towers showing the forest floor and green lung
Schematic sectional 3D of typical HIG blocks showing how the bigger units have been taken at the top for more privacy and better porosity at ground
Housing view, showing green pockets created between towers and common bridge connecting all HIG and MIG clusters
Made by the group [Gayatri Jain, Muskan Garg, Sheena Jain, Shruti Misra]
Floor plate area: 1145 sqm Total unit area: 250 sqm Core area: 145 sqm % core area: 12%
HIG type A cluster plan
Made by the group [Gayatri Jain, Shruti Misra]
Made by the group [Gayatri Jain, Shruti Misra]
HIG type A unit plan
Architecture competition ’21
Retail of tomorrow by uni.xyz
Flower market and seating
Roof
Services and storage
Grocery vallet
Public access
Typical floor
Loading/ unloading Services entry/exit
CRATE MART - first prize Competition titled, ‘Retail of Tomorrow’ held by uni.xyz Group of 4: Bharati Gupta, Gayatri Jain, Kartik Sharma, Rohin Sikka
Exterior view
Public circulation
Ground level
Floor plans
Shelving system: Spira
al coils with UV lighting
Sectional perspective
AS/ DETAIL
WALL FINISH AS / APPROVED
10'-0"
Work experience
Architecture + Interiors; academic Internship ’20
ELEVATI
CEILING LVL + 11'-1" FROM FFL CEILING LVL + 11'-7" FROM FFL CURTAINS AS/ SELECTION WINDOW AS/ DETAIL
11'-2"
LIGHTING BAND AS/ DETAIL
MICROTOPPING AS/DETAIL
2'-0"
ELEVATI
11'-7"
10'-0"
6"
PRODUCED BY AN AUTODESK STUDENT VERSION
CURTAINS AS/ SELECTION
Concept sketches for son’s bedroom
Renders corresponing to my sketches and vision board Modelling done by Manpreet Singh (colleague)
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
ELEVATION (C-C)
11'-0" MICROTOPPING AS / DETAIL
TV SONY
DW2
2
D
00
1
9'-0"
00
1
00
1
SON'S ROOM
1'-6"
3
SON'S /DAUGH
10'-0"
3
SD
20'-0"X10'-0"
W5
2'-6"X 8'-6" DETAIL B 10'-0"
COVE LIGHT AS/ DETAIL FALSE CEILING AS/DETAIL
LIGHTING AS/ DETAIL
UNIT AS/ DETAIL
COVE LIGHT AS/ DETAIL
SON'S / DAUGH BED ROOM DO SON'S / DAUGH BED ROOM DO
11'-6"
4
F.F.L ± 0-0
ELEVATION (B-B)
10'-6" X 11'-6" 6'-0"X 9'-0"
6"
CURTAINS AS/ SELECTION F.F.L +6"
1
2'-0"
9'-0"
ARCHITRAVE AS / APPROVED
11'-5"
6" PRODUCED BY AN11'-2" AU
11'-8" 9'-8"
PRODUCED BY AN AUTODESK STUDENT VERSION
MICROTOPPING AS/DETAIL
3" " 6'-0
6"
1'-9"
3"
COVE LIGHT AS/ DETAIL
COVE LIGHT
LVL + 0'-4"
D 20'-9"
D
1'-9"
B UP
30
30
27'-412"
10'-6"
1'-9"
2'-6" 1'-912"
BALCONY
A
1'-3"
2"
6"
2"
11'-11"
10'-0"
1"
E
212" DETAIL C ARCHITRAVE DETAIL
DETAIL C
CEILING LVL + 10'-7" FROM FFL
WINDOW AS/ DETAIL W5
9'-6"
2'-6"
3'-1"
11'-2"
2'-6"
CURTAINS AS/ SELECTION
WINDOW AS/ DETAIL
SD
1 2"
F.F.L ± 0-0
DETAIL B SKIRTING DETAIL
ARCHITRAVE AS / APPROVED 1112"
11'-3"
11'-7"
Elevation ELEVATION (C-C)C-C
CEILING LVL + 11'-2" FROM FFL
5'-6" WIDE CORRIDOR
18'-1"
DOOR-WINDOW AS/ DETAIL
W5
DW2
W5
12'-4"
1'-
COVE LIGHT
2'-812"
8'-0"
42'-6"
0"
6'-
DETAIL B
LVL ± 0-0
1 2"
2"
9'-9"
1 2"
DOOR-WINDOW AS/ DETAIL
DETAIL B
11'-0"
3'-9"
24'-5"
NICHE
1 2"
1'-3"
12'-1"
11'-1"
7'-712"
SON'S BEDROOM 27'-421" X 42'-6"
11'-7"
GREEN WALL
1 ARCHITRAVE 2" AS / APPROVED
TILE AS/ DETAIL
SD
10'-0"
C 7'-6"
C
PRODUCED BY AN AUTODESK STUDENT VERSION
6'-8"
SD
DETAIL AWINDOW AS/ COVE DETAILDETAIL
1 2"
9'-6"
SON'S TOILET/ DRESSER
6" 4"
WOODEN CEILING WITH COVE LIGHT AS/ DETAIL
W.C.
3'-8"
6"
20'-0"
11'-10"
1'-0"
27'-4 "
CEILING LVL + 11'-2" FROM FFL
DESK STUDENT VERSION
B 3'-8"
6' WIDE BALCONY
212 " 11'-2"
6"
DETAIL A
A
1 2
AS/DETAIL
4"
1'-
ARCHITRAVE AS / APPROVED
DN
DOOR-WINDOW AS/ DETAIL
LAYOUT PLAN
DETAIL B Layout plan- son’s bedroom
F.F.L +6"
PRODUCED BY AN AUTODESK STUDENT VERSION
F.F.L ± 0-0
6" 4"
F.F.L ± 0-0
DOOR-WINDOW AS/ DETAIL
Elevation D-D ELEVATION (D-D)
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION CEILING LVL + 11'-8" FROM FFL CEILING LVL + 11'-11" FROM FFL
CEILING LVL + 11'-1" FROM FFL CEILING LVL + 11'-7" FROM FFL
6"
11'-11"
4"
DETAIL A
PRODUCED BY AN AUTODESK STUDENT VERSION
11'-0"
11'-5"
11'-2"
12'-1"
DETAIL C
9'-0"
9'-8" 6"
11'-8"
4" 11'-3"
11'-11"
MICROTOPPING WINDOW AS / DETAIL AS/ DETAIL
TV SONY
ARCHITRAVE AS / APPROVED
11'-0"
2
D
6'-0
3
SD
20'-
W5
2'-6
DOOR WINDOW S 4
CURTAINS AS/ SELECTION F.F.L +6"
ENTRANCE DETAIL DOOR A
DW2
1
2
D
6
3
SD
2
4
W5
2
F.F.L ± 0-0
6"
1'-0"
DETAIL B
1
F.F.L ± 0-0 MICROTOPPING AS / DETAIL
TV
NAME
S.NO
SONY
CEILING LVL + 11'-1" CURTAINS FROM FFL AS/ SELECTION CEILING LVL + 11'-7" FROM FFL CURTAINS AS/ SELECTION
CURTAINS AS/ SELECTION F.F.L +6"
11'-5" UNIT AS/ DETAIL
COVE LIGHT AS/ DETAIL
10'-0"
ELEVATION (A-A) A-A Elevation
9'-0"
11'-8"
9'-8"
WALL FINISH AS / APPROVED
6" 11'-2"
ENTRANCED DOOR
DETAIL B
12'-1"
TOILET DOOR AS/ DETAIL CURTAINS AS/ SELECTION
WINDOW AS/ DETAIL DOOR WINDOW SC CEILING LVL + 11'-1" FROM FFL S S.NO NAME CEILING LVL + 11'-7" FROM FFL1 10'DW2
DETAIL A D
10'-0"
WALL FINISH WINDOW AS / APPROVED AS/ DETAIL
DETAIL C
11'-3"
WINDOW AS/ DETAIL CEILING LVL + 11'-8" FROM TOILET DOORFFL CEILING LVL + AS/ DETAIL 11'-11" FROM FFL
ARCHITRAVE AS / APPROVED
ELEVATION (A-A)
UNIT AS/ DETAIL
COVE LIGHT AS/ DETAIL
WOODEN CEILING WITH COVE LIGHT AS/ DETAIL
1 2"
TILE AS/ DETAIL
DOOR-WINDOW AS/ DETAIL
6"
11'-11"
CURTAINS AS/ SELECTION
1'-3"
CEILING LVL + 11'-2" FROM FFL
6"
DETAIL C
DETAIL SKIRTIN
ARCHITRAVE AS / APPROVED
W5
"
WINDOW AS/ DETAIL
"
2'-0"
SD
DETAIL B SKIRTING
W5
'-10"
2'-0"
COVE LIGHT AS/ DETAIL
CURTAINS AS/ SELECTION
DOOR-WINDOW AS/ DETAIL
DETAIL B
ELEVATION (B-B) Elevation B-B
10'-0"
COVE LIGHT AS/ DETAIL
ELEVATION (B-B)
11'-3"
11'-7"
DETAIL B
6"
12'-1"
11'-1"
11'-2" MICROTOPPING AS/DETAIL
1 2"
TILE AS/ DETAIL
GREEN WALL
LIGHTING BAND AS/ DETAIL
6"
10'-0"
MICROTOPPING WINDOW AS/DETAIL AS/ DETAIL
WOODEN CEILING WITH COVE LIGHT AS/ DETAIL
11'-11"
11'-7"
CURTAINS AS/ SELECTION
1 2"
GREEN WALL
12'-1"
11'-2"
11'-1" 1'-0"
DETAIL A
11'-3"
WINDOW AS/ DETAIL CEILING LVL + 11'-1" FROM FFL LIGHTING BAND CEILING LVL + AS/FROM DETAIL 11'-7" FFL
6"
PRODUCED BY AN AUTODESK STUDENT VERSION
ENTRANCE DOOR
DETAIL B
ION (A-A)
ION (B-B)
12'-1"
D
W5
Additional Work
Alternate reality
Town of everyday objects Made for a zine; sale contributed to COVID relief fund in 2020
Monkey’s bra
ain chemistry
Into the multiverse