O'Keeffe Magazine, Spring 2019 by Georgia O'Keeffe Museum

THE GEORGIA Oâ&#x20AC;&#x2122;KEEFFE MUSEUM MAGAZINE

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A VITRA DESIGN MUSEUM EXHIBITION O P E N I N G M AY 5 , 2 0 1 9 A Designer’s Universe is the first major retrospective on the work of Alexander Girard, a pioneer of modern design who lived and worked in Santa Fe for 40 years. The exhibition will immerse viewers in a rich selection of sketches, drawings, sculptures, furniture, designed environments — and the textiles for which Girard is best known.

On Museum Hill in Santa Fe www.InternationalFolkArt.org (505) 476-1200

Global Sponsors:

Exhibition global sponsors are Herman Miller and Maharam. The Museum of International Folk Art’s presentation of Alexander Girard: A Designer’s Universe is generously supported by the International Folk Art Foundation, the Folk Art Committee of the Friends of Folk Art, the Museum of New Mexico Foundation and numerous donors to the Girard Campaign and the Exhibition Development Fund. ABOVE: Old Sun (detail), Environmental Enrichment Panel #3015, Alexander Girard for Herman Miller, 1971. Vitra Design Museum, Alexander Girard Estate.

GEORGIA O’KEEFFE MUSEUM BOARD OF TRUSTEES 2O19–2O2O Roxanne Decyk, Chair Chicago, IL

CONTENTS SPRING 2O19

Jack L. Kinzie, President Dallas, TX; Santa Fe, NM Jane C. Bagwell, Treasurer Santa Fe, NM; Dallas, TX Ramona Sakiestewa, Secretary Santa Fe, NM Ronald D. Balser Atlanta, GA; Santa Fe, NM Diane E. Buchanan Santa Fe, NM Kathleen H. Clarke Houston, TX; Santa Fe, NM

2 Puttin’ on the Ritz 3 From the Board President 4 The Toast of New York 6 Artist Residency

Felicitas Funke Ketchum, ID

7 Fisk Students

Robert Holleyman Washington, DC; Santa Fe, NM

8 National Library Week

Donald D. Humphreys Dallas, TX Raymond R. Krueger Whitefish Bay, WI John L. Marion Fort Worth, TX; Santa Fe, NM Deborah A. Peacock Albuquerque, NM Gary “Skip” Poliner Santa Fe, NM

10 Creative Activity 11 People at the O’Keeffe 12 Happening at the O’Keeffe 14 2O18 in Review 15 A Special Thank You 24 Where in the World Is Georgia O’Keeffe?

Jay S. Ralph Santa Fe, NM Christine Schuepbach Dallas, TX Barton E. Showalter Dallas, TX Joanna Lerner Townsend Dallas, TX; Santa Fe, NM Kristina van Dyke Houston, TX; Rye, NH; Santa Fe, NM David Warnock Baltimore, MD Cody Hartley, ex-officio Santa Fe, NM Laura Bush, Honorary Dallas, TX

O’Keeffe Magazine is published for members of the Georgia O’Keeffe Museum. Send correspondence to: Mara Christian Harris, Communications Manager 217 Johnson Street Santa Fe, New Mexico 87501 E-mail: mharris@okeeffemuseum.org Spring 2019 Published by the Georgia O’Keeffe Museum. © 2019. No reproduction of images or content permitted.

Saul Cohen, Honorary Santa Fe, NM Lee E. Dirks, Honorary Jupiter, FL; Santa Fe, NM Emily Fisher Landau, Honorary New York, NY; Palm Beach, FL Juan Hamilton, Special Consultant to the Board Honolulu, HI; Abiquiú, NM; Santa Fe, NM Anne W. Marion, Chair Emeritus & Founder Fort Worth, TX; Santa Fe, NM

ON THE COV ER : Georgia O’Keeffe. Ritz Tower, 1928. Oil on canvas,

401/4 x 14 in. Georgia O’Keeffe Museum. Museum Purchase. © Georgia O’Keeffe Museum. [2018.14.1]

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PUTTIN’ ON THE RITZ

Members celebrated the Museum’s newest acquisition, Ritz Tower, with a reception in the galleries on February 28. After remarks by Acting Director Cody Hartley, the painting was unveiled to enthusiastic applause.

1 and 2. Acting Director Cody Hartley makes opening remarks; with Ritz Tower. 3. Ildy Poliner (right) in conversation with friends. 4. Kylie Musolf and Brendan Rome strike a pose. 5. Festive crowds. 6. Trustee Jane Bagwell and Curator of Fine Art Ariel Plotek celebrate with Champagne by Gruet. 7. Members admire works on view. © Georgia O’Keeffe Museum

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FROM THE BOARD PRESIDENT

Image courtesy of Roxanne Decyk.

You, the members of the Georgia O’Keeffe Museum, are the driving force behind our successes and exciting developments. As chair of the Board of Trustees, I’m thrilled for this chance to thank you in this annual member-appreciation issue of O’Keeffe Magazine. In these pages, I’m also happy to share what’s new and next at the O’Keeffe. Read the piece by Ariel Plotek, the Museum’s Curator of Fine Art, about the Museum’s most recent addition to its permanent collection, Georgia O’Keeffe’s iconic Ritz Tower (1928). One of her rare cityscapes, this dramatic oil painting, an energetic work from her 1920s period in New York, generated a lot of buzz during its premiere weekend in March. If you haven’t already done so, I hope you’ll soon get a chance to see it in its new home in Santa Fe. During Library Week, April 7–13, you can explore more of the O’Keeffe story with our annual special tours of the library archives, as well as special programming. You’ll also get a glimpse of the Museum’s role in the upcoming citywide arts collaboration, Mid-Century Santa Fe. Our related programs will explore the friendship between Georgia O’Keeffe and Alexander Girard, whose work as one of the most influential textile and industrial designers of the 20th century will be featured in an exhibition in Santa Fe’s Museum of International Folk Art beginning in May. Some of our (not so) secret treasures are not our objects but our people. In this issue you’ll meet two of our staff who themselves are dedicated artists: Maggie Lopez, an expert in bone carving as well as groundskeeping; and Peter Grab, security specialist and award-winning painter. The Museum shares the life and legacy of Georgia O’Keeffe through its significant art, creative people, and engaging experiences. Our developments in Santa Fe, Abiquiú, and across the country are thanks to your generous support and enthusiasm. I’m proud to support the Museum’s endeavors, and grateful to have incredible members like you join me in shaping its future. Thank you for being a part of this exciting journey.

Roxanne Decyk Chair, Board of Trustees, Georgia O’Keeffe Museum

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NEW ACQUISITION

THE TOAST OF NEW YORK O’Keeffe’s Iconic Ritz Tower Joins the Museum’s Collection The Georgia O’Keeffe Museum is pleased to celebrate the acquisition of Ritz Tower, one of O’Keeffe’s most spectacular city scenes. Painted in 1928, it is a thoroughly modern interpretation of a quintessentially American subject: the skyscrapers that transformed the skylines of cities like Chicago and New York between the end of World War I and the stock-market collapse of 1929. In the context of a gallery devoted to O’Keeffe’s New York years, which she divided between the city and Lake George, this masterwork illustrates the influence of urban engineering and electric light on her modernist vision. Due in part to the popularity of her subjects derived from nature, the importance of the urban environment in shaping O’Keeffe’s art is sometimes understated. From her student days in Chicago and New York (1905–1908) to the period of her life lived with Alfred Stieglitz (1918-1946), the city served O’Keeffe as muse and as a critical point of contact with avant-garde artists and ideas. Even after settling permanently in northern New Mexico, in 1949, O’Keeffe maintained her connection to New York, where she continued to exhibit and seek inspiration and engagement. Having relocated to New York in 1918 to join Stieglitz, O’Keeffe then moved with him between their summer home in Lake George and the city, honing her subject matter and professional identity. It was during this period that she collaborated most closely with Stieglitz, notably in the launching of her series of large-scale flower paintings, beginning with an exhibition at the Anderson Galleries, in 1925. In the winter of that year, she and Stieglitz moved into the Shelton Hotel, a residential hotel that would remain their New York City address for over a decade. For both artists, the view from this perch in midtown Manhattan became a subject of fascination, as they trained their sights on the skyline of the modern metropolis. But the city’s skyscrapers not only afforded spectacular views from their windows; they also became—for such artists as Charles Sheeler and Charles Demuth—quintessentially modern subjects in their own right: totems of American identity, in contrast to the capitals of Europe. As O’Keeffe later recalled, the male artists in Stieglitz’s circle resisted the idea that she, too, might paint

LEFT: Georgia O’Keeffe. Ritz Tower, 1928. Oil on canvas, 40 1/4 x 14 in. Georgia O’Keeffe Museum. Museum Purchase. © Georgia O’Keeffe Museum. [2018.14.1]. RIGHT, TOP: Curator of Fine Art, Ariel Plotek, right, discusses Ritz Tower with Head of Conservation Dale Kronkright. © Georgia O’Keeffe Museum. BOTTOM: Wurts Bros. (New York, N.Y.). Detail of The Ritz tower from 57th and Madison, c. 1927. Gelatin silver print. Wurts Bros. (New York, N.Y.) / Museum of the City of New York. [X2010.11.5551].

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the modern city: “The men decided they didn’t want me to paint New York. . . . They told me to ‘leave New York to the men.’ I was furious!” In all, O’Keeffe would execute only a handful of paintings of skyscrapers, beginning in 1926 with two views of the Shelton Hotel. Like the Shelton, the 42-story Ritz Tower was a residential hotel—the tallest in New York when it opened, in 1927; when O’Keeffe made her painting, in 1928, it was still one of the newest additions to the New York City skyline. The tower’s classically inspired design, with its pilasters, pediments, and large stone fleches directing the eye upward to its pyramidal roof and soaring spire, evidently impressed O’Keeffe. So, too, did the marvels of electric light, from the halo of a street lamp to the alabaster glow of the ascending windows, set here against a streak of moonlit clouds. Of particular interest to our understanding of O’Keeffe’s practice is analysis undertaken by Dale Kronkright, the Museum’s Head of Conservation, who tells a surprising story about the painting’s evolution. Imaging methods used during a technical examination in the Museum’s conservation lab revealed changes that O’Keeffe made during the painting of Ritz Tower. Carefully following her underdrawing of charcoal on white-primed canvas, O’Keeffe first painted the central figure of the tower at night, leaving unpainted areas for windows, street lamps, and the rolling sky. While some windows and lights were added and others overpainted in later stages, the major change was to the central streetlamp. Originally, the streetlamp’s vertical pole had been carefully painted to include, above the glowing glass globe, a graceful arch slightly obscured by a gray glare. Before the paint of the streetlamp pole could dry, however, O’Keeffe wiped away the arch at the top of the pole and repainted the area in a dark, opaque gray. She also wiped away part of the tower itself, creating a narrower, harder edge at the base of the building. This imaginary geometry at the base of Ritz Tower emphasizes the teetering, off-kilter impression of the form as viewed from the street. In joining the Museum’s collection, Ritz Tower fills a critical gap. We are now able to more fully explore the inspiration that O’Keeffe drew from New York City, deeply impressed as she

was—like so many of her contemporaries—by the towering peaks of the city’s skyline. By the decade’s end, these outsized monuments to prosperity and progress would be viewed through the lens of the Great Depression as symbols of hubris. But to O’Keeffe in 1928, the Ritz Tower could be celebrated as a beacon. As she remarked of her rooms at the Shelton: “I realize it’s unusual for an artist to want to work way up near the roof of a big hotel in the heart of the roaring city, but I think that’s just what the artist of today needs for stimulus.” Georgia O’Keeffe would spend the summer of 1929 not in New York but in northern New Mexico, opening her eyes to a new range of motifs. Neither she nor her contemporaries would ever again view the city with the same sense of wonder.

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INTERVIEW

ARTIST RESIDENCY This summer, the Museum will host its first artist in residence: Josephine Halvorson. The residency creates an opportunity for an artist to interact with the Museum’s collection and the New Mexico landscape, with an eye to presenting an installation as part of the Contemporary Voices series; Halvorson will be a featured artist in the Museum Galleries in 2020. Georgia O’Keeffe Museum Curator of Fine Art Ariel Plotek spoke recently with Halvorson about her practice and her upcoming residency. Ariel Plotek: Though you now teach painting at Boston University, we met more than a decade ago in Paris. Please share a little about your artistic process, and how it has evolved since then. Josephine Halvorson: Certainly. I’ve maintained a consistent practice, but one which allows for different results. It’s a practice of attention and observation, of looking and being looked at. Making paintings outside, in public, I set up my easel--or something like it--and work directly in daylight, sometimes into the night. It’s a durational practice: looking at something and describing it over time. It’s not about copying so much as it is about translating a sensation; the experience of being in a place and paying attention to something over the course of many hours. It’s not unlike photography, in the sense that a painting’s formation feels like a long exposure, but it’s of course quite subjective in the sense that my hand is really present in everything I do. Making a painting involves sensitivity and touch, but also a certain amount of misinterpretation, or mistranslation. The resulting paintings are, typically, a kind of still life, usually small-to-medium in size. Sometimes they get organized together into a larger composition. But, for the most part, they’re paintings that I can carry myself, which allows me to be on the move. This way of working has taken me to many different places over the years. I think about how painting can be a pretext for new experiences and learning. The year that you and I met--my year in France--was really formative. It was the first time I began working like this in earnest, without the sense of someone looking over my shoulder. As a student in New York, (at Columbia University), I was expected to work in the studio. All through graduate school I was grappling with wanting to paint experientially out of doors. So being in France—alone—that year was so important, because I was able to really hear my own thoughts and not feel so self-conscious.

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France gave me the permission to do something that was utterly anachronistic, in the plein air tradition. That was very helpful. Over the years the practice has remained much the same, even as I’ve thought of things in totally different ways. It’s a practice that has helped me understand all kinds of things. Technology, for instance, or at least its effects on me in terms of attention span. And notions of identity, of place and belonging. Overall, it’s been a really generative practice, when I think of the places it has taken me, both literally and conceptually. AP: You just returned from Cuba, preparing work for a project organized by Maria Magdalena Campos Pons for the Havana Biennial. Would this be a good example of the way in which you adapt your practice to a given place? JH: It is a good example, though every place is different. In Cuba, I had a limited amount of time, but with the assistance of the Biennial, I got a head start on research and logistics. There’s a real emphasis on culture and art in Cuba. I was able to speak openly about my work, and people approached me as I was painting to speak to me. AP: O’Keeffe stressed the importance of “taking time to look,” and this is one of the connections I make between her art and yours. I wonder if you can recall when you first encountered O’Keeffe’s paintings? JH: I think the first time was probably in elementary school. Like many children, I was excited about colorful paintings, but looking back now, I think her advice to “Take time to look” would really turn out to be at the root of my practice. And now more than ever, it’s such a critical question: how we choose to use our time. What we choose to look at, and how.

Photo courtesy of the artist

FISK STUDENTS This winter, the Museum welcomed eight students from six different colleges and universities, all part of Fisk University’s Museum Leadership Program, for a week focused on museum management. Students took tours of the galleries and archives in Santa Fe, Georgia O’Keeffe’s Home and Studio in Abiquiú, and numerous other local cultural institutions. We were grateful for the opportunity to get to know these students and look forward to connecting with them as they continue to grow professionally.

All photos courtesy of Fisk University except lower right, © Georgia O’Keeffe Museum.

N A T I O N A L

L I B R A R Y

W E E K

ONLINE As we mark National Library Week, April 7–13, we are excited to share news of the Museum’s first fully publicly accessible library catalog. The online public access catalog (OPAC), or library catalog, is now available from anywhere in the world on any web-enabled computer, tablet, or mobile device. You can find a wide range of unique materials in the collection—not only books about Georgia O’Keeffe and her circle of friends and colleagues, but also resources about northern New Mexico, museum studies, education, art history, and design. One of the OPAC’s most useful features is the ability to easily search O’Keeffe’s personal collection of books. Over 2,000 titles from O’Keeffe’s collection have been catalogued, with more added each month. Many of her books have inscriptions and enclosed letters, notes, and objects, all of which can be read about in the OPAC. O’Keeffe’s personal library comes from both of her New Mexico properties; materials from Abiquiú and Ghost Ranch can be searched separately or together. To browse O’Keeffe’s library online: 1. Go to library.okeeffemuseum.org 2. In the library catalog search bar, click on Advanced search 3. On the Advanced search page, click on the Collection tab 4. Check the box next to one or both of her collections: “O’Keeffe Personal Library, Abiquiu Bookroom” and/or “O’Keeffe Personal Library, Ghost Ranch Library” 5. Click on the green Search button

You can also search for specific authors, titles, and subjects within O’Keeffe’s collections. Online access to information about this material is particularly important, as many of O’Keeffe’s books remain in their original locations in the bookroom of her Abiquiú Home and Studio, and must be requested a minimum of two weeks before a scheduled library appointment. The catalog is powered by Koha, an open-source library software that is in continual development by the national library community, to make it better equipped to handle rapid changes in library services and materials. In addition to improving access to information about library materials of all kinds, updating to the new library catalog offers new tools and features. Sign up for an account and create lists, which you can keep private or share with your friends, or with library staff in preparing for an appointment to use the library. This is particularly useful in preparing to access special collection materials. With the new library catalog, you can: = Access the Museum’s public catalog via any mobile device = Create and manage your own account, including privacy settings for reading and search history = Share favorite books on your social-media accounts = Add your own ratings to titles = Make purchase suggestions online = Search Georgia O’Keeffe’s personal libraries more easily = Create, manage, and share lists of your favorite books = And much more!

While we welcome you to come in and browse our library shelves in the Research Center, by searching the catalog online you will discover much more—our collections are also held in the Abiquiú Welcome Center, and across the Museum’s Santa Fe campus. And don’t forget about all the other online resources! On the catalog’s home page you’ll find links to recommended reading lists, archival collections, and databases such as ARTstor, a database of downloadable images; and JSTOR, an online library of journals, academic e-books, and primary sources. Celebrate National Library Week by visiting us, in person or online, to see more of what’s new! Questions? Comments? Please contact the Research Collections and Services staff at 505.946.1040 or library@okeeffemuseum.org. Library catalog: library.okeeffemuseum.org.

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N AT I O N A L L I B R A R Y W E E K

NEW ACQUISITIONS The Michael S. Engl Family Foundation Library recently added three new artists’ books to its collection. Artists’ books are works of art in the form of a book. While books have been illustrated by artists for centuries, the book as a unique art object in and of itself is a more recent development. All three new titles were recipients of the National Museum of Women in the Arts Library Fellows Artists’ Book Program Award. Day by Day, by Natasha Guruleva and Olga Nenazhivina, reflects on connections and relationships in everyday life through verse and artwork. Several handwritten poems are tucked into envelopes facing detailed illustrations. Gwen Diehn’s Helene Kottanner’s Memoirs, inspired by a medieval memoir, is about a friendship between two women from different backgrounds and stations in life. The illustrated memoir unfolds to reveal a 325-inch-long accordion book that was created using woodcuts, letterpress, and watercolor on handmade paper. Everything and Everyone: In the End We Are All One, by Sarah P. Pohlman, employs a double-sided accordion structure that invites readers to explore images and text inspired by forms in nature and human biology, and to consider the interconnectedness of all human beings. Look for Museum programming related to artists’ books later this year.

LITTLE MAGAZINES Little magazines from Georgia O’Keeffe’s personal collection will be on view in the Museum’s library from April to September 2019. Little magazines—periodicals committed to avant-garde and noncommercial writings—began to be published in the late 19th century and continued through the 20th century. As the name suggests, most of these publications operated with little financial support and had short, irregular runs. However, little magazines played a critical role in providing forums for writers who, though now some of our most noted authors and artists, at the time had no outlet for their work. Established publishers and commercial magazines often found writers unacceptable or a risk if they were unknown, or their work was unconventional or experimental. Little magazines helped launch the careers of writers such as Ernest Hemingway and James Joyce, and spread artistic movements such as surrealism and Dada. O’Keeffe owned an impressive collection of important and lesser-known little magazines from the first half of the 20th century, many featuring the work of known friends and colleagues.

New acquisitions in the library. © Georgia O’Keeffe Museum.

WORKSHOP: HANDMADE BOOKS SATURDAY, APRIL 13, 9 AM - 1 PM = Enjoy a morning exploring handmade books in an Introduction to Book Arts workshop. We will begin with a tour of the Museum’s library and view artist-made books from our collection. Then you’ll learn three simple book structures to create your own unique books. You will learn folding techniques, the pamphlet stitch, and create a nontraditional book structure. Beginners welcome; all supplies provided. Taught by artist Pam MacKellar. Pam has a BFA in Ceramics from the State University of New York at New Paltz, and has been making prints and artist books for 15 years. Pam lives in Corrales, New Mexico, and teaches book arts in Albuquerque and Santa Fe. Museum Education Annex, 123 Grant Avenue = $60; members, $45. Space is limited. Reservations: 505.946.1039 or okeeffemuseum.org.

To see any of the materials featured above, or to learn more about the Museum’s library collections and services, please contact the library at library@okeeffemuseum.org, or make an appointment online okeeffemuseum.org/library.

Creative Activity

POSITIVE AND NEGATIVE SPACE The composition of a work of art is determined by the use of positive and negative space. Positive space is the area that is the focus or subject of the artwork. For example, in Georgia O’Keeffe’s Ritz Tower (1928), the building itself occupies the positive space—the area of interest that draws our eyes. The negative space is the area around the building: the clouds and sky. Create your own composition using the principle of positive and negative space. Think of something you want the viewer to focus on, while also giving thought to the areas around it. Try drawing just the space and not the object!

Georgia O’Keeffe. Ritz Tower, 1928. Oil on canvas, 401/4 x 14 in. Georgia O’Keeffe Museum. Museum Purchase. © Georgia O’Keeffe Museum. [2018.14.1].

P E O P L E AT T H E O ’ K E E F F E

DOCENT CLASS COMING THIS FALL! Do you have an enthusiasm for art? Are you high-energy? Do you enjoy working with the public, and with kids? Consider becoming a docent at the Georgia O’Keeffe Museum! Classes start August 19 and run every Monday, 9–11 AM, for 14 weeks. Sessions cover the art and life of Georgia O’Keeffe, as well as training in leading K–6 schoolchildren through Museum spaces. Bilingual skills are especially welcome. Contact Katrina Stacy, Curator of Education and Interpretation, at kstacy@gokm.org.

DOCENTS AT THE MUSEUM The Georgia O’Keeffe Museum is fortunate to have a dedicated corps of docents. Following a rigorous training process, docents are at once volunteers, teachers, and guides. Their contribution to the visitor experience and their time spent in ongoing training are much appreciated by the Museum. DOCENTS Kay Alsip Melanie Birk Linda Bunton Connie Burke Ann Caldwell Patricia Carlton Mary Coffman Jan Collett Kathi Collins Cynthia Dettman Stacy DeWitt Annie O’Brien Gonzales Barb Isham Meriom Kastner Evelyn Kennedy Christina Dallorso Kortz John Lamb

GETTING THINGS DONE Every day, museums work on a variety of projects with multiple people, different timelines, and diverse goals. How to make sense of all the moving parts and keep everyone on task? Stephanie Wilson, Project Manager of the Museum’s Collections

Juliane Langevin-Szkoda Tom Mauter Debra Miller Suzanne Mulholland Anne Mulvaney Lee Nash Carole Lee Olson Leah Paalman Paula Panich Karen Ralston Barbara Redd Richard Reid Jerry Rightman Andrea Slade Ed Sorken Debbie Stone Kathrina Storm Marsha Thole

Elaine Trzebiatowski Cynthia Turner Other volunteers provide muchappreciated support in various departments. We are grateful for the help they provide: DEPARTMENT VOLUNTEERS Pat Bacha, Archives Barbara Kimbell, Conservation Cyndi Korzec, Education

and Interpretation division, will be on a panel at the upcoming American Association of Museums conference, in May, to advise attendees on managing tasks with digital and web-based projectmanagement tools. Stephanie has an opportunity to make a difference to a large number of her peers— the AAM conference is the largest annual gathering of museum professionals in the United States. Way to go, Stephanie! OK EEFFEMU SEU M.ORG

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CONTEMPORARY VOICES: KEN PRICE June 7– October 27 This summer, as part of our ongoing Contemporary Voices series, the Georgia O’Keeffe Museum will host work by Ken Price (1935–2012). After studying ceramics in California and New York, Price received his first major solo show at Los Angeles’s Ferus Gallery, in 1960. By 1966, when the Los Angeles County Museum of Art first featured his work, Price’s ceramic sculptures had earned him a devoted following among critics and artists alike. In 1970, Price moved to Taos, and would maintain a connection to northern New Mexico for the rest of his life. Arranged throughout the Museum’s galleries, Price’s sculptures will be presented in dialogue with the paintings by O’Keeffe that hang nearby. Additionally, a selection of works on paper by Price will be displayed together with watercolors by O’Keeffe. Price’s close ties to the Taos region will be explored alongside O’Keeffe’s depictions of the Southwest, in watercolors executed in Texas, Colorado, and New Mexico. © Estate of Ken Price, courtesy Matthew Marks Gallery.

THE O’KEEFFE VIEWSHED PROJECT New web tool takes a look at the land that inspired O’Keeffe The Georgia O’Keeffe Museum and partners from the Trust for Public Land have launched a trial version of the Museum’s new online feature, the O’Keeffe Viewshed Project. This custom database of information about New Mexico locations represented in Georgia O’Keeffe’s works will allow users to examine O’Keeffe’s art in relation to the lands that inspired those works. A number of these locations are currently vulnerable to development and environmental degradation. The project comprises two web-based tools. One, the 3D Landscape Viewer, pairs site photography with O’Keeffe’s art from the Ghost Ranch region, along with a three-dimensional view of the terrain. The other is the Decision Support Tool, a specialized land database, designed to be used in land conservation, that documents forest roads, recreation trails, wildfire potential, and other details. The Viewshed Project is still in development—online visitors can expect to see changes in the coming months. For a first look, go to gokm.org/okeeffe-experiments/.

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The Museum and the Trust for Public Land have created these tools and database with a grant from the National Center for Preservation Technology and Training (NCPTT). A wing of the National Park Service, NCPTT awards these grants for historic preservation projects that demonstrate innovative use of science and technology.

Video still of The Black Place, © Todd Ballantyne.

BOOK PRIZE LECTURE ShiPu Wang: The Other American Moderns: Matsura, Ishigaki, Noda, Hayakawa TUESDAY, APRIL 9, 5:30 PM Every three years, the Georgia O’Keeffe Museum Book Prize honors an author whose book has influenced ideas about American Modernism, a cultural movement that shaped art, philosophy, and style. Author ShiPu Wang, winner of the 2018 Book Prize for his The Other American Moderns: Matsura, Ishigaki, Noda, Hayakawa, takes a close look at the creations of four 20th-century American artists of Japanese descent: Frank Matsura, Eitaro Ishigaki, Hideo Noda, and Miki Hayakawa, exploring their contributions to American culture and the idea of “Americanness.” Wang is Professor of Art History and the Coats Family Chair in the Arts at the University of California–Merced. He specializes in pre-WWII American art and visual culture produced by diasporic artists of Asian descent. = Museum Education Annex, 123 Grant Avenue. = $15; members, free. Reservations: 505.946.1039 or okeeffemuseum.org.

MID-CENTURY SANTA FE From May 7 to October 27, Santa Fe’s Museum of International Folk Art (MOIFA) hosts Alexander Girard: A Designer’s Universe. The exhibition, organized by the Vitra Design Museum in Weil am Rhein, Germany, focuses on the textile, furniture, and sculpture designs of Alexander Girard, one of the most influential interior and textile designers of the 20th century. Girard and his wife, Susan, enjoyed a close personal relationship with Georgia O’Keeffe, and they often traveled together. The Georgia O’Keeffe Museum, MOIFA, and the Museum of Contemporary Native Arts are collaborating on MidCentury Santa Fe, bringing design and art together with a series of exhibitions and community engagement. As part of the collaboration, the Museum will also host a series of programs, including lectures and family programs. Details of the O’Keeffe’s collaboration events are available at okeeffemuseum.org/mid-century.

IN FULL COLOR EnChroma, Inc., and the O’Keeffe Museum enhance gallery experiences for visitors with color deficiencies. Think of a classic Georgia O’Keeffe painting, and bold colors pop into the imagination. But for people with color vision deficiency, more commonly called color blindness, the dynamic hues of flowers, skyscrapers, and landscapes are limited—not only in O’Keeffe’s creations, but everywhere. That’s why the Georgia O’Keeffe Museum is excited to partner with EnChroma Color Blind Glasses on an innovative collaboration to expand the gallery experience. The EnChroma team creates glasses that aid in color correction for the vision of people with color deficiencies. Beginning May 3, O’Keeffe Museum visitors with color deficiencies can borrow pairs of EnChroma glasses from our Visitor Services team. These guests will have the chance to see O’Keeffe’s creations in the vibrant colors for which her work is famous. To kick off this special collaboration, EnChroma will cohost the Museum’s May First Friday, on May 3, 2019. First Friday attendees can check out creative activities and the science behind color correction. More information about color vision deficiency and EnChroma glasses can be found at enchroma.com.

#OKeeffeMuseum Share a snap of yourself in the Georgia O’Keeffe Museum galleries and tag us @okeeffemuseum.

2O18 IN REVIEW

31 interns

2,000+ students

90th

from area high schools, and colleges and universities around the nation

learned about Georgia O’Keeffe through school field trips

academic fellowship awarded

4th harvest

May 19, 2018

First

of O’Keeffe’s Abiquiú garden, donating produce to area food banks

Welcome Center grand opening celebration in Abiquiú

Abiquiú Land Grant– Georgia O’Keeffe Museum Scholarship awarded

Over 100

2,902 hours

20th anniversary

education and public programs offered for families and residents

contributed by loyal Museum docents and volunteers

of serving local middleschool students in the Art and Leadership Program

187,777 visitors

178 items

3,509,256 visitors

to the Museum Galleries and Abiquiú Home and Studio

from the collections in six exhibitions across the nation

to the Georgia O’Keeffe Museum since 1997

51,389 Facebook

3,100 member

17,971 Instagram

followers as of December 31

households

followers as of December 31

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A SPECIAL THANK YOU Our members and donors generously support all areas of the Museum’s endeavors, from cutting-edge research and conservation to engaging community programs and educational initiatives. The Museum would like to acknowledge and thank the following individuals and organizations for their continued support, as of December 31, 2018. To support the exciting work of the Museum, visit gokm.org/give. $100,000 AND ABOVE Anonymous The Burnett Foundation Roxanne Decyk and Lew Watts, Decyk Watts Charitable Foundation William Randolph Hearst Foundation Susan and Laurence Hirsch, The Hirsch Family Foundation Donald and Cathey Humphreys, The Humphreys Family Foundation Institute of Museum and Library Services Anne and John Marion Ildy and Skip Poliner Joanna L. and Peter T. Townsend David Warnock and Michele Speaks, The Warnock Family Foundation $50,000–$99,999 Elaine B. Agather, J. F Maddox Foundation Diane E. Buchanan and Richard G. Andrew, Andrew Family Foundation City of Santa Fe Arts Commission and the 1% Lodger’s Tax Windi and David Grimes, Greater Houston Community Foundation Jay and Donna Ralph Donna and Marvin Schwartz

$25,000–$49,999 Alliant Techsystems, Inc. Ronald and Barbara Balser, Balser Enterprises, LLC Sid Bass Deborah Beck and Fred Sweet Kathy and David Chase, BF Foundation Kathleen and Robert Clarke, Robert L. or Jean Clarke Family Foundation Michael and Lehua Engl, The Michael S. Engl Family Foundation Elizabeth Goldberg Jack and Karin Kinzie Nathaniel and Jamie Owings Deborah Peacock, JD, and Nathan Korn Still Water Foundation Inc. Terra Foundation for American Art $10,000–$24,999 Aileen S. Andrew Foundation Jane and John Bagwell Felicitas Funke Robert and Miryam Knutson, Woodmere Foundation The Owings Gallery Ramona Sakiestewa and Andrew Merriell Santa Fe Community Foundation Christine and Martin Schuepbach Sotheby’s

$5,000–$9,999 Susie and John Adams Emy Lou and Jerald Baldridge, The Baldridge Foundation Heather and Jason Brady Michael and Diane Cannon Century Bank Peter and Lynn Coneway, The Coneway Family Foundation Joseph and Robert Cornell Memorial Foundation Ann Murphy Daily and William W. Daily Julie and Robert England, Texas Women’s Foundation Irene T. Goodkind Deborah Hankinson Cody Hartley* and Santiago Rodriguez Robert W. Holleyman and Bill J. Keller Jacqueline Lovelace Johnson and Lynn Johnson William and Lillias Johnston Kappa Delta Foundation, Inc. Donna Kinzer Robert Kret and Theodora Judge-Kret Barbara and Mike Lynn, Dallas Jewish Community Foundation Charlene and Tom Marsh, Tom and Charlene Marsh Family Foundation Nedra and Richard Matteucci National Park Service New Mexico Arts Thomas and Jane O’Toole, Communities Foundation of Texas Carol Prins and John Hart, The Jessica Fund Caren Prothro, Vin and Caren Prothro Foundation and Perkins Prothro Foundation Baird Ryan Marc Still and Karen Rogers Still Melinda and Paul Sullivan Marilynn and Carl Thoma Thornburg Investment Management

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$2,500–$4,999 Van and Tracey Beckwith Merrilee Caldwell and Marcus Randolph Lee Dirks and Donna Bradley Arthur J. Gallagher & Co. Barbara Goede, The Barbara Goede Foundation Hinkle Shanor LLP Raymond and Barbara Krueger Kathleen and Gerald Petitt Jim and Dana Manning Paul Schorr III and June Schorr Eugene Stark Jr. and Jean Stark Wells Fargo Foundation $1,000–$2,499 Diane and Thomas Arenberg Ann Ash Elizabeth Boeckman, Boeckman Family Foundation Joseph Bryan Jr. John and C. Sue Buchanan Janette and Terry Caviness David and Mary Cost, The James N. Cost Foundation Denton Creighton and Kristine Vikmanis Sharon Curran-Wescott and Skip Wescott Steven Dayton Bruce Donnell Donald and Beverly Freeman Richard Hertz and Doris Meyer Mary Hines Lynne Hohlfeld and Michael Crockett Karl and Susan Horn Ellen and Jim Hubbell Penny Kachurin Charles and Mary Kehoe Colleen Kelly* and Brian DeLay Patricia Kenner Elizabeth and Albert Kidd MaryJane and Keith Lazz Philip and Susan Marineau Gwyn and Wilson Mason David Mendez Design Cindy Miscikowski

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Thomas Neff Dusty Nelson Theresa and Charles Niemeier Linda and Joe Olsen Bill O’Neal and Deborah Caillet Elizabeth and Duncan Osborne Tony and Jo Paap Carol Roehrig and Fred Seipp Benjamin and Donna Rosen Santa Fe School of Cooking Louisa Stude Sarofim Peter Sheldon Alice Simkins Scott and Joann Snowden Sommer, Udall, Hardwick & Jones P.A. Elisa Sparks Carl Stern and Holly Hayes Arnold and Lorlee Tenenbaum Barrett Toan and Polly O’Brien The Charles A. Weyerhaeuser Memorial Foundation Paula and Charles Work Polly Wotherspoon $500–$999 Addison Rowe Gallery Allyson Adams and Edwin Sweeney Jack and Diane Bacastow Steven Baker and Jeff Simecek Daniel Balik Steven and Lorraine Beckham Kathleen Beres Kathleen Blake and Robert Balance Bode’s Mercantile Inc. Julie Brinkerhoff-Jacobs and Donald Jacobs Michael and Elaine Brown Maria and Mark Chase Karen Mosbacher Clewell and Donald Clewell Laura Cofrin Philip Coviello Jr. and Carole Coviello Jill Cowley Cydney Crampton Benjamin Crane Carl Croft and Steve Fletcher Michael Dale

Elizabeth Davis Shelia Davis and Iru Kron Joel and Janet DeLisa James Dunn Andrew Entwistle Doris Francis Erhard Cindy Ewing David and Pam Fleischaker Steve Foltyn Martin and Maureen Fox Thomas and Ilona Fox J. Freed Tracy Frickey Linda Giller Barbara and Larry Good Pat and Jim Hall Mary Hanahan Richard and Pamela Hanlon Steven and Roddie Harris Charles Hendrix Thomas Higley and Alan Fleischauer David and Kay Ingalls Anne H. Johnson Bruce Johnson and Diane Ramsey Robert Jonsson and Coco Dowley Maura Kintzer Robert Klein and Nancy Schultz Ronald Lushing and Daniel Reid Fred and Nancy Lutgens Dennis and Janis Lyon Barbara Marburger Janet and Jack McCullar Tyneil and F. A. Northcott McFaddin Sara J. McKenzie Laurie and Richard Meyer William Miller Esther and Ralph Milnes Jere Mitchell, MD Mary and Timothy Mitchell James and Jeannine O’Bannon Norman and Jane Punneo Steve and Patti Raben Brian Ratner Dennis and Judy Reinhartz

Curator of Fine Art Ariel Plotek and Acting Director Cody Hartley talk with members at a recent opening.

Bill Riley Cheryl Rofer James Rosenfield Robert and Trish Schenck Elizabeth and Richard Schnieders Melinda Schwartz Susan and Jeremy Shamos Robert and Judith Sherman Shiprock Santa Fe Franklin and Merle Strauss Carole Topalian and Tracey Ryder Eddy and Beckie Turner Dianne Chalmers Wiley and William Wiley Jane and Mark Williams Ted and Christie Williams Barbara Zelley

$250â&#x20AC;&#x201C;$499 Myssie and Barry Acomb Catherine Allen Richard and Janet Andre Edward Angel and Rose Mary Molnar Bruce Artwick and Christine Strandquist JoAnn and Bob Balzer Gladys and James Banta Paul Barnes and Vernon James Sybil Barnes Annamaria Begemann and Michael Morter Vincent and Denise Beggs Janice Benham Jean and John Berghoff Ken Bergren Sarah and John Bienvenu Muriel Bochnak

Megan and John Boudreau Karen Bowden Jennifer Box La Merle Boyd and Frank Hoback Vernon Brown Michael Campbell George Chelius III and Lynn Derry Harriet Christian Kenneth and Linda Ciriacks Melvin and Cindy Conway Philip Cook Ronald Costell, MD, and Marsha Swiss Michael and Jennie Crews Daniel Danzig and Leah Lievrouw Kellene and Larry Davis Pattilou and Wolf Dawkins Paula and Theo Debnar Barbara and Clark de Nevers

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Kristin and Ronald Dick Judith Dillin Robert and Leatrice Donaldson Donn and Pamela Duncan Linda and Gilbert Duritz Glenn Edens and Amelia Bellows Karen Farias and Nick LaRue Benjamin Finberg* and Mollie Parsons Steve and Georgia Flannigan Chris and Jude Ford Larry and Janice Franklin Gordon and Jan Franz Marie and Stephen Fritz Mike and Jodie Gallagher Tanner and David Gay Lora Gilbert Julia and Charles Gill Barb and Dennis Glover Barbara Good Carol Burton Gray Daniel and Judith Gresham Karen Gulmon Gerry and Cherie Hale Cheryl Hannah and Helen McKenna Mara Christian Harris* Bertram and Pauline Heil Jim and Nancy Hixon Elise and Richard Holliday Linda Horvath Lori Hoy Richard Hughes Penelope Hunter-Stiebel and Gerald Stiebel Charles and Charlene Hyle Samuel and Karen Kaplan Barbara Kimbell* and William Michener Patricia Klock Stephen and Karen Knight Judith Knops Frances and James Knudson Mary and Nathan Kotz Gerald Krause David Langworthy Pete and Julie Laun Brenda Lavieri Judy and Paul Lazarus Anne Leary

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Anne Leighty Julia and Zachary Leonard John and Kimberly Lowe Randi Lowenthal Linda and Kenneth Lutkiewicz Ruthann Marcelle and Paul Gozemba Jr. Thomas McCloskey Tom and Judy McMeans Deirdre and James Mercurio Gregory and Peggy Miller Sterling Miller Peter and Fan Morris H. Louis Morrison III and Iru Morrison Richard Murray* Lisa Nagro Stephen and Barbara Nash Robert and Townley Neill Dennis and Trudy O’Toole Therese Padilla Victoria and Howard Palefsky Rose and Tim Pasek James Pass Jennifer* and Benjamin Pedneau Douglas and Teresa Peterson Glenn and Patricia Polenz William and Kay Pollock Barry Qualls Barbara and Doug Rasor John L. Reeve William and Teresa Reynolds Susie and Bill Robertson Helen and William Rogers Alan Rolley Susan Rosenbaum and Eric Schoen Ervin and Linda Sandlin Barbara and Gene Sanger Shellie and Rufus Scott Larri Short and Stephen Reilly Benjamin D. Smiley Jennifer and Lloyd Smith Laura Finlay Smith and Emma Smith Karen Smithson Shirl Spaulding Georgiana Stanley Jane Stevenson Mary Strizek Sue Taylor

Tim and Evelyn Taylor Suzanne Timble Cynthia* and Howard Turner Janet and Thomas Unterman Karl and Mindi Vanevery Philip Vasta and Joan Wilson Diane Waters and Charles Braun Jean and Roderick Watts Susan Weir-Ancker and Leif Ancker Sally Whiteley and Judy Rhymes Janet Wilson Susan Wilson Don and Dot Wortman Madeleine and Booker Wright $150–$249 A. M. and Paul Abbott Rick and Kathy Abeles Naomi Adjirackor Jack and Karin Aguilar Evelyne Albanese and Eric Granger Richard and Janie Alderman Linda and Charles Alexander Jim and Janise Allen Gay Allison Meryl Allison and Elisa Burns Charmay Allred Kay* and John Alsip Janet Ansley Daniel Anthony and Renie Haiduk Jeffrey Aranita David Armijo and Rejina Li-Armijo Christopher Arrott and Jeff Cheney James and Janice Arrott Steven Asin and Paula Sweeney Peggy and David Ater Anthony and Penelope Atkiss Mike Ault and Maureen Maloney Jean Bahr Connie Balram Olivia Bantz Rutgers and Leslie Barclay Leslie Barnett Raymond Barnett Martin and Kay Barrett Bob Barrie Michael Batte and Wanda Kile

Lisa and John Baxter Mary and Len Beavis Anne Beckett Mary Ann Bedick Kristin Behmer Kathleen Bell Catherine Benson Kipp and Linda Bentley Eric and Corinne Berendt Beverly Berger Ted and Marcia Berridge Cyndie and Matthew BerthĂŠzĂ¨ne David and Sally Beyer Mike and Susi Bickley Donald Bielecki and Margaret Aldrich Tesia Blackburn Christine Blaser Silke Bletzer Leslie Boden, PhD, and Judith Yanof Randall Boone and Kyle Higgins William Boro Carroll Botts and LaVerne Atler Linda Boyle and Barry Wolfe Barbara Bradley Bonnie Brae Ralph and Toby Bransky Janelle and Jeff Brookhouser Beth Brown and Stephen Graessle James Brown Ralph Bruening Joanne Bruffett Lisa and Greg Brunson Wilfred and Carolyn Bryan Judy and James Bryant Lauri Beth and Robert Buck George and Carol Burleson William Byers Kirsten Cadieux and Colin DeYoung Vance Campbell Jr. Amy and Gary Capshaw Robert and PJ Cardinale Kathy Carr Nina Carranco and Travis Tenner Barbara Carroon Charles Case and Pamela Culwell Linda Castagneri and Ronald Gustafson

Charlene and Bruce Cebell Gabe and Julie Chambers Joe and Kathy Chase Debra Christoff and Chris McGrew Janet Clark Mary and Joe Clark Patricia Clauser William and Gay Clegg Janet Clow Esq. and David Cunningham Carl Coan Jeffrey and Susan Cole Steven Colton Bethany Conte Carolyn Cook John and Rebecca Cook Ann and Thomas Cope Susan and Judith Cormac Elizabeth Cormier and Joseph Murphy James and Deborah Cryer Karen Culpepper John Dahms Connie and Vance Dake Kurt and Debra Daniel Ruth Davey Marshall Davidson Jane Dawkins Alice and Robbin Dawson Sheryl and Michael DeGenring Carol Delage Josette de la Harpe Anne Dellenbaugh Michael Dempsey and Lynda Liu James and Allegra Derryberry Nancy Dickenson Maria Di Miceli Maria Di Stefano John and Deborah Divine Nancy Dodd Richard and Ann Donnelly Ed Donovan and Anne Siems Gregory Dove George and Jennifer Dreher George and Llewellyn Drumbor Michael and Rebecca Du Mond Aboud and Amy Dweck Laura and Timothy Dwyer Dorothy Dyer

Larry and Judith East Jana Ebeling Mark and Nancy Eisnitz Mark Elkin Laura Lee Ellis Donna and Art Encinias Ashley Ennaro Kristin Erchinger and Dylan Marshall Karen and Scott Erstad Martha Espeset Jordan and Nancy Faires Sarah and Jim Fassett Georges and Valentine Feghali Georgena Felicia Matt and Judi Fenton Joe and Mary Ferguson Thomas Ferullo Sandey Fields April Finkenhoefer Christopher and Diane Fisher Shirley Fiske and Stephen McConnell Richard Fletcher and Alice Cave Shannon Flynn and Andrew Baumer Lisa Forbes Noel Fortier Karen Foss and Larry Ross Mary Fossella William and Louise Francis Thomas French Eileen Friel and Michael Chabin Terese Frigo-Kitts Peter Fritz and Wendy Ward Julia Fulghum and Steve Cabaniss Jamie Gabriel Suzan and Robert Gannett Chet and Nancy Gardner Bonnie Garr Pamela Garrison Michael Gary Laurie Geltman and Blanca Gonzalez Pamela George and Paul Easterwood Charles and Deborah Gibbs Linda Jones Gibbs Lori and Larry Gibson Clara Kilgore Gilchrist and Alasdair Gilchrist Eileen Gill and Kevin Pruitt

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TOP TO BOTTOM: Member opening for Ritz Tower;

Acting Director Cody Hartley with Ildy Poliner; Kayla Carlsen and Peter Kloman of Sothebyâ&#x20AC;&#x2122;s.

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Leslie Goddard Robert and Patricia Godwin Leon Goetz Brian Goldbeck and Naraa Shirendev Natalie Goldberg Edward Golding and Margaret Wang Janet Goulston Carol Graebner Terri and Brian Graves Jody Green and Edward Max David Griffith and Kathy Miller Pauline and Gary Griffith Denise and Tucker Grills Anita Grossmen Chris and Jeannette Grove Kent and Caroline Grubbs Laurie Gunst Leilani Gushiken Karen Hall Barbara Hallman Susan Hancock and Harry Miller Laura Harbottle Kelly and Ginger Hardage Robin and Carl Hardin Marie Harper and Bernadette Smith Harriet Harris David Harroll Marilyn and Paul Harter Curtis and Lyda Hawley Margaret Heffernan and Lawrence Wakeford Peter and Chagit Heller Donna Spina Helmholz and Robert Spina Helmholz Catherine Hendren Michael and Linda Henry Carol and George Herbert Donna and Richard Herbst Carla Herman and John Robertson Debra Heslin* Victoria Hess Paul Hewitt and Khadija Ahmed Jean Higgins Jimmy Scott Hill Shirley Hisgen and Lucinda Young Lisa Hollander Patricia and James Hopkins

Claudia Horn Frank and Irene Howard Sherilyn Hoy Stephen and Lynn Hoyt John Hufnagle Stephen and Elaine Hull Claudette Humble Mary Helen Hunt Marsha Hunter and Brian Johnson Lily Hussey Audrey Hutchcraft Edward and Patricia Hymson Barbara* and George Isham Virginia and Arnold Israelit Kathleen and Steven Jackson Kristin Jackson Ronald Jacobus and Mark Knight Robin Johns Diana and Perry Johnson Nadine Johnson Jan Johnson Kenneth and Jean Johnson Mary Jo Joiner Jill Jones and Bill Majorossy Susan Jones Tom and Betsy Jones Wells Jones and Donna Ceravolo Taylor Joo Lois Jordan Eleanore Joseph Denise Jurgens and Kevin Messerschmidt Kathleen and Steven Kadner Jim Kane Jr. and Maureen Kane John and Hui-Chan Karels Gary and Elizabeth Keiser Mary Ellen and James Kendrick Evelyn Kennedy* and Malcolm MacPherson Bob Kitterer and Dolores McComas John Kitzmiller and Linda Dean Lezlee Bryan Koger and Courtney Koger Czech Kozel Daniel and Debra Kratish Catherine and Dan Krouse David and Rebecca Krug Robert Kruse and Linda Wheeler Lori Kunkel and Peter Quintana

Bill Kutilek and Joan Kenny Jean-Pierre and Lydia Lair Steven Landfried and Gaia McNeil Mary and Alvin Larson Grace Latz and Jules Zane Jason Leach Julie Lenhart Barbara Lenssen, PhD, and Keith Anderson Rachael Leonard Jeff and Jani Leuschel J. and Lucy Levy Kristina Lindstrom and Elisabeth Keefer Tom Linton Rose and Myra Llerenas-Daniel Marietta Loehrlein and Ron Green Kelly Loughman and Tim Wallace James and Colleen Lourie Elizabeth Love Rhonda Lowe Stephen Lucht Melinda and Thad Ludwiczak Steven Lustig and Jessie Groothuis Roland and Martha Mace Joni Magee Lena and Robert Mann Frank and Chana Mannen Frances Manuel Robert and Elizabeth Marcum Laura and Chris Markos Tom Mauter* and Kris Sweden Steve Martin and Jackie Nakamura Rod and Georgia Maslowski Bob and Lisa Mattei Zelime Matthews Langdon and Janice McAninch Shirley and John McCarty John and Mary McCray Marlene and Thomas McCrory Marta McDowell and Kirke Bent Heidi McGuire Tiia Kari and George McLaughlin Howard McPheeters Sue Medford Katherine Mertz Diane Mettelman Ann and Craig Meyer

Debra Miller* and Debra Asis Sheri and Michael Milone Carol Mollman and Michael Sands Carl and Jane Moore Carol Morehead Martha Morgan, MD Rosemary Morin and Alice Zoeller Catherine Morlock Joel and Ronalie Moss Daniel Mowrey and Yueyan Zhang Charles Moyer Suzanne* and Frank Mulholland Barbara Murphey Heather Murphree Teri Nelson David Netzer Al Newell and Elsie Eagle Cindy Nickles Lisa Niel Robert and Lynn Nimtz Alison Nitkiewicz Susan Noel William Norman III and Elaine Norman Lydia Nussbaum Laura Olson Sara and Nigel Otto Susan and William Ouren Joan and Terrell Oxford Reba and Philip Page Stephanie Pai John Parke and Brett Warren Anne Parker Stuart and Janice Paster Cindy Patterson Clinton and Debra Paul Kenneth Paul Kristin and Scott Paulson Lisa Payne and Michael Atwood Thomas and Nancy Payne Michael and Judy Perkins Sandra Pietkiewicz and Gary Ticus Joel and Vivianne Pokorny Rita Pongetti Anna Pottier-Hickman Janey Potts Sabrina V. Pratt

Rebecca Proler and Gretchen Gemeinhardt Kathleen and Terry Province Rob and Johanna Raines-Hepple Karen* and Spencer Ralston Dori and Thomas Ramsay Diana and Thad Rasche Nina and Scott Rasmussen Barbara Rauch Lori Reckling Barbara* and James Redd Greg Reiche and Teresa Beck Edward Reid and Ellen Bradbury-Reid Kevin Ribble Mark and Linda Richardson Jennifer and Keith Rielage Jerry Rightman* and Roberta Syme Jean and David Rippey Dennis and Dee Ann Rishel Joleen and David Roe Alicia Rosauer Sonya Rousseau Stephen and Sharon Rowley Mary Rubin Mike and Rose Rubin Kathy Rushing Patrick Russell and Tee Boursaw Nell Sale and Spencer Wertz Lisa Sanchez Jonathan Sanna Myriam Santiago Brian and Peggy Sassi Chaz Schatzle Jane Schill and Gail Philips Carol and Larry Schoenfeld Greg and Jennifer Schulmeier Jeffrey and Pam Schuster Laura Schwemm Michael Seeley and June Wan Lo Karen Seifert Peter and Lyn Selig William and Martha Shabb Danielle and Robert Shelley Frederick and Susan Sherman Mark Shinn Dianna Shomaker Carl Shushan and Sandi Hill

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Susanna Shuster Cathy and Todd Sickles Emilia Sierra Mark Silver John and Louise Singleton Yvonne Sininger and Connor Lamm Barbara and Michael Sitrin Marcia Skillman Taryn Slawson Susan and Stewart Smith Merrie Jo Snow Ed* and Sharon Sorken Elizabeth Speare and David Schaller Victoria and Brad Stamm Christine Stinson Faith Stone Jane Strauss and Michael Levine Sally Strosahl and Tom Johnson Kathleen Sullivan William Tabbernee and Kay Northcutt Zoe Ann Tackis Richard and Kim Tate William and Ellen Taubman Jeffrey and Georgann Taylor Jerry and James Taylor William Tecku Deborah Teglia Barbara and William Templeman Jane Terry and Kate Kerr Kelli and Michael Theis Spencer Throckmorton William Tierney and Barry Weiss Lucinda Tischer Ekaterina Titova Elaine Trzebiatowski* and Michael Meyer Donald and Deborah Tsusaki Arlene and Douglas Turner Jim and Jane Tustin Michael and Marjory Ulm Lovita and Scott Vandenberg Michael and Laurel Vander Velde James Vaughan Pamela Villars Heidi Vogel Sandra Wade Katherine Walter

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Carolyn and Robert Walters Michael and Marion Walton Marion Ward Nancy Warner Bob and Linda Waugh Donald and Kathleen Weber Linda Weigel Jennifer Welch and Jim Wild Fabene Welch Sandy Welton Laurie West Pat Wetzel Michele Whittaker and Jess Clayton Phillip and Donell Wiggins Shaun and Michael Wilde Faye Wilkins Nancy Williams Bill Williamson Robert Willis and Susan Murashima Charlie and Marge Wilson Douglas and Christine Wilson Cynthia Winter and Nick Weingarten

GIFTS IN KIND Abiquiu Inn Barton Showalter, Baker Botts Drury Hotels Company, LLC Gruet/Precept Wine Heritage Hotels and Resorts Hutton Broadcasting Inside Santa Fe La Fonda on the Plaza Museum of New Mexico Foundation Deborah Peacock, Peacock Law P.C. Santa Fe Selection THE Magazine The Santa Fe New Mexican

Gerald Wise and Rebecca Phillips Sue and Jack Witkin Patricia Witte, MD Nancy Wizner Inger and Robert Woerheide Kelly Woestman Kathryn Wolf and Victoria Pendergast Suki Wong Joy Wood Margaret Wood Sandria and Hugh Woodruff Michael and Joan Wootton Christine Worl M. Wray and Wilfred Plunkett Dianne and Jordan Wright Chris and Jackee Wuellner Kathleen and Richard Yoast Claudia Yokooji Jon and Sarah Furr Zebrowski Stephen and Virginia Zimmerly Agnes and Clark Zrakovi

Julie and Robert England In honor of Cody Hartley

TRIBUTE GIFTS Van and Tracey Beckwith In honor of Jack and Karin Kinzie Michael H. Brown In honor of Cody Hartley John and C. Sue Buchanan In honor of Diane Buchanan and Richard Andrew Joan Davidow In honor of Jack Kinzie’s leadership

David and Pam Fleischaker In honor of Jack Kinzie’s leadership Windi and David Grimes In honor of Anne Marion on her 80th birthday Susan J. and Larry Hirsch In honor of Cody Hartley and Dale Kronkright Judith A. Kistler In gratitude for a tour by Pita Lopez Lisa Leverenz In gratitude for a tour by Pita Lopez Benjamin and Donna Rosen In memory of H. Berryman Cash Charles and Lynn Schusterman Family Foundation In honor of Cody Hartley Thomas Shapiro In honor of Giustina Renzoni & Rob Kret *Staff/Docent

GIFT A MEMBERSHIP THIS MOTHER’S DAY! FREE ADMISSION ALL YEAR BEGINS AT $55 FOR ONE ADULT, OR $75 FOR TWO ADULTS.

Members enjoy special access to the Museum Galleries as well as 15% the Museum store and online. There’s no better time to gift a membership than now, as the Museum gears up for another exciting summer of special member events. Call the member hotline at 505.946.1022 Monday-Friday or visit gokm.org/join to learn more!

WE INVITE YOU TO BECOME A MEMBER OF THE PEDERNAL SOCIETY We invite you to become a member of the Pedernal Society, comprising donors who have made the special commitment to name the Georgia O’Keeffe Museum in their will, trust, retirement plan, life insurance policy, or financial accounts. For more information, or if you’ve already named the O’Keeffe Museum in your estate plans, please contact Jennifer Pedneau, Institutional Giving Manager, at 505.946.1035 or jpedneau@okeeffemuseum.org. Georgia O’Keeffe. Pedernal, 1941. Oil on canvas, 19 x 301/4 in. Georgia O’Keeffe Museum. Gift of The Georgia O’Keeffe Foundation. © Georgia O’Keeffe Museum. [2006.05.172]

THE GEORGIA O’KEEFFE MUSEUM CANNOT PROVIDE LEGAL OR TAX ADVICE. BEFORE MAKING A GIFT, PLEASE CONSULT YOUR ATTORNEY OR FINANCIAL PLANNER.

ON VIEW

WHERE IN THE WORLD IS GEORGIA O’KEEFFE? The O’Keeffe continues loans to two exhibitions in 2019: THROUGH MAY 19, 2019 The Beyond: Georgia O’Keeffe and Contemporary Art New Britain Museum of American Art, New Britain, Connecticut Drawn from collections across the country, The Beyond brings together three dozen iconic works—spanning O’Keeffe’s long career and the full range of her output—as the centerpiece of a unique exploration. Alongside works by 20 contemporary artists, The Beyond examines the lasting impact and legacy of O’Keeffe’s work on artists working today. Georgia O’Keeffe. Jimson Weed, 1932, Oil on canvas, 48 x 40 in. Courtesy Crystal Bridges Museum of American Art, Bentonville, Arkansas. Photography by Edward C. Robison III. © Georgia O’Keeffe Museum. Georgia O’Keeffe.

MARCH 30–JUNE 23, 2019 Georgia O’Keeffe: Art, Image, Style Wichita Art Museum, Wichita, Kansas Georgia O’Keeffe: Art, Image, Style, previously called Living Modern, explores the art, image, and personal style of one of America’s most iconic artists. O’Keeffe was at the forefront of the American avant-garde nearly from the moment she appeared on the scene in New York in the early 20th century. With her paintings, photo portraits, and original clothing, Georgia O’Keeffe offers an intimate glimpse of the artist alongside her art. Georgia O’Keeffe: Art, Image, Style at the Brooklyn Museum, exhibition installation image, 2017. Photograph by Jonathan Dorado. © Georgia O’Keeffe Museum.

EXPERIENCE GHOST RANCH Are you curious about Georgia O’Keeffe’s Ghost Ranch Home and Studio, which has never been open to the public? Set in nine acres within the spectacular 22,000 acres of the Ghost Ranch Education and Retreat Center, it was the first house O’Keeffe owned in New Mexico. This summer, Patron members ($500 and above) have an exclusive opportunity to tour the Ghost Ranch Home and Studio. Tour dates and registration will be announced in May 2019. Limited availability: Patron and above members only. Learn how to upgrade your support to receive your special invitation to Ghost Ranch. Call Membership at 505.946.1022, Monday–Friday, 8:30 AM–5 PM MDT. Malcolm Varon. Ghost Ranch Patio, 1999. © Georgia O’Keeffe Museum.

Red or green? A new favorite awaits.

A culinary journey through Santa Fe starts with our northern New Mexican chile, but thatâ&#x20AC;&#x2122;s far from where it ends. Discover The City Different at santafe.org 2 0 1 8 T R AV E L AWA R D S

15 Cities Small City in the U.S. in the U.S. #4 Top #2 Best

Hand of the Buddha Replicated from the antique Hand of the Buddha sculpture mounted in Georgia O’Keeffe’s Abiquiú home, this reproduction celebrates the iconography of the hand as a long held symbol of creativity, healing, fearlessness, protection, friendship and generosity across many cultures. 9 x 3 in. Resin composite, mounting hardware included.

$60; member price $51

• 5O5.946.1OO1 • STORE.OKEEFFEMUSEUM.ORG