G E RARD O’ CO N N E L L L AN D S CA P E A R CHI T ECT
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CO N TE N TS
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Gerard O’Connell _01 _02 _03 _04 _05 _06 _07 _08 _09
Unfolding Amager Post· Nature - Dong jingyu Village Regeneration Shadowed Void Bornholm Centre of Landscape Research Klimatilpasning Lindevangsparken Terra Incognita Grøndalsvængets Skole Sharjah Memor y Park Horsens - Fra gågade til væregade
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Gera rd Wi lli am O ’ Connell Drejøgade 27 4.tv 2100 København Ø (+45) 2532 7132 oconnellgw@gmail.com
Educ a t i on 2 0 1 4 -2 0 1 6 Master of Science (MSc) in Landscape architecture with a specialisation in Urban Design University of Copenhagen (KU) Copenhagen, Denmark 2011 Bachelor of Landscape Architecture, semester exchange Pennsylvania State University (PSU) State College, Pennsylvania 2 0 1 0 -2 0 1 3 Bachelor of Architectural Studies (BAS) major in Landscape architecture Victoria University of Wellington (VUW) Wellington, New Zealand
Prof essi ona l e x p e r i e n c e 2017-Present Landscape architect at Schul Landskabsarkitekter - Copenhagen, Denmark I currently work as part of a small team on a range of projects in all phases of completion. I am heavily involved all the whole process from initial design sketches to detailed construction drawings. 2 0 1 5 -2 0 1 7 Student assistant/landscape architect at Marianne Levinsen Landskab - Copenhagen, Denmark At Marianne’s I worked on a wide variety of projects, ranging in scale and process. My main tasks generally involved physical modelling, working in Rhino 3D, Revit, autocad, and detailing projects for construction. 2 0 0 5 -2 0 1 7 Adventure guide and tourism employee at The World - Everywhere, Planet Earth I have worked as a white-water raft guide, snowboard and ski instructor/guide, coach driver. I have had a wide range of jobs in the tourism industry which has moulded my understanding and interest for the landscape, for architecture and for people.
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Personal st at ement I am a Landscape architect from New Zealand. My experience at the educational institutions and work places listed opposite, under excellent tutelage has revealed to me the potential for landscape architecture to be a lead discipline within the multidisciplinary approach going forward. It is my view that landscape architects have to have an excellent understanding of context, as well as an intuitive understanding of the value of place. I believe it is the discipline capable of bridging barriers within development by bringing together sustainability, ecology, economy and architecture, within the public realm. Through my studies I have developed an in-depth understanding of how people use space and an ability to develop designs that realise the potential of these spaces. This is where I believe I am intuitively strongest, particularly within urban environments where I spend most of my time. I want to work at the edge of the discipline, pushing landscape architecture to the forefront of the built environment where I believe it belongs. I have a wide skill set across a number of computer based programmes which I am constantly seeking to improve, though most of my design work begins from basic model making and a strong focus on simple and diagrammatic drawings to convey and capture ideas, moments and experiences. The process from sketching to modelling (be it digitally or physically) to representation is one that has become ingrained in my design philosophy, and is one that has served me well in exploring the infinite possibilities of landscape architecture.
Sk i l l s Vray AutoCAD Illustrator Rhinoceros 3D Model making Academic writing
Master
Construction drawing Public speaking Photoshop Conversational sketching InDesign
Project documentation Photography Revit
ArcGIS Archicad
Budgeting & administration Premier Pro
Learning
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Year 2014/15 Type Studio course Location Amager, Copenhagen, Denmark Where University of Copenhagen Course Urbanism Studio Course responsible Rikke Munck Petersen Group members Bettina Erika Tógyer, Emilie Nørgaard Andersen & Michala Kaja Krebs
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Unf ol ding Amag e r
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INVESTIGATION Testing frames Testing surfaces Axility view orientation Border situations
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Existing structures
Found materials
Our approach was to deal with the island of Amager as a whole entity. By working in a range of scales with the key ideas of connectivity and continuity we aimed to link amenities of Amager and strengthen its connectivity to Copenhagen. The initial working phase focuses on strengthening the northsouth connection between Refshaleøen and Sydstranden and also developing the west-east relations on land. The key points of departure for design focus on connection and navigation within specific problem areas. This was achieved with the use of four design principles drawn from a spatial investigation formed in each area. The principles formed were; structural elements, surface treatments, framed views and both physical and visual connections. This investigation into the program of Unfolding Amager has been broken down into a series of focus areas. The program of the framework can be implemented in site specific manors to each area highlighted through later phases of the masterplan.
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VOLUME STUDIES Left The North Entry Bella Centre New connection Entry to Nature Park Entry to birch forest
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Right Refshaleøen West Park Entry to water Dragør Sydstrand
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NEW CONNECTION - HANNEMANNS AllÈ Through our spatial investigations, we found that there was a large area of housing that was cut off from Ørstrad and Natur Park Amager. We worked with two key points along Hannemanns Allé. Cultural square working in conjunction to the new Copenhagen Arena. At the other end of Hannemanns Allé, a new entrance to the nature park.
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Year 2016 Type International Landscape Design Competition Location Xi Jing Yu Cun, Jixian, Tianjin, China Where FrelinOConnell Team members Oskar Frelin
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POST · NAT UR E Dong j ingyu Vil l ag e Regener ation The Dong jingyu Village Regeneration was a design competition a friend and I completed in our personal time. Dong jingyu Village is a cultural landscape and a site of historical significance due to traces left in the landscape from centuries of human inhabitation. POST·NATURE aims to rejuvenate the site and allow access for future generations to visit and experience this tremendous landscape. POST·NATURE creates a circular stage to witness the dynamic evolution of the natural landscape as it works to erase the footprints of old; a new future is created by nature itself. With a ‘curated’ experience the visitors gain an in-depth interaction with the natural process of the site in a way that allows the site to develop and degrade naturally with minimal interference. Dong jingyu Village will function as a future descriptive landscape. Here visitors can explore and understand the natural process from pre human through to today, and possibly into a future where there is a positive interaction of humans within the natural processes of the landscape.
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TRANSECTED RUINS We worked with the concept of a circular path surrounding the ruined village. Thus creating a transect of the village in which the process of nature can be witnessed as the landscape develops.
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B-b Entrance to the circle path; cut into soil The visitor can view the soil strata of the site, highlighting the natural processes within the ground.
C-c Cut through vegetation The visitor experiences the processes in action at ground level
E-e Walkway over building The visitor can pass over a number of ruins in the village
D-d Cut through building The visitor can pass through the walls of an old building in the village
F-f Walkway through the canopy From the bedrock to the canopy, elevation changes provide a dynamic viewing experience throughout the site
SECTIONS B-F The above sections indicate the changes in elevation in the path, highlighting the natural processes and history of the site, from the bedrock to the canopy. The opposite plan reveals the changing typology of the path.
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Ruins Walkway through ruins
Elevated walk Large site trail Ruins
E Walkway over ruins
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Cut through building C
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Ruins b
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Facilities
Entrance
Large site trail 0m
Soil cut
Parking
100m
100m
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Large site trail
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500m
To lookout 0m
To the well
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50m
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Situation Plan 0m
0m
100m
100m
100m
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500m
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Year 2016 Type Masters Thesis Project Location Chernobyl, Ukraine Where University of Copenhagen Supervisor Ellen Marie Braae
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Shadowed Voi d For my masters thesis I wanted to go into a deep subject matter. Attempting a project in Chernobyl involved an in depth theoretical and practical exploration. How to deal with such sites that represent a moral grey area in terms of exploration and memorialisation. What I found was extremely interesting. In the shadow of the world's worst nuclear disaster, a conflicting trend in tourism is growing. Dark/dystopian tourism is quickly becoming a mainstream touristic phenomenon. The thesis explores the psyche of the dark tourist in the realm of the Chernobyl Exclusion Zone and what landscape architecture can do to facilitate the tourist’s exploration. Ultimately asking; how the events that took place there can be better memorialised with the proposal of a new typology of memorial architecture.
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LOCAL MAP In order to maximise tourist interaction and minimise their activities’ impact on the Zone, the Tourist Zone was created. Reusing existing infrastructure to facilitate the tourist’s experience.
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THE DUGA This relic of the Cold War is one of the most impressive gantry structures I have ever seen. Access to the radar has been facilitated by stairwells and viewing platforms that connect to the existing structure.
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MODEL 1:500
Materiality and construction are key when I consider a physical model. Each material and method of construction have a personality of their own.
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DUGA VIEW PLATFORM In order to allow an idea to sink in and a potential epiphany to occur these points of pause are essential to the success of the design. Intertwined with the romanticism of pause within the landscape is the pragmatic need to facilitate reflective places to allow people to stop and consider the total sum of the places they have experienced and provide time to ponder the places that they may discover in the future.
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CHERNOBYL NUCLEAR POWER PLANT The extensive rail network has been reused. Tourists can explore the site on adapted railcars. Interventions are fitted with existing structures as seen in the unfinished cooling towers on the opposite page.
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1842-1899
1953- 1976
2012
Year 2015 Type Studio course Location North Bornholm, Denmark Where University of Copenhagen Course Transformation Studio Course responsible Anne Tietjen Group members Nanna Maj Stubble Ă˜stergaard & Amra Vehabovic
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Bor nhol m Centre o f L andscape Researc h As part of this studio course we traveled to the island of Bornholm on a site exploration and study trip. After exploring the island and speaking with the local occupants it became very clear that there was a big problem with population decline especially within the young adult demographic. Sadly; a trend that is effecting a lot of small rural communities in developed countries. We decided to use the island’s geographical location and its diverse landscape to create a series of landscape ‘laboratories’ by retrofitting rundown or abandoned buildings. Firstly as field stations for researchers, then to expand by bringing more actors in and establishing more and larger permanent facilities. Thus, attracting the demographic currently missing from the community. This project taught me how and where to gain funding, establishing a brand, restoration, and facilitating research.
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GRAZING LANDS This stream connects the site to the southern end of Tjen. Work can be done in conjunction with the project being done in Tjen. This nature protection area is connected to the Krakken plantation; the second largest patch of forest in North Bornholm.
Lake Bornholm, a very important area of open water, lies on the edge of the Krakken plantation.
Sections of the green wave are listed as nature protection areas, these patches give the oppurtunity to intergrate the larger network and provide ecological corridors.
A large open area with a patch work forest will provide quality potential for research into ecological corridors and the effects of grazing animals.
This area has a mixure of used and unused houses, if the houses are in use the majority of them are not attched to farms. Possiblity of another feild station.
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AGRICULTURAL LAB
Soldalen - The facilities established in Site 1 are located close by and will be the main facilities within Site 2.
As with Site 1, Olsker is the closest urban settlement and important for recreation and production connections.
Areas of national geological interests are located all over North Bornholm.
Two streams run from the site to the coastal village Tjen. Bakkebak to the north is part of an inland connection project by the team working in Tjen.
This large farm will be used as the central agriculture facility. The open area gives great potential to house a varity of projects. Sections of the green wave are listed as nature protection areas, these patches give the oppurtunity to intergrate the larger network into ecological corridors. Existing wind farm which can be used to power the site usings sustainable energy.
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ESTABLISHED WETLAND The research of wetland restoration and experimentation into future proofing functional landscape will also add visual amenity to the area.
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the wetland lab
Moseløkken - This is the site of two projects being developed by the granite stories groups. It is connected by an existing bike path.
Large pig farms has a huge influence on the landscape surrounding them.
Terrain forms a valley which is framed by forest. Stream has been drained and former wetland turned into farmland.
Olsker is the closest urban settlement and will be an important factor in the future development of the area.
Main road of the area runs through.
Soldalen - The owner is looking to branch out, and the location makes it ideal as an initial development of research facilities.
RESEARCH SITES Site 3 has been chosen as the first intervention area, based on its landscape features and the fact that Soldalen is ideally located within the site. This allows for the development of Soldalen as the primary research facility alongside the development of the first landscape lab – the wetland lab.
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FOREST LAB
This is a highly trafficed section of Dondalen, it has good access from the coastal road but not from the inland. Home to Denmark’s largest waterfall.
Rø village is the closest settelment and will be an important factor in future development of the area.
The site of a proposed visitor centre created by the project team working on Dondalen.
This is a weak section of Dondalen, the potential of high qualitiy spatial experiences and connection to nature. Working in connection with the Dondalen project.
Nature protection area encompassing Dondalen and Rutsker plantation, great potential for research and recreation.
This intersection between Rø plantation and Rutsker plantation is the beginning of Dondalen stream and an important link missing in the green wave. It is a well connected and used section of the bike path.
These buildings are a great location for another field station facility.
Rø plantation is the largest forest area in North Bornholm, it is mostly Norway Spruce (Picea abies) which is an invasive species and highly toxic to soil. Planted for forestry.
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Bird watch tower
Wetland
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Integra t e Heath strips / Ecological corridors Forest - Wetland - Meadow
Connec t
Walking trails Viewing platforms
L e a rn
Bird watch tower Wet land class room
3D SECTIONS These sections were an excellent way for us to visually describe key design implementations, to provide a quick and easy understanding of the project framework.
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Year 2015 Type Climate adaptation urban space Location Frederiksberg, Denmark Where Marianne Levinsen Landskab ApS Supervisors Marianne Levinsen & Eva Henriette Olsen Status Completed My role Student Assistant
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Kl imatil pasnin g Lindev angspar ke n
Lindevangsparken is a pilot project for climate change adaptation and flood security during heavy rain fall. The design consists of a large park, planted swale and urban space in Frederiksberg. With a focus on climate adaptation in synergy with new social initiatives, which facilitate learning environments and meeting places for many different kinds of users at the same time. I came to the studio while this project was under construction. I assisted in the final phases of detailing and was given the task of designing a small set of stairs in the terrain after it was deemed too steep.
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PLAN 1:1500 The three key elements of the design; a large green park, a swale and an urban square.
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THE SPIRAL The Fibonacci spiral highlights the end of the waters journey through the park. Flowing within the spiral until it meets a fountain at the centre.
Overview of the water spiral urban area
Træ flyttet
Træ fjernet
Gamle terræn Ny terræn
The finished stairs
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Year 2016 Type Memorial Location Trondheim, Norway Where Marianne Levinsen Landskab ApS Supervisors Marianne Levinsen, Anders KrĂźger & Eva Henriette Olsen Status Completed My role Student Assistant
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Terra Incognit a
Marianne Levinsen and Anders KrĂźger won an international design competition for a public memorial commemorating the 22nd July terrorist attacks in Norway. I assisted with a in-depth modelling investigation of form, materials and construction techniques. Further into the project I was tasked with digitising our physical model investigations. These were used to create full scale moulds to be used to cast the concrete forms on site. I was also involved in construction drawings. We have concentrated on creating the spatial, artistic and architectural framework of an open and inviting memorial that residents and visitors of Trondheim can take possession of. A stylised archipelago of in-situ moulded horizontal white concrete formations are scattered across the square - white islands on the bright surface. The islands are different sizes and heights - some are level with the ground, others rise up to sitting height.
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Close up of a plaster model of an island at DAW
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1:100 cardboard site model with the shifted layers Close up of the terrazzo finish resembling mortadella
Placing the islands on our 1:10 model at DAW
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FROM CONCEPT TO CREATION Terra Incognita is a very significant project for me. Not only is it the first built project that I got to be a part of from the very early stages and watch as it unfolded and matured from a sketch to a finished project, but because of the method we took to get from those sketches to the built. It was hugely rewarding to work under Marianne Levinsen and Anders KrĂźger. To learn from their approach and the way they think through the process was hugely beneficial to me as a young landscape architect.
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Year 2014-2019 Type Primary School renovation Location Copenhagen NV, Denmark Where Schul landskabsarkitekter Supervisor Jonas Schul Status Completed My role Landscape architect
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Grøndal sv ænge t s Skole
The Grøndalsvængets School renovation project was already in the construction documentation phase when I started in my position at Schul. I took over responsibilities of construction detailing and documentation. It was an interesting process and a steep learning curve taking over a project in this stage. The focus of the design was to integrate play and learning in a dynamic green/ blue landscape. We preserved the school’s existing green character as much as possible while introduction experimental and diverse planting that will characterise the school’s future. Opening up and activating the arrival points; strengthening the connection to the surrounding neighbourhood. We worked to create an educational space which can be developed into a public learning area, where ideas and facilities can be exchanged between city and school.
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GRUS HAVEN AKTIV PLADS
GRUS HAVEN AKTIV PLADS
BYENS HJØRNE
DEN LABYRINTISKE SKOLEGÅRD
BYENS HAVE
NY TYDELIG KANT
BYENS HJØRNE
PLAN 1:1000 A modern school ground with active edges blurring the lines between school and city.
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Spaces for play & learning Integration of green outdoor teaching faciliteter mellem by by og og skole. faciliteter mellem skole. spaces, adventure play, structured play DerDer fokuseres på på detdet mere rolige og og hyggelige ophold tættest på på byggeriet, hvor læringsområder terrasser befinder sig,come fokuseres mere rolige hyggelige ophold tættest byggeriet, hvor læringsområder og terrasser befinder sig, andog stormwater management mens mere robuste og og aktive funktioner er placeres længere udeude i landskabet. LARLAR indarbejdes bl.a. i nedsænkede boldbaner mens mere robuste aktive funktioner er placeres længere i landskabet. indarbejdes bl.a. i nedsænkede boldbaner together to form the modern school og og særlige regnbede, ligesom en en innovativ taghave indgår som en en bæredygtig deldel af projektet. særlige regnbede, ligesom innovativ taghave indgår som bæredygtig af projektet. ground.
Educational roof garden
Urban corner stairs
Playground overview
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SHAR JAH MEMORY PARK
Year 2017-2020 Type Public art park Location Al Mujarrah, Sharjah, United Arab Emirates Where Schul landskabsarkitekter Supervisors Jonas Schul & Jokob Fergner Status Awaiting consent My role Landscape architect
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Shar j a h Memor y Park
Schul were asked by artist group Superflex to collaborate on a public art project commissioned by the Sharjah Art Foundation. The project is a renovation of Al Mujarrah Park into a functional public art landscape. The basic concept for Sharjah Memory Park project is to create a landscape of reflection. A reflection on time, space, scale and memories within three layers. First, as suggesting an archaeological site for memories, the park contains traces of what existed before the city: the desert dunes and the wind. Secondly, the silhouettes of the old city plan presented us with a historical layout; this is the memory of the city. Lastly, people’s memories of Sharjah through personal objects transformed into monumental sculptures. It has been a truly rewarding experience to design a landscape with an extremely talented team of artists at Superflex.
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INVESTIGATION Studying the movement of the desert sands - a scientific approach to our concept and to alter our understanding of nature.
34° Angle of response
Dune movement direction
Wind direction
Copera Concrete 1 Low
Terracotta representation
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Copera Concrete 2
Copera Concrete 3
Copera Concrete 4 High
Paving stone 0.5
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Paving stone 0.9
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Paving stone 1.2
Paving stone 1.8
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1:1 paving EXPERIMENTS Investigations into the nature of desert sands relieved a dynamic movement pattern which we re-represented with an animated pentagonal paving design. Investigating form and materiality in full scale is such a helpful design tool for me. We created our own 1:1 concrete experiments for a 1:1 understanding.
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Concept for park structure Geometric shapes representing the outlines of small houses and courtyards, as visible in old maps. The remains of these courtyards are transformed to three action zones: the Garden, the Playground and the Activity Park.
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The Activity Park
The Playground
The Garden
SHAMAL The imprint of the shamal (north) wind is re created to form the new landscape, shaped by the place’s own memory.
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Park overview from harbour
Route past Book & Sand Sculpture
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Sculptures Objects from personal stories, an archaeology of memory. Mimicking a phenomenon of the mind in which memories are remodelled; the collected stories are transformed into monumental volumes, changing perspective, feel and function.
Sculpture 1 Books & Grain of sand
Sculpture 1 Ace of hearts
Sculpture 3 Safe, Juice box & Cardamom
Sculpture 4 Toy tractor
Sculpture 5 Nokia & Basketball
Sculpture 6 Adana kebab
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Year 2017-2020 Type Competition Location Horsens, Denmark Where Schul landskabsarkitekter Supervisor Jonas Schul Status Under construction My role Landscape architect
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Hor sen s - f r a GĂĽgade ti l VĂŚregad e Schul prequalified for the international design competition to renovate the pedestrian street in central Horsens. We wanted to keep the design simple and to give the space the elegance it deserves by using high end materials that will age with dignity. We broke the street down into three characteristic areas. The narrower section at the beginning of the street was to become the green gateway to welcome people in, where the street widens, it transitions into places of diverse activities, and finally drawing to the end of the street, the destination - the large Church square.
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A VIBRANT CITY LIFE In the curation of a pedestrian space the addition of plazas along the street allows for more diversity in function on a busy urban shopping street.
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PAVING SIGNIFICANCE In the creation of an active pedestrain street the paving choice is of the outmost importance. We choose to create a dynamic pattern of cut cobble stones to indicate areas of movement along the street. These areas are broken up by a number of small plazas where the space is created by a transition in the paving pattern and size. Simply changing the feel of the space from movement to stay. Jonas Schul is an artist with paving and it was wonderful to work with and experience the investigations made into this beautiful paving design.
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G E RARD O’ CO N N E L L L AN D S CA P E A R CHI T ECT