Ghazal Nickzad Landscape & Architecture P O R T F O L I O
CONTENTS LANDSCAEPE
PROJECTS
FUTURE - Postindustrial Landscape Sustainable Design
Academic | Individual | Summer 2021| M.LA Final Project ..............................
SHARBAGH - Urban Corridor Design
Professional | Group Project | Winter 2020 | at Afshin Farzin Office .................
YING AND YANG - Desert Tourism Resort Design
Academic | Individual | Summer 2019 | M.LA Studio Design II ........................
REVIVAL - Revivalism a Valley THE YARD |of A Showroom Yard Design
Academic | Individual | Winter 2019| M.LA Design II ............................. Professional | Group Project | Winter 2021 Studio | In Collabration with Nikdel Studio
KARMA PATH - Land Art Generator
Competition | Group Project | Summer 2018 .................................................
IDENTITY - Redesigning a Street in Tehran
Academic | Individual | Winter 2020 | M.LA Studio Design III ...........................
THE YARD - A Showroom Yard Design
Professional | Group Project | Winter 2021 | with Nikdel Studio .......................
01 05 09 13 16 17 20
FUTURE | M.LA Final Thesis Project Postindustrial Landscape Design in Tehran Academic | Individual | 5th Semster | Summer 2021 Supervisors: Dr. Amir Mansouri,Dr. Behrouz Janipour Contribution: Entire Research, Design, Presentation Due to changes, taken place in Tehran’s 19th district, including the transfer of brick kilns outside the city, this area has been faced with many social problems. The purpose was to increase social sustainability in the area and understanding the landscape of the area, which one of the most important aspects of is social aspect, provides the possibility of solving the problems.
Chosen Site 1
Initial Ideas
Site
Arrangment
Residential Commercial Tourism Administrative
Step 1:
Services Residential Tourism Administrative
. Establishing Physical Cohesion . Bridge - Underpass - Access
Preserving existing green space Green Spaces
Administrative
Three emoty inactive brick kilnes were chosen surrounded as shown in the above diagram.
Approach: Sustainbility The main aim was to boost social sustainability in the area by analyzing the impact of empty post-industrial landscapes on selected indicator.
Step 2: . Active Life . Continuous Daily Traffic
Creating a Bridge, to provide Daily traffic and vitality Bridge - Bazar
Step 3: Arranging and planning all of the functions
Conclusion
. Defensible Space . 24/7 Life in the Area
The study revealed that brick kilns, among other symbols, adversely affect security, vitality, identity, and interaction in the area. However, they also hold significant potential for the Site is faced with damages due to quality improvement. physical and identity separation
Services
Helath Center
Residential
Educational
Tourism
Sport center
Offices
Industrial
Step 4: Designing main and also emergency roads . Building Social Context . Appealing Points for Society
Emergency Roads Main Roads
2
Developing
Considering the Geometry of the Brick Kilns as a heritage
Emphasizing on the walls of Brick Kilns
Creating an Axis including Brick Kilns’s Elements
C - Volleyball Court
A Part of Plan scale 1.1600
D- Innvovation Stations
A- Entrance C- Volleyball Court E-Sitting G- Shopping I- Amphitheatre K- Badminton Court M- School B- Playground D- Innovation Station F- Main Axis H- Fountain J- Pingpong Tables L- 24/7 Clinic N- Cultural Center
3
G- Shopping - Bazar
Detail 01 Entrance Plan Scale 1.100
Material and Planting Detail Material: The aim was to use and frame the material which were important in a brick kilns, like brick and soil. These materials were emphasized on by framing with the use of concrete. Planting: Each plant was chosen according to the area characteristics and its function.
Cast- in-Place Concrete Brick 20*10*5 -
Cast- in-Place Concrete with Expansoin Joint Pounded Soil Brick 20*20*5 Cream Strapping 1cm Cement
Concrete - Light
Concrete - Dark
Concrete - Brick Red
Brick
Platanus Tree for Route Guidance
Lonicera for Good Smell
Willow in Important Spots
Buxus for Semi-private Area
Brick 20*10*5 Cream Strapping 1cm Linear Lighting
Cast- in-Place Concrete Brick 21*10*5 Cream Strapping 1cm Cement Sand Mortar Linear Lighting
Pressed Brick
Brick 21*10*5 Cream Strapping 1cm Cement Sand Mortar Lean Concrete
Brick 20*20*5 Cream Strapping 1cm Cement Sand Mortar
Substrate
Cement
Layout
Detail 02 Entrance Section Scale 1.75
4
SHARBAGH | Professional Urban Competition Urban Corridor Design Professional | Group Project | Winter 2020 | Work Experience at Afshin Farzin Office My Contribution: Drafting drawings, 3D Modeling, Preparing Construction Documents, Presentation The proximity Tehran-Tabriz railway to residential areas and its functional incompatibility leaded to several problems; therefore, a part of the railway line has been collected and transferred to the underground tunnel. This did not alleviate the previous problems and for about a decade, the urban space has been a context for all kinds of anomalies. Our solution was to design a pedestrianized urban space which can be beneficial for all adjacent societies. Different needed suitable activities were placed in pavilions along the site in order to provide security, service and comfort.
Site - by Tehran Picture Agency 5
Manifest
Pavilions and Activities
Sharbagh is a public benefit project that does not pursue economic profitability but pursues a larger concept. That is the Public interest by revitalizing adjacent urban contexts.
1- Different Indoor Activities
6- Ritual and Fountain
11- Music Satge
2- Saqa Khane
7- Outdoor Amphitheatre
12- Office and Mesh
3- Pergola
8- Playground Slide
13- Trumpoline
4- Pergola
9- Plaza
14- Sport Center
5- Playground
10- Skateboard and Fountain
15- Fountain and Sitting
Design Strategy The first priority is to move in Sharbagh on foot and then bike. As the current situation indicates lack of security. placement of pavilions along the route, such as oases in the desert, can provide security, comfort and service.
The use of kushks varies according to their location characteristics along the way and based on responding to cultural, service, sports and leisure expectations. Functions such as local library, bookstore, multi-purpose conference hall, non-governmental organizations, bicycle rental, professional technical trainings and workshops, art galleries and exhibitions have been fully considered to be in the project.
6
Sharbagh - Isometric Diagram - Plans
Big Area, Importance of readability Sharbagh is divided to 6 zones. Since the path length is very long ( 9 KM), a specific color for kushks, designed buildings and mechanical equipments is being used. These characteristics help people recognize the space better and increase the readability. In addition each zone has a special tree regarding its flowers, leaves and characteristics in different seasons.
1- From Velayat Park to Kan river
Zone D: Cedrus
Zone E: Paulownia 2- Placing the Pavilions
3- Permeating to Surrounding Area
4- Spreading Bicaycle Path Zone B - Color Distinction Render by Yahya Nooshabadi 7
Sharbagh - 6 Zones
Zone B
Zone C-D
Different type of actions have been considered for each zone to have a better social life. In the upcoming diagrams different actions considered for each zone have been described.
Slow movement of vehicles Priority with pedestrians
Connecting shopping areas to have economic benefits
Regeneration of residential area by greenary and public services
Increasing green space Plant and Flower Exhibition
Forming inteactions between schools and provided pavilions
Providing pavilions for religious ceremonies in front of the shrine
Slow movement of vehicles Priority with pedestrians
Network of interaction between Sharbagh and surrounding
Providing tourism attractions near kan River
Network of interaction between Sharbagh and surroundings
Designing memorial statues in front of the shrine
Considering Saeedi intersection as an important one
Providing building-bridges on highways
Placing innovation centers Replacing irrelevant functions
Zone A
Zone E-F
Merging Sharbagh with other public open spaces in the area
Merging the shrine and Sharbagh with a gate
Providing a multi-complex in Saeedi-Sharbagh intersection
Providing subway station in important intersections
Convering irrelevant industrial functions to artistic areas 8
YING AND YANG | M.LA Design Studio II
Desert Tourism Resort Design in Semnan, Iran Awarded “The Best Project in the Studio” Academic | Individual | Semster 2 | Summer 2019 Supervisors:Dr. Amir Mansouri, Dr. Elham Andaroodi Contribution: Entire Research, Design, Presentation The emptiness of the desert is as valuable as the trees in a jungle. The objective was to create a landscape in a historical site located in Kavir national park in order to emphasize the beauty of desert, respect its nature and have minimal impact at the same time.
Chosen Site 9
Concept, Unity of Opposites Different elements in desert’s sky and soil are the opposite and complete each other. I tried to design a landscape of games and galleries in order to emphasize these opposing elements. A landscape of games and galleries in order to emphasize opposing elements in desert’s sky and soil.
Light in the sky, Shadows on Earth
Home and Destination of the Trees
Softness and Hardness
Warmness and Coldness
Final Concept Ying and Yang
A Game to Appreciate Desert Spatial Programming The visitors are recommended to spend a day from sunrise to sunset in the project. The project is consisted of two very important points each to experience different feelings and viewpoint of desert.
1. Karvansara - Breakfast - Sunrise
3. Tomb of Roots - Reading - Root’s Aquarium
4. Maze of Shadow and Light
5. Frame of Nature
2. Starting Point
7. Path of Infinity - Horizin of Desert - Clues of Remaining Games
Point No.1
6. Path of Textures - Touching Kavir with 5 scenes
8. Haramsara - Visitng Haramsara - Eating Lunch
9. 3rd Starting Point
10. Path of Sunset - Watching Senarios - Resting - Watching Sunset
Point No.2 10
Path to Underground 1. Tomb of Roots
Gallery of Games
Tomb of Sky
Center of the Maze
Tomb of Plants Tomb of History
2. Maze| Shadow and Light
Maze Resting Area
3. Frame of Nature
Desert’s Textures| Elements Framed
Glass path | Walking over Different Textures
Frame of Nature Hill of the sky | Soft Elements and Plants
Valley of Earth | Hard Textures and Plant 4. Path of Textures Wall of Tactile Sense
Plan Scale 1.1000 The aim was to have minimal impact on the existing conditions; therefore, minimal interventions and local material were considered. 11
Valley of Earth
Detail 01 - Tomb of Tree Scale 1.75
Detail 02 - Flooring Detail Scale 1.75
In the Conceptualization process desert was found as home and destination of the trees. A dried-out tree was considered to exhibit this idea.
Flooring is mostly consisted of bricks as representer of soil in desert. Colors were chosen within harmony of desert.
12
REVIVAL | M.LA Design Studio I Revivalism of a Valley in Tehran, Iran Academic | Individual |1st Semester |Winter 2019 Supervisors: Dr. Heshmatollah Motedayen, Dr. Negarestan Contribution: Entire Research, Design, Presentation Students were asked to design a landscape in order to revive a valley and its different functions. As many people used the only existing path, to get home after long hours of work or to spend the afternoon, jog or walk, it was important to take walking as an important function in to consideration. My main idea was to preserve existing functions, respect the old nature and design new paths and functions to improve the quality of life for local people. 13
Concept
Detail In the design procedure the Flooring and the Lighting options and possibility were discussed and taken care of.
1- Current Functions - Passage for Pedestrians - Passage for Drivers - Destination for Elderlies
2- Perserving Old Trees | Untouched Nature 3- Increasing Interaction with Nature
4- Designing Multiple and new Connections Through the Site
While considering the ideas above, different levels and paths with multiple connections and various functions were designed.
14
Plan Scale1.1200
Walking Path
Entrance
Southern View 15
KARMA PATH | Competition in Australia Competition | Group Project | Summer 2018 | Held by Land Art Generator Initiative Mentioned as Top 50 Projects
Concept Boomerangs are a symbol of karma. If we care about nature, the results will be beneficial for us too. Boomerangs are also one of the symbols of Australia.
Team Contribution: Research, Design, Diagram Presentation The LAGI 2018 ideas competition invited interdisciplinary teams to design a public artwork that utilizes renewable energy technology for a site at St Kilda Triangle in Melbourne, Australia.
The Metal Path Transfering enegy to the storage
Boomerangs Receiving solar and wind energy
Output
The installation consists of boomerang shaped panels, which are made from recycled plastic and a triangular metal axis made of renewable steel. The traingular shape evokes the route of a boomerang when it is throwed
Render by Ania Khodabakhishan
Solar Energy
Wind Energy
The boomerangs are photovoltaic solar generators. The area of each solar panel is 6m2. The installation is formed by 120 panels with the capacity of 330W and can generate about 200MWh energy in a year.
When the wind blows, the boomerangs spin around the metal axis like a wind turbine. the wind energy generated by the boomerangs in different heights and position, is about 160MWh in a year.
The generated energy is transmitted through the metal path to the storage. The storage location is considered to be underground. LED Lights are located on the boomerangs in different colors causing it to glow at night 16
IDENTITY | M.LA Design Studio III
Redesigning a Street in Tehran Academic | Individual | 2nd Semester | Summer 2019 Supervisors:Dr. Amir Mansouri, Dr. Ahmadali Farzin
Contribution: Entire Research, Design, Presentation This project seeks to retrieve the identity and past of a historical street in center of Tehran. Ignoring the identity of the street over the years has caused many damages such as insecurity, life and loss of residential Function. Main goal was to strengthen the multi-functional and multi-dimensional aspect of the street and revive the residential function 17
Site Analysis - A Multi-functional and Multi-dimensional Street - A Passage for Various Social Levels - Mainly a Residential Street in Different Eras - Insecurity and Lack of Sense of Belonging - Repulsive for Resident
Quality of Buildings
Economic Value
Function of Buildings
Cultural - Educational
Historical Value
Restoration Capibility
Residential
Commercial / Industrial
Old and Usable
Destructibility
Public Acoomidation
Abondoned
Main Ideas, Safe Passage of the neighborhood - Defining 3 Zones by Utilizing Urban and Neighborhood Scaled Functions - Defining 3 Main Passages in the Street Crossing, Driving and Leisure Passage - Recreation of a Destroyed Histrical Persian Garden in Front of Vahdat Hall
Urban Zone
Pedestrian Passage
Neighbourhood Zone
Driving Passage
Leisure Passage
Garden
Urban Zone
18
Plan scale 1.2000 Restoration Turning to Library
Restoration
Destruction
Turning to Friutshop
Turning to Children Center
Restoration
Construction
Play Groung - Community Garden
Parking Plaza 1
Turn to Neighbourhood Center
Local Center
Plaza 2
Restoration
Construction
Adding to Existing Cafe
Undergroung Parking
Gallery
Seasonal Market
Brick, All along the way
Create or maintain brick walls were considered to: 1- Respect the old brick walls 2- Creating visual unity on the street 3- Attaching furniture and lighting to the walls 4- Create Semi-Private for the local area
19
Playground - Community Garden
Plaza 2
Local Center
Main Passage
THE YARD | A Showroom Yard Design Professional | Group Project | Winter 2021 | In Collabration with Nikdel Studio Contribution: Design, Preparing Construction Documents, Presentations
This is the yard of FIKA showroom and the purpose was to exhibit different products of FIKA company including landscape elements and different material produced by them. The design of this yard was done by me collaborating with Nikdel studio. The outcome is constructed by Fika company, of course with a few changes applied while constructing.
Groundfloor Plan Scale 1.400
A- Entrance B- Bathroom
C- Accounting D- Design Studio
E- Kitchen F- Cashiers
G- Waiting Area H- Management
I- Water Feature J- Bar and Barbique
11- Fire Pit and Sitting Area
Constructed Constructed Project Project 20
CONTENTS ARCHITECTURAL PROJECTS
METAPHOR - Museum of Performing Art Design Academic | Individual | Winter 2018 | B.ARCH Final project ..........................
HERITAGE - Adobe Arches and Vaults
Workshop | Group Project | Summer 2015 ..............................................
GREEN HEXAGON - Commercial Complex Design Academic | Individual | Summer 2016 | B.ARCH Design Studio III ..................
CDSHEEL - Anticlastic Membrance Workshop | Group Project | Winter 2016 ......................................................
TECHNICAL - Residential Apartment Design Academic | Individual | Summer 2017 | Phase 2 Design Stuido III ...................
SADRA - Residential Complex Design Professional | Group Project | Summer 2022 | at Afshin Farzin Office ..............
01 04 05 08 09 11
METAPHOR | B.ARCH Final Project
Museum of Performing Art’s Sensation in Tehran Academic | Individual | 9th Semster | Winter 2018 Supervisors: Dr. Saeed Haghir
Contribution: Entire Research, Design, Presentation Why did I choose this subject? - Lack of cultural spaces in Tehran as a capital - Utilizing the potential of arts to promote the level of society by attracting people - Emphasizing role of architecture as a transmitter of thoughts and emotions 1
Concept
Inducting Emotions by Form and Color
The idea was to induct emotions based on Iran’s theatre history and Robert Plutchik’s wheel in interior and exterior. By reading Iran’s theatre history and finding the origin of each era, related emotions were chosen.
Main Lobby Goal: Anticipation (Vigilance)
Gallery of origin Goal: serenity (Pureness)
- Paths inspired by maze
- lines formed around the origin
Gallery of Puppetry Goal: Submission (Fear)
Galley of fairytales Goal: Amazement
- Commanding Walls
- Unpredictability | Contrast
Elegy Goal: Rage (Anger)
The way ahead Goal: Hope (Joy, Ecstasy)
- Sharp lines
- Free lines | multiple choices
Section A number of galleries and their construction details are shown in the below section.
2
Spatial Programming Different functions were studied before deciding to arrange their final location. Many factors such as noise, quietness and etc. dedicated special zones and connection to each function. One of the most important connections to be considered was between administrative, galleries and storage.
The Way Ahead
Rage
First Floor Scale 1.600
B- Main Lobby B-1 - Praying Room B-2 - Information B-3 - Reception B-4 - Waiting C- Cafe C-1 - Kitchen D- Library D-1 - Reception D-2 - Manager G-0 - Origin G-1 - Path of Puppetry G-6 - Elegy G-7 - Path of Hope G-8 - The Way Ahead G-9 - Store
3
Southern View
HERITAGE
Constructing Adobe Arches and Vaults Workshop | Group Project | 6th Semester | Summer 2015
Islamic patterns The Islamic architecture tends to use geometric patterns which are originated from natural motifs.
Team Contribution: Construction This workshop was a practice to make students familiar with the important concept and techniques of persian architecture with an attempt to imitate the method by building small-sized arches. These patterns are often built on combinations of repeated squares and circles, which may be interlaced or overlapped
Karbandi Karbandi is a term used for referring to the structure of domes and their techniques in Iranian architecture. A karbandi is comprised of even number of arches.
Various arches are divided in to pairs based on their geometry. Each pair has its own unique mold and number of slices 4
GREEN HEXAGON | B.ARCH Studio III Commercial Complex Design in Tehran Awarded the “Best Ptoject in Studio” Academic | Individual | 6th Semster | Summer 2016 Supervisors: Dr. Saeed Haghir Contribution: Entire Research, Design, Presentation The objective was to Design a commercial complex in Tehran which contains the following items with specific areas: Shopping units, Market, Cinema, Children’s Playground, Administrative and etc. 5
Concept
Symbolism
As the site is located in one of the most crowded streets in Tehran with lots of commercial centers in it, the main idea was to isolate the complex, Standing out in the crowded, polluted street.
In this project water (Symbol of Pureness in Persian Gardens) has transformed to a pattern of light, made by the Voronoi system and isinglass.
Plluted Site
Design Procedure 1-Landscape
Height = Isolation
Void = Sepration
Transparent Walls
Adding Landscape
Structure The structure is a combination of two systems: 1- Voronoi system 2- Tie and beam
Spatial programming
2-Pedestrian
Set of Given Points
Delaunay Triangulation
Voronoi Diagram
The main entrance works like the heart of the complex, pumping paths to different parts. There are two cinema salons in the complex, a playhouse and a food court.The biggest building has 2 levels. The first one belongs to a supermarket and the second floor contains 24 shopping units.
3- Isolation
Determenation of the center of the circle of triangle 4- Buildings
Polygon Voronoi
The Voronoi tessellation constitutes bionic methods of dividing the surface that can be used in architecture in order to design a number of original structural elements for roofs, facades, walls, etc.
5- Tie Beam
6- Voronoi
Aisels 6
Lobby
Ground Floor B- Cinema Lobby B1- Waiting B2- Cinema B3- Backstage B4- Restrooms
C- Playhouse Lobby C1- Playing Rooms C2- Restrooms D- Hypermarket D1- Lobby
D2 - D3- Storage D4- Administrative D5- Reception D6- Information D7- Restrooms
E- Foodcourt E1- Sitting E2- Kitchens E3- Restrooms F- Green Yards
A- Main Lobby
Scale 1.800
Shopping 7
CDSHELL
Constructing an Anticlastic Membrane Workshop | Group Project | 7th Semester | Winter 2016
Unit
Design Procedure
The process started by creating a unit which could multiple and spread in any direction.
1
Team Contribution: Construction The aim of this workshop was to create a structural system with the use of secondhand material and with minimum cost.
2
3 Initial unit made with the use of toy prototypes
Initial unit
The unit consists of 21 CDs. Each unit needs 5 different types of modules. 4
Development By connecting two invers units, the expansion of the shell was provided. 5
8
THECHNICAL | Phase 2 Design Studio
Residential Apartment in Tehran Academic Course | Individual | 8th Semester | Summer 2017
13.90 2.10
2.97
5.33
3.30
3.50
Supervisors: Dr. Saghafi, Dr. Taghavi
+10.30
Objective
9.20 +8.70
Det 01
1.10
0.50
+7.50
+6.40
+5.25
+6.20
+5.90
+5.65
+4.725
Det 02
AL.W T.5
+3.90 +3.15
+6.40
0.65
+5.90
O.K.B=75cm
+3.25
+2.75
0.40 0.75 1.35
During the course We were introduced to the different stages of constructing a given project and the wide array of problems and solutions, we as architects may face. To start each student had to choose one of his/her former designs.
W.D T.2
+3.20
+2.50
2.75
+1.575 AL.W T.5
+0.75
+3.05
+2.75
Det 03
+2.10
0.40
O.K.B=75cm
0.00 -0.40
+0.05
+0.10
-0.40
-0.90
M.D T.2
-2.80
0.15 2.40
-1.40
-3.70
1.15
-3.70 -4.10
-4.10
25.61
1.38
A
AL.W T.4 O.K.B=125cm
O.K.B=75cm
11
21
18
15
17
16
DW
O.K.B=125cm
1%
3.20
0.10
4
+5.90
0.20
4.80
0.20
+0.00
5.65
+6.40
2.50
5
M.D T.2
00-02
3.10
3.50
AL.W T.5
AL.W T.6
O.K.B=75cm
O.K.B=75cm
2
0.20
1
4.20
-0.90
AL.W T.3
+3.15
+2.35 AL.W T.1
W.D T.2
W.D T.1
W.D T.4
AL.W T.5 O.K.B=75cm
0.40
O.K.B=75cm
L=13.33
+3.15 +2.75
+1.575
O.K.B=175cm
AL.W T.5
O.K.B=75cm
+5.90
+2.50
+1.75
A
0.40
0.40
00-02
0.10 2.80
3.50
00-01
+6.40
+4.725 W.D T.2
3
3.50
5.95
+8.70
+7.50
00-01
Stair Zoom
W.D T.1
9.20
W.D T.2
AL.W T.2
+0.00
Zoom 5
B
0.10
W.D T.3
00-09
00-03
00-04
+10.30
+0.00
+0.00
W.D T.2 W.D T.1
5.00
W.D T.1
14
00-08
AL.W T.1 O.K.B=175cm
5.10
13
W.D T.3
B
2.80
2.80
00-09
W.D T.2
1.71
12
20
5
4
2
3
10
22
19
+0.00 1
23
2.70
1.10 0.50
0.00
1.75 0.60 0.90 1.10
1.60
Zoom 4
00-04
3.71
7
W.D T.1
4.40
7.25
00-04
9
2.90
0.80
00-03 8
7
1.80
DW
+0.00
6
2.15 24.81
2.99
-1.40
5
00-02
4.24
5.48
3.73
3.83
00-04
Zoom 6
W.D T.3
Zoom 1
W.D T.1
00-09
1
+0.10
+0.15
Zoom 2
2.75
1.47
+0.00
AL.W T.4
00-05
O.K.B=125cm
W.D T.4
1.30
AL.W T.5
00-02
W.D T.2
Zoom 2
4
17.40
00-01
+0.00
2.75
00-03
O.K.B=75cm
+0.00
3.50
2.10
3.53
4
3
1.40
5.00
4.41
3
3.50
+0.04
W.D T.3
2
2
1.60
AL.W T.6
1
4.20
Section A-A
O.K.B=75cm
5
00-02
1.38
2.10
3.53
4.22
1.64
0.20
0.75
0.00
15%
2.97
3.50
0.10 3.73
7.00
1.38
+0.13
0.16 1.64
3.30
4.56
Scale 1.250
AL.W T.5 O.K.B=75cm
DW
1.50
1.98
2.10
AL.W T.5
2.50
1.15
2.50
17.40
0.20 3.50
2.04
1.40 0.45
1.62
1.44
10.40
1.38
Stair Section
Wall Section
5.00 6.24
16.25
2.54
5.00
4.18
Zoom 3
0.20 2.97
5.10
4.21
0.20 2.70
1.38
4.20
1.61
2.80 9.81
3.33
0.20 5.10
3.92
4.31
2.30
1.71
2.50
3.50
2.70
15.55
4.40 8.30
5.00
2.90
-0.40
+0.00
-0.90 -1.40
2.40
-1.70 W.D T.1
0.15
-2.10
0.80
2.62 3.70 7.50
1.38
1.76
2.04
3.47
Scale 1.300
5.00
2.60
-3.70
3.24
1.30
4.91
3.36 2.55
2.50
7.01 25.61
Ground Floor Plan
2.50
2.80
1.81
2.60
4.40
0.97
0.78
2.38
1.38 2.15
2.12
1.98
3.80
1.66
1.15
1.99
1.00
0.20 0.73
0.80
-2.80
-4.10
-3.70 -4.10
2.65
7.80 Wall Section
Section B-B Scale 1.300
9
2.90
4.40
2.70
1.71
2.80
5.10
5.00
+7.50 2.10
Stone Mortar
3%
Tessellation Mortar Thermal Insulation Water Insulation Concrete Beam Ceiling Finishing
1.10
2.97
Wall Core Anchor +6.40
Steel Sheet
0.70
1.35 1.00
0.30
0.30
+5.90
0.80
+5.25
3.30
0.30
3.50
Beam Framin Plan
Tessellation Mortar Thermal Insulation Water Insulation Concrete Beam Ceiling Finishing
Scale 1.400
0.03 0.65
0.30
0.50
Finishing Wall Core Thermal Insulation Steel Net Finishing Steel Belt
AL.W T.5
1.35
1.50
5.33
0.30
0.30
0.10 0.05 0.05
0.20
0.40
O.K.B=75cm
+3.90
Tessellation Mortar Concrete Beam Ceiling Finishing
0.75
0.90
3%
5.10
1.00
5.00
+2.75
0.15
0.10 0.60
+2.10
0.05 0.05 0.10 0.30
2.80
1.71
Finishing Wall Core Thermal Insulation Steel Net Finishing Steel Belt
0.10
0.03
2.70
-1.05
4.40
0.65
26.81 2.90
0.10
0.10 0.20
0.05 0.05
+3.15 0.20 0.10
Steel Net Frame
0.100.20
F1
1.20 T4
T4
F1
F1
T4
F1
F1 T1
T1
AL.W T.5
T4
F2
F2
T1
T4
F3
T1
T1
T1 F1
F3
T1
T1
+0.75
0.10
Stone Mortar
F2
T4
T2
1.30
0.04 0.05 0.200.03
T1
T1 F4
F4
T1
0.00
F3
F5
-0.40
5.33
T4
18.20
T1
T2
T1
-4.10
T2
T1
T4 F3
T2
T2
1.50
T3
T1
F1
T2
T2
F4
F5
-0.90
0.10
T2
T1
F4
Tessellation Mortar Concrete Macadam
0.03
T1 T2
0.30
-4.10
F5
-1.05
T2
T1
F4
0.05 0.10
T1
T3 F1
-2.10
0.05 0.05 0.10
-1.05
Tessellation Mortar Concrete Beam Ceiling Finishing
Stone
3%
0.75
F1
T1
T1
T1
0.10 0.60
O.K.B=75cm T4
0.10 0.60
2.10
F1 T3
T4
2.97
T4
T3
F1 T3
1.35
T2
T3 F1
T2
F4
F3
F5
T2
1.20 T3
F2
T4
F1
T1
T4
F1
F2
T4
T4
T4
T4
T4
T4
T4
T4
T4
T4
T4
T4
1.80
0.40
0.60
0.40
0.40
Scale 1.300
T2
T3
T4
0.05 0.30 0.15
0.10 0.55 0.75
Compact Earth -4.10
0.75
Tessellation Mortar Water Insulation Concrete Sand Blockage
Bar Foundation 0.20
0.20
-3.70
0.55
0.10 0.10
-2.80
F1
F5
T1
M.D T.2
0.40
F1
Foundation Plan
0.35
0.10
0.10
T2
T2
0.40
0.05
0.10
F4
T3
T3
F1
F1
-1.05
3.50
F2
T2
0.20 0.10
T4
T4
F1
2.10
T4
T2
0.10 0.60
T1
T1
T1
0.10 0.60
3.30
T4 T1
Wall Section Scale 1.75
10
SADRA | Professional Competition Residential Complex Design in Shiraz Professional | Group Project | Summer 2020 | Exprience at Afshin Farzin Studio My Contribution: Drafting, Preparing Construction Documents, Presentations The objective of this project was to Supply over 500 residential units with approximate construction area of 91,000 M2. The Project is designed with a focus on maintaining communication with the city and strengthening interaction Social through the concept of alley, passage and center of neighborhood.Sadra provides some commercial unites in some bocks as well. 11
Site
Design Procedure
The Site, located in the western part of phase one of the city of Sadra in Shiraz, is a trapezoid which some parts of it have been removed. The approximate dimensions are 280 meters in the north, 260 meters in the south, 110 meters in the east and 150 meters in the west, and it has a slope from west to east and from north to south.
Initial Plan idea was designed according to contract and examining the advantages of the design options ten towers and low-density sections (Podiums) were considered. Afterwards. moving the towers led to better views and day light for each tower. Finally, each two towers where connected and a podium was seen for them.
1- Site
2- Vehical Access
3- Sorrounding
1- Initial Plan Idea
2- Increasing Area of Lower Floors
4- Lighting
5- Lower Floors Potential View
6- Higher Floors Potential View
3- Minimizing Unwanted Views
4- Final Blocks
12
Residential Floors - Podiums
Commercial Floors - Podiums
Private and semi-private courtyards provide an urban Structure in different blocks as well as Organizing residential units. Such openings decrease density in the complex and create a sense of belonging, sanctity and Convenient perspectives
Commercial unites are placed in ground floors of block A and B. Theses unites have more height and mezzanine in order to organize activities properly.
Courtyards - Podiums, Model & Render by Yahya Nooshabadi 13
Commercial - Cafe, Model & Render by Yahya Nooshabadi
TREASURY A Brief Collection of my Hand Sketches and Photographies
Black Marker
Watercolor
Marker
Perspective - Sep. 2014 - Italy, Venice
Moment - Sep. 2017 - Austia, Vienna
Shadow Architecture - March. 2013 - Iran, Tehran
All I Need - Sep. 2017 - Ausria, Hallstatt
Infinity - Dec. 2016 - Iran, Bastam
Sunset - July. 2017 - Iran, Matinabad
14
THE END THANK YOU