Colour Medium Brand Guidelines

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Colour Medium

Brand

July 2017 Ver B-001

A creative think-tank


Preface It’s Colour Medium.

After testing our ideas, services, and design systems, we figured it was time Colour Medium’s internal, visual, and verbal identity should be established... So, this serves as the reference to Colour Medium’s brand when necessary. If there are question, go to the Support section on page 35.

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Contents Visual Identity

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Logo 10 Logotype 11 Variations 12 Color palette 18 Typography 19 File formats 23

Verbal

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Voice 25 Tone 26 Style 27

Applications 27 Support 35

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Introduct on


Our purpose Mission We are a creative group building in-house brands & prodiving creative services.

Vision Solving problems simply and “self� sufficiently.

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Brand Idea We are Designers and entrepreneurs. We take care of a wide range of design, so instead of saying “...a group of UX/UI/Web/Graphic/Motion/ Fiber designers”, we think capital “d” Designers and entrepreneurs will do.

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Brand Expression

A creative think-tank 1 That means C

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Brand Personality Current

Forward

Our process is fairly simple and it uses as many of the best, new tools as possible. We try to listen on every platform and use Design sprints for everything else. It keeps us on our toes for anything new.

We apply the pressure. Always moving forward, thinking forward, and ultimately being forward with ourselves and our clients.

Thoughtful We work, strategize, and design with our clients’ best interests in mind. That includes time, tone, and budget.

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Logo

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Our primary logo is a specialized white or black monogram, “c� with the yellow brush stroke underneath.

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Logotype

Colour Medium

Colour Medium The primary logotype is the agency’s title in white or black text with the yellow brush stroke underneath.

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Clearspace

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The best clearspace for our logo(s) and logotype(s) can be achieived by using two brush strokes stacked and placed around the respective mark(s).

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Minimum sizes Our marks should be visible at all

WEB

times. We allow for resizing for all different types of collateral, but nothing scaled below these recommened sizes:

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Colour Medium 32px PRINT

C 25mm

Colour Medium 25mm OR 31/32�

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Incorrect use STRAY FROM COLOR PALATTE 1

STRAY FROM COLOR PALATTE 2

Colour Medium Colour Medium NO ROTATING OR SKEWING

Colour Medium NO OVERLAYS OR TINTS

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Incorrect use STRAY FROM COLOR PALATTE4

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NO ROTATING OR SKEWING

STRAY FROM COLOR PALATTE 3

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NOT ENOUGH CLEARSPACE

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Color palette We use CMYK color values in our palettes, but we always include RGB and HEX values just in case. Here are the recommended values for our colors.

CMYK 2/7/83/0 HEX #FAEC2B RGB 250/236/43 CMYK 68/88/39/33 HEX #371568 RGB 55/21/104 CMYK 2/87/77/0 HEX #FA213B RGB 250/33/59 CMYK 80/71/58/73 HEX #0E141D RGB 14/20/29

CMYK 0/0/0/0 HEX #FFFFFF RGB 255/255/255

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Typography: Gilroy Gilroy Our primary font for large headings, taglines, and display is Gilroy. This is a bold typeface with classic design qualities.

abcdefghijklmnopqrstuvwxyz ABCDEFJHIJKLMNOPQRSTUVWXYZ 1234567890 !@#$%&?/(;:’*) Character tracking at -40

abcdefghijklmnopqrstuvwxyz ABCDEFJHIJKLMNOPQRSTUVWXYZ 1234567890 !@#$%&?/(*’;:) Character tracking at -40

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Typography: Fira Sans Fira Sans Our font for creating visual hierarchy beneath all Gilroy text is Fira Sans. It is used for its legibility across a large range of handsets varying in screen quality and rednering. Multiple font weights help to establish a clear hierarchy. Fira Sans Light is the main font for body text and used most often in this very book.

Fira Sans Thin Fira Sans Extra Light Fira Sans Light Fira Sans Regular Fira Sans Medium Fira Sans SemiBold Fira Sans Bold Fira Sans ExtraBold Fira Sans Black

Fira Sans Thin Italic Fira Sans Extra Light Italic Fira Sans Light Italic Fira Sans Italic Fira Sans Medium Italic Fira Sans SemiBold Italic Fira Sans Bold Italic Fira Sans ExtraBold Italic Fira Sans Black Italic

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ 1234567890!@#$%&/?(’*;:)

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Typography: Usage The hierarchy forms an order of importance within the content so the reader can easily navigate the content. When setting type, these are our recommended combinations for headers and body text.

Medium + ExtraLight

Five in the morning on the corner clacking Younger than most people named Jefferey. He was born April 23, 1993.

SemiBold + Light

Five in the morning on the corner clacking Younger than most people named Jefferey. He was born April 23, 1993.

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Brush stroke The brush stroke works as the core graphical element in the Colour Medium brand. The brush stroke is the symbol of emphasis across the brand. There are various colors and placement options for the stroke in order to accomodate all media.

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File formats Raster-based Raster-based artwork is best to be scaled down to screen based media like applications and/or in presentations. .JPEG / .PNG

Vector-based Vector-based artwork can scale up or down while maintaining a high resolution. Best use cases include printing, large applications, page layouts, etc. .AI / .EPS

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Verbal Ident ty


Voice Characteristics

Dont’s

Passionate 1 - we are passionate about creating great experiences Bold 2 - be bold but not arrogant Irreverent 3 - constantly challenging the status quo with our diction

Don’t let passion cloud judgement in speaking. Keep the agency’s best interest in mind 1

Do’s

Don’t be overzealous in speaking about the agency. Think humble brag 2 Don’t disrespect the status quo, challenge it 3

Use strong verbs when communicating 1 Speak with superlatives, but back up your claims 2 Use the contrarian viewpoint or genuinely express yourself. Always look at the opposite side first 3

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Tone Our tone is simple. 1. Consider the feelings of whom you are engaging in dialogue with. 2. Adjust your response accordingly. 3. Keep watch for tone shifts in the conversation as those should trigger tone shifts in your esponses.

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Appl cat ons


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Support


Still need something? Send an email to info@colourmedium.com

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