Luis Gil
portfolio 2018
Güicho’s House T81 Roof Terrace B507 Apartment Room of the Present Unfoldings and Assemblages
Mexico’s pavilion at 2016 Venice Architecture Biennale
Digital fabrication Social service Academic works Timeline
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01
Güicho’s house Location: San Miguel de Allende, Gto. Status: Ongoing Type: Housing Project description: The house is located in San Miguel de Allende, a colonial town near Mexico City. The project explores the town tradition and typologies, to ensure a dialogue with its context. The within space is organised around a central patio to provide the interior with light and ventilation; the rooftops are designed as terraces. The structure is design with concrete, wood, and steel. It considers a single flexible space without partition walls, modulated to fit a variety of uses and to suit changing needs. The building will be painted experimenting with traditional mixture of lime and nopal cactus juice with colour pigments. Design as a retirement house for Güicho, an audio engineer and a pizza lover, the house has wide and illuminated spaces, a big kitchen, and a small studio in the third floor, just across the rooftop garden, to enjoy the amazing views while having a great pizza.
2.43 2.43
55
4.3 4.3
44
33
5.43 5.43
16.82 16.82
BB
S S
SS
4.66 4.66
22
11 1.39 1.39
Acceso Acceso 1.20 1.20
4.93 4.93
0.95 0.95
8.47 8.47
AA
BB
CC
DD EE
2ยบ level
3ยบ level and terrace
Faรงades
02
T81 Roof Terrace Location: Mexico City Status: Production Type: Structure Project description:
The terrace was design for an office rooftop. The assemblages for the structure are based on Japanese wood tradition, with an adaptation to the Mexican craftsmen technics. The demountable structure is unfold alongside a modular construction processes. To simplify the joints, wedges are places to interlock the framework in both sides, to avoid using screws and fasteners, and a heavy construction process. As a result you end up with modular structure, simple to assemble, and provides a clean shelter to enjoy the rooftop.
Asembly drawing
Constructive Criteria
Structure Detail
Structure assamblages
Assambly prototypes
03
Apartment B507 Location: Mexico City Status: Completed Type: Restauration Project description: For this project I restore of an apartment located in Centro Urbano Tacubaya, a modern housing estate building from 1957. The project consisted mostly in recovering the apartments original state. Since there were not original plans or pictures, the task involved imagining how the interiors might have look in it initial form. As the coating layers that cover the original materials were removed, new textures and colour patrons that were unveiled, leaving a trace that remain as finishing. In some cases, the original configuration had been alternated leaving a permanently void. In these cases we implemented new finishes that match the originals and adapted some new furniture. The restroom mirror, the shower mosaic, the kitchen workspace, are part of these adaptations to fill those voids. I also was ask to designed a daybed for the living room, restore an old sofa, and search for restored furniture that matched the modern feeling of the place. The renewed space revels its “raw finishings” marked with all its past traces, exposing its history with new textures and details.
Detail of the rear facade, Centro Urbano ‘Tacubaya’ (ISSSTE Housing Unit Tacubaya), Tacubaya, Mexico City 1957
Previus layout
Current layout
Before and after pictures Planos Generales 1955 mm / 77 in
770 mm / 30 in 300 mm / 11.81 in
300 mm / 12 in
770 mm / 30 in
1955 mm / 77 in
Furniture design
Entrega Proyecto 02: cálculo de pie tabla Equipo 1: Ander Zuinaga // Luis Gil // Maria Paola Comas
DETALLE EN CORTE
CORTE LONGITUDINAL
MARCO DE ACERO PARA ESPEJO LADO
FRENTE
detalle 01
60.00
CORTE TRANSVERSAL
6.50
2.00
39.00
espejo de 4mm
90.00
78.00
perfil “L” de 3mm
11.00 detalle 01
CORTE LONGITUDINAL
20.00
ARRIBA
80.00
detalle 01
60.00
detalle 01
800.00 6.50
perfil de 2 x 2 cm
espejo de 4mm
perfil “L” de 3mm
2.00
6.50
Restroom mirror
20.00
6.50
CORTE TRANSVERSAL
31.00
20.00
28.20
31.00
6.50
DETALLE EN CORTE
6.50
perfil de 2 x 2 cm
48.00
11.00
90.00
detalle 01
2.00
20.00
espejo de 4mm
perfil “L” de 3mm
90.00
6.50
perfil de 2 x 2 cm
6.50
detalle 01
22.00
60.00
DETALLE EN CORTE
CORTE LONGITUDINAL
CORTE TRANSVERSAL
AXO
04
Room of the Present Location: Itinerant Status: Ongoing. Type: Housing, research, exhibition Colaboration with: Pablo Landa Rodolfo Samperio Project description:
The Room of the Present will be a flexible, economic, easy-to-build, single-family dwelling. Its design integrates resource, energy and waste management systems in which locally appropriate lowtech devices can be “plugged in.� Work will involve collecting and adapting existing sustainable technologies, and promoting their popularization and massification.
Our work emerges from the Adaptation the Cultural Pavilion and exploration of the virtues of configurations with different shapes and sizes. The structure is designed for easy assembly and sturdiness.
The Cultural Pavilion for Migrants, built in Tijuana in 2015.
Exploration of possible formal variations to the initial structure.
The Cultural Pavilion for Migrants is now used as a shelter by stranded Haitian migrants in Tijuana.
Posible assemble of basic units into larger dwellings and groups.
SMART LOW-TECH INSTALLATIONS OPEN SOURCE
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Empowering, flexible, atractive and comfortable alternative and traditional technologies adapted to a domestic environment. ENVELOPES AND MATERIALS DEPENDING ON GEO-CULTURAL LOCATION
WATER SOVEREIGNTY: HARVESTING, SEPARATION, POTABILIZTIN AND REUSE.
MICRO-AGRICULTURE
ENERGY CREATION Solar Wind Biogas Urine-gas Kinetik
Gray water recovery Vertical Water Step-Filter
Solar Water-Heathing Graywater Tank Alternative water tanks Rainwater Tank Amount of comsumption Temperatures (Interiors/Water...) Reservoirs (Water/Electicity...)
FLEXIBLE, INFORMATIVE AND READABLE SYSTEMS
- Plant Air-filtering - Physicaly engaging trades embebed in the architecture
$ ALTERNATIVE WC AND SOLID WASTE MANAGEMENT
HEALTH PROMOTING ENVIRONMENT
DIY MANUAL OF TECHNOLOGIES AND ITS MANTAINANCE
VIRTUAL KNOWLEDGE BASE AND COMMUNITY
Designing a house where locally appropriate technologies can be inserted and connected to other devices involves (1) collecting relevant manuals and documenting building practices and resource management strategies and, (2) adapting them to different contexts, including high-end housing.
TECHNOLOGIES
TECHNOLOGIES
Collection of commercial and traditional tetchnologies to create adaptations to semi-urban and urban contexts.
PHOTOVOLTAIC
PANELS RAINWATER
GRAY WATER
HARVESTING
MICRO-AGRICULTURE
REUSE
PLANT
WATER-FILTER
ENVELOPE
WIND
POWER
SOLID WASTE
RECYCLING Food waste recycler
ALTERNATIVE
Water Purifiing Filters
WC SYSTEMS
SMART-LOW TECH
Graywater Tank
INSTALATIONS
Rainwater Tank
LOCALY APPROPIATE
ENVELOPE
Amount of comsumption Temperature (House interior / water) Reservoirs (Water / electicity)
The ROTP will integrate sustainable water and energy management technologies into systems.
huano
bahareque
corrugated panel
Integrating different technologies and materials, depending on its context and its occupants’ needs.
05
Unfoldings and Assemnlages Mexican pavilion for the 2016 Venice Architecture Bienale Location: Venice, Italy Status: Completed Type: Exhibition Curator: Pablo Landa Design: Tuux Project description: The pavilion narrates the “deep history of social participation in Mexico.” The exhibit focus on work and experiences that can change, propagate and adapt, rather than closed systems or final products. It is built around a principal axis of historic manuals. The manuals, and the work connected to them, shifts the focus from architecture’s common perception of unique authors and stand-alone works. The exhibition pavilion itself is built using the same principles of assemblage and dissemination. Using a repeating system of large structural modules and a textured honeycomb structure — all of which are made stable with rigidly flexed plywood panels — the pavilion exhibits notions of adaptability and resilience. Every component of the pavilion can be disassembled, collapsed of folded for easy transportation and storage. Each module is divided in three pieces, reducing the transportation volume by over 80%. Two large walls hold each module, acting as storage spaces for all transit and packing materials, both for the pavilion and furniture, and all the exhibit boxes.
Structure assemblage prosess
Assemblage between beam spam and wall modules
Assemblage detail of box for Flex surfaces
Flex surfaces assambly. Made from thin strips of plywood, these thin elements a rigid structure is created by twisting and bending, which although very strong is both visually and physically lightweight.
Success stories are good. Systems for the multiplication of success stories are better Architecture does not solve social problems People working together solve social problems
Blueprints are the secret language of technicians. Which instruments and technologies might bring broader publics together? Self-building manuals disseminate knowledge for selfdetermination
Successful works of architecture do not depend upon the continuing presence of architects
ASSEMBILING FRAMEWORKS OF COLLABORATION
How can we assemble an open script of participatory architecture? • La Biennale di Venezia appoints Alejandro Aravena
A
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•Theme: Reporting from the Front
Does architecture depend upon the continuing presence of architects?
D E 286 • Registered Participants
• National Call for Entries • Work Meetings, Conferences, Interviews and Media Advertising •Deliberation Sessions
207 • Projects delivered from 26 of 32 states in Mexico
•Open dialogues with participants about contents and participatory architecture
I
C
• Mexico appoints curattorial team and Technical Committee •Drafting of Guidelines and Initial Curatorial Statement
•Exhibition Design and Curatorial Assemblage
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F
•Legal Revision of Admitted Proposals Curatorial Script based on contents: Unfoldings and Assemblages
87 • Entries for Digital Archive
31
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• Official Selection for La Biennale
• Editorial Coordination and Catalogue Design • Programming and Development of Digital Archive
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Is architecture always immersed in social processes and interdisciplinary frameworks?
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• Release of Mexico’s Pavilion in Venice
• Packaging and Shipping
K
Which instruments and technologies might bring together broader publics?
M
• Management and Development of Itinerant Exhibition • Multiplication of Curatorial Knowledge, Experiences and Forums
•Up-date and Broadcast of Digital Archive • Open-Source Development of Projects and Proposals •Set-up and Assemblage of Itinerant Pavilion
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Let’s make knowledge available to facilitate self-determination.
06
silla aAsilla laladiabla Diabla Chair a la diabla network architecture network architecture
Location: Mexico City
“silla latina” “sillacompetition latina” competition Status: Prototype teacher: teacher: Type:Langarica Furniture arch. Rodrigo arch. Rodrigo Langarica Project description:
Francis Alÿs. Ambulantes, 1992–2001 Francis Alÿs. Ambulantes, 1992–2001
Design as a “plug-in” chair to install in hand trucks, A la diabla chair is inspired in the popular proyect description: use of thesedescription: hard lifting device. proyect “Silla a la Its diabla” was design forwork the main propose is to as afor the “Silla a la diabla” was design sixth furniture design manifesto chair or as a hand truck, to lift up, sixth furniture design manifesto load, or seat down to rest. competition UP (Palermo University, competition - UP (Palermo University, Buenos Aires Argentina): "Latin Chair"; Still a work in progress, this"Latin first Chair"; Buenos Aires Argentina): as part of adaptation the class Network with the as part of suggest the classthat, Network Architecture, which considers digital wright design and manufacture Architecture, which considers digital design processes to convert the variation considerations, it could be of the variation design processes to convert and adaptation —i.e. the parametric grate in markets, and convenience adaptation —i.e. the parametric generative,stores, evolutionary design …— or anywhere a hand truck …— generative, evolutionary design into digitalisinto manufacturing processes required, as well as home digital manufacturingtoprocesses to materialise. furniture. materialise. The nameFor comes from the latin slang for nexts prototypes, the design The name comes from the latin slang for hand truck: “diablito”. All around will consider ways hand truck: simpler “diablito”. Allofaround Latinamerica (and thesoworld), isworld), it is fabrication, make ait more Latinamerica (and the commonlyaccessible used in markets for lifting product, easier to for lifting commonly used in markets merchandise. install for anyone to use. merchandise. Since its useSince is so its popular, I decided use is so popular,toI decided to implement implement a seat —cuta in a CNC seat —cutmill— in a CNC mill— so it could work as a chair or a hand so it could work asas a chair or as a hand truck, to lifttruck, up, load, or seat down to to lift up, load, or seat down to rest. rest. This way the chair perfect for all This wayworks the chair works perfect for all marketplaces and hard lifting work. marketplaces and hard lifting work. Prototype
Planos pieza
Patrón
50
Façade module
Proceso 54
Location: Mexico City
62
Status: Manufactured 31
Type: Façade module Project description:
Unión piezas
This façade project was one of my first approaches to Concreteodule module design design methods and digital manufacturing processes. The digital design is based experiments with surface parameters to generate an interesting texture. de Contrachapado The exercise consisted in theComas elaboration of aDescripción: concrete María Paola Luis Gil module of 50 x 50 cm that, La pieza partein delits diseño de un módulo que, al repetirse, funciona como textura Ander Zuinaga para una fachada o acabado interior. repetition, function as a façade. 2017 El acabado de pino y nogal nos permiten distinguir entre las diferentes capas de contrachapado. in Módulo The mould was manufactured Mould Se elaboraron 4 piezas, lo que nos permitió mejorar las condiciones de fabriChapa de nogal foamed polystyrene with a CNC cación en cada etapa del proceso para cada reiteración. Un contratiempo fue el Chapa de pino diseño del molde, pues no contaba con las condiciones adecuadas para que la Millingsayerlack machine. To ensure that Cera transparente prensa de membrana aplicara una fuerza uniforme. Corregir el tamaño y superfiPrensa de membrana cie in del molde, mejoraría las condiciones para que la fuerza de la prensa de the concrete worked the best membrana se repartiera uniformemente. way possible, I used a mixture Pieza de Contrachapado of white cement, sand, and Descripción: fibreglass powder.María InPaola theComas end, Equipo 01 Luis Gil La pieza parte del diseño de un módulo que, al repetirse, funciona como textura Ander Zuinaga the prototype generates very Proceso para una fachada o acabado interior. Año 2017 El acabado de pino y nogal nos permiten distinguir entre las diferentes capas de interesting visuals for a façade, contrachapado. Tipología Módulo elaboraron 4 piezas, lo que nos permitió mejorar las condiciones de fabriChapa de nogal basedMateriales on a game of shadows and Se cación en cada etapa del proceso para cada reiteración. Un contratiempo fue el Chapa de pino diseño del molde, pues no contaba con las condiciones adecuadas para que la Acabado Cera transparente sayerlack changes of surfaces. prensa de membrana aplicara una fuerza uniforme. Corregir el tamaño y superfiProceso Prensa de membrana
Prototype 50
54
62
31
Repetición
Planos pieza
Patrón
Molde
Planos pieza
Patrón
Unión piezas
50
Façade (repetition) 54
Prensa de membr
62
Planos pieza
Patrón
50
31
Planos pieza
50
Repetición
Unión piezas
54
62
54
31
62
cie del molde, mejoraría las condiciones para que la fuerza de la prensa de
membrana se repartiera uniformemente. To experiment with different materials and other manufacturing processes, Wood module design trachapado we use the same pattern of Proceso the facade with a module of Descripción: María Paola Comas Luis Gil plywood. The module for this La pieza parte del diseño de un módulo que,Pieza al repetirse, Ander Zuinaga Procesocomo textura de funciona Contrachapado para una fachada o acabado interior. excessive was changed due to 2017 El acabado de pino y nogal nos permiten distinguir entre las diferentes capas de contrachapado. Módulo María Paola Comas the different material properties Equipo 01 Se elaboraron 4 piezas, lo que nos permitió mejorar las condiciones Luis de Gil fabriChapa de nogal Ander Zuinaga cación en cada etapa del proceso para cada reiteración. Un contratiempo fue el Chapa de pino and fabrication methods. To diseño del molde, pues no contaba con las condiciones adecuadas para que la Año 2017 Cera transparente sayerlack prensa depiece, membranawe aplicara una fuerza uniforme. Corregir el tamaño Tipología Módulo y superfielaborate the used pine Prensa de membrana cie del molde, mejoraría las condiciones paraMateriales que la fuerza de laChapa prensa de de nogal membrana se repartiera uniformemente. Chapa de pino and walnut veneers shaped in a Acabado Cera transparente sayerlack Proceso Prensa de membrana vacuum membrane press.
Repetition
Unión piezas
Molde
Repetición
Proceso
A setback in the manufacturing process was the design of the mould. Thedesize o que nos permitió mejorar las condiciones fabri- and surface proceso para cada reiteración. Un contratiempo fue el did not allow o contaba con las condiciones adecuadas para the que la membrane cara una fuerza uniforme. Corregir el tamaño y superfipress to work uniformly on as condiciones para que la fuerza de la prensa de uniformemente. the piece. Improving these conditions would result in a more standardise object.
de un módulo que, al repetirse, funciona como textura ado interior. gal nos permiten distinguir entre las diferentes capas de
Mould
Unión piezas
31
01
Contrachapado (
Molde Repetición
Descripción:
Repetición
La pieza parte del diseño de un módulo que, al repetirse, funciona como textura para una fachada o acabado interior. El acabado de pino y nogal nos permiten distinguir entre las diferentes capas de contrachapado. Se elaboraron 4 piezas, lo que nos permitió mejorar las condiciones de fabricación en cada etapa del proceso para cada reiteración. Un contratiempo fue el diseño del molde, pues no contaba con las condiciones adecuadas para que la Moldeprensa de membrana aplicara una fuerza uniforme. Corregir el tamaño y superficie del molde, mejoraría las condiciones para que la fuerza de la prensa de membrana se repartiera uniformemente. Prensa de membrana
Vacuum membrane press Prensa de membrana
Pieza terminada
Desplante en molde 01
Desplante en molde
Pieza de nogal
Molde
Prensa de membrana
Desplante en molde
Desplante en molde
Prensa de membrana Contrachapado (1º prueba - mal elaborada)
Walnut piece
01
Pieza de nogal
Contrachapado (1º prueba - mal elaborada)
Pine piece
Pieza terminada
Pieza terminada
Pieza de pino
07
Social Service
social service
10 minimum dwelling units Location: Cuetzalan, Pue. Cooperative Tosepantomin Status: Built location: Cuetzalan, Puebla Typology: Housing
Team: Colaboration with: Santiago Caridad Santiago Caridad Luis Gil Suverville Christophe Christophe Suberville Project description: project Along with descriplion: 2 students we Social service is part every career design, coordinated andofbuilt, programme in Mexico. I 10 minimum dwelling unitschose do in Cuetzalan, Puebla. A small for mine families of the community town in thePuebla mountain of Sierra of Cuetzalan, — arage rural Madre Oriental. town located in the Mexican The project consited in desinging 10 mountain range— minimum dwelling units for TosepanBecause houses werethat with tomin,the a cooperative works with built fonds ofand byhelp Thethem thewith localstate commuity, National obtainHousing state fundCommission for their homes. (CONAVI), we have Because the housescertian were subsidize by limitations to follow: program, The National Housing Commission size,(CONAVI), budget andwetime. have certian limitations to house follow:was program, Each designsize, in budget and time. colaboration with the families, So foraaproper 3 months to make andsummer, unique we work in colaboration the The families, the desingn for eachwith house. cooperative, and get involved with the designs take into consideration comunnity to make a proper and the environmental and social unique desingn for each house. characteristics. The criteria was to produce a flexible housing scheme that suits future families the rules : needs, by useing local materials, two bedrooms within a £ 2,799 budget. one bathroom Thekitchen project was developed as part of the Universidad livingroom Iberoamericana social the criteria: program, in colaboration with flexible housing scheme that suits Unidad Cooperativa Tosepanfuture needs of families. Tosepantomin. use local materials. budget $ 3,500 USD
C
Corte B
http://www.conavi.gob.mx
0
5
Toño’s house Ventana 6, ver plano ARQ-07
Ventana 5, tipo 1
Ventana 2, tipo 1
1,00
1,00 1,20
1,20 1,41
3,52
2
1 04,0
Ventana 1, ver plano ARQ-05
00,1
1 opti ,1 anatneV
04,0
K
K
04,0
Comedor
Junta entre cadena y piso
K
04,0
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Sala
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39,3
04,0
04,0
39,3
04,0
04,0
D
option with
04,0
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B
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39,3
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04,0
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04,0
3,93
04,0
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Cocina
04,0
39,3
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Ventana 5, ver plano ARQ-04
K
3,93
C
2,92
04,0
B
1,41
Ventana 2, ver plano ARQ-04
A
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3
8,00
3,52
A
3
2,92
2
4
1
K
K
1
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Ventana 3, ver plano ARQ-03
B
4
Ventana 4, ver plano ARQ-03
A
C
C
K
F
1,20
1,20 1,00
1,00
1,00
Ventana 3, tipo 1
Ventana 4, tipo 1
2,00 Puerta 1, tipo 1
0,30 0,75
3,93
3,19
0,18
4
3
2
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CORTE C
A
B
C
0,75
1,41
C
B
A
3,66
3,93
3,93
3,93
Ventana 6, ver plano ARQ-07
1,20 1,00 Ventana 2, tipo 1
0,15
0,40
0,40
0,40
Corte D
Corte B
0,40
0,40 0,23
0,23 0,40
0,40
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0,40
corte A
Viga de madera de 5cm x 10cm.
5cm x 10cm. Ajustes cortados de viga de madera de 5cm x 10cm. Con clavo de 10 cm.
Lámina corrugada 5cm x 10cm.
Viga de madera de 5cm x 10cm.
Viga de madera de 5cm x 10cm. Cadena de cerramiento de 15cm x 20 cm.
Viga de madera de 5cm x 10cm. Cadena de cerramiento de 15cm x 20 cm. Viga de madera de 5cm x 10cm.
5cm x 10cm.
08 escola da cidadeschool Acting
V V V
R
Academic exchange year academic exchange são paulo, brazil
Location: São Paulo, Brazil
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escuola de teatro (acting school)
Status: Project
V
teachers: Type: Acting School, Mixed Use arch. Fábio Valentim arch. Pep Pons arch. José Maria Macedo
V
V
VV V
V V V VV
C C
Project description:
V location
The idea of this project is to reproject description: use inabandoned the Thean ideaabandoned of this project building is to re-use an building in thePaulo. city of São Paulo. city of São
V V current situation
Located in the centric neighbourhood of Santa
Cecilia. The Located inmain the program centricfor the building consist in re-using the structure as an acting school; witch neighbourhood of Santa Cecilia. includes an auditorium, classroom, and a The main program forwith thehousing and multipurpose space; mixed commerce. building consist in re-using the The acting school is located beneath a ramp, that structure as anspace acting school; serves as a public for the city while letting the witch includes an auditorium, light enter to illuminate the space below; giving access to the commerce in the first floor. Al the classroom, and a multipurpose public and semi-public programme is presented to space; mixed with housing andyou could you form all perspectives. A place were see and be seen from almost any point. commerce.
b
The commerce and the housing program, is
located in theschool old hotel is rooms, using the existing The acting located accommodation. To give space to the rooms, beneath a ramp, thatmore serves the circulation is situated outside the building and asthea access public space for theis city to the departments located each 3rd level. letting the light enter to while illuminate the space below; giving access to the commerce in the first floor. Al the public and semi-public programme is presented to you form all perspectives. A place were you could see and be seen from almost any point.
The commerce and the housing program, is located in the old hotel rooms, using the existing accommodation. To give more space to the rooms, the circulation is situated outside the building and the access to the departments is located each 3rd level. 0
Teachers: Fábio Valentim Pep Pons José Maria Macedo
5
program hab. 1 hab. 1 (variation) hab. 2 hab. 3 hab. 4 public space: modular shops public space: courtyard and plaza public space: grandstand/multipurpose public space: ramp coffee shops school administration multipurpose auditorium hall workshops
hallacomodation acomodation L 2 - 7. hab. hall
c’ c’
multipourposeauditorium/ auditorium/ multipourpose opengrandstan grandstan open
b’b’ clasicstage stage clasic
L 1. commerce
00 55
centralstage stage central
e e
GF. acting school/ coffe shop
a’a’
aa
catwalk/runway catwalk/runway
e’ e’
S. acting school
00 55
spacialevents events spacial
0
5
concrete floor 5cm
electrowelded wire mesh
beam
structural joint between reinforced concrete beams and load-bearing walls for ramps concrete pad 5 cm electrowelded wire mesh
connection of steel beam with concrete front view
section
reinforced-concrete wall reinforced concrete beam reinforced perimetral beam reinforced concrete wall
IPR 300
reinforced concrete ramp detail
malla electrosoldada firme de concreto 5 cm
reinforced concrete beams for ramps
plates and anchor bolts steel beam
0.03 m 0.05 m
0.40 m
0.25 m
0.03 m
0.30 m
0.15 m 0.05 m 0.15 m 0.05 m
plate
reinforced concrete wall
anchor bolts
0.25 m
retaining wall
reinforced-concrete reticular framework and solid slabs
0.80 m
H 0.30 m
0.10 m
Perimeter beam
08.1
workshop IV Atlampa workshop IV synthesis Workshop IV project synthesis project
housing and urban Location: Mexico City rehabilitation in housing and urban rehabilitation in industial areas: Atlampa. industial Status: areas: Atlampa. synthesis project Project
workshop IV workshop IV
teachers: synthesis project housing urban rehabilitation in Type:arch. Mixed Use, and Urban teachers: Paloma Vera industial areas: Atlampa. rehabilitation, research arch. Paloma Vera arch.housing Arcadio Vera and urban rehabilitation in arch. Arcadio Vera areas: Atlampa.1880 arch.industial Raúl Acevedo teachers: Project description: arch. Raúl Acevedo arch. Bernardo Lanzagorta arch. Paloma Vera arch. Bernardo Lanzagorta teachers:
Housing and urban rehabilitation arch. Arcadio Vera arch. Paloma Vera arch. Raúl Acevedo of industial areas: Atlampa project descriplion:
1880
1880
1900
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1910
1910
arch. Vera arch.Arcadio Bernardo Lanzagorta 1880 1900 1910 project Atlampa descriplion: Atlampa is naibourhood arch. Raúl Acevedo is neighbourhood inin the in the Atlampa the is naibourhood inside theofofinMexico the upper westBernardo Mexico City arch. Lanzagorta upper west side upper west sidecenter. of Mexico City In the beggining of project descriplion: City. In the beginning of the XXthe XX center. In the beggining of the XX century, Atampa was the main Atlampa is naibourhood century, Atampa was the main in the in the project descriplion: century, Atampa was thedistrict main upper west side Mexico City industry wereoftrains arrived district were trains Atlampa is the naibourhood in the the industry industry districtwith were trains center. beggining of warethein XX cargo toInarrived delivered to the proyect: La Maravilla factory upper west side of Mexico City arrived with cargo to delivered to century, with cargo to delivered to theAtampa ware- was the main proyect: La Maravilla factory houses. urban rheabilitation zone center. In district the beggining of the XX industry were trains arrived houses. the warehouses. urban rheabilitation zone In 1940 housing andwas other infrastruccentury, Atampa theto main cargo to delivered the wareproyect: La Maravilla factory Mexico City Cuahutemoc municipality Atlampa naibourhood In 1940 housing and other infrastructure iswith build for the working class, just In 1940 housing and other industry district were trains arrived houses. urban rheabilitation zone Mexico City Cuahutemoc municipality Atlampa naibourhood (downtown) ture is build for the working class, just La Maravilla factory to bewith abandoned in following cargo to delivered to theinfrastrucwareproyect: La Maravilla factory infrastructure is build forthe (downtown) In 1940 housing and other to be abandoned in the following dacades due to a migration of the houses. urban rheabilitation zone Mexico City Cuahutemoc municipality Atlampa naibourhood the working class, justfor tothe be working class, just ture is build La Maravilla factory use use, disuse, underuse and abuse dacades due toindustry a migration of outside the andthe (downtown) sector city. The Intoin 1940 housing other infrastrucabandoned the following be abandoned in the following urban edg use use, disuse, underuse abuse groundand floor ofCity an urban void potential spaces Mexico Cuahutemoc municipality Atlampa naibourhood disuse industry sectorcunstruction outside the city. The ture is build for working class, La Maravilla factory of andground dacades dueaxis tothe aroads migration of thejust floor of an urban void potential spaces decades due to a migration of the disuse (downtown) use underuse be abandoned inlate the following cunstruction ofsuburban axistoindustry roads and use, disuse, underuse and abuse trains in the 80’s andThe sector outside the city. abuse underuse industry sector outside the city. ground floor of an urban void potential spaces disuse dacades duefractures to migration of the suburban trains90’s in the latenew 80’s and creats between the cunstruction ofa axis roads and abuse u use use, disuse, underuse and abuse The construction of axisoutside roadsthe city. The underuse industry sector 90’s creats new fractures between the naibourhood and the suburban trains incity, the leaving late 80’s and ground floor of an urban void potential spaces disuse abuse and suburban trains in late cunstruction of the axis roads anda naibourhood and the city, leaving 90’s creats new fractures between the Atlampa as an urban void with underuse suburban trains in the late 80’s and 90’s creates new fractures abuse Atlampa 80’s as anand urban void withfor aand naibourhood the city, leaving huge potencial development. 90’s creatsas new fractures between the between the neighbourhood and Atlampa an urban void with a huge potencial for development. The naibourhood idea of the workshop is to work, andforthe city, leaving huge potencial development. city, leaving Atlampa as an The ideathe of the workshop ispropose to work, analize, and an strategy in Atlampa asofanthe urban void with The idea workshop is toawork, urban voidhuge with a huge potential analize, and propose an to strategy in Atlampa regenerate and reshape potencial for development. analize, and propose strategy in Atlampa for to regenerate and reshape development. this industrial area in the an heart of work, The idea of the workshop is reshape to Atlampa to regenerate and this industrial area in the heart of Mexico City. cultural an analize, and propose an strategy in areawas in the heart of The idea ofthis theindustrial workshop Mexico City. Atlampa to regenerate and reshape Mexicoand City.propose to work, analyse, this industrial area in the heart of c an strategyMexico to regenerate and City.
reshape this industrial area in the heart of Mexico City.
urban strategy
urban strategy uses rearrangement urban strategy uses rearrangement uses rearrangement
urban strategy uses rearrangement housing w/comerce mix-use housing w/comerce housing w/comerce infrastructure mix-use mix-use infrastructure infrastructure reinterpreted housing housing w/comerce mix-use
reinterpreted housing proposed public space reinterpreted housing infrastructure proposed public space proposed public space open confined areas housing ofreinterpreted gatedconfined dwelling open areas of gated public dwelling open confined areas proposed space of gated dwelling open confined areas of gated dwelling
Teachers: Paloma Vera Arcadio Vera Raúl Acevedo Bernardo Lanzagorta
housing ty
h
1910
1930
1910
1930
lla factory n zone a factory ood zone
1950 1950
2010 2010
La Maravilla factory
od
La Maravilla factory
urban edges and axis roads
use deruse use e eruse e
urban edges and axis roads
workshops library multipurpose auditorium cultural and architectural heritage restaurants/commerce housing cultural and architectural heritage office hub GYM study center ground floor
housing types
workshops library multipurpose auditorium restaurants/commerce housing office hub GYM study center
ground floor
housing types
workshops library multipurpose auditorium restaurants/commerce housing office hub GYM study center ground floor
project plan project plan
08.2
Gallery in Romita
workshop I
Workshop I
how is an object inserted into
Location: context? Mexico City Status: Project Gallery in plaza 100 sqm
reception
romita
Type: Art Gallery, Urban square teachers: arch. Gerárdo Goyeneche arch. Hesner Sánchez Project description: arch. Alejandra Elizarraraz How is an object inserted into context? project descriplion: The main idea of the proyect, is As part of my first workshop, I to find a dialogue between designed an art gallery in Plaza poject and context. Romita, a cultural heritage To do that, we were asked to square in Mexico City. The main design a 100 sqm art gallery in idea of the to findPlaza a the hart of project ColoniaisRoma: dialogue between the tradition of Romita. the square and the contemporary Colonia Roma, whose art scene; thebegan designinmust construction 1902,not at exceed the 100 sqm. other times demonized by his reputation as violent and Though it was my first workshop dangerous, is now the at Architecure school, epicenter it yielded of Mexico City’s art scene. the bases for my design approach Romita neighborhood has a to future projects: architectural pre-Hispanic origin: it was the forms made from lightweight old village of Atzacoalco, "place structures, the use of new of herons', until 1530 when Fray materials, zenithal light, and the Pedro de Gante built a shrine for development of modular spaces. the worship of the Nativity and All this Incarnate. laid the ground for the theof Word projects that were tooffollow. In 1944, the church Romita, monument was declared, and the square was called typical area; in 1980 both are recognized as monuments of the cultural heritage of Mexico City. The galley then, has to dialogue with the tradition of the square, and at the same time be a place that serves as plataform for “new things” to appear.
Teachers: Gerárdo Goyeneche Hesner Sánchez Alejandra Elizarraráz
restrooms
storage
exhibition room
ground floor
administration
exhibition room
level 1
08.3
Representation expresión III III
“Becherseries” series” “Becher
imitation as a way of learning
imitation as a way of learning teacher: arch. Juan Carlos Tello
Rules:
Lerning from coping other styles : Becher series: understanding of rules: repetition.
4 Excercises. Lerning from coping other styles: Unfolding: undertanding of layers.
Unfolding unfolding
Chillida relationship 1. Becheresculpture: series: understanding of between different materials. repetition.
2. Disassemble: undertanding of layers. 3. Chillida esculpture: relationship between different materials. 4. Views: abstraction of a living space.
Views: abstraction of a living space.
“Chillidaesculpture” “Chillida esculpture”
house views
Views of my house windows
Teacher: Juan Carlos Tello
Representation expresión IV IV nothing out of the paper sheet
nothing out of the paper sheet
(Visual) representación of “nothingness” or “emptiness”
teacher: arch. Iván Hernández
Rules:
1 diferent excercise each week in an A4 peper sheet. rules: 1 diferent excercise each week in an A4 peper sheet.
(visual) representación of “nothingness” or “emptiness”
Atmosphere
atmosphere
Prosthesis
Teacher: Iván Hernández
prosthesis
09 Luis Gil Sánchez Mejorada
housing typology
gilsm.luis@gmail.com + 52 1 55 4340 7964 2009
2010
2011
2012
· Start of undergraduate degree, Architecture school, Universidad Iberoamericana (UIA), Mexico City workshops library multipurpose auditorium restaurants/commerce housing office hub GYM study center
· Academic exchange, Ecola da Cidade, São Paulo
· President of the Student union
typology nº1: 70 sqm
2013
two rooms
one room
typology nº2: 60 sqm
three rooms
two rooms
typology nº3: 80 sqm
ground floor
· Workshop VIII 0
· Workshop I
5
typology nº4: 40 sqm
· Workshop & enviroment
· Workshop IV
typology nº5 & 5.1: 45 sqm & 60 sqm
typology nº6: 20 sqm (students)
· Cartagena summer workshop Universidad de los Andes, Colombia · Representation III
· Representation IV · Student Union 2011 · Student Union 2010
colect vo
954
· Foro entre/2010-2011
CONFERENCIA PEZO VON ELLRICHSHAUSEN: Ni Más, Ni Menos (Concepción Chile) Sábado 30 de abril 2011 19:30hrs Museo Experimental El Eco
Sullivan 43, Colonia San Rafael, Delegación Cuauhtémoc
· Liga 01 & 02
Colaboración de LIGA, espacio para arquitectura DF, Museo Experimental el Eco (DGAV-UNAM) y Colectivo 954 (Universidad Iberoamericana)
2014
2015
2016
2017
2018
· Teacher assistent Urban project workshop
· Material Transformation Technologies Specialty
· Independent architect · BA dissertation: “Cities for Sale” birdhause.mx/luisgil La tienda es la unidad mínima de
Área de compras por persona
Área de compras por persona
tienda ancla
Proceso DuaneHanson Hanson Young Shopper Duane Young Shopper
EE.UU
1.96
Latinoamerica
0.06
México
0.15
Europa
0.2
Asia
.02
China
.04
Otros
.0003
2
Área promedio de un mall en Estados Unidos: 5,222.35 m como factor el Allianz Arena de Munich: 58,566 m MALL promedio en EEUU = 0.7 x Allanz Arena
Prensa de membrana
Desplante en molde
metros cuadrados por persona
tienda
Molde
· Wood workshop
Unidad mínima de ventas al por menor
consumo. Es en las tiendas dónde las lógicas del shopping se adoptan y toman forma. La tienda ancla maximiza el espacio de venta del centro comercial a partir de la variedad que ofrece, desde el espectáculo hasta el comercio. Cualquier combinación entre estos dos tipos de tiendas genera un centro comercial.
Área promedio de una tienda minorista, Estados Unidos: 110 m Tienda promedio de mall en EEUU= 0.002 x Allianz Arena
· Façade module
Explosivo
· Room of the present 2
· El centro del espacio
(área chica estadio)
Pieza de nogal
2
Área Mall of America en Estados Unidos: 232,250 m
· Ceramics
Contrachapado (1º prueba - mal elaborada)
Pieza de pino Pieza terminada
· Mexican pavilion at the 2016 Venice Bienale
· Silla a la diabla ·Arquitectura 911sc (a | 911) Internship
· T81 roof terrace
· Casa Güicho
· Social service Cuetzalan Puebla
· Apartment B507