Full Score
Gilad Cohen
Ten Variations For Oboe, Piano and String Quartet (2011)
Length: Approx. 14 minutes
2
Performance notes:
GENERAL: 1. All the variations should be played in a row (attacca), with no longer breaks than indicated. 2. Boxed passages should be played in regardless of tempo and barlines, with no attempt to match the rest of the instruments.
STRINGS PIZZ.: - Pluck first note, gliss to the following note and pluck again. ( )
- Pluck first note, then gliss until reaching the second (without plucking again).
VIOLINS: In the boxed passages in Variation no. 1, for diamond noteheads apply "harmonic pressure" on strings, while sound is alternating between actual harmonics and nearly white noise.
VIOLA: 1. A standard guitar pick is needed in Variation no. 10. The violist might find that strumming chords with a pick is easier when holding the viola on his/her lap, like a guitar.
www.giladcohen.com email: gilad@giladcohen.com Š 2011 All rights reserved, ACUM
3
Ten Variations For Oboe, Piano and String Quartet Gilad Cohen 2011
Variation no. 1 Andante, Dark and Mysterious (q.=44)
Oboe
pizz.
Violin I
simile
p let vibrate
simile
mp * 3
IV like echo* pizz.
Violin II
3
Viola
pp
Violoncello
Piano
gliss.
3
3
3
3
3
3
3
3
L.V.
strings inside the piano p pluck with nail
arco
pizz.
3
3
3
3
3
3
3
3
3
3
3
mf soli, dark, mysterious
3
p soli, dark, mysterious
vib.
3
3
3
3
* - Violin II's part should sound like an echo of violin I with two repetitions; thus, among the two violins, each note is softer than the previous one. © 2011 ACUM, all rights reserved. www.giladcohen.com
Updated May 2012
4
7
Ob.
Vn. I
Vn. II
3
3
Vla.
Vc.
Pno.
simile p
gliss.
3
3
3
3
3
3
L.V.
3
3
3
3
3
3
3
3
(less than half step)
5 11
Vn. I
Ob.
A
arco
p dark
Vn. II
3
3
3
3
3
Vla.
Vc.
f soli
Pno.
ord.
mp
mf dark
3
(pizz.) p
f soli
3
3
mp pizz.
3
3
3
3
poco
poco
6
rubato, ruminating 14
Ob.
sul E sul A
Vn. I
fp
Vn. II
subf
Vc. subf
Pno.
submf
pp
p
(sul pont.)
pp
For diamond noteheads, apply harmonic pressure on strings, while sound is alternating between actual harmonics and nearly white noise. rhythm ad lib. (ignore other instruments)
(sul pont.) trill half step all through gliss.
pp
For diamond noteheads, apply harmonic pressure on strings, while sound is alternating between actual harmonics and nearly white noise.
simile
3
3
3
pp like echo*
mp
p like echo*
pp
trill half step all through gliss.
rhythm ad lib., echo 2nd violin
pp
3
Vla.
pp
arco sul pont. myesterioso
sul pont. mysterioso sul E sul A
3
3
3
3
3
simile
3
3
3
3
3
3
(p) f
(p)
* - The combination of the viola and cello's parts should sound like an echo with two repetitions; thus, each fifth is softer than the previous one.
3
f
3
3
pp
mf soli; dark
7 Freely, but together with piano
19
Ob.
p dark
Vc.
fp
3
3
f soli
mp
3 3 p
(p)
3
3
3 3 f soli
Freely, but together with oboe
f
3 simile 3
pp
ff
pp
ff
Pno.
simile, sul pont.
p (sudden stop)
Vla.
p (sudden stop)
gliss.
mf
pp
gliss. Vn. I
Vn. II
poco
3 3 poco
f
mp 3
subf
3 3 p subf
mf
pp
8
25
Ob.
B
Vn. II
Vla.
p
p
3
3
3
3
p (sudden stop)
Vc.
3
3
3
3
gliss.
p (sudden stop)
3
(p) f
simile
3
3
pp
3
3 (p)
f
simile
Pno.
f
4
p
ff
ff
mf
(sul pont.)
gliss. gliss.
pp
(sul pont.)
4
(sul pont.)
4
pp
3
mf
simile, sul pont.
Vn. I
simile
f
9
30
Ob.
Vn. I
(sul pont.)
Vla.
ppp
pp
mf
(no dim.)
3
3
3
3
3
3
3
3
3
3
(no dim.)
3
3
f
p
mp
3
3
(sul pont.)
p
3 Vc. p
Pno.
p
p
Vn. II
3
3
3
(no dim.)
mf
3
10
C Variation no. 2 35
Ob.
mp
sudden stop
Vn. I
Allegro, Rocky and Driven; keep a very steady beat (q=140)
simile
III
pizz.
mf giusto
sul E
Vn. II
sudden stop
Vla.
arco ord.
ppp
Vc.
Throughout this variation, the open C may be played as left-hand pizz. Alternatively, the pattern can be plucked with three fingers. (pizz.)
simile
pp
sudden stop
sul G
arco
ppp
Pno.
pp
mf giusto
sudden stop
11
40
Ob.
II I Vn. I
f
Vn. II
Vla.
p
f
II
mf
f
f
I
Vc.
Pno.
II
f
f
12
D
45
Ob.
pizz.
mf
Vla.
mf
f
pp
arco
f
pp
f
molto
Stop bow on string, producing scratchy sound
p
arco
f
p
f
Vc.
pp
p
f
molto
mf
pizz.
mf
f
subp
Pno.
pp
IV IV Vn. I f subp
Vn. II
pp
molto
f
Stop bow on string, producing scratchy sound
p (not too short)
13
50
Ob.
Vn. I
Vn. II
pp f pp simile
f
pp
pp
pp f pp simile
f
simile
simile
pp
pp
pp
3
pp
poco a poco cresc.
3
pp
pp
f
3
pp
3
pp
f
p poco a poco cresc.
pp
f
3
f
Pno.
I II
pp f pp simile
Vla.
Vc.
f
pp
14 54
Ob.
f
Vn. I
Vn. II
pp
pp
Pno.
pizz.
f
f
Vc. f
pp poco a poco cresc.
pp
f
f
Vla.
pizz.
f
3
3
3
f
mf
3
3
3
3
f
f
3
f
3
f
arco
IV
p poco a poco cresc.
15
58
Ob.
Vn. I
Vc.
Pno.
Vla.
p
(match dynamics to cello)
Vn. II
gradually to IV
mf
IV
sul pont.
mf
f
E Variation no. 3
16
Same tempo, festive, driven
62
Ob.
flz.
fp
ff shrilling
arco
Vn. I
sul pont. spiccato
ff shrilling
p
Vc.
arco
Vn. II
f
arco
Vla.
f driven
f
ord.
f driven
f
Pno.
ff
p
f
p
17
Ob.
Vn. I
Vn. II
Vla.
f
sffz mean
f
p
sffz mean
ord.
Vc.
Pno.
ord.
66
ff espress.
ff espress.
arco sul G
pizz.
ff espress.
sffz III IV
sffz mean III IV
sffz mean
sffz
sffz
ff
f
f
18 69
Ob.
Vn. I
3
Vc.
fp
f
Pno.
3
3
3
3
3
Vla.
Vn. II
f
fp
ff
f
pizz.
p
ff
ff
mf
mf
f
gliss.
19
F Variation no. 4
72
Ob.
fpp
Vn. I
con sord.
slow glisses gliss.
arco
sffz
slow glisses
Vn. II
mf sounding as if from far away
gliss.
p as echo of 1st violin
Vla.
pizz. f
Vc.
pizz. f
Pno.
tenuto subp
ff
pp
con sord.
arco
mf sounding as if from far away
20 79
Ob.
Vn. I
fpp
pizz.
arco
port.
pp (blend within piano and pizzicato)
port.
Vc.
pizz.
Pno.
p
f
p
gliss.
sffz
III pizz. IV
(1/4 tone sharp)
f
mp
arco sul C port.
mf
port.
I II
sffz
Vla.
Vn. II
G
3
(1/4 tone sharp)
gliss.
p
p
(still tenuto)
21
85
Ob.
Vn. II
Vc.
Pno.
senza sord.
senza sord.
sul pont. allow random harmonics
gradually to
Vla.
sul pont. allow random harmonics
gradually to
Vn. I
22
88
Ob.
Vn. I
Vn. II
Vla.
Vc.
Pno.
Variation no. 5
pp molto f * ord. non vib.
Vn. I
pp molto arco non vib.
Vn. II
pp molto ord. non vib.
pp
f *
pp
Vc.
Vla.
pp molto arco non vib.
pp molto
Pno.
p
pp
pp
f *
f *
pp
f
pp
pp
f *
pp
pp
pp
Ob.
H Moderato (q=100), tense and dramatic 91 non vib.
23
3 pp
pp
pp
3
f simile
pp
simile
pp
pp
3
f
f
pp
pp
pp
pp
pp
f
pp
pp
f simile
simile f
pp
pp
3
pp
pp
3
pp
pp
3 3
pp
pp
f
pp
f
f
pp
pp
pp
f
mp espress.
ord. vib.
f
pp
ord. vib.
pp
f
ord. vib.
f
* Regardless of notes' length, each chord begins with PP and ends in F; The result is a fast crescendo for short chords and a slow crescendo for long chords. Strings: At the end of each crescendo stop bow on the string, producing scratchy sound.
ord. vib.
pp
ord. vib.
f
pp
24
99
Ob.
Vn. I
Vn. II
Vla.
f pp
f pp
f
Vc.
Pno.
f pp
pp
f
f pp
pp
f
pp
f
mp
mf
3
3
3
pp
f
f pp
f pp
3
f
f
f
pp
3
3
pp
mf
pizz.
pp
f
mf
pizz.
f
f pp
3
ppp mp (match dynamics to strings)
mf mf
pizz.
mf
f
25
Variation no. 6
Ob.
Vn. I
I Andante, groovy, laid-back (q=88) 107
quasi col legno battuto
p
Vn. II
quasi col legno battuto
p
Vla.
pizz.
f
f
mp
p round, warm, full sound
all pizz. (pluck let vibrate as possible both chords)
vib. Vc.
simile
mf round, warm, full sound
knocking on the wood while pedal is depressed, causing as much resonance as possible
p
Pno.
f
mf
26
113
Ob.
Vn. I
simile
p
Vn. II
Vla.
p
II III
p
5 3 pp
p
mp
sfz
simile
quasi col legno battuto richochet
f
p
Pno.
Vc.
f
simile p
5
3
f
ord.
II III
mp
sfz
p
pedal ad lib.
27
J
119
Ob.
Vla.
ric.
p
3
gliss.
f espress., intense (blend with oboe in an equal dynamic)
Vc.
Pno.
f cantabile
con sord.
Vn. I
Vn. II
SOLO
mp
3
5
gliss.
3
mp
mp
5 3
f
gliss.
f
3
(1/4 tone flat)
gliss.
p
f
ric.
3
(1/4 tone sharp)
5
f
II,III
sfz
28 b 126
124
Ob.
f
Vn. I
3
Vla.
5
p
Vc.
Pno.
f
ric.
Vn. II
gliss.
mf
(1/4 tone flat)
gliss.
III mf ric.
3
3
5
f
ric. 3
5
p
ric.
5 3
3
II III
sfz
29 131
Ob.
Vn. I pizz.
f round, warm
Vn. II
f p
quasi col legno
Vla.
p
quasi col legno battuto 3
pp
(no dim.)
(change bows as needed)
p
mf
mp
vib.
f
Pno.
subf
Vc.
30
139
Ob.
Vn. I
arco
gliss.
3
Vn. II
Vla.
5
3
5
Pno.
sfz
ric.
3
p mp
p
Vc.
3
stop
5
stop
,
,
,
,
,
vibrato, espress.
f intense
ric.
,
vibrato, espress.
f intense
Lunga
31
Variation no. 7
Ob.
K Andante rubato (q.=45), ruminating 145 (TACET var. 7)
Vn. I
Vn. II
Vla.
Vc.
(3+3+3+2+2)
Pno.
p ruminating, rubato R.H.
(p)
ord. con sord.
arco con sord.
arco con sord.
mp dolce
(con sord.)
4
4
32 Ob.
149
Vn. I
VIOLINS: Gliss as slow as possible, ignoring the beat and the other instruments, from the indicated harmonic to the highest one on the E string, switching seemlessly between strings, and fade out when approaching the end of the fingerboard. Change bow when necessary, seamlessly as possible. Repeat as many times as needed until cue. The overall result of the strings should sound like constant ascending glissandos with no beginning or end. sul pont.
gliss.
p
gliss.
sul pont.
Vn. II
Vla.
p
VIOLA & CELLO: Gliss as slow as possible, ignoring the beat and the other instruments, and fade out when approaching the end of the fingerboard. Change bow when necessary, seamlessly as possible. Repeat as many times as needed until cue. The overall result of the strings should sound like constant ascending glissandos with no beginning or end. sul pont. gliss. sul A, D gliss.
p
sul pont. sul A
Vc.
(p)
gliss.
p
pp
3
3
Pno.
mp
subp mf ( )
33 152
Vn. I
Vla.
Pno.
Vn. II
Vc.
Ob.
3
5:3
mp
subp mf ( )
34
After piano stops: 10 seconds 156
Vn. I
fade out in the last 5 seconds
fade out in the last 5 seconds
fade out in the last 5 seconds senza sord.
Vla.
fade out in the last 5 seconds
pp
4:3
4:3
almost nothing
poco a poco dim.
(R.H.)
senza sord.
senza sord.
Pno.
Vn. II
Vc.
Ob.
3 seconds
senza sord.
35
Variation no. 8
L Moderato rubato, sad (q=100) p solo, espress., sadly
161
Ob.
Vn. I
Vn. II
ord.
pizz.
f (match to cello)
3
p
arco
p
Vc.
Vla.
Pno.
p
pizz. p
ord.
p
36 165
Ob.
Vn. I
Vn. II
Vla.
f
Vc.
Pno.
pp
III
II
I
mf
p
pizz.
f
II
II
f
mf
p
p
37
M Variation no. 9
Allegro, Energetic (h.=60)
169
Vn. II
Vla.
Vc.
arco
pizz. f
f
f
f energetic, playful, quasi minuet
Pno.
Vn. I
Ob.
38
N Quasi "Waltz" 178
Vn. I
Vn. II
6
p ric. .....
mp (as wide vibrato)
f
ric. ..... 6 arco
Vla.
Vc.
(pizz.)
III
f heavy
Pno.
sfz violently
f
p
p
simile
pizz.
mp
sfz violently
sul G sul pont. harm. gliss.
sul A simile
sul D sul pont. harm. gliss.
pizz. sul pont. simile
p
6
6
III
f
6
p ric. .....
mp arco
sfz violently
ric. ..... 6 arco simile
f
f
f
Ob.
sfz violently
f
p
III
39
181
Ob.
mf solo, spicey, like a weird dance
sul E
Vn. I
f
p
simile
Vn. II
pizz.
mp
f
6
3
3
3
flz.
ord.
f
pizz.
subp
f spicey
f
simile
p
Vc.
Pno.
6
III
f
f
Vla.
mf steady
40
187
Ob.
p cantabile
p
poco rit.
f strict fp
f
O Spirited
Vn. II
sul pont.
pp
p
Vla.
pp
Vc.
Pno.
p
pizz.
p
p
f
f
mf
f f II
sfz
subp
arco sul pont.
IV
III
arco
Vn. I
f
f
I
41
196
Ob.
p elegant
pizz. Vn. I p f
Vn. II
Vc.
Pno.
p
p
p
pizz.
f energetic
f
f
f
poco a poco cresc.
f
f energetic
f energetic
arco
p elegant
f energetic
poco a poco cresc.
p
Vla.
f energetic
p
pp
42
Ob.
arco Vn. I
sul G sul pont. harm. gliss.
arco (as wide vibrato)
6
f
Vla.
p
Vc.
arco
6
f
III
Pno.
6
f
p
pizz.
p
6
6
f
III
pizz.
p
arco
(as wide vibrato)
6
f
mp
arco sul pont.
f
sul D
sul G
f
f
simile
sul pont. simile
ric. .....
sfz violently
(let strings vibrate)
p
mp
sfz violently
f heavy
arco
f
ric. .....
mp
sul G sul pont. harm. gliss.
6
p
sul A sul G
sul D simile p
Vn. II
P
208
p
6
f
III
pp
6
p ric. .....
sfz violently
ric. .....
sfz violently
43
211
Ob.
f
f solo
p
simile
f
p
pizz.
mp
Vc.
f
III
Pno.
f espress.
f
p
6
f espress.
arco
fmp
9
L.H.
ff spirited
ff
3
ff spirited . gliss
(p)
f spirited
p
mf
ff spirited
arco
f
ff spirited
pizz.
f
f
sul pont.
Vla.
6
6
Q Poco Sostenuto, Giusto, Spirited mf
sulE sul G
Vn. I
Vn. II
poco rall.
6
6
44
p dolce
215
Ob.
Vn. I
3 sul G
3 3
3 sffz III III 3
3
3
3
sffz
Vn. II
Vc.
Vla.
Pno.
6
sffz
mf
sul G
6
3
3
3
3
3
3
3
3
3
3
3
3
3
sffz
3
3
mp
mf
f
ff p
ff
ff
mp
ff
3
p
ff
f 3
p 3
6
f
45
219
Ob.
Vn. I
Vn. II
Vc.
3
Pno.
3
3
3
3
3
3
3
mf espress.
ff
ff
mf espress.
f
f
3 3 3 3
subp giusto, rhythmic
3
3
f
3
3
3
3
3
Vla.
3
3
46
223
Ob.
R
ff solo
Vn. II
ffp intensivo
Vla.
# #
sffz submf brilliant, a la Mozart
soli
f
f espress.
ffp intensivo
Pno.
f
gliss.
f
ffp intensivo
Vc.
f
subp
Vn. I
ffp intensivo
f
47
226
Ob.
ff espress. soli
Vn. I
Vn. II
Vla.
ff espress. soli
f energetic
f energetic
f energetic
f giusto
f
Pno.
f energetic
f
Vc.
48
230
Ob.
(counterpoint)
Vn. I
Vn. II
Vla.
ff
Vc.
Pno.
ff molto espress., soli
#
ff #
ff molto espress., soli
ff
ff molto espress., soli
ff molto espress., soli espress.
(counterpoint) 6 ff
p
espress.
S
ff
f
pizz.
p
sffz
49
236
Ob.
f cantabile, elegant
Vn. I
pizz.
mp rhythmic
mp rhythmic
pizz.
Vn. II
Vla.
pizz.
p rhythmic (match dynamics to voilins)
Vc.
Pno.
(4)
(8)
50
246
Ob.
Vn. I
rall.
poco a poco cresc.
Vn. II
poco a poco cresc.
Vla.
Vc.
poco a poco cresc.
(12)
f
ff
ff (20)
poco a poco cresc.
Pno.
ff
(16)
flz.
mp
ff
51
Ob.
T A tempo, poco sostenuto 256 ord.
ff joyful, festive
Vn. II
arco
ff joyful, festive
arco
Vla.
ff joyful, festive
Vc.
ff joyful, festive
3
3
ff
3
3
fp
ff
3
3
3
ff
fp
3
3
arco
Pno.
3
ff joyful, festive
3
fp
ff
3
3
3
3
3
f
6
f joyful, festive
6
Vn. I
arco
3 fp
p
52
260
Ob.
ff
Vn. I
Vn. II
Vla.
Vc.
ff
ff
3
3
3
f energetic
3
6
3
ff
f
3
III
3
3
3
ff
3
(funny sound)
,
f comic
3
3
3
3
flz.
3
3
sul G
sul G
f
Pno.
ff
ff
3
,
,
,
,
,
sffz comic
ff
p comic
53
ff
Vn. I
Vla.
ff
ff
Vc.
ff
Pno.
ff
3
3
ff
3
3
ff
3
ff
Vn. II
3
3
3
ss.
Ob.
3
gli
U
265
54
270
Ob.
subp
Vn. I
3
Vla.
subp
molto
ord. vib.
non vib. Vn. II
3
subp
molto
p espress.
Vc.
p espress.
Pno.
subp
3
3
ord. vib.
non vib.
flz.
f
3
f
molto
ff
,
( )
( )
sffz comic
ff
,
( )
,
( )
ff
ff
f
p comic
ff
ff
# f
ff
sffz comic
ff
ff
,
mp
ff
f comic
,
ff
molto
simile
( )
3
ff
3
f
#
V
,
( )
f
f
p R.H.
55
276
Ob.
f
ff
7
3
ff
sul pont. (non legato) Vn. I f
ff
# #
Vn. II
f
ff
b
Vla.
ff
Vc.
ff
Pno.
3
3
3
3
3
sffz
3
ord.
3
sul pont.
ord.
ff shrilling
sul G
3
3 3 3 3
3 3 3 3
f
3
ff shrilling
f
7
f
3
56
280
Ob.
Vn. I
Vn. II
Vla.
Vc.
3
3
3
3
3
ff
ff
ff
3
p comic
ff
3
3
mf
f comic
3
simile
3
3
mf
Pno.
3
ff
p comic
57
Rubato
283
Ob.
Vn. I
Vn. II
ff
gliss.
III
gliss.
ff
gliss.
Pno.
ff
f
I II
gliss. gliss.
pp
intensivo
f
drop bow, take guitar pick
pp
ff
pp
intensivo
II intensivo
f
Vc.
ff
Vla.
f
58
Variation no. 10
W
Allegro giusto, groovy and energetic, keep a very steady beat (q=140)
287
Ob.
Vn. I
Vn. II
pizz.
f giusto, soli
II
II
pizz. using a guitar pick
Vla.
mf
f giusto
Vc.
Pno.
f giusto, soli
3
59
295
Ob.
Vn. I
p
f playful
f
Vn. II
pizz.
pp
f
Vla.
Vc.
Pno.
pizz.
p
f playful
p
3
60
301
Ob.
p
Vn. I
Vn. II
Vla.
p
arco non vib.
arco
ord. vib.
pp
non vib.
f
ord. vib.
pp
3
3
f
f
ff
Vc.
Pno.
f ff
3
III arco IV
3
61
X
Vn. I
sul G
sul G
307
Ob.
f giusto, ritmico
f giusto, ritmico
ord. vib.
Vn. II
f giusto, ritmico
Vla.
f giusto, ritmico Vc.
f giusto, ritmico
mf giusto, ritmico
simile
Pno.
62
310
Ob.
Vn. I
Vn. II
Vla.
Vc.
Pno.
IV III
f
sfz
sfz
simile
III IV) simile
(IV III
f
63
314
Ob.
III IV simile Vn. I III IV simile IV III
Vn. II
f
Vla.
Vc.
(4)
Pno.
ff
like bells
loco
3
3
64
318
Vn. I
ff
Vla.
(8)
sffz
Pno.
Vn. II
Vc.
Ob.
(omit if needed)
take bow
ff
3
3
65
Y Poco Sostenuto 321
Ob.
ff solo, espress.
3
espress.
5 3 5 3 5 Vn. I 3
f giusto (don't overpower oboe)
Vn. II
5 3 5 3 3 5
f giusto (don't overpower oboe)
Vla.
arco
5
f giusto (don't overpower oboe)
Vc.
5
3
5
3
5 5 3 5 3 3 f giusto (don't overpower oboe)
Pno.
3
5 f giusto (don't overpower oboe)
5
3 3
3 5 3 5
5 3 3 5
66
326
Ob.
Z A tempo, driven
3
3 Vn. I 3
5
Vn. II
Vla.
5 3 3
ff determined
ff determined
3
5
3
5
3
3
ff determined
Vc. 5
Pno.
3
3
3
3
3
ff determined
ff groovy
3
5 3
67
331
Ob.
Vn. I
III
Vn. II
Vla.
Vc.
Pno.
(don't slow down)
pizz.
f playful, espress.
f
pizz.
f
68
336
Ob.
Vn. I
Vn. II
Vla.
3
Vc.
f espress.
mf
espress.
f playful
Pno.
mf
f playful
arco
69
343
Ob.
Vn. I
pizz.
Vn. II
mf
Vla.
Vc.
f
3
ff
3
pizz.
mf
f
mf (counterpoint)
arco
mf soli, cantabile
ff
groovy, guisto
p
groovy, guisto
ff
Pno.
f
ff
mf soli, cantabile
ff
3
arco
3
f joyful
mf
AA (Theme)
mf (counterpoint)
70
349
Ob.
Vn. I
Vla.
Pno.
Vn. II
Vc.
f (counterpoint)
f soli, espress.
arco
3
f
soli, espress.
mp poco a poco cresc.
71
355
Ob.
Vn. I
Vla.
Pno.
Vn. II
Vc.
72
358
Ob.
Vn. I
Vn. II
Vla.
Vc.
Pno.
(poco rall.)
f
3
3
73
BB (A tempo, driven)
Ob.
ff espress.
molto vib., sul pont. ad lib., producing shrilling sound
Vn. I
slow glisses
slow glisses
ff giusto
Pno.
ff giusto
Vc.
ff shrilling
Vla.
ff shrilling molto vib., sul pont. ad lib., producing shrilling sound
Vn. II
361
ff giusto
3
3
3
3
74 368
Ob.
Vn. I
Vn. II
Vla.
Pno.
ff
Vc.
75
373
Ob.
Vla.
p
fff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
ff
ff
ff
gliss.
ff
3
ff
ffp
ffp
3
3
ff
p 3
III IV
5
p
3
5
fff
Vc.
Pno.
p
Vn. I
Vn. II
January 2011 Princeton NJ, USA