STUDI9
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GILBERT
GILBERT SANTANA
ARC
831 GERARD AVE. SUITE 1G BRONX, NEW YORK, USA
STUDI9
ARCHITECTURE
TO ME, IT IS THE TOOL TO CONNECT SPACES AND EMOTIONS. TO EXIST, IT MOST REMAIN IN MOTION.
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W O R K S
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GILBERT SANTANA
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CON TEN T P E R S O NA L P R OFI LE resume cv
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L A G U A R D I A CONTR OL TOW ER a r c hi t e c t u r e
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H. H. P R E S E R V ATI ON CENTER a r c hi t e c t u r e
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S TA I R S T O P A R ADI S E a r c hi t e c t u r e
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NYP L a r c hi t e c t u r e
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W E A R A B LE A R CHI TECTUR E a r c hi t e c t u r e
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P HO T O G R A P HY a r c hi t e c t u r a l
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PROFILE
GILBERT SANTANA 831 GERARD AVENUE APT 1G, BRONX, NY 10451
Offering professional service for all phases of project development from site selection and master planning through building programming, design, and construction.
gilbertsantana26@gmail.c o m
5 164 5 181 7 2
EDUCATION
SKILLS
AUTOCAD RHINO V-RAY ADOBE-CLOUD FINALCUT PRO CNC/3D PRINT
REVIT LUMION GRASSHOPPER MAYA MODEL MAKING WOODSHOP EQUIPMENT
WORK EXPERIENCE
ARCHITECTURE INTERN/CONTRACTOR THE ARCHITECTURAL LEAGUE OF NY SUMMER 2017 INVOLVED ON THE CONTENT CREATION, INSTALLATIONS, AND EVENT PLANNER.
P R O FICIEN CY
B.ARCH THE BERNARD AND ANNE SPITZER SCHOOL OF ARCHITECTURE STUDIO 9 NEW YORK ENGINEER SCHOOL BRONX COMMUNITY COLLEGE 3 SEMESTERS NEW YORK LAW SCHOOL UTESA 7 SEMESTERS SANTO DOMINGO, REPUBLICA DOMINICANA
PORTRAITURE ARCHITECTURAL PHOTOGRAPHY FILMMAKING AERIALPHOTOGRAPHY AND VIDEOGRAPHY PHOTOGRAMMETRY READING TRAVELING
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LGA CONTROL TOWER SCHOLARSHIP THE CASTAGNA STUDY ABROAD SCHOOLARSHIP FELLOWSHIP S JAY LEVY FELLOWSHIP FOR FUTURE LEADERS PUBLICATIONS MULTIPLE FEATURES ON THE SSA MVP MAGAZINE FIR S T
GI LBER T S ANTANA
G.santana
ACHIEVEMENTS FIRST PRIZE ARCHITECTURE COMPETITION
SPA N ISH EN GLISH
M O TU S
S TU D I 9
NEW YORK
INTERESTS
PROJECT MANAGER/ BROKER PRIETO VIR S.A. 2008-2012 D.R. I MAKE SURE STUDENTS UNDERSTAND THE COURSE MATERIAL, DOCUMENT THEIR WORK CONSISTENTLY, AND UTILIZE ANALOG AND DIGITAL TOOLS.. MODEL SHOP TECHNICIAN SSA 2016 CARPENTRY, CNC OPERATOR, LASER CUTTING, AND 3D PRINTING ARE SOME OF THE AREAS IN WHICH I’D HELP STUDENTS DEVELOP THEIR PROJECTS.
IN ADDITION
NY STATE COMMERCIAL DRIVER LICENSE FLORAL DESIGNER EVENT LIGHTING TECHNICIAN 18 WHEELERS OPERATOR
TEACHER ASSISTANT SSA 2018 I MAKE SURE STUDENTS UNDERSTAND THE COURSE MATERIAL, DOCUMENT THEIR WORK CONSISTENTLY, AND UTILIZE ANALOG AND DIGITAL TOOLS..
WWW.GILBERTSANTANA.COM
S ECO ND
REFERENCE ROSALIE GENEVRO
EXECUTIVE DIRECTOR ARCHITECTURAL LEAGUE OF NY GENEVRO@ARCHLEAGUE.ORG
@SOILLGO
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LA GUARDIA CONTROL TOWER LO C A T I O N NEW YORK
YEAR
GENERAL INFORMATIONS
A P P ROAC H
2018
SUSTAINABLE
MARTIN ZANOLLI 141 NEW YORK, USA
LGACT is a project that aims to enhance the visit to NYC; its intrigue and irregular design makes this architectural piece a thing to
DESIGN
Sustainable design seeks to reduce negative impacts on the environment, and the health and comfort of building occupants, thereby improving building performance. The basic objectives of sustainability are to reduce consumption of non-renewable resources, minimize waste, and create healthy, productive environments.
0002
0001 PLAN
PROJECT
PART N ERSHI P
S TATUS D ON E
LGACT DESIGN
STUDI9
PROJECT
052018
0003 DESIGN
Done
This project is based on sustainable guidelines. this “green” project includes 670,000sf of new envelope construction made of the old aircrafts aluminun fuselage. Re-treating the material locally and repurposing it, the non functional shaft reduces the total of embodied energy up to 78% just on the onvelope. The new tower creates an monumental main artpiece to enhence the visitors’ experience in New York. The control tower features a unique twisting design based on arir traffic and converging aerial path interceptions projected to ground level. Last but not least, it provides quality spaces to inhabit and enhence workers performance.
SITE
EXISTING CONDITIONS
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The comprehensive $8 billion redevelopment of LaGuardia Airport – comprising the construction of an entirely new airport on top of an existing one while keeping it fully operational – is the most significant new airport project in the United States in more than 20 years. It follows the vision outlined by Governor Andrew M. Cuomo in 2015 to create a unified, 21st century terminal system with improved transportation access, 8 miles of roadway including 24 new bridges, additional airside taxiways and world-class passenger amenities. The overall $8 billion investment is 80% privately financed and LEED Silver certified. The project could not be a total success without the implementation of a brand-new sustainable Control tower. The new Tower would function at a high-level and in addition to that, it aims to become a landmark and emblem of the city that never sleeps. Its dynamic and fluid design would clearly express it.
PARAMETERS
The giving site provides 35,000sf of buildable area. The new construction will not utilize the entire area. However, its immediate context is significant when it comes to design solutions and sustainable approaches. The tower has to comply with all FFA guidelines. Vol0
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LaGuardia Airpor
t
1,824
1/4” = 5km 1” = 20km
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LA GU AR
DIA
AIR
PO
RT
2”
m
00k
=2
1/2” = 50km IN/OUT FLIGHT TRAFFIC LA GUARDIA
IN/OUT FLIGHT TRAFFIC LA GUARDIA
LGA
2” = 200km
LGA Converging Air Traffic Analysis Prof. Martin Stigsgaard Spring 2018
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Level 20 Roof 233' - 0" Level 19 Radar Equip 232' - 0"
Level 18 Cabin 220' - 0" Level 17 Electronic Equipment 216' - 0"
Level 16 Relaxation Room
206' - 0"
Level 15 Lounge 196' - 0"
Level 14 Mechanical 186' - 0"
Level 13 Mechanical 176' - 0"
Level 12 161' - 6"
Level 11 147' - 0"
Level 10 132' - 6"
Level 9 118' - 0"
Level 8 103' - 6"
Level 7 89' - 0"
Level 6 74' - 6"
Level 5 60' - 0"
Level 4 48' - 0"
Level 3 36' - 0"
IT Incoming Service Room 643 SF
Level 2 24' - 0" Plumbing/Sprinkler Equipment Room 709 SF
Level 1 Entrance 12' - 0"
Electric and AC Unit - Room 856 SF
0 7
Below Ground -4' - 0"
0.0 degrees 2.2 degrees
1
6.8 degrees
A2
12.1 degrees
15.7 degrees
19.1 degrees
N 76' - 3 29/32" E 11' - 2 3/8" EL 78' - 5"
1 A1
1 A1
DN
N 65' - 6 3/16" E 42' - 4 31/32" EL 78' - 5"
26.5 degrees
1
1
N 58' - 4 21/32" E 32' - 10 1/2" EL 78' - 5"
2
A2
N 45' - 2 1/16" E -1' - 4 3/8" EL 78' - 5"
18" CONCRETE WALL
3
PANEL CHANNEL BEAMS PRE ATTACHED TO ALUMINUM SKIN AND SPACE FRAME SEGMENTS
N 41' - 2 5/8" E 12' - 8 1/4" EL 78' - 5"
3 8"
ALUMINUM SKIN PANELS
WELDED ATTACHMENT TO ALUMINUM PANEL CHANNEL BEAMS 6" DIAMATER COLUMN PIPE ON SPACE FRAME W 12 X 65 STEEL WIDE FLANGE COLUMN ALUMINUM LIGHTING ANGLE HOLDS STRIP LIGHT
A B
Air Traffic Personel Control Tower East Elmhurst, NY 11371
Details
Project number Date Designed by Scale
A6
0 8
1 5/14/18 Gilbert Santana, Martin Zanolli 1/4" = 1'
5/14/2018 12:08:14 AM
C
0.0 degrees
1 A2
N 110' - 2 25/32" E 32' - 11 3/16" EL 3' - 10 11/16"
N 101' - 8 3/32" E 12' - 1 15/16" EL 3' - 7 15/16"
N 98' - 3 1/4" E 43' - 0 5/32" EL 3' - 10 3/32"
Security 325 SF
N 81' - 1 23/32" E 56' - 5 21/32" EL 3' - 9 29/32"
6'-7"
2'-7 3/4 "
Entrance Lobby 365 SF
4'-3"
3'-4"
1 A1
Emergency Stair UP
6'-11"
1 N 60' - 11 1/2" E 59' - 3 1/8" EL 3' - 10 27/32"
Electric and AC Unit - Room 856 SF
Heat Pump 141 SF
2
10
'-1
N 48' - 9 9/16" E 7' - 4 25/32" EL 3' - 8 29/32"
"
3 N 42' - 11 1/16" E 33' - 8 31/32" EL 3' - 10 7/8" N 39' - 3 3/4" E 17' - 10 31/32" EL 3' - 9 29/32"
'-6
27 2"
5/3
N 25' - 8 11/16" E 81' - 11 3/32" EL 3' - 11 5/8" N 23' - 3 29/32" E 53' - 5 17/32" EL 3' - 11 25/32"
A B C
N 5' - 1 15/16" E 65' - 8 23/32" EL 3' - 11 13/16"
1
Air Traffic Personel Control Tower East Elmhurst, NY 11371
Level 0 Ground Plan
Project number Date Designed by Scale
N 105' - 9 3/16" E 33' - 10 31/32" EL 15' - 11 5/16"
A3
1 5/14/18 Gilbert Santana, Martin Zanolli 1/4" = 1'
N 98' - 0 15/16" E 13' - 2 1/4" EL 15' - 11 1/8"
N 93' - 4 29/32" E 42' - 1 7/16" EL 15' - 11 3/8"
Office Space 276 SF N 83' - 5 3/8" E 13' - 5 9/16" EL 15' - 11 17/32"
Lobby N 77' - 6 11/16" E 54' - 7 1/16" EL 15' - 11 9/16"
Elevator
1 A1
DN
Service Shaft
1
Plumbing/Sprinkler Equipment - Room 709 SF
Storage 119 SF
N 59' - 4 1/8" E 54' - 6 9/32" EL 15' - 11 9/16"
N 54' - 1 31/32" E 2' - 3 25/32" EL 15' - 11 3/4"
2
3 N 41' - 5 5/32" E 15' - 2 1/16" EL 15' - 11 1/2"
N 43' - 10 1/16" E 30' - 5 23/32" EL 15' - 11 11/16"
A B C
N 9' - 3 7/16" E 56' - 11 1/32" EL 15' - 11 23/32"
Air Traffic Personel Control Tower East Elmhurst, NY 11371
Level 1 Plan
Project number Date Designed by Scale
A4
1 5/14/18 Gilbert Santana, Martin Zanolli 1/4" = 1'
5/14/2018 12:08:14 AM
0 9
5/14/2018 12:08:14 AM
A2
1 A2
0.0 degrees
N 100' - 3 1/8" E 36' - 10 19/32" EL 27' - 11 15/16"
1
2.2 degrees
A2
N 95' - 0 3/16" E 16' - 1" EL 27' - 11 27/32"
N 87' - 3 7/32" E 42' - 4 13/32" EL 27' - 11 13/16"
Office Space 214 SF
N 86' - 1 11/16" E 30' - 3 1/2" EL 220' - 0"
6.8 degrees
Blast Mitigation Glass Hydronic Heating N 72' - 1 11/32" E 52' - 10 11/32" EL 27' - 11 3/8"
N 81'-2 9/16" E 4' - 6 3/4" EL 220' - 0"
1 A1
Local Control
1
IT Incoming Services Room 643 SF
12.1 degrees
Ground Control
Coordinator
1 A1
Access Flooring
Local Control
Cab Coordinator
N 57' - 5 1/4" E 1' - 7 1/16" EL 27' - 11 25/32"
N 56' - 2 1/4" E 49' - 1 3/4" EL 27' - 11 3/8"
Supervisor N 52' - 9 25/32" E 4' - 10 17/32" EL 27' - 11 13/32"
Convenience Unit
1
DN 989.83 sf
3
15.7 degrees
Traffic Management Unit
Cabin
N 44' - 3 1/2" E 11' - 4 23/32" EL 27' - 11 9/32"
N 63' - 0 19/32" E 40' - 7 3/4" EL 220' - 0"
Flight Data
2
Study Area
N 54' - 6 1/8" E 1' - 1 7/8" EL 220' - 0"
2
N 44' - 5 7/8" E 26' - 2 3/32" EL 27' - 11 29/32"
19.1 degrees
N 29' - 1 11/16" E 37' - 6 19/32" EL 27' - 11 15/16"
3 N 43' - 9 5/8" E 23' - 8 3/4" EL 220' - 0"
N 26' - 11 29/32" E 60' - 9 1/32" EL 27' - 11 27/32"
A B C 26.5 degrees
N 12' - 0 7/32" E 45' - 3 3/16" EL 27' - 11 31/32"
A B
Control Tower East Elmhurst, NY 11371
Level 2 Plan
Project number Date Designed by Scale
A5
1 5/14/18 Gilbert Santana, Martin Zanolli 1/4" = 1'
Air Traffic Personel Control Tower East Elmhurst, NY 11371
Cabin Floor Plan
Project number Date Designed by Scale
An� Vibra�on Dropped Ceilings Supports Accous�cal Dropped Ceiling
H.
An� Vibra�on Dropped Ceilings Supports Accous�cal Dropped Ceiling
G
H.
A9
1 5/14/18 Gilbert Santana, Martin Zanolli 1/4"=1'
A.
D417 4"
G
Light Fixture 8V, Scale: 1/8”= 1’
A.
D417 4"
Structural Silicone Mi�ga�on Tempered Glass
Light Fixture 8V, Scale: 1/8”= 1’ J.
Mi�ga�on Tempered Glass, Scale: 1/8”= 1’
Structural Silicone Mi�ga�on Tempered Glass Structural Silicone A.
Aluminum Shim Block Mullions Supports Shim Vent
Mi�ga�on Tempered Glass Rod and Silicone Mullion
J.
Fasteners
J.
Mi�ga�on Tempered Glass, Scale: 1/8”= 1’
Fasteners Aluminum Stacwall Channel Concrete
E.
Corrugated Metal Decking
W24X55
I.
Structural Silicone
W14X500 D.
A.
Aluminum Shim Block Mullions Supports Shim Vent
D.
Detail Wall Sec�on, Scale: 1/8”= 1’
J.
Fasteners
F.
Aluminum Fuselage
Fasteners Aluminum Stacwall Channel Concrete
FiberGlass Insula�on
E.
Water Membrane
Corrugated Metal Decking
Polyurethane Foam Insula�on B.
Mi�ga�on Tempered Glass Rod and Silicone Mullion
Interior Paneled Wall
W24X55
I.
W14X500 D.
C.
East-West Sec�on , Scale: 1/16”= 1’
A. D417 4" LED Die-Cast Aluminum Trim By WAC Ligh�ng. 2,7593 Lumens OR 212 Wa�s Appropriate. B. Pin Connec�on to Core W14X500. C. Space Frame Connector With Spider Mount. D. Curtain Wall Floor to Ceiling Sec�on. E. Hanging Computer. F. Nanosolar: Solar Metalic Film/ Recycled Old american airlines Aluminum Flanage. G. Obstrucion Lights. H. Radar (ASR-11). I. Desk Computer Console. J. 4”Blast Mi�ga�on Vacuum Architectural Glass
D.
Detail Wall Sec�on, Scale: 1/8”= 1’
F.
Aluminum Fuselage
FiberGlass Insula�on
Water Membrane
1 0
5/14/2018 12:08:14 AM
Air Traffic Personel
5/14/2018 12:08:14 AM
C
HENRY HUDSON PRESERVATION CENTER LO C A T I O N NEW YORK
YEAR
GENERAL INFORMATIONS
PRESERVATIVE 006.5
PROJECT
DESIGN
Done
The Hudson is constantly changing. Tides ebb and flood, organisms move from one place to another. As the seasons pass, the water warms and cools, popula-tions of migratory fish appear and then leave the river, and plants sprout, grow, and die. Over longer periods of time, we note that the physical character of the river and the kinds of plants and animals living in the river are different from those described in early journals, or even recollected by people with long memories. All of these changes may be normal or even essential parts of the Hudson River ecosystem, or they can lead to irreversible and substantial change in its character. Which of these changes are simply “bends” in the river ecosystem and which are “breaks” - fundamental, long-lasting shifts?
Tidal turbines harness the lateral flow of currents to produce clean, predictable renewable energy. Tidal device operation is similar to that of a wind turbine, albeit operating in a different environment. Since water is 832 times denser than air, tidal devices capture more energy than their wind counterpart and can use smaller blades. Tidal turbines can be fixed to the sea bed or floating nearer the surface with moorings attached to the seafloor. The size of the prize – 100% of NYC’s electricity. The size of the prize for commercialising hydro energy is huge. The plan is to deploy 10 to 13 GW of production capacity by 2050, meeting 100% of electricity demand and sending surplus to another part of the country. That’s enough to meet the daily electricity needs of 9 million households. Deploying 10 GW of hydro energy will also mean creating a new industrial sector based firmly in NYC, and 40,000 skilled jobs all along the supply chain.
PARAMETERS
TIDAL TURBINES
1 1
A P PROAC H
2018
006 PLAN
PROJECT
WATERWASTE
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Sometimes, during heavy rains or snow, combined sewers fill to capacity and are unable to carry the combined sanitary and storm sewage to the plants.When this occurs the mix of excess storm water and untreated sewage flows directly into the City’s waterways. This is called combined sewer overflow (CSO). Approximately 70 percent of the City sewers are com-bined. The building treats waterwaste and delivers clean water to the river. DESIGN Preservative/sustainable design seeks to reduce negative impacts on the immediate urban environment and the river ecosystem, and the health and comfort of building occupants, thereby improving building performance to the point that it is self-fufficient and does not depend on external sources of energy or water. The objectives are the preservation of the river ecosystem, repopulation of marine life, and educate community on the subject as well as allow them to contribute with the purpose. 007.518 007
S TATUS D ON E
HHPC DESIGN
STUDI9
The Active Phytoremediation Wall System is a modular wall system of pods housing hydropon-ic plants. Because the plants’ roots are exposed, instead of being buried in soil, the plants’ air-cleaning capacity increases by 200 to 300 percent. Air moves through a perforated air intake duct—a series of mini-jets are being developed to encourage airflow—and directly over the root system. This allows the rhizomes on the roots to essentially digest airborne toxins—VOCs, particulate matter, and other biological and chemical pollutants—without the plant itself becoming toxic (which is what happens when the toxins are taken in solely through the leaves). The cleaned air then flows out of each pod through a series of clean air ducts and is reintroduced to the environment. Vol0
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STUDI8
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EXPLODED AXONOMETRIC S.E.
a
c
b
AXONOMETRIC S.E.
1
2
3
1 4
a
c
b
1
2
3
11 55
a
c
b
1
2
3
1 A1
2 A1
1116’-3”
23’-8”
54’-3”
358’-8”
1 6
STUDI9
Lower Manhattan Exhibit Venue
141 NEW YORK, USA
PROJECT
LO C A T I O N NEW YORK
YEAR
PLAN
A P PROAC H
2017
CONTEMPORARY 008.5
008
GENERAL INFORMATIONS
Jessica Garduno
S TATUS D ON E
LMEV DESIGN
2 0 1 9
PART N ERSHI P
PROJECT
012.17
009 DESIGN
Done
Developed by G. Architects LLC, LMEV: connecting with its immediate context it is a permanent exhibit space in NYC that invites visitors to explore contemporary Chinese life and culture through children in NY. Four young people with different interests and talents serve as guides through the exhibition, introducing visitors to important elements of their daily lives. The gallery space shares a unique DNA between two building walls; it is the only empty lot in 258,000sf area. The task was to maximize the space and create a museum like space where design is driven by light and circulation. Exhibit signage is presented in English, Spanish, and Chinese, with audio components offered in Mandarin and Cantonese.
PARAMETERS
1 7
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1967
1971
1986
1990
2018
Thereafter Barre seemed driven to redeem the family name.
1 9
22 00
2 1
1”
2 2
LOCATION NEW YORK
YEAR
A P P ROAC H
2017
STUDY
003.5
002 PLAN
PROJECT
PROJECT
The origins of this remarkable institution date back to the time when New York was emerging as one of the world’s most important cities. By the second half of the 19th century, New York had already surpassed Paris in population and was quickly catching up with London, then the world’s most populous city. Fortunately, this burgeoning and somewhat brash metropolis counted among its citizens men who foresaw that if New York was indeed to become one of the world’s great centers of urban culture, it must also have a great library. Prominent among them was one-time governor Samuel J. Tilden (1814-1886), who upon his death bequeathed the bulk of his fortune — about $2.4 million — to “establish and maintain a free library and reading room in the city of
CITY GROWTH
NEW YORK PUBLIC LIBRARY
Genesis
00517
004 DESIGN
Done
PARAMETERS
GENERAL INFORMATIONS
The New York Poblic Library
2 3
2 0 1 9
S TATUS D ON E
HHPC DESIGN
STUDI9
The design of the library started with a quick sketch on a napking by Jhon Shaw. Today, the massive New York Public Library lies amidst the bustle of some of the busiest streets in the city. Along 42nd Street to the west is Times Square, a tourist mecca filled with throngs of visitors at all hours. A few blocks to the east is Grand Central Terminal, one of the city’s gateways, and certainly the most elegant, built in a grandiose Beaux-Arts style almost si-multaneously with the library. When construction on the library started in 1899, this area of the city had long been built up, but Fifth Avenue north of 42nd Street was still a mostly residential enclave, filled with the mansions of the newly-rich industrialists and bankers of recent generations. The tall skyscrapers that today hem in the library and the adjacent Bryant Park make the juxtaposi-tion between the library’s insistent horizontality and its towering neighbors startling. Yet the staggering difference in scale may only serve to heighten the observant visitor’s appreciation for the consummate handling of details inside the library and out.
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WEARABLE ARCHITECTURE FASHION PROJECT
LO C A T I O N
GENERAL INFORMATIONS
NEW YORK
2 7
YEAR 2016
FASHIONABLE
CHEARIN KIM
141 NEW YORK, USA
PROJECT
BRYAN ORTEGA
141 NEW YORK, USA
LGACT is a project that aims to enhance the visit to NYC; its intrigue and irregular design makes this architectural piece a thing to
DESIGN
0002
0001 PLAN
A P PROAC H
PART N ERSHI P
Architecture succeeds again and again in taking our breath away with its spectacular forms, making us wish that we could take these works of art with us in our everyday lives instead of just admiring them where they stand. This project in particular has the ability to enhance the sense or privacy and control its context noise.
STATUS D O NE
DESIGN
STUDI9
052016
0003 DESIGN
Done
The Wearable device or wearable architecture intents to enhance or control one or more of the human senses. The concept of this prototype is to control sound and provide privacy without excluding the person from the immediate environment. After an exhausting analysis of the site, sound decibels demostrated to be disturbing very disturbing at the givin site Columbus Circle and its urban context. Therefore, controlling sound became the task to be .addressed. The design's parti iWs the curvilinear intrigue illustration of the site analysis pertaining to Columbus Circle
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Roy and Diana Vagelos Education Center
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AR C
G.santana
GILBERT SANTANA
SANTANA
W W W.G I L B ERT SAN T AN A.C OM @SOI L L G O