PORTFOLIO by Gintare Minelgaite

ROYAL C ENTRAL SC HOOL OF SPEEC H AN D DRA MA GRA DUAT I O N PH OTO O F ME. PH OTO : ANDR EJ VAS I L ENKO

M E & ISAB ELLA ROSSELLIN II , WATERM ILL CENTER, 2013. P HOTO : LOV I S O S T ENR I K

CO NT ENT S ‘

N OT I’ / A B OUT

V ID E O ARTWOR K ‘HEAT ’

V ID E O ARTWOR K ‘B A D DR EA MS’

P E RF ORM AN C E NIGHT ‘ST R A NA A H’

S TAG ING ‘BEIN PA RT ICU LA R ’

JAC KET ‘MY HU SB A ND BEAT S ME U P EVERY MO R NING’

P E RF O R MA NCE/STAGING ‘LIVING WIT H FEA R ’

8 13 18 20

S TAG IN G ‘ ON E T HO U SA ND A ND O NE NIGHT S IN A MER IC A ’

S C UL P TURE ‘ DECOY’

WATE RM IL L C ENT ER X ILLY A RT CO LLECT IO N CU P

‘ W H AT D OE S YO U R MO M LO O KS LIKE O N MO NDAY MO R NING’

F E ATURE F IL M ‘T HE T U NNEL’ - P RO CESS

S H ORT F IL M ‘ I WILL NOT DIE’

S TAG IN G ‘ TUK T U K A NA MNESIS’

S TAG IN G ‘ L OVE’ S TAG IN G ‘ S E L F -FLES’ P E RF ORM A N C E NIGHT /STAGING ‘Ž YBT !’

58 67 77

DIMITRIS PAPA IOA NNOU WORK SHOP, WATERM IL L C ENTER, 2014. PH OTO : L OV I S O S T ENR I K

‘ N OT I ’ /ABOUT

M E, WATERMILL CEN TER, 2014. PH OTO: JOEL A NDERSON

G I N TAR E MI NE L G AI T E I S A T H E AT R E & PE R FO R MANCE ART I S T, L E CT U R E R A S WE L L AS T H E FO U ND E R AND ART D I R E CTO R O F T H E I NT E R D I S C I P L I NARY ART O R G ANI ZAT I O N G O R APAR AS I T. G I NTAR E WAS BO R N I N 1 9 84 I N KAU NAS , L I T H UANI A. I N 2005, S H E CO MPL E T E D A B ACH E L O R ’ S I N ACT I NG AT L I T H UANI AN T H E AT R E AND MU S I C S CH O O L , W H E R E S H E WAS A PART O F T WO T H E AT R E CO L L E CT I V E S : KE I S T U O L I A I A ND AT V I R AS R ATAS L ABO R ATO RY. S I NCE MOV I NG TO L O ND O N I N 2 0 06, S H E G R AD UAT E D WI T H B A I N G R APH I C D E S I G N, WO R KE D I N C O MPANI E S S U CH AS FU T U R E S H O RT S AND S E CR E T CI NE MA AS V I S UA L ART D I R E CTO R , AND CO MPL E T E D A MAS T E R ’S D E G R E E I N AD VA N CE D T H E AT R E D I R E CT I NG . WH I L S T S T U DY I NG H E R MAS T E R S AT ROYA L S CH O O L O F S PE E CH AND D R AMA, S H E BE G AN CO L L ABO R ATI N G WI T H T H E AVANT - G AR D E T H E AT R E D I R E CTO R RO BE RT WI L S O N, G I N TAR E H AS FI NI S H E D A FI L M S CR I PT AND G E T T I NG R E ADY FO R H E R D E B U T FE AT U R E FI L M/A CO L L ABO R AT I O N WI T H D I E T E R ME I E R . H E R C O N CE PT UAL I NT E R E S T L I E S I N T H E S Y NT H E S I S O F PE R CE PT I O N S CI E N C E S , PE R FO R MANCE ART, CI NE MA AND T H E AT R E .

VI DEO ARTWORK ‘ HEAT’

D E B ATI NG O N T H E I D E A O F G L O B AL WAR MI NG AND A NE E D O F L OV E . T H E S E AR E T H E PI CT U R E S O F I CY L AND S C APE S AS TAKE N BY ME FRO M T H E A I R PL ANE . WH I L E MAKI NG T H E V I D E O I APPL I E D T E MPE R AT U R E E FFE C T I N O R D E R TO G E NE R AT E WAR MT H AND CO L O R . T H E FI NAL V I D E O H AS BE E N PR E S E NT E D L I V E WI T H U K B AS E D E XPE R I ME NTAL M U S I C B AND CH U R CH I L L’S L E O PAR D ’S T R ACK ‘H O KU S H I N’ ( AT ROU G H T R AD E R E CO R D S TO R E , BR I CK L ANE , L O N- D O N, I N 2012) .

STILL FROM VIDEO ‘H EAT’

H T T P S ://V I ME O.CO M/148278449

VI DEO ARTWORK ‘ B AD DREAMS’

A V I S UAL ART WO R K FO R U NMU T E .E U - ‘B AD D R E AMS ’, WH I CH QU E S T I O N S T H E I D E A O F H U MAN H Y PO CH O ND R I A. E V E N T H O U G H L I FE E XP E CTANCY I S L O NG E R T H AN E V E R , MAN H AS NE V E R BE E N MO R E PA R A N O I D. T H E V I S UAL R E PR E S E NTAT I O N FO CU S E S O N T H E S H APE S FO U ND I N D E E P T I S S U E S C ANS . B E AWAR E E V E RYO NE , H E R E ’S S O ME NE WS : H E A LT H NE WS ! H E A LT H S E RV I CE S NE AR YO U ! P R E V E NT I V E H E ALT H S C AN! P R E V E NTAT I V E H E ALT H S C AN! C O R P O R AT E H E ALT H S C AN! M O B I LE H E ALT H S C AN! C O M PANY H E ALT H S C AN! H E A LT H S C AN R E CO MME NDAT I O NS ! H E A LT H S C AN G U I D E L I NE !

STILL F ROM VIDEO ‘B A D DREA MS’

H T T P : //WWW.U NMU T E .E U

‘ STRA NA A H’ LOGO, L ON DON , 2 01 3. DESI GN : M E

P E R F O R M A N C E N I GHT ‘ST RA N A AH’

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Director.Dramaturg.Performer: Gintare Minelgaite Performer.Director’s assistant: Julius Tedaldi Composer: Sandra Kazlauskaite (unmute.eu ) Visual artist: F lor ence T o Lighting designer: Hua T an Voice performers: Tafari Smith, Rima Kausaite, Benjamin Breutel, Kat Bumbul, Sara Brown, Jacqueline Vitale, RCSSD students, Hackney Voices Community Choir members TICKETS: https://stranaah.eventbrite.co.uk DETAILS: www.goraparasit.org/theater closureg

ood continuation

Living With Fear:

Filtering the trau ma

seventie s pornography stills , everyday fear s spill out into a red square intimacy . Director.Dramaturg: Gintare Minelgaite Actor: Oana Ianuli Music dramaturg: Sandra Kazlauskaite Visual Artist: Annalisa Terranova Lighting designer : Hua Ta n Performer: Emanuel Cifor

DJ SET by multi-sensory artistic online platform Unmute.e u ‘donate’

installation artist : Lora Avedian

N LY ( 1 8 + ) MA TU R E A U D I EN C E S O

proximity

Association, Symmetry, Perfection, Abstraction, Categorization, Analysis, Appreciation __________________________ 1

September 2009.

similarity

Int’l Journal of Cognitive Informatics and Natural Intelligence, 3(3), 1-11, July-

‘ STRA NA AH’ DESC RIPTION , LON DON, 2013. DESIGN : M E

Be|In Particular: Two c ursors s li p i nto t he f ram eo f a defunct a dvic e b log for mot hers, homemakers, a nd p et-owners. Naviga ti n g h y p er li n k s is an el li pt ic al spiritual e xercise s eeking o ut a cces sto o n e Fl o ri d ia n ’s d ig it al ly d ism an tl ed p s y ch e.

‘ STRA NA A H’ REHEARSAL M OMEN T, I N P ICTURE AC TOR & CO MP OS ER S . KAZL AU S KA I T E, NET T L E H O U S E, L O NDO N, 2013

‘ STRA NA A H’ REHEARSAL M OMEN T, I N P ICTURE AC TOR & DIR ECTO R , NET T L E H O U S E, L O NDO N, 2013

STAGI N G ‘ BEI N PARTI C ULAR’

‘ B E I N PART I CU L AR ’ I S A S TAG I NG ( L E NG T H : 1H O U R 20 MI N) B AS E D O N A B L O G MAT E R I AL T H AT H AS BE E N PS Y CH OANALY ZE D I N CO L L ABO R AT I O N WI T H FR E U D MU S E U M, L O ND O N. I T CO NTAI NE D A PART I CU L A R SO U ND S C APE AND CH O R U S S CO R E CO MPO S E D BY S AND R A K A Z L AU S KAI T E . S TAG I NG AL S O WAS I L L U S T R AT E D BY 6MX6M R AR E P RO J E CT I O N I L L U S T R AT I O NS , PL ACE D BE H I ND ACTO R S AS S TAG E B AC K DRO P.

‘ BEIN PA RTIC ULAR’ PERF ORM AN CE M OM ENT, N ETTLE HOUSE, L O NDO N, 2013

H T T P S ://V I ME O.CO M/139480252 H T T P S ://V I ME O.CO M/69313434 H T T P S ://V I ME O.CO M/69375473 ( PAS S : PART I CU L AR 123)

‘B EIN PA RTIC ULA R’ P ERF ORMA NC E MOMEN T, NETTL E HOUSE, L O NDO N, 2013

‘ BEIN PA RTIC ULAR’ PERF ORM AN CE M OM ENT, N ETTLE HOUSE, L O NDO N, 2013

‘ B EIN PARTICULA R’ PERFORMA N CE M OM ENT, N ETTLE HOUSE, L O NDO N, 2013

J AC K ET / SC U L P T UR E F O R P E R FO R M AN C E/ S TAGI NG ‘ B E I N PA RT I C U L A R ’ . PH OTO : U L I J O N A O D IS H A R IJA

JAC KET ‘ MY HUSB AN D BEATS ME UP EVERY MORN I N G’

J AC K ET /S CU L PT U R E I D E S I G NE D FO R ‘BE I N PART I CU L AR ’, B AS E D O N A S TAG I N G S CR I PT.

J AC K E T/ S C UL P T U R E F OR P ER FO R M AN C E/ S TAGI NG ‘ B E I N PA RT I C U L A R ’ . PH OTO : U L I J O N A O D IS H A R IJA

PERFORMAN C E/STAGI N G ‘ LI VI N G WI TH FEAR’

‘ LIVIN G WITH F EAR’ , DI REC TED B Y ME, NETTL E HOUSE L ONDO N , 2013

“ L I V I N G WI T H FE AR ’ I S A PE R FO R MANCE AND S TAG I NG MI X I WO R KE D C L O S E LY WI T H AN ACT R E S S /PE R FO R MANCE ART I S T OANA I ANU L I FRO M RO MANI A. S H E E XPL O R E S NU D I T Y AND S E XUAL I NT E R CO U R S E A S H E R MAI N T H E ME . I T I S AN H O U R L E NG T H S TAG I NG , WH I CH APPL I E S C I N E MATO G R APH I C T E XT & S CE NE S I NTO T H E AT R I C AL /PE R FO R MAT I V E S PAC E, WH I L E AE S T H E T I CI ZI NG R AW NU D I T Y I NTO 70’S MOV I E S H AD OW Y S T I L L S AND S O U ND S C APE ( BY S AND R A KAZL AU S KAI T E ) . AFT E R L O N G D E B AT E S WE D E CI D E D NOT TO E NCL O S E D O CU ME NTAT I O N O F T H I S P E R FO R MANCE PU BL I CLY.

‘ LIVING W ITH F EAR’, DIREC TED BY M E, N ETTLE HOUSE LON DO N , 2013

STAGI N G ‘ ON E THOUSAN D AN D ON E N I GHTS I N AMERI C A’

‘ 1001 N IGHTS IN AM ERI C A’ , DIRECTED BY M E, N YC , WATERMI L L C ENT ER , 2014

W I TH ‘O NE T H O U S AND AND O NE NI G H T I N “AME R I C A”’ I S O U G H T TO U NCOV E R CU R R E NT S U R RO U ND I NG CU LT U R AL AS PE CT T H RO U G H O BJ E CT S FO U ND I N S U PE R MAR KE T NE AR BY. WH I L E E NG AG I NG I MPROV I S AT I O N AND BU I L D I NG U NNAT U R AL S PACE I N A N AT U R AL E NV I RO NME NT, S TAG I NG BE G I NS TO CO NS T R U CT AND R E CO NS T R U CT I NG T H E ME ANI NG , PU R PO S E AND FU NCT I O NAL I T Y. W H I L E PL AY I NG WI T H D O ME S T I C MAD NE S S I I NT RO D U CE D PO S S I B L E , I MPO S S I BL E , V I S I BL E AND I NV I S I BL E R E L AT I O NS H I PS . W E AR E WH AT WE U S E , Y E T WH AT WE U S E U S E S U S . ( 1 S T S H OWN I N NY C , WAT E R MI L L , 2014)

‘ 1001 N IGHTS IN AM ERI C A’ P ROCES S, N YC , WATERM IL L C ENT ER , 2014

‘1 001 NIGHTS IN A M ERIC A’ PROCESS, NY C , WATERMILL C EN T ER, 2014

‘ 1001 N IGHTS IN AM ERI C A’ M E W ITH ACTORS IN PROCESS, NY C , WAT ER MI L L C ENT ER , 2014

‘ 1001 N IGHTS IN AM ERI C A’ M OM ENT F ROM P ERF ORMAN C E, N Y C , WAT ER MI L L C ENT ER , 2014

‘ 1001 N IGHTS IN AM ERI C A’ M OM ENT WI TH ME & PHILLIP GLAS S WAT C H I NG PER F O R MANC E, NY C , WAT ER MI L L C ENT ER , 2014

‘ 1001 N IGHTS IN AM ERI C A’ M OM ENT F ROM P ERF ORMAN C E, N Y C , WAT ER MI L L C ENT ER , 2014

SC ULPTURE ‘ DEC OY ’

CO L O R FU L S C AR E - CROW/ MY S T I C D E .COY BU I LT AS ABS T R ACT E D FI G U R E S C AR I NG / AT R ACT I NG S TO RY T E L L I NG D R E AM S E QU E NCE TAL E I T CO U L D MOV E O R S TAY S T I L L

‘ DECOY’ SCULPTURE, NYC , WATERMI LL CEN TER, 2014

NY C , WAT E R MI L L CE NT E R , 2014

‘ DECOY’ SCULPTURE, NYC , WATERMI LL CEN TER, 2014

‘ DEC OY 2’ SC ULPTURE, MILA N, ITALY, TRIEN N ALE DI M IL AN O, 201 4

E SP RE SSO C UP DES IG NED B Y ME FOR WATERM ILL IL LY ART CO L LEC T I O N, MI L AN, I TA LY, T R I ENNAL E DI MI L ANO, 2014

WATERMI LL C EN TER X I LLY ART C OLLEC TI ON C UP

P RO DU CE D S I NCE 1992, T H E I L LY ART CO L L E CT I O N I S A S E R I E S O F C O FFE E CU PS BY S U CH CO NT E MPO R ARY MAS T E R S AS MAR I NA A B R A MOV I Ć, J U L I AN S CH NABE L , RO BE RT R AU S CH E NBE R G AND J E FF KO O NS . NOW, RO BE RT WI L S O N AND FI V E OT H E R ART I S T FRO M T H E WAT ER MI L L CE NT E R H AV E PU T T H E I R S PI N O N T H I NG S . W I L S ON’S I NS PI R AT I O N FO R T H E I L LY CU PS C AME FRO M H I S E XPE R I E N CE S AT T H E WAT E R MI L L CE NT E R , A L ABO R ATO RY FO R T H E ART S A N D H U MANI S T I C S CI E NCE S WH I CH H E FO U ND E D I N 1992. BE YO ND W I L S ON’S “O K” D E S I G N AR E D E S I G NS BY ART I S T S CH R I S TO PH E R K N OWL E S , H O PE E S S E R , WI L L I E FI L KOWS KI , CL O ’E FL O I R AT AND G I NTA R E MI NE L G AI T E . E ACH ART I S T D R E W I NS PI R AT I O N FRO M T H E WAT E R M I L L CE NT E R ’S ART AND PE R FO R MANCE S , I T S AR CH I T E CT U R E AND G RO U ND S , AND T H E MAT E R I AL S U S E D TO CO NS T R U CT T H E CE NT E R , I N A D D I T I O N TO R E CU R R I NG T H E ME S I N WI L S O N’S WO R K. H T T P : / / W W W. T H E W E L L A P P O I N T E D C AT WA L K . C O M / 2 0 1 4 / 1 1 / G I F T I N G WAT ER MI L L -CE NT E R -X-I L LY-ART.H T ML

E SP RE SSO C UP DES IG NED B Y ME FOR WATERM ILL IL LY ART CO L LEC T I O N, MI L AN, I TA LY, T R I ENNAL E DI MI L ANO, 2014

ESPRESSO CUP DESIGNED BY M E FOR WATERMI LL ILLY ART CO L L EC T I O N, MI L A N, I TA LY, T R I ENNAL E DI MI L ANO, 2014

‘ WHAT DOES YOUR MOM L OOKS LIK E ON MON DAY MORN IN G ’ LO NDO N, 2008

‘WHAT DOES YOUR MOM LOOKS LIKE ON MONDAY MORNING’

A S O CI AL PRO J E CT T H AT I NV E S T I G AT E S PAR E NT S ’ BE H AV I O R AND I T S I N FL U E NCE O N CH I L D R E N. T H E S E AR E T H E FACE S O F CH I L D R E N FRO M A D R A MA WO R KS H O P. I T R E V E AL S T H E I R E XPR E S S I O NS AFT E R BE I NG A S K E D TO S H OW ‘WH AT D O E S YO U R MU M L O O KS L I KE O N MO NDAY M O R NI NG ’. WH I T E CH APE L L G AL L E RY, L O ND O N, 2008

‘ WHAT DOES YOUR MOM L OOKS LIK E ON MON DAY MORN IN G ’ LO NDO N, 2008

FEATURE FILM ‘THE TUNNEL’ - PROCESS

A F EAT U R E M OVIE B A SE D O N SA RT R E ’S ‘B E ING A ND NOT HINGNE SS’ A ND FR IE DRIC H D Ü R R E NM AT T ’S ‘ T HE T U NNE L’. M A IN ACTO R D IE T E R M E IE R (YE LLO ’). SC RIPTW R IT E R A ND D IR E CTO R - GINTA R E M INE LGA IT E .

F EATURE F ILM ‘ THE TUNNEL’ SCRI PT 1 ST PAG E. S CRIP T SRITTI N G & DI R EC T I NG BY ME

I BEGA N R U NNING WO R K SHO PS W IT H ACT ING ST U D E NT S IN SU M M E R 2 0 1 6 , OUT O F W HICH, A U NIQU E ‘T U NNE L’ SCR IPT M E T HO D O LO GY WA S INIT IAT E D. SOME E XA M PLE S O F WO R K : HTTPS:/ / VIM E O.CO M / 1 4 0 1 8 2 3 8 9 HTTPS:/ / VIM E O.CO M / 1 4 0 2 7 4 1 4 9 HTTPS:/ / VIM E O.CO M / 1 4 0 2 1 9 2 4 8 HTTPS:/ / VIM E O.CO M / 1 4 0 5 3 3 7 2 8 HTTPS:/ / VIM E O.CO M / 1 3 8 6 2 5 1 1 3 HTTPS:/ / VIM E O.CO M / 1 3 8 5 9 7 4 8 8 HTTPS:/ / VIM E O.CO M / 1 4 3 5 4 4 1 7 0 - PA SS: T RYINGO U T T HE T U NNE L2 REC EN T LY I R E CO R D E D SO M E ACHIVE M E NT S W HILE WO R K ING O N M OVIE CHA R AC TER B U ILD ING, U SING M Y M E T HO D O F ‘IM AGE S’: HTTPS:/ / W W W.YO U T U B E .CO M / WAT CH? V= GE YT LL0 SI4 Q

F EATURE FILM ‘ THE TUNNEL’ WORKS HOP, LITHUA NIA, 2016

F EATURE F ILM ‘ THE TUNNEL’ C HA RACTERS ’ TRIA L SH OTS, DI RECT ED BY ME, L I T H UANI A, 2016

F EATURE FILM ‘ THE TUNNEL’ C HA RACTERS’ TRIA L SHOTS, DIR ECT E D BY ME, L I T H UANI A, 2016

SHORT FILM ‘I WILL NOT DIE’

VIDEO ‘ I WILL NOT DIE’ DIREC TED B Y ME, LITHUA NIA, KAUN AS , 2015

A 5 MIN VID E O I D IR E CT E D IN LIT HUA NIA . T HE VID E O IS CU R R E NT LY IN IT S E D ITING PRO CE SS, A ND IS GO ING TO B E CO M PLE T E D B Y SE PT E M B E R 2 0 1 6 . ‘I W ILL NOT D IE ’ E XPLO R E S ID E A S O F NA ÏVE R E A LISM , A LSO K NOW N A S D IR E CT R E A LISM OR CO M M O N SE NSE R E A LISM . IT IS A PHILO SO PHY O F M IND RO OT E D IN A THEORY O F PE R CE PT IO N T HAT CLA IM S T HAT O U R SE NSE S PROVID E U S W IT H DIREC T AWA R E NE SS O F T HE E XT E R NA L WO R LD. IN CO NT R A ST, SO M E FO R M S OF IDE A LISM A SSE RT T HAT NO WO R LD E XIST S A PA RT FRO M M IND -D E PE ND E NT IDEAS A ND SO M E FO R M S O F SK E PT ICISM SAY W E C A NNOT T R U ST O U R SE NSE S.

VIDEO ‘ I WILL NOT DIE’ DIREC TED B Y ME, LITHUA NIA, KAUN AS , 2015

STAGING ‘TUK TUK ANAMNESIS’

DURIN G K AU NA S B IE NNIA L 2 0 1 5 TO GE T HE R W IT H CO M PO SE R ST E INA R YGGE SETH, I E XPLO R E D T HE NOT IO N O F M E M O RY T HRO U GH SO U ND, IM AGE S A ND SPAC E. T HE FINA L R E SU LT WA S A LIFE STAGING (4 5 M IN IN LE NGT H), PR E SE NT E D A LONG SID E A N INSTA LLAT IO N AT K AU NA S ŽILINSK A S GA LLE RY B E T W E E N SEPTEMB E R - D E CE M B E R 2 0 1 5 . MAIN ‘TUK TUK ANAMNESIS’ VIDEO: HTTPS:/ / VIM E O.CO M / 1 4 1 3 3 1 1 5 4

STAGING ‘ TUK TUK ANA M NESIS’ , L ITH UHA NI A, 2015. DESI GN : ME

‘TUK TUK ANAMNESIS VIDEO INVITATION: HTTPS://VIMEO.COM/140891601

STAGING ‘ TUK TUK A NAM NESIS’ , LITHUHAN IA , 2 01 5.

STAGING ‘ TUK TUK ANA M NESIS’ , L ITH UHA NI A, 2015.

STAGING ‘ TUK TUK A NA MNESIS’, LITHUHA NIA, 20 15 .

STAGING ‘ TUK TUK ANA M NESIS’ , L ITH UHA NI A, 2015.

STAGING ‘ TUK TUK A NAM NESIS’ , LITHUHAN IA , 2 01 5.

STAGIN G ‘TUK TUK ANA M NESIS’ , M A SK M A DE B Y ME, LI THUH AN I A, 2015.

STAGING ‘LOVE’

IN THE STAGING O F ‘LOVE ’, I SLIPPE D INTO T HE FR A M E O F A D E FU NCT WO R LD OF SA N D IE GO CHA R GE R S, SM A R K U SZ’S R E VISIT E D CLA SSIC A L PA STO R A L (MOOD W IT HIN T HE CO NT E XT O F M O D E R N LOVE A ND SE XUA LIT Y), ICC CR ICK ET WOR LD CU P, K HA JU R A HO, FR A NCO IS “FA F” D U PLE SSIS, DA NT E A ND VIR GIL IN HELL, THE PR E CIO U S PO RT R A IT S O F FAT IM A RO NQU ILLO, A R SE NA L FO OT B A LL C LUB A ND SE N- U FO M A SK S. IT ACT S A S A FO R M O F HYPE R LINK NAVIGAT IO N WHIC H IS A N E LLIPT IC A L SPIR IT UA L E XE R CISE SE E K ING O U T ACCE SS TO A N IMAGE SE A R CH O F A D IGITA LLY D ISM A NT LE D PSYCHE . . MAIN ‘LOVE’ VIDEO: HTTPS:/ / VIM E O.CO M / 1 5 2 0 2 5 3 3 7 ‘LOVE’ VIDEO INVITATION: HTTPS://VIMEO.COM/151459261

STAGIN G ‘L OVE’, C AC , LITHUH AN IA , 2015. DESIGN : M E

‘ LOVE’ PRO CE SS:/ R E HE A R SA LS: HTTPS:/ / VIM E O.CO M / 1 5 1 8 3 8 6 0 7 HTTPS:/ / VIM E O.CO M / 1 5 1 5 7 6 6 8 4

STAGING ‘ LOVE’ , C AC , L ITHUHA NIA, 20 15 .

STAGIN G ‘L OVE’, C AC , LITHUH AN IA , 2015.

STAGING ‘ LOVE’ , C AC , LI THUHAN IA , 2 01 5.

STAGING ‘ LOVE’ , C AC , L ITHUHA NIA, 20 15 .

STAGING ‘ LOVE’ , C AC , LI THUHAN IA , 2 01 5.

STAGING ‘ LOVE’ , C AC , L ITHUHA NIA, 20 15 .

STAGING ‘SELF-FLES’

IN THE STAGING O F ‘SE LF-FLE S’ I SLIPPE D INTO T HE FR A M E O F A D E FU NCT WORLD O F B O LIVIA N K U LLAWA DA DA NCE S, T R A D IT IO NA L GE R M A N FO LK LO R IC HERITAGE CO ST U M E CO U T U R E , !!!T HE SU R R A D E B U ND !!!, RO GE R S M A ST E R S, C HOOSING TA B LE T E NNIS B A LLS & M E NS SINGLE S. IT IS A FO R M O F HYPE R LINK NAVIGAT IO N W HICH IS IS A N E LLIPT IC A L SPIR IT UA L E XE R CISE SE E K ING O U T ACC ESS TO A SE LF IM AGE SE A R CH O F A D IGITA LLY D ISM A NT LE D PSYCHE . MAIN ‘SELF-FLES’ VIDEO: HTTPS: //VIM E O.CO M / 1 5 6 4 8 7 0 9 2

STAGING ‘ SELF - F LES’ , L ARGO, L ITH UHA NI A, 2015. DESIGN: ME

‘SELF-FLES’ VIDEO INVITATION: HTTPS://VIMEO.COM/155255728

STAGING ‘ SELF - F LES’ , L ARGO, L ITH UHA NI A, 2015

STAGING ‘ SELF - F LES ’, LA RGO, LITHUHAN IA , 2 01 5

STAGING ‘ SELF - F LES’ , L ARGO, L ITH UHA NI A, 2015

STAGING ‘ SELF - F LES ’, LA RGO, LITHUHAN IA , 2 01 5

STAGING ‘ SELF - F LES’ , L ARGO, L ITH UHA NI A, 2015

STAGING ‘ SELF - F LES ’, LA RGO, LITHUHAN IA , 2 01 5

STAGING ‘ SELF - F LES’ , L ARGO, L ITH UHA NI A, 2015

STAGING ‘ SELF - F LES ’, LA RGO, LITHUHAN IA , 2 01 5

PERFORMANCE NIGHT/STAGING ‘ŽYBT!’

THIS PE R FO R A M NCE NIGHT IS A R E SU LT O F 1 0 T H LE CT U R E S O F SU B JE CT PE R F ORMA NCE A ND CO GNIT IVE SCIE NCE I LE D AT VD U U NIVE R SIT Y, K AU NA S, LITHUANIA B E T W E E N JA NUA RY A ND A PR IL 2 0 1 6 . IT W ILL B E A SHOW C A SE O F STUDE NT ACT S, A LL SU PE RVISE D & D IR E CT E D B Y M E . W E W ILL D ISCU SS PE R FO R MANC E A ND CO GNIT IO N SCIE NE T HRO U GH HA IR , SU GA R , SE LF, R E LAT IO NSHIP WITH OT HE R S, SO NGS, HAT E , LIGHT, PO LIT ICS A ND OT HE R SU B JE CT S.

PERFORM ANC E NIGHT/STAGING ‘ŽY BT! ’, LITHUA NIA, 20 16 . DE S I G N : ME

‘ŽYBT!’ VIDEO INVITATIONS: HTTPS://VIMEO.COM/158829075 HTTPS:/ / VIM E O.CO M / 1 6 1 2 3 9 5 3 9 HTTPS:/ / VIM E O.CO M / 1 6 1 3 9 7 9 9 0 HTTPS:/ / VIM E O.CO M / 1 6 2 1 8 9 1 7 1 JOIN!

ME & C U PS , WAT ER MI L L C ENT ER , 2013