Route to a imaginary memory PORTFOLIO Gioia Puddu
device for exhibitions for
Prada in ARCHITECTUREMilan.FOR EXHIBITION |
EXPERIENCEPROFILE
for
In
ISSUU DesignpublicationsReportextract Theatre and conference Host | 2014 – 2019
Bologna |
Bjarke Ingels Group Collaboration | 24/05 – 21/07/2022 Bologna, CollaborationItalyfor the interior redesign of the Bomaki restaurant in I’mMilan.personally working on the 3d modelling and rendering of the space, using Rhino, Grassopper and Enscape as programs. Freelance work | 20/06/2022 –Milan, Italy
The job, mostly carried out at the “Teatro Lirico di Cagliari” (Cagliari Opera House) consisted in welcoming the public. Availability and courtesy were absolutely necessary. The job, held in a bathing establishment in the seaside of Cagliari, Italy, consisted in working as a cashier in a ticket office. Attention and communication skills were required, because of a constant contact with a variety of reoccurring customers.
SEMINARS ON DESIGNING SYSTEMS |03/2018 Order of Architects | Cagliari In this cycle of training seminars, the addressed topics were on renewable sources and air conditioning systems. Visual art, Digital art, Performative Art, Architecture, Urbanism, Landscape Architecture, Interior Design, Music, Theater, Cinema, Philosophy, Psychology, Science, Nature, AdobeRhinoAdobeAdobeAdobeSketchUpRevitAutoCADMacOSMicrosoftINTERESTSPhotography.WindowsPhotoshopInDesignPremierRushIllustrator Office Word Office Excel Office PowerPoint CinemaArcGIS 4D
mOOO
CASHIER | 2014 – 2019 (summer) Soc. Coop. Sociale O.N.L.U.S GOLFO DEGLI ANGELI WAREHOUSE OPERATIVE |12/10/2021 – 25/11/2021 Amazon Bathgate, Edinburgh HOUSEKEEPING SERVICE |10/03/2022 – 10/05/2022 Croit Anna Hotel, Fort William
D.L.A.E.P. s.m.gioia@hotmail.it+447925952530
The “Architecture for Exhibition” course aimed to train professional designers to be able to materialize diverse artistic museum it culminated with a group project a modular Fondazione 27/11/2021 25/02/2022 YAC Academy high-level training course WORKSHOP 13/10/2021 | 09/01/2022 | Digital design and research the chosen studio, “Visual Diary from 2030”, we were encouraged to draw a visual diary as documentary of the past in the future. We were given tutorials on computational design software Grasshopper, as well as Photoshop & Illustrator and Lumion & Enscape.
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UNIVERSITY OF EDINBURGH Merit Award in Master of Architecture with the Thesis: “The Cosmology of a Palimpsest. Memories of Ahmedabad.” B.ARCH | 10/2015 - 11/2018
ACHIEVEMENTS
Online
and
The following software were illustrated: Cinema 4D, V-RAYforC4D, Photoshop, Marvellous Designer.
UNIVERSITY OF CAGLIARI 110/110 cum laude Award in “Architectural Sciences” with the Thesis: “9 progects. Composition of pure forms in the work of Louis Kahn” Liceo Scientifico | 2008 - 2013 G.“Brotzu” High School Final Grade: 86/100. Diploma of Scientific High School. UNIVERSITY OF CAGLIARI | 25/09/2014 Enrollment at the faculty of Philosophy. UNIVERSITY OF CAGLIARI | 16/09/2013 Enrollment at the faculty of Physics. I am a graduate in the Master of Architecture Part II of the University of Edinburgh and I’m looking for a job opportunity in a stimulant environment that could give me the necessary experience to get to Part III. I’ve been a creative and passionate student with a constant desire to learn from those around me, improve my skills and share those I already have.
The aim of the workshop was to define a re-qualification format of one of the properties of the Monrif Group, the Royal Carlton Hotel in the city centre of Bologna. The project included the front garden, the facade, a concept for the rooms and the hall, and needed to be developed according to the principles of sustainability and urban greening.
MayaLumionGrasshopperEnscapeRdfV-rayEXPERTISEFree-handdrawingTechnicaldrawingComputerCreativityProblemsolvingResearchAbstractthinkingModeling3DModelingLasercuttingSKILLS
Silvia MariaPUDDUGioia
ARCHIVIZ 6DAYS | 14 – 19/01/2019 Milan | with Angelo Ferretti WORKSHOP AAE_PAVILLON | 15 – 21/09/2018 Politechnika Poznańska | Wydział Architektury
experiences and
The purpose of the workshop, held in Poznan in collaboration with the University of Cagliari, was to develop and design a multifunctional mobile pavilion dedicated to education.
The following topics were studied during the course: 3D modeling, cloth modeling, rendering setup, lighting, basic and advanced texturing, photo insertion, post-production, photography fundamentals, image composition, colour theory.
31 Debden Road, CB114AA, Saffron Walden B s.m.gioia@hotmail.it 31 Debden Road, CB114AA, M.ARCH pt II | 09/2019 – 06/2021
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01Contents SEAMLESS EMOTIONS | Workshop with YAC Academy | Collaboration with AMDL CIRCLE and Fondazione Prada 4 02 The Cosmology of a Palimpsest | Postgradute project | Master of Architecture Part II 12 03 Regulatory Drawings Project | Architectural Management, Practice and Law | Master of Architecture Part II 32 04 Geometries beyond the Threshold | Undergraduate project | Laboratory of Architecture 3 34 05 Classroom in the Park| Undergraduate project | Laboratory of Architecture 2 40 *means that I have participated in or totally executed that drawing.
installations
Fondazione Prada has given us the task to develop a display system that could be functional to any form of art, sculptures, paintings, video and more, using a system that is extremely flexible and adaptable, easy to assemble, versatile, with a simple but sturdy structure.
The "Seamless Emotions” project begins from our desire to combine two main aspects of the exhibition design: the conception of an innovative display system at the service of art and the search for a new way to experience a museum space.
THE VISITOR EXPERIENCEDISPLAY SISTEM • Flexibility • Sustainability • Ease of assembly • Versatility •IDEATIONAdaptabilityOF RECONFIGURABLEADEVICE 3 DIFFERENT TYPOLOGIES OF EXHIBITION WITH DIFFERENT LEVELS OF COMPLEXITY • Attract different kind of people • Spread knowledge: educational value on society • Stimulate the reflection around universal values • Involve multidisc\iplinarity and contamination • Use immersive and sensory setting • Stimulate emotions and memories on the visitors • Create relationships between the users DUAL MATRIX PHYSICAL EMOTIONAL TEAM: Ivana Coetzee Dylan J. Dal Col Maria Chiara JuventinaMonacelliNikollajGioiaPudduSilviaVerardi SEAMLESS EMOTIONS 10
projections,
SEAMLESS EMOTIONS FIRSYSanguine.EXHIBITION Luc Tuymans on Baroque Section A-A’* 1 5 m B B’ A’ *
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7SEAMLESS EMOTIONS Section A-A’ Section B-B’ SECONDTeamEXHIBITIONLab A’ A B B’ 1 2 5 m *
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9SEAMLESS EMOTIONS Section A-A’* Section B-B’* THIRD EXHIBITION Sensorial and immersive experience 1 B B’A’A *
SEAMLESS EMOTIONS SENSORIAL EXPERIENCE
11SEAMLESS EMOTIONS CONE HEAD BOLT SPHERE SEALINGPLATEPIN FASTENINGSCREWSTEEL TUBE HIGH-STRENGHT BOLT DISPLAY SYSTEM The system is based on the bolted spherical joint. Main features: • high installation accuracy • good bearing capacity • flexible connection directions • multiple axial directions 72 72 188 THEINTERIORMAGNETVELCROFABRICSOVERLAPPINGWITHSTRIPSUNDERNEATHSTRIPTOCLIPFABRICTOSTEELTUBEFABRICLOOPSEAMEDTOFACEOFBACKSKINSTAINLESSSTEELTUBESUPPORTINGFOOTMAGNETSTRIPSEAMEDTOINTERIORFACEOFFABRICTWO-LAYERED SKIN
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The cosmology of Palimpsesta Memories Ahmedabadof
The methodology studied here deals with extrapolating different elements (material, immaterial, natural...) from the site and making them become new “spaces” that will be described in a specific time chosen from an infinite number of possible times. This echoes the title of the studio: “Ahmedabad: Past, Present and Possible.”
Introduction - The Thesis The thesis evokes the Palimpsest that constitutes Ahmedabad as a multistratification of times and cultures, that are expressed both in presence of absences and in absence of presences. The focus of the thesis, like a primary cell of the complex cosmology of the city itself, is an area in the south east riverbank of Ahmedabad, at a critical point that marks the end of the historic city. The “Palimpsest” is a writing that has been superimposed on effaced earlier writings. It is a situation of multiple writings and multiple simultaneous Inreadings.the old wall times and spaces collide. In the new walls times and spaces collide.
The results are a cosmogeny of elements and an incomplete cosmology of “immaterial” materials, like a shore that collects and connects to give a new sense to once disparate drifting material fragments, fecundating them with greater life as the Sabarmati wetness does to the Gujurat dryness.
The Cosmology of
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TheMethodologiessitewasstudied as a Palimpsest with a series of sections through three directions. The first one, was the vertical direction.
Axonometric view of the final riverfront project
Thebuilding.second one is the main 1:500 series of sections and the derived 1:200 (building scale) that goes from East to West, facing the old wall.
The clarifying importance of that was found in both the sovraposition and the seriality of all the 56 1:500 sections (for the series, see Appendix 1), detailing all the different courses and slopes of ground, canals, road, walls, ceilings. Whereas the larger scale, studied later in this document, enlightens the multilayered materiality of each building. The last direction, through the South/West axis, is more fragmented, but nonetheless, effective to represent the various elements. a Palimpsest
The 1:500 site plan, describing the SET (Series of Enzymatic Territories) scale has been studied in all of its 7 levels, comprehending two underground levels reached by the Theater and Restaurant
Axonometric view of the administrative building and main theater behind the roadThe Cosmology of a Palimpsest
0 10 20 304050 m The Cosmology of a Palimpsest
1918 0 10 20 30 m The Cosmology of a Palimpsest Overlap of East-West sections.
IINDEXThe Triangle II The Palimpsest Building III The Old Wall IV The House of Projections V The House of Light and Sand VI The Water Holder VII The Canal Connection 1 VIII The Canal Connection 2 IX The Mnemo-aquatecture X The Loti XI The Step-Wall 1 XII The Water Carriers XIII The Step-Wall 2 XIV The Administrative Building XV The Hypogeum Theater XVI The More Hypogeum Restaurant XVII The Water Carrier XVIII The Houses of Green XIX The Oasis XX The Hybrid Mandala 20
Plan of the riverfront and cross sections x c cww xThe Cosmology of a Palimpsest VXIVIIVIIIXXX
22 Cross section XX 0 10 20 m The Cosmology of a Palimpsest
Exploded isometric viewThe Cosmology of a Palimpsest
2524IIIVVIXIXXXTheCosmology of a Palimpsest longitudinal section CC "The Mnemo-aquatecture"
View of the "House of Projections"The Cosmology of a Palimpsest
Overlap of floor plans and longitudinal sections y zyz XVIXVXIV0 10 20 304050 m The Cosmology of a Palimpsest
28 Longitudinal section ZZ 0 10 20mXVIXVXIVTheCosmology of a Palimpsest
29 first filtration second filtration collection of rain Sabarmati river XVIIXIII third filtration systemfertilization release of extra water to the river and to the rest of the site Three filtration levelsThe Cosmology of a Palimpsest
Upper load-bearing truss Uppersystemcover of the boxes with glass openings Lower cover (countertop) of the boxes with operable Corrugatedopenigns metal sheet (secondary beam system) Primary truss system Hanging corten boxes Corrugated metal sheet (secondary beam system) Primary hanging truss Aluminiumsystem footbridge External Corten steel plating Stainless steel support Mineral wool insulation batts steelInternal80mmCortenplating 6 Canals irrigation system 3 layers of aluminium mesh 5 Opening panels Structural cable system Joint between beam and cable Mineral wool insulation (thermal and acoustic) batts 100 mm Hanging truss system Corrugated metal sheet Floating floor Steel Corrugatedstructuremetal sheet Mineral wool insulation batts 80 mm waterproof sheet Operable Countertop with steelDoublestructureglazed opened skylight 3 layers beam glass glued together 30 mm Truss vapoursystembarrierSlopingsystem 4 Stainless steel support 2 2 1 1 3 3 4 44 Steel Joint between footbridge and boxes 5 6 7 8 7 8 PRODUCEDBYANAUTODESKSTUDENTVERSION I Longitudinal Section 1:60 and exploded isometric viewThe Cosmology of a Palimpsest 30
View of the Administrative BuildingThe Cosmology of a Palimpsest
Building skin roof made of copper Rainwater discharge pipes directed to the lake DIAGRAM 4: ISOMETRIC Area covered with previous chipped stones Area covered with grass DIAGRAM 1: FLOOR PLAN Surge Normallevellevel DIAGRAM 2: WET DOCK AREA CROSS SECTION Copper standing seem roof sheeting Profiled copper sheet Rainwater pipes (to the lake) DIAGRAM 3: DETAIL SECTION REGULATORY DRAWINGS PROJECT 30 Silvia Maria Gioia Puddu Building RegulationsREGULATORY DRAWINGS PROJECT 32
To mitigate this effect, Reiach and Hall proposal was to carry out landraising of the low lying area of the site: The northern building, the section of which is shown on the right, is named “Creative Industries” and presents a basement that is raised 10.2 mAOB that seems to live in perfect coexistence with the flood events, even in the worst case of 8.49 mAOD.
RidwanTEAM:Naim Silvia Maria Gioia Puddu
Planning RegulationsREGULATORY DRAWINGS PROJECT 33
The Forth Valley College, has been specifically formed with the landscape to accept and moderate the flooding.
TANK SECTION (NORTH BUILDING)
The Forth Valley College in Stirling was built in an undeveloped area of the city, providing teaching spaces, workshop spaces, creative industries, and social space. The area is bounded by the river and by the steep riverbank to the east.
The building, in order to be build in a risky area, will act to slow down the flood even in its sorroundings, letting the flood inside the undercroft tank.
AXONOMETRIC VIEW OF THE SITE
The study consisted in the comparison of the solution carried out by the architects with the SPP 7 and SEPA rules currently in Theforce.Planning regulations taken into consideration were: -Town and Country Planning (Hierarchy of Developments) (Scotland) Regulations 2009 -SPP (SCOTTISH PLANNING POLICY) 7 -Flood Risk Management (Scotland) Act 2009 -SEPA (Scottish Environment Protection Agency) A previous flood risk assessment highlighted an area of the site to be a risk from flooding from the 200 year return period event.
1 3 4 First floor 7 Stairs 8 Cooking academy 9 Dorm * Ground floor 1 Entrance 2 Patio 3 Dorm 4 Restaurant 5 Storage 6 Shop 0 5 1020 m
The project consists in blocks of distinct and independent volumes punctuated by linear geometric repetitions that create clear Theperspectives.central nucleus that binds the volumes together, emerges with relevance in the first entrance court where the essence of the project manifests itself. Here, the access is guaranteed by the portalthreshold. The spaces crowning the entrance contribute to make the main volumes usable and Thecomplete.volumes of the project cohabit with the pre-existing ones that need to be enhanced, especially the main portico building, redesigned in its first floor as a cooking academy.
ThresholdthebeyondGeometries04
Description of the intervention
The idea of the project begins with the study of a traditional reality, the court house of the Marmilla, in which the enclosure, consisting in factory buildings arranged around a large court, is reinterpreted with the aim of giving it new shape and new function. The place is in fact transformed into a receptive structure that consists in two new volumes that house the restaurant and the bedrooms. The general effect is the subdivision of the entirety into several semi-private courts.
Design reasons
The purely geometric concept that initially moved the design evolved to acquire a materiality that is best expressed through the use of wood. This material symbolizes the incessant dialogue between tradition and progress, allowing the visitor to come into contact with the natural dimension and at the same time guaranteeing the exploration of advanced techniques. The shape is manifested in a succession of lamellar blades and beams that scan light and shadow to create a functional portal that supports the asymmetric slopes of the roof. The roofs supported by a portal-based system represent an evolution of the sloped traditional roof. The portal was vital for the growth and definition of the project, a reference to the theme of entrance and to the vertical scan of the loggia.
Project theme
35 5 10 20m 0 1 2 5 m * 0 5 10 20 m Plan and SectionsGeometries Beyond the Threshold
* View from the gateGeometries Beyond the Threshold
Wood XLAMcoverageHorizontalRoofLamellarwoodframespanelsXLAMpanels Window fixtures PodiumwallPre-existent * Exploded Axonometric ViewGeometries Beyond the Threshold
* Assembly diagram of the lamellar wood frame View of The Restaurant and schemesGeometries Beyond the Threshold
laminated1. wood beam 10x45 cm wooden plank 3 cm vapor barrier 0.15 cm sheep wool insulation 6 cm waterproof case 0.15 cm sloped screed 2% waterproof case finishing in gravel multi-layer2. wooden panel 0.12 cm 5-layer XLAM panel 10 cm sheep wool insulation 5 cm multi-layer wooden panel 0.25 cm lean3. concrete 10 cm cupolex ventilated floor 40 cm concrete screed 4 cm bituminous sheath 0.15 cm sheep wool insulation 6 cm substrate concrete screed 10 cm raised floor for technical systems 8 cm* Sectioned model and technical section of the dormGeometries Beyond the Threshold 1 32
A green area needs to be reassessed in order to have a decisive and influential role in the whole project and not only a background function. The classroom is seen as a efficient space in the center of the city but also a intimate refuge in close contact with the surrounding nature. We wanted to take advantage of its proximity to the recently revalued green area called “Orto dei Cappuccini” and the connection with two of the most important university centers in Cagliari.
1 2 3 54 1 Project
Project theme The theme of the Laboratory was the design of new spaces for students to be integrated with the public areas of the campus and with the gardens towards Viale Merello and the “Orto dei Cappuccini”. The area is located just behind the former hotel of Ubaldo Badas, now headquarters of the faculty of Economics, and it is divided into several units facing the gardens.
ThePremise“Aula nel parco” (Classroom in the Park) project involves the construction of a study room in Viale Sant’Ignazio in Cagliari.
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reasons We wanted to differentiate the building from the surrounding architectural style, with contemporary stylistic and technological choices, therefore, we selected concrete and glass. The last one in order to preserve the continuity with the surrounding space. area Ubaldo Badas’ building Viale Merello 4 Orto dei Capuccini 5 Viale Sant’Ignazio
TEAM: Elisa Floris, Valentina Mele, Silvia Maria Gioia Puddu Integrated Laboratory of Design and Construction Architectureof22016/2017
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The intermediate level -1, -4 meters from the street level, is an open space that houses the study room in its spatial and visual freedom. The last level, -2, -8 meters high, is an additional classroom able to accomodate further students and recreational activities. Here there is a medium-sized patio, a remarkable source of sunlight. The inclination of the roof guarantees the right shielding from the Mediterranean sun in a city like DesignCagliari.
Description of the intervention It was important for us to preserve the surrounding greenery as much as possible, so we intervened on the natural slope of the land. The building, oriented to north-east, consists in three levels. The first level is at the ground floor, with the entrance from Viale Sant’Ignazio presented to the public as a hall from which it is possible to reach the floors below.
CagliariPark,inClassroomthe05
Urban Setting 1:275 Plan and SectionsClassroom in the Park 41
Classroom in the Park 42
View of the ClassroomClassroom in the Park 43
External finish made of lean concrete with electro-welded mesh, pitch 20x20, (h = 5 cm)
AA section* elements of polypropylene (type CUPOLEX h = 40 cm); screed with electro-welded mesh, 20x20, (h = 10 cm)
5.Non-woven fabric in anti-root polypropylene 0.2cm
-1FRP-2F0F Transversal technical section* 0 12 5 10 m Technical SectionClassroom in the Park 44
Parquet flooring 2 cm thick glued with a Light slab (type COBIAX Eco-Line 315) 40 cm 0.5 cm plastomeric bituminous waterproofing sheath
Membrane in bitumen-elastoplastomeric polymerbit 0.8 cm
Load-bearing masonry in reinforced concrete 40 cm
External insulation in expanded polystyrene (type BPP plastomeric waterproofing sheath 0.4 cm
Load-bearing masonry in reinforced concrete 40 cm External insulation in expanded polystyrene (type 20 cm reinforced concrete partition with external facing
Light slab (type COBIAX Eco-Line 315) 40 polyethylenecm 0.2 cm
-2FRP-1F0F Longitudinal technical section 0 1 25 10 m Technical SectionClassroom in the Park 45
