ESQUE by Giorgia Sage

I WANT MY PROFESSORS TO START SPEAKING TO ME LIKE I HAVE WORTH. I WANT TO FEEL SEXY AND RADICAL AT THE SAME TIME. I WANT MORE STUDENTS ON SCHOLARSHIP TO FEEL COMFORTABLE AROUND STUDENTS PAYING FULL TUITION. I WANT MY HOMETOWN TO UNDERSTAND THAT “QUEER” IS NOT SYNONYMOUS WITH “SEXUAL PREDATOR”. I WANT SEX TO BE UNPROBLEMATICALLY SPIRITUAL. I WANT SPACE FOR QUEER STUDENTS OF COLOR. I WANT TO BE LOVED NOT IN SPITE OF MY DIFFERENCES BUT BECAUSE OF THEM. I WANT TO BUILD MORE NETWORKS OF SUPPORT. I WANT TO WEAR A XL BLACK DRESS THAT MAKES ME FEEL _______. I WANT TO WATCH A PERFORMANCE AND FEEL MYSELF, NOT HATE MYSELF. I WANT TO WALK INTO QUEER SPACES AND NOT FEEL LIKE EVERYONE IS “SWIPING” “LEFT” OR “RIGHT.” I WANT TO SHOUT MY WANTS TO THE WIND. I WANT TO FEEL EMPOWERED FOR FEELING VULNERABLE. I WANT TO BE OKAY WITH NOT BEING OKAY. I WANT TO BE WITHOUT THE “MALE GAZE”. I WANT (US ALL) TO BE LESS AFRAID OF FEELING(S). I WANT SEX TO BE MORE LIKE THE REST OF LIFE. I WANT TO ACKNOWLEDGE MY SEX AS PROBLEMATIC AND AS A SITE FOR RESISTANCE. I WANT TO FUCK IN THE TENSION. I WANT TO FUCK IN DETENTION. I WANT FUCKING ATTENTION. I WANT TO FUCK ATTENTION. I WANT TO BE AS COMPASSIONATE AS I AM CRITICAL. I WANT TO BE SEEN NOT JUDGED. I WANT PEOPLE TO STOP BELIEVING FOX NEWS. I WANT TO FEEL LIKE GRILLED CHEESE IN YOUR HANDS, IN YOUR MOUTH. I WANT WHATEVER THE FUCK I WANT.

THIS IS WHY WE WANT… ESQUE.

SCREAM/SHOUT/CRAFT

THIS INSTALLATION IS MADE IN AN ATTEMPT TO INVOKE A CERTAIN TYPE OF DESIRE — ONE FILLED WITH AND TANGLED UP IN ARTISTIC EXPRESSION, FRUSTRATION, AND REVOLUTIONARY WEIGHT. IN CREATING THIS PIECE, WE WERE INSPIRED BY THE PRACTICE OF RADICAL CHEERLEADING — A FORM OF FEMINIST PERFORMANCE AND PROTEST, OR A KIND OF INTERVENTION IN POLITICAL DEMONSTRATION (‘SERIOUS’) AND A SUBVERSION OF CHEERLEADING (‘ANTIFEMINIST’). BY TAKING PIECES OF POLITICAL PROTEST AND SPORT CHEERLEADING - BOTH ANARCHIST CHEERS AND CHOREOGRAPHED DANCE - RADICAL CHEERLEADING CREATES UNEXPECTED POLITICAL STRATEGIES AND BODILY ACTS. — FEMINIST ART & THOUGHT COLLECTIVE TESS ALTMAN, CHLOE MURTAGH, ISABEL ALTER

TAKE BACK THE NIGHT (FROM ANITA IN CHICAGO)

SHHH... IS THAT SPELLED WITH 3 SNAKES OR 4? WE’RE GONNA TAKE IT NO MORE! ENOUGH IS ENOUGH (CLAP WHILE SAYING THIS) CUNTS MUST RISE UP! WE WILL... FIGHT BACK! WE WILL.... ATTACK! WE’RE TAKING BACK THE POWER YOU CAN’T KEEP US DOWN YOU WON’T LAST FOR LONG ‘CAUSE HERE’S WHAT WILL GO DOWN! WE’RE GONNA TEAR DOWN THE WALLS AND RECLAIM OUR STREETS WE DON’T NEED NO VIOLENCE LET’S GET ON OUR FEET! RECLAIM THE STREETS! (CHORUS) GRRRLS FIGHT BACK! WE’RE GONNA TAKE IT BACK! GRRRLS FIGHT BACK! WE’RE GONNA TAKE IT BACK! TAKE BACK OUR BODIES, TAKE BACK OUR LIVES STOP THE SELF-HATE AND THE BEAUTY MYTH LIES! (CHORUS) FIGHT FOR OUR SISTERS, FIGHT FOR OUR STREETS KICK OUT THE RAPISTS AND THE SEXISM SLEAZE! TAKE BACK THE NIGHT IT IS OUR RIGHT OUR RIGHT FOR SAFE STREETS! OUR RIGHT FOR SAFETY! STOP THE RAPISTS, STOP DATE RAPE STOP THE VIOLENCE AND THE HATE TAKE BACK THE NIGHT ITS TIME TO FIGHT FIGHT FOR SURVIVAL! STOP THE DENIAL! STOP THE HATRED, STOP SELF-HATE STOP OPPRESSION, IT AIN’T FATE! NO MEANS NO IT DON’T MEAN MAYBE DON’T TOUCH ME MY NAME AIN’T BABY! (REPEAT LOTS) HEY MISTER MISTER GET YOUR HANDS OFF MY SISTER (REPEAT AS WELL)

“PERCY EUGENE” PLAYED BY SOPHIE MASSEY ‘15 IS THE QUIET, STOIC TYPE... SOME KNOW HIM AS A MR. E. DURING HIS TIME AT WESLEYAN HE STARTED A SUPPORT GROUP FOR MALE FEMINISTS. “JO STRUMMER” PLAYED BY JOELLE DUPITON ‘16 IS A MUSICIAN FROM WESTCO. WHEN HE’S NOT STRUMMING HIS GUITAR, HE’S STRUMMVING THE HEARTS OF ALL THE LADIES WITH HIS SMOOTH CONSENSUAL SEX.

“NOLAN REAMS” PLAYED BY DENEILE COOPER ‘15 IS THE PRIMARY CONTACT FOR X-TACY’S ORG-SYNC. AFTER SPENDING HIS EVENINGS LEARNING MOVES FROM MUSIC VIDEOS AND BROWSING FOR THAT ONE MAGIC PAIR OF HIGH TOPS, YOUR BOY’S COMIN AT EVERY DANCE PARTY ON CAMPUS THIS AND EVERY WEEKEND.

“MARK VAN VOORHIS” PLAYED BY MIN SUH ‘15 HAILS FROM SAN DIEGO. HE GOES SNOWBOARDING EVERY WINTER, LOVES MEAT, AND OCCASIONALLY ORGASMS TO THE SOUND OF RAIN. “MAC” PLAYED BY TESS IANNARONE ‘18 LIKES BIG TRUCKS, BAR FIGHTS, AND NIHILISM. YOU CAN FIND HIM AT ARBY’S.

THIS IS A SHITTY POEM BUT THEN AGAIN I’M A SHITTY PERSON. I WANT TATTOOS SO I CAN FEEL MORE PERMANENT SINCE TATTOOS ARE REALLY PERMANENT. MY MOM SAYS I’M ONLY A LESBIAN BECAUSE MY FRIENDS ARE LESBIANS. MAYBE I’M A LESBIAN BECAUSE GIRLS ARE HOT AND MAYBE I’M FRIENDS WITH MY FRIENDS BECAUSE THEY’RE ALSO LESBIANS. MAYBE I HATE THE WORD LESBIAN. SHE SAYS I ONLY DRESS LIKE A BOY BECAUSE LESBIANS DRESS LIKE BOYS AND I THINK I HAVE TO “LOOK LIKE A LESBIAN.” MAYBE I DRESS LIKE A BOY BECAUSE I LIKE TO. MAYBE LESBIANS JUST LOOK LIKE ME. MAYBE I DON’T KNOW WHAT THE FUCK A LESBIAN LOOKS LIKE. MAYBE IT’S MORE COMPLICATED THAN THAT — NOT REALLY; PEOPLE ARE JUST PEOPLE: HORNY, SAD, HUNGRY. ALL OF THEM. PEOPLE ARE JUST EYES AND HANDS AND GRAINS OF SAND. THEY’RE JUST THE WORD FUCK SCREAMED LOUDLY OVER AND OVER.

from FUCK POEM // GIORGIA SAGE

ROOMS

_EPIDERMAL

ILLUSTRATIONS AND TEXT ATTACHED FROM: BOUCHER, TYRONE. “PRIVILEGE AND SOLIDARITY CHALLENGING CAPITALISM, CHALLENGING PHILANTHROPY.” ENOUGH: PERSONAL POLITICS OF RESISTING CAPITALISM.

_TROUVE_IVO

LOVING_ANTI_RACIST_LY LOVING_ANTI_RACIST_LY LOVING_ANTI_RACIST_LY LOVING_ANTI_RACIST_LY LOVING_ANTI_RACIST_LY LOVING_ANTI_RACIST_LY WWW.POORMAGAZINE.ORG WWW.RACIALWEALTHDIVIDE.ORG

I_CANT_FUCK_YOU

I _CANT_YOU_FUCK

TOWARD_NON_WHITENESS TOWARD_NON_WHITENESS TOWARD_NON_WHITENESS TOWARD_NON_WHITENESS TOWARD_NON_WHITENESS TOWARD_NON_WHITENESS

WWW.CWSWORKSHOP.ORG WWW.CLASSACTIONNET.ORG

WHAT DOES IT TAKE? A PERFORMANCE ART PIECE BY KARMENIFE PAULINO ONE CHILLY EVENING IN OCTOBER 2011, I WAS RAPED BY A FRAT BROTHER BEHIND THE BRICKS PSI UPSILON. THAT NIGHT WAS NOT THE FIRST NIGHT HE HAD BEEN AGGRESSIVE WITH ME. THERE WERE OTHER OCCASIONS WHERE HE WOULD TRY TO KISS ME, SLIDE HIS FINGERS UP MY DRESS AND DIG HIS NAILS INTO MY THIGHS. EACH TIME HE WAS SURROUNDED BY A ROOM FULL OF PEOPLE WHO WATCHED AND SAID NOTHING. ON SEPTEMBER 8TH, 2015 I REPORTED MY RAPIST TO THE UNIVERSITY. AT THE TIME I HAD BEEN A DEDICATED MEMBER OF THE ECLECTIC SOCIETY, SERVING AS BOTH LAWSPEAKER AND ALUMNI COORDINATOR. I CARRIED ECLECTIC ON MY BACK SINCE I WAS INITIATED MY FRESHMAN YEAR. I CLEANED THE HOUSE, CARED FOR MEMBERS AND ALUMNI AND WORKED INCESSANTLY TO MAKE IT THE INCREDIBLE SPACE I KNEW IT HAD THE POTENTIAL TO BE. I CONSIDERED THAT HOUSE WITH THE COLOSSAL WHITE PILLARS TO BE MY HOME AND THOSE THAT RESIDED WITHIN IT TO BE MY FAMILY. YET MY FAMILIAL FOUNDATION SHATTERED ONCE THE ECLECTIC SOCIETY LEARNED I WAS A RAPE SURVIVOR. DURING A HOUSE MEETING, I PROPOSED TO BAN MY RAPIST FROM OUR HOME AND WHAT FOLLOWED WAS ONE OF THE MOST TRAUMATIC EXPERIENCES I HAVE YET TO EXPERIENCE. THE PEOPLE I CONSIDERED TO BE FAMILY PROCEEDED TO VICTIM BLAME ME AND ATTACK ME ONCE THEY LEARNED I WAS ASSAULTED. I WAS ASKED QUESTIONS SUCH AS: “WHY WERE YOU WITH HIM IN THE FIRST PLACE?” “HOW DID HE DO IT?” “WHAT WERE YOU DOING WITH HIM?” THEN ONE ECLECTIC MEMBER THREATENED TO BRING MY RAPIST INTO OUR HOME AND THE WHOLE ROOM FELL SILENT. A ROOM OF 23 PEOPLE AND NO ONE SEEMED BOTHERED WITH THE FACT THAT I, AS WELL AS EVERY WOMAN IN THE SOCIETY, HAD BEEN THREATENED WITH THE PRESENCE OF A MAN THAT HAD SEXUALLY ASSAULTED MULTIPLE WOMEN ON CAMPUS. THE ONLY PERSON WHO SAID ANYTHING WAS A CLOSE FRIEND OF MINE, EVERYONE ELSE FELL SILENT. AFTER THE MEETING I WAS OSTRACIZED BY ECLECTIC MEMBERS. MEMBERS I HAD LOVED FOR YEARS SUDDENLY WERE TOO DISGUSTED TO LOOK AT ME. I WAS IGNORED. I WAS VIOLATED. I WAS DESTROYED. I BEGAN POSTING NOTES ON THE DOOR OF THE MEMBER WHO THREATENED ME, CALLING HIM A RAPE ENABLER. I TOLD HIM THAT HE HAD NO RIGHT TO STAY IN OUR HOME IF HE DID NOT CARE FOR THE SAFETY OF THE WOMEN THAT LIVED WITHIN IT. THE ECLECTIC SOCIETY TOLD ME I WAS OVERREACTING AND RATHER THAN SHOW ME ANY FORM OF SUPPORT, THEY OSTRACIZED ME AND BEGAN SUPPORTING THE MAN THAT DESIRED TO BRING A SERIAL RAPIST INTO OUR HOME. THE ANGUISH THAT BUBBLED INSIDE OF ME TWISTED MY INSIDES TO THE POINT WHERE IT WAS IMPOSSIBLE FOR ME TO FEEL SAFE ON THIS CAMPUS. I HAD PICKED THESE PEOPLE TO BE MY FAMILY AND NOW THAT DECISION WAS REARING ITS VENOMOUS HEAD IN A WAY I NEVER THOUGHT IMAGINABLE. I BEGAN SCREAMING AT THEM, WISHING THEY COULD SEE THE PAIN THEY CAUSED,

BUT INSTEAD I WAS PUSHED AWAY. I WAS GIVEN APOLOGIES THAT ONLY SERVED TO TRY AND CLEAR THEIR NAMES RATHER THAN ACTUALLY SHOW DISDAIN OVER THEIR ACTIONS. A FEW DAYS AFTER THE MEETING, THE ECLECTIC HOUSE MANAGER MET WITH THE ADMINISTRATIVE OFFICIALS IN CHARGE OF MY RAPE CASE AND TOLD THEM I WAS “DANGEROUS, UNFIT AND HAD EVEN THREATENED TO KILL AND BURN EACH ECLECTIC MEMBER ALIVE.” HE HAD LIED AND COMMITTED ONE OF THE OLDEST TREACHERIES KNOWN TO MANKIND: WHEN A WOMAN OF COLOR SPEAKS HER TRUTH, YOU PAINT HER AS INSANE. YET THIS IS NOT JUST AN ISSUE WITH ECLECTIC, OR PSI U OR OTHER INSTITUTIONALIZED SPACES. ONE HUGE, CONVENIENT MISCONCEPTION ABOUT RAPE CULTURE IS THAT IT SOLELY INVOLVES THE PERPETRATOR AND THE VICTIM. THAT CANNOT BE FARTHER FROM THE TRUTH. OUR SOCIETY IS RAPE CULTURE. WE ARE EACH PARTICIPANTS, THERE IS NO ESCAPING IT. WE EACH HAVE A RESPONSIBILITY TO BE HELD ACCOUNTABLE AND TO ACT WHEN WE SEE PROPONENTS OF RAPE CULTURE TAKING PLACE. VICTIM BLAMING SURVIVORS OF SEXUAL ASSAULT IS AS CONVENIENT AS IT IS HORRIFIC. IF WE BLAME HER DRESS, HER ALCOHOL CONSUMPTION, HER WALKING HOME ALONE AT NIGHT, WE ABSOLVE OURSELVES OF RESPONSIBILITY. WE ABSOLVE OURSELVES OF THE WAY WE TURN OUR HEADS WHEN WE SEE HIM TAKE WHAT ISN’T HIS. WE ABSOLVE OURSELVES OF GUILT WHEN WE SAY “I JUST DO NOT WANT TO GET INVOLVED.” BLAMING HER IS EASIER BECAUSE IF WE BLAME HER, WE NEED NOT LOOK AT OURSELVES AND HOW WE ACTIVELY PARTICIPATE IN A CULTURE WE CLAIM TO CONDEMN. WHAT DOES IT TAKE TO WAKE UP SOMEONE WHO IS PASSED OUT AT A PARTY? WHAT DOES IT TAKE TO HELP THEM HOME SAFELY? WHAT DOES IT TAKE TO STEP IN WHEN YOU SEE SOMEONE’S BOUNDARIES BEING ABUSED? WHAT DOES IT TAKE TO SAY SOMETHING? IN THIS PERFORMANCE PIECE I STRIP MYSELF DOWN TO MY MOST VULNERABLE AND EXPOSED STATE TO MIMIC HOW I ACTUALLY EXIST ON THIS CAMPUS. YOU HAVE NO CHOICE BUT TO LOOK AT ME, TO EXPERIENCE MY WOES AND TO GAZE UPON MY PAIN. I AM THEN CONSTRAINED IN A FASHION DISPLAYING HOW GREEK AND ADMINISTRATIVE INSTITUTIONS ATTACK AND COMPROMISE THE WELL BEING OF RAPE SURVIVORS ON A CONSISTENT BASIS. I BECOME A SPECTACLE THAT WE SEE MUCH TOO OFTEN. YOU ARE FORCED TO SEE ME, AND YOU ARE FORCED TO SEE THE CHOICES THAT LIE IN YOUR PALMS. WHAT WILL YOU DO? WHO WILL YOU HELP? HOW DO YOUR ACTIONS AND POSITION ON THIS PLANET AFFECT OTHERS? RAPE CULTURE IS US. IT IS THE SOCIETY IN WHICH WE LIVE. IT IS THE WAY IN WHICH WE TREAT VEACH OTHER. ENDING THE TERRORS OF RAPE CULTURE BEGINS WITH EACH OF US EXAMINING AND CHANGING THE WAYS IN WHICH WE ACTIVELY PARTICIPATE IN IT.

BIG FAT PUSSY MUFASA A FUN PIECE DEDICATED TO BLACK EXCELLENCE, BODY POSITIVITY AND SEX POSITIVITY — A RECLAIMING OF BLACK WOMEN’S SEXUALITY THROUGH A MEDLEY OF RIHANNA, KELLY ROWLAND AND BEYONCE.

MARIEME DIOUF, JAMILIA SIMON, CHANTEL JONES, ALIYA LYONS, ETENISH ABEBE, JENEILLE RUSSELL, CHRISTINE CLARKE AND SADASIA MCCUTCHEN THANK YOU TO CRYSTAL FRANKLN

SEX / HAIR A FILM B Y RAY P E TE RS

“I’VE NOTICED THAT FEMALE SEXUALITY, FOR MANY MEN, SURELY NOT ALL OF THEM, BUT MANY, IS STRONGLY LINKED WITH HAIR.” - MO B. DICK FROM VENUS BOYZ

“MY MUSIC, IT MAKES ME FEEL GOOD ABOUT WHAT I DO AND THE CULTURE THAT I REPRESENT. PEOPLE GET CONFUSED BY IF I AM HE OR SHE. I AM MORE THAN JUST BIG FREEDIA, I AM MORE THAN JUST QUEEN DIVA, I AM MORE THAN JUST FREDDY ROSS, I AM ME. I AM THE AMBASSADOR, REPRESENTING FOR NEW ORLEANS AND FOR BOUNCE MUSIC. SO MANY THINGS IN MY HEAD SOMETIMES, IT JUST ALL MAKES ME WANT TO EXPLODE.” — BIG FREEDIA, THE QUEEN DIVA.

CHOREOGRAPHY BY CRYSTAL FRANKLIN

PASSING I HATE IT. BEAUTY IS A SEQUINED SLAUGHTERHOUSE THEY RUN YOU THROUGH WITH A BLINDFOLD. WHEN YOU REACH THE END YOU REALIZE YOUR EYES ARE NO LONGER YOURS TO CONTROL AND YOUR BODY IS ANOTHER CHANNEL ON THE INFINITE DAYTIME TELEVISION DIET FOR SOMEONE SOMEWHERE. HE FINISHES HIS THIRD BEER AND YOUR CRIES ARE AS AUDIBLE AS THE CRUSHED CANS AT HIS FEET. TAKE OFF YOUR MAKE UP AND PRAY BECAUSE IF HE COMES LOOKING FOR YOU RED-EYED AND LEGAL PASSING I HATE IT. BEAUTY IS A SEQUINED SLAUGHTERHOUSE THEY RUN YOU THROUGH WITH A BLINDFOLD. WHEN YOU REACH THE END YOU REALIZE YOUR EYES ARE NO LONGER YOURS TO CONTROL AND YOUR BODY IS ANOTHER CHANNEL ON THE INFINITE DAYTIME TELEVISION DIET FOR SOMEONE SOMEWHERE. HE FINISHES HIS THIRD BEER AND YOUR CRIES ARE AS AUDIBLE AS THE CRUSHED CANS AT HIS FEET. TAKE OFF YOUR MAKE UP AND PRAY BECAUSE IF HE COMES LOOKING FOR YOU RED-EYED AND LEGAL PASSING I HATE IT. BEAUTY IS A SEQUINED SLAUGHTERHOUSE THEY RUN YOU THROUGH WITH A BLINDFOLD. WHEN YOU REACH THE END YOU REALIZE YOUR EYES ARE NO LONGER YOURS TO CONTROL AND YOUR BODY IS ANOTHER CHANNEL ON THE INFINITE DAYTIME TELEVISION DIET FOR SOMEONE SOMEWHERE. HE FINISHES HIS THIRD BEER AND YOUR CRIES ARE AS AUDIBLE AS THE CRUSHED CANS AT HIS FEET. TAKE OFF YOUR MAKE UP AND PRAY BECAUSE IF HE COMES LOOKING FOR YOU RED-EYED AND LEGAL PASSING I HATE IT. BEAUTY IS A SEQUINED SLAUGHTERHOUSE THEY RUN YOU THROUGH WITH A BLINDFOLD. WHEN YOU REACH THE END YOU REALIZE YOUR EYES ARE NO LONGER YOURS TO CONTROL AND YOUR BODY IS ANOTHER CHANNEL ON THE INFINITE DAYTIME TELEVISION DIET FOR SOMEONE SOMEWHERE. HE FINISHES HIS THIRD BEER AND YOUR CRIES ARE AS AUDIBLE AS THE CRUSHED CANS AT HIS FEET. TAKE OFF YOUR MAKE UP AND PRAY BECAUSE IF HE COMES LOOKING FOR YOU RED-EYED AND LEGAL PASSING I HATE IT. BEAUTY IS A SEQUINED SLAUGHTERHOUSE THEY RUN YOU THROUGH WITH A BLINDFOLD. WHEN YOU REACH THE END YOU REALIZE YOUR EYES ARE NO LONGER YOURS TO CONTROL AND YOUR BODY IS ANOTHER CHANNEL ON THE INFINITE DAYTIME TELEVISION DIET FOR SOMEONE SOMEWHERE. HE FINISHES HIS THIRD BEER AND YOUR CRIES ARE AS AUDIBLE AS THE CRUSHED CANS AT HIS FEET. TAKE OFF YOUR MAKE UP AND PRAY BECAUSE IF HE COMES LOOKING FOR YOU RED-EYED AND LEGAL PASSING I HATE IT. BEAUTY IS A SEQUINED SLAUGHTERHOUSE THEY RUN YOU THROUGH WITH A BLINDFOLD. WHEN YOU REACH THE END YOU REALIZE YOUR EYES ARE NO LONGER YOURS TO CONTROL AND YOUR BODY IS ANOTHER CHANNEL ON THE INFINITE DAYTIME TELEVISION DIET FOR SOMEONE SOMEWHERE. HE FINISHES HIS THIRD BEER AND YOUR CRIES ARE AS AUDIBLE AS THE CRUSHED CANS AT HIS FEET. TAKE OFF YOUR MAKE UP AND PRAY BECAUSE IF HE COMES LOOKING FOR YOU REDEYEDAN

E E R O TA L O

DIVINAS

NYANEN DENG, KAREN JIMENEZ, CRYSTAL FRANKLIN, AND GISELLE LAWRENCE

KETRAH MUGAMBE, ANNA SAVAGE, SONYA BESSALEL, KARMENIFE PAULINO-ARIAS, YICHEN EVA LOU

*GIVE WHAT YOU HAVE SO THAT YOU DESERVE TO GET WHAT’S MISSING.

JOSÉ-LUIS SANCHEZ

DA LO QUE TIENES PARA QUE MEREZCAS RECIBIR LO QUE TE FALTA.* — AGUSTIN LARA

TODO LO QUE QUE HAY DENTRO DE MI SOLAMENTE TE LO DOY A TI SI QUIERES ME TRANSFORMO EN IMAGEN Y NO PUEDES DEJAR DE MIRARME.* —NATALIA LAFOURCADE

*EVERYTHING THAT I HAVE, I WILL GIVE IT TO YOU. IF YOU WANT ME TO TRANSFORM AS A PERMANENT IMAGE, SO THEN YOU’LL NEVER STOP LOOKING AT ME

((ESQUE TEAM)) TROUVE IVO // JOELLE CHRISTIE // RACHEL P DAY // MORGAN HILL // DRE VARGAS // MARCO MARTINEZ // JASMINE MACK // ILIANA ORTEGA // JOSÉ-LUIS SÁNCHEZ // GISELLE LAWRENCE // DENEILE COOPER // SARAH LURIE // MIRANDA HAYMON // MATT CATRON // RÉMY HATFIELD-GARDNER // CLAIRE MARSHALL

SPE BEL CTRU M // N ((AP THO OK // P R REN ANCY LAUS EQU TON E)) EÉ & I T / / Y // S JOH ADAM ECO & INC THE LUS // M OFF NSO ND N WIL ALCOL STAG ION // A ICE O E // LS M V F X H FES & T TYP I STEI O I T N W E U I V IW SE KAR CLU AL P / DES MENIF // BAC ERFO / TESS B R K C A GO IGN:G E PA OV MANC U R I ANG DON ORGIA LINO ER AR E T ELA // PH // S ZIN : BUM YSIC AGE / STE AL P / GAB E LAN AD E T //

S)) DDY MOMMA ((SUGAR DA TY LI A U EX ENDER, & S N A IC R FEMINIST, G E M A AFRICAN THE STUDIES // R FO R CENTE STUDIES // STUDIES AMERICAN // S A R THE AMERIC FO N CENTER DENT // ALLBRITTO TU S // UBLIC LIFE P F O Y D TU S ALD MMITTEE // S BUDGET CO