DESIGN REPORT PROJECT 1 Space In Between
Chandrawati Hasanah - 1106069090 Gitta Raditya L - 1106010326 Tifanny Febrina - 1106022345
BODY & SPACE WHEN BODY STAND STILL, IT OCCUPIES SPACE
BODY-MOVEMENT-SPACE WHEN BODY MOVE, IT CREATES SPACE.
SPACE IN BETWEEN
SEQUENCES GENERATE DISTANCE THAT IS RELATED TO EMOTIONAL BOND ( INTIMACY)
SPACE IN BETWEEN
OBSERVING THE SEQUENCES, MOVEMENT NEEDS SPACE BUT ALSO EXTENDING SPACE
THAT’S WHY THE BODY MOVEMENT WITH EMOTION GIVES MORE MEANING TO THE SPACE IN BETWEEN
SPACE IN BETWEEN
BASED ON LITERATURE Tschumi, Bernard. Architecture and Disjunction . Chapter: Violence of Architecture. Page 123
“bodies carve all sorts of new and unexpected spaces through fluid or erratic motion.” The body movements in architecture violates the balance of a precisely ordered geometry.
SPACE IN BETWEEN
BODY MOVEMENT VIOLATES SPACE. IN LYRICAL HIP HOP DANCE, EMOTION IS THE VITAL ASPECT, IS THAT EMOTION VIOLATES SPACE TOO??
SPACE IN BETWEEN
THE VIDEO BASED FROM LITERATURE, WE CHOOSE A LYRICAL HIP HOP DANCE VIDEO APOLOGIZE
LYRICAL HIP HOP DANCE IS A DANCE THAT COMMUNICATES THE EMOTION OF THE LYRICS FROM THE SONG
SPACE IN BETWEEN
THE REASON WHY WE CHOOSE THE VIDEO IS BECAUSE THE VIDEO HAS THE VALUE OF BODY VIOLATES SPACE.
FROM THE PICTURE, WE CAN SEE LINES ON THE FLOOR SHOWING THAT THE SPACE HAS AN ORDER THAT HAS BEEN VIOLATED.
SPACE IN BETWEEN
THE EMOTION IS AN IMPORTANT ASPECT OF THE VIDEO BECAUSE COREOGRAPHY AND RYTHM OF THE DANCE CAME FROM THE EMOTION IN THE SONG LYRIC.
THAT’S WHY WE CHOOSE “EMOTION” AS OUR KEYWORD EXPLORATION.
SPACE IN BETWEEN
METHOD DETERMINE EMOTIONS & ITS COLOUR SCHEME IN THE VIDEO
FINAL FORM
SPACE IN BETWEEN
TRACING SEQUENCES
COMBINE ALL THE CHOOSEN ELEMENTS
3D MODEL EXPLORATIONS
TAKE ONE ELEMENT FROM EACH MODELS
BREAK DOWN EMOTION IN APOLOGIZE VIDEO
REGRET
ANGER
ABANDON
FORGIVENESS
Colour based on literatures : Mapping emotion to color- Niels A. Nijdam—P3-
SPACE IN BETWEEN
REGRET •TO FEEL SAD OR SORRY ABOUT SOMETHING REGRET SEQUENCES
REGRET SEQUENCES MAPPING SPACE IN BETWEEN
•EXPRESS SAD FEELINGS ABOUT SOMETHING THAT IS DISAPPOINTING OR UNPLEASANT
HOW TO MAKE SOMEONE FEEL REGRET? SOMEONE CAN FEEL REGRET WHEN HE/SHE REALIZE ABOUT SOMETHING THAT HE/SHE DID DISAPPOINTING.
HOW TO MAKE SOMEONE REALIZE THAT HE/SHE DID SOMETHING DISAPPOINTING?
SPACE IN BETWEEN
COMMONLY, PEOPLE REALIZE THAT THEY DO SOMETHING WRONG BY SUGGESTION OF OTHER PEOPLE (EXTERNAL FORCE)
THE THOUGHT
REGRET
EXTERNAL FORCE
REALIZE
I AL R E T MA E H T
CHOICE GOES TO
SPACE IN BETWEEN
PLAY DOUGH HAS A CHARACTERISTIC THAT EASILY BEEN SHAPED BY EXTERNAL FORCED
REGRET EXPLORATION
SPACE IN BETWEEN
ANGER “THE FEELING THAT MAKES SOMEONE WANT TO HURT OTHER PEOPLE , TO SHOUT, ETC.” “RAGE AND FURY SUGGEST LOSS OF SELF CONTROL FROM VIOLENCE OF EMOTION”
ANGER SEQUENCES
ANGER SEQUENCES MAPPING SPACE IN BETWEEN
THE THOUGHT THE MATERIAL CHOICE GOES TO :
ANGER CLOSELY RELATED
HURT PEOPLE
LOSS CONTROL
INCLINED TO
INTIMIDATE
SPACE IN BETWEEN
TOOTH PICK IS AN EVERYDAY THING THAT WHEN YOU LOSS CONTROL WHILE USE IT, YOU CAN HURT YOURSELF BY THE PRESENCE OF SHARP POINT.
ANGER EXPLORATION
FOTO MAKET ANGER
SPACE IN BETWEEN
ABANDON
”TO GIVE UP TO THE CONTROL OR INFLUENCE OF ANOTHER PERSON” ”LEAVE WITHOUT INTENDING TO RETURN” “CEASE INTENDING” SPACE IN BETWEEN
THE THOUGHT MAY HURT ( CAREFUL)
ABANDON
NG I C FOR TACT N CO
NO CONTACT
RIGID
COLDNESS (ANGER ICE MOUNTAIN)
STIFF SPACE IN BETWEEN
ABANDON EXPLORATION THE CHOOSEN MATERIAL
WE CHOOSE WIRE NET. WIRE NET BECAUSE IT IS SO STIFF &RIGID AND CAN BE SHAPED TO MANY POSSIBILITIES, BUT WE HAVE TO BE CAREFUL WHEN CONTACT WITH IT TO AVOID GETTING OURSELF HURT.
SPACE IN BETWEEN
FORGIVENESS FORGIVENESS
“THE ACT OF FORGIVING SOMEONE”
FORGIVE
•TO STOP FEELING ANGER TOWARD •TO STOP BLAMING
SPACE IN BETWEEN
MELTING ICE MOUNTAIN
THE THOUGHT WE HAVE TO FIND A MATERIAL THAT CAN MELT.
THE CHOOSEN MATERIAL
THE OPTION OF MATERIAL
PLASTIC STRAW PLASTIC
CANDLE
ETC. ICE CUBE SPACE IN BETWEEN
PLASTIC STRAW HAS A HOLE. THE HOLE AS A SYMBOL OF THE SCAR OF DISAPPOINTING. EVEN THE MISTAKE IS FORGIVEN, IT DOESN’T MEAN IT LEFTS NOTHING
FINAL FORM MATERIAL TO DECIDE FINAL FORM MATERIAL, WE GROUPPED THE EXPLORATION TO TWO, BASED FROM GENERAL CHARACTERISTIC OF THE MATERIAL.
FLEXIBLE SOFT LAX SPACE IN BETWEEN
ROUGH SHARP HARD RIGID CAREFUL
FINAL FORM MATERIAL WE NEED MATERIAL THAT CAN REPRESENT CONTRAST CHARACTER.
WE CHOOSE MATCH STICK AS OUR FINAL FORM MATERIAL IT HAS ROUND TIP THAT RESEMBLED TO SOMETHING SOFT AND FLEXIBLE
BUT ON THE OTHER SIDE, THE TRUNK SHAPE IS RECTANGLE REPRESENT RIGIDNESS AND HARDNESS. SPACE IN BETWEEN
FINAL FORM IDEA
SPACE IN BETWEEN
FINAL FORM
THE WAVY SHAPE SHOWS THE RYTHM AND EMOTIONS IN THE VIDEO
MATCH STICKS HAVE A CONTAST CHARACTER THAT IS HARD BUT THE ROUND TIP RESEMBLED TO SOMETHING SOFT AND FLEXIBLE
ABANDON REGRET SPACE IN BETWEEN
ANGRY
FORGIVE
CONCLUSION EMOTION IS CLOSELY RELATED WITH SPACE IN BETWEEN, WHEN SOMEONE ANGRY WITH OTHER PEOPLE, SPACE AROUND HIM/HER STARTING TO GROW BIGGER, AND BIGGER.
BUT, WHEN THEY ARE INTIMATING WITH EACH OTHER, THE QUALITY OF SPACE IN BETWEEN IS CHANGING. THE SPACE TURN TO DIMINUTIVE. EMOTION INFLUENCED BODY MOVEMENT, INDIRECTLY, EMOTION VIOLATES SPACE. SPACE IN BETWEEN