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Visual Story Telling Center Arch 302 Aisha Melodie Hassan İzmir Univercity of Economics Campus, İzmir
Green Ascendance Arch 401 Serdar Aşut & Aisha Melodie Hassan Eşrefpaşa Bazaar Area, İzmir
In & Out Collective Arch 498 Ahenk Yılmaz & Aisha Melodie Hassan Bayraklı, İzmir
Architecture & Intuition Organic Architecture Workshop Reinhard Coppenrath Urla, İzmir
Surf Station Arch 201 Burkay Pasin Alaçatı, İzmir
Architecture in the Limit Arch 301 Michael Edward Young & Ömer Çaparti
T-House Arch 301 Michael Edward Young & Ömer Çaparti Çeşmealtı, İzmir
in & out collective theme: urban public space/facilities
in & out collective Located behind the old Smyrna in Bayrakl覺, the new clay workshop spaces and sleeping units are public facilities open to the neighborhood, which will host local organizations. The separate buildings develop the identity of the district. The location of these different functioning buildings will preconfigure the organization of the public space, surrounded by the old Smyrna, new housing estates and old housing. The proposed theme aims to bring close together these three. The strategic position of the Collective Center and the program led me to design a compact and generous project, as an extension of the public space enhancing the identity and image of the neighborhood.
walls
purification The main elements of the program are organized around a patio bringing light and cohesion in the heart of the project: working and meeting rooms (workshop spaces), sleeping units like residence for the workshop people, a multipurpose outer and inner exhibition space, a dining area, a local shop.
transition privacy connection
events working training learning meeting
reading
eating shopping
circulation & access
sleeping resting
socializing enjoying remember taking a walk
Concrete walls are created both in between and around the workshop and residence buildings to supply transition, privacy and connection. These spaces are generously lighted by the patio, wooden shading elements and overhangs and glass curtain walls. Moreover, the height differences between the buildings create new outer spaces (terraces) on the roofs.
new housing estates
solid nonactivity segregation old housing old Smyrna
transmutation
void activity integration
crystalization walkway pedestrian carriage way
open urban spaces public meetings chatting
interconnecting different size & functions selling stands street sellers shopping passing through walking
open air activities sitting on grass resting
site plan sc:1/1000
site plan 1/1000
B
4
A
0.00
1
6
0.00
0.00
2
10
Ground Floor Plan 1/1000
0.00
9 0.00
5
C
C
0.00
3 0.00
8 7 0.00
B
1 Local Shop 400m2 2 Working & Meeting Rooms 180m2 C 3 Sleeping Units for 14 people 140m2 4 Sleeping Units for 12 people 140m2 5 Clay Workshop Space 255m2 6 Sleeping Units for 16 people 140m2 7 Clay Workshop Space 170m2 8 Kitchen_bake 30m2 9 Inner Exhibition Space 410m2 10 Open User Space
1 4.00
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0
5m
10m
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5m
inner & outer exhibition spaces section AA 1/200
10m
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6
First Floor Plan 1/1000
1 Dining Space 360m2 2 Kitchen 23m2 C 3 Urban Open Stairs 4 Terrcace Roof 150m2 5 Sleeping Units for 16 people 140m2 6 Sleeping Units for 16 people 140m2 7 Sleeping Units for 16 people 140m2 8 Urban Gallery Space 9 Green Ramp
0.00
A
3.00
2
7
3.00
1 4.00
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4.20
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3.00 4.70
9
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A
0
clay workshop space & sleeping units section BB 1/200
5m
10m
C
8
longitudinal site section CC
green ascendance step by step history & public space
green ascendance As the methodology, the project asks questions and the design is responding them. The critical point is in which case the site embodies the building. Beginning of this, there is a strong relation between the site and the building. Design shows us how the building or transit node or landscape creates a sense of arrival. The program is responding the public and private relationships of the spaces. According to this the walls start to shape the program with the basis of activities of cultural production. The spaces and the design are based on international culture and vision. As the concept of the project the thickness of walls are creating the spaces to being public and private. There are four basic wall types which are along the wall, inside the wall, through the wall, and around the wall. The spaces inside the walls are more private areas whereas the more public areas are around the wall. The entrance is supplied through the walls. The border of the building is the walls that are in different heights. Walking along the wall gives the sense of continuity and perception. Also the open spaces create sense of publicity.
diagrammatic urban map sc:1/5000
Also, Esrefpaşa street is the junction street for other part of the city. The site is close to the center of İzmir, for that reason there are various transportation opportunities to reach that region like by bus, subway, and ferry.
The initial point of the project is a huge unforseen empty place which is bordered sharply with layers and mostly used as Esrefpaşa bazaar area. Physically, the site is in a significant zone. Various health, education institutions and cultural and social places like theatres and museums are surrounding the space. More importantly, ancient Roman Road (Silk Road) is passing through the site. Moreover, because of elevation difference in that region the site has a perfect İzmir Gulf view throughout various trees inside and around the site.
site plan sc:1/1000 a
b
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Aim of the project is to increase the public awareness about the importance of the region’s history. In this manner, organizing several seminars, workshops, visual presentations and creating reading areas are the main principles. While carrying out all these activities, it is necessary to attract people. Besides, if it is considered that green areas per person in İzmir is 5.13 m2 while 6.4 m2 in İstanbul and 18 m2 in Ankara, creating green public open and semi open spaces could be attracted with a library, a museum and lecture halls to inform public about the historical research.
section bb sc:1/200
section aa sc:1/200
library sc:1/200
When the location of the site is considered, using light shelves and sunshade elements would be useful. Because they are providing amount of daylight. Light shelves are used with taller windows and external reflected elements. Vertical sunshades are used on east and west elevations whereas horizontal ones are used on south elevations.
The library is designed with large steps based on columns near the Roman road. The steps are also sitting units and the shelves which led the daylight come inside.
lecture halls sc:1/200
exhibition hall sc:1/200
architecture in the limit
seeing through architectural drawing being in architectural space
architecture in the limit The limits of this landscape is based on a narrative and compositional techniques. When creating a compositional journey, four specific explorations were followed: the memory, the narrative framework, the picture plane of architectural representation, and the expressiveness of architectural construction. By overlaying delienation of an axonometric projection a space of the designer’s childhood and the parable “Before the Law“ by Franz Kafka, were assigned narrative elements to them. In order to create an architectural memory matrix, photos of Izmir University of Economics’ faculty building of Fine Arts and Design are fitted into a grid frame. Thus, the picture plane of the composition is challenged by the spatial effect of the photograph. After overlaying the memory drawing, narrative diagram, and photographic grid, three dimensional interventions were developed in the landscape using kit of parts.
negative space of my memory
“before the law“ demarcation and entry
grid frame
architectural memory matrix
exploring the picture plane of architectural representation
sc:1/100
visual story telling center walls of perception theme: culture
visual story telling center As the methodology, the project asks questions and the design is responding them. The critical point is in which case the site embodies the building. Beginning of this, there is a strong relation between the site and the building. Design shows us how the building or transit node or landscape creates a sense of arrival. The program is responding the public and private relationships of the spaces. According to this the walls start to shape the program with the basis of activities of cultural production. The spaces and the design are based on international culture and vision. As the concept of the project the thickness of walls are creating the spaces to being public and private. There are four basic wall types which are along the wall, inside the wall, through the wall, and around the wall. The spaces inside the walls are more private areas whereas the more public areas are around the wall. The entrance is supplied through the walls. The border of the building is the walls that are in different heights. Walking along the wall gives the sense of continuity and perception. Also the open spaces create sense of publicity.
thickness & heights
public
private
around the wall along the wall inside the wall through the wall
seminar rooms
large storytelling room
medium storytelling room
gallery archives
private offices
by installing glass wall on one side of walls of spaces, the feeling both inside and outside coexisting has been achieved
ground floor plan
storage room
study rooms
classrooms
gallery
first floor plan
by using wood and concrete understand the dominancy and being public and private cafeteria large presentation rooms
second floor plan
study rooms
seminar rooms
classrooms
large storytelling room
classroom
gallery_exit
seminar room
gallery_entrance
T-House
architecture taking place site and space
T-House T-House design has strong relations between people-nature, people-building and building-nature. Accordingly, there are symbiotic relationships between a host, a guest, and visitors for tea ceremony which is a social and religious ritual of dining. In Japanese tradition, a tea house can refer to a structure designed for holding Japanese tea ceremonies. This structure and specifically the room in it where the tea ceremony takes place is called “chashitsu”. The architectural space called chashitsu is created for aesthetic and in¬tellectual fulfillment. In this regard, by forming an impression of terrain in Çeşmealtı, four plans of existence has created earth, hearth, table and roof. To do literally interpretive approach to forming impressions, plaster of paris and a cardboard formwork are used and casted. With bases of them, indoor spaces and outdoor rooms are created according to the needs.
Forming Site Impression
fragmentation
land impression
negative impression
intensity formwork
movement
Forming Indoor Rooms
earth
hearth table
space divisions
roof
four plan of existence
spaces
room for a private meal
sc:1/250
room for a communal meal sc:1/250
sc:1/500
meditation room & living quarters
sc:1/250
food storage & preparation area
sc:1/250
surf station
assembling spaces materials & components
Surf Station The seasonal surf station is located along the ÇeĹ&#x;me peninsula. It can be re-assembled each season and at different locations. The design provides storage and washing facilities for surfboards and sails; changing room; administration point; observation deck and cafeteria. The assembly possibilities of materials and the flexibility of the design is the important point of the project. Hardwoodtimber as structural is assembled with the idea of grid and horizontal ground supports.
observation deck
cafeteria storage for surfboards personal locker
entrance
storage for wetsuits
storage for sails
Organic Architecture Workshop Architecture and Intution How to Find the Spirit of Space
Reinhard COPPENRATH
people
nature
function
listen the client focus on the need
design the nature tells it by itself
verification
2008 - 2013
Izmir University of Economics // Preparatory Class
2007 - 2008
Aydin High School // Foreign Language Intensive High School
2003 - 2007
Çağın Proje Mimarlık, Mühendislik İnşaat Sanayi ve Ticaret Ltd. Şti. // Architect
november 2013 - july 2015
Heper Limited Company // Heper Architecture // Intern_Office // TESCO-KIPA Edremit AVM Project
june-july 2011
VARYAP Varlibaslar Yapi San. ve Tur. Yat. Tic. A.S. // Intern_Construction Site // Istanbul European Side Justice Hall
june-july 2010
Casino Beach Pier LLC. New Jersey // Work and Travel // Ride Operator
june-september 2009
Advanced Photography Certificate // IZMOD // Erdem YILDIRIM Diver Certificate_Confederation Mondiale Des Activities Subaquaties // CMAS * // Murat DEMIRAG
Turkish // native English // advanced Italian // intermadiate B1
s p e c i a l i n t e r e s t s
education r e l a t e d experiences certificates s p o k e n languages
Izmir University of Economics // Faculty of Fine Arts and Design // Architecture
photograhy, Latin dances, ski, surf, scuba diving, model making, sketching, collage design
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gizmkizilirmak@gmail.com
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Organic Architecture // Berlin, Germany // Reinhard COPPENRATH
february 2012
Organic Architecture // Urla, İzmir // Reinhard COPPENRATH
september 2011
Urban Systems & Social Ecology // Arch 302, İzmir // Christopher KRONER, Phu DOUNG
may 2011
Playground as City // Arch 202, İzmir // Deniz HASIRCI
march 2010
Sheltering Spaces // Arch 201, İzmir // Ahmet IĞDIRLIGİL
november 2009
advanced
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