ahn2554.0001.001.umich.edu

Page 1


USE The Gift of

SAMUEL

L.

BIGELOW

Professor of Chemistry 1901 - 1937


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Title Page,

PRINT.

..... ....

Ornamental Design, Analytical

Koman

Variously Shaded

Analyzed and Finished German Text (lower Ornamental German Text and Old English, 1

Ornamental German Text and Old English,

2

German

Print,

Alphabet,

3

English Church Text (caps),

4

Small Class English Church Text,

Analytical and Variously Shaded Small Class

Roman

5

6

Finished Block Letters,

7

Plain Arabic Figures,

Spurred Finished Block Letters,

8

Spurred Finished Block Figures,

9

Pearl or

Letters, spurred,

Pearl Letter (caps),

.

.

.

Velvet Letter (caps), Italian Print (caps

and lower

case),

.

Figures,

Gothic Figures,

13

14

Designs for Ornamental Print,

15

Old English Print

(caps),

....

Analyzed and Finished Old English Print (lower case),

German Text German Text

(caps from (caps from

A to M), N to Z),

.

10 13

.

25

WRITING.

Large Text

Hand

Italian Alphabet,

GOTHIC PRINT.

9

..... .... .....

11

Spurred Egyptian and Small Class Roman,

5

....

Egyptian or Unfinished Block Figures,

12

FIGURES.

.

10

Egyptian or Unfinished Block Letters,

.

Bone

.

24 25

NUMERAL

Variously Shaded Italic Print,

Lower Case Block

20 21 22 23

.

.

.

Roman

Print,

case),

Italian

26 27 28 29 30 31 32 33

Alphabet,

and Large Text Hand Alphabets

(small),

.... ....

Washington (Large Text Hand), 16

Italian Print or

17

Small

18 19

Stump Writing, Round Hand, German Alphabet in Script, German Epistolary Writing,

.

.

.

»-y

,


Entered, according to Act of Congress, in the year 1854,

BY URIAH HUNT, In the Clerk's

Office of the District

\

<$> ?

"i,^,

Court for the Eastern District of Pennsylvania.


.

The

|frefatt

work on Ornamental Penmanship is a task of greater magnitude, and requires more time and study, than any one who has not made the attempt would imagine. This, together with the fact, that if the best artists are engaged in its mechanical execution, its great cost may be given as a reason why no one has had the courage to publish an elaborate work of this description. The work which m now presented to the public is the result of fifteen years' labor, study, and experience, during all of which time the author has been engaged in teaching and designing penmanship, and unceasing in his efforts to improve the art. He has in fact endeavored to raise Penmanship from an art to a science to demonstrate that, from its rudiments to the highest preparation and completion of a

;

style of finish of

which

it is

and practised correctly with, and only with, mathematical precision. of copy books for the use of schools, in which his favorite ideas on the sub-

susceptible, it can be taught

In 1842, he designed and had published a series were for the first time explained and exemplified. The approval which that series met with, as evidenced by large sales and consequent frequent use, and the urgent requests made to him by teachers and others that he would publish a work on Ornamental Penmanship, have induced him to offer to the public the following Chirographical Designs, consisting of a series of

ject

Alphabets, carefully analyzed and finished, together with some other exercises in flourishing,

&c,

calculated to guide

and im-

prove the pupil.

Obnamental Penmanship, literally considered as such, has of late been brought to a higher state of perfection and finish than The Engraver, Lithographer, Designer, Letter Carver, Sign Writer, Stone Cutter, Punch Cutter, and Type Founder have manifested a spirit of emulation to excel in their respective branches of business; and it is in nowise Unreasonable to* suppose that a work of this kind, which exhibits with mathematical precision the shape and proportion of every variety of letters, will be an acceptable addition to their previous acquaintance with the subject, and materially assist them in ever attained before*

theif several vocations.

Q^


Neither trouble nor expense has been spared in order to secure the services of the best, steel engravers in the Union ; as ah The names of the artists, who engraved the different plates, will be found at evidence of this, the work will speak for itself. the bottom of every page.

We

that, so far as

our judgment and experience go in these matters, these

thirty-three plates of various designs of

Ornamental Alphabets, and a few compositions intended

gentlemen have no superiors in This work comprises in

all

do not hesitate to say

this

branch of the

art.

to illustrate the effects of a combination of different styles of lettering.

The

-

and Finished Capitals and Lower Case letters, in plain and ornamental German Text, Old English Print, English Church Text, German Print, Round or Text Hand, Italian, Italic or Stump Writing, and German Epistolary Writing. The student will be greatly assisted in the drawing of letters, by a careful alphabetical plates consist of a series of Analytical

Roman

Print,

observation and study of the Analytical plates.

Numeral Figures, both plain and ornamental, and of varied styles, Print, &c, are also given on the several plates., Flourishes. To attain superiority in flourishing requires good taste,

Roman

to correspond

with the different characteristics of the

f

*

diligent study,

and

careful practice.

Although no plate

is an almost endless variety in the pages which contain the, German Text, Each of these should be practised separately by the learner before he attempts a combination of

has been devoted exclusively to Flourishes, yet there

&c, &c. The Title-page, and several

Old English them.

Capitals,

others given, illustrate

how

these movements, i.e., Flourishes,

may be

varied.

-

Hand and Italian Capitals, as all the penman may depend a great deal

Perhaps the best exercises that can be given for practice in striking, are the Round flourishes considered individually

form part of a

letter.

In the formation of these

letters

upon his own fancy, as they may be made in a great variety of styles, yet their general characteristics must be preserved. Those persons who practise flourishing and striking of Capitals off-hand will necessarily become more elegant business writers, as those exercises tend to impart strength and freedom of motion to the arm, hand, and fingers. .

Girard College.


Written by (U. Becker.

Kugr-iivi-cl

by H.Kurlr.



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