BEHIND THE SCENE GLOUCESTERSHIRE
Issue #2 December 2013
BEHIND THE SCENE ISSUE #2 Welcome to issue #2 of BEHIND THE SCENE. The response to November’s issue has been brilliant and far more people read this thing than I ever could have imagined. Slowly but surely the fanzine is taking shape and hopefully will provide you with a taste of what’s going on (and also what went on) in Gloucestershire each month. This month there were gigs in cafes, gigs in venues, gigs in pubs and even gigs in houses. If I could watch a band every night then I would, but sadly, real life gets in the way. But if you want me to review your gig, then give me an e-mail and I’ll see what I can do. Elsewhere this month the old Axiom Arts Centre has come up for sale, Sportbeat Festival won a Believe Gloucestershire award for best Community Event and Sound Music Venue was recognised at the Club Mirror Magazine awards for ‘Best Business Initiative.’
So, as Christmas approaches, settle down in front of a warm fire and enjoy December’s issue of BEHIND THE SCENE GLOUCESTERSHIRE. PLEASE keep sending me your gigs for the gig guide. PLEASE keep sending me photos for the gig gallery (this is something I’d love to expand). PLEASE let me know if have a gig in January you’d like me to preview. PLEASE get in touch if you are a band/venue/promoter.
PLEASE e-mail if you have any ideas or would like to contribute in any way! Issue #2 December 2013 Soul Strutters cover photo by Katie Thomas. https://www.facebook.co m/katie.ccphotography
Contact via e-mail: averagemanzine@yahoo.co.uk Follow on twitter: @behindsceneglos Facebook: facebook.com/behindthesceneglos Tumblr: behindthesceneglos.tumblr.com/
GIG REVIEW Gabby Young and Other Animals @ Secret House Show, Cheltenham (09.11.13) Shhh…it’s a secret. Well, a secret house show. Don’t tell anyone. In fact, it’s such a secret that you can’t even read this review. There was a house in Cheltenham, a living room, a band and sausages in buns (or were they hot dogs? You’ll never know). We found the right house and loudly knocked on the door, as per the instructions on a soggy piece of paper left on the doorstep. It opened and our names were ticked off the list. We took our shoes off and my girlfriend instantly regretted wearing a pair of tights with a hole in the toe. We should have been warned about this on the invite (but it was so secret that there were no invites…shhh). Conversation with strangers revolved around how lovely the house was and how it’s much bigger and nicer than everyone else’s. We were all in agreement about that as the lanterns flickered and lit up the place.
At ten past eight we all gathered in the lounge. It was sitting room only as Gabby Young and Other Animals picked up their instruments, said a quick hello and proceeded to charm the place with their eccentric brand of jazz and folk. The band oozed character and silenced the room, except for the occasional chink of bottles onto glasses as wine glugged noisily out of them. Hands were clapped, ukulele’s strummed and kazoo’s blown by the plenty. By ten o’clock we were all up and stomping our feet as the band marched themselves into the centre of the audience. What a performance. http://chunderground.tumblr.com/
GIG PREVIEWS Winterfest takes place at the Frog & Fiddle on Saturday 14th December. If you like your music loud and abrasive then this event will be right up your street. Headlined by Hampshire’s INSTILL and North Wales’ BASTIONS, it also features local bands including EMPIRE, MILK TEETH and WHITE CROSSES across two stages. The second stage is in the pool room, so feel free to hustle other punters between bands and then spend your winnings on t-shirts and vinyl.
Tickets can be bought for £8 from http://www.wegottickets.com/ev ent/247286
GAZ BROOKFIELD
CAFÉ RENE, GLOUCESTER Wednesday 11th December With his new album ‘In The Company Of Thieves’ out this month, hard travelling folk storyteller Gaz Brookfield returns to Café Rene in Gloucester. Taking cues from Frank Turner and The Levellers, he’ll sing you songs of love and life on the road. Here’s a word from Gaz himself: “I love playing at Cafe Rene! It has a great atmosphere and it's always a great night there!” The gig is free entry.
WITCOMBE LODGE Do you remember when Madness played in Gloucester? No? Not many people do. In August 1979 the young ‘Nutty Boys’ played to less than 50 people at a short-lived venue in Brockworth called Witcombe Lodge and I couldn’t resist digging around to find out more information about the place. Between the autumn of 1978 and September 1979, Witcombe Lodge played host to all manner of local and national bands. It’s now a Premier Inn, but 35 years ago the likes of The Specials, Madness and the Cure stopped over in Gloucester whilst making their name in music industry. I made contact with a number of people who painted a picture of Gloucester’s late 70’s punk scene as both an exhilarating and breathless place to grow up. The man responsible for making Witcombe Lodge in Brockworth an unusual epicentre of the Gloucester punk scene was Chris Garland. After returning from living in Brazil, he based himself in the Cotswolds and opened a shop in Cheltenham selling punk style clothing.
The clothes shop was run by Jonathan Grey (now Ibiza superstar DJ Jon Sa Trinxa) and below it was a record shop – both of which were always full of young, ‘punkish’ people.
Garland takes up the story: “In Cheltenham, and the whole area, there were huge amounts of young people with absolutely nowhere to go, and a local authority so out of touch with youth culture and pop-culture in general. Jonathan was always complaining that nothing was going on in Cheltenham so I decided to start promoting a few shows! I had always maintained close contacts with the music scene in London, and from around 1974, was aware of this thing called ‘punk rock’! I also knew Malcolm McLaren, Vivienne Westwood and numerous others within the London music and fashion scene so I was aware of what was going on in that subculture. I loved the freshness and energy of it all, the look, the sound, the attitude - the whole thing was a cultural revolution!” The early shows (featuring the likes of Stiff Little Fingers, The Buzzcocks, Generation X and Siouxsie and the
The Cure at Witcombe Lodge.
Banshees) Hotel in (now the immediate
took place at the Plough Cheltenham’s High Street Regent Arcade) and were an success.
So much so that it all became too much for the owner who called time on the masses of punks who assembled at his bar each weekend. At a loss for a new venue, Garland stumbled upon Witcombe Lodge – a large entertainment venue with a generous stage, disco balls and owners eager to fill a hole in their finances. The only problem was that it was in the middle of nowhere.
Black Flag featuring Chris Barber (Joe 90) and Paul Hooper. “It was hardly the style centre,” Garland continues, “however, I decided to go with it and booked the first show for a Saturday night. In order to make it easy for the young punk enthusiasts in Cheltenham to get there (who were all very nice people) I decided to lay on a coach or two from Cheltenham for free. It was a huge success from the off. We had some wonderful and incredibly wild nights.”
Paul Hooper, who played bass for local punk band Black Flag (no, not that Black Flag) echoes these sentiments. “For me Witcombe Lodge was a place of birds, booze, laughs and above all else music. Most of the bands were on the verge of a breakthrough. My memories as a punk and later a skinhead centred around the early gigs. I was a fairly crap bass player in a fairly average band. This ability to knock out a couple of rough tunes led to local infamy and a lot more girls.” One band who could certainly knock out a tune were a little known group called The Cure, who played at Witcombe Lodge on 2nd June 1979, just days after the release of their debut album ‘Three Imaginary Boys.’ Others that passed through the doors of the venue between 1978 and 1979 are now legendary names in the world of punk and new-wave, such as Echo & The Bunnymen, The Damned, The Slits, The Ruts, The Cramps, The Pop Group, The Selector and The Specials. Two months after Robert Smith belted out ‘Killing An Arab’ in spitting distance of Cooper’s Hill, Madness came to town. Chris Garland recalls, “Every night with them was ‘madness’! They were the support band but the headliner didn’t turn up. I got them to play twice by giving them another £100 which they were very happy with!” Britain’s finest ska band, The Specials, played at Witcombe Lodge a number of times – once with unfortunate consequences. Paul Hooper remembers that, “The gig ended early with a mass brawl between visiting Coventry
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skinheads and local lads (mainly Brockworth boys and Churchdown skins who formed an unlikely alliance for the night). All I remember from the end of the night was blue lights and police everywhere. We evaded capture by fleeing over fields towards what is now the Bentham Domes.” In fact, Sir Horace Gentleman, founding member of The Specials, wrote on his blog that he vaguely remembered the gig, “Where the Coventry Skins, under the pretext of ‘following’ The Specials resoundly whupped their Cheltenham counterparts.”
After one particular night of mayhem, I had really had enough! Also my reasons for doing it all in the first place, had nothing to do with business! It was simply, I suppose, ‘artistic vision’, if that does not sound too precious and wanting to create something interesting! I found it more and more becoming a business (which I hated) and everybody thought I was making a fortune (which I was not). I was aware that I had become this ‘ersatz cult figure’ and this persona had little to do with who I was or indeed wanted to be!” In fact, Garland laughs off the image of himself as Gloucestershire’s own Malcolm McLaren.
Despite its short life span, Witcombe Lodge was a great place for local bands to cut their teeth. Demob, Pigbag, The Dead Airmen, Vox Phantoms and the aforementioned Black Flag are just some of those that played regularly. Chris Barber, frontman for Black Flag, remembers the final night on 15th September 1979.
Dave Vanian and Captain Sensible of The Damned It was because of nights like this that Garland decided that it was time to put an end to promoting punk gigs at Witcombe Lodge. “I stopped because it all became very unpleasant. A huge crowd of very nasty punks from Birmingham and elsewhere started turning up, and there was more and more violence, which was really not for me at all!
Robert Smith of The Cure
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“The UK Subs headlined, and every local band got to play a set in support. The building was scheduled for demolition so the locals helped with some large scale vandalism and souvenir hunting, I remember someone coming out of the place with a wash basin.”
management company and then a year or two later left the UK for good. I was finding the whole scene less entertaining and my great love was German electronic music (particularly Kraftwerk) and dub reggae!” After moving to Germany and the United States, he has since gone on to work with musicians such as John Cale ‘who is a genius’ and had a successful career in the fashion industry. Now in his mid-sixties and a ‘fairly devout follower of the Buddhist path,’ he describes himself as still being ‘youthful and fit and a blissfully happy man,’ put down in part to being a lifelong vegetarian and not smoking or drinking for 25 years. Would he recognise or even like the person he was all those years ago? “I somehow doubt it! I have indeed had my wild times and enjoyed them immensely! These were wonderful, magical, times but after thirty five years and a lifetime in the music and fashion industry, it’s hard to remember it all!”
There were some bands that Chris Garland would have loved to have put on in Gloucester, such as Joy Division, Public Image Limited and The Ramones. He once turned down The Police because he thought that they were ‘boring and fake.’ But in late 1979, Garland knew it was time to move on. “Cheltenham had always been such a lovely and easy place to live, perhaps too much so! So I moved to London, to start a label and
Huge thanks go to Chris Garland (pictured above), Chris Barber and Paul Hooper for their input and photos. I hope that it’s stirred memories for some people and enlightened others.
GLOUCESTERSHIRE GIG GUIDE FOR DECEMBER When?
Who?
Where?
Where?
1st
Oysterband Homecoming Tour
Subscription Rooms
Stroud
1st
Thrill Collins
Old Spot
Dursley
1st
Martin Harley, Sam Lewis
Prince Albert
Stroud
2nd
Folk Unplugged
Guildhall
Gloucester
3rd
The Woodwards
Prince Albert
Stroud
4th
Soul Remedy
Café Rene
Gloucester
5th
Subscription Rooms
Stroud
5th
The Ultimate Tribute To The Jersey Boys, Frankie Valli & The 4 Seasons. Simon McBride
Guildhall
Gloucester
5th
Ian Luther, Rachel Kane
Brunswick
Gloucester
5th
Iron Boots Scrapers
Seventeen Black
Cirencester
5th
Open Mic
Prince Albert
Stroud
6th
Anthony Craig, Triinu
Peppers
Gloucester
6th
Rebecca Newman
Guildhall
Gloucester
6th
Brunswick
Gloucester
6th
Snowblind (Black Sabbath Tribute), Blood Dedt Beate Route Foundation
Café Rene
Gloucester
6th
Scott Jackson
Bayshill Inn
Cheltenham
6th
Clay Gods
Sound Music Venue
Cheltenham
6th
Jim Blair
Monty’s Cocktail Bar
Cheltenham
7th
Smooth Saturday (local showcase)
Cross Keys Inn
Gloucester
7th
Vince Freeman
Royal Oak
Cheltenham
7th
Red Shift
Brunswick
Gloucester
7th
Galloping Cows
St Paul’s Tavern
Cheltenham
7th
UK Subs, Chinese Burn, Mick O’Toole Georgie Henderson, The Gunpowder Plot, Vapor, Black Train Bookstore, Joey Prescott
Frog & Fiddle
Cheltenham
Golden Lion
Cinderford
7th
GLOUCESTERSHIRE GIG GUIDE FOR DECEMBER When?
Who?
Where?
Where?
7th
Over The Hill
Bayshill Inn
Cheltenham
8th
The Beat
Subscription Rooms
Stroud
8th
Myles Manley
Prince Albert
Stroud
8th
Frog & Fiddle
Cheltenham
Prince Albert
Stroud
11th
Oxygen Thief, Welcome Back Delta, Buying Lies Hipkiss (Patsy Gamble Muddy Manninen) Gaz Brookfield
Café Rene
Gloucester
12th
Sons Of Delta
Brunswick
Gloucester
12th
Thrill Collins
Seventeen Black
Cirencester
12th
Prince Albert
Stroud
Two Pigs
Cheltenham
13th
Andy Oliveri, Kitten & Bear, Kingdom The Me, Me, Me’s! Gag Reflex, Oui Legionairres Folklaw
Café Rene
Gloucester
13th
Doreen Doreen
Subscription Rooms
Stroud
13th
Heartland
Cross Keys Inn
Gloucester
13th
Ed Arnold
Monty’s Cocktail Bar
Cheltenham
13th
Brunswick
Gloucester
13th
Mad Apple Circus, Check Da Cone, Wet Cheese, King Solomon Charlie Baxter
St Paul’s Tavern
Cheltenham
13th
Queen Alive
Sound Music Venue
Cheltenham
13th
The Comrades
Bayshill Inn
Cheltenham
13th
Adrian Byron Burns
Prince Albert
Stroud
14th
Fairey Band
Subscription Rooms
Stroud
14th
Arankas Cackle
Prince Albert
Stroud
14th
Too Rock For Country
Bayshill Inn
Cheltenham
14th
Winterfest – Instill, Bastions, Empire, Let’s Talk Daggers, Bangers, Black Art + more
Frog & Fiddle
Cheltenham
10th
13th
GLOUCESTERSHIRE GIG GUIDE FOR DECEMBER When?
Who?
Where?
Where?
14th
John Dambrosio
Monty’s Cocktail Bar
Cheltenham
14th
Sound Music Venue
Cheltenham
Brunswick
Gloucester
14th
The Maddigans, Face The Ocean, Over And Out, Aztecs, New Lake Isolation, Karma Slave, Amateur Drive By Tripwire
Railway Inn
Newnham
14th
Winter Blues
St Paul’s Tavern
Cheltenham
14th
Vince Freeman
The Swan
Broadway
14th
Thrill Collins
The Old Badger Inn
Eastington
14th & 15th 15th
Ezekiel Butler
The Quays
Gloucester
Lost In The Light
Sound Music Venue
Cheltenham
15th
Stroud Vinyl Club
Prince Albert
Stroud
15th
Death Bullet, Black Tamanous
Brunswick
Gloucester
18th
Café Rene
Gloucester
18th
Live @ Gloucester Studio Acoustic Night Andy Hughes
Seventeen Black
Cirencester
18th
Thom Tuck
Prince Albert
Stroud
19th
Pauly Zarb
Seventeen Black
Cirencester
19th
Open Mic
Prince Albert
Stroud
20th
KSH & The Going Goods
St Paul’s Tavern
Cheltenham
20th
King Solomon
Peppers
Gloucester
20th
Steve Williams
Monty’s Cocktail Bar
Cheltenham
21st
Johnny Coppin "All On A Winter's Night" Christmas Smooth Special
Subscription Rooms
Stroud
Cross Keys Inn
Gloucester
Lord Misery, Scene Of My Demise, Snog The Dog, White Crosses Stressechoes
Two Pigs
Cheltenham
Monty’s Cocktail Bar
Cheltenham
14th
21st 21st 21st
PLEASE CHECK WITH THE VENUE FOR PRICES & START TIMES
GLOUCESTERSHIRE GIG GUIDE FOR DECEMBER When?
Who?
Where?
Where?
21st
All Stars Reggae Dub Band
St Paul’s Tavern
Cheltenham
21st
Brunswick
Gloucester
21st
Riff Raff (AC/DC Tribute), Raptor, DamonT Hot Feet, Sam Brooks & Friends
Prince Albert
Stroud
22nd
Whole Lotta Led
Guildhall
Gloucester
22nd
Jamie’s Welcome Home Party
Cross Keys Inn
Gloucester
22nd
The Mizen Experience
Railway Inn
Newnham
22nd
Profound Poets
Seventeen Black
Cirencester
23rd
Mary Jess Leaverland
Guildhall
Gloucester
23rd
St Paul’s Tavern
Cheltenham
24th
Festive Singer Songwriter Night with We Are War and Peche Radio Nasties
Café Rene
Gloucester
24th
The Ian Luther Band
Brunswick
Gloucester
24th
Lewis Creaven Band
Bayshill Inn
Cheltenham
26th
Lewis Creaven Band
Café Rene
Gloucester
27th
Festive Open Mic with Rich Howie
St Paul’s Tavern
Cheltenham
27th
The Laurence Jones Band
Café Rene
Gloucester
28th
Stop Stop!
St Paul’s Tavern
Cheltenham
28th
Lonesome Crew
Brunswick
Gloucester
29th
The Revue
Seventeen Black
Cirencester
30th
Miss Fusion
Café Rene
Gloucester
31st
Over The Hill
Bayshill Inn
Cheltenham
31st
A Night With Vince Freeman
Monty’s Cocktail Bar
Cheltenham
31st
Alice In Neverland
Prince Albert
Stroud
*** VENUES & PROMOTORS *** Please send me your January gigs in a nice plain format similar to: When? Who? Where? averagemanzine@yahoo.co.uk
OLD GIG PHOTOS 4FT FINGERS @ CHELTENHAM BRANSON’S 2001
These photos are from 2 different gigs at Branson’s in Cheltenham, a venue that no longer exists (where have you heard that before?).
After the Axiom closed down in February 2000, the majority of their nights moved to Branson’s, an old cinema originally built in 1913 on Albion Street. Ska-punk was big at the time and local bands 4ft Fingers, Skankt and [spunge] regularly packed the place out. The venue had a raised stage, large floor space and plenty of seating around the edges. As you can see from the pictures, it was a bit run down but that was all part of the charm. In 2001 the venue was closed down, refurbished and turned into a trendy bar called Springbok. Eventually that was demolished too as the public realised that Cheltenham didn’t need another nondescript nightclub/bar (who would have thought?) You can now buy a 2-bed flat on the site for £330,000 and sleep in the same spot where the drummer jumped into the crowd at the end of the gig - Dr Marten’s and all.
THE MYSTERY TRAIN Last summer we spent several days painting and decorating our living room. In our haste, we dropped the TV and the screen shattered – it had gone to electrical appliance heaven. Needing a soundtrack for our DIY, I searched the internet and found The Mystery Train radio show on Stroud FM. It had a refreshing blend of classic bands, new talent and local artists. Impressed by this mix, I chatted to Alex Huskisson, host of The Mystery Train, about songwriters, local bands and all things radio. “I treat everything the same way,” Alex says when asked about the importance of having local music on the show. “For me music is either good or bad. Though music is subjective - I attempt to showcase the good stuff. I'm absolutely convinced this is the right way to properly 'hear' music! Why shouldn't a great song by a local group or songwriter be played alongside more established records?”
It’s hard to argue with that. On The Mystery Train you are as likely to hear a song by a bloke you saw play in a pub in Gloucester last week as you are by Bruce Springsteen or Bob Dylan. Alex recognises that music made locally is as valid and important as any other he plays on the program. “In fact sometimes it's more important because it may be the first time a writer or band gets to hear their own work on a radio station!” So what has led him to pleasing the ears of the listeners of Stroud FM? “I can't play an instrument - so I decided to share my passion for music in another way. Like a lot of people starting out - I joined the hospital radio station in Cheltenham.” From there Alex hosted a late night slot on local station CAT FM, but after that came to an end in 2000, it wasn’t until last year that he made a return to the airwaves via community radio station Severn FM. When this hit financial difficulties, Stroud FM offered him a similar late Sunday evening slot, something that seems to sit comfortably with both parties. “Being a community station Stroud FM's remit is to help support all things 'local' - events, the arts, music, the things happening that effect a local community. It's a valuable service most commercial radio stations appear to do so grudgingly, if at all.”
https://www.facebook.com/pages/The-MysteryTrain/378183978870637?ref=hl
When asked about local artists he has discovered through doing the show, Alex produces a list as long as his arm, and admits that he was amazed by the power of Gloucester singer songwriter Russ Poole's vocals – “He performed a wonderful live set! But the biggest highlight though for me is to have so many music loving listeners that enjoy interacting, recommending songs and sharing thoughts.” This year he has interviewed Ron Sexsmith after a show at the Royal Albert Hall, Tracey Browne at Beautiful Days Festival and Mercury Prize nominated Kathryn Williams who recently played at the Prince Albert in Stroud.
Follow The Mystery Train on Twitter @alexhuskisson
So what’s the next stop for The Mystery Train? “It would be great to build things. I want to introduce people to music that's life affirming, thought provoking and genuinely moving - sometimes all three. It's an honour to share that passion with those that take the trouble to listen. I would love it if local musicians especially singer songwriters from the area get in contact. Stroud FM is committed to playing music by people within our county and community radio stations are always looking for support - be that financial or in helping to make high quality programs.”
You can’t say fairer than that. The Mystery Train departs Stroud FM at 10pm every Sunday night. Buy your tickets (metaphorically) at www.stroudfm.co.uk
NOVEMBER GIG GALLERY
From left to right: 1. Keith Thompson @ The Brunswick, Gloucester 2. Tripwire @ The Brunswick, Gloucester Photos courtesy of Katie Thomas. https://www.facebook.com/katie.ccphotography
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NOVEMBER GIG GALLERY
Clockwise from above: 1. Helloween @ The Brunswick, Gloucester 2.The Drawing Of The Three 3. Skinny River @ Oxjam, Gloucester 4. King Solomon @ Café Rene, Gloucester 5. Joe Banyard @ Tiger’s Eye at The Old Bell, Gloucester Photos courtesy of James Aldridge & John Plane (Local Music Events) https://www.facebook.com/groups/3178 97478324881/permalink/4921776408 96863/
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GIG REVIEW Drawing Of The Three,, Jon Masters, Small Tall Robot, Skinny River @ Brockworth Rugby Club, Gloucester (02.11.13) Oxjam Brockworth hosted its first gig at Brockworth Rugby Club on the first weekend of November. 4 local acts played live and for free to a packed venue of more than 110 music lovers. The atmosphere was lively and the audience certainly played its part to make it an amazing night. Teenage star in the making SKINNY RIVER was the opening act and played a mix of covers and his own material. He went down a storm with the crowd with his unique style and great stage presence. Cheltenham based indie covers band SMALL TALK ROBOT were up next and played a selection of indie classics and modern material. The band were well appreciated by the crowd for their brilliant set.
Local cult hero JON MASTERS came out of the music wilderness to support this gig and belted out a selection of old school punk classics which soon got the first mosh pit underway.
The headline act THE DRAWING OF THE THREE played all their own original material with a few new really catchy numbers which will further enhance their growing reputation on the local circuit. Marcus Fisher from Cheltenham’s Sound Music Venue provided another sterling sound production for the event.
The first Oxjam Brockworth event was really well supported - local businesses contributed to a raffle and combined with ticket sales managed to raise an impressive ÂŁ723.00. It seems that Oxjam Brockworth is well and truly born! Words written by James Aldridge. Any bands looking for local gigs can contact him at: jamaaldridge75@yahoo.co.uk
Skankt @ Fish & Fiddle, Cheltenham 1999 The Attic had closed down and all future gigs were temporarily moved to the Axiom - Cheltenham’s much missed Arts Centre (R.I.P). It was there that I finally got to go to a ‘proper’ first gig - to see late 90’s Brit-rock wild kids Symposium. I ventured into the ‘pit’ for the final song and from then on moshed my way around Gloucestershire pretty solidly for the next three years. It was at one of the Axiom’s free gigs for younger bands that I first saw Skankt. I’d never even heard of ska. When I was growing up I thought everybody who learned guitar had to play ‘Cum-by-ah’ and other shit folk music our Headteacher strummed in school assemblies. This music was different - it was lively and energetic. A girl I used to go to school with played the saxophone. Teenagers danced and wore white shirts, black ties and baggy jeans jeans - a cross between the Blues Brothers and Tony Hawk. After Skankt played their set we hung around in the courtyard and I bought a CD which I played until it was too scratched to listen to anymore. That night began my half-decade long fling with ska music (until we went our separate ways following a brief affair with emocore).
Skankt at Gloucester Guildhall in 2001
Image from http://cotswoldscascade.blogspot.co.uk/
GIGS I NEVER WENT TO #2
I heard that the band were due to play at a pub called the Fish & Fiddle several weeks later on a Thursday night. It was the school holidays and balmy outside, so, despite being 15 and looking not a day over 12, me, Tom and Dickie chanced our arms that we could get inside the pub, blend into the background and enjoy the music. I don’t think that we even wanted to buy a pint (we probably couldn’t afford it anyway - I only got paid about £7 for my paper round and that had to last me the week). That evening the three of us walked into the Fish & Fiddle at about 8 o’clock, looking for a quiet corner to hide in until the band started playing. We got ourselves inside, looked around and discovered that the place was completely empty. No band. No music. No nothing. The owner was sat on a sofa around the corner and, to his credit, did not burst out in a mile-wide grin at the sight of the three underage musketeers standing in front of him. He said something along the lines of, “You need to be 18 to come in here,” and we walked turned 180 degrees and headed straight back out. Not only did we miss the gig, but the gig didn’t even exist. Tails between our legs, we went over to the park and sat on the swings. What else was there to do?
BEHIND THE SCENE GLOUCESTERSHIRE ISSUE #2 DECEMBER 2013 All content created by BEHIND THE SCENE GLOUCESTERSHIRE. Thanks to all contributors who have been fully credited next to their articles & photos.
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