The Georgetowner: February 12, 2025 Issue

RESILIENCE THROUGH ART

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The GeorGeTowner is published in print monthly with an online newsletter supplement posted twice per week — On Mondays we highlight news and on Thursdays goings on about town. The opinions of our writers and columnists do not necessarily reflect the editorial and corporate opinions of The GeorGeTowner newspaper. The GeorGeTowner accepts no responsibility for unsolicited manuscripts or photographs and assumes no liability for products or services advertised herein. The GeorGeTowner reserves the right to edit, rewrite or refuse material and is not responsible for errors or omissions. Copyright 2024.

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D.C. TO HOST GRAND EVENTS FOR AMERICA’S 250TH BIRTHDAY BY

CHARLOTTE MEYER-SCHOENHERR

At America’s 250th in Washington, D.C. Press Conference, leaders from the city’s tourism, cultural, and hospitality sectors unveiled exciting plans for a year-long commemoration.

KENNEDY CENTER’S RUTTER TO STEP DOWN BY THE GEORGETOWNER

Kennedy Center’s president since 2014, Deborah Rutter, will step down from her role at the end of the year amidst uncertainty in a new (returning?) administration.

WORLDPRIDE AND CAPITAL PRIDE ALLIANCE LAUNCH ‘TASTE OF PRIDE’ BY LINDA

ROTH

The Capital Pride Alliance and World Pride, in collaboration with D.C. Business Improvement District kicked off Taste of Pride 2025 at Hook Hall, featuring food and beverage tasting stations honoring LGBTQ+ owned and allied restaurants in the DMV.

WHERE TO CELEBRATE BLACK HISTORY MONTH IN D.C. BY ZOE HOWARD-BARR

There are plenty of options for things to do to honor Black History Month this February from visiting museum exhibits to seeing comedy shows and taking in film festivals.

‘GUAC’ AT WOOLLY MAMMOTH USES ART TO ADVOCATE FOR GUN REFORM BY HAILEY WHARRAM

Running at the Woolly Mammoth Theatre Company through Feb. 16, CTR’s latest project, ‘GUAC’ is a one-man stage show written and performed by Manuel Oliver which honors his son’s life and everlasting legacy.

FEATURED PROPERTY: 3314 VOLTA PL. NW BY THE GEORGETOWNER

Family-owned real estate development Coba Properties worked with Georgetown architect Dale Overmyer to build two ground-up homes on what was an empty, overgrown lot at 3314 Volta Place NW.

ANC Report: Christmas Trees, Jelleff Delays, Theft From Autos, Classroom

Phone

Ban

BY PEGGY SANDS

“They’ve forgotten us!” the usually cool Commissioner Paul Maysak lamented loudly — half tongue-in-cheek — toward the end of the Feb. 3 meeting of ANC 2E, the Advisory Neighborhood Commission for Georgetown, Burlieth and Hillandale.

The “they” was the District Department of Public Works, which admitted to Maysak that no old Christmas trees had been collected from Georgetown, though residents had placed them in street tree boxes in January as instructed. “You can drive anywhere in Georgetown and see the dried-up trees,” said Maysak.

His complaint might well have applied to other District departments, agencies and services mentioned during the meeting. The need for transparency, communication, quick follow-up and especially accountability was a constant in ANC reports this month, now that all the big distractions — inauguration events, various rallies and protests, historic cold and snowfalls — are over. Local focus has turned to keeping Georgetown residents in the loop about ongoing disruptive projects, such as excavations along Wisconsin Avenue, M Street and certain side streets for AT&T’s fiber optics project.

A tipping point of exasperation may have been reached over the Jelleff Recreation Center renovation. Planning for the project at 3265 S St. NW began around 2019, when a $700,000 mandatory ADA upgrade was budgeted. In the “flush” 2020s, as former Council member and longtime Georgetown resident Jack Evans used to call them, the project expanded into a $28-million full renovation. After nearly a dozen town hall meetings and numerous conferences with community groups, a feasibility plan was approved, contractors announced and a spring 2024 construction date proposed.

Other projects, such as a renovated baseball

field at Volta Park at Q and 34th Streets NW and a renovation of the field houses, track lighting and bus parking at Ellington Field at 1600 38th St. NW, were in late planning and construction start-date stages as well. However, at the Feb. 3 ANC meeting, city officials could not provide any updates nor any reason why the projects were “still in the permitting process.” One exasperated commissioner exclaimed: “After over a year!”

The only definitive news was that Jelleff was scheduled to be closed this summer, with no plans as to where the city would provide space for its popular summer programs. “Parents are already planning their summers and are ready to sign up for Jelleff. Will the facility close before or during the summer camp period?” asked Burleith Citizens Association

“I am fed up!” Commissioner Kishan Putta told the Georgetowner in an interview later.

“And here is what I am going to do about it. I will testify personally at the D.C. Council oversight hearings of the DPR on Feb. 14 and at the Feb. 21 hearings for the Department of General Services, the two key departments we have been dealing with for over five years on

“Our main concern is that with each [unexplained] delay, the budgeted funds that have been promised and secured for several years now may be withheld in a new budget.”

– ANC Chair Gwen Lohse

President Eric Langenbacher. “I’ll have to get back to you with that information,” responded Tommie Jones, chief of external affairs at the Department of Parks and Recreation.

“Our main concern is that with each [unexplained] delay, the budgeted funds that have been promised and secured for several years now may be withheld in a new budget,” said ANC Chair Gwen Lohse.

these projects.”

Council Chairman Phil Mendelson recently combined the two committees under the same oversight Committee on Facilities, according to Putta. “That should bring about a much more coordinated response,” said Putta, who has already contacted the new committee about the delays. It has expressed concern about them, he added.

In other ANC news, Metropolitan Police Department Capt. Darren Haskis and the Georgetown Business Improvement District’s new public safety expert Charles Young reported that crime overall in Georgetown has fallen, except for thefts from autos.

Ward 2 Council member Brooke Pinto reported that new technology, a badly needed upgrade of D.C. juvenile services and the approved recertification of D.C.’s forensic laboratory should all help in the investigation and detection of criminals involved in those thefts. “There are many ways for the public to help and collaborate in crime stopping,” Commissioner Mimsy Lindner said. “Contact me about that.”

Pinto also announced that the District was moving ahead with legislation to ban mobile phones from classrooms during the school day. “It is hoped that details of the ban will be agreed on quickly, so it might begin by the fall of 2025,” she said.

In addition, Pinto said that hearings for next year’s D.C. budget are already being scheduled. Commissioners were urged to share top priorities. One will certainly be the final approval and scheduling of a longpromised cafeteria for Hardy Middle School at 1819 35th St. NW. Closely entwined is the increasingly urgent need, according to Commissioner Putta, to build at least two new classrooms at Hardy, the gateway to MacArthur High School.

Jelleff Recreation Center at 3265 S St. NW. Courtesy D.C. Parks & Recreation.

News Bytes

BY ROBERT DEVANEY AND KATE OCZYPOK

LANDMARK BRIDGE AND HOTEL DEMO-READY?

Here’s a note from NPS about the decaying streetcar bridge west of Georgetown University: “The National Park Service is reviewing a Special Use permit application from the Washington Metropolitan Area Transit Authority (WMATA) to demolish the historic Foundry Branch Trestle Bridge in northwest Washington, D.C. The elevated railway bridge is owned by WMATA and is located within the boundaries of Glover Archbold Park, which is federal park land managed by Rock Creek Park.” It continues: “WMATA currently proposes to completely raze the bridge and all associated infrastructure, including the concrete abutments. Park land would be used for staging equipment and materials, as well as for site access. Following demolition, the site would be restored to naturalistic conditions and the Glover Archbold Trail reopened.”

As for the Key Bridge Marriott in Rosslyn, Virginia, Arlington County stated: “The property at 1401 Langston Blvd., previously declared to be a public nuisance by Arlington County’s Building Official, is being returned to the custody of the property owner and their contractors for demolition, in compliance with the Notice of Violation issued in May 2024.

“In the coming weeks, community members can expect to see an increased presence and activity, including mobilization of demolition equipment and demolition-related site activity.”

FOUR-LEGGED HERO SAVES THE DAY

There is a local four-legged hero in town at the Beall Court condos. A chihuahua named Pokito, who lives with his owner, Flor Trillo, on O Street NW near Rose Park, woke up Trillo with very loud barking at 4 a.m. on Feb. 1. When Trillo got out of bed to investigate, she smelled smoke and heard an explosion outside. Looking out her front window, she saw smoke billowing from a manhole cover. District Fire and EMS arrived soon, along with Pepco. A root from a tree on city property had grown into the underground electric cable connection to her building. Thankfully, there was no fire. The utility company was out

Saturday fixing the problem.

Congrats, Pokito! Not all heroes wear capes.

HUGUETTE M. WILSON, 1929-2025

Huguette Wilson, a proud and elegant Frenchwoman who moved to the U.S. in her 20s and lived in Washington, D.C., for more than 70 years, passed away peacefully on Jan. 23 at her cherished Georgetown home, surrounded by close family and friends. She was 95.

Her beloved husband of 43 years, Robert (Bob) Wilson, died in 2000. She is survived by her son, Stephen, and grandchildren, Peter and Alexandra.

GEORGETOWN HOUSE TOUR SET FOR APRIL 26

The 92nd Georgetown House Tour will take place on Saturday, April 26, from 11 a.m. to 5 p.m. Tickets are $60 each purchased in advance online and $65 the day of the tour. The Patrons’ Party will be on Wednesday, April 23, from 6:30 to 8:30 p.m.

Since 1931, St. John’s Episcopal Church has organized and hosted the Georgetown House Tour to raise funds for ministry and outreach. The tour has been an important part of enabling the mission of St. John’s in the greater Georgetown community. For details, visit georgetownhousetour.com.

COMMUNITY CELEBRATED AT GU OPEN HOUSE

Georgetown University gathered partners, neighbors and university and community leaders across Washington, D.C., to celebrate the holidays and community partnership on Dec. 12.

Recalling that President Emeritus Jack DeGioia “loved this annual event,” Interim President Robert Groves thanked everyone for their support and engagement throughout the year. Guests included: Ward 2 Council member Brooke Pinto, a Georgetown Law alum; Advisory Neighborhood Commissioners; members of the Georgetown Community Partnership Steering Committee and Working Groups; and leaders of the Citizens Association of Georgetown, Burleith Citizens Association and Foxhall Community Citizens Association, along with government officials, community leaders, friends and neighbors.

Georgetown University Chief Operating Officer David Green, Ward 2 Council member Brooke Pinto and GU Interim President Robert Groves. Photo by Bill Starrels.

New Tech Ups Tranquility at Four Seasons Fitness Center & Spa

BY PEGGY SANDS

“We have taken our spa experience to the next level,” Four Seasons Hotel Manager Igor Morosowski told The Georgetowner. “It is probably the most luxurious wellness center in all of D.C.”

The hotel’s three-level fitness center and spa recently reopened with the latest in technological offerings. There are now separate entrances and unique lounging areas, placed in newly decorated private spaces with curving walls and arches, emphasizing tranquility and rejuvenation.

The spa still provides eight separate and fully equipped spa and massage rooms, but one has been reconfigured for couples with a large bathtub for full water therapy — complete with a romantic soak if desired, including champagne and chocolates.

The spacious dry saunas and steam rooms have been renovated, the sauna with tiles that reflect subdued lights and patterns. The showers have been upgraded as well, and the dozen grooming spaces in the women’s locker room are all furnished with lighted mirrors and luxury supplies.

Offered as either a stand-alone treatment or incorporated into massages is the new MindSync technology: state-of-the-art equipment that connects to the treatment tables and synchronizes brainwaves, inducing a deep state of relaxation and mental clarity. The Spa at Four Seasons is currently the only spa in the U.S. to leverage this technology. Also offered: the IonixLight Facial, “a cutting-edge skincare treatment that harnesses the power of LED light therapy to revitalize the skin, leaving it looking radiant and youthful.”

“Innovation enhancements also include

experience through vibrational wellness and meditation sessions,” said Morosowki.

“Many of our staff of experienced therapists, massagists, fitness and spa experts have been with the Four Seasons for decades,” he added. “They keep up with latest techniques and developments in their fields.”

Especially noteworthy for Georgetowners and nearby residents is the availability of memberships. Some give full access to all the spa and fitness facilities, pool and concierge services, including complimentary parking and newspaper and discounted food service. Each member has a laundry bag for soiled clothing, which is washed and put back in his or her locker for the next visit.

Many members say that they are treated like part of the “Four Seasons family.” Nearly everyone — hotel managers, directors, concierges, valets, spa staff and security and engineering personnel — greets you by name, and may even know your car.

“The staff is constantly brainstorming about what new services and benefits we can add for guests and members,” said Morosowski. “Our new spa membership director will be communicating ideas via regular newsletters. Members already enjoy exclusive quarterly seasonal parties and often surprise gifts. Social evenings and some off-site activities for members are being planned. It is becoming a real club.”

Interestingly, the site of the spa and fitness center has been a hot spot and a comfort zone for Georgetown residents and guests for decades. The three stories at the back of the southwest corner of the hotel’s ground-level property once housed the popular Desiree

nightclub. There are still many Georgetowners who remember dance-filled nights in the club’s lively discos and bars before it was converted into a swimming pool and fitness center for the hotel. A January 1997 story in the Washington Post headlined “The Last Dance” included the following: “In the ’80s, Desiree was the place to see and be seen. When Marla Maples and Donald Trump wanted to go dancing in Washington, they went to the Four Seasons’ private disco.”

Courtesy Four Seasons.

Courtesy Four Seasons.

Canal House: A Timeless Blend of Georgetown’s History and Modern Luxury

BY CHARLOTTE MEYER-SCHOENHERR

The Georgetowner recently toured Canal House, a Tribute Portfolio hotel in the heart of town. Planning to welcome guests by the end of February, this stunning new property is set to be a vibrant hub for travelers and locals alike, offering a perfect blend of historic charm and modern sophistication.

One of the highlights of our visit was exploring the guest rooms on the highest floor. Bathed in natural light from expansive windows, these rooms provide a sense of airiness and warmth that immediately draws

standard accommodations to 393 square feet for suites and 846 square feet for townhouses.

Thoughtful in-room amenities such as bath products by Adage, Keurig coffee makers, personal refrigerators and laptop safes ensure a comfortable and luxurious stay.

Guests can also enjoy a state-of-the-art fitness center, complimentary high-speed WiFi and a selection of city-view rooms showcasing breathtaking views of the C&O Canal, the Georgetown waterfront and the D.C. skyline. Adding to the allure is the on-site restaurant, bar and lounge in the lobby, which will be open to outside guests as well.

you in. The large private balcony is an added luxury, offering amazing views of the street below, with a glimpse of the river in the distance — a perfect spot to start the day with a cup of coffee or unwind in the evening, especially now that spring is just around the corner.

Another captivating space was the library lounge on the first floor. Though still under construction, it was easy to envision the inviting atmosphere that will soon take shape. This cozy retreat will offer coffee and tea, making it an ideal space to relax with a good book or catch up with friends.

The courtyard is also set to be a standout feature, providing a peaceful outdoor oasis in the center of the hotel. A fire pit will serve as its focal point, creating a welcoming ambiance for evening gatherings. Canal House is designed with the community in mind, encouraging both guests and locals to connect and unwind in beautifully curated spaces.

The hotel will feature 92 guest rooms, including 10 specialty suites, three king terrace rooms and two attached townhomes. Rooms range from up to 326 square feet for

Perfectly situated at 1023 31st St. NW, Canal House places guests just steps away from the C&O Canal and within easy walking distance of the Georgetown waterfront, as well as the shopping, dining and entertainment offerings of M Street. Designed to be a pillar of connection and inspiration, this hotel is poised to become an integral part of the Georgetown experience.

Photo by Charlotte Meyer-Schoenherr.

Photo by Charlotte Meyer-Schoenherr.

A Tragic Spotlight on Reagan Airport

Washington, D.C., is a unique city for many reasons, one being its prominence as a government and military hub. The growing, conflicting demands on close-in airspace were tragically brought home on Jan. 29, when American Airlines Flight 5342, preparing to land at Ronald Reagan Washington National Airport, collided in midair with a Black Hawk

tight airspace, requiring helicopters to fly along specified routes at specified altitudes to avoid commercial, private and official flights, and the air traffic control system’s chronic staff shortage.

The National Transportation Safety Board’s preliminary findings were that AA 5342, seconds from landing, and the Black Hawk

It’s time to hire more air traffic controllers and time to make changes to reduce air traffic congestion in and around D.C.

helicopter over the Potomac River.

All 64 people on the plane and three on the helicopter were killed in the first major U.S. crash of a commercial passenger flight since 2009. Our thoughts are with the victims and their families.

The horrifying incident called attention to Reagan Airport’s unusually short runways, which intersect, and the increasing pressure on its limited capacity.

With typical knee-jerk speed, President Donald Trump blamed the Federal Aviation Administration’s DEI (Diversity, Equity and Inclusion) policies for the crash. The key issues, however, are the airport’s extremely

helicopter were both flying 300 feet above the Potomac. That height is 100 feet over the authorized altitude for helicopters near Reagan Airport. Some experts have theorized that the helicopter crew could have mistaken another commercial plane for Flight 5342.

All things considered, we certainly shouldn’t be blaming DEI initiatives for this heartbreaking accident. Some clear takeaways: It’s time to hire more air traffic controllers and time to make changes to reduce air traffic congestion in and around D.C. Just 12 hours after the crash, the FAA restricted helicopter access near the doomed Black Hawk’s final path in the hope of avoiding another tragedy.

Fight for the Right to Turn Right on Red?

These are contentious times, especially in Washington, D.C., the nation’s capital, and Georgetown, the historic national residence of politically experienced, influential and civic-minded people. You’d think the local government and the governed could agree on one of the few nonpartisan issues roiling the District: whether motorists can turn right at a red light.

The practice of motorists’ turning right on red — after coming to a full stop and making sure there are neither pedestrians in the crosswalks nor ongoing traffic nearby — became a “right” in almost every state in the nation and in D.C. in the 1970s as a fuel-saving measure.

But by 2020, the District Council had become disillusioned with the practice. In fact, turning right on red, lawfully or not, had rarely been monitored in the District, partly because no monies were allocated for enforcement.

World’s Richest Man Dismantles Our Government

On one side: the richest man in the world, a modern-day Rockefeller of sorts. On the other: more than three million people, individuals from every walk of life, of all ages, races, states and countries.

Over the years, studies showed that safety was improved at over 100 intersections where turning right on red was banned. In 2022, the Council voted to halt the practice throughout the District, taking effect on Jan. 1, 2025, as part of the Safer Streets Amendment Act.

However, the act allows some intersections to permit right on red unless signage states otherwise, Mayor Muriel Bowser never signed the ban and — since budget allocations for enforcement are still lacking — the District Department of Transportation has reportedly declined to fund signage to inform out-ofDistrict drivers. In addition, according to Politico, “right turns on red had become a front in the GOP’s culture wars.”

As of this month, the practice remains in limbo. It has been referred to as a “kinda sorta ban” by some local media (but not by The Georgetowner, never).

Rockefeller 2.0 is on a mission to overhaul our federal government, while the group of three million plus is that government’s workforce. Many are on the job while in fear of losing their employment at any moment; a significant number have already been terminated.

Billionaire Elon Musk has solidified himself as an instrument of President Donald Trump’s second term, earning the title “special government employee.” (Musk reposted the announcement on his X platform with the snide caption, “I take the short bus to work.”)

While we agree that every enterprise, including the federal government, can benefit from a close examination to “trim the fat,” Musk is going about it in a chaotic, careless and very likely illegal manner.

He and his gang of merry DOGE-ers, a posse of 19-to-24-year-olds lacking government experience, have gained access to some of the nation’s most sensitive data. Along the way, they are taking such aggressive actions as locking out employees and contractors of the U.S. Agency for International Development, then forcing the agency to place all direct-hire personnel on administrative leave.

To shrink government spending, Musk offered federal workers a “buyout” in the form of an email message — with the subject line “Fork in the Road” and an invitation to reply with the word “resign” — that many thought to be spam. Resigners were promised paychecks through the end of September if they submitted their resignations by Feb. 6. Resembling the message Musk sent to Twitter staffers when he bought the platform, renaming it X, the “Fork” email was called, by Democrats in Congress and others, illegal, disrespectful and a scam.

Given that his net worth is currently $426 billion, Musk could be doing whatever his heart (if applicable) desires. He could buy a yacht and travel the world. He could focus on SpaceX, hatching plans to explore known and unknown galaxies. He could work on the future of self-driving cars, giving those with disabilities or otherwise unable to drive a chance to do so.

Instead, his ruthless show of force is tearing hard-working individuals and families apart, adding daily stress and worry in an already uncertain world. If his powerhungry and hazardous dismantling of the government were happening anywhere else, it would be called a coup, plain and simple. Maybe it’s time to call it that, loud and clear.

This photograph was taken  at the FBI Academy in Quantico and submitted to the New York Times under the condition of anonymity. Courtesy X.com/ZachWLambert

A Student ANC Commissioner Moves On

BY JOE MASSAUA

I’ve learned a lot over my two years of service as a commissioner on Advisory Neighborhood Commission 2E. I’m grateful to my colleagues for their wisdom and mentorship. Despite the age gap (some of them are old enough to be my grandparents!), I’m proud to call them friends. Representing the undergraduates of Georgetown, I’ve had to walk a tightrope with regard to the needs of my constituents and the

university administration. All the while, it’s been a pleasure to serve.

Coming in, I am grateful for the immediate advice of our Ward 2 Council member, Brooke Pinto. She’s told me that I am the only undergraduate to have audited her local government seminar so far, and from the start “Professor” Pinto showed me the ropes of getting things done in D.C. Priorities for my term evolved along with my understanding of power and the role of local government.

Georgetown is such a beautiful and fascinating neighborhood in D.C. and so much of our role on the ANC is continued stewardship for local businesses. When I was elected in the fall of 2022, Washington was still climbing out of a deep hole from the pandemic. I’ve been glad to see our retail vacancy rate drop and exciting new restaurants, including La Bonne Vache and Osteria Mozza, arrive. Georgetown is cool again!

The majority of my role on the ANC is constituent services, being the most local connection between undergraduates and

COMMUNITY CALENDAR

GEORGETOWN COFFEE & COMMUNITY

Thursday, Feb. 13

Representatives of Georgetown businesses are invited to attend a monthly networking event from 9 to 10:30 a.m. at Clubhouse DC, 1070 Wisconsin Ave. NW. Free coffee and breakfast provided. RSVP to rachel@georgetownmainstreet.com.

STEVEN HONIGBERG TANGO

ENSEMBLE

Friday, Feb. 14

An ensemble led by National Symphony Orchestra cellist Steven Honigberg will play a Valentine’s Day program of tango music with live dancers at 7:30 p.m. at Dumbarton United Methodist Church, 3133 Dumbarton St. NW. Visit dumbartonconcerts.org for tickets.

DDOT TRAFFIC AND PARKING PLAN MEETING

Thursday, Feb. 20

Residents can offer feedback on last year’s District Department of Transportation Traffic Operations and Parking Plan for Audi Field and Nationals Park and engage directly with government agencies like the MPD and the Department of Public Works from 6:30 to 8 p.m. Visit ddot.dc.gov.

ANC 2E MONTHLY MEETING

Monday, March 3

Advisory Neighborhood Commission 2E, representing Georgetown, Burleith and Hillandale, will hold its March meeting at 6:30 p.m. at Georgetown Visitation Preparatory School, 1524 35th St. NW, and via Zoom. Visit anc.dc.gov.

CARPE LIBRUM POP-UP BOOKSTORE

Sunday, Mar. 3

Swing by the Chase Bank parking lot at the corner of Wisconsin Ave. NW and P Street NW between 10 a.m. and 5 p.m. to browse through books, CDs, and more all for under $6. Visit georgetownmainstreet.com/events.

METROPOLITAN POLICE DEPARTMENT’S 2025 WOMEN’S CONFERENCE

Tuesday, Mar. 4

MPD’s Women’s Conference focuses on personal and professional development with workshops, panel discussions, and motivational speakers from Mar. 4 to Mar. 6 at the Walter E. Convention Center. Register before Feb. 21 at https://host.regform.com/mpd-womensconference-2025.

District government. I’ve enjoyed partnering with the steadfast Rachel Shank at Georgetown Main Street to connect students with small businesses and small businesses with students. As a liaison, I’ve helped sororities find spots for events, connected affinity groups with restaurants and worked to save a beloved bagel joint. Joe Sternlieb, Faith Broderick and Greg Billing at the Georgetown Business Improvement District have guided me to see a vision of Georgetown with a vibrant streetscape, outdoor dining and bike access.

In January of 2023, I learned of an exciting idea to save the oldest trolley bridge of its kind in the District and convert it to a multi-use pedestrian trail. Working with advocates in Foxhall and at the DC Preservation League, we built a student-led coalition on campus and encouraged the Council to provide $250,000 to study the adaptive reuse of the Foundry Branch Trolley Trestle. Working with Brett Young, Rebecca Miller and Peter Harnik, I came to love this structure and propose a vision for this old bridge on par with New York City’s High Line. I will continue to fight to save this trestle

and provide more access to our beautiful hilltop at 37th and O. The trestle has been a lesson in persistence and cooperation, and in 20 years I hope to ride across this bridge — a shining example of student activism.

Georgetown University and its community partnership have been an incredible model of consensus and getting smart things done. I’d like to thank Cory Peterson, Ron Lewis and Sherry Rutherford for their mentorship and assistance with my priority of rodent mitigation on campus. Over the past year, we’ve seen tangible quality of life improvements for Georgetown students. I could not have been successful without their collaboration.

To my colleagues on ANC 2E and the incoming student commissioners, I wish you well. This job is unpaid and requires so much time and commitment. Our neighbors are better off because of you. My journey as a public servant has been a crash course in local government and a wonderful ride.

Joe Massaua is a student at Georgetown University’s School of Foreign Service and will graduate in May.

Georgetown Main Street Board Chair Iesha

Holy and student leader Joe Massaua. Courtesy GMS.

INS & OUTS

BY ROBERT DEVANEY

IN: HAKAN ILHAN’S ALLURING ALARA

The long-shuttered Paolo’s Ristorante space has metamorphosed into Alara, a restaurant by Hakan Ilhan. Meaning “beautiful water fairy” in Turkish, Alara, which opened on Feb. 5, features modern Mediterranean cuisine. The prime restaurant space at 1303 Wisconsin Ave. NW underwent a $4-million renovation with interior design by Maggie O’Neill. The chef is Ahmet Aydogmus.

Ilhan’s extensive portfolio includes Brasserie Liberté, one block away at 3251 Prospect St. NW — along with Al Dente on New Mexico Avenue and Il Piatto on 16th Street NW at Black Lives Matter Plaza.

IN: BAKU CAVIAR BOUTIQUE

“Making Caviar Great Again,” headlines Baku Caviar Boutique, on the ground floor of the Safeway building at 1855 Wisconsin Ave. NW, in the former Petco space.

“We release 10 sturgeons into the sea for every purchase. We make delicious caviar from beluga, osetra and sterlet, letting nature rule the process — fish grow without hormones. So, you get a pure black caviar taste,” we’re told.

“Our journey began with establishing the Kura pilot production plant in 1954. Here, we laid the foundations of our sustainable approach to caviar production. … We have embraced the rich history of Azerbaijani caviar and taken on the responsibility of safeguarding the Caspian Sea’s delicate ecosystem and sturgeon population.”

IN: AN OCTOBRE ÉDITIONS POP-UP

The Parisian brand Octobre Éditions popped up in Sézane’s Washington, D.C., Appartement at 1211 Wisconsin Ave. NW on Jan. 28, taking over the space. The company tells us: “Founded in 2016, Octobre — the Parisian-inspired menswear essentials brand imagined by Sézane’s Morgane Sézalory — was born out of the idea to get back to the basics of menswear.”

IN: ARC’TERYX ON MARCH 1

Canada’s Arc’teryx will open on March 1 at 3218 M St. NW, in a former saloon, J. Paul’s, famous during the later years of the 20th century. The company, headquartered in British Columbia, specializes in outdoor apparel and equipment with a focus on Alpine sports and mountaineering. Its status-symbol logo refers to a dinosaur fossil.

IN: BODEGA TAQUERIA

Y TEQUILA

Bodega Taqueria y Tequila — a unique fastcasual taqueria that has established a reputation in Miami for Mexican street food-inspired fare and high-energy nightlife — has opened at 2127 Eye St. NW.

IN: LIFE ALIVE ORGANIC CAFE

Life Alive Organic Cafe has opened its firstever location outside greater Boston, adjacent to Georgetown at 2301 M St. NW in the West End. The menu features vegetarian and proteindense dishes, along with smoothies and juices.

COMING: MEJURI ON M

“We’re on a mission to redefine luxury,” says Mejuri, an “everyday fine jewelry” store coming to 3225 M St. NW.

COMING: PARIS BAGUETTE

Paris Baguette bakery chain is expanding in and around Washington, D.C. — and that includes Georgetown. The bakery, which has a partnership with coffee brand Lavazza, specializes in freshly baked pastries, bread and cakes, all produced on site.

COMING: THE SALTY

Coming into the former Peet’s Coffee shop at 33rd and M is the Salty, as first reported by the Georgetown Metropolitan: “It’s a donut shop, which should really help fill the (ahem) hole that was left when District Donut closed up shop.”

COMING: ATELIERS JACOB

Canadian cabinetry manufacturer Ateliers Jacob will partner with Yuri Sagatov, principal of Virginia-based ODE Design, to open its first U.S. flagship early this year at 3330 Cady’s Alley NW, a 3,300-square-foot space in Georgetown’s Design District. Known for its high-end custom cabinetry and for design that prioritizes well-being, the brand has begun its American expansion by signing a five-year lease with EastBanc.

OUT: EVER/BODY

The cosmetic dermatology shop at 1242 Wisconsin Ave. NW that opened in May of 2023 has closed. Notes Ever/Body: “We would love to continue treating you at one of our other D.C. Metro Area locations (Arlington or Logan Circle). If you have unused treatment credits in your account, you can redeem them at one of these other locations.” Out: Smoke Island Cannabis and vape shop Smoke Island, next to the Georgetown Inn at 1326 Wisconsin Ave. NW, has gone up in you-know-what.

OUT: SCOUT STORE

The Scout store at 1027 31st St. NW, near the C&O Canal, has closed.

An “everyday fine jewelry” store, Mejuri, is coming to 3225 M St. NW. Courtesy Mejuri.

Canadian cabinetry manufacturer Ateliers Jacob will open its first U.S. flagship in Georgetown early this year. Courtesy AteliersJacob.com.

Alara has opened at 1303 Wisconsin Ave. NW. Photo by Scott Suchman.

Spring Arts Preview

PULL OUT SECTION

I see little of more importance to the future of our country and our civilization than full recognition of the place of the artist.

— John Fitzgerald Kennedy

Performing Arts

BY RICHARD SELDEN

JAZZ, POP, COUNTRY, ROCK AND HIP HOP

Performers of note coming to Blues Alley include the Vijay Iyer Trio (March 13 and 14), Stanley Jordan (April 10 to 13) and Nicole Henry (May 9 to 11). On The Kennedy Center calendar this spring: “Jason Moran & Friends” (April 24) and this year’s NEA Jazz Masters Tribute Concert (April 26).

February’s notable pop, country and rock performers include Kelsea Ballerini at Capital One Arena (Feb. 15), Better Than Ezra at The Lincoln Theatre (Feb. 20), Dropkick Murphys at The Anthem (Feb. 27) and, at The Warner Theatre, George Thorogood & the Destroyers (Feb. 25) and Jason Isbell (Feb. 27 and 28 and March 1).

Later on at Capital One: Mary J. Blige (March 26), Tyler, The Creator (April 1) and Kylie Minogue (April 8). At The Anthem: Kraftwerk (March 16), Franz Ferdinand (April 7), Nick Cave & the Bad Seeds (April 21) and Devo (May 3). And at The Warner: Hwasa (March 25), Trey Anastasio (April 4) and Melissa Etheridge (April 12).

Over in Alexandria, The Birchmere’s spring mix includes Robin Trower (March 4 and 5), The Stylistics (March 16), Ladysmith Black Mambazo (March 20), Rufus Wainwright (March 21), Leo Kottke (March 27), Al Di Meola (April 2), Marty Stuart (April 3 and 4), Cowboy Junkies (April 9 and 10), 10,000 Maniacs (April 24 and 25) and the Bodeans (May

10). Local bluegrassers The Seldom Scene will play an album release show for “Remains To Be Scene” (April 13). On the Wolf Trap calendar: Jim Messina (March 5), Rick

Coming to the Warner Theatre on March 25: Hwasa Live Tour [Twits].

The Birchmere will host an album release show for “Remains To Be Scene” on April 13.

Wakeman (March 27) and Max Weinberg’s Jukebox (April 1 and 2). More April notables: “Noochie’s Live from the Front Porch” in The Kennedy Center Concert Hall (April 4) and Youssou Ndour at Strathmore (April 29).

DANCE

Dostoevsky and Valentine’s Day, Perfect Together! Choreographer Helen Pickett and director James Bonas created “Crime and Punishment” to music by Isobel Waller-Bridge for American Ballet Theatre, onstage this weekend in the Kennedy Center Opera House (Feb. 12 to 16).

February’s wealth of dance continues with The Washington Ballet presenting “Vespers” by Ulysses Dove, a world premiere by Jennifer Archibald and “Seasons” by TWB Artistic Director Edwaard Liang in the Kennedy Center Eisenhower Theater (Feb. 20 to 23); Shen Yun in the Opera House (Feb. 20 to March 2); the world premiere of Diana Movius’s “Atlantic Paradox” by her Moveius Contemporary Ballet at the National Portrait Gallery (Feb. 23); “An Asian American Dance Journey” from Dana Tai Soon Burgess at Woolly Mammoth Theatre Company (Feb. 27 to March 1); and, back in the Eisenhower, the Paul Taylor Dance Company (Feb. 27 to March 1).

The dance lineup at the 2025 Atlas

Intersections Festival : Glade Dance Collective (Feb. 15), Aerial Ignition (Feb. 15), Furia Flamenca (Feb. 22), Jadyn Brick & Luisa Lynch (Feb. 28), Company | E (March 1), Motion X (March 1), Amber Lucia Chabus (March 2), Capitol Movement (March 2), Moveius (March 7), chitra.MOVES (March 7), Deviated Theatre (March 8), Black Leaves (March 8), Momentum (March 9), Ronnique Antoinette & The Ramdance Movement

Join the Gay Men’s Chorus of Washington, DC for an international musical tour!

(March 9), Kalanidhi (March 15) and Elements Urban Dance Collective (March 16).

Often on the road, Step Afrika! will present “Step Classic,” a three-day event “inspired by the legacy of HBCU Classics” at the National Building Museum and the Warner (Feb. 14 to 16).

PERFORMING ARTS

Lalah Hathaway Sat, Feb 22

Arturo O’Farrill & Afro Latin Orchestra

Featuring Hamilton de Holanda Sat, March 1

Academy of St. Martin in the Fields with Bruce Liu Thu, March 6

Later on at the Kennedy Center: Complexions Contemporary Ballet (March 20 to 22) and New York City Ballet , performing “Coppélia” (March 25 to 30), both in the Opera House; and Twyla Tharp Dance (March 26 to 29), Akram Khan Company (April 17 to 19) and Acosta Danza’s “Cuban Ecléctico” (May 1 to 3), all three in the Eisenhower.

TWB’s first season under Edwaard Liang will conclude with his “ALICE (in wonderland)” at Capital One Hall in Tysons (April 24 to 27).

MUSICALS

Based on her memoir “The Bedwetter: Stories of Courage, Redemption and Pee” (am I allowed to write that?), Sarah Silverman’s new musical “The Bedwetter” — with a book she co-wrote with Joshua Harmon, music by Adam Schlesinger and lyrics by her and Schlesinger — is at Arena Stage, directed by Anne Kauffman and choreographed by Danny Mefford (through March 16).

Lin-Manuel Miranda’s “In the Heights,”

Coming to Dance Place: Amelia Estrada & Gabriel Mata (Feb. 28), Nejla Yatkin (March 14 and 15), Claire Alrich (March 21 and 22), Orange Grove Dance (April 4 to 6) and Prakriti Dance & Urban Artistry (April 11 and 12).

RAIN—A Tribute to The Beatles Thu, March 13 The Naghash Ensemble Fri, March 21

Lila Downs Thu, March 27

RAIN by Richard Lovrich, Arturo O’Farrill by Jen Rosenstein, Lila Downs by Chino Lemus

Moveius Contemporary Ballet will give the world premiere of Diana Movius’s “Atlantic Paradox” at the National Portrait Gallery on Feb. 23. Courtesy Moveius.

with a book by Quiara Alegría Hudes, just opened at Signature Theatre, directed by James Vásquez with music direction by Angie Benson (through May 4).

About to open at Olney Theatre Center: Sara Bareilles’s “Waitress,” with a book by Jessie Nelson based on Adrienne Shelly’s 2007 film. Marcia Milgrom Dodge is the directer and choreographer. Music direction is by Christopher Youstra (Feb. 13 to March 30).

Soon to open at The National Theatre: “Shucked,” the Tony Award-winning musical about Maizy (get it?) of Corn Cob County (Feb. 25 to March 2). And April is “Annie” month at the National (April 11 to 20).

Another brainstorm from Jeff Whitty, the guy who came up with “Avenue Q”: a musical based on Sir Philip Sidney’s 16th-century romance set to songs by the Go-Go’s. Adapted by James Magruder, “Head Over Heels” will be at Constellation Theatre Company, directed by Allison Arkell Stockman (May 1 to June 1).

And let’s not forget the shows in the Virginia Burbs, Sticks and Boonies: Roald Dahl’s “Matilda: The Musical” at The Little Theatre of Alexandria (through March 1) and “Footloose: The Musical” at NextStop Theatre Company (you’ve heard of Herndon, I trust) (May 8 to June 8).

THEATER

Perhaps you’re familiar with “Fuenteovejuna” (“The Sheep Fountain,” more or less) by Spanish Golden Age playwright Lope de Vega? No? Then head for GALA Hispanic Theatre in Columbia Heights (through March 2).

Later on at GALA: “Érase Una Vez ... ¡Y Dos Son Tres!/Once Upon a Time ... And Two Are Three!” by Manuel Chapuseaux (March 15 to 29) and the world premiere of “Sucede Hasta en las Mejores Familias/Choke” by Emilio Infante, directed by Rebecca Aparicio (April 24 to May 18).

Fans of Edith Wharton — not to mention Daniel Day-Lewis and Michelle Pfeiffer — will be exited to hear that Arena Stage Artistic Director Hana S. Sharif is directing an adaptation by Karen Zacarias (Feb. 28 to March 30).

No plays by Shakespeare (or whoever wrote them) this spring at Shakespeare Theatre Company, but Artistic Director Simon Godwin will direct Conor McPherson’s adaptation of Anton Chekhov’s “Uncle Vanya” in Harman Hall starring Hugh Bonneville of “Downton Abbey” (March 30 to April 20). Opening next week in STC’s Klein Theatre: “Kunene and the King,” written and performed by John

Kani and directed by Ruben Santiago-Hudson, about a South African actor facing the role of King Lear and his own mortality (Feb. 16 to March 16).

D.C.’s other Bardic spot, the Folger Shakespeare Theatre, will present “A Room in the Castle,” Lauren M. Gunderson’s retelling of “Hamlet” from the perspective of

its women, directed by Kaja Dunn (March 4 to April 6). Though “Twelfth Night” refers to the Feast of the Epiphany in early January, the Shakespeare play by that name will open at the Folger, directed by Mei Ann Teo, right after Mother’s Day (May 13 to June 22). One more by Will: “Much Ado About Nothing” at The Little Theatre of Alexandria (March 29

Eric Hissom and Jordan Slattery in Signature Theatre’s production of “Job.” Photo by Christopher Mueller. Courtesy Signature.

PUNISHMENT CRIME

Fyodor Dostoyevsky’s novel Crime and Punishment is a devastatingly modern psychological thriller that provided choreographer Helen Pickett and director James Bonas with a startling source for a ballet. Watch as striking movement depicts a young man’s journey towards redemption.

SPRING DANCE

AT THE KENNEDY CENTER

PAUL TAYLOR DANCE COMPANY

FEB. 27–MAR. 1, 2025

The Paul Taylor Dance Company makes a triumphant return to the Kennedy Center as the company commemorates 70 years of extraordinary dance. Experience Paul Taylor classics and the world premiere of How Love Sounds by Hope Boykin (Artistic Advisor for Dance Education at the Kennedy Center).

COMPLEXIONS

CONTEMPORARY BALLET

MAR. 20–22, 2025

Complexions Contemporary Ballet is recognized for its new, exciting vision of human movement. Its first full company engagement at the Kennedy Center includes a new work by Dwight Rhoden, set to songs from U2’s acoustic album Songs of Surrender

NEW YORK

CITY BALLET: COPPÉLIA

MAR. 25–30, 2025

The whole family will delight in the misadventures of the spirited Swanilda, her foolish sweetheart Frantz, and mad inventor Dr. Coppélius in New York City Ballet’s Coppélia. The New York Times calls it a “story ballet done to perfection.”

TWYLA THARP DANCE

MAR. 26–29, 2025

Celebrate 60 years of impeccable dance from this legendary, ever-changing dance company! Kennedy Center Honoree Twyla Tharp is a living legend—she created Twyla Tharp Dance in 1965 and is renowned for technically precise works that expand the boundaries of ballet and modern dance.

Twyla Tharp Dance.

Photo by Mark Seliger

Photo:

to April 19).

Closing soon (Feb. 16): “Downstate” by Bruce Norris at Studio Theatre, directed by Artistic Director David Muse; Heidi Schreck’s “What the Constitution Means to Me,” directed by Morgan Gould at Round House Theatre; and “Guac,” directed by Michael Cotey at Woolly Mammoth Theatre Company, about a father who lost his son, nicknamed Guac, in

the Parkland shooting, written and performed by Manuel Oliver and co-written by James Clements.

Closing not quite as soon: “The Garbologists” by Lindsay Joelle, directed by Shanara Gabrielle at Theatre Alliance (through Feb. 23), which will next present “American Fast” by Kareem Fahmy, directed by Reginald L Douglas (March 20 to April 13). And there are a few more weeks to catch “Constellations” by Nick Payne, directed by Nikki Mirza at (fittingly) Constellation, about star-crossed lovers “in a swirling multiverse” (through March 9).

Edgy (in most cases) theater events at this year’s Atlas Intersections Festival: “Eva Mystique” (Feb. 15), “Bright Colors And Bold Patterns” (Feb. 22), “Park Road” (March 1), “Come Along for the Ride: A Journey through Climate Grief” (March 1) and Imagination Stage’s “Paper Dreams” (March 8 and 9).

Next up at Woolly Mammoth, the home of fascinating titles: “It’s a Motherf**king Pleasure,” written and performed by disabilityled theater company FlawBored (March 6 to 30); then the world premiere of “Akira Kurosawa Explains His Movies and Yogurt (With Live & Active Cultures!)” by Julia Izumi, directed by Aileen Wen McGroddy (May 4 to June 1).

More from Studio: “The Scenarios” a world premiere by Matthew Capodicasa, directed by Tiffany Nichole Greene (Feb. 26 to April 6); and Dominique Morisseau’s “Paradise Blue,” directed by Raymond O. Caldwell (April 30 to June 8).

Signature Theatre Artistic Director

Matthew Gardiner will direct “Job” by Max Wolf Friedlich — not the Old Testament Job, but a job as in what you do for a living, and where, in this case, you have a breakdown (through March 16).

At Theater J in the Edlavitch Jewish Community Center, José Rivera directs his

Through March 2: Spanish Golden Age playwright Lope de Vega’s “Fuenteovejuna” at GALA Hispanic Theatre. Courtesy GALA.

The Ford’s Theatre production of “Sister Act” opens on March 14. Courtesy Ford’s.

tragicomedy “Your Name Means Dream” (March 12 to April 6).

Synetic Theater co-founder Paata Tsikurishvili will direct “The Immigrant,” based on the 1918 silent comedy (March 14 to 23 at Arlington’s Thomas Jefferson Community Theatre; April 11 to 27 at Theater J).

Back out in Maryland at Olney Theatre Center: “Sleepova” by Matilda Feyiṣayọ Ibini, directed by Paige Hernandez, about four Black British teens (March 26 to April 27).

At Olney’s Montgomery County neighbor, Round House Artistic Director Ryan Rilette will present the world premiere of “Bad Books” by Sharyn Rothstein, in which the mother of a troubled teen confronts the local librarian about access to a controversial book. Kate Eastwood Norris and Holly Twyford star. Guess who plays who ... (April 2 to 27)

Based at the Atlas Performing Arts Center, Mosaic Theater Company will present “Cullud Wattah” by Erika DickersonDespenza, directed by Danielle A. Drakes, dealing with the Flint water crisis (April 3 to 27).

And now that you’re a familiar face in Herndon, NextStop is presenting Karen Zacarias’s “Native Gardens” (through Feb. 16) and Douglas Lyons’s “Chicken & Biscuits” (March 13 to April 6).

Note: Scena Theatre hasn’t announced

dates yet for Rainer Werner Fassbinder’s “The bitter Tears of Petra von Kant,” directed by Artistic Director Robert McNamara.

OPERA

In Lisner Auditorium, Washington Concert Opera will present Mozart’s “La Clemenza di Tito” with Tamara Wilson, Edgardo Rocha, Stephanie Doche, Raven McMillon and Meridian Prall (March 1). Verdi’s “Luisa Miller,” with Angel Blue, Kang Wang, George Gagnidze and Morris Robinson, will follow on the final day of the National Cherry Blossom Festival (April 13).

In Series Artistic Director Timothy Nelson will direct “Poppea,” the last production of the company’s Claudio Monteverdi trilogy, with choreography by Hari Krisnan. With the Hindu festival of Holi in mind, the openingnight audience is encouraged to wear all white to enhance the effect of the “showers of colored light” at the after-party (March 14 to 16 at Dupont Underground; March 21 to 23 at Baltimore Theatre Project; and March 28 and 29 at St. Mark’s, Capitol Hill).

Opera Lafayette will celebrate Founding Artistic Director Ryan Brown’s 30 years of leadership with a varied program featuring three singers performing with the much-

admired chamber orchestra (April 30 at St. Bartholomew’s Church in New York and May 1 in the Kennedy Center Terrace Theater).

Lidiya Yankovskaya will conduct Washington National Opera’s production of “The (R)evolution of Steve Jobs” — score by Mason Bates, libretto by Mark Campbell — with John Moore as Jobs, Jonathan Burton as Woz and Cafritz Young Artist Winona Martin as Laurene Powell Jobs (May 2 to 10). Also in the Kennedy Center Opera House: “American Rhapsody,” a concert performance of works by American composers, the same night as the Opera Gala (May 3).

CHORAL

The Heritage Signature Chorale’s 25th Anniversary Black Composers Concert will take place at First Congregational UCC (Feb. 22).

Upcoming Gay Men’s Chorus of Washington performances: “Heart & Soul,” a Black History Month celebration at National City Christian Church (Feb. 22); and “Passports” at the Lincoln Theatre (March 15 and 16).

At Strathmore, The Washington Chorus and the National Philharmonic will present “Stand the Storm,” a concert highlighting

Artists at Work

composers “who stand through adversity and enact change” (March 15).

The Baltimore Symphony Orchestra and the Clarion Choir will join the Cathedral Choral Society, conducted by Steven Fox, at Washington National Cathedral for a performance of Dame Ethel Smyth’s “Smyth’s Mass in D” and Mozart’s “Meistermusik” (March 16). The same evening, Washington Master Chorale will perform Sergei Rachmaninoff’s “All Night Vigil” at the Church of the Epiphany (March 16).

Also at the Church of the Epiphany, the City Choir of Washington will present “100 Years of Great American Song” (March 23).

Artistic Director Marie Bucoy-Calavan will direct the Choral Arts Symphonic Chorus and the Choral Arts Orchestra in a performance of Haydn’s “Creation” in the Kennedy Center Concert Hall (March 30).

CLASSICAL

A spring highlight of the National Symphony Orchestra season in the Kennedy Center Concert Hall: Tchaikovsky’s unnumbered “Manfred Symphony,” composed in 1885, conducted by Vasily Petrenko, music director of London’s Royal Philharmonic Orchestra. Also on the

VISUAL ARTS

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SILVERSMITHING

program: Anatoly Lyadov’s “Kikimora” and Camille Saint-Saëns’s Cello Concerto No. 1, with soloist Edgar Moreau (Feb. 20, 22 and 23). Other highlights, before the NSO heads for Florida: Music Director Gianandrea Noseda conducting works by Debussy and Ravel (March 6 to 8) and Stravinsky’s “Petrushka” (March 13 to 15). Also in the Concert Hall: Julia Wolfe’s “Her Story” with the Lorelei Ensemble (Feb. 27 to March 1).

At Strathmore, the National Philharmonic’s season continues with pianist Brian Ganz playing Chopin for the almost-birthday boy (Feb. 28) and Shostakovich’s Symphony No. 5 (April 5). Two other orchestras perform regularly in the gorgeous North Bethesda hall. The Baltimore Symphony Orchestra, a resident partner, will perform Mahler’s Fourth (Feb. 27) and Beethoven’s Fifth (March 8) with Music Director Jonathon Heyward on the podium. In between, the Annapolis Symphony Orchestra will play works by Beethoven, Bernstein (“Serenade,” with violin soloist Noah Bendix-Balgley) and Ginastera (March 2).

You can catch the Capital City Symphony at the Atlas Intersections Festival (Feb. 22) and performing Mozart’s Piano Concerto No. 20 in D minor with Sophia Lin, 2024

winner of the Ylda Novik Memorial Concerto Competition (March 23).

There is so much chamber music in this town that only a few events can be mentioned. PostClassical Ensemble will

perform at the Phillips Collection — which offers a full season of Sunday Concerts — with oboist James Austin Smith (Feb. 16), then present “Beyond The Godfather: The Concert Music of Nino Rota” in the Kennedy Center Terrace Theater (March 18). Back at Strathmore, the Academy of St. Martin in the Fields will perform with pianist Bruce Liu (March 6).

Save the Date

For an exquisite evening of diplomatic fashion, glamour, and power

Monday, May 5, 2025 at 6:00 P.M. President Woodrow Wilson House

The 21st Century Consort performs in the Hirshhorn Museum’s Ring Auditorium (March 8 and April 12). Smithsonian Chamber Music Society concerts will be presented at St. Mark’s, Capitol Hill (March 16) and at the National Museum of American History (March 29 and 30; April 12 and 13; and May 3 and 4). Two from the Library of Congress’s extraordinary Coolidge Auditorium series: “Music of Anthony Braxton” (March 8) and the Horszowski Trio (April 26).

Wolf Trap’s Chamber Music at the Barns

series will feature the Chamber Music Society of Lincoln Center playing sextets by Tchaikovsky (“Souvenir de Florence”) and Richard Strauss and trios by Haydn and Schubert (April 25).

Piano recitals presented at the Kennedy Center by Washington Performing Arts: Seong-Jin Cho (Feb. 18), Clayton Stephenson (March 15), Yefim Bronfman (April 14), Yunchan Lim (April 27) and Evgeny Kissin (May 3). At the Library of Congress: Hélène Grimaud (April 25).

Not to neglect vocal recitals, Vocal Arts DC’s season continues in the Kennedy Center Terrace Theater with Aryeh Nussbaum Cohen and John Churchwell (Feb. 20) and Fleur Barron and Kunal Lahiry (March 14); and the Russian Chamber Arts Society will present a concert of art songs by two Nikolais — Medtner and Rimsky-Korsakov — at the Embassy of France (April 11).

Dame Ethel Smyth’s “Mass in D” will be performed on March 16 by the Cathedral Choral Society with the Baltimore Symphony Orchestra and the Clarion Choir.

The April 6 Sunday Concert in the Phillips Collection’s Music Room will feature the Doric String Quartet.

Visual Arts

BY RICHARD SELDEN

SETTING SAIL: THE STORY OF SEA CLOUD

FEB. 15 TO JUNE 15

HILLWOOD ESTATE, MUSEUM & GARDENS

Using documents, photographs, models, paintings and decorative art objects, “Setting Sail” tells the story of Sea Cloud, commissioned in 1930 by General Foods heiress Marjorie Merriweather Post and her husband, E. F. Hutton. Christened Hussar V, the four-masted, German-built windjammer was elaborately outfitted by Post. In 1942, she and her third husband, Joseph Davies, former ambassador

to the U.S.S.R., lent the renamed yacht to the Coast Guard for weather ship service. Its racially integrated crew included painter Jacob Lawrence, whose work as a Coast Guard artist is featured. Restored after the war, the ship was sold in 1955 to Dominican dictator Rafael Trujillo. After other ownership changes, Sea Cloud was redesigned for 64 passengers and continues to operate as a luxury cruise ship.

Sea Cloud crew on deck, 1945-47. Courtesy Hillwood.

TIMELESS MUCHA: THE MAGIC OF LINE

FEB. 22 TO MAY 18

THE PHILLIPS COLLECTION

Displaying over 100 works from the Mucha Trust Collection, “Timeless Mucha” surveys the work of Art Nouveau painter and decorative artist Alphonse Mucha. Born in 1860 in Moravia — then part of the Austrian Empire and now in Czechia — Mucha (pronounced MOOKH-ha) made revolutionary contributions to graphic design, transforming poster art, commercial illustration and visual aesthetics with his intricate linework, flowing forms and highly stylized designs, notably for French actress Sarah Bernhardt. A Slav nationalist, Mucha was arrested and interrogated by the Nazis after the occupation of Czechoslovakia and died in Prague in 1939. His distinctive style was revived in the 1960s, becoming a hallmark of psychedelic rock posters, album covers, comic books and Japanese manga.

ELIZABETH CATLETT: A BLACK REVOLUTIONARY ARTIST

MARCH 9 TO JULY 6

NATIONAL GALLERY OF ART

Born in 1915 in Washington, D.C., Elizabeth Catlett attended Howard University, became the University of Iowa’s first-ever MFA recipient and studied ceramics and lithography in Chicago. In 1946, after several years in New York, she went to Mexico City to pursue printmaking at the Taller de Gráfica Popular, where she continued to work for two decades, barred from the U.S. for alleged Communist sympathies. On view in this major retrospective, organized by the National Gallery and the Brooklyn Museum, are more than 150 examples of her work, including prints from her “Sharecropper” and “Black Woman” series, the large 1970 linocut “Watts/ Detroit/Washington/Harlem/Newark” and the wood sculpture “Floating Family” of 1996. Catlett died in Cuernavaca in 2012 at age 96.

UNCANNY

FEB. 28 TO AUG. 10

NATIONAL MUSEUM OF WOMEN IN THE ARTS

In historical representations, women’s bodies — viewed through a male gaze — were often associated with strangeness and horror or positioned as passive or enigmatic objects. Featuring paintings, sculptures, photographs, works on paper and video art by more than 30 artists — including Louise Bourgeois, Leonora Carrington, Ann Hamilton, Mary Ellen Mark, Meret Oppenheim, Shahzia Sikander, Remedios Varo and Gillian Wearing — this exhibition explores how the concept of the uncanny, first popularized by Sigmund Freud in 1919, is used by women artists to regain agency and probe feelings of revulsion, fear and discomfort. “Uncanny” centers on recent acquisitions and rarely seen works from the collection, supplemented with key loans.

INTRINSIC BEAUTY: CELEBRATING THE ART OF TEXTILES

FEB. 22 TO JUNE 14

THE GEORGE WASHINGTON UNIVERSITY MUSEUM AND THE TEXTILE MUSEUM “Intrinsic Beauty” brings together a range of masterworks from the Textile Museum’s collection to launch the centennial year of the museum, founded in 1925 by collector and connoisseur George Hewitt Myers in his Kalorama residence and the adjacent mansion (both now owned by Jeff Bezos). The exhibition, in the facility the museum shares with the George Washington University Museum on the GW campus, celebrates textile making as an ancient and sophisticated art form. Examples of textiles on view: a tunic from Peru made in 950 or earlier, a 13th-century hanging from Japan, a fragment from a 14th- or 15th-century curtain from Spain, a fragment from a 16th- or 17th-century cover from Türkiye, a 17th-century man’s robe from India and a 19th-century shoulder cloth from Indonesia.

JOB,”

1896. Alphonse Mucha. Courtesy The Phillips Collection.

This tunic from Peru, dated between 750 and 950, will be on view in “Intrinsic Beauty.” Courtesy The Textile Museum.

After descending from its Brooklyn Museum suspension, “Floating Family” will travel to the National Gallery of Art with the rest of the Elizabeth Catlett retrospective. Photo by Richard Selden.

“The Ship of Cranes,” 2010. Leonora Carrington. Photo by Lee Stalsworth. Courtesy NMWA.

“Delighting Krishna: Paintings of the Child-God” will be at the National Museum of Asian Art from March 15 to Aug. 24. Courtesy NMAA.

ALSO OF NOTE ...

INSTALLATIONS BY ALEX DA CORTE AND JENNY HOLZER

OPENING MARCH 20 GLENSTONE

On nearly 300 acres in Potomac, Maryland, Glenstone Museum will reopen its Pavilions with Alex Da Corte’s “Rubber Pencil Devil (Hell House),” Jenny Holzer’s “The Child Room” and works by Simone Leigh, Charles Ray and Jaune Quick-to-See Smith.

HUNG LIU: HAPPY AND GAY; & LOVING

DELIGHTING KRISHNA: PAINTINGS OF THE CHILD-GOD

MARCH 15 TO AUG. 24

NATIONAL MUSEUM OF ASIAN ART

In “Delighting Krishna,” the National Museum of Asian Art will put a group of 14 monumental paintings on cotton cloth of the child-god Krishna on public view for the first

time since the 1970s. Known as pichwais, the works, averaging about eight by eight feet, are used by the Hindu Pushtimarg community to engage with the divine. Serving as backdrops for three-dimensional displays, they are typically paired with icons of Krishna, music and scents. The NMAA pichwais — most painted

The Story of Chocolate

Saturday and Sunday, February 15–16 | 10 AM–5 PM Free | National Mall

Celebrate a weekend of chocolate history, culture, and food. Follow the path from cacao blossom to beverage with interactive presentations, participate in a cacao-inspired mural painting, and create your own chocolate-inspired codex.

Enjoy chocolate food and drink demonstrations with Mitsitam’s executive chef Alexandra Strong. Limited tastings to follow, first come, first served while supplies last.

AmericanIndian.si.edu

in Nathdwara, Rajasthan, India, the global epicenter of the Pushtimarg community — date from the 18th to the 20th century. The exhibition will also feature Pushtimarg court paintings and multimedia works, with additional context provided by Hindu community members, curators and conservators.

GEORGETOWN UNIVERSITY ART GALLERIES

THROUGH APRIL 13; THROUGH MAY 18

On view in the Maria and Alberto de la Cruz Gallery: Hung Liu’s paintings based on cartoons (xiaorenshu) of her youth; in the Lucille M. & Richard F.X. Spagnuolo Art Gallery: photographs from GU’s collection, curated by a student team.

ARTSWATCH

BY RICHARD SELDEN

TRUMP ORDERS IMPACT NATIONAL ARTS ORGANIZATIONS

As directed by President Donald Trump’s Jan. 20 executive order requiring federal units to terminate Diversity, Equity and Inclusion programs within 60 days, the National Gallery of Art closed its Office of Belonging and Inclusion and removed references to DEI from its website. Within a few days, the Smithsonian Institution followed suit. On Feb. 7, the president posted on Truth Social that he was terminating Kennedy Center board members and installing himself as chairman. Kennedy Center President Deborah F. Rutter is/was due to step down at the end of 2025; Chairman David M. Rubinstein in September of 2026.

TEXTILE MUSEUM IS CELEBRATING ITS CENTENNIAL

The Textile Museum, which moved 10 years ago to a new building connected to historic Woodhull House on the GW campus, sharing the facility with the George Washington University Museum, is marking its centennial with celebratory exhibitions (see p. ---) and events. Founded in 1925 by George Hewitt Myers, for 80 years the museum occupied

two Kalorama buildings with back gardens: the former Myers residence at 2320 S St. NW and the adjacent mansion at 2330. The pair was purchased for $23 million in 2016 by Amazon founder Jeff Bezos, who had become the owner of the Washington Post three years earlier.

ATLAS INTERSECTIONS FESTIVAL STARTS THIS SATURDAY

This year’s Intersections Festival (“Where the Art World and Real World Intersect”) at the Atlas Performing Arts Center on H Street NE, the first under Executive Director Jarrod Bennett, will run from Saturday, Feb. 15, through Sunday, March 16. Opening night will feature the vaudeville experience “Eva Mystique”; a performance by Glade Dance Collective, part of the NACHMO DC Sampler Showcase; and “stories of discovery and exploration of the human condition” from Aerial Ignition, Sydney Ignacio’s new aerial and dance company. Festival Passes are available for $74.75 for three shows and $107.25 for five, including fees.

END OF THE LINE FOR CAPITAL FRINGE FESTIVAL

Julianne Brienza, who launched Capital Fringe in 2005, winning several Mayor’s Arts Awards, announced that the 2024 festival, held from July 11 to 21 in the Golden Triangle neighborhood, would be the last. The first festival — one of about 30 in the U.S showcasing low-budget, cutting-edge theater and dance — was held downtown in July of 2006. With support from the Georgetown Business Improvement District, Capital Fringe took place in several pandemic-vacated spaces on M Street NW in 2022 and 2023. The nonprofit’s endowment will be used to set up an annual award for an individual artist in any field.

SMITHSONIAN REMOVES AMERICAN ART MUSEUM DIRECTOR

Stephanie Stebich, the Margaret and Terry Stent Director since 2017 of the Smithsonian American Art Museum, which oversees the Renwick Gallery, was removed from the position last summer, becoming a senior advisor at the Smithsonian in September. Though staff members were initially told she was taking medical leave, a Nov. 18 Washington Post article reported that, while Stebich shined as a fundraiser, she created “an atmosphere of fear and recrimination,” according to employees who were interviewed.

Jane Carpenter-Rock, deputy director for museum content and outreach, is serving as SAAM’s acting director.

NEW DIRECTOR AT NATIONAL MUSEUM OF AFRICAN ART

John K. Lapiana, interim director of the National Museum of African Art for two years, was named the museum’s director last November. Lapiana, who joined the general counsel’s office at the Smithsonian in 1998, has held several Smithsonian positions, including, prior to his interim directorship, senior advisor to Under Secretary for Museums and Culture Kevin Gover. Also appointed, as deputy director: Heran Sereke-Brhan, former executive director of the D.C. Commission on the Arts and Humanities, who earned her Ph.D. at Michigan State University, focusing on African, African American and Caribbean history.

GLEN ECHO PARK SUPPORTER DIES, DOC WINS

AWARD

Nancy Long, who as a Glen Echo Town Council member led the successful effort to save Glen Echo Park’s 1921 Dentzel Carousel, died on Feb. 1 at age 96. Long also helped hang the park’s annual Labor Day Art Show for nearly 50 years and supported the establishment of the Glen Echo Park Foundation and the Glen Echo Park Partnership for Arts & Culture. “Ain’t No Back to a Merry-Go-Round,” Ilana Trachtman’s 2024 documentary about the civil rights protests at the carousel, was named Best Documentary Feature at the DC Black Film Festival and continues to be screened at festivals and museums around the country.

Kennedy Center President Deborah Rutter. Courtesy Kennedy Center.

Man’s coat, China (Tibet), 17th century. The Textile Museum Collection 2023.18.5. The Myrna and Sam Myers Collection.

Still from “Ain’t No Back to a Merry-Go-Round,” Ilana Trachtman’s documentary about the civil rights protests at Glen Echo Park in 1960.

‘Bugatti’ at Easton’s Academy Art Museum

BY ARI POST

As I drove across the Chesapeake Bay Bridge toward Easton, Maryland, I took stock of the cars around me — egg-shaped forms in olive and jewel tones, wide-eyed and listless, like goldfish. A Tesla Destroyer (or whatever it’s called) loomed in my rearview.

I needed to escape Washington for a bit, and a call came from a curious little museum on the Eastern Shore about an equally curious exhibition on the Bugatti family, featuring Art Nouveau furniture, bronze animal sculptures — and four pristine pre-World War II vintage automobiles. I had to see it.

At the Academy Art Museum through April 13, “Bugatti: Reaching for Perfection” tells the story of three generations of genius, ambition and astounding creativity.

It begins in Milan with patriarch Carlo Bugatti (1856-1940), who trained as an architect but focused on domestic design, producing furniture so intricate and fanciful that it was barely functional. One bench on display flaunts a unique geometric dragonfly motif in copper punchwork that exists solely to edge the backrest. Carlo’s work blends Art Nouveau with Moorish, Islamic and Japanese influences, using an astounding range of materials that come together as a kind of majestic proto-Futurism.

Carlo’s younger son, Rembrandt Bugatti (1884-1916), had a tragically brief yet brilliant career as a sculptor of animals. Studying live subjects for years in zoos, Rembrandt acquired a near-musical sense of movement and form that gives his work the playful virtuosity of Honoré Daumier, fused with the emotional depth of Auguste Rodin. I could have spent hours in reverie with his elephant, his baboon or his cows. (I know how that sounds. I don’t care.) Sadly, he died by suicide in 1916.

While Carlo and Rembrandt earned acclaim in their lifetimes, it was the elder son, Ettore Bugatti (1881-1947), who immortalized the family name with his automobiles — designed as much for artistry as for speed. From an early age, Ettore excelled in engineering, pioneering

the idea of placing the driver and engine low in the chassis. He built his first car, the Type 10, in his basement while still under contract at a German automotive firm. Light as a feather (around 800 pounds) yet capable of hitting 50 mph, it was a radical achievement for its day.

By 1909, Ettore founded Automobiles Ettore Bugatti in Molsheim, and his son Jean (1909–1939) soon joined him, while still in his teens. Racing became their proving ground, showing off both beauty and performance.

Two of Ettore’s gems on display — a straight-8 supercharged Type 39A Grand Prix car and a 16-cylinder Type 45 — offer a riveting peek at his groundbreaking designs and obsessive precision.

Bugatti also produced luxury touring cars, often designed by Jean. A contract for highspeed trains using unsold engines from the famed Type 41 Royale helped buoy Bugatti finances during the Great Depression. A select few “Autorail Bugatti” posters are on view here — the kind of vintage posters that make you want a Campari spritz. By 1936, Jean took over daily operations and continued dazzling the world, culminating in triumphs at the 24 Hours of Le Mans in 1937 and 1939.

Two touring models on display from 1936 — a Type 57 Atalante and a 57SC Atlantic — exude such character and allure that I didn’t know whether to approach them as cars, sculptures or giant tropical birds. It took considerable willpower not to touch the 57SC Atlantic. Its undulating contours are intoxicating, from its riveted “mohawk” right down to its door hinges, striking that perfect balance of the exotic and the familiar. (It is the diametrical opposite of a Tesla Cybertruck.)

“Bugatti: Reaching for Perfection” is enchanting — a sumptuous feast of design, sculpture and mechanical art. After my visit, I tried to see the same hidden artistry in the cars trailing me back to Washington but failed. I simply wished our world looked a little more “Bugatti.”

Academy Art Museum Announces Upcoming Exhibition: Bugatti: Reaching for Perfection. Photo courtesy of Academy Art Museum

IN D.C. AND GEORGETOWN BLACK EXCELLENCE PAST, PRESENT AND FUTURE

BY HAILEY WHARRAM

In this issue, with Black History Month in mind, The Georgetowner proudly calls its readers’ attention to a Georgetown University history professor’s new book and upcoming 50th anniversary events at Duke Ellington School of the Arts.

“Rhythms of Resistance and Resilience: How Black Washingtonians Used Music and Sports in the Fight for Equality” is the latest book from Dr. Maurice Jackson, a Georgetown University history professor specializing in African American life, the Atlantic world and jazz music.

Published by Georgetown University Press on Feb. 3, the book explores how arts and athletics have served as catalysts for community building and changemaking in Washington, D.C. Jackson’s book is divided into two halves — one dedicated to music and the other to sports. Within the first half, Jackson honors the work of musical titans like Duke Ellington, while simultaneously illuminating and amplifying the contributions of lesserknown Black musicians who shaped Washington into the city we know today.

Just to scratch the surface of the record, Jackson tells the stories of jazz singer and pianist Shirley Horn, who worked with Miles Davis; saxophonist Buck Hill, whose likeness is immortalized in a 70-foot-tall mural on 14th Street; Harriet Gibbs Marshall, founder of the Washington Conservatory of Music and School of

Duke Ellington School of the Arts’ cafeteria. Photo by Richard Selden.

Expression; and James Reese Europe, who launched a professional and social organization for Black musicians called the Clef Club.

Considering the extent of his present entanglement with the world of academia, learning that Jackson did not enjoy the world of higher education as an undergraduate might come as a surprise.

“I just didn’t care for college when I first went off, and I dropped out,” he said in an interview with The Georgetowner. “I went to work in shipyards and factories, but I always read.” That childhood-forged love of literature was an anchor point for his passion for learning. Eventually, after having children, he returned to university.

Jackson also cites his racial identity as something that sparked his interest in studying history. “Well, I’m an African American man in America, so every day for me is history,” he said. His ties to the D.C. community are strong. He is a double-Hoya, having acquired two Georgetown University history degrees, an M.A. and a Ph.D.

Cathedral School and Miles attending St. Albans School.

Jackson described being “amazed,” when he first came to D.C. in the late 1970s, at how athletics and music “brought together Black and white people in the streets who never mingled before.” After witnessing the unique unifying force of sports and music firsthand, he and his wife knew they wanted both to play an important role in their children’s lives. As a result, their family became involved with the Jelleff Community Center Boys & Girls Club and the DC Youth Orchestra.

“In our home, as my wife Laura and I raised our now-grown children, Lena and Miles, we insisted, with little resistance, that their schoolwork had to be balanced with music and sports,” Jackson writes in “Rhythms of Resistance and Resilience.” “We saw how both outlets enhanced their lives and how they enhanced ours too.”

“Rhythms of Resistance and Resilience” is available for purchase on the Georgetown University Press website, press.georgetown.edu.

Cafritz was a beloved philanthropist and patron of the arts while Malone was a seasoned choreographer and theater director.

Fifty years after its founding, the school’s core mission remains the same: to provide talented young artists with an opportunity to cultivate their creativity and receive a top-notch education without financial barriers.

for the arts that Malone and Cafritz demonstrated upon DESA’s founding.

Another senior involved in bringing “I Can Fly” to life was Ana GonzalezGalvan. A visual artist talented far beyond her years, Gonzalez-Galvan displayed a myriad of her paintings in the exhibition, each of which possesses a level of technical detail and emotional depth sure to take your breath away.

DUKE ELLINGTON SCHOOL OF THE ARTS

He served as the first chair of the D.C. Commission on African American Affairs, from 2013 to 2016, and was inducted into the Washington, D.C. Hall of Fame in 2009. Further, he and his wife Laura Ginsburg raised their children, Lena and Miles, in the District, with Lena attending National

The 50th anniversary of Duke Ellington School of the Arts has us in a sentimental mood! Though the school officially celebrated its 50th anniversary in 2024, festivities will span the 2024-25 academic year.

First up: a black-tie gala in the Ellington Theatre, 3500 R St. NW, from 6 to 9 p.m. on Saturday, Feb. 22, hosted by alum Lamman Rucker. All proceeds from the gala will help Duke Ellington students pursue their artistic passions by covering the costs for educational field trips, industry-standard equipment across all departments and master classes taught by professional creatives.

After collaborating to create Workshops for Careers in the Arts in 1968, African American activists and arts enthusiasts Alvan “Mike” Malone and Peggy Cooper Cafritz teamed up again in 1974 to co-found Duke Ellington School of the Arts — named to honor the world-renowned, Washington-born jazz legend who passed away in May of that year.

The only public school of its kind in the District of Columbia, DESA’s dual curriculum encompasses conventional college preparation alongside a premier fine-arts education. At Duke Ellington, students can study dance, film, theater, museum studies, music and the visual arts, among other specializations.

Following the 50th anniversary gala, the celebration will continue this spring with two inaugural arts festivals: the Duke Ellington Jazz Festival and the DESA Film Festival. Though the date for the film festival was not available at press time, the jazz festival will take place on Saturday, May 3.

Ellington students recently paid homage to the work of artist and children’s book author Faith Ringgold — specifically her book “Tar Beach” — through “I Can Fly,” a gallery exhibition that showcased the talents of students across artistic disciplines. DESA seniors Yakob Tesfaye and Charity Burton organized “I Can Fly” entirely by themselves, embodying the same leadership, initiative and reverence

“My mom says that in the ultrasound she saw me holding a crayon,” Gonzalez-Galvan said in an interview with The Georgetowner.

One art piece featured in the gallery was a tapestry decorated with portraits of Malone, Cafritz, Ellington and Ringgold in each corner. Several students collaborated with GonzalezGalvan to bring the piece to life by painting their own square along the patchwork. Two quotes frame the tapestry: one from Ellington — “All I do is dream, all the time” — and one from Ringgold — “I can fly! Yes, I can fly.”

When asked what attending a school like Duke Ellington means to her, Gonzalez-Galvan responded by echoing Ringgold and Ellington.

“I think this is a school where everyone dreams and everyone is pushed so they can fly,” GonzalezGalvan said. “It’s a school that allows a lot of kids to say what they want to say and helps them really hone in on who they want to be with their art.”

Art prints of DESA’s campus created by Ana Gonzalez-Galvan.

Courtesy Georgetown University Press.

Le Decor

By Donna Leanos

Do I Have Caviar in My Teeth?

Indulgence, romance, and a touch of the theatrical- design, much like love, thrives on bold gestures and exquisite details. Imagine a Valentine’s Day soiree where the shimmer of caviar meets the decadence of dark chocolate, each bite a perfect contrast of luxury and desire. It’s a pairing Shakespeare himself might have savored, crafting sonnets between sips of champagne, reveling in the art of excess. Design, too, is about these unexpected harmonies - textures that seduce, colors that whisper secrets, spaces that tell stories of passion and play. Just as lovers script their own grand narratives, so do designers, turning the ordinary into poetry, the familiar into adventure. After all, “the course of true love never did run smooth,” but the path to great design should be nothing short of spectacular.

Art butterflies background painting - Addison Ripley Fine Art addisonripleyfineart.com Damien Hirst $6,000 Clockwise from top left: Chocolate – Arcay arcaychocolates.com Box of 9 Heart chocolates $32. Chair - B&BItalia shop.bebitalia.com Serie Up 2000 Red $7,358 Caviar - BAKU bakucaviarusa.com starting at $180 Champagne Veuve Clicquot Rose veuveclicquot.com/en-us/home $62. Silver Ice Bucket – Manse Georgetown instagram.com/shop_manse Chanel bag – chanel.com/us The Mini Flap $5,700 Drunk Shakespeare – Sage Theatre a.drunkshakespeare.com Tickets: from $69 Mother of Pearl serving dish/spoon, Manse.

Red Haute Love: The Valentine’s Day Edit

BY ALLYSON BURKHARDT

Valentine’s Day is the perfect blend of romance, generosity and style. Red will forever be the hue that celebrates love with passion and panache, making it the ultimate expression of affection.

The key to gifting is that it should feel special. Whether it’s a designer piece that they have been dreaming of or a timeless keepsake filled with sentiment, make it meaningful in the moment.

Personalized touches always leave a lasting impression. A delicate piece of jewelry, an artful floral bouquet or a selection of artisanal confections are all perfect choices. Men appreciate gifts with practicality. Consider an innovative card wallet to slip into their pockets or a deluxe watch winder that maintains their prized timepiece.

At the same time, it’s great to infuse a bit of creativity with whimsical designs. Staub features a heart-shaped cocotte for the cook in your life. For your Galantine’s Girls, go for a fiery lipstick or spicy parfum to inspire confidence and charm.

And let’s not forget self-love. Treat yourself to a scarlet sheath dress with playful detailing — perfect for a date night out. Layer it over a lacy bodysuit that turns the mood to romance. You’ll be sure to win hearts with our Valentine’s edit!

Allyson Burkhardt is the founder of Let’s Get Dressed! Image & Style Services. Visit letsgetdresseddc.com to put your best look forward.

1. 1 LIKELY Leva Long-Sleeve Cocktail Dress. $298. Amazon. 2. ROBERTO COIN Reversible Heart Pendant. $950. Bloomingdale’s.

3. GUCCI Rouge à Lèvres Lipstick in Goldie Red. $49. Nordstrom.

4. CHRISTOPHER ELBOW 24-piece Truffle Gift Box. $82. The Chocolate House.

5. SKIMS Lace Cami Bodysuit. $64. Skims Georgetown.

6. MAISON FRANCIS KURKDJIAN Baccarat Rouge Fragrance Set. $305. Neiman Marcus.

7. STAUB Cast Iron Heart Cocotte. $250. Sur La Table. 8. LOUBOUTIN Rubber & Leather Card Wallet. $490. Saks Fifth Avenue. 9. RAPPORT Evo Watch Winder. $450. Bergdorf Goodman.

10. VILEBREQUIN Oursinades Swim Trunks. $310. Farfetch.

11. ADIDAS Pink Rose Sneakers. $100. Foot Locker.

The Latest Dish

BY LINDA ROTH

Chef Update: Andrew Ho was named executive chef at CUT by Wolfgang Puck in the Rosewood Washington, D.C. hotel on 31st Street NW in Georgetown, where he was executive sous chef in 2022. Ho was sous chef at the hotel earlier, when it was the Capella. His past positions also include chef de cuisine at the Watergate Hotel... Charlie Loomis has been appointed executive chef at Ellington Park Bistro at the St. Gregory Hotel at 2033 M St. NW. He was previously director of food and beverage at the Washington Dulles Airport Marriott.

Ria Montes and London-based hospitality and development company Artfarm are targeting the second quarter to open Fish Shop at 610 Water St. SW at the Wharf. They will talk the talk and walk the walk regarding sustainability — integrating recycled plastic and glass in the restaurant’s décor, highlighting local artisans throughout its design and undertaking zerowaste initiatives in its culinary offerings.

Spike Mendelsohn and the Mendelsohn clan (Micheline, Catherine, Harvey) of Sunnyside Restaurant Group are slated to open Good Stuff Eatery in Virginia at Springfield Plaza on Old Keene Mill Road, near Whole Foods Market. Spike’s first venture in Springfield was the food and beverage contract at the St. James

sports and entertainment facility, where this Canadian homeboy (from Montreal) still plays hockey.

Quick Hits: Silver Spring-based Ooh La La Bakery is slated to open at 4916 Cordell Ave. in downtown Bethesda, Maryland, in the second quarter … In the third quarter, Victor Albisu plans to open Electric Bull steakhouse, with 80 seats, at 176 Maple Ave. West in Vienna, Virginia ... Massachusetts-based Life Alive Organic Cafe (“Eat Positive. Live Positive.”) opened at 2301 M St. NW in D.C.’s West End, where SoulCycle used to be. It features Soil & Sea, a mushroom-powered ramen bowl created in conjunction with renowned sustainability chef Rob Rubba of Oyster Oyster in Shaw.

Linda Roth is the founder and CEO of Linda Roth Associates, a D.C.-based public relations and marketing firm that specializes in the food service and hospitality industries. Follow her at: @LindaRothPR, #LindaRothPR or lindarothpr.com.

Chef Victor Albisu plans to open Electric Bull steakhouse in Vienna.

Andrew Ho was named executive chef at CUT by Wolfgang Puck.

BEACH

Amelia Island Hosts 30th Concours d’Elegance

BY RICHARD SELDEN

Concours d’Elegance — meaning “competition of elegance” — originally referred to horse-drawn carriage parades in Paris. Since cars replaced carriages, the term has been applied to events featuring high-style and high-performance automobiles; two of the most famous take place annually in Lake Como, Italy, and Pebble Beach, California.

Another is the Amelia Island Concours d’Elegance, founded in 1996 by automotive photographer, journalist and driver Bill Warner. Some 25,000 enthusiasts attend the Amelia, many arriving by private plane or yacht. The 30th edition will be held on Sunday, March 9, at the Golf Club of Amelia Island and the Ritz-Carlton.

Thirteen miles long and four miles wide at most, Amelia is the southernmost of the Sea Islands, a chain also including Hilton Head in South Carolina and Jekyll in Georgia. Part of the Jacksonville metropolitan area, it comprises the communities of Fernandina Beach, Amelia City, American Beach and Franklintown.

The island’s namesake is Princess Amelia, daughter of Great Britain’s George II (grandfather of “Mad” King George), who ruled from 1683 to 1760. Seven flags are said to have flown over Amelia Island in addition to that of the U.S.: French, Spanish, British, Floridian/Patriot, Green Cross, Mexican and

Confederate.

Nearly 300 vehicles will compete for awards and accolades at this year’s Amelia, the culmination of a four-day schedule of events.

On Thursday, March 6, the Broad Arrow Auction public preview opens at 9 a.m. and runs until 4 p.m. The Amelia’s opening-night Reverie party is that evening from 6:30 to 9:30 p.m. On Friday, March 7, the public preview continues, with part one of the auction from 4 to 7 p.m. Also on Friday: the Eight Flags Road Tour, Hagerty Ride & Drives, a 3 p.m. seminar hosted by NASCAR’s winningest crew chief Ray Evernham and a 7 p.m. screening of docuseries “Back on Track.”

On Saturday, March 8, part two of the auction will run from 11 a.m. to 2 p.m., preceded by a two-hour public preview. Ride & Drive returns from 9 a.m. to 1 p.m. A second seminar, “Best of 30 Years of The Amelia,” and a Cars & Community family event are set for Saturday morning and the Legends of Speed Dinner for Saturday evening.

Another upcoming event, for the literaryminded, is the Amelia Island Book Festival. The festival gala will take place from 6 to 9 p.m. on Friday, Feb. 28, at the Ritz-Carlton, with the festival itself running from 10 a.m. to 4 p.m. on Saturday, March 1, at Fernandina Beach Middle School.

Ferraris lined up at the Concours d’Elegance.

The 2025 Peachtree Ball

The Georgetowner attended the 2025 Peachtree Ball, part of Inauguration weekend, at Union Station. The event was Georgia’s premiere inaugural party that brought together hundreds of attendees, including dignitaries from the state and country. The black-tie affair was presented by big names like AFLAC, Coca-Cola, Koch, Inc., Southern Company, Delta Airlines and The Home Depot.

Alvin Ailey American Dance Theater’s Gala Raises Over $1.2 Million

Alvin Ailey American Dance Theater’s 25th annual Washington, D.C. Gala Benefit was a focus of the Company’s week-long engagement at The Kennedy Center during Black History Month. A highlight of the Washington, D.C. social calendar, approximately 500 guests raised over $1.2 million in support of Ailey’s area programs, including the creation of new works, Ailey’s educational programs for young people, and scholarships for local students to attend The Ailey School in New York City.

MacMahon (703) 609-1905

MacMahon (540) 454-1930

609-1905

609-1868

Southern Company’s Bryan Anderson, Interim Artistic Director Matthew Rushing and the 2025 DC Gala Co-Chairs Sela Thompson Collins, Anthony Lewis and Yelberton Watkins. Photo © Tony Powell.

Georgia Secretary of State, Brad Raffensperger, who received the call from President Trump looking for more votes back in 2020 with his wife, Tricia, and Amy Little.

‘Memorial Days: A Memoir’

BY KITTY KELLEY

“Memorial Days: A Memoir” by Geraldine Brooks is a spectacular ode to grieving and an elegant homage to marriage. Three years after her husband, Anthony (Tony) Lander Horwitz, collapsed on a Washington, D.C., street at the age of 60, she was still reeling. Unable to accept what had happened to her “six-day-a-week gym rat … bursting with vitality,” she questioned the official cause of death: ventricular fibrillation.

She interviewed his doctors, and what one cardiologist told her could put all cardiologists out of business: “I can give you a battery of tests, tell you all’s fine, and the warranty on that is the time it takes you to get to the parking lot, where you could drop dead from a heart attack.”

Then came the crush of bereavement — two heartsick sons, stunned in-laws and unbelieving friends, plus the lawyers, accountants, insurance agents and their incessant forms and reams of documents. Finally, Brooks called a timeout to reckon with the trauma of her husband’s death. She needed to be alone, to confront misery on her own terms, which meant wrapping herself in solitude.

To do this, she flew more than 10,000 miles from her Martha’s Vineyard home to Flinders Island off the coast of South Australia. Born

in Sydney, she wanted to deal with her anguish at home near the Pacific Ocean, “framed by sandstone headlands and sinuous gum trees.”

Only there did she feel she could heal from her wretched loss. “I am not a deist,” she writes. “No god will answer my cries. The wideness I seek is in nature, in quiet, in time.”

Many artists have sought the same to reset and restore creativity. The poet Emily Dickinson praised her days in “the solitude of space,” as did the painter Georgia O’Keeffe, who spent much alone time at her New Mexico ranch. Billionaire Bill Gates speaks often about his solitary “think weeks.” Geraldine Brooks traveled halfway around the world to exorcise “the beast of grief clinging to me, claws intractable as fishhooks.”

She began her remote retreat by going days without seeing another human being as she soaked herself in sorrow. “Grief is praise,” she writes, citing Martín Prechtel’s “The Smell of Rain on Dust,” “because it is the natural way love honors what it misses.” She thrived on the melancholy Victor Hugo described as “the happiness of being sad.”

Widows weep and writers write. They pour their grief on the page as they fight for words to explain the gnawing pit of loss. Brooks seems

to have absorbed the entire corpus: Joan Didion’s “The Year of Magical Thinking”; Joyce Carol Oates’s “A Widow’s Story”; Elizabeth Alexander’s “The Light of the World”; Lynn Caine’s “Widow”; Janet De Neefe’s “Fragrant Rice”; and Leigh Sales’s “Any Ordinary Day.”

When Brooks decided to rent that shack on the rugged Australian coastline, she packed some of her husband’s daily journals. “These were his private thoughts and, apart from one explosive incident early in our courtship, I had never violated that privacy.” Now, she longed to read his words and know his thoughts before she donated his trove to Columbia University, where they’d met in the graduate school of journalism.

Brooks opened the journals, hoping to find her “sunny, funny lover.” Instead, she found “dark thoughts, fears, the insecure ramblings of insomniac nights” from a man despairing that success had eluded him. He would later write five books and win the 1995 Pulitzer Prize for National Reporting.

She writes of the compromise she made in 1984 when they married. “We each loved our country, but he relied on his. It was his muse. It fed the work that was his passion.” He followed her career to Cairo when she was the Wall Street Journal’s Mideast bureau chief, but when it came to their forever home, he insisted on returning to the U.S. For Brooks, like the biblical Ruth, it was “wither thou goest,” but not without pain. “I accepted an expatriation I did not want and raised my sons in a country whose values and choices often felt incomprehensible.”

Having converted to Judaism when she married Horwitz — “I didn’t want to be the end of an ancient lineage that had survived pogroms and the Shoah” — Brooks admits she and her husband were not observant. “Had we been … I

would have had a road map through my grief, telling me exactly what to do and when

Instead of Jewish ritual, she relied upon nature, particularly “the porphyritic granite” of Flinders Island. She restores herself with its “Coarse gravels. Silica-rich soils. Folded sedimentary sequences. Scattered, scoured, angular blocks of siltstone, honeycombed by wind and sea … The Blue Tier batholith. Upper Devonian period.” She adds, “There is nothing like a geological timeline to put you in your place.” (And to send a reader Googling “limpets,” “casuarinas,” “abraded,” “spline,” “susurrus” and “moraine.”)

Brooks enchants with her descriptions of Australia, the fragrant forests filled with blooming ti trees, swooping green rosellas and the bracing scent of eucalyptus. There, she wrestled with the will to survive. After several weeks alone, she managed to vanquish the beast and emerged to write “Memorial Days” — a masterpiece.

Georgetown resident Kitty Kelley has written several number-one New York Times best-sellers, including “The Family: The Real Story Behind the Bush Dynasty.” Her most recent books include “Capturing Camelot: Stanley Tretick’s Iconic Images of the Kennedys” and “Let Freedom Ring: Stanley Tretick’s Iconic Images of the March on Washington.” She serves on the board of BIO (Biographers International Organization) and Washington Independent Review of Books, where this review originally appeared.

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GEORGETOWN

$3,195,000 2815 Q St NW, Washington, DC

Ted Gossett 703-625-5656

GEORGETOWN $2,675,000 3604 Winfield Ln NW, Washington, DC Nancy Itteilag 202-905-7762 Chris Itteilag 301-633-8182

BURLIETH/GEORGETOWN $1,549,000 3827 S Street, NW Washington, DC Lenore Rubino 202-262-1261 UNDER CONTRACT

Cailin Monahan 804-874-1847

The NTB Group

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