01 Misato under the Junction
05 Student Dorm in Belleville
Workshop with Ecole Nationale Supérieure d’Architecture de Paris-Bellevill
Diploma project in Shibaura Institute of Technology
plan = 1/50
02 Hourglass Housing wire
skylight
tree
27th Competition in The Japan Institute of Architects Roof and Floor
skin
06 Häuser in einem Raum ×3
Wohnbau Department Technische Universität Wien 3×3 Cubes
100
03 Wooden Crack Planter
07 House with LongTable
04 Kultisch Schauspiel
08 House L
The 2nd Design competition of KIAI Small architecture with thinned wood
Wohnbau Department in Technische Universität Wien URBANOTOPIA
8th Mitsui Living space competition Child care house for a two-income family
2012 My home design competition Live ＆ Home
Inhalt
09 Dramatic Encounter Hajime Yatsuka Design Studio Ueno Art Modern Museum
Kapitel 1 - in the Landscape 緑が丘１号館のバックスペース Behind Midorigaoka Building No.1
緑が丘2号館 Midorigaoka Building No.2
ゴミ捨て場 garbage
ダイニングスペース dining area
ヘリポート Heliport
シェルター shelter
インフォメーションボード information board 物資調達所 supply area
緑が丘１号館 Midorigaoka Building No.1 トイレ latrine
トイレ latrine
緑が丘３号館 Midorigaoka Building No.3
物資保管所 storage
トイレ latrine
シャワールーム 貯水タンク shower water storage 防災基地 base
創造プロジェクト館 Research Center for Urban Infrastructure
大岡山へ to Ookayama
緑が丘４号館 Midorigaoka Building No.4
01 Misato under the Junction 02 Hourglass Housing
シェルター shelter
03 Wooden Crack Planter
物資保管所 storage 駐車場 parking 物資調達所 suplly area
緑が丘講義棟 Midorigaka Lecture Building
校門 entrance
医療施設 medical
緑が丘駅へ To Midorigaoka St.
Kapitel 2 - like a Movie -
10 Disaster Survival MAP
Theory of Architectural Space and Planning Beyond Shelter
04 Kultisch Schauspiel 05 Student Dorm in Bellevile Kapitel 3 - as a Home - 06 Häuser in einem Raum ×3 07 House with Long Table 08 House with small places Kapitel 4 - for Critic -
11 House in Asagaya [tentative] Detail Design in Shin-ichi Okuyama Lab.
09 Dramatic Encounter 10 Disaster Survival MAP Appendix 11 House in Asagaya [tentative] 12 Joshu Tomioka Station
12 Joshu Tomioka Station
Competition in Shin-ichi Okuyama Lab.
Chapter 1 ”In the Landscape“ Architecture will be vernacular after long time passed with emviroment. In this chapter, I introduce the various relationship between architecture and landscape. In the project of “Misato under the Junction”, I tried to preserve a landscape by putting the icon which is making imagibility of satellite town. In the project of “Hourglass Housing”, I described the curved line on the stripe pattern which is made up of conifer forest in order to design the contrast architecture with landscape. Like that, to create a clear image to the site, I think about the aspect of landscape.
01 Misato under the Junction 02 Hourglass Housing 03 Wooden Crack Planter
2010 - 2011 Diploma Project in Shibaura Institute of Technology Excellent of Diploma and publish
01 Misato under the Junction
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- In the Landscape -
Concept This project is a site specific museum under the junction. Site is “Misato” , one of satellite cities in Japan. Recently, Misato is competing with the other satellite citeis. Therefore, The townscape is varied by redevelopments since 10 years ago. Then, I forcus on Junction. The shape of Junction matches the enviroment. They have a landscape as On the other hand, Misato has the biggest junction in Japan. The aim of the project is making a urban image by designing the place under the junction. In this project, I focuses on the shape of Junction and the nature under the junction. I design “Roads” and “Rooms” under the junction. six site specific rooms to find the phenomenon with walking.
2008 2009 2010 2011 2012 2013
1
Colonnade under the highway
2
Vegetation which made by the 30 years passed
3
Drainage pond which is for rainy water in Junction
4
Shadow from Junction which is complicated shape
5
Noisy sound from many car being over.
6
Undulation of junction
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1 Entrance Hall - The Room for Colonnade 2 Exhibition room 1 - The Room for Vegetation 3 Exhibition room 2 - The Room for Undulation 4 Cafeteria - The Room for Tide 5 Exhibition room 3 - The Room for Shadow 6 Observation deck - The Room Between Freeways 7 Bass stop and Area for Parking Bicycle
5
6 7
Whole image
1
-Misato under the Junction2
4
3
The Room for Columnade
The Room for Vegetation
The Room for Unduration
The Room for Tide
The Room for Shadow
The Room Between Freeway
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- in the Landscape -
2008 2009 2010 2011 2012 2013
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Entrance Hall
- The Room for Colonnade -
This is a main entrance hall for mueseum. The building is possited under the freeway and there are many pillars. The structure of the building is made up of the same size pillar. As a result, The space has a strong depth like a church.
Composition Diagram
1F Plan
GF Plan YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- in the Landscape -
2008 2009 2010 2011 2012 2013
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Exibition room 1
- The Room for Vegetation -
The room is possited in the vegetation which grow under the junction since 30 years ago. The room’s window is decided to be the upper 1500mm above a floor. It makes the people pay attention to the vegetation and the shadow that is entered from the window is transformed by swinging vegetation.
GF plan
YUKI KITAZAWA
Section
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- in the Landscape -
Elevation South
2008 2009 2010 2011 2012 2013
Elevation East
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folly 1
folly 2
YUKI KITAZAWA
Chapter1
folly 3
Chapter2
Chapter3
Chapter4
folly 4
Appendix
- in the Landscape -
Exibition room 2
- The Room for Undulation -
All rooms are exibition rooms. The size is 5Ă—5m and each boxes have different views. The windows in the rooms have a cross sassi as a basis point. People can experience the alternation of the junction by seeing through windows with a cross sash.
Perspective
folly 5
folly 6
Detail Plan
South Elevation 2008 2009 2010 2011 2012 2013
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Cafeteria
- The Room for Tide -
The room is possited on a pond for drainage. The pond repeat at ebb and fill like a tide according to rainy. Then the skin of concrete is exposed or hide by rainy or dry. The wether varys the floor area.
5 4 3 2 1
Isometric Perspective 1 2 3 4 5
Tide Terase Seats area Counter Backyard Toilet
South Elevation
West Elevation YUKI KITAZAWA
Position and GF plan Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- in the Landscape -
2008 2009 2010 2011 2012 2013
Accademic
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Laboratry
Exibition room 3
- The Room for Shadow -
Modelling of a junction is projected into white room.. A distorted shadow falls under the junction which accomplishes a group on a huge scale. The shadow covers our existence and it makes the people sometimes melt into darkness.
Site Picture
Perspective
Section
GF plan YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- in the Landscape -
2008 2009 2010 2011 2012 2013
Accademic
Competition
Professional
Laboratry
GF plan
2F plan
3F plan
Section
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- in the Landscape -
Exibition room 4
- The Room for Noise -
There is noisy places near the freeway. The room is possited in such a envriroment. Each wall has 300mm slits. The sound enters inside through the window and produces the various sounds like a musical instrument. Moreover, visitors can see the running car and feels their speed.
4F plan
Bird View
Interior Perspective 2008 2009 2010 2011 2012 2013
Accademic
Competition
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02 Hourglass Housing
27th Competition in The Japan Institute of Architects 2010 1st Prize
wire
skylight tree
skin
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- in the Landscape -
Roof and Floor Roof is against the floor every time. There is a floor under a roof, And roof above floor. In my proposal, it describes changing relationship between roof and floor with passing time. Following to brow wind and tremble forest, the roof is moving left to right. When roof is out of position, room catch a natural light from top. Feeling forest a little wrap a inhabitant softly.
Landscape Behaviour The site is in the heart of mountain. Architecture is floating in the conifer forest. Conifer forest can grow up in the strong wind. Wind behaviour makes forest behaviour. Forest makes architecture behaviour, architecture makes people behaviour. Environment behaviour makes people behaviour. And It will be landscape as site specific.
plan = 1/50
Left Component Diagram Left middle Motion Diagram. Architecture move by the wind and forest. Right middle Interior Drawing Room’s color is changing. Right Perspective in the night 2008 2009 2010 2011 2012 2013
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03
The 2nd Design competition of KIAI Winner and Construction
Wooden Crack Planter
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- in the Landscape -
Left Page Picture for exterior planter Above Interior planter type A and type B Below Left Section detail in first proposal.
Below right Diagram in competition proposal 1 thinned wood put together and cracks appear 2 weeds raised from crack. 3 planter filled up green. 4 removing the wood, we make void.
The glasses raised from crack between the thinned wood make the oasis in urban.
fallen leaves →leaf mould pillar timber φ=150∼300mm set wood timber φ=150∼300mm glasses
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earth t=500mm
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gravel t=600mm foundation 600mm×600mm
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Concept
Void
Competition
Professional
I pay attention to the warp which all thinned wood. Raw lumber is warped and various. The warp lumber is the more the value is. Such a wood have more value By varying such a wood to planters. In this proposal, I design the planter which have a crack by thinned wood get together. Like a dandelion which grow up between crack on the concrete road, various weeds can be raised from crack for long time. Mixing Weeds and thinned wood which are necessary for society, the planter become a mass of green, and that make a oasis in the urban.
Laboratry
Chapter 2 ”Like a Movie “ Architecture produces the spaces like a movie, as with Le Corbusier making [Architectural Promenade]. In the “Cultural Spectacle”, I suggested a circulation to let people walk to the various areas and several heights. In the “Student Dorm in Belleville”, I deisigned different voids in five buildings to make a dramatic path in the 80 meters depth of site. Thus, as we regard a circulation as movie, we can design the dynamic sceans,
04 Cultural Spectacle 05 Student Dorm in Bellevile
04 Kultisch Schauspiel
Wohnbau department in Technische Universit채t Wien: URBANOTOPIA
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- Like a Movie -
Die Linke Seite Vogelschau Über Erste Konzept Bild Das Leute sind begeistert von der Möglichkeit Unten Forschung für den Kontext In diesem Projekt ist Zugangspunkt höchst wichtig, die andere Höhe in Verbindung zu bringen.
Geländeform （Nord to Sud）
Geländeform （Ost zu West）
Standort
Konzept - Schauspiel -
Kontext
Ich entwarf das Schauspiel in Lausanne. In Lausanne hat Jeder Weg des Transportes ein hohes Potenzial. Zum Beispiel, ein Gebäude einschließlich eines Fahrstuhls für städtisch, und es gibt etwas Brücke, über das gleiche Höhenniveau zu gehen. Deshalb ziele ich darauf ab, so einen Transport in diesem Projekt mit dem Inhalt zu verbinden. Schauspiel bedeutet die Beziehung zwischen Inhalt und einer Masse der Leute. Diese Architektur schließt den verschieden Kreislauf und Ereignisraum ein. Leute im Gebäude können verschiedene Aktivität damit sehen, für Stelle des Zweckes zu gehen. Auch bereite ich dafür für künstliches Licht, die Möglichkeit zu leiten. Leute können kein solche Licht davon draußen sehen. Deshalb mit dem Gehen draußen zu innen können sie überrascht werden und das Schauspiel in Lausanne erfahren werden.
Die Gegenstandsstelle befindet sich im Tal von steiler Auswahl von Hügeln. Weil es landfilled vom Fluss war, durch den es in Osten floss, und nach Westen hat die Stelle eine viel andere Höhe, die Norden und Südgebiet vergleicht. Die Stelle ist 400m weit weg von FlonStation, wo ein Zentrum des Verkehrsnetzwerkes in Lausanne ist. Und es befindet sich in der Stelle vom Osten ununterbrochen, sanierte Gebiet. Es ist eine niedrige Schicht geworden, damit sie vielleicht keine Szene auch verderben. Das Ziel dieses Projekts ist, den zentralen Teil einer Stadt neu durch das Verlängern von Sanierung vom Osten zum Westen zu beleben. Überdies, wie eine neue Anziehung entworfen wird, ohne eine Szene zu verderben betrachtet es gleichzeitig als den Fokus und behält die bestehende Funktion bei.
Zugangspunkt -9.00 +11.00 +9.00
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Pont Chauderon
Le Flon
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EPSIC
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Lausanne Cécil
Schule Bereich
Etagenwohnung Bereich
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Komponentendiagramm
Stadt Promenade
Stadt Corridora
Stadt Core
Dieser Weg wird nach verschieden Zu- Es ist der Eingang jeder Einrichtungen. Irgendein Fahrstuhl in den Gebäuden gangspunkt als ich erforsche. Leute kön- Leute können bei Leichtigkeit ankom- kann von passby frei benutzt werden. nen durch die andere Höhe gehen. men und das gleiche Höhe wie Le Flon’s anziehen.
Kultisch Einrichtungen Stadt Raum
Ereignis Boxt
Städtisches Zimmer wird durch jede Elemente und unter der Brücke umgeben. Deshalb können Leute, die hier drinnen bleiben, jede Aktivität sehen.
Culutual-Einrichtungen haben öffentliche Dienerkisten sind für Leute, die Zeit lang Räume und dieses kann als riesige Kisten aufhalten. Um das natürliche Licht zu betrachtet werden. Ich auserlesen und das fangen, blicken Die Kisten dazu draußen. wird in neben von Stadt Raum arrangiert.
Kultisch Einrichtungen haben öffentliche Räume und dieses kann als riesige Kisten betrachtet werden. Ich auserlesen und das wird in neben von Stadt Raum arrangiert.
Diener Boxt
Südansicht scale=1/1000 2F=GL 11.00
1F=GL 4.50 GF=GL -0.00 B1F=GL -4.50 B2F=GL -9.00
B3F=GL -16.00
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- Like a Movie -
Lausanne-Chauderon Station
Erdgeshoss und Lageplan scale=1/1000
e Rue d
ve
Gunë
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ar To P
Bibliothek
Kunsträum LeFlon
B
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Rue de La
Sportsräum
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Vigie
Musikräum
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Pond de Chauderon
Station Vigie
School District
Westansicht scale=1/1000 2F=GL 11.00
1F=GL 4.50 GF=GL -0.00 B1F=GL -4.50 B2F=GL -9.00
B3F=GL -16.00
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1.Untergeschoss
2.Obergeshoss
2.3.Untergeschoss
1.Obergeshoss
scale=1/2000
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B3F=GL -16.00
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- Like a Movie -
Über Perspektive für Ereignisraum in Bibliothek. Künstlicher leichter Sturz ans Räum Unten Perspektive für Stadt Promnade, die von Südwesten ansicht
Section durch die Bibliothek und Kunsträum 2F=GL 11.00
1F=GL 4.50 GF=GL -0.00 B1F=GL -4.50 B2F=GL -9.00
B3F=GL -16.00
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00 10
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0 Left Perspective from facing street Middle Above Site aerial picture Middle Below Site pictures Right Above Void in each buildings.
05 Student Dorm in Belleville
Workshop with Ecole Nationale SupÊrieure d’Architecture de Paris-Bellevill
unit C unit B
unit C unit B
stairs
void
unit B
Kitchen
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YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- Like a Movie -
diagram volume perspective
volume perspective
building building 1 1
Concept
building building 2 2
building building 3 3
building building 4 4
building building 5 5
It is most important for me to design the depth as 80m. So, “Depth and extension� is enumerated as a key word that creates the system for that. It is the building of five houses towers on the site of 80m. It makes voids as many as two units of the block. This system makes the depth if the voids are same between the building and the next building. Or it makes the spread if the voids are out of position. Voids space have no function basically. And it is public space that everyone can use freely. So voids make the students a free activity and tie up the each buildings.
Kitchen
Unit A
Kitchen
Unit A
Unit A
void
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void
Section Parspective 2008 2009 2010 2011 2012 2013
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4,400 kitchen
6,600
garden
7,600
unit B
garden
unit C
garden
terace
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up
living
unit C
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terace
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kitchen
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garden and terace
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administrator room
unit A
unit A
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reception
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GF plan
YUKI KITAZAWA
1F plan
Chapter1
Chapter2
Chapter3
Chapter4
2-5F plan
Appendix
- Like a Movie -
Above Perspective for 1st window under the desk Middle Above 2nd window above the desk Middle Below 3rd window Above the bed Below 4th window between Bet and desk
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Four Window in a Unit At first,from the entrance. The desk soft light ..the under.. will be discovered. The following are this sides got out from a thin passage. Light is noticed to begin to leak more on the desk. And, it steps forward there by one step. Light that is stronger than the window distributed on the diagonal comes off and the glance comes off to the outside. The end at the canter of the room. A big open mouth that invents the axis line of the space will support people’s lives. 2008 2009 2010 2011 2012 2013
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Laboratry
Chapter 3 ”As a Home “ In the case of house, It is so important to think about activity of inhabitants. Because house have a strong commitment from people. So, house’s feature is created by thinking about lifestyle. In the case of “House with One Room×3”, hiside-light and one room make a ordinary comfortable. On the other hand, “House with Long Table” suggest the detail of activity in the house to make new lifestyle for ‘two income family‘. As just described, We can design the feature of house by thinking of living activity. And it’s speciality for inhabitants.
06 House in One room ×3 07 House with Long Table 08 House with small places
06 Häuser in einem Raum ×3 Wohnbau Department Technische Universität Wien: 3×3 Cubes
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- As a Home -
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Parken1 Korridor Eingang A Reger A Reger B Eingang B Reger C Eingang C Parken 2 Nächste Gebäude
Konzept
Ich entwarf drei Unterbringung im Volumen, den Größe 30×7×12m ist. Diese Designklasse zielte, wie Studenten den Lebensstil entwerfen können, Umgebung einschließlich gut-Beleuchtung und Windes in der Bedingung, die zu gewöhnlicher städtischer Unterbringung ähnlich ist. Der Nachbar von Stelle ist Gleiches Größengebäude, und wir können diese Orientierung und die Umgebung frei annehmen. Deshalb ich auserlesene hoch-Seite-Lampe und ein Zimmer als das Thema von Projekt. Um einfach beides Element zu arrangieren, entwerfe ich die Unterbringung mit Licht und Geräumigkeit. In Wien ist Unterbringung, die ein direktes Licht fangen kann, sehr wenig. Im Grunde hat Jedes Gebäude einen Mantelhof, und sie fangen ein reflektieren Sie Licht. Facade, die gegenüber Hauptstraße ist, besteht aus dem Fenster und decollation. Andererseits kann Dachwohnung ein besonderes Beispiel für dieses Schauspiel sein. Weil das gute Position in städtisch ist und bequeme Umgebung, es wird als teuer betroffen, hat. Damit bringt mir die Motivation des Designs. Wie eine Dachwohnung hat Building große Terrasse und kann ein direktes Licht fangen. Leichtes Zimmer, das Licht von hallo-Seite-Lampe fängt, setzt die senkrechte Achse in jeder Einheit zusammen. 2008 2009 2010 2011 2012 2013
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einheit A
einheit B
einheit C
Planung Jede Bettzimmer fangen ein Spiegelungslicht, indem sie zu Leichtem Zimmer blicken. Sie werden von anderen Höhenböden und Geländer geteilt, die 850mm Höhe sind. Sie machen individuelle zum Setzen und kontrollieren den Gefreiten oder nicht. Über Funktionsposition hat 2. Stock Küche und das Bewirten von dort, wo eine riesige hallo-Seite-Lampe hat, mit Essen. 1. Stock hat Lebensunterhalt und Schlafzimmer, und Erdgeschoss hat einen Eingang und ein Lagerhaus. Die Einheit bekommt eine Spannweite von waagerechter Richtung.
YUKI KITAZAWA
Chapter1
Chapter2
■ Light room ■ Kichen Dining ■ Washroom・Toilet・Bath ■ Bed room ■ Entrance Hall ■ Storage
Chapter3
Chapter4
Appendix
- As a Home -
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B Waschraum C Terrasse C Esszimmer C Badezimmer C Waschraum B Dachgarten C Dachgarten
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07 House with Long Table
8th Mitsui Living Space Competition: Child care house for a two-income family
Concept 7
Long Table makes the time sharing between family.
Plan
YUKI KITAZAWA
Chapter1
1
2
8
The time between parents is necessary to child care. In the modern age, It is very difficult for them to share the time by different working condition. Even if they are at home, they act apart. Therefore, I suggest that they can share the time in the doing different activity by using Long Table. This house is made up of a room having a Long table and rooms which enclose to long table. Each room change Long table into some places. For example, Living, Dining table, Study desk, and hobby desk so on. The man who is next to eating child read the book, And at next to that, She work at domestic affairs. Like that, inhabitants can share the scale=1/120 time by Long table.
6
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1 Longtable 2 Living 3 Room1 4 Room2 5 Cloak 6 Entrance 7 Kitchen 8 Balcony
Chapter2
Chapter3
Chapter4
Appendix
- As a Home -
Perspective 1
Perspective 2
100
Perspective 3
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08 House L
2012 My home design competition: Live Ă— Home
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- As a Home -
Concept As there is the type of “nLDK”, basically we think the house as room of number or function. Such a demand indicate that ordinary family is exactly thinking an individual’s time as important. However, long time ago, Is house one big room which family live in together originally? In such a condition, Every family interferes each other in the room, and they make a special rule and manner, and built the relationship between at home. Therefore, I design one big room aiming such a lifestyle. Two places where quality called “family room” and “individual place” by weaving in many angles of a big box are located in this room. Family room is a big room freely extended in the inside of a house. This room
Right Structure diagram Refining L block laminate lumber (450 mm in width) especially structural resistance strong rigidity is given to the required angle part.
is a buffer belt which makes the suitable distance and distance of individual place, and is a place for both families to live. On the other hand, individual place is a small place which has Family room and slight distance with the wall of one sheet, and slab. Family room and individual place among So to make an internal and external boundary ambiguous, have a duty which draws external elements, such as light, and green and a wind, and colour the inside of a box richly. Moreover, individual place has a deference by having big window and owning each scenery. Between such a room, inhabitants will find each favourite places and a family’s relation changes every moment.
layer 1
layer 4
layer 7
Middle Below 1 Shape Diagram Weaving many angles, room have different places and connect a exterior
layer 2
layer 5
layer 8
Middle Below 2 Layer Diagram There are various section and that makes relationship between family
layer 3
layer 6
layer 9
2008 2009 2010 2011 2012 2013
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1 7
2
3
6
4
5
A
8
9
A
A
A
N
1F Plan scale=1/150
2F Plan
1 2 3 4 5 6 7
8 Individual place 2 9 Individual place 3
Entrance Family room Bathroom Individual place 1 Interior Garden Kitchen Dining
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- As a Home -
layer 9
layer 8
layer 7
layer 6
layer 5
layer 4
layer 3
layer 2
layer 1
RL + 7560
14
13
10
12
11
3FL + 4300
8
9 2FL + 2500
10 11
3
12
4
5 1FL+500
A
A
A
3F Plan
Section
10 11 12 13 14
3 4 5 8 9 10 11 12
Individual place 4 Individual place 5 Balcony Individual place 6 Individual place 7
2008 2009 2010 2011 2012 2013
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A
Family room Bathroom Individual place 1 Individual place 2 Individual place 3 Individual place 4 Individual place 5 Balcony Professional
Laboratry
Other
Chapter 4 ”For Critic “ It is possible for architecture to raise a social problem clearly and indicate a resolution. Also in the modern age ,it is essential for architect to doubt a value is right or not as Adolf Loos raised problem of decoration. In the project of “Ueno Art Museum”, I doubt a way of exhibition room for modern picture and sculpture in the condition of Internet society. In the “Beyond shelter”, We raised a dangerousness when the great earthquake happen in the huge urban. Like that, architecture can raise a social problem.
09 Ueno Art Museum 10 Disaster Survival MAP
09 Dramatic Encounter
Hajime Yatsuka Design Studio: Ueno Art Modern Museum
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- For Criticism -
Shrine Ueno Park
Ueno Station
Keisei Ueno Station Shinobadu Pond
Site
Commercial Area
site plan
scale : 1/1500
N
Concept Recently, the value of visual arts is spreading by Mechanical Reproduction. The drawing by Ryu Murakami can be copied by any people. And we can get that image in Internet, and print out at ease. Like that, now is one condition which Original is not different from copy. In this condition, The value of art museum in where people can see a original art is disappeared. I pay attention to this problem. In this project, the exhibition space varies every moment to drive a characteristic which art museum have and environment context and urban context. It replaced the place in where people can see a original with the place in where people can encounter a art dramatically. As a result, the theme in this project is roof which can catch the direct light.
Above Concept image 1 Middle Concept icon No copy no screen no taping
Context This site is at east of Shinobadu pond in Tokyo, Ueno. Now, this district remain of a history of Edo age. So north area have a history and science museum, shrine, zoo and so on. On the other hand, there is many commercial street from east to south. Adding Sinobadu pond in west area, This site is on the interface between three different area. 2008 2009 2010 2011 2012 2013
No Copy
No Screen
Below Roof structure image like a bending paper after it cut. Accademic
Competition
Professional
Laboratry
No taping
GF Plan
N
A
strage of store 1
strage of store 2 temporary
unpackeged
EV hall
work space
curater room meeting
meeting room 1
B
B
room 2
oďŹƒce curaters
room
room
exterior exibision
volunteer security room room
C`
C
entrance 3 hall D` D
entrance 2
foyer
entrance 4
machine
museum shop
room chiket booth
entrance1
A`
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- For Criticism -
Above Perspective for Exhibition room 2 Some light come from between the roof and can see Ueno park Below Perspective for Exhibition room 1 The roof can make the space rhythm 7 10
6
5
4
1
9
3
2
8
2F Plan　scale=1/1500
3F Plan
1 2 3 4 5 6 7
8 Exhibition room 1-2 9 Exhibition room 1-1 10 Backyard
EV hall Workshop room 1 Workshop room 2 Hall Library Backyard Exhibition room 2
2008 2009 2010 2011 2012 2013
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Right Forest Diagram for new building’s skyline. Museum connect the landscape gradually.
Hi-rise Building
Forest
Hi-rise Building
Museum
Existing
New!!
B Section scale=1/700
1 2 3 4 5 6 7
7
Exterior exhibition Exhibition hall 2 Meeting room 2 Corridor Meeting room 3 Shinobadu pond Ueno Park
1 2 6 3
4
5
A Section
exibision hall strage of store 1
0
4
8
12
16
20
unpackeged
work space2
meeting room 1
24
[ｍ]
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- For Criticism -
office room
C Section
6
scale=1/700
1 6 7 8 9 10 11 12
9
1
Exterior exhibition Ueno park Shinobadu pond Foyer Exhibition hall 1 Library Volunteer room Security room
10
8
7
11
12
D Section scale=1/700
1 Exterior exhibition 6 Ueno park 7 Shinobadu pond 8 Foyer 9 Exhibition hall 1 13 Hall 14 Ramp
6
9
1 8
7
14
13
exibision hall workshop room foyer
hall
Entrance 2
Entrance 1
foyer
A Section Perspective 2008 2009 2010 2011 2012 2013
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Remarks
シェルター shelter
自転車による自家発電 erectric power generation by bycicle
安否情報確認掲示板 information
トイレ lavatory
仮設風呂 temporary shower
キッチン kitchen
ヘリポート Heliport
緑が丘１号館 Midorigaoka Building No.1 トイレ latrine
創造プロジェクト館 Research Center for Urban Infrastructure
シェルター shelter
10 Disaster Survival Map
Theory of Architectural Space and Planning : Beyond Shelter 物資保管所 storage 駐車場 parking 物資調達所 suplly area
医療 med
Concept
In Mar.11.2011, East Japan great earthquake happen in Tokyo. With disaster, traffic is paralysed and many commuters unable to get home appear on the road. Someone went home by foot, someone waited for train service till that restarted, and someone rest in the near temporary shelter. After we recognized such a vulnerability in urban, they considered the existence system again. This workshop was started from such a point. Our group paid attention to the number of commuter if
YUKI KITAZAWA
disaster happen and our campus become a temporary shelter. The number is calculated by a ward office. We drew disaster map with focusing on the case of Midorigaoka area. As you see, people in this area can’ t move at ease. And we can imagine people will be in the panic. This case is not only Midorigaoka. If it is high density capital like Tokyo, such a condition happen in the urban exactly. We disclose the reality in urban when huge disaster happen clearly.
Chapter1
Chapter2
Chapter3
Situation
: about 10,000 people lives inside and outside 〈 Shinagawa , oota , Meguro district s people get togather.〉
Chapter4
Appendix
- For Criticism -
緑が丘１号館のバックスペース Behind Midorigaoka Building No.1
緑が丘2号館 Midorigaoka Building No.2
ゴミ捨て場 garbage
ダイニングスペース dining area
シェルター shelter
インフォメーションボード information board 物資調達所 supply area
トイレ latrine
緑が丘３号館 Midorigaoka Building No.3
物資保管所 storage
トイレ latrine
シャワールーム 貯水タンク shower water storage 防災基地 base
大岡山へ to Ookayama
緑が丘４号館 Midorigaoka Building No.4
校門 entrance
緑が丘講義棟 Midorigaka Lecture Building
療施設 dical
緑が丘駅へ To Midorigaoka St.
students the public 10000 95500
Meguro
600 Shinagawa
Tokyo Institute of Technology
the public
Ookayama
Midorigaoka Campus Oota
Midorigaoka =1/10 area in Tokyo tech
About 100,000 people
living in Some districts get together in Tokyo Institute of Technology,when disaseter happen.
2008 2009 2010 2011 2012 2013
9550
students
Accademic
Competition
About 10,000 people
get together in Midorigaoka Campus,when disaster happens.
Professional
Laboratry
Appendix
Internship 11 House in Asagaya [tentative] 12 Joshu Tomioka Station
Data Project: House in Asagaya [tentative] Term: 28.04.2012 ~ 03.08.2012 Building use: Housing Address: Asagaya, Suginami, Tokyo, Japan Structure: Box frame type reinforced concrete construction Story: B1F ~ G2F Building Area: 36.38㎡ All Floor Area: 119.89㎡
11 House in Asagaya [tentative] Detail Design in Shin-ichi Okuyama Lab
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- Internship -
X1 704
X2
X3
700
X4
5300
1450
X5
2235
隣地敷地内私道
915
1597 GL+700 GL 0
B
593
隣地境界線 7603
Y4
Y4
1800
道路境界線 2266
W3
W3'
1800
W3'
W3''
Y3
Y3 玄関ﾎﾟｰﾁ
GL＋470
玄関ﾎｰﾙ
2220
ﾎﾟｽﾄ FD 1
収納
W2''
W3'' 水勾配
W3
隣地境界線 8330
2220 6950
SD 1
GL＋500
下足入
収納
Y2
Y2
車庫
上部開口
GL-300
道路境界線 5922
A
A'
水勾配
GL 0
2930
2930
W3
集水口 : ｽﾃﾝﾚｽ製ｸﾞﾚｰﾁﾝｸﾞ
集水口
W3'
Y1 640
Y1
隣地境界線 7500
3620
B'
GL+700 GL 0
704
700
X1
1450
X2
2235
X3
915
X4
1490
X5 2260
地階平面図 S=1/50
Ground Floor Plan
Contents of Duty This is an implementation project of the small house of which I took charge at the Shin-ichi Okuyama laboratory (Tokyo Institute of Technology). The term is about three months which is from the beginning of May to end of July. The main Contents of duty was develop some ideas with putting regulation about building in order. Finally one kind of baseline design finished and make some meeting document which is used in the check application. 2008 2009 2010 2011 2012 2013
project drowing
The meeting was held at the pace of one week and the sketch was passed on the next day. According to it, We draw the all plan and put regulation in order. After half time passed,the job of model making add.
Accademic
Competition
Professional
Laboratry
7 5
14 16
6
15
3 8
17 9
GF plan
2F plan
3 5 6 7 8 9
14 Cloak 15 Corridor 16 Washitsu 17 Bed room 2
F'
E'
D'
Entrance Bath room Wash room Toilet 1 Cloak Bed room 1
C'
10
C'
11
4 12
3
1
B'
A'
A'
2
1 2 3 4
13
F
1F plan D E
B1F plan scale=1/150
B'
Road Parking Entrance Foundation
YUKI KITAZAWA
10 Toilet 2 11 Kitchen 12 Dining 13 Living Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- Internship -
Short Section project drowing
417
RL=GL+10589
線 斜 路 道
1
292
1202
寝室2
1350
4289
CH=3873
1.25
2400
CH=2200
200
3FL=GL+6300
2000
CH=1750 260
CH=2150
2400
250
250
2FL=GL+3900
2080
1900
CH=1640
隣地境界線
GL
1723
CH=2080
GL'=GL+700
1500
260
1FL=GL+1500
1300 平均地盤面算定時に 使用する値
2150
2220
710
930
5300
X1
2008 2009 2010 2011 2012 2013
X3
X2
Accademic
1437
Competition
X4
Professional
Laboratry
1530
BFL=G.L-840
道路境界線
1
179
967
前面道路 0.15
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- Internship -
Left page Above Left First study model At first,Third floor’s room have a strong shape.
Above Right 2nd study Model There is void between 2nd and 3rd floor. And facade is taller than before.
Below Left 3rd study Model Underground Parking appear. Following that, Each floor’s height is changed.
Below Right 4th study Model Floor‘s height is improved and facade’s window is arranged in order. To take a height regulation into considering, Roof shape is changed .
Elevation South project drowing
RL
242
4090
1000
第二種高度斜線
塩ﾋﾞ管100φ AW 11
AW 10
AW 9
代替進入口
2400
3FL
AW 6
AW 6
AW 6
AW 6
AW 6
2400
2FL
1FL
1900
SD 1
見切材 :
640
2930
2220
623
1800
6950
Y1
Y2
Y3
Y4
北立面図 1/50
2008 2009 2010 2011 2012 2013
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Professional
Laboratry
隣地境界線
隣地境界線
GL
12 Joshu Tomioka Station
Construction Competition in Shin-ichi Okuyama Lab
上州富岡駅舎設計提案競技 1. 富岡市の象徴的なゲート
Data
2. 製紙工場の架構を反転した構造
3. 人々の集まる舞台
駅前の目抜き通りの軸を受ける、象徴的なゲ
富岡製糸場のトラス構造を反転したやじろ
駅舎空間は、通常は待ち合いやギャラリー、祝祭
ートは、時間帯による光の変化によってその
べえ状の架構により、駅前広場や既存ホーム
時には広場と一体的に使われるなど、 その時々で
表情を変え、富岡市の新たな顔となります。
に開かれた空間をつくり出します。
姿を変えることで人々の活動の舞台となります。
Project: Joshu Tomioka Station Term: 09.04.2011 ~ 31.05.2012 Building use: Station Address: Tomioka, Gunma, Japan Building Area: 750㎡ Jury: Kengo Kuma Takanori Suga Ryozo Umezawa Hroshi Nishizawa Kumiko Inui
up
Contents of Duty
This project is a proposal of the enforcement competition which participated at the Okuyama laboratory. The team was composed of six persons and, first of all, we researched in the site and members proposed some ideas individually. Finally we focus on structure of the waiting room which connects from plat home to plaza in front of station. Like a Tomioka where is famous for the silk-reeling industry, the spool was used as the motif. The trass structure like a balancing toy is stabilized by pulling with a tension rod like silk. Simultaneously, the Tomioka silk manufacture place is reminded by using brick for a floor and a wall pillar. When making a presentation board, I took charge the creation of 3D modelling, main and sub perspective, and the diagram of light.
舞台
ホームと連続した待ち合い室は
イベント時には駅前広場まで室 12,870
が連続し、 一体的に使われます
8,000
4,000
FRP防水 t=12 H形鋼 200x150x6x9 溝形鋼 200x80x7.5x11
4,000
400
200 200
アクリルドーム
テンション・ロッド Φ 15
テンション・ロッド Φ 15
一般構造用鋼管 Φ 165.2, t=4.5
4,800 5,200 床・壁： 煉瓦タイル 220x58 t=15 106x58 t=15
1,130
G.L. +1,130
3,500
4,070
3,670
溝形鋼 200x80x7.5x11
1,500
G.L. +0
製糸工場の架構
4,000
4,000 8,000
工場に相応
やじろべえ状の架構とゲートの立体トラスの連続 やじろべえ状のト ラスが連続し架構 をつくる。
糸の様なテンショ ンロッドが架構を 引っ張る。
レンガの壁柱が部 分的にトラス架構 を支える。
駅入り口では、立体 トラスによりゲート をつくる。
トラス
周辺の環境 駅舎を実現す
YUKI KITAZAWA
Chapter1
Chapter2
Chapter3
Chapter4
Appendix
- Internship -
384
外観パース 目抜き通りよりゲートを見る
GL -1,500 自転車置場
(76 台分）
時間帯によって変化するゲートの表情
ゲート 目抜き通りの軸線上のゲートは、 太陽の動きに呼応しさまざまな表情 をみせる、富岡のランドマークです。
改札 GL +1,130
リレー ハウス
休憩室
電鉄事務室
w.c シャワー 保管庫
ハイヤー事務室
朝日を受けてゲートが浮かび上がる
w.c w.c
6:00
12:00
18:00
朝は、東側の壁面のルーバー から、光を採り込みます。二重 の壁の間で拡散された光によ って、ゲートが浮かび上がって 見えます。
正午は、門型フレームの天井 のスリットにより絞られた強い 光が、ゲートの内部へ入り込 み、劇的な内部空間を演出し ます。
夕方には、西側の壁面のルー バーを通り抜けた光が、東側 の壁面により拡散されること で、この時間にだけ光に満た されたゲートになります。
倉庫
GL +0
は、
室内
す。
平面図兼配置図 1/300
断面図 1/50
構を反転した構造システム
応しい大空間
スを反転
境に開かれた する架構形式
富岡製糸場 木骨レンガ造。 トラスを用いたこ とにより、工場に 相応しい大空間を 実現しています。 上州富岡駅 ロッドと地中梁によ り、トラスの梁にテ ンションをかけて安 定させるやじろべえ 状の構造形式。 ホーム・広場との連 続性のある、開かれ た駅舎空間です。
内観パース 舞台より駅前広場をみる
2008 2009 2010 2011 2012 2013
Accademic
Competition
Professional
Laboratry
Profile
Name :
Yuki Kitazawa
Citizenship : Address： Phone : Email : Language：
JAPAN Burggasse61/13, 1070 WIEN, AUSTRIA +4369910943124 arc.kitazawa.yuki@gmail.com Japanese, English,Germany[ under learning]
Biography 10.2012-2013.7
Technische Universität Wien
1988
Born in Saitama Prefecture
4.2007
Enter Shibaura Institute of Technology
3.2011
Graduate from Shibaura Institute of Technology
4.2011
Enter Tokyo Institute of Technology
7.2012
Leave of absence Tokyo Institute of Technology. B.E. Architecture Engineering
Resume
The record 4.2009 of winning awards 7.2009
Professional Employment
Workshop
Design Studio 3-B by Hajime Yatsuka Top and Exhibition in Open Campus
2.2010
Design Studio Top and Exhibition in Open Campus
11.2010
27th Competition in The Japan Institute of Architects 1st prize
11.2010
Design Championship at Shibaura Institute of Technology Fine work（Kuryu prize）
2.2011
Diploma project in Shibaura Institute of Technology Award of Excellence and published in Magazine.
11.2011
The competition Yokohama Salone house Finalist
4.2012
The design competition of KIAI Winner and Construction
9.2009 -11.2009
Atelier Bunku Tokyo, Japan
6.2010 -7.2010
Hino Architect‘s Office Tokyo, Japan
4.2011 -7.2012 3.2010
Okuyama Shinichi Atelier Tokyo, Japan
11.2011 01.2012
Computing Skill
The poster competition for Green Campus in Shibaura Institute of Technology Grand Prise
Student Dorm in Belleville Shibaura Institute of Technology ＆ Ecole Nationale Supérieure d’Architecture de Paris Belleville Beyond Shelter for the Great East Japan Earthquake Tokyo Institute of Technology Urban Future -Redevelopment for Shinjuku Golden Gai Tokyo Institute of Technology ＆ Royal Melbourne Institute of Technology 3D Modelling＆Rendering Microstation Bentley V8i 2D Graphic ware Auto Cad Vector Works Photo Shop Illustrator InDesign Word Software Word Excel Power Point Web Site Software Flash Dreamweaver