GHOA-42 3つのジムノペディ（Trois Gymnopedies For a solo instrument and Flexible Quartet） by goldenheartspublications

Trois Gymnopédies

3 つのジムノペディ

- For a solo instrument and Flexible Quartet -

ÉricAlfred Leslie Satie (1866~1925）エリック・サティ

Arr. Kouichirou Oguni 小國晃一郎

演奏について：

・楽器の組み合わせなど、必要に応じてパート譜からオクターヴ上げる、または下げて演奏してください。一部のパート譜は読みやすさを考慮して、スコアより 1 オクターヴ高く、あるいは低く記譜しています。金管バンドでは Trombone, Euphonium, Tuba などにおいてト音

記号の in Bb 表記の楽譜が多いので、普段そういった楽譜を読み慣れている場合は Bb Instrument の楽譜を使うと良いと思います。

・カッコ書きの強弱記号とクレッシェンド・デクレシェンドは、「伴奏は旋律に沿って」の意（＝colla parte）。

（小國晃一郎）

Remarks on Play:

・According to your instrument, you may play 1 octave higher or lower from notation.

・Dynamics, [crescendo.], and [decrescendo.] with brackets mean [colla parte]. (Kouichirou Oguni)

楽器編成 (Instrumentation)

Solo: Solo in C, Solo in Bb, Solo in Eb, Solo in F, Solo Bass Clef

Part 1 / C Instrument, Bb Instrument, Eb Instrument, F Instrument, Bass Clef

Part 2 / C Instrument, Bb Instrument, Eb Instrument, F Instrument, Bass Clef

Part 3 / C Instrument, Bb Instrument, Eb Instrument, F Instrument, Bass Clef

Part 4 / C Instrument, Bb Instrument, Eb Instrument, F Instrument, Bass Clef

Trois Gymnopédies

3つのジムノペディ

- For a solo instrument and Flexible Quartet -

Gymnopédie No.1 ジムノペディ第1番

Éric Alfred Leslie Satie ）(1866~1925 Arr. Kouichirou Oguni

楽譜の一部または全部を、著作権者の許可なしに複製、転載することを禁止します。

in whole or in part, is prohibited without the express written consent of the copyright holder.

                                Solo Part 1 Part 2 Part 3 Part 4                        Lent et douloureux  

                                                                                         Solo Part 1 Part 2 Part 3 Part 4        9                                                                                               Solo Part 1 Part 2 Part 3 Part 4             16                                       Opt. (Part.2)                                                 

Reproducing or copying Score,

Score in C

               Solo Part 1 Part 2 Part 3 Part 4                              24                                                                                                            Solo Part 1 Part 2 Part 3 Part 4            32 1.                                                                                                     Solo Part 1 Part 2 Part 3 Part 4                40 2.                                                                              rit.                     - 2©2023 Kouichirou Oguni and Golden Hearts Publications (ONSA) Trois Gymnopédies - Score in C

Gymnopédie No.2 ジムノペディ第2番

               Solo Part 1 Part 2 Part 3 Part 4                         Lent et triste

                                                                                  Solo Part 1 Part 2 Part 3 Part 4                        9                                                                                       Solo Part 1 Part 2 Part 3 Part 4        17                                                                                                  - 3©2023 Kouichirou Oguni and Golden Hearts Publications (ONSA) Trois Gymnopédies - Score in C

     Solo Part 1 Part 2 Part 3 Part 4             26                                                                                               Solo Part 1 Part 2 Part 3 Part 4            34                                                                                                  Solo Part 1 Part 2 Part 3 Part 4                        42                                                                                  - 4©2023 Kouichirou Oguni and Golden Hearts Publications (ONSA) Trois Gymnopédies - Score in C

     Solo Part 1 Part 2 Part 3 Part 4             50                                                                                          Solo Part 1 Part 2 Part 3 Part 4     58                                                                                                  Solo Part 1 Part 2 Part 3 Part 4                         Lent et grave Gymnopédie No.3 ジムノペディ第3番                                                                             - 5©2023 Kouichirou Oguni and Golden Hearts Publications (ONSA) Trois Gymnopédies - Score in C

     Solo Part 1 Part 2 Part 3 Part 4                        9                                                                                      Solo Part 1 Part 2 Part 3 Part 4                    17                                                                                        Solo Part 1 Part 2 Part 3 Part 4         25                                                                                                  - 6©2023 Kouichirou Oguni and Golden Hearts Publications (ONSA) Trois Gymnopédies - Score in C

     Solo Part 1 Part 2 Part 3 Part 4            34                                                                                        Solo Part 1 Part 2 Part 3 Part 4                        43                                                                                                   Solo Part 1 Part 2 Part 3 Part 4        52                                                                                       - 7©2023 Kouichirou Oguni and Golden Hearts Publications (ONSA) Trois Gymnopédies - Score in C