GHOA-40 3つのジムノペディ（Trois Gymnopedies For a solo instrument and Flexible Duo） by goldenheartspublications

Trois Gymnopédies

3 つのジムノペディ

- For a solo instrument and Flexible Duo -

ÉricAlfred Leslie Satie (1866~1925）エリック・サティ

Arr. Kouichirou Oguni 小國晃一郎

演奏について：

・楽器の組み合わせなど、必要に応じてパート譜からオクターヴ上げる、または下げて演奏してください。一部のパート譜は読みやすさを考慮して、スコアより 1 オクターヴ高く、あるいは低く記譜しています。金管バンドでは Trombone, Euphonium, Tuba などにおいてト音

記号の in Bb 表記の楽譜が多いので、普段そういった楽譜を読み慣れている場合は Bb Instrument の楽譜を使うと良いと思います。

・カッコ書きの強弱記号とクレッシェンド・デクレシェンドは、「伴奏は旋律に沿って」の意（＝colla parte）。

（小國晃一郎）

Remarks on Play:

・According to your instrument, you may play 1 octave higher or lower from notation.

・Dynamics, [crescendo.], and [decrescendo.] with brackets mean [colla parte]. (Kouichirou Oguni)

楽器編成 (Instrumentation)

Solo: Solo in C, Solo in Bb, Solo in Eb, Solo in F, Solo Bass Clef

Part 1: C Instrument, Bb Instrument, Eb Instrument, F Instrument, Bass Clef

Part 2: C Instrument, Bb Instrument, Eb Instrument, F Instrument, Bass Clef

Trois Gymnopédies

3つのジムノペディ

- For a solo instrument and Flexible Duo -

No.1 ジムノペディ第1番

Éric Alfred Leslie Satie ）(1866~1925 Arr. Kouichirou Oguni

オクターヴ低く演奏しても良い(例

(ex.Tuba).)

楽譜の一部または全部を、著作権者の許可なしに複製、転載することを禁止します。

in whole or in part, is prohibited without the express written consent of the copyright holder.

                  Solo Part 1 Part 2          Lent et douloureux   Gymnopédie

                                                      Solo Part. I Part 2     9                                                               Solo Part. I Part 2     17                                                               Solo Part. I Part 2         25      ※Part 2は演奏可能であれば、記譜より1

:Tuba)。 (Part 2

be played

                                             

may

1octave lower than Score

Reproducing

Score in C

or copying Score,

             Solo Part. I Part 2     32 1.                                                                 Solo Part. I Part 2     40 2.                                                  rit.                       Solo Part 1 Part 2         Lent et triste Gymnopédie No.2 ジムノペディ第2番                                               Solo Part. I Part 2       9                                                    - 2©2023 Kouichirou Oguni and Golden Hearts Publications (ONSA) Trois Gymnopédies - Score in C

   Solo Part. I Part 2   17                                                                    Solo Part. I Part 2     26                                                           Solo Part. I Part 2     34                                                            Solo Part. I Part 2       42                                                       Solo Part. I Part 2     50                                                      - 3©2023 Kouichirou Oguni and Golden Hearts Publications (ONSA) Trois Gymnopédies - Score in C

   Solo Part. I Part 2   58                                                           Solo Part 1 Part 2          Lent et grave   Gymnopédie No.3 ジムノペディ第3番                                                 Solo Part. I Part 2     9                                                              Solo Part. I Part 2       17                                                             - 4©2023 Kouichirou Oguni and Golden Hearts Publications (ONSA)

Gymnopédies - Score in C

Trois

   Solo Part. I Part 2     25                                                                          Solo Part. I Part 2     35                                                          Solo Part. I Part 2       44                                                               Solo Part. I Part 2   52                                                    - 5©2023 Kouichirou Oguni and Golden Hearts Publications (ONSA) Trois Gymnopédies - Score in C