GHOA-32 リュートのための古風な舞曲とアリア 第三組曲（Antiche danze ed arie per liuto Suite No. 3 for Flexible Instrument ）

Page 1

リュートのための古風な舞曲とアリア

第三組曲(全曲)/フレキシブル・デュオ版

Antiche danze ed arie per liuto Suite No. 3 for Flexible Instrument Duo 演奏について：

スコアは Part. I: Oboe, Part. II Bassoon の音域で記譜しています（一部のパート譜は読みやすさを考慮して、スコアより 1 オクター ヴ高く、あるいは低く記譜しています）。楽器の組み合わせなど、必要に応じてパート譜か らオクターヴ上げる、または下げて演奏してください。また、楽器によって音域的に演奏が きつい場合も、部分的にオクターヴの上げ下げをしても構いません（金管バンドでは Trombone,Euphonium,Tuba などにおいてト音記号の inBb 表記の楽譜が多いので、普段そう いった楽譜を読み慣れている場合は Bb Instrument の楽譜を使うと良い）。

速度標語のメトロノーム記号はあくまで目安なので、実際の演奏速度は奏者の判断に委ね ます。また、譜面に記載のない、自然発生的なアゴーギグの変化（rit.など）も歓迎されます。

第四楽章「パッサカリア」はテンポが頻繁に変わる為、他三曲と比べて演奏が難しいかと思 います。スクールバンドなどで顧問の先生や指導者の先生方がおられる場合は、手拍子を取 ってもらう、あるいは指揮を振って頂く、という練習方法も有効かと思います。また、テン ポの変わり目で適宜演奏を一旦止めても良いかと思います。

カッコ書きの音符または休符: Breath point, カッコ書きの小玉

（小國 晃一郎）

Remarks on play:

: ossia

Notation of sound range is on basis of; Part. I: Oboe, Part. II: Bassoon Accordingtoyourinstrument,youmayplay1octavehigherorlowerfromnotation.Partiallychanging octave is also acceptable (for example, in case some notes are too high/ low to play).

MMinTempoIndicationisjustforyourreference,andnaturalAgogik(suchas[rit.])is alsoacceptable

4thmovement, “Passacaglia”may be a little bitdifficultto play than othermovements, becauseTempo changesoften.Directorscanbeatbyhandclaps,or conduct. Or,halting playatthebarswhosetempos change may be a solution.

Notes and Rests with brackets: Breath point, Small Notes with brackets: ossia (Kouichirou Oguni)

楽器編成 / Instrumentation

Part. I: C Instruments, Bb Instruments, Eb Instruments, F Instruments, Bass Clef

Part. II: C Instruments, Bb Instruments, Eb Instruments, F Instruments, Bass Clef

Antiche danze ed arie per liuto Suite No. 3"

リュートの為の古風な舞曲とアリア 第三組曲 (全曲)

For Flexible Instrument Duo

I. Italiana イタリアーナ

Ottorino Respighi (1879~1936)

Arr. Kouichirou Oguni

楽譜の一部または全部を、著作権者の許可なしに複製、転載することを禁止します。

                Part. I in C Part. II in C        Andantino  
                                         1.                         Part. I Part. II 9 2.                                                                               Part. I Part. II 16                                                                              Part. I Part. II 22                                                                                              Part. I Part. II 29                                                                 Part. I Part. II 35                                                           ©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)
Reproducing or copying Score, in whole or in part, is prohibited without the express written consent of the copyright holder.
ª ª ª ª ª

II. Arie di corte

        Part. I Part. II 42            più  più                                                   Part. I Part. II 49                  dim. dim.                                                Part. I in C Part. II in C        espress. Andante cantabile   espress.  Part. II
宮廷のアリア                                         Part. I Part. II 8                                                                                          Part. I Part. II 16                                       dim. dim.                    Part. I Part. II 24                        cresc.  cresc.                       - 2©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª
            Part. I Part. II 32                                   Part. II                           Part. I Part. II 39           leggiero Allegretto   leggiero                                                                            Part. I Part. II 45                                                                                   Part. I Part. II 50                                               Vivace                       Part. I Part. II 55                                                                      Part. I Part. II 63                                      (ossia)                             Part. I Part. II 70                                                                      - 3©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª ª
        Part. I Part. II 77                                                  Meno                 Part. I Part. II 84           Lento con grande espressione                                                                    Part. I Part. II 90                                                       dim.  dim.                       Part. I Part. II 95                                                    dim. dim. poco rit.              a tempo           rall.                 Part. I Part. II 100                        Allegro vivace                                                                                                  Part. I Part. II 105                                                                                                             Part. I Part. II 110               Vivacissimo                                          - 4©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª ª
     Part. I Part. II 114                                                                             Part. I Part. II 118                                                    Part. I Part. II 122        espress. Andante cantabile   espress.  Part. II                                         Part. I Part. II 129                                                                                        Part. I Part. II 136                                                dim. dim.            Part. I Part. II 144                                 cresc.  cresc.                   Part. I Part. II 152                                             Part. II                       - 5©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª ª

III. Siciliana シチリアーナ

            Part. I in C Part. II in C     Andantino   dolce
          dolce                                        1.              Part. I Part. II  (Opt.) 10 2.                                                                                           Part. I Part. II 19     cresc. cresc.                                   1.                   2.                Part. I Part. II 28                                                             Part. I Part. II 37       cresc.  cresc.                                                   Part. I Part. II 45        cresc.  cresc.                                        cresc. cresc.                 - 6©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª
          Part. I Part. II 53                                                         1.                       Part. I Part. II 61 2.       lunga                                            Part. I Part. II 67                                                            Part. I Part. II  (Opt.) 75                                                         Part. I Part. II ( (Opt.) ) 83                                rall.                    Part. I in C Part. II in C          sostenuto  sostenuto  ※ Play if possible. Maestoso  IV. Passacaglia パッサカリア                                                               - 7©2022
ª ª ª ª ª
Kouichirou Oguni and Golden Hearts Publications (ONSA)
      Part. I Part. II 7                                                                                     Part. I Part. II  (Opt.) 14                                                                  Part. I Part. II  (Opt.) 20                                                                                                                Part. I Part. II 25                           Energico e più animato                                                        1.                      2.                                     Part. I Part. II  (Opt.) 31                                                        1.                        2.                      Vivace            Part. I Part. II ( (Opt.) ) 36                                                                                    - 8©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª
      Part. I Part. II 40                                                                                                   Part. I Part. II 44                                                                                          Part. I Part. II  (Opt.) 48                                                                  Meno Vivo                             Part. I Part. II  (Opt.)  (Opt.)  (Opt.) 52                                                                   1.                               Part. I Part. II  (Opt.) 56 2.                               Più largamente                                                                  1.                           Part. I Part. II 61 2.         Largo                                          rit.                  - 9©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.