GHOA-33 リュートのための古風な舞曲とアリア 第三組曲（Antiche danze ed arie per liuto Suite No. 3 for Flexible Instrument ）

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リュートのための古風な舞曲とアリア

第三組曲(全曲)/フレキシブル・トリオ版

Antiche danze ed arie per liuto Suite No. 3 for Flexible Instrument Trio 演奏について：

スコアは Part. I: Oboe, Part. II Bb Clarinet, Part. III Bassoon の音域で記譜しています（一部のパート譜は読みやすさを考慮して、スコアより 1 オクター ヴ高く、あるいは低く記譜しています）。楽器の組み合わせなど、必要に応じてパート譜か らオクターヴ上げる、または下げて演奏してください。また、楽器によって音域的に演奏が きつい場合も、部分的にオクターヴの上げ下げをしても構いません（ 金管バンドでは Trombone,Euphonium,Tuba などにおいてト音記号の inBb 表記の楽譜が多いので、普段そう いった楽譜を読み慣れている場合は Bb Instrument の楽譜を使うと良い）。

速度標語のメトロノーム記号はあくまで目安なので、実際の演奏速度は奏者の判断に委ね ます。また、譜面に記載のない、自然発生的なアゴーギグの変化（rit.など）も歓迎されます。

第四楽章「パッサカリア」はテンポが頻繁に変わる為、他三曲と比べて演奏が難しいかと思 います。スクールバンドなどで顧問の先生や指導者の先生方がおられる場合は、手拍子を取 ってもらう、あるいは指揮を振って頂く、という練習方法も有効かと思います。また、テン ポの変わり目で適宜演奏を一旦止めても良いかと思います。

カッコ書きの音符または休符: Breath point, カッコ書きの小玉: ossia

（小國 晃一郎）

Remarks on play: Notation of sound range is on basis of; Part. I: Oboe, Part. II: Bassoon Accordingtoyourinstrument,youmayplay1octavehigherorlowerfromnotation.Partiallychanging octave is also acceptable (for example, in case some notes are too high/ low to play).

MMinTempoIndicationisjustforyourreference,andnaturalAgogik(suchas[rit.])is alsoacceptable.

4thmovement, “Passacaglia”may be a little bitdifficultto play than other movements, becauseTempo changesoften.Directorscanbeatbyhandclaps,or conduct. Or,halting playatthebarswhosetempos change may be a solution.

Notes and Rests with brackets: Breath point, Small Notes with brackets: ossia (Kouichirou Oguni)

楽器編成 / Instrumentation

Part. I: C Instruments, Bb Instruments, Eb Instruments, F Instruments

Part. II: C Instruments, Bb Instruments, Eb Instruments, F Instruments, Bass Clef

Part. III: Bb Instruments, Eb Instruments, F Instruments, Bass Clef

Antiche danze ed arie per liuto Suite No. 3

リュートの為の古風な舞曲とアリア 第三組曲 (全曲)

For Flexible Instrument Trio

Arr. Kouichirou Oguni Ottorino Respighi (1879~1936)

楽譜の一部または全部を、著作権者の許可なしに複製、転載することを禁止します。

Reproducing or copying Score, in whole or in part, is prohibited without the express written consent of the copyright holder.

©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)

                   Part. I in C Part. II in C Part. III in C         
イタリアーナ Andantino                                                                1.                                 Part. I Part. II Part. III 9 2.                                                                                                                   Part. I Part. II Part. III 16                                                                                                          Part. I Part. II Part. III 22                                                                                                   
I. Italiana
ª ª ª
                  Part. I Part. II Part. III 28                                                                                                      Part. I Part. II Part. III 35                                                                                                      Part. I Part. II Part. III 43           più  più  più                                                                                          Part. I Part. II Part. III 50                dim. dim. dim.                                                                       Part. I in C Part. II in C Part. III in C                     espress.  Andante cantabile  II. Arie di corte 宮廷のアリア  espress.  Part. II                                                                                   - 2©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª
         Part. I Part. II Part. III 8                                              Part. I                                                                             Part. I Part. II Part. III 16                                                             dim. dim. dim.                            Part. I Part. II Part. III 24                                 cresc.  cresc.  cresc.                                                  Part. I Part. II Part. III 32                                                  Part. II                                                  Part. I Part. II Part. III 39                 leggiero  leggiero  leggiero  Allegretto                                                                                 (ossia)                     - 3©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª
                        Part. I Part. II Part. III 45                                                                                                                          Part. I Part. II Part. III 50                                                                          Vivace                                        Part. I Part. II Part. III 56                                                                                            Part. I Part. II Part. III 63                                                                    (ossia)                                             Part. I Part. II Part. III 70                                                                                                - 4©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª
            Part. I Part. II Part. III 77                                                                       Meno                                  Part. I Part. II Part. III 84                 Lento con grande espressione                                                                                          Part. I Part. II Part. III 90                                                                                dim. dim. dim.                               Part. I Part. II Part. III 95                                                                             dim. dim. dim. poco rit.                  a tempo               rall.                            Part. I Part. II Part. III 100                                      Allegro vivace                                                                                                        - 5©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª
                              Part. I Part. II Part. III 105                                                                                                                                                                          Part. I Part. II Part. III 110                    Vivacissimo                                                                    Part. I Part. II Part. III 114                                                                                                                     Part. I Part. II Part. III 118                                                                                    Part. I Part. II Part. III 122         espress.  espress.  Part. III Andante cantabile                                          - 6©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª
         Part. I Part. II Part. III 129                                          Part. II                                                                  Part. I Part. II Part. III 136                                                                       dim. dim. dim.                Part. I Part. II Part. III 144                                                 cresc. cresc. cresc.                            Part. I Part. II Part. III 152                                                      Part. III                                                    Part. I in C Part. II in C Part. III in C       dolce III. Siciliana シチリアーナ Andantino               dolce                                                       1.        - 7©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª
            Part. I Part. II Part. III 10 2.                                                                                                                    Part. I Part. II Part. III 19        cresc. cresc. cresc.                                                     1.                                     Part. I Part. II Part. III 27 2.                                                                           Part. I Part. II Part. III 33                                                              cresc.  cresc. cresc.                            Part. I Part. II Part. III 39                                                    dim. dim. dim.                                   cresc.  cresc.  cresc.  - 8©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª
            Part. I Part. II Part. III  (Op.) 46                                                                    cresc. cresc. cresc.                                                 Part. I Part. II Part. III 53                                                                          1.                                 Part. I Part. II Part. III 61 2.           lunga                                                                               Part. I Part. II Part. III 67                                                                                                  Part. I Part. II Part. III 73                                                                                           - 9©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª

IV. Passacaglia

            Part. I Part. II Part. III 79                                                                                                Part. I Part. II Part. III 86                                               rall.                        Part. I in C Part. II in C Part. III in C        sostenuto
パッサカリア Maestoso               sostenuto sostenuto                                                                        Part. I Part. II Part. III 7                                                 ※Breath point                                      Part. I Part. II Part. III  (Op.) 12                                                                         - 10©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª
         Part. I Part. II Part. III  (Op.) 18                                                                                                                   Part. I Part. II Part. III 23                                                                                     Energico e più animato                                                               Part. I Part. II Part. III 28                       1.                            2.                                                                                                Part. I Part. II Part. III 33                        1.                              2.                           Vivace                                     Part. I Part. II Part. III 37                                                                                                                                                  - 11©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª
         Part. I Part. II Part. III 42                                                      Part. II                                       Part. III                                                              Part. I Part. II Part. III  (Op.) 47                                                                                                       Meno Vivo                                       Part. I Part. II Part. III 52                                                                       ※Play if possible.  1.                2.                                  ※Breath point Più largamente             Part. I Part. II Part. III  (Op.) 57                                                                                           1.                                               Part. I Part. II Part. III 61 2.              Largo                                             rit.                  - 12©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª

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