GHOA-31 「休暇の日々から 第一集」より(抜粋)

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「休暇の日々から 第一集」より(抜粋) 楽曲解説

デオダ・ド・セヴラック（Déodat de Séverac, 1872~1921）はフランスの作曲家で、郷里のラ ングドックの伝統音楽に根付いた作品を創作した人物です。 同じくフランスで同時代に活躍したドビュッシーも、セヴラックの作品の事を「良い香りの する音楽」と、好意的に評しました。

この楽譜ではピアノ組曲「休暇の日々から 第一集」から 4 つの楽章を抜粋しました。

セヴラックはあくまで「田舎の作曲家」を自称し続けたそうです。その為か、セヴラックと その作品は一時期忘れ去られてしまっていました。

拙編が、今日では埋もれてしまっている作品や、忘れ去られてしまった作曲家、また彼らに よる作品があったからこそ、今日の音楽がある、という事に思いを馳せて頂くきっかけにな れば幸いです。

演奏について：

Tb1,2 ともにテナートロンボーンを想定して書いています。もちろんバストロンボーンでも 演奏出来ます、その際は Tb2 の 2 声になっている箇所は、下声部を演奏してください。ま た、Euphonium, Bassoon でも演奏出来ます。このように、Tb 以外の楽器での演奏および移 調についても、自由に行って頂いて構いません。

（小國 晃一郎）

Program Note:

Déodat de Séverac (1872~1921) was a composer in France who especially created works on basis of Languedoc Languedoc was his homeland.

ClaudeDebussy,whowasalsoinFranceandlivedinthesameperiod,expressedtheworksbySéverac, “His music smells good.”

This piece is an excerpt from the suite “En vacances Vol. I”

They say that Séverac always called himself, “a composer in countryside”. Probably because of this, after his death, Séverac and his works were forgotten for a while.

I presume that it’ll be worth thinking that thanks to those forgotten works and forgotten composers, we can enjoy the present music.

Remarks on play:

Both Trombone 1 and 2 are arranged on basis of Tenor Trombone. However, you can play this piece by Bass Trombone, too. In this case, lower notes on Trombone 2 will be suitable. And, you can play this piece with Euphonium and Bassoon, too. You can play this piece, flexibly. (Kouichirou Oguni)

楽器編成 / Instrumentation

・Trombone 1 (or Euphonium)

・Trombone 2 (or Euphonium)

From "En Vacances Vol. 1"

「休暇の日々から 第一集」より（抜粋）

Déodat de Séverac (1872 ~ 1921) For Trombone Duo

I. Les caresses de Grand'-maman お祖母様が撫でてくれる

©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)

Arr. Kouichirou Oguni

        Trombone 1 (or Euphonium) Trombone 2 (or Euphonium)   Lento e molto espressivo il canto              
                          Tb.1 Tb.2 6        dim. dim.                   carezzevole carezzevole                                 Tb.1 Tb.2 12                          breve breve   affettuosamente affettuosamente                                     Tb.1 Tb.2 19                                                                              Tb.1 Tb.2 26                                              dim. dim.                 Tb.1 Tb.2 33                        cresc. cresc.                        sub.  sub.     dim. dim.
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              Tb.1 Tb.2 40            1.           2.                                rit.                     Tb.1 Tb.2 47           a tempo cresc. cresc.                                                  Tb.1 Tb.2 54                                                  Tb.1 Tb.2 61                        cresc. cresc.        (Opt.:8vb)                        dim. dim.     Tb.1 Tb.2 68        rit.                           morendo morendo                           Trombone 1 (or Euphonium) Trombone 2 (or Euphonium)    Tempo di ronda giocosa quasi presto                  II. Les petites voisines en visite 小さなお隣さんたちが訪ねてくる                         - 2©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª
        Tb.1 Tb.2 6                                                       Tb.1 Tb.2 13                             rit.           a tempo                      Tb.1 Tb.2 20                          rit.       a tempo                                Tb.1 Tb.2 27                                                                                    Tb.1 Tb.2 34                                                                                      Tb.1 Tb.2 41                                                                                     Tb.1 Tb.2 48                                              - 3©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª ª
        Tb.1 Tb.2 55                                                       Tb.1 Tb.2 62                                (ossia)        Più lento               Tb.1 Tb.2 69                         breve breve       au 1er Mouvt                rit.                       Trombone 1 (or Euphonium) Trombone 2 (or Euphonium)            Tempo di Minuetto                       IV. Mimi se d éguise en “Marquise” ミミは侯爵夫人の扮装をする                                          Tb.1 Tb.2 7                                                                             Tb.1 Tb.2 14                                       ※...Play lower notes in performance by Bass Trombone.                        - 4©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª
          Tb.1 Tb.2 20                                                                       Tb.1 Tb.2 25               ※...Breath point ※                                                                   Tb.1 Tb.2 30                                  rit.          a tempo                                          Tb.1 Tb.2 36                                                       Tb.1 Tb.2 41                                                                                        Tb.1 Tb.2 48                                                                                          Tb.1 Tb.2 54                                                                               - 5©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª ª
                Tb.1 Tb.2 60                                                                                      Tb.1 Tb.2 65               MINORE                                                                                     Tb.1 Tb.2 70                                         rit.                a tempo                                        Tb.1 Tb.2 76                                                                                               Tb.1 Tb.2 83                                                                              Trombone 1 (or Euphonium) Trombone 2 (or Euphonium)       Andantino                   V. Ronde dans le Parc 公園でのロンド                      - 6©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª
  Tb.1 Tb.2 9                                                           Tb.1 Tb.2 18            dim. dim.            rall.                                 a tempo   Tb.1 Tb.2         26                                                       ※ ※...Breath point     Tb.1 Tb.2        34                                               (ossia)         Tb.1 Tb.2 42                        cresc.                        Tb.1 Tb.2 50                                                     Tb.1 Tb.2 58        Più lento                     molto espress.           dim. dim.    rit.         - 7©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª ª

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