GHOA-28 Songs for Flexible Instrument Trio Vol.1 - Famous classical pieces for Beginners / arr. Koui

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Songs for Flexible Instrument Trio Vol.1 - Famous classical pieces for Beginnersシ オ 曲集 Vol.1 - 初級者 有名ク シック曲集Arr. Kouichirou Oguni 小國 晃一郎

1. No.7 from 24 Preludes, Op. 28 (Chopin) / 24 前奏曲 作品 28 第 7 番 ショ

2. Gavotte (Gossec) / ボッ ゴセック

3. Wedding March (Mendelssohn) / 結婚行進曲 メ ス

4. Military March “Pomp and Circumstance No. 1” (Elgar) / 行進曲 威風堂々第一番(抜粋) エ

楽器編成 (Instrumentation)

Part. I

C Instrument, Bb Instrument, Eb Instrument, F Instrument

Part. II

C Instrument, Bb Instrument, Eb Instrument, F Instrument, Bass Clef

Part. III

Bb Instrument, Eb Instrument, F Instrument, Bass Clef

演奏 い ：

小学校 金管 演奏を想定し 書い い す 記譜

Part. I Bb Cornet, Part. II Eb Tenor Horn (EbAlto Horn), Part. III Trombone

音域 し い す 演奏す 楽器や組 合わせ 記譜 オク げ

げ 演奏し く さい

1 曲 中 部分的 オク げ げ 良い 金管 Trombone,Euphonium,Tuba い 音記号 inBb 表記 楽譜 多い 普段そう

い 楽譜を読 慣 い 場合 Bb Instrument 楽譜を使う 良い

Remarks on Play:

Notation of sound range is on basis of;

Part. I Bb Cornet, Part. II Eb Tenor Horn (EbAlto Horn), Part. III Trombone (B.C.)

According to your instrument, you may play 1 octave higher or lower from notation.

Songs for Flexible Instrument Trio Vol.1 - Famous classical pieces for Beginnersフレキシブル・トリオのための曲集 Vol. 1 - 初級者のための有名クラシック曲集 -

No.7 from 24 Preludes, Op. 28 24の前奏曲 作品28より第7番

               Part. I in C Part. II in C Part. III in C     Andantino                              
                        フレデリック・ショパン Frédéric Chopin (1810~1849)          Part. I Part. II Part. III 5                                                                                    Part. I Part. II Part. III 11                                                                           ©2022 Kouichirou Oguni and Golden Hearts Publications
(ONSA)
Reproducing or copying Score, in whole or in part, is prohibited without the express written consent of the copyright holder.
楽譜の一部または全部を、著作権者の許可なしに複製、転載することを禁止します。
                  Part. I in C Part. II in C Part. III in C                        Allegretto                 Gavotte ガボット                                                          フランソワ＝ジョセフ・ゴセック François-Joseph Gossec (1734 ~ 1829)             Part. I Part. II Part. III 6                                                                                                                     Part. I Part. II Part. III 12                                                                                                        Part. I Part. II Part. III 18                                                                     - 2©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)
            Part. I Part. II Part. III 23                                                                                     Part. I Part. II Part. III 28                                                                                              Part. I Part. II Part. III 33                                                                                                Part. I Part. II Part. III 38                                                                                       Part. I Part. II Part. III 43                                                                                         - 3©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)
            Part. I Part. II Part. III 48                                                                                       Part. I Part. II Part. III 53                                                                                                           Part. I Part. II Part. III 58                                                                                               Part. I Part. II Part. III 63                                                                                          Part. I Part. II Part. III 68                                                                               - 4©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)

Wedding March

                   Part. I in C Part. II in C Part. III in C    3    3  Allegro vivace         3      3       3      3 
結婚行進曲       33         33        33       33  フェリックス・メンデルスゾーン
         Part. I Part. II Part. III 5                                                                                                                                                    Part. I Part. II Part. III 11                      3      3        *... (1st time only) * *                                                                                     Part. I Part. II Part. III 17                                                                                                                - 5©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)
Jakob Ludwig Felix Mendelssohn Bartholdy (1809 ~ 1847)
         Part. I Part. II Part. III 23                                                                                                                                 3      3                     Part. I Part. II Part. III 29      3      3        3      3        33         33        33       33                          Part. I Part. II Part. III 35                                                                              Part. I Part. II Part. III 41                                             allargando             - 6©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)

Military March "Pomp and Circumstance No. 1" 行進曲「威風堂々第一番（抜粋）」



            Part. I in C Part. II in C Part. III in C       Largamente
                     
    simile                 エドワード・エルガー
      Part. I Part. II Part. III     9                                                      Part. I Part. II Part. III     19                                            allargando       Part. I Part. II Part. III      29             a tempo                                           Part. I Part. II Part. III     dim. dim. 39                                                  simile simile                     - 7©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)
Edward
Elgar (1857 ~ 1934)
      Part. I Part. II Part. III      49                                                                Part. I Part. II Part. III      59                                                            Part. I Part. II Part. III      allargando 69                           a tempo                          Part. I Part. II Part. III      cresc. cresc. cresc. 77            rit.                         Allegro                                                                                Part. I Part. II Part. III            85                                                                   - 8©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)

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