GHOA-23 「休暇の日々から 第1集」より ロマンティックなワルツ

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「ロマンティックなワルツ」楽曲解説

デオダ・ド・セヴラック（Déodat de Séverac, 1872~1921）はフランスの作曲家で、郷里のラ ングドックの伝統音楽に根付いた作品を創作した人物で、同じくフランスで同時代に活躍 したドビュッシーも、セヴラックの作品の事を「良い香りのする音楽」と、好意的に評しま した。

この曲は組曲「休暇の日々から 第一集」からの一章です。

セヴラックは決して有名な作曲家とは言い難いのですが、そう言った作曲家や彼らによる 作品があったからこそ、今日の音楽がある、という事を考えて頂くきっかけになれば幸いで す。

（小國 晃一郎）

Program Note:

Déodat de Séverac (1872~1921) was a composer in France who especially created works on basis of Languedoc Languedoc was his homeland.

Claude Debussy, who was also in France and lived in the same period, expressed the works by Séverac, “His music smells good.”

This work, “Valse Romatique”, is from the suite “En vacances Vol. I”

Séverac may not be a popular composer, but, it’ll be worth thinking that thanks to those composers and their works, we can enjoy the present music.

(Kouichirou Oguni)

楽器編成 / Instrumentation

Bb Clarinet 1st

Bb Clarinet 2nd

Bb Clarinet 3rd

Bb Bass Clarinet

from the suite "En Vacances Vol. I"

「休暇の日々から　第1集」より ロマンティックなワルツ

Valse Romantique

Déodat de Séverac (1872 ~ 1921) Arr. Kouichirou Oguni

                B  Clarinet 1st B  Clarinet 2nd B  Clarinet 3rd B  Bass Clarinet                Allegro quasi vivo                                                               B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 6                                                        sub.  sub.                        B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 11                                                                           ©2021 Kouichirou Oguni and Golden Hearts Publications / ONSA
             B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 17                                                                                B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 22                                                                       B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 27                                                                               B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 33                                                                     - 2©2021 Kouichirou Oguni and Golden Hearts Publications / ONSA
        B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 38                                                                      B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 43                                                   dim.                                         B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 49                                                                                     B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 55                                                                    - 3©2021 Kouichirou Oguni and Golden Hearts Publications / ONSA
        B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 61                                                                           B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 66                                                             B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 71                                                             cresc. cresc. cresc. cresc.                          B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 76                                   3                                 cresc. cresc. cresc. cresc. - 4©2021 Kouichirou Oguni and Golden Hearts Publications / ONSA
        B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 81                                                                                  B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 86                                                              B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 91                                                                                 B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 97                                                                         - 5©2021 Kouichirou Oguni and Golden Hearts Publications / ONSA
        B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 103                                                                                        B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 109                                             sub.  sub.                                                  B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 115                                                                                          B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 121                                                           - 6©2021 Kouichirou Oguni and Golden Hearts Publications / ONSA
        B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 126                                                                     B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 131                                                            B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 136                                3                                      B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 141                    3                                                               3       - 7©2021 Kouichirou Oguni and Golden Hearts Publications / ONSA
        B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 147                                                                            B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 152                                                                            B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. 157                                                                 B  Cl. 1 B  Cl. 2 B  Cl. 3 B  B.Cl. (Opt.:8va) 162                       dim. poco a poco dim. poco a poco dim. poco a poco dim. poco a poco                                                             - 8©2021 Kouichirou Oguni and Golden Hearts Publications / ONSA

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