LITHOGRAPHS
Editions after René Magritte
PHILIPPE MORENO EDITIONS
1898 1900 1902 1910 1912 1913 1915 1916 1918 1919 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929 1930 1931 1932 1933 1934 1936
1937
René Francois Ghislain Magritte is born in Lessines (Hainaut) on the 21st of November, the son of merchant Léopold Magritte and milliner Adeline Bertichamps. The Magritte family moves to Gilly. René’s brother Raymond is born. René’s second brother Paul is born. The Magritte family moves to Châtelet, Charleroi and Brussels. First painting classes in Châtelet. René’s mother commits suicide, throwing herself into the Sambre river. The family moves to Charleroi. René meets Georgette Berger who will later become his wife. First works of an impressionist style. Attends the Beaux-arts Academy in Brussels until 1918. The family moves to Brussels. Magritte meets Pierre-Louis Flouquet with whom he shares a workshop and thanks to whom he discovers cubism and futurism. Magritte holds an exhibition with Pierre-Louis Flouquet at the Brussels Art Center. Meets E.L.T. Mesens who teaches the piano to his brother Paul. In February he attends Theo Van Doesburg’s conference on De Stijl. In December he exhibits 5 paintings at the International Modern Art Exhibition in Geneva. Military service in infantry. Marries Georgette Berger. Works at the wallpaper factory Peeters-Lacroix along with Victor Servrancks. They compose the essay L’art pur, défense de l’esthétique. Magritte paints cubist and futurist canvasses. In April-May, he participates in the collective exhibition organized by the journal ca ira in Antwerp, along with Lissitsky and Moholy-Nagy. Quits working at the Peeters-Lacroix factory and starts drawing advertising posters. Finds his first buyer, the singer Evelyne Brélia. Publishes aphorisms in Picabia’s journal 351 . Meets Marcel Lecomte and Camille Goemans. Stops composing abstract work and paints La Fenêtre that he considers his first painting. Publishes the journal Oesophage with E.L.T. Mesens. Discovers the work of Giorgio de Chirico and a copy of Le Chant d’Amour thanks to Marcel Lecomte. Meets Paul Souris and Paul Nougé. Paints Le jockey perdu, his first surrealist painting. Contract with the Le Centaure gallery in Brussels. First solo exhibition at the Le Centaure gallery in Brussels. Meets Louis Scutenaire who becomes a close friend. Moves to the Parisian suburb Perreux-sur-Marne in August and participates amongst the Parisian surrealist group. Meets Arp, Breton, Miró and Dalí. Exhibition at Mesens’ L’Epoque gallery in Brussels. Publishes texts and drawings in Nougé’s journal Distances. Participates in the surrealist exhibition at Goemans Gallery in Paris. Publishes 5 pamphlets, Le sens propre, written in collaboration with Goemans. Spends his summer in Cadaques with Dalí where he meets up with Gala and Paul Eluard. In December the journal La révolution surréaliste publishes its article Les mots et les images. The relationship with Breton starts to deteriorate. Returns to Brussels, continues to work for advertising to cope financially. Solo exhibition at Salle Giso in Brussels. Joins the Belgian Communist Party. Meets Paul Colinet. Solo exhibition at the Palais des Beaux-arts in Brussels. Collaborates in the compendium Violette Nozières. Accused of murdering her father for having raped her, Violette was the protagonist in the book that was collectively published by the surrealists. Magritte contributes with a drawing. Le viol, a cover illustration for Breton’s Qu’est ce que le surréalisme. Participates in the Minotaure Exhibition at the Palais des Beaux-arts in Brussels. First Solo exhibition in New York at the Julien Levy Gallery. Solo exhibitions at the Palais des Beaux-arts in Brussels and at the Esher Surrey Art Gallery in The Hague. In May he participates in the “Exposition surréaliste d’objets” at the Charles Ratton gallery in Paris, the International Surrealist Exhibition in London and the Fantastic Art, Dada, Surrealism exhibition at the Museum of Modern Art in New York. He renews his membership to the Belgian Communist Party. Spends a few weeks with Edward James in London where he gives a conference on his work at the “Young Belgian Artists” exhibition. In June he goes to Japan where his painting l'Épouvantail is displayed at the surrealist exhibition. His work is present at the “Exposition de l’art belge contemporain” that takes place in Moscow and Leningrad. In July he meets Marcel Mariën. Solo exhibition at the Julien Levy Gallery in New York. Designs the cover of the 10th journal of the Minotaure series. In December he displays 24 canvasses at the “Trois peintres surréalistes. René Magritte, Man Ray, Yves Tanguy” exhibition at the Palais des Beaux-arts in Brussels.
1938 1939 1940 1941 1943
1944 1945 1946 1947 1948 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960 1961 1962 1964 1965
1966 1967
Solo exhibition at the Julien Levy Gallery in New York. Participates in “Exposition internationale du surréalisme” in Paris and Amsterdam. Solo exhibition at the London Gallery. Solo exhibition at the Palais des Beaux-arts in Brussels. Collaborates in Raoul Ubac’s L’invention collective. Leaves Begium in May with his wife and Louis and Irène Scutenaire and moves to Carcassonne for three months. Solo exhibition at Galerie Dietrich in Brussels in January. Temporarily renounces his usual painting techniques to adopt an impressionist style that characterizes his “période Renoir” or “du plein soleil” period, which he pursues until 1947. He readopts his usual technique in 1945. First monograph of Magritte by Marcel Mariën in August, followed in October by Paul Nougé's work René Magritte ou les images défendues. Solo exhibition at Galerie Dietrich in Brussels. In September he renews his membership to the Belgian Communist Party for the last time. He leaves the party a few months later. Organizes the exhibition “Surréalisme. Exposition de tableaux, dessins, photos et textes” at the Galerie des Editions La Boetie in Brussels. Writes in collaboration with Mariën subversive leaflets that were seized by the police before their distribution. Illustrates Paul Eluard’s Les nécessités de la vie et les conséquences des rêves, précédé d’Exemples. Draws the cover page for the New York journal View (“Surrealism in Belgium ”) that introduced surrealism in the United States. Solo exhibitions at the Société royale des Beaux-arts in Verviers, as well as the Hugo Gallery in New York. One of the owners, Alexandre Iolas, becomes his dealer. Louis Scutenaire publishes Magritte’s monograph. Solo exhibitions at Galerie Dietrich in Brussels, the Hugo Gallery in New York and Galerie du Faubourg (the first in Paris in which he displays his work from his brief period known as “période vache”) Solo exhibition at Charleroi. Solo exhibitions at the Hugo Gallery in New York and Galerie Dietrich in Brussels. Paints the ceiling of the Théâtre royal des Galeries in Brussels. Exhibition with Paul Delvaux at the Casino communal in Knokke-le-Zoute. Creates La carte d’après nature that appeared until 1956, each in the form of postcards. Solo exhibition at Galleria dell’Obelisco in Rome and the Alexandre Iolas Gallery in New York. Paints the walls of the games room of the Casino in Knokke-le-Zoute: Le domaine enchanté, composed of eight large canvasses. Solo exhibition at the Sidney Janis Gallery in New York. First retrospective at the Palais des Beaux-arts in Brussels, organized by E.L.T. Mesens. Participates in the Venice Biennial. Retrospective exhibition at the Palais des Beaux-arts in Charleroi. Awarded the Guggenheim Award. Paints La fée ignorante for the Palais des Beaux-arts in Charleroi. Solo exhibition at the Alexandre Iolas Gallery in New York and Galerie “Cahiers d’art” in Paris. Solo exhibition at the Alexandre Iolas Gallery in New York . Retrospective at the Musée d’Ixelles. Ten drawings illustrate Mesens’ Poèmes 1923-1958. Exhibition at Galerie Rive droite in Paris. Stays in Paris where he visits Breton. In October, Suzi Gablik stays with the Magrittes and starts her monograph that will be published in London in 1970. Retrospectives at the Musée des Beaux-arts in Liège, the Museum for Contemporary Arts in Dallas and the Museum of Fine Arts in Houston. Collaborates in André Bosmans’ journal Rhétorique. Paints les barricades mystérieuses for the Salle de Congrès in Brussels. Retrospectives at the Grossenor Gallery and Obelisk Gallery in London. Solo exhibitions at the Alexandre Iolas Gallery in New York and Galleria Schwarz in Milan. Retrospectives at the Casino communal in Knokke-le-Zoute and the Walker Art Center in Minneapolis. Solo exhibition at Galerie Alexandre Iolas in Paris and New York in 1965. Henri Michaux publishes his essay on Magritte entitled En rêvant a partir de peintures énigmatiques for December series of Mercure de France. Solo exhibition at Little Rock. Patrick Waldberg’s monograph is published in Brussels. Retrospective at the Museum of Modern Art in New York, due to which René Magritte and his wife Georgette move to the United States for the first time. This exhibition will subsequently take place at Brandeis University, Chicago, Berkeley and Pasadena. James Thrall Sobey’s monograph is published in New York. Georgette and René Magritte travel to Israel. Solo exhibition at Galerie Alexandre Iolas in Paris. Magritte travels to Italy where he works on wax molds for the sculptures to be cast in bronze. On the 15th ofAugust René Magritte succumbs to cancer of the pancreas in Brussels.
Le masque vide
Color lithograph printed on Rives BFK paper. Edition limited as follows: - ca 60 x 90 cm in custom frame 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le masque vide, 1928 (oil on canvas, Kunstsammlung Nordrhein-Westfalen, NordrheinWestfalen). Published by Philippe Moreno in 2010.
Le masque vide, 1928 Ink and 32 x 46 cm Private collection
Les amants
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Les amants, 1928 (oil on canvas, Australian National Gallery, Canberra). Published by Philippe Moreno in 2010.
Le palais de rideaux III
Color lithograph printed on Rives BFK paper. Edition limited as follows: - set of 2 lithographs in custom frames 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamps (2), ADAGP blinstamps (2). Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le palais de rideaux III, 1928-29 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
Le temps menaçant
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte Le temps menaçant, 1929 (oil on canvas, Scottish National Gallery of Modern Art, Edinburgh). Published by Philippe Moreno in 2010.
La trahison des images
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 30 x 40 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte La trahison des images, 1929 (oil on canvas, Los Angeles County Museum of Art). Published by Philippe Moreno in 2010.
La clé des songes
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 75,5 x 56 cm in custom frame 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Printed by Art Lithographies - Paris, France, after the painting by René Magritte La clé des songes, 1930 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
L'évidence éternelle
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 155 x 41 cm (overall): set of 5 lithographs, framed, contained in original custom leather-covered case (33 x 27 cm). 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Printed by Art Lithographies - Paris, France, after the painting by René Magritte L'évidence éternelle, 1930 (oil on canvas, The Menil Collection, Houston). Published by Philippe Moreno in 2003.
René Magritte and L'Evidence éternelle, London Gallery, London, 1938
Profondeurs de la Terre ou Paysage
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 67 cm (overall): set of 4 lithographs, framed, contained in original custom leather-covered case (33 x 27 cm). 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Profondeurs de la Terre ou Paysage, 1930 (oil on canvas, private collection). Published by Philippe Moreno in 2003.
RenĂŠ Magritte, Profondeurs de la Terre ou paysage, 1929 Oil on canvas 12 x 22; 16 x 22; 22 x 16; 19 x 24 cm Private collection
La belle captive
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 58 x 78 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte La belle captive, 1931 (oil on canvas, Hogarth Galleries, Sydney). Published by Philippe Moreno in 2003.
RenĂŠ Magritte, La belle captive, 1931 Oil on canvas 38 x 55 cm Private collection
Le faux miroir
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 30 x 40 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte le Le faux miroir, 1935 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
La race blanche
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 78 x 58 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte La race blanche, 1937 (oil on canvas, private collection). Published by Philippe Moreno in 2003.
René Magritte, La race blanche, 1967 Bronze sculpture 58.5 x 45 x 24 cm Private collection
René Magritte, La race blanche, 1937 Oil on canvas
La représentation
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 59 x 43 cm in custom frame 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Printed by Art Lithographies - Paris, France, after the painting by René Magritte La représentation, 1937 (oil on canvas, Scottish National Gallery of Modern Art, Edinburgh). Published by Philippe Moreno in 2010.
Initial version of La Représentation held by Irène Hamoir, rue Esseghem, 1937
La durée poignardée
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte La durée poignardée, 1938 (oil on canvas, The Art Institute, Chicago). Published by Philippe Moreno in 2010.
René Magritte with La Durée poignardée, 1938
La victoire
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the gouache by RenĂŠ Magritte La victoire, 1938-39 (gouache, private collection). Published by Philippe Moreno in 2010.
Le plagiat
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 30 x 40 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le plagiat, 1940 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
Le retour
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 58 x 78 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte Le retour, 1940 (oil on canvas, Musée Magritte Museum, Brussels). Published by Philippe Moreno in 2003.
René Magritte, Le retour, 1940 Oil on canvas 50 x 65 cm Brussels, Musée Magritte Museum
La magie noire
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte La magie noire, 1945 (oil on canvas, MusĂŠe Magritte Museum, Brussels). Published by Philippe Moreno in 2010.
Magritte and Magie noire, 1966
La folie des grandeurs II
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 78 x 58 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte La folie des grandeurs II, 1948-49 (oil on canvas, Hirshhorn Museum, Washington). Published by Philippe Moreno in 2003.
RenĂŠ Magritte, La folie des grandeurs, 1948-49 Oil on canvas 99,2 x 81,5 cm Washington, Hirshhorn Museum
La valse hésitation
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte La valse hésitation , 1950 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
Shéhérazade
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte Shéhérazade, 1950 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
L'art de la conversation
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte L'art de la conversation , 1950 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
Le grand style
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2010. - 78 x 58 cm 275 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2003. Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le grand style, 1951 (oil on canvas, The Menil Collection, Houston).
RenĂŠ Magritte, Le grand style, 1951 Oil on canvas 80 x 60 cm Houston, The Menil Collection
Le séducteur
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 58 x 78 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte Le séducteur, 1951 (oil on canvas, private collection). Published by Philippe Moreno in 2003.
Les valeurs personnelles
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 58 x 78 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Les valeurs Personnelles, 1952 (oil on canvas, Museum of Modern Art, San Francisco). Published by Philippe Moreno in 2003.
RenĂŠ Magritte, Les valeurs personnelles, 1952 Oil on canvas 77,5 x 100 cm San Francisco, Museum of Modern Art
Golconde
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2010. - 58 x 78 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2003. Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Golconde, 1953 (oil on canvas, The Menil collection, Houston).
RenĂŠ Magritte, Golconde, 1953 Oil on canvas 80,7 x 100,6 cm Houston, The Menil Collection
L'Empire des lumières
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 30 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Both Published by Philippe Moreno in 2010. - 78 x 58 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2003. Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte L'Empire des lumières, 1954 (oil on canvas, Musée Magritte Museum, Brussels).
René Magritte, L'empire des lumières, 1954 Oil on canvas 146 x 114 cm Brussels, Musée Magritte Museum
Ceci n'est pas une pomme
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Ceci n'est pas une pomme, 1954 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
Le maître d'école
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte Le maître d'école, 1955 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
Magritte and Le Maître d'école, ca 1955
Le chef-d'oeuvre ou les mystères de l'horizon
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte Le chef-d'oeuvre ou les mystères de l'horizon , 1955 (oil on canvas, Frederick R. Weisman Art Foundation, Los Angeles). Published by Philippe Moreno in 2010.
Le 16 septembre
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le 16 septembre, 1956 (oil on canvas, Koninklijk Museum voor Schone Kunsten, Antwerp). Published by Philippe Moreno in 2010.
Le bouquet tout fait
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 30 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le bouquet tout fait, 1956 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
Le bouquet tout fait
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 78 x 58 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le bouquet tout fait, 1957 (oil on canvas, private collection). Published by Philippe Moreno in 2003.
RenĂŠ Magritte, Le bouquet tout fait, 1957 Oil on canvas Private collection
Souvenir de voyage
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the artwork by RenĂŠ Magritte Souvenir de voyage, ca 1958 (gouache on paper, private collection). Published by Philippe Moreno in 2010.
La nuit de Pise
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte La nuit de Pise, 1958 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
Le Château des Pyrénées
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2010. - 78 x 58 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2003. Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte Le Château des Pyrénées, 1959 (oil on canvas, The Israel Museum, Jerusalem).
René Magritte, Le château des Pyrénées, 1959 Oil on canvas 200,3 x 130,3 cm Jerusalem, The Israel Museum
La voix du sang
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 78 x 58 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte La voix du sang, 1959 (oil on canvas, Museum moderner Kunst Stiftung Ludwig, Wien). Published by Philippe Moreno in 2003.
RenĂŠ Magritte, La voix du sang, 1959 Oil on canvas 116 x 89 cm Wien, Museum moderner Kunst Stiftung Ludwig
Le tombeau des lutteurs
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le tombeau des lutteurs, 1960 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
Preparatory drawing for Le tombeau des lutteurs, 1960 10 x 12 cm Pencil and indian ink on paper private collection
La corde sensible
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 30 x 40 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte La corde sensible, 1960 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
Un peu de l'âme des bandits
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte Un peu de l'âme des bandits, 1960 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
Sketch in letter to André Bosmans, 19 July 1960.
Sketches relating to the work, 1960 Private Collection
L'entrée en scène
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the artwork by René Magritte L'entrée en scène, 1961 (gouache on paper, private collection). Published by Philippe Moreno in 2010.
L'empire des lumières
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 30 x 40 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Both Published by Philippe Moreno in 2010. - 58 x 78 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2003. Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte L'Empire des lumières, 1961 (oil on canvas, Private collection).
René Magritte, L'empire des lumières, 1961 Oil on canvas 114 x 146 cm Private collection
La cascade
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 58 x 78 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte La cascade, 1961 (oil on canvas, private collection). Published by Philippe Moreno in 2003.
RenĂŠ Magritte, La cascade, 1961 Oil on canvas 81 x 100 cm Private collection
Souvenir de voyage
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the artwork by RenĂŠ Magritte Souvenir de voyage, 1961 (gouache on paper, private collection). Published by Philippe Moreno in 2010.
Le Domaine d'Arnheim
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le domaine d'Arnheim , 1962 (oil on canvas, MusĂŠe Magritte Museum, Brussels). Published by Philippe Moreno in 2010.
Le beau monde
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2010. - 78 x 58 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2003. Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le beau monde, 1962 (oil on canvas, private collection).
RenĂŠ Magritte, Le beau monde, 1962 Oil on canvas 100 x 81 cm Private collection
La peine perdue
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 30 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte La peine perdue, 1962 (oil on canvas, 100 x 81 cm, private collection). Published by Philippe Moreno in 2010.
Souvenir de voyage
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Souvenir de voyage, 1962-63 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
La grande famille
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 30 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Both Published by Philippe Moreno in 2010. - 78 x 58 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2003. Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte La grande famille, 1963 (oil on canvas, private collection).
RenĂŠ Magritte, La grande famille, 1963 Oil on canvas 100 x 81 cm Private collection
La reconnaissance infinie
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 30 x 40 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte La reconnaissance infinie, 1963 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
La flèche de Zénon
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 30 x 40 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte La flèche de Zénon , 1964 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
La bataille de l'Argonne
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2010. - 58 x 78 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2003. Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte La bataille de l'Argonne, 1964 (oil on canvas, private collection).
Le fils de l'homme Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 30 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Both Published by Philippe Moreno in 2010. - 78 x 58 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2003. Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le fils de l'homme, 1964 (oil on canvas, 116 x 89 cm, private collection).
RenĂŠ Magritte, Le fils de l'homme, 1964 Oil on canvas 116 x 89 cm Private collection
La grande guerre
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 30 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Both Published by Philippe Moreno in 2010. - 78 x 58 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2003. Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte La grande guerre, 1964 (oil on canvas, private collection).
RenĂŠ Magritte, La grande guerre, 1964 Oil on canvas 81 x 60 cm Private collection
L'empire des lumières
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte L'empire des lumières, 1964 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
Le pays des miracles
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 78 x 58 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le pays des miracles, 1964-65 (oil on canvas, private collection). Published by Philippe Moreno in 2003.
RenĂŠ Magritte, Le pays des miracles, 1964-65 Oil on canvas 55 x 46 cm Private collection
Le printemps
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 58 x 78 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le printemps, 1965 (oil on canvas, private collection). Published by Philippe Moreno in 2003.
RenĂŠ Magritte, Le printemps, 1965 Oil on canvas 46 x 55 cm Private collection
L'oiseau de ciel
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte L'oiseau de ciel, 1966 (oil on canvas, MusĂŠe Magritte Museum, Brussels). Published by Philippe Moreno in 2010.
Décalcomanie
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 30 x 40 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte Décalcomanie, 1966 (oil on canvas, private collection). Published by Philippe Moreno in 2010.
Le blanc-seing
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 60 x 40 cm 275 exemplaries numbered in pencil 1/275 to 275/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2010. - 78 x 58 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2003. Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le blanc-seing, 1967 (oil on canvas, National Gallery ofArt, Washington).
RenĂŠ Magritte, Le blanc-seing, 1967 Oil on canvas 81 x 65 cm Washington, National Gallery ofArt
Le dernier cri
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 78 x 58 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by RenĂŠ Magritte Le dernier cri, 1967 (oil on canvas, private collection). Published by Philippe Moreno in 2003.
RenĂŠ Magritte, Le dernier cri, 1967 Oil on canvas 81 x 65 cm Private collection
La page blanche
Color lithograph printed on Rives BFK paper. Edition limited as follows: - 40 x 60 cm 275 exemplaries numbered in pencil 1/275 to 300/275 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2010. - 58 x 78 cm 300 exemplaries numbered in pencil 1/300 to 300/300 45 artist's proof exemplaries numbered in pencil EA 1/45 to EA 45/45 Published by Philippe Moreno in 2003. Printed signature, Magritte Succession blindstamp, ADAGP blinstamp. Countersigned in pencil by Charly Herscovici. Edition justificative printed on verso. Printed by Art Lithographies - Paris, France, after the painting by René Magritte La page blanche, 1967 (oil on canvas, 116 x 89 cm, Musée Magritte Museum, Brussels).
René Magritte, La page blanche, 1967 Oil on canvas 54 x 65 cm Brussels, Musée Magritte Museum
Photo credits All: Š C. Herscovici, ADAGP Paris 2013
All rights reserved Š2013, Artvalue.com, Luxembourg No part of this book may be reproduced or utilized in any form or by any means, electric or mechanical, including photocopying, recording or any information storage and retrieval system, without permission in writing from the publisher Printed in Belgium in August 2013