Architecture Portfolio by Grace Sekula

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PORTFOLIO

01 PRECEDENT STUDY

FALL 2021 | Architectural Design Fundamentals, Building Technology

02 RALEIGH ARCHIVE

FALL 2021 | Architectural Design Fundamentals, Building Technology

03 COLLEGE OF VETERINARY MEDICINE

SPRING 2022 | Architectural Design Professional Studio

04 TIMBER TOWERS

FALL 2022 | Tall Building Studio

05 URBAN HOUSING PROJECT

SPRING 2021 | Core Architectural Studio II

06 PRIVATE COLLECTION

FALL 2021 | Architectural Design Fundamentals, Building Technology

07 FILTERING LIGHT

FALL 2020 | Core Architectural Studio I

08 BROWN’S RANCH TRAILHEAD GATEWAY

FALL 2020 | Core Architectural Studio I

09 A PLACE FOR THE SPIRIT

SPRING 2023 | Advanced Architectural Design Studio

PRECEDENT STUDY

SCHOOL IN ORSONNENS | ORSONNENS, SWITZERLAND

PRECEDENT STUDY

SCHOOL IN ORSONNENS

Architectural Design Fundamentals: Building Technology

North Carolina State University Fall 2021

Led By: Matthew Griffith

Modeling Software: Archicad

This precedent study was a team project, and I worked with Kitti Kazay to produce the following images.

Architects: TEd’A Architects

Construction Period: 2014-2017

Type of School: Infant and Primary School

Gross Floor Area: 8038 sq. ft.

Effective Floor Area: 6217 sq. ft.

Classrooms: 9

Pupils: 158

Stories: 4 (including basement)

PHYSICAL MODEL
By Grace Sekula and Kitti Kazay

SITE PLAN

01 “Construction is Form”

The structural system is evident and exposed.

02 “Compactness and Outdoor Neutrality”

The building is compact, and does not encroach on the farmland surrounding it.

03 “Inner Wealth”

While the exterior is fairly neutral and simple, the interior is complex.

VICINITY PLAN

04 “Structure is Space”

The structure defines the space.

05 “The School Around an Empty”

There is a void in the center of the school, around which, all the classrooms are arranged. This is the gathering space.

Images Courtesy of TEd’A Architects
By Kitti Kazay
The design concept is the idea of “a farm school,” or a “grangecole.” School in Orsonnens is derived from traditional farm structures in Switzerland, and it is a reinterpretation of these models. There are five primary ideas behind this.

The shingles above the windows and at the base are made of copper in order to protect these areas from weathering.

PHOTOGRAPH
Courtesy of TEd’A Architects
LEVEL 01
By Grace Sekula
LEVEL 02
By Grace Sekula

The concrete at the base extends several feet up due to heavy snowfall in Switzerland. This is a typical feature of structures in the region.

SOUTH ELEVATION
SOUTH ELEVATION
LEVEL 03
By Kitti Kazay
LEVEL 04
By Kitti Kazay

Tying in with simplicity and traditional form, the school is square in plan and has a sloped roof, like a barn.

WEST ELEVATION
WEST ELEVATION

SECTION

They exposed the timber structure both inside and out. Repetition of members is emphasized and vertical lines are carried through all the way down to the concrete foundation.

ENCLOSURE DIAGRAM

STRUCTURE DIAGRAM

There is a central pillar, which is the focal point in the central common space. Beams extend from the pillar like branches, celebrating the timber structure. This is an example of how they incorporated local joinery techniques.

The use of dark wood on the outside and light wood on the inside makes the interior bright and airy and leaves the outside more subdued.

They used oversized shingles, which are a twist on the local vernacular of shingles for the facade.

PHOTOGRAPHS
Courtesy of TEd’A Architects

RALEIGH ARCHIVE

INFORMATION GARDEN HUB

Architectural Design Fundamentals: Building Technology North Carolina State University Fall 2021

Led By: Matthew Griffith

Modeling Software: Archicad

Project Objectives

01 To design a new model of library with equal parts public space, meeting space, creative space, work space, and media storage

02 To explore new ways of organizing space, new patterns of circulation, and exhibit innovative building technologies as a feature of the project aesthetic

03 To house a physical collection of special maps, documents, books, and artifacts and to provide access to a digital database searchable only on site.

(Summary based on project description by Matthew Griffith)

The roof and frame extend beyond the primary enclosure on the south and west facades, forming a framework in which different gathering spaces are suspended. A skin wraps around this framework, leaving some portions open and others more enclosed.

PEACE ST.

W. PEACE ST.
N. WEST ST.
CONCEPT 01
CONCEPT 01 STUDY MODEL
CONCEPT 02
CONCEPT 03

STUDY MODEL

The projecting gardens provide shade for the glazed facade, and meeting rooms project out from the west side, blocking some of the street noise from reaching the reading rooms.

An opening extends down the center, connecting all the key spaces and bringing in light from the skylight above

STRUCTURE DIAGRAMS

DEEP CAST-IN-PLACE CONCRETE 1-WAY JOIST SYSTEM

4” DEEP COMPOSIT DECKING

4” DEEP COMPOSIT DECKING + PERFORATED METAL DECKING ON PAVERS

The information gardens are broken up onto four levels, creating a connection between the important spaces inside and the information gardens outside.

SECTION STUDY MODEL

PERFORATED METAL DECKING outdoor floor surface

COMPOSIT DECKING indoor floor surface

CONCRETE walls + slab + retaining walls
GLASS windows + doors
STEEL columns + beams + joists
ARCHITECTURAL FABRIC + GLASS skin

FINAL SECTION MODEL

The skin used for the exterior is made of a layering of architectural fabric and glass. A wall made of the skin creates a partition between the support spaces and the gathering spaces. A clear solar array covers the entire roof, allowing in a lot of light.

6” STEEL COLUMNS
1’ DEEP STEEL GIRDERS CAST-IN-PLACE CONCRETE

COLLEGE OF VETERINARY MEDICINE

SHIFTING PLANES | EDUCATION BUILDING | RALEIGH, NC

COLLEGE OF VETERINARY MEDICINE

SHIFTING PLANES

Architectural Design Professional Studio North Carolina State University

Spring 2022

Led By: Marshall Purnell and Jianxin Hu

Modeling Software: Revit

Project Objectives

01 To become a social hub for the College of Veterinary Medicine, using scheduled and casual spaces to accommodate student and faculty needs at all times

02 To mark arrival on campus from both William Moore Drive and Trinity Road, developing the streetscapes along each road, and to improve walkability, encourage circulation, and prevent compartmentalization between campus facilities

03 To encourage outdoor activity by relating to existing and planned hearth areas

(Summary based on project description by Marshall Purnell and Jianxin Hu)

The concept for this design is shifting planes, connected by a central corridor. The shifting creates opportunities for green space to be incorporated on each level, and large elements of the program are located at the projecting ends.

PARKING DECK

CVM RESEARCH BUILDING
TERRY CENTER
CVM MAIN BUILDING
STATE HIGHWAY PATROL

RAIN GARDEN

CAFE SEATING LOADING

UNIVERSITY DINING SEATING

A retaining wall is used on the north and west sides, and access for loading runs along the retaining wall.

The overall form gestures toward the southeast corner, where the entry is located, and across the street from which, there is a large green space. The form plays off the angles and curves of the walkways within this green space.

PERSPECTIVE 01 Northeast Corner

STRCTURE DIAGRAM Level 01

SHEAR WALLS CROSS BRACING
SOUTHWEST BIRD’S EYE VIEW

PERSPECTIVE

SOUTH ELEVATION
EAST ELEVATION

PERSPECTIVE 04

Teaching Lab

SECTION A
SECTION B

PERSPECTIVE 06

Student Lounge

ROOF

85’-0”

STEEL ANGLE

8” PERFORATED STEEL ROOF DECK

STEEL GIRDER

STEEL JOIST

ROOF

79’-0”

LEVEL 05

63’-6”

LEVEL 04

48’-6”

CONCRETE CAP BLOCK

AIR/WATER BARRIER

STEEL SECTION

GROUT

TERRA COTTA PANEL

MOUNTING CLIP

SELF DRILL FASTENER

RAINSCREEN SYSTEM

2” RIGID INSULATION

VAPOR BARRIER

5/8” GLASS MAT SHEATHING

METAL COPING

TAPERED BLOCKING

AIR/WATER BARRIER

STEEL SECTION

PERFORATED METAL SCREEN

H.H.S.

INSULATION STOPPING

POUR STOP

COMPOSITE DECKING

SINGLE PLY ROOFING MEMBRANE

1/2” PROTECTION BOARD

MIN. 4” TAPERED RIGID INSULATION

STEEL COLUMN

STEEL BEAM

STEEL GIRDER

4” METAL KICKER

6” METAL STUD

SUSPENDED CEILING

5/8” GYPSUM BOARD

STEEL BOX HEADER

SEALANT

STEEL ANGLE

FLASHING

CURTAIN WALL FRAME

TERRA COTTA LOUVRE

DOUBLE GLASS PANEL

PRECAST CONCRETE SILL

FLASHING

SINGLE PLY ROOFING MEMBRANE

1/2” PROTECTION BOARD

MIN. 4” TAPERED RIGID INSULATION

PERSPECTIVE

Cafe

LEVEL 03

33’-6”

FLASHING

PRECAST CONCRETE

1/2” PROTECTION BOARD

SINGLE PLY ROOFING MEMBRANE

SOIL MIX

FILTER FABRIC

1 3/4” RETENTION BOARD

1/4” STORAGE MAT

AIR/WATER BARRIER

PERFORATED STEEL BENT PLATE

GRAVEL

METAL GUTTER

LEVEL 02

18’-6”

LEVEL 0

0’-0”

CONCRETE SLAB VAPOR BARRIER

1/2” JOINT FILLER WITH SEALANT GRAVEL FLASHING

DRAINAGE MATERIAL

PRECAST CONCRETE

2” RIGID INSULATION

CONCRETE FOOTING

TIMBER TOWERS

INTERSTITIAL | MIXED USE HIGH RISES | SAN FRANCISCO, CA

TIMBER TOWERS INTERSTITIAL

Tall Building Studio North Carolina State University Fall 2022

Led By: Wayne Place and Skidmore, Owings, & Merrill

Modeling Software: Revit

Project Objectives

This was a team project, and I worked with Tyron Alford to produce the following images.

01 City Design - To define zones, generate layout of blocks, transportation networks, pathways for pedestrians and bicycles, environmental features, vegetation, and space for the public.

02 Building Design - To define public, commercial, and residential functions, vertical and horizontal circulation, a structural system, facade treatements, a daylighting strategy, and integration of systems.

(Summary based on project description by Wayne Place)

The design celebrates the potential of what can occur between buildings and the discontinuities of the buildings, themselves. We aim to provide connections between the public and private, and between people and nature.

FINANCIAL DISTRICT

OAKLAND

SANMATEOBRIDGE

BAY BRIDGE

oriented north/south, giving them the benefit of southern light combined with views to the

RETAIL + PUBLIC AMENITIES

ROOFTOP POOL

ROOF GARDENS

RESIDENTIAL

MECHANICAL WILDFLOWER GARDENS

RESIDENTIAL AMENITIES CENTRAL SPACE ELEVATORS

GRAND STAIR +

RESIDENTIAL LOUNGE + EVENT SPACE

YOGA STUDIO + WEIGHT ROOM

FITNESS CENTER + CARDIO ROOM CAFE + COFFEE SHOP SEATING

ROOFTOP POOL ROOF GARDENS

RESIDENTIAL PREMIUM UNITS

RESIDENTIAL LEVEL TYPE B

FOUR BEDROOM - 2930 SF - 2715 SF THREE BEDROOM - 2040 SF - 1775 SF

THREE BEDROOM - 1725 SF TWO BEDROOM - 1375 SF ONE BEDROOM - 1030 SF - 875

STUDIO - 685 SF - 525 SF

A dynamic central space is placed between the two towers. This is the critical moment in the design. This is the space that is the most social and spatially dynamic. Program, movement, materiality, access to light, and outdoor space all come together within this space. It includes a combination of both indoor and outdoor amenities, combining an urban feel with nature.

RESIDENTIAL LEVEL TYPE A

THREE BEDROOM - 1725 SF TWO BEDROOM - 1375 SF ONE BEDROOM - 1030 SF - 875

STUDIO - 525 SF

NORTH AXONOMETRIC VIEW

The site unfolds toward the water on the east, gradually becoming less dense and more loosely organized, opening up views to the bay between clusters of buildings. The two towers are positioned between two high rises and podiums of staggering heights.

SOUTH AXONOMETRIC VIEW

PERSPECTIVE 05

Unit RESIDENTIAL LEVEL TYPE A

Three Bedroom

PERSPECTIVE 06

RESIDENTIAL LEVEL TYPE A

Yoga Studio

RESIDENTIAL

FOUR BEDROOM THREE BEDROOM
PREMIUM ROOFTOP UNITS
At the top of each tower, people can enjoy a series of roof gardens, which lead up to a covered swimming pool.

PERSPECTIVE 09

The structural system is CLT and steel. We are utilizing mass timber as a means to sequester carbon, as well as to minimize the mass of the building within this seismic zone.

STEEL

STRUCTURAL DIAGRAMS OFFICE

Wildflower Garden + Terrace

NORTH

EAST

The structural system is CLT and steel. We are utilizing mass timber as a means to sequester carbon, as well as to minimize the mass of the building within this seismic zone.

SLANTED MEGA COLUMNS
MEGA COLUMNS (3.5’) COLUMNS (14”)
SLANTED
(24”-30”)

URBAN HOUSING PROJECT

ROJA | MULTIFAMILY RESIDENTIAL | PHOENIX, AZ

URBAN HOUSING PROJECT

Core Architectural Studio II

Arizona State University Spring 2021

Led By: Katherine Dudzik Smith and Michael Underhill

Design Excellence Exhibition Nominee

Modeling Software: Archicad

Project Objectives

01 To design a multifamily residential project consisting of 16-25 units, including different unit types

02 To conform to the zoning requirements of the site, and to draw from the context of the site to determine the size, configuration, and orientation of the units

03 To create a connection to the surrounding community, and to foster a community feel and a sense of dwelling within the project

(Summary based on project description by Katherine Dudzik Smith and Michael Underhill)

Building Types + Green Space + Setbacks

SITE

RESIDENTIAL

COMMERCIAL

INSTITUTIONS/COMMUNITY RESOURCES

STREET ACCESS SETBACKS

E. PIERCE ST.
E. FILLMORE ST.
BEDROOM
E. FILLMORE ST.
CURB CUT
ROja is a multifamily housing development in the Historic Garfield District of downtown Phoenix. Inspired by the Spanish word for red, a play on the row house layout of the units, and a nod to nearby Roosevelt Row, the walkable arts district, ROja features red tones of the corten steel roofs and red clay tiles throughout on paths and porches, and draws from Spanish influence throughout the Historic Garfield District.

MATERIALS + COLORS

screen walls + floors + planters + partitions

Floor-to-ceiling windows, lightwells, and porous screen walls strike a balance between light and shade. Vines trellis the lightwells, and planters line the pathways, yards, and patios.

WHITE BRICK walls
CORTEN STEEL roofs + stairs
WOOD
RED CLAY TILES central walkway
LIGHT RED CLAY TILES private walkways + patios + stairs
BEDROOM
BEDROOM
BEDROOM
The development consists of 3-bedroom and 2-bedroom two story townhomes with private yards, as well as 1-bedroom flats and studios. Residents can gather on the rooftop deck and around a mural celebrating Phoenix, and greenery is an integral element in both the private and shared spaces.

FRAME + SKIN | RESIDENTIAL | RALEIGH, NC

PRIVATE COLLECTION

FRAME + SKIN

Architectural Design Fundamentals: Building Technology North Carolina State University Fall 2021

Led By: Matthew Griffith

Modeling Software: Archicad

Project Objectives

01 To design a structure for a private media library and residence and to allow the needs of the collection, both storage and display, to inform the architecture

02 To select two of the primary systems listed below for the design:

Plane: dividing, enclosing, overlapping

Skin: wrapping, layering, enclosing Frame: order, reference, metering Mass: stacking, carving, solid/void Light: transparency, opacity, opening

03 To incorporate passive cooling, rainwater collection, solar harvesting, a garden, and space for a mode of transit

(Summary based on project description by Matthew Griffith)

The two primary systems are frame and skin, and this is a home and workspace for a candle collector. The frame is heavy timber, and it is elevated on a concrete plinth. The skin is made of a combination of perforated metal panels, solid metal panels, and glass.

STUDY MODEL
STUDY
STUDY MODEL
The floors on the first level are wood and the floors on the second level are made of the skin, and are supported by the wood frame.

The variety in porosity of the skin creates variety in the light that comes through, and the volumes glow at night like lanterns.

FINAL MODEL

There is a long terrace at the front of the site, which features solar panels as well as hanging floral and potted herbs. These are used to scent the candles, and are placed at the front of the site so that visitors can easily access the garden and choose from a variety of scents.
The space for candle making and display follows the front terrace. It is a two-story space with floor-to-ceiling shelves all around and a two-story height opening in the center.
WEST ELEVATION Following the candle display space is a private garden with hanging floral. There is a cistern in the center of this space, so it is centrally located between the two volumes.
EAST ELEVATION
The private garden is two levels and connects the candle space to the home, using the skin on the second level to form a pathway between the two volumes.

A

SECTION
The sizes of the shelf openings vary, and the spacing is based on the spacing of the joists and the slats of the terrace, but with segments missing to create a variety of openings for display.

FILTERING LIGHT

FOLDING MOVEMENT | SHADE STRUCTURE | TEMPE, AZ

FILTERING LIGHT

FOLDING MOVEMENT

Core Architectural Studio I Arizona State University Fall 2020

Led By: Brayra Podeyn and Scott Murff

Modeling Software: Rhino

Project Objectives

01 To create a field of light and shadow through the use of a porous architectural skin for a 36’ x 108’ shade structure

02 To adapt a uniform system to create the appearance of a highly variable and customized design solution by varying the size of panels and the spacing of panels, and by incorporating additional methods to alter the form of the panels to produce a greater level of variation in order to enhance the filtering of light

03 To apply accessible customizations that can easily be incorporated into a fabrication and construction process because they work with the properties of the material and within the standard fabrication practices for that material

(Summary based on project description by Brayra Podeyn and Scott Murff)

This shade structure is composed of a customized system of folded, horizontal metal panels, reminiscent of origami. Each panel has one diagonal fold. The range of both, sizes of panels and angles of the folds, creates a sense of movement.

CUSTOMIZATION DIAGRAM

6’ X 4’ Metal Panel

Range From 6’ x 4’ to 1’ x 4’

PANELS

COLOR AND TEXTURE

Four Shades of Blue, Varying Textures and Reflectivity

and Black Panels with Fold Facing Down

GROUPING

Panels Grouped in Sets of Four, of the Same Color

SPACING Variable Spacing

The panels are arranged in groups of four with the folds facing in toward each other and one side open. This grouping arrangement dictates the placement of the panels.

Blue
Blue Panels with Fold Facing Down
Blue and Black Panels with Fold Facing Up

MARCH 15, 7:30 AM

DECEMBER 15, 12:30 PM

JANUARY 15, 2:30 PM

JUNE 15, 4:30 PM

JULY 15, 6:30 PM

Four shades of blue are used to represent the sky. The panels have a slight reflectivity, so they change colors at different times of day as they reflect the color of the sky.

The panels in each group of four are the same color, which emphasizes the origami theme, and the black folds are arranged in a wavy path to mimic the movement of a flock of birds.

STUDY MODEL

BROWN’S RANCH TRAILHEAD GATEWAY

RADIATING VIEWS | SCOTTSDALE, AZ

BROWN’S RANCH TRAILHEAD GATEWAY

RADIATING VIEWS

Core Architectural Studio I Arizona State University Fall 2020

Led By: Brayra Podeyn and Scott Murff

Design Excellence Exhibition Nominee

Modeling Software: Rhino

Project Objectives

01 To create a solution in which the user passes through the facility while remaining outside and can access all spaces independent of others

02 To provide a strong visual connection to the landscape for all key spaces

03 To incorporate shade spaces as integral elements of the composition and concept, and to ensure that the entry, gateway/passthrough, and respite areas are effectively shaded

(Summary based on project description by Brayra Podeyn and Scott Murff)

For this design, a set of buildings and pavilions come together to form a gateway between city and nature.

The layout is based on concentric circles and lines radiating from the center. This circular form emphasizes its surroundings by providing views in all directions, revealing the dramatic vistas of Cone Mountain, Brown’s Mountain, and Cholla Mountain.

NORTHEAST ISOMETIC VIEW

Each

03 PANELS

Panels range from 1’ to 4’ in length and width and spacing of panels ranges from 1’ to 4’

02 BEAMS

Spacing of structural attachments ranges from 1’ to 4’

01 COLUMNS

The pavilion at the entrance is angled from 16’ to 24’, and the pavilion over the seating area is angled from 12’ to 16’.

SYSTEM DIAGRAM Pavilions

MATERIALS

RUSTED STEEL

Will weather naturally over time and blend well with the landscape

CONCRETE

The heaviness creates a sense of roundedness and connection to the earth

GLASS

Floor-to-ceiling glass maximizes views

GRAVEL

Introduces a rough texture, which ties in with the rocky desert terrain

EARTH

Creates a strong connection to the site and mimimizes impact

ROOFS + PAVILIONS

+ MULLIONS + DOORS

+ FLOORS + BENCHES

WINDOWS + DOORS

LANDSCAPED AREAS + SEATING AREAS

WALKWAYS
WALLS
COLUMNS

A PLACE FOR THE SPIRIT

SPIRITUAL CENTER | RALEIGH, NC

A PLACE FOR THE SPIRIT

A PROCESSION THROUGH THE GREEN

Advanced Architectural Design Studio

North Carolina State University Spring 2023

Led By: Tom Barrie

2023 ACSA/AISC Steel Design Student Competition Nominee

Modeling Software: Revit

Project Objectives

01 To design a non-denominational spiritual center for North Carolina State University’s campus, using steel as the primary structural material

02 To position the spiritual center as a gateway between the Brickyard and the arboretum, as a place to pause, reflect, and gather, sparking connections between people and connections with the surrounding environment

03 To incorporate key elements observed in precedents of spiritual architecture, including a strong connection with nature and a compelling use of light, which are both closely tied with spirituality

From the west, the Brickyard, or the “campus hearth,” extends into the site, forming a courtyard and a shaded meditation garden with a calming atmosphere. Off the meditation garden, a terraced seating area spills out into the Brickyard, creating a seamless transition. The curve at this corner mimics the curves that define the surrounding grassy areas. From the east, the trees and greenery of the arboretum extend into the site, where the green roof gently touches down to the earth.

ARBORETUM
BRICKYARD
Preserving the mature trees within this urban campus was a driving force for the design, inspiring the use of Corten steel panels which feature custom perforations based on imagery of trees. These waterjet cut panels recall the natural setting of this campus site, and form a double skin around the spiritual gathering space.

PERSPECTIVE 02

Southwest Bird’s Eye View

SECTION DETAIL C

Perforated steel double skin

The skin appears “draped”, like branches, through the use of curves at the base. As light filters into the spiritual gathering space, the experience is reminiscent of sitting beneath a tree canopy, and the curves at the base allow for the amount of direct sunlight to vary.

SKIN

STRUCTURE

CORTEN STEEL SKIN PRECEDENT

De Young Museum, Herzog de Meuron Custom perforations based on photo imagery

PERFORATED “CANOPY”

steel panels waterjet cut based on tree canopy imagery

Corten

PERSPECTIVE 04 Northwest View

LOBBY/RECEPTION

ADMINISTRATION

GATHERING SPACE

MEDITATION SPACE

MULTIPURPOSE/FELLOWSHIP

CLASSROOMS/STUDY ROOMS/LIBRARY

SERVICE SPACES

PROGRAM BLOCKING Level 01

The roof gradually ascends, and a series of volumes are positioned along the way, leading to the spiritual gathering space at the highest point in the northeast corner. Vegetation weaves itself through multiple levels, creating a continuous connection with the arboretum, and respecting the importance placed on green space within the Brickyard. In addition to the vegetation, the material combination of Corten steel and copper allow these volumes to blend with the surrounding landscape, and with the warm tones of the Brickyard.

PERSPECTIVE 06 Southeast View

LOBBY/RECEPTION

GATHERING SPACE

MULTIPURPOSE/FELLOWSHIP

CLASSROOMS/STUDY ROOMS/LIBRARY

SERVICE SPACES

PROGRAM BLOCKING

OPERABLE WINDOWS FOR CROSS-VENTILATION

OPERABLE WINDOWS FOR CROSS-VENTILATION

PERFORATED SKIN FOR SOLAR SHADING

PERFORATED SKIN FOR SOLAR SHADING

SOLAR PV PANELS
SOLAR PV PANELS

GEOTHERMAL LOOPS (BEYOND) + RADIANT HEATING AND COOLING

GEOTHERMAL LOOPS (BEYOND) + RADIANT HEATING AND COOLING

ROOF

PERMEABLE SURFACE GREEN ROOF

PERMEABLE SURFACE RAIN GARDEN + REFLECTION POND

VEGETATION FOR SOLAR SHADING

VEGETATION FOR SOLAR SHADING

RAIN GARDEN + REFLECTION POND

VERTICAL LOUVRES FOR SOLAR SHADING (SOUTH AND WEST FACADES)

VERTICAL LOUVRES FOR SOLAR SHADING (SOUTH AND WEST FACADES)

Green Roof GREEN

COLOR THEORY PAINTING

Chuck Close Inspired Self-Portrait, Acrylic

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