3
C ON T E N T Ar ch i t ec t u ra l p o r t f o li o
6
[2]
CONTENT CURRICULUM VITAE Graham Cragg LIFE LINE Thesis Project 2017 -18
22
FINNIESTON COOK SCHOOL Bachelors Project 2016-17
42
URBAN QUILT Bachelors Project 2016-17
48
POP SHAWLANDS Bachelors Project 2014-5
50
DUNBARNIE LINKS G1 Architects 2018-19
52
DUNBAR GOLF CLUB G1 Architects 2018-19
54
MACHRIHANISH CLUBHOUSE G1 Architects 2018-19
56
ASDA ADEL G1 Architects 2018-19
58
YTHAN RIVER HOUSE A10 Architects 2013-15
60
TRINITY KITCHEN A10 Architects 2013-14
62
SUGAR DUMPLIN A10 Architects 2014-16
64
AYTON ROAD A10 Architects 2015-16
66
CASSILLIS STREET A10 Architects 2015
68
WELLEND SCOUT CAMP A10 Architects 2015
GRAHAM CRAGG
ABOUT I'm a hard working self-motivated part II architectural assistant, educated at The Mackintosh School of Architecture. I am a pro-active and keen learner, looking to make a positive impact to an architectural practice. I am capable of working in a team and individually completing tasks efficiently and to the best of my ability. I enjoy designing unique and interesting solutions. I feel that it is important to go into depth with values, history and context to find the best solution for the client. My approach to design reflects how I can take ideas and knowledge gained from previous work and apply this to current projects. PRACTICE EXPERIENCE July 2018 - Present Architectural assistant/G1 Architects/Glasgow
Over time, I have become much more efficient in drawing production and modelling ability. The office works at BIM level 2, which was new to me and has meant I have learnt skills in this area. I am keen on practises developing capacity to use VR, my thesis was in this area, and while in this role I have helped this office to take steps towards this. VR gives a unique ability for clients to understand building design better, and I feel that modern practise should be capitalising on this technology and making it an additional selling point of the business. May 2013-Nov 2016 Architectural assistant/A10 Architects/Glasgow I carried out a range of tasks, from working on an initial concept design to on-site constructing. I had responsibility over a range of projects, this included the day-to-day running of a variety of projects, as well as liaising with clients and other construction professionals, and carrying out numerous administrative tasks. My personal time management was crucial in this position, to balance competing priories for different jobs, and ensuring they fell within the necessary time scales and budgetary constraints, as well as maintaining a high standard of quality at all times.
As a part 2 architectural assistant, I have had numerous roles. This has been a step up in responsibility from my previous role, in that I am working on larger, more complex projects and with a greater amount of autonomy.
I also represented the company at different times, in public and private spaces and was often the main contact for new and ongoing clients.
The larger project sizes and costs, as well as working for larger companies has given me skills in negotiating with clients, my professional presentation skills and adapting my communication style based on the expertise of the person am I speaking to. This includes helping clients understand complex construction, for example going through drawings and breaking down architectural concepts in a way that non-architects will be able to understand and visualise.
Concept & Design Development
More autonomy has helped me build my confidence in my individual skills and abilities within the architectural industry. For example, stepping into a leadership role in a meeting where I was able to successfully negotiating a design and prevent a loss of architectural concept and vision built my confidence in my communication skills. All technical and 3D drawings in this job have been done through Revit, which has increased my skills level and understanding of the programme. CURRICULUM VITAE
TOOLS Research, Analysis and Strategy Design Execution
Layout, Sketching, Digital illustration, Photography Model Making
Wood, Cardboard, 3D Digital APPLICATION SOFTWARE Revit AutoCAD Illustrator Photoshop Google Sketchup Adobe InDesign Lumion 3DS Max
B IO G R A P H Y G ra h a m C ra gg
[1/2 70 Meadowpark Street] [Glasgow, G31 2SJ] graham.cragg@hotmail.com 07825212634 Website: www.grahamcragg.com Linkedin: www.linkedin.com/in /graham-cragg
[3]
GRAHAM CRAGG [1/2 70 Meadowpark Street] [Glasgow, G31 2SJ] graham.cragg@hotmail.com 07825212634 Website: www.grahamcragg.com Linkedin: www.linkedin.com/in /graham-cragg EDUCATION 2012 - 2018
Glasgow School of Art
Dip BA(Hons) Architecture (RIBA&ARB)
2010 - 2012 Motherwell College HND/HNC CAD Architectural Technology INTERESTS I have always been interested in design and aesthetics, applying this within architecture or previous careers . In my spare time I am a keen climber and snowboarder. I also enjoy going to gigs and have an interest in music. WORK HISTORY June 2017-December 2017 Sales Assistant/H&M Within this role I had a wide range of tasks associated with it, including cash handling, stock replenishment, display and general housekeeping duties. I worked closely with members of the public advising them on stock locations, giving advice and encourage purchases.
I worked closely with members of the public, using my culinary knowledge to give advice and encourage purchases. I have strong marketing skills and use my culinary knowledge to increase sales, including for promotional or new items. I built a good rapport with regular customers who would often request me to assist them with deciding on their purchases. Health and safety was important in this role for my personal safety and that of fellow staff and customers. I was mindful of keeping areas clean and tidy at all times and responding to any spillages. I also had to be diplomatic and was able to resolve customer queries and manage complaints. November 2009 – June 2010 Chef de Partie/The Cricklewood This role required me to be efficient under time pressure and produce high quality, attractive food. Attention to detail was crucial, as was being able to multi-task and excellent time-management. My communication skills were important in this role to ensure excellent customer services and efficient running of a kitchen. I led a small team of chefs, allocating tasks, and retaining an overview of the whole kitchen. I enjoyed using my creative skills to display plates that would enhance the consumer experience. August 2008 – November 2009 Commis Chef/The Grill Room at the Square
My communication and organisation skills were important, which resulted in me leading delivery organisation and replenishment on the designated delivery days.
I worked across a number of different restaurants in the company in this role, requiring me to learn new skills and techniques quickly and adapt to changing circumstances. Again, this was a fast-paced and pressured environment in which I thrive.
I also had to diplomatic and was responsible for processing returns and minor complaints.
I also received a high commendation in a review in this position from restaurant critic Tam Cowan. REFERENCES
June 2010-May 2013 Sales Assistant (Fishmonger)/Bernard Corrigan Ltd
B IO G R A P H Y G ra h a m C ra gg
This role had a wide range of tasks associated with it, including cash handling, stock management, display,stock ordering and general housekeeping/ cleaning duties.
[4]
CURRICULUM VITAE
Roy Malcom Position: Company Director / Architect Email: roy@g1architects.com Telephone: 0141 334 4881 / 07887 793633 Relationship to me: Manager / company director Darren Glennie Position: Company Director / Architect Email: Darren.glennie@A10architects.com Telephone: 0141 649 2296 / 07800 601457 Relationship to me: Former manager / company director
P O R T F O L I O
LIFE LINE With the constant urban expansions of cities, the loss of natural environments and habitats is happening at an alarming rate. Madrid is no exception to this.
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
With this being the case the reintroduction and synthesis of the urban habitat and natural habitat must be considered when designing new urban interventions, whether this be new expansions to the
[6]
SOUTH FACADE
D I P L O M A T H E S I S P R OJ EC T FIFTH YEAR OF STUDY // 2017-18 M A C K I N T O S H S C H O O L O F A R C H I T E C TU R E G L A S G O W S C H O O L OF A R T
outskirts or inner city development. The thesis explores introducing a green life line into the heart of Madrid's historical core that enables the linking of this area to existing landscapes within the city, initially looking at connecting the Casa de Campo and El Retiro Park, with further development looking at linking the Casa de Campo back to the city.
The main concept of this is the creation of an accessible bridgelike structure with an elevated park that links the existing streetscape of Madrid's historical centre and provides an accessible link to Casa de Campo. I envision this to be a vehicle enabling the existing urban fabric to be altered and greened in areas that allow this process.
[7]
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
SITE LOCATION The intended location for this intervention is a linear path across from the elevated pedestal of the royal palace toward the Lago Casa de Campo. This path provides not only a more direct link and route to the Campo, currently a convoluted route through the city to get here, but can provide an ecological route from the Campo to the city and the isolated landscapes currently within the city. This site enabled me to look at both the structural and architectural approaches in creating a structure of this scale as well as the technical consideration for designing a elevated park. I was also able to consider how a structure like this impacts the ground plane and the activities that are carried out here.
Location Within Madrid - The site is located to the south west of the city at the edge of the historical core towards the Manzanares River and the Casa de Campo.
This area can also be seen as the central location for the recent ecological developments of the Rio project that has been carried out on the banks of the river Manzanares and the reintroduction of biodiversity into the city. It can however be argued that the Rio project does not synthesises itself with the existing urban fabric of Madrid, unlike what this project is trying to do.
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
Existing site - The existing territory is located between the plinth of the Palace and the Casa de Campo. This area typologically differs creating a separation of the two landscapes of the city.
[8]
Pedestrian Movement - much of the pedestrian movement associated around the site is associated with movement through the historical city and landmarks. Little movement happens between the palace and the Campo (east to west).
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
PROPOSED SITE PLAN
[9]
[10]
Energy
H2O
Rainwater Collection
Grey water
Heating and cooling
Green Roof
Temprature Regulation
O2
Absorbtion of pollutants
With the ever increasing urban habitats in cities it begs the question as to why we would want to add more biodiversity habitats into the city. This diagrams gives a brief indication into how and why this type of habitat should be included into cities.
URBAN BIODIVERSITY AND HABITATS
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
Noise buffer
Evapotranspiration
Wind break
Carbon capture and storage
WHY DO THIS IN MADRID? Using elements from the principles described in the previous diagram the following outcomes could result in Madrid. The increased biodiversity within the city and the surrounding areas would allow the preservation of the fragile habitats and biome's of areas like the Casa de Campo.
G
G
G
m
G
Link Existing
Increased Accessibility
Layering of Habitats
Diversity in Species
Wellbeing Increased
Education + Discussion
H2O + O2 Increase
Knowledge + Research
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
G
G
[11]
CONCEPTUAL DESIGN
A SECTION THROUGH SPAIN - the initial conceptual thinking for the project was the idea to take an apparent section through Spain and using this variety of landscapes upon the route.
LAYERING OF THE SECTION this section is then taken and used as a driver in creating a route from the Place to the Campo finishing at the lake.
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
STRATA'S OF LANDSCAPE this route is then divided up into a selection of strata's that mimic the topographical structure of the section.
[12]
LINKING OF STRATA’S - these strata's of landscape are then linked by a northern mass that allows a direct link from the places to the Campo
DEFINITION OF SPACE - these masses are then linked with a frame that defines the route yet allows and openness to the structure.
Overlapping sections of the strata's also internal spaces to be made allowing the structure to provide spaces to incorporate an institution like a seed bank or research facilities that can be used to preserve the Spanish landscape.
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
LAYERING OF LANDSCAPE - the route and strata's are then layered with a variety of landscape conditions that have a feeling of a botanical garden - yet unlike a traditional botanical garden this celebrates the existing landscapes of Spain.
[13]
The intention to expand the existing botanical gardens, that is currently situated in the Parque de El Retiro to the east of the city, allows the creation of a clear programmatic schedule and understanding of requirements for the proposed flora and fauna to flourish. The landscaped levels created within the project create the idea of incorporating a section of the existing Spanish landscape. These zones focus on enhancing the existing landscape of Spain and preserving the fragile habitats and biome's of areas like the Casa de Campo. Each landscape is designed to embody the different aspects of the Spanish landscapes. It unlike a traditional botanical garden celebrates the native and predominant plants found within Madrid. In doing this it also promotes more natural habitat spaces within the city.
AXONOMETRIC
These strata's and levels are defined via the concrete outer frame, that defines the route, yet allows an element of transparency within the mass.
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
PROPOSED PLAN
[14]
PROPOSED SOUTH SECTION
LAYERING OF THE STRUCTURE - The structure embodies the conceptual ideas of layering different elements of Spain upon the route.
OUTER FRAME - the outer structure made up from concrete define space and the route.
VERTICAL MOVEMENT - Vertical movement via stairways are found through out the souther edge of the structure.
MULTIPLE ELEMENTS landscaped decks are made up of multiple elements that create a variety of textures and materials.
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
HORIZONTAL MOVEMENT - to the northern edge the main horizontal movement uses a similar architectural language to that of a viaduct. It allows a direct link between the city and the Campo.
[15]
ARCHITECTURAL TECHNOLOGY With the intention to create a landscape that projects the idea of incorporating a section of the existing Spanish landscape on to this, that is focused on enhancing the existing landscape of Spain. It also allows me to look at the requirements of these areas as well as highlighting the beauty and benefits of this synthesis of urban structure and natural habitats. With this being the case the AT of this project looks into how the natural aspects of the landscapes synthesis with mass. It also looks at a sustainable method of water use as water is a substantial resource
Wildlife connections
Water supplied via connection to the lake.
idea of creating a self sustained infrastructure has been incorporated into this design. With high volumes of water required for irrigation, connection to the lake and the used of rainwater harvesting was a key aspect of this strategy. Excess water would also be used to reinvigorate the Manzanares river and back into the lake. Bio waste would also be used to generate electricity needed again any excess being incorporated into the city grid.
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
[16]
Water tank
Filtration
Water ta
OVERALL STRATEGY
Rain water harvesting
Rain water harvesting
Storage
Storage
Excess water to lake
Inlet water from lake Irrigation and feature distribution
PROPOSED WATER DISTRIBUTION
WATER DISTRIBUTION - With water
being the most used resource within the intervention the idea to create a system that has the ability to replenish and manage its self has been adopted. The system has been designed to use existing water from the lake and harvest rain water with both being used for irrigation and feature elements. Excess water would be pumped back into the lake and used to help in the regeneration of the Manzanares river.
Excess water is reintroduced back into the Lake
New plant materials for research, landscapes and sale.
within the project. OVER ALL STRATEGY - The
Rain water harvesting from landscaped areas
Irrigation
PROPOSED SOUTH ELEVATION
Irrigation and feature distribution
Irrigation and feature distribution
Irrigation and feature distribution
Excess water is distributed into the Manzanares River. Adding to the regeneration of the river
Ash from the biomass used for fertiliser
Irrigation Bio waste from the landscapes burnt to create power Fertiliser
Outlet to the river
Excess power integrated into existing city grid
Green waste from Landscapes
Rain water harvesting
Rain water harvesting
Rain water harvesting
Storage
Storage
Storage
Irrigation and feature distribution
Irrigation and feature distribution
Irrigation and feature distribution
Irrigation and feature distribution
Irrigation and feature distribution
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
ank
Wildlife connections
[17]
The northern mass, and main circulation path acts as heat sink, due to the concrete mass and storage of water, that absorbs excess heat and creates additional natural cooling.
Planting of larger trees and plants to the souther aspects provides additional shading
Landscape areas are designed to retain water and to used this for both irrigation and replenishment to the Manzanares River and the Lake in the Capo
New landscaped areas provide additional habitats for nature as well as additional oxygen and C02 absorption for the city.
Due to the open structure of the design natural prevailing winds are able to pass through the structure providing additional cooling
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
Flooded sections of the landscape decks offer cooling spaces for users, and nature. This interaction with water is offered in various locations throughout the structure.
[18]
Over lapping levels provide shaded areas, beneficial for both users and nature from the harsh summer sun.
Existing habitats are retained where possible and additional planting added where needed. The under croft spaces also provide shaded areas in the summer.
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
A selection of hard wearing tactile materials and textures have been selected for this project. The used of recycled elements (fly ash and plastics) have been incorporated within the board marked concrete frame to reduce some of the environmental impact this material has. The exposure of the project and incorporation of water and synthesis of landscaped areas has led to the selection of hard wearing materials, that can withstand the impact nature and human interaction with minimal maintenance requirements.
[19]
TECHNICAL SECTIONS
8.
Landscape deck 23710
1. 2. 3. 7.
4. 5.
9.
6.
6.
10.
5.
7.
landscape deck 23710
14. 4.
8. 15.
9.
16.
3. 2. 1.
17. 18.
10.
19. 20.
Landscape deck 13710
21. 22. 23.
11. 24.
1.
1200mm Fly ash concrete slab with 750mm waste plastic filled voids. All soffits with board marked detailing. 2. 180mm sand and concrete blinding with vapour control layer below 3. 250mm pea gravel drainage layer with perforated drainage pipe to all perimeter edges. 4. 150mm paving 5. Service void with irrigation and drainage pipes 6. 1200mm high 10mm dia polished stainless steel railing. 7. 750 x 250mm Board marked fly ash concrete beam 8. 1000 x 500mm Board marked fly ash concrete column 9. 800mm > Landscaping planting medium area with moisture control layer below. All Landscaping areas to have 10x150mm corten steel curbs. All landscape areas to be connected to drip irrigation system. 10. 1500 x 500mm Board marked fly ash concrete column 11. 180 x 280mm steel stairs 12. 1500mm deep pile cap foundation with friction driven concrete piles.
11.
25.
12.
13.
GRound LeveL 2013 Ground level 6013 26. RiveR Bank 0
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13.
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
14. 15. 16. 17. 18. 19.
[20]
20. 21. 22. 23. 24. 25. 26.
1500 x 500mm Board marked fly ash concrete column and board marked 1000 x 500mm fly ash concrete beam. 1200mm high 10mm dia polished stainless steel railing. 180mm sand and concrete blinding with vapour control layer below. 450mm pea gravel drainage layer with perforated drainage pipe to all perimeter edges. 150mm concrete paving. 150mm porous concrete paving with 400mm plastic tank below. Variable water levels used to flood sections of paving and landscape levels. Metal grated plastic drainage unit set in sand/cement mix. Drainage to have 10mm corten steel curb. 500mm thk boarded marked fly as concrete wall. 1200mm fly ash concrete salb. Water pumping system within 2500mm high maintenance void space. Void space accessed via access point throughout circulation path. 500mm thk concrete diaphragm wall water tank. Water tank to be sealed and capped via 1300mm fly ash concrete slab. Submersible water pump used for irrigation systems through structure. 200mm dia overflow water drainage pipe. Overflow system to be controlled via sensors located with each tank space. 1200mm high 10mm dia polished stainless steel railing. 150mm concrete paving. 1200mm fly ash concrete slab. 500mm thk board marked fly ash concrete wall Facade supported two-dimensional trellis green wall system 800mm > Landscaping planting medium area with moisture control layer below. All Landscaping areas to have 10x150mm corten steel curbs. All landscape areas to be connected to drip irrigation system. Service void with irrigation and drainage pipes 150mm concrete paving. 250mm pea gravel drainage layer with perforated drainage pipe to all perimeter edges 180mm sand and concrete blinding with vapour control layer below. 1200mm Fly ash concrete slab with 750mm waste plastic filled voids. All soffits with board marked detailing. Vegetation mat green wall system. Drip irrigation system through. System to be mounted on 50 x 50 mm steel box frame with moisture control layer below. 1500mm deep pile cap foundation with friction driven concrete piles.
12.
river Bank 0
LANDSCAPE STRATA - PALACE SIDE
LI FE LI N E T he s i s Pr o j ec t 2 01 7 -1 8
LANDSCAPE STRATA - CAMPO SIDE
[21]
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
FINNIE S T O N COOK S CHO O L
[22]
The idea behind the building, a culinary arts hub, is to provide a place for the whole community to explore, empower and evolve their understanding of food. With the current influx of different cultures to the Anderston area, food can be a way to connect the current community with new or marginalised communities within the area, and wider Glasgow . The
vibrant
and
flourishing
B A C H E L O R S P R OJ EC T FORTH YEAR OF STUDY // 2016-17 M A C K I N T O S H S C H O O L O F A R C H I T E C TU R E G L A S G O W S C H O O L OF A R T
food and beverage industry already situated in Finnieston also allows the building to provide a commercial aspect, and any funds generated from a commercially ran restaurant/cafĂŠ/bar/deli or events held here could be re-invested into the Anderston. The main driver for the building is to have an influence on re-knitting of an existing fragmented community through the social aspects of food
and enable the area to have a better understanding of food that could lead to a better way of life. The culinary arts hub will provide a canvas for exploration into food and cooking, a place for community engagement and communication, a place for debating, learning and generating ideas , allowing it to thrive within the local context as well as wider Glasgow.
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
STREET FACING FACADE
[23]
SITE LOCATION The making, consumption and enjoyment of food is a process that is enjoyed throughout the world. Food in many cultures brings family, friends and communities together. From my own experiences, especially those gained through my previous training as a chef, this is something i have been involved with experienced. Food, and particularly tastes and smell has a cognitive link to memories, we all have that one dish that we can relate to a time of enjoyment and memories. With this I see food as a way we can reconnect and reinvigorate communities. Glasgow currently has a flourishing and exciting culinary scene. This diagram highlights the main culinary areas within the city. Finneston currently is a new emerging area for the culinary scene, an with this being the case the addition of a place to learn how to cook compliments this existing trend.
LOCATION WITHIN FINNESTON
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
The site is situated within a highly urban context. To the direct north of the site the busy Argyle street and the emerging 'Finnestoun Strip'. The site is adjacent to a more residential intersecting street, with similar conditions to the direct south. It is crucial to assess the noise pollution to the north that may affect the building and how to design around this issue
LOCATION WITHIN GLASGOW
[24]
SITE LOCATION
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
PROPOSED SITE PLAN
[25]
CONCEPTUAL DESIGN
mustard seeds
salt
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
salt & pepper
[26]
The construction of a building is ultimately like a recipe, a culmination of different objects that create a finished element. Within this element (dish) if made well you are able to identify each element that was used to make it.
contractor
This is something this culinary school tries to do this with the architecture, each element that is used within the constructions should be identifiable within the finished building.
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
architect
[27]
EXPLODED AXONOMETRIC
Minimal walls of division to encourage cross communication.
Furniture elements used to further divide space, yet allow
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
The structural frame is used to defined areas and volumes.
[28]
The facade is comprised of multiple elements, texture and depth. Each element is identifiable yet creates a single element.
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
PERSPECTIVE SOUTH SECTION
[29]
INTERNAL DESIGN
GROUND FLOOR
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
COMMUNAL KITCHEN
[30]
The making, consumption and enjoyment of food is a process that is enjoyed throughout the world. Food in many cultures brings family, friends and communities together. From my own experiences, especially those gained through my previous training as a chef, this is something I have been involved with experienced. Food,
and particularly tastes and smell has a cognitive link to memories, we all have that one dish that we can relate to a time of enjoyment and memories. With this I see food as a way we can reconnect and reinvigorate communities. With these aspects in mind the internal rooms allow this cross connection of learning and
memory. Each space from the basement library kitchens to the community kitchens on the second floor are connected via a selection of voids through the building that visually and audibly connect each space within the building. Even the more private top floor dining spaces share this experiential aspects of cooking, adding to the initial conceptual thinking.
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
EXTERNAL AND REAR FACADE
[31]
1.
5.
2.
4.
1.
4.
6.
3. 7.
8.
9.
10.
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
Basement Plan
[32]
Room Key: 1. Store 2. Fire Escape 3. Cold Store 4. DWC 5. Male WC
6. Female WC 7. Dry Store 8. Library Kitchen 9. Meat/Fish Kitchen 10. Plant Room
1.
1.
2.
3.
4.
Room Key: 1. WC 2. Goods Lift 3. Deli Unit 1 4. Deli unit 2
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
Ground Floor Plan
[33]
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
2.
Mezzanine Floor Plan
[34] 1.
Room Key:
1. Seating Area 2. External Terrace
1.
1.
3.
4.
2.
Room Key: 1. WC 2. External Terrace 3. Education Kitchen 4. Community Dinning
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
First Floor Plan
[35]
1.
3.
1.
2.
3.
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
Second Floor Plan
[36]
Room Key: 1. WC 2. Community Kitchen 3. External Terrace
1.
1.
2.
3.
5. 4.
Room Key: 1. WC 2. External Terrace 3. Dinning Room 4. Dinning Room 5. Private Kitchen
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
Third Floor Plan
[37]
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
SOUTH ELEVATION AND SECTION
South Elevation
[38]
South Section
ENVIRONMENTAL STRATEGIES The design used three materials to provide textural and material stimulation. These being concrete, used in the frame and load bearing element in both polished and boardmarked finishes. Corten steel on the external facade to provide texture and colour and glass to allow natural light to penetrate the mass.
Ventelation Extraction Units
Sedum roof covering providing a natural habitat for nature as well as providing filtration for rain water harvesting
Large glazed faรงades to provide natural light throughout the building
Natural Cross Venetlation
Concrete frame and slabs provide thermal mass to the building helping in prevent fluctuations in temperature
Natural Cross Venetlation
Natural Convection Current
Natural Cross Venetlation
Extracted hot air from kitchens used via heat recovery units used to heat large ground floor volume. UFH also used in all spaces to proven temperature differences through spaces
Natural cross ventilation and convection currents used to passively cool spaces
Generated bio-gas pumped through for gas cooking appliances and used for fuel in CHP unit. Both facilities backed up via gas network.
Gas Holding tank
Gas CHP
Food waste and bio waste siphoned back to bio-gas unit
M ATERIALIT Y A N D T EXT U R E
CONC R ET E
C OR T EN ST EEL
GL A SS
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
Bio-Gas unit
[39]
CONSTRUCTION DETAILING 3. 2. 1.
4. 5. 6. 7.
EXISTING BUILDING CONNECTION DETAIL 1.
10mm Corten steel rain-screen cladding. 2. Cold rolled steel cladding rails. 3. 100mm (50+50) Kingspan Optimum R Vacuum insulation with Breather membrane and Vapour Control layer (all joins to be taped and sealed). 4. 100mm Board Marked (internal
face) non-structural Concrete wall. 5. 50mm ridged insulation fire stop with DPC to both faces. 6. 100mm ridged insulation 7. 265mm in-situ concrete wall with 100mm sandwiched ridged insulation.
6.
5.
4.
3.
2.
TYPICAL GLAZING CONNECTION DETAIL
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
1.
[40]
Triple Glazed window unit with powder coated steel cill. 2. 250mm X 600mm concrete column with 100mm sandwiched ridged insulation. 3. 100mm Board Marked (internal face) non-structural Concrete wall. 4. 100mm (50+50) Kingspan
Optimum R Vacuum insulation with Breather membrane and Vapour Control layer (all joins to be taped and sealed). 5. Cold rolled steel cladding rails. 6. 10mm Corten steel rain-screen cladding.
1.
5. 3. 4.
2.
7. 8.
1.
9. 10.
EXTERNAL DECK DETAIL 1. Triple Glazed window unit with powder coated steel cill. 2. Pre-cast concrete cap stone connected to 230mm Bubble Deck slab with 70mm(30+40) Kingspan Optimum R Vacuum insulation 3. 1100mm steel hand rail directly fixed to cap stone 4. Raised pours concrete slab paving
5. Triple Glazed window unit with powder coated steel cill. 6. Walk on Sky light to be installed to manufactures details. 7. 12.5mm gypsum based plasterboard on timber stud work. 8. 230mm Bubble Deck Slab 9. 70mm(30+40) Kingspan Optimum R Vacuum insulation
10. 65mm Polished Screed with UFH inset with 0.15mm Polythene separation layer below
1. 2. 3.
4.
7. 8. 9.
5.
11. 12. 13.
EXTERNAL FACADE AND BASEMENT DETAIL 1. 10mm Corten steel rain screen to manufactures details. on Cold rolled steel cladding rails. 7. 12.5mm gypsum based plaster2. 100mm (50+50) Kingspan Optiboard Suspended ceiling with mum R Vacuum insulation with service void above. Breather membrane and Vapour 8. 230mm Bubble Deck Slab. Control layer (all joins to be taped 9. 70mm(30+40) Kingspan Optiand sealed). mum R Vacuum insulation. 3. 100mm Board Marked (internal 10. 65mm Polished Screed with UFH face) non-structural Concrete inset with 0.15mm Polythene wall. separation layer below. 4. Walk on Sky light to be installed 11. 500mm Board Marked (internal to manufactures details. face) retaining wall. 5. Concrete paving. 12. 100mm (50+50) Kingspan Opti6. Walk on Sky light to be installed mum R Vacuum insulation with
Breather membrane and Vapour Control layer (all joins to be taped and sealed). 13. Oldroyd Gtx membrane, 200mm pea gravel with perforated drain to base, Oldroyd Gtx membrane, existing back-fill.
FI N N IE S TO N C O O K S CH O O L B a ch el o rs Pr o j ec t 2 01 7 -1 8
10.
[41]
U RB A N Q UI LT B a ch el o rs Pr o j ec t 2 01 7 -1 8
URBAN Q UI L T
[42]
Situated within the West area of the city centre, Anderston has endured extensive change over the last few hundred years. It's prominent location is a result of its adjacency to the M8 and features buildings from various time periods including five housing blocks that began construction in the 1960's. The area is currently undergoing a regeneration project where
B A C H E L O R S P R OJ EC T FORTH YEAR OF STUDY // 2016-17 M A C K I N T O S H S C H O O L O F A R C H I T E C TU R E G L A S G O W S C H O O L OF A R T C O L L A B O R A T I O N WI T H : R O S S B E L L , N I C K O L A GJ OR GJ I E V S K I , S Y M O N E H O N G , R A H E E L A K H A N - F I T ZGERA L D , P E T E L O A D E R , L O U I S WI S Z N I EWSK I
Sanctuary Housing Association are erecting various tenement styled housing blocks consisting of mixed housing tenure. The scheme is centred on the notion of diversity, present in both the architectural landscape and the current communities of Anderston. From divisive 1960's social housing blocks, to traditional
tenements and industrial buildings, the sites character is defined by variety in its built form. The new proposals seek to celebrate and enhance this diversity, creating a patchwork of clearly defined yet subtly related clusters, which address each original typology in a new, contemporary way.
U RB A N Q UI LT B a ch el o rs Pr o j ec t 2 01 7 -1 8
LOCATION PLAN
[43]
U RB A N Q UI LT B a ch el o rs Pr o j ec t 2 01 7 -1 8
CONCEPTUAL DESIGN
[44]
The scheme is centred on the notion of diversity, present in both the architectural landscape and the current communities of Anderston. From divisive 1960's social housing blocks, to traditional tenements and industrial buildings, the sites character is defined by variety in its built form. The new proposals seek to celebrate and enhance this diversity, creating a patchwork of clearly defined yet subtly related clusters, which address each original typology in a new, contemporary way. Landscaping and significant changes in scale have been employed to integrate each patch and address the urban context, which varies dramatically between
the tenement blocks and cafĂŠ culture of Finnieston, towards the high rises and M8 bordering Glasgow's financial district. Key to the architectural moves shaping each patch is the desire to create a variety of external terraces and crossing points, both private and shared; designed to encourage residents to meet informally and converse, reestablishing the diminishing feeling of community which until recently thrived in Anderston. Our aim is to complement the diverse community through the provision of several distinct housing typologies, mixed together within each patch to ensure a healthy and stimulating blend of residents, and
guard against the segregation of any one group. Other important drivers include ensuring maximum access of Southern light across the site and on to St Vincent street; which we will re-invigorate through the introduction of Natural light, a replanning of the St Vincent Terrace blocks to include public spaces at street level, and the primary entrances of the new housing scheme. Additionally, improving permeability through Anderston, culminating in St. Patricks Church, re-instating the lost portion of Argyle street (Anderston High Street).
CONCEPTUAL STRATEGIES The scheme is centred on the notion of diversity, present in both the architectural landscape and the current communities of Anderston. From divisive 1960's social housing blocks, to traditional tenements and industrial buildings, the sites character is defined by variety in its built form. The new proposals seek to celebrate and enhance this diversity, creating a patchwork of clearly defined yet subtly related clusters, which address each original typology in a new, contemporary way. AFTER
BREAK OUT SPACES
Breakout spaces across the site include shared terraces between flats and private balconies. It is these breakout spaces that intencifise the interaction between occupants that was missing from the pre-existing fabric.
U RB A N Q UI LT B a ch el o rs Pr o j ec t 2 01 7 -1 8
BEFORE
[45]
MASTER PLAN Our aim is to complement the diverse community, through the provision of several distinct housing typologies. These are mixed together within each patch to ensure a healthy and stimulating blend of residents, and guard against the segregation of any one group. Landscaping and significant changes in scale have been employed to integrate each patch and address the urban context, which varies dramatically between the tenement blocks and cafĂŠ culture of Finnieston, towards the high rises and M8 bordering Glasgow's financial district.
MASTER PLAN
U RB A N Q UI LT B a ch el o rs Pr o j ec t 2 01 7 -1 8
Our scheme is divided into 4 elements of housing typologies that enhance this quilt concept we identified initially. These areas consist of retaining the existing tower block, the introduction of free standing block to the rear of these, a reinterpretation of the existing Glasgow tenement block we call the Mosaic apartments. These maximising access of southern light across the site and on to St Vincent street. Allowing the ability to create intimate breakout spaces, initiating interaction between flat types and its occupants. At street level new landscaping offers intimate streets to meander or pause. These block have small scale terrace housing to the rear, that enforce the traditional route of Argyle street and to the end of the site student/co-occupancy housing to responded to housing needs of the area.
[46]
AXONOMETRIC OF THE MASTER PLAN
[47]
U RB A N Q UI LT B a ch el o rs Pr o j ec t 2 01 7 -1 8
POP S HAW L ANDS
P O P S H A WL A N D S St u d i o P ro j e ct 2 0 1 4- 1 5
Pop shawlands is a new shipping container market located in the active shopping area of Shwalands. This market is designed to link the two main streets at Sawlands cross, the busy Kilmarnock road and the quieter Pollokshaws road
[48]
S T U D I O P R OJ EC T THIRD YEAR OF STUDY // 2014-15 M A C K I N T O S H S C H O O L O F A R C H I T E C TU R E G L A S G O W S C H O O L OF A R T
and provide the public with a new public space. Pop Shwalands is about connecting these two areas back together and allowing the public to interact within the space. The design focuses on
the use of shipping containers to create units that allow businesses and organisations within the area to expand and interact more with the public.
[49]
P O P S H A WL A N DS S t u d io P ro j e ct 2 0 1 4- 1 5
D UM B A RN I E LI N K S G 1 A r chi t ect s 2 01 8 -1 9
DUMB ARNI E LINKS
[50]
G 1 A R C H I TEC TS P R O F E S S I O N A L P R A C T I C E / / 2 0 1 8 - 1 9 // FIFE P R O J E C T M A N A G E R : S T E V E N T O M PSON PROJECT SCALE:500M2 P R O J E C T C O S T : ÂŁ 1 , 5 0 0 ,0 0 0
The creation of a new golf course on the fife coast line. G1 architects were appointed to design a new clubhouse, maintenance facility and ancillary buildings.
to create the desired layout for the client. The building comprises of a restaurant/bar, kitchen and back of house facilities, Pro shop and locker room facilities.
The design of the clubhouse is to replicate the existing agricultural typologies of the area. The building incorporates the traditional stone buildings of the coast line and merges it with modern "extensions"
My role in the project has been primarily undertaken during warrant and construction phases of the project. I have been tasked with the production of a large proportion of technical drawing information
and co-ordination on site, as well as the day to day running and liaising with both the client, contract(s) and wider construction team. I have also been present and engaged within site and design team meetings and producing administration documents to accompany discussions, as well as minor CDM tasks (F10 forms and CCP assessments)
[51]
D UM B A RN I E LI N K S G 1 A r chi t ect s 2 01 8 -1 9
D UN B A R GO LF C LU B G 1 A r chi t ect s 2 01 8 -1 9
DUNBAR GOLF CL UB
[52]
G1 Architects were appointed to design and develop a new Golf Clubhouse and driving range facility for Dunbar golf club as part of a large masterplan and housing development being undertaken. With the current clubhouse being inadequate for current users the relocation and expansion of a building was designed. Located on a predominant hillside are
G 1 A R C H I TEC TS PROFESSIONAL PRACTICE // 2018-19 // DUNBAR P R O J E C T M A N A G E R : S T E V E N T O M PSON PROJECT SCALE:700M2 P R O J E C T C O S T : ÂŁ 2 , 0 0 0 ,0 0 0
overlooking the 18th green, the single story building incorporates the views within the site to create a modest low profile building. The building separates the clubhouse facilities of the restaurant/lounge, locker room and admin facilities and that of the Pro shop and driving facility yet architecturally links them with the over-sailing roof structure and
material qualities. My role has been ongoing design development of the building and liaising with the client. I have been tasked with both the site wide 3D modelling and visualisation, with the modelling of the building and site being undertaken within Revit. I have also created planning documentation and initial costing information.
[53]
D UN B A R GO LF C LU B G 1 A r chi t ect s 2 01 8 -1 9
MA CHRI HANI S H CLUBHO US E
MA C H RI H A N I S H C L U B HO U S E G 1 A r chi t ect s 2 01 8 -1 9
After the tragic fire in 2018 that destroyed the existing clubhouse, G1 architects were appointed to design and develop a new clubhouse for Machrihanish golf club.
[54]
With the remote location and limited project budget, a modest sized building was designed to replace the existing structure on the same site. The design takes elements of the surrounding typology of the area,
G 1 A R C H I TEC TS P R O F E S S I O N A L P R A C T I C E / / 2 0 1 8 - 1 9 / / A RGYLL P R O J E C T M A N A G E R : R O Y M A L C OLM PROJECT SCALE:500M2 P R O J E C T C O S T : ÂŁ 1 , 8 0 0 ,0 0 0
and that of the existing ladies clubhouse situated on site. A modern take on a traditional pavilion style building was created that encapsulates the existing landscapes and views upon the site. The building consist of locker rooms, admin facilities and swing room to the ground floor, with a lounge/restaurant to the upper floor that overlooks the course and North Atlantic sea The initial design selected by the
clients was my approach to the design, and became the main concept for the building. I have been involved in the conceptual stages and planning stage of the project. I was responsible with the 3d modelling (in Revit), visualisation and production of initial planning documentation. As the project advances. I have also been part of design and technical discussions as well as design team meetings.
[55]
MA C H RI H A N I S H C L U B HO U S E G 1 A r chi t ect s 2 01 8 -1 9
ASD A ADE L
ASDA ADEL A1 A rc hi t e ct s 2 01 8 -1 9
With an aging stock of building and a desire to modernise and re-imagine current stores, ASDA appointed G1 architects to adapt a store located in Leeds.
[56]
The current store is situated in an area that over the past few years has undertaken major construction projects and demolition. With the ASDA store being within the heart of the community G1 were tasked with the demolition of a 3 story derelict office building to the rear of the store and the redevelopment of the store entrance and subsequent mall area.
G 1 A R C H I TEC TS P R O F E S S I O N A L P R A C T I C E / / 2 0 1 8 - 1 9 / / L EED S P R O J E C T M A N A G E R : R O Y M A L C OLM PROJECT SCALE:800M2 P R O J E C T C O S T : ÂŁ 3 , 0 0 0 ,0 0 0
The scheme consists of over cladding to the existing store façades, introduction of a new mall layout with toilet and cafe facilities and the regrading and landscaping to the rear of the store. My involvement in the project comprises of leading the overall design strategy for the store, the re-development of the existing mall area and the surveying and risk assessment of the demolition of the existing building to the rear. I have been tasked with the
production of all planning documentation and tender information, including initial technical information and leasing with the wider design team. I have also been the main contact and representative for G1 throughout the project, both within the design team element and client interaction. I have on many occasion been asked to client meetings involving upper management within ASDA and their internal design team.
[57]
ASDA ADEL A1 A rc hi t e ct s 2 01 8 -1 9
Y TH A N R I V E R H O U S E A1 0 Ar ch i t ec t s 2 0 1 3 -1 6
YTH AN RI V E R HOUSE
[58]
The new build house which is situated less than 20m from the shore of the river Ythan, Aberdeenshire, is designed according to the principals of Passive House, however due to the client's requirements Passive House certification was not intended. Due to clients requirements the house is wheelchair friendly
A 1 0 A R C H I TEC TS P R O F E S S I O N A L P R A C T I C E / / 2 0 1 3 - 1 5 / / A B E R D E E N SH IR E P R O J E C T M A N A G E R : D A R R E N G LEN N IE PROJECT SCALE:230M2 P R O J E C T C O S T : ÂŁ 1 5 0 ,0 0 0
with the main accommodation on the ground floor and guest accommodation located on the first floor. The house has underfloor heating, heat recovery and a wood burner fitted along with increased insulation values via SIP panel construction and triple glazing throughout.
My duties within the project where primarily undertaken during warrant and build stages producing amendments as per requested from the council and the production of construction documentations during build. I was also involved with internal and external detailing elements and design.
[59]
Y TH A N R I V E R H O U S E A1 0 Ar ch i t ec t s 2 0 1 3 -1 6
TR I N IT Y K IT CH E N A1 0 Ar ch i t ec t s 2 0 1 3 -1 6
TRINIT Y KITCHEN
[60]
A10 Architects were appointed by an existing UK wide client to design a new champagne bar located within the newly refurbished Trinity Kitchen Leeds. The bar forms part of an eclectic dining experience alongside Pho, Chip & Fish and a selection of food vans. The design of the bar maximise the limited space
A 1 0 A R C H I TEC TS P R O F E S S I O N A L P R A C T I C E / / 2 0 1 5 / / L EED S P R O J E C T M A N A G E R : D A R R E N G LEN N IE
available with in the client demise. I was involved within this project from inception to completion. My duties within this project included liaising with the client and shopping center representatives as well as local authorities. I was also tasked with production, alteration and amendments of initial and manufacturing drawings. This in
turn allowed me to be a main point of contact for the manufacturing team. Due to the scale of the project I also undertook some project management roles and task including specification and sourcing of equipment and materials and minor health and safety documentation and implantation.
[61]
Y TH A N R I V E R H O U S E A1 0 Ar ch i t ec t s 2 0 1 4 -1 6
S U G AR D U MP L I N A1 0 Ar ch i t ec t s 2 0 1 3 -1 6
SU GAR DUMPL I N
[62]
Sugar Dumplin Caribbean BBQ & Bar is a UK wide bar/restaurant concept. While working for A10 architects I was involved with four proposed developments located throughout the UK. While at A10 Architects we working closely with client on the brand and design of the bar/restaurant, with Princes Square Glasgow being the first A10 Architects designed and project managed the scheme and were also key in resourcing fixtures and fitting for the interior fit out.
A 1 0 A R C H I TEC TS P R O F E S S I O N A L P R A C T I C E / / 2 0 1 4 - 1 6 / / U K WID E P R O J E C T M A N A G E R : D A R R E N G LEN N IE
During my period with A10 architects I was involved in additional projects located in Wembley, Camberley and Kingston upon Thames. During these projects I worked along side a senior architect and interior designer with my primary role being main support in both design and architectural aspects of the projects. Through the culmination of he projects I was heavily involved in all aspects of the initial design and branding. With primary
responsibilities around production of drawings, specifications and information to obtain warrants and planning as per each council requirement, during construction I was also involved with project management aspects and on site quality control. I was also tasked in procurement and specification of kitchen equipment and the kitchen design and layout(s) for both the working kitchen spaces and pot wash facilities.
[63]
S U G AR D U MP L I N A1 0 Ar ch i t ec t s 2 0 1 4 -1 6
A Y TO N R O A D A1 0 Ar ch i t ec t s 2 0 1 3 -1 6
AYTON ROAD
[64]
Located within a conservation area in the south side of Glasgow, this internal alteration and rear extension provided the client with additional living spaces for their young family. The client required a high level of design and finishes. The extension to the rear is designed to allow for the existing lower kitchen to expand into as well as provide dinning and additional informal living space. The client also specified a high level of natural light and the ability to allow living spaces to expand externally. I was involved with this project from the initial survey up until I left A10 Architects.
A 1 0 A R C H I TEC TS P R O F E S S I O N A L P R A C T I C E / / 2 0 1 5 / / G L ASGOW P R O J E C T M A N A G E R : D A R R E N G LEN N IE PROJECT SCALE:400M2 P R O J E C T C O S T : ÂŁ 1 5 0 ,0 0 0
Due to the project being with a conservation area council imposed restrictions limited the amount of external alterations and materials allowed to be used within the area. During my involvement with the project my duties involved the initial survey of the building internal and externally. I was also tasked with the initial design of the extension and internal alterations, including new kitchen placement, new WC facilities and alterations to existing rooms to the lower ground floor level. Within this position i was primary contact to the client and liaised with them and the Glasgow
city council to obtain both planning permission and building warrant. During warrant production , that including u-value calculations, I was also the main contact with the appointed engineers and was responsible with providing them with drawings and information when required as well as reviewing and assessing the information they provided us. Up until the point I left A10 I was also responsible for providing construction information to the appointed contractor that included setting out drawings, full constriction details and any specifications or information that was required.
[65]
A Y TO N R O A D A1 0 Ar ch i t ec t s 2 0 1 4 -1 6
C AS S I LLI S S T R E E T A1 0 Ar ch i t ec t s 2 0 1 3 -1 6
CASSIL L I S STR EE T
[66]
A refurbished end terrace townhouse located in the centre of Ayr's conservation area. The brief was to convert the existing hotel back into a family home whilst retaining many of the original features. The house is designed over 4 floors with the main reception room and kitchen located on the lower ground floor with direct access to the rear courtyard. This project required high levels of internal alterations,
A 1 0 A R C H I TEC TS P R O F E S S I O N A L P R A C T I C E / / 2 0 1 5 // A YR P R O J E C T M A N A G E R : D A R R E N G LEN N IE PROJECT SCALE:230M2 P R O J E C T C O S T : ÂŁ 1 0 0 ,0 0 0
and with the clients requirements the taking down of an external wall in the lower ground floor to be replaced with glass sliding doors. Due to the location of this project being with a conservation area, council imposed restrictions limited the amount of external alterations and adaptations to the front of the building. Throughout the project I was involved in all aspects of the internal
adaptation and was primary contact when leasing with the appointed engineers. My tasks undertaken in this project included full warrant and planning drawings as required by the local council, preparation of all information for the engineers and any construction information and drawings required by the appointed contractor(s). I was also involved in project management aspects of the project including some CDM aspect.
[67]
C AS S I LLI S S T R E E T A1 0 Ar ch i t ec t s 2 0 1 3 -1 6
W E LL E N D S C OU T C A MP A1 0 Ar ch i t ec t s 2 0 1 3 -1 6
WELLE ND SC OUT CAM P
[68]
During my time at A10 Architects we were appointed to look at a feasibility for a new Scout camp accommodation building for Well End Scout Activity Centre, located in Borehamwood Hertfordshire. Due to the restricted budget a simple barn like structure that allowed for off site or prefabricated construction was explored. My role
A 1 0 A R C H I TEC TS P R O F E S S I O N A L P R A C T I C E / / 2 0 1 5 // A YR P R O J E C T M A N A G E R : D A R R E N G LEN N IE
within this project was to work along side a senior architect within the practice to develop a practical and functional accommodation and events space within the building. The building comprises of Kitchens, breakout spaces, storage and cleaning facilities and a large main hall space to the ground floor, with twelve two bed, en suite
rooms for guests, with additional toilet facilities. I was responsible for the preparation of the initial layouts and CAD drawings, as well as production of a 3D model and renders as requested by the client. I was also responsible for facade design and material allocation, and alterations as requested by the client.
[69]
W E LL E N D S C OU T C A MP A1 0 Ar ch i t ec t s 2 0 1 3 -1 6
GRAHAM CRAGG
P O R T F O L I O
[70]