The Piano Guys
Eydie 3/15
Augustin Hadelich 3/11
Festival Orchestra: Tchaikovsky & Time for Three 3/25
Barricade Boys
Chris Botti 3/31
Michael Feinstein: My Tribute to Tony Bennett 3/3
What's Inside?
S ANDERSON LINCOLN S ANDERSON LINCOLN
From the Publisher
Publisher Shelly Spence
Managing Editor
Joseph J. Airdo
Graphic Designer
Meaghan Mitchell
Contributing Writers
Joseph J. Airdo
Francine Coles
Shannon Severson
Photographers
Francine Coles
Loralei Lazurek
Advertising Sales
Cindi Calcinari
860-966-3271 cindi@imagesaz.com
Images Arizona P.O. Box 1416
Carefree, AZ. 85377
623-341-8221
shelly@imagesaz.com imagesarizona.com
AAs the desert landscape bursts into bloom, our March issue of Images Arizona celebrates the cultural richness and innovative spirit that define our Arizona communities.
This month’s issue is a testament to the diverse talents and experiences that make our region truly special. Our cover story, “Orchestral Excellence,” takes you behind the scenes of Arizona Musicfest’s crown jewel event. Discover how this unique assembly of elite musicians transforms North Scottsdale into a classical music oasis each March, rivaling the nation’s finest orchestras.
Art and automotive enthusiasts alike won’t want to miss our feature on “Heritage Meets Horsepower.” This groundbreaking event fuses Indigenous artistry with Ferrari’s legendary designs, positioning Scottsdale at the forefront of a fascinating cultural conversation.
As we welcome the warmer days, our photo essay “Into the Flames” offers a powerful reminder of the fierce beauty and potential dangers that come with our desert climate. Photographer Mark E. Anderson’s stunning images capture the raw power of Arizona’s wildfires, serving as both a visual spectacle and a call to vigilance.
Speaking of which, don’t miss our important sidebar on wildfire preparedness. “Fighting Fire with Forethought” provides crucial information on how to protect your property and community through the Firewise program — a timely read as we enter the drier months.
As you flip through these pages, I hope you’ll be inspired to embrace the spirit of renewal that spring brings to our desert home. Whether you’re experiencing world-class music, exploring cutting-edge art or simply enjoying the beauty of our landscape, there’s so much to celebrate in our communities this season.
Cheers,
Shelly Spence
Publisher, Images Arizona
Photography by Loralei Lazurek
THIRD THURSDAY ART
NIGHT
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THURSDAY, MARCH 20 FROM 4 TO 7 PM
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FFor one extraordinary week each March, North Scottsdale becomes the epicenter of orchestral excellence as Arizona Musicfest presents its crown jewel event — Festival Orchestra Week. Under the masterful direction of Robert Moody, this unique assembly of elite musicians from America’s premier orchestras transforms the desert into a classical music oasis.
“It’s like driving a Ferrari,” says Moody, who marks his 18th season as music director. “From the first rehearsal, this orchestra plays at a level significantly higher than most North American orchestras achieve in performance. That’s a bold statement, but it’s true.”
Writer Joseph J. Airdo // Photography Courtesy of Arizona Musicfest
Maestro Robert Moody, now in his 18th season as music director of Arizona Musicfest, brings his dynamic vision to the 2025 Festival Orchestra Week.
From the first rehearsal, this orchestra plays at a level significantly higher than most North American orchestras achieve in performance.
That’s a bold statement, but it’s true. Robert Moody
The concept behind the Festival Orchestra is brilliantly simple: Create an orchestral equivalent of an allstar game, featuring top players from America’s most prestigious ensembles. What began as an ambitious vision has evolved into one of classical music’s most compelling success stories.
“When I started almost 20 years ago, I knew just one player in the top 10 orchestras — a cellist from the Chicago Symphony I’d known in grad school,” Moody recalls. “We started reaching out to musicians from orchestras in cold-weather cities with a compelling pitch: good pay, great treatment, and average temperatures of 76 degrees and sunny.”
That winning formula has created what Moody describes as “an embarrassment of riches,” with players from major orchestras now actively seeking opportunities to perform with the ensemble.
Mozart’s Requiem
Sunday, March 23 // 2 p.m. // Pinnacle Presbyterian Church // 25150 N. Pima Road, Scottsdale // $86+
Mozart’s Requiem stands as one of classical music’s most poignant masterpieces, its profound emotional depths made even more compelling by the circumstances of its composition — as Mozart’s final, unfinished work. This March, Maestro Robert Moody leads the Festival Orchestra, Festival Chorus and guest soloists in a performance that carries deep personal resonance.
“This concert has deep personal significance for me,” Moody shares. “I lost my husband, Jimmy Jones, just over a year ago. Jimmy was the Festival Orchestra’s guest organist for nearly as long as I’ve been conducting the ensemble.”
Toccata Festiva, a powerful work for organ and orchestra by Samuel Barber, will open the program. The piece features outstanding local organist Dr. Ilona Kubiaczyk-Adler. Moody is dedicating the performance to Jones’ memory.
“Music helps — it really does,” Moody reflects. “I’ve told audiences countless times that music heals and brings people together. Now I’ve experienced the truth of those words more profoundly than I ever imagined possible.”
The afternoon also showcases the virtuosity of Henrik Heide, principal flutist of the Cincinnati Symphony Orchestra, performing Ibert’s Flute Concerto.
“Henrik is an absolutely phenomenal player,” Moody says. “His performance alone is worth the price of admission.”
This masterwork concert promises both artistic excellence and emotional resonance, demonstrating music’s unique power to honor, heal and inspire.
Tchaikovsky & Time for Three
Tuesday, March 25 // 7:30 p.m. // La Casa de Cristo Lutheran Church // 6300 E. Bell Road, Scottsdale // $56+
Innovation meets tradition as Arizona Musicfest presents a groundbreaking program pairing Tchaikovsky’s triumphant Fifth Symphony with a world premiere by one of classical music’s brightest contemporary voices. The evening features “Silicon Hymnal,” a new triple concerto by Grammy-winning composer Mason Bates, performed by the genre-defying string trio Time for Three.
“Mason was our composer-in-residence back around 2010, when we first commissioned a work from him,” Moody explains. “Since then, he’s won three Grammys, including one just days ago, and his second opera is opening the Metropolitan Opera’s season in New York next fall.”
The piece showcases Time for Three, themselves multiple Grammy winners, whose unique style blends classical virtuosity with contemporary innovation.
“What makes this concerto particularly special is how it incorporates electronica, with Mason using a laptop and drum pad in the percussion section to create sounds beyond what acoustic instruments can produce,” Moody says.
The program concludes with Tchaikovsky’s Fifth Symphony, demonstrating how masterworks of the past continue to resonate alongside cutting-edge contemporary compositions.
“I think what’s exciting about this program is how it might draw different audiences,” Moody reflects. “Some people will come for Tchaikovsky’s Fifth Symphony, one of the greatest works in the orchestral repertoire, while others will be curious about this innovative new piece.”
‘Star Wars’ Celebration
Friday, March 28 // 7:30 p.m. // La Casa de Cristo Lutheran Church // 6300 E. Bell Road, Scottsdale // $65+
The Force is strong with Arizona Musicfest as the Festival Orchestra presents an evening celebrating John Williams’ iconic scores from the “Star Wars” saga. This concert takes audiences on a musical journey through all nine films of the Skywalker saga, plus beloved themes from the expanded “Star Wars” universe.
“Star Wars has such a personal connection for so many people,” Moody says. “Being 57 now, I was just the right age to be completely captivated by that first release. I started practicing those themes on my cello constantly.”
Rather than relying on costumes or theatrical elements, this performance puts the focus squarely on the musical brilliance that has become inseparable from the “Star Wars” experience.
“‘Star Wars’ is the perfect example of how movies wouldn’t be half of what they are without their musical scores,” Moody explains. “John Williams’ compositions, along with those who contributed to later films and series, are absolutely essential to the experience.”
The program presents the music chronologically, from Episode I through Episode IX, incorporating memorable themes from spinoffs like “Solo,” “Rogue One” and “The Mandalorian.” A narrator helps guide the audience through this musical exploration of a galaxy far, far away.
“There’s something really special about letting this magnificent music stand on its own,” Moody reflects. “Just the pure power of a world-class orchestra bringing these beloved themes to life.”
Rachmaninoff & Copland
Sunday, March 30 // 2 p.m. // La Casa de Cristo Lutheran Church // 6300 E. Bell Road, Scottsdale // $56+ Festival Orchestra Week concludes with a powerful pairing of Russian romanticism and American spirit, featuring piano prodigy Maxim Lando performing Rachmaninoff’s monumental Third Piano Concerto alongside Copland’s quintessentially American Third Symphony.
“I first worked with Maxim when he was 14,” Moody says. “He’s only about 20 now, but he’s already performed with the Kirov Orchestra in Russia and the Philadelphia Orchestra. He’s a genuine prodigy.”
The program opens with Rachmaninoff’s Third Piano Concerto, famously featured in the Academy Award-winning film “Shine.” Known for its technical demands and emotional depth, the concerto represents the pinnacle of the Romantic piano repertoire.
Looking ahead to America’s upcoming 250th anniversary celebration, the concert concludes with Copland’s Third Symphony, which incorporates his iconic “Fanfare for the Common Man.”
“Copland wrote ‘Fanfare for the Common Man’ in 1942, shortly after Pearl Harbor, as part of the war effort to boost morale,” Moody explains. “Two years later, he composed his Third Symphony, structuring the entire work as a buildup to the finale, where he incorporates the complete ‘Fanfare’ into this amazing rhapsodic fourth movement.”
“When audiences realize we have musicians performing at this level right here in Scottsdale,” Moody adds, “it’s like putting a Ferrari into full throttle.”
contributing to Greater Scottsdale’s evolution as a cultural destination. Since Moody took the helm of the Orchestra, the region has experienced tremendous growth in both population and artistic sophistication.
“The metro area has grown exponentially since I first conducted the ensemble in 1998,” Moody reflects. “The whole region has exploded, bringing with it more diversity and broader musical interests.”
Under Moody’s leadership, the Festival Orchestra has embraced this evolution, offering programming that spans classical masterworks, contemporary compositions and film scores. This approach has helped build new audiences while maintaining the highest artistic standards.
“We’re musical explorers,” Moody says. “We’re always seeking ways music can evolve in the 21st century. And when you have an orchestra this phenomenal, it makes for quite a joyride.”
As Festival Orchestra Week 2025 approaches, it stands as a testament to the power of artistic vision, collaborative spirit and musical excellence. In bringing together some of the nation’s finest orchestral musicians, Arizona Musicfest has created more than just a series of symphonic concerts — it has established a cultural phenomenon that continues to elevate Greater Scottsdale’s position in the classical music world.
azmusicfest.org
COMMUNITY
March 2025
Writer Joseph J. Airdo
Through March 30 IMAGINARIUM
This 3-acre illuminated wonderland features millions of LED lights creating enchanted forests, rose gardens and magical scenes. The walk-through experience includes infinity mirror rooms, photo opportunities, interactive activities and daily circus performances. The event spans both indoor and outdoor spaces with laser mazes, glow art and play areas. $24; children 3–12 and seniors 62+ $19; 2 and under free. See website for times. Superstition Springs Center, 6505 E. Southern Ave., Mesa. 725-272-2700; imaginarium360.com
Through
March 2
GREATER PHOENIX JEWISH FILM FESTIVAL
The 28th annual festival presents international films with Jewish themes. See website for prices and schedule. Harkins Arrowhead Fountains 18, 16046 N. Arrowhead Fountains Center Drive, Peoria; and Harkins Shea 14, 7354 E. Shea Blvd., Scottsdale. gpjff.org
Through March 2
PV ARTS & CRAFTS SHOW
Marlo Johnson Promotions presents this local version of Sedona’s Oak Creek Arts & Crafts Shows at the newly reimagined PV (formerly Paradise Valley Mall). The event features nearly 50 juried artists, live demonstrations and entertainment. Free admission and parking. 10 a.m.–5 p.m. The Park at PV, 4568 E. Cactus Road, Phoenix. oakcreekartsandcraftsshow.com
Through March 2
‘SCHOOL OF ROCK’
Scottsdale Desert Stages Theatre presents Andrew Lloyd Webber’s musical about a wannabe rock star who transforms prep school students into a powerhouse band. See website for ticket prices and showtimes. Mainstage at Scottsdale Desert Stages Theatre, 7014 E. Camelback Road, Suite 0586, Scottsdale. desertstages.org
Through March 2
SEDONA INTERNATIONAL FILM FESTIVAL
Named one of MovieMaker Magazine’s “25 Coolest Film Festivals in the World,” this nine-day celebration presents 150+ independent films from around the globe. The event features filmmaker Q&As, industry panels, red-carpet events and VIP receptions. See website for ticket prices and schedule. Multiple venues, Sedona. 928-282-1177; sedonafilmfestival.com
Through March 9
‘CLEAN HOUSE’
Theatre Artists Studio presents Sarah Rule’s whimsical comedy about a maid who dreams of being a comedian while her employers’ lives unravel in unexpected ways. See website for ticket prices and showtimes. Theatre Artists Studio, 12406 N. Paradise Village Parkway East, Scottsdale. thestudiophx.org
Through March 27
‘MAPS: CONTOURS OF A STORY’
Explore artistic interpretations of maps in this juried exhibition at Scottsdale Civic Center Library. Features diverse media including sculpture, felted wool, textiles and digital prints, each illustrating unique stories and concepts through mapping. Free. Gallery hours vary. Civic Center Public Gallery, Scottsdale Civic Center Library, 3948 N. Drinkwater Blvd., Scottsdale. scottsdalepublicart.org
Through March 27
‘A TAINTED MIND: CLOSE-UP MAGIC WITH TANK’
Magician Tank Hanna presents an intimate evening of mind-bending magic. The show features card magic, transformation acts and interactive performances. $54–$74. Saturdays 7 p.m. Hilton Garden Inn Scottsdale Old Town, 7324 E. Indian School Road, Scottsdale. tanksmagic.com
Through March 30
ARIZONA RENAISSANCE FESTIVAL
Step back to the 16th century at this 50-acre medieval theme park featuring 16 stages of entertainment, jousting tournaments, 200 artisan shops and period food and drink. Over 2,000 costumed characters bring the Village of Fairhaven to life. $36; children 5–12 $24; 4 and under free. 10 a.m.–6 p.m. Saturdays and Sundays. Arizona Renaissance Festival, 12601 E. Highway 60, Gold Canyon. 520-4632600; arizona.renfestinfo.com
March 1
ART D’CORE GALA: PRISM
Artlink’s 12th annual celebration of Arizona arts and culture transforms Biltmore Fashion Park into a prismatic wonderland. The evening features visual displays, live performances and culinary creations from local artists. Creative attire encouraged. Proceeds benefit Artlink’s community initiatives. See website for ticket prices. 7 p.m. Biltmore Fashion Park, 2502 E. Camelback Road, Phoenix. artlinkphx.org
March 1
SCOTTSDALE MOTORSPORTS GATHERING
Scuderia Southwest presents this curated display of members’ rare and high-performance vehicles. Free for spectators. 7–10 a.m. Market Street at DC Ranch, 20789 N. Pima Road, Scottsdale. scuderiasouthwest.com
March 1
‘SUN, MOON & STARS’
Carolyn Eynon Singers join forces with the Chandler Children’s Choir for a celestial-themed concert. $30; students $15; groups (10+) $25. 3 p.m. Camelback Bible Church, 3900 E. Stanford Drive, Paradise Valley. 480529-2630; cesingers.org
March 1–2
GALBANI ITALIAN HERITAGE FESTIVAL OF PHOENIX
Heritage Square transforms into an Italian piazza featuring authentic cuisine, imported beverages and entertainment. The event includes an Italian marketplace, classic car and motorcycle displays, and family-friendly activities. $10+. 11 a.m. Heritage Square, E. Adams St. and N. Seventh St., Phoenix. italianfestivalphoenix.com
March 1–2
SCOTTSDALE GARDEN CLUB FLOWER SHOW
The club’s biennial show celebrates Scottsdale’s eight sister cities through creative floral designs, horticultural displays and botanical arts. Features educational exhibits about international flora and cultural connections. Free. Saturday noon–5 p.m., Sunday 1–4 p.m. Mustang Library, 10101 N. 90th St., Scottsdale. scottsdalegc.org
March 3
‘MY TRIBUTE TO TONY BENNETT’
Arizona Musicfest presents Michael Feinstein and the Carnegie Hall Big Band celebrating Bennett’s legacy through iconic hits including “Because of You,” “Rags to Riches” and “I Get a Kick Out of You.” Features multimedia elements. $65+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480422-8449; azmusicfest.org
March 7–8
M3F
FESTIVAL
North America’s longest-running nonprofit music festival presents LCD
Soundsystem, Justice and 30+ artists across multiple stages. All proceeds benefit local charities. Features indie, electronic, rock and hip-hop performances. See website for ticket prices and schedule. Steele Indian School Park, 300 E. Indian School Road, Phoenix. m3ffest.com
March 7–9
TOUR D’ARTISTES STUDIO TOUR AND SALE
The Fountain Hills Art League presents its 13th annual self-guided tour featuring 19 artists at 10 studios and three galleries. Watch artists create original works in various media, including painting, glass, photography, ceramics, fiber art and jewelry. Free. 10 a.m.–4 p.m. Various locations throughout Fountain Hills. See website for tour map and participating artists. fountainhillsartleague.com
March 7–9
WORLDWIDE WOMEN’S FILM FESTIVAL
This festival supports and empowers women in filmmaking while highlighting diverse stories across all genders. The event features film screenings, free public panels and networking opportunities. Free afterparties on Friday and Saturday nights. $15–$230; see website for ticket options. Friday 6–11 p.m., Saturday 9 a.m.–11 p.m., Sunday 9:30 a.m.–6 p.m. Harkins Shea 14, 7354 E. Shea Blvd., Scottsdale. 602-525-3012; filmfreeway. com/worldwidewomensfilmfestival
March 8
ALPIOS AT TROON CARS & COFFEE
Alpios at Troon hosts a monthly gathering featuring diverse vehicles and charitable initiatives benefiting St. Vincent de Paul. Complimentary coffee and doughnut holes; breakfast burritos available for donation. Free. 6–9 a.m. Alpios at Troon, 10452 E. Jomax Road, Scottsdale. alpiosattroon.com
COMMUNITY
March 2025
Writer Joseph J. Airdo
Through April 27
‘THERE IS NO PLANET B’
Scottsdale Arts Learning & Innovation presents works by Arizona-based members of ecoartspace addressing environmental issues. The exhibition features photography, drawings, paintings, sculpture and installations that explore humanity’s relationship with the natural world. Free. Tuesday–Saturday 11 a.m.–6 p.m., Sunday noon–5 p.m. Center Space gallery, Scottsdale Center for the Performing Arts, 7380 E. Second St., Scottsdale. scottsdaleartslearning.org
March 8
‘THE SIMON & GARFUNKEL STORY’
Arizona Musicfest presents this critically acclaimed concert-style theater show chronicling the journey of the world’s most successful music duo. Features a full live band performing hits like “Mrs. Robinson” and “Bridge Over Troubled Water” with state-of-the-art video projection. $58–$98. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org
March 8–9
‘TALES OF LOVE AND MAJESTY’
Phoenix Chorale joins MusicaNova Orchestra for Handel’s Coronation Anthems and Coleridge-Taylor’s rarely performed “Tale of Old Japan.” Conducted by Christopher Gabbitas and Warren Cohen. $45; seniors/ military $39; youth under 16 $20. Saturday 7:30 p.m., Sunday 3 p.m. Camelback Bible Church, 3900 E. Stanford Drive, Paradise Valley. 602-253-2224; phoenixchorale.org
March 11
AUGUSTIN HADELICH IN RECITAL
Arizona Musicfest presents the Grammy Award-winning violinist known for his phenomenal technique and insightful interpretations. Named Musical America’s “Instrumentalist of the Year” in 2018, Hadelich is recognized as one of today’s greatest violinists. $43–$87. 7:30 p.m. La Casa de Cristo Lutheran Church, 6300 E. Bell Road, Scottsdale. azmusicfest.org
March 14–16
‘SNOW WHITE’
Phoenix Ballet and Master Ballet Academy present this classic fairy tale ballet. The production features talented young dancers alongside professional performers in an enchanting retelling of the beloved story. See website for ticket prices and showtimes. Herberger Theater Center, 222 E. Monroe St., Phoenix. phoenixballet.org
March 14–22
CACTUS REINING CLASSIC
This premier equestrian competition celebrates its 20th anniversary as one of the National Reining Horse Association’s top events. The nine-day show includes the $20,000 Open Shootout, which serves as a qualifier for the Million Dollar Competition in Las Vegas. Free admission. WestWorld of Scottsdale, 16601 N. Pima Road, Scottsdale. 602-677-3774; brumleyevents.com
March 15
IRISH FOUNTAIN FEST
Fountain Hills celebrates with Celtic rock bands, traditional Irish music, food trucks and a beer garden.
Features special emerald fountain shows at noon and 4 p.m. Free. 11
a.m.–5 p.m. Fountain Park, 12925 N. Saguaro Blvd., Fountain Hills. experiencefountainhills.org
March 15
PENSKE AUTOMALL CARS & COFFEE
Penske Automall hosts a long-running monthly show featuring 75 to 125 vehicles, from classics to exotics. Free. 8–10 a.m. Penske Racing Museum, 7191 E. Chauncey Lane, Phoenix. penskeautomall.com
March 15
‘A TOAST TO STEVE & EYDIE’
Arizona Musicfest celebrates the legendary duo with their son, Emmynominated composer David Lawrence, and Tony Award winner Debbie Gravitte. The Musicfest Pops Ensemble performs the couple’s original 30-piece orchestrations of American standards. $58–$98. 2 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org
March 15–16
ARIZONA ALOHA FESTIVAL
This celebration of Pacific Island cultures features traditional music, dance performances and cultural demonstrations. The lakeside event includes Hawaiian food vendors, craft demonstrations, children’s activities and educational programs in the Hale Mana’o (House of Knowledge). Free admission. 10 a.m.–5 p.m. Tempe Beach Park, 80 W. Rio Salado Parkway, Tempe. azalohafest.org
March 15–16
EXPERIENCE IRELAND
The Musical Instrument Museum showcases Irish musical heritage through its collection of historic instruments. Features performances by The American Rogues on March 16. Included with museum admission. 9 a.m.–5 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org
GUITARS & ACCESSORIES
COMMUNITY
March 2025
Writer Joseph J. Airdo
March 15
ST. PATRICK’S DAY PARADE & FAIRE
Phoenix’s 42nd annual celebration features a downtown parade followed by festivities at Margaret T. Hance Park. The faire includes Irish music, step dancing, bagpipers, and traditional food and crafts. $15–$18; children under 12 free. Parade 10 a.m., faire 10 a.m.–5 p.m. Third Street and Margaret T. Hance Park, Phoenix. stpatricksdayphoenix.org
March 16
CASINO ROYALE
The Creative Women of Pinnacle Peak hosts its annual fundraiser benefiting sex trafficking victims, including the Phoenix Dream Center. The event features casino games, a buffet dinner, silent auction and raffle prizes from Scottsdale restaurants. The organization has raised nearly $3 million for women and children in need over 30 years. $150. 6 p.m. Grayhawk Golf Club, 8620 E. Thompson Peak Parkway, Scottsdale. creativewomenofpinnaclepeak.com
March 17
THE BARRICADE BOYS
Arizona Musicfest presents four West End stars performing hits from shows including “Les Misérables,” “Phantom of the Opera” and “Wicked.” The show combines musical theater favorites with pop, rock and swing classics, featuring dance routines and dazzling performances. $58–$98. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org
March 17
GREENING OF THE FOUNTAIN
Fountain Hills continues its 46-year tradition with environmentally safe dye transforming the world-famous fountain. Features noon fountain show and special sunset illumination. Free. Noon and sunset. Fountain Park, 12925 N. Saguaro Blvd., Fountain Hills. experiencefountainhills.org
March 20–23
SCOTTSDALE FERRARI ART WEEK
This inaugural luxury art fair celebrates Indigenous expression alongside contemporary masterpieces and automotive design. It features more than 100 international galleries, a special “Desert Modernism” exhibition, an Indigenous fashion show and performances by tenor James Valenti. $35+. Thursday noon–8 p.m., Friday–Saturday 11 a.m.–8 p.m., Sunday 11 a.m.–5 p.m. WestWorld of Scottsdale, 16601 N. Pima Road, Scottsdale. scottsdaleartweek.com
March 20-April 26
‘THE RAINMAKER’
Don Bluth Front Row Theatre presents N. Richard Nash’s classic play about a drought-stricken Western town and the arrival of a charismatic stranger who promises rain. This touching romantic comedy explores themes of faith, hope and self-discovery. $30–$40; senior, student, military and youth discounts available. See website for showtimes. Don Bluth Front Row Theatre, 8989 E. Via Linda, Suite 118, Scottsdale. 480-314-0841; donbluthfrontrowtheatre.com
March 21–April 6
‘HONK! JR.’
Scottsdale Desert Stages Theatre presents this youth production adaptation of the musical celebrating being different. The show follows Ugly, a duckling who looks different from his siblings, as he embarks on an adventure of self-discovery. See website for ticket prices and showtimes. Scottsdale Desert Stages Theatre, 7014 E. Camelback Road, Suite 0586, Scottsdale. desertstages.org
March 22
‘ARIZONA GRAND GALA OF STARS’
Studio R Ballet presents a performance featuring renowned ballet stars alongside top students from around the state. Guest performers include Daniil Simkin, Iana Salenko, Joseph Gordon and Indiana Woodward, among others. $40–$175. 7 p.m. Orpheum Theatre, 203 W. Adams St., Phoenix. studiorballet.com
March 22
THE PIANO GUYS
Arizona Musicfest presents this international sensation known for bold compositions that transcend musical boundaries. The quartet blends classical with pop, rock and film scores, having earned six No. 1 debuts on Billboard’s Classical Albums chart. $79–$149. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org
March 25
‘TCHAIKOVSKY & TIME FOR THREE’
Arizona Musicfest’s Festival Orchestra performs Tchaikovsky’s Fifth Symphony alongside the world premiere of Mason Bates’ “Silicon Hymnal,” featuring Grammy winners Time for Three. $56+. 7:30 p.m. La Casa de Cristo Lutheran Church, 6300 E. Bell Road, Scottsdale. azmusicfest.org
March 23
‘MOZART’S REQUIEM’
Arizona Musicfest presents Mozart’s final masterpiece featuring the Festival Orchestra, Festival Chorus and guest soloists. Includes Barber’s “Toccata Festiva” with organist Dr. Ilona Kubiaczyk-Adler and Ibert’s Flute Concerto with Henrik Heide. $86+. 2 p.m. Pinnacle Presbyterian Church, 25150 N. Pima Road, Scottsdale. azmusicfest.org
March 27–30
‘SPRING MIX’
Ballet Arizona presents a program of contemporary ballets featuring works from both emerging and celebrated choreographers. The performance includes Christopher Wheeldon’s “Within the Golden Hour,” a world premiere by Nayon Iovino, and Robert Bondara’s “Take Me With You”
COMMUNITY
March 2025
Writer Joseph J. Airdo
March 21–22
ORGANIC ELEGANCE: SARAH GRAHAM JEWELRY EXHIBITION
Step into a world where bark textures and sea forms inspire revolutionary jewelry design. Meet celebrated artist Sarah Graham and explore how she transforms oxidized cobalt chrome and 18-karat gold into bold statements of natural beauty. Free. 10 a.m.–5 p.m. Grace Renee Gallery, Historic Spanish Village, 7212 E. Ho Hum Road, Carefree. 480-575-8080; gracereneegallery.com
set to music by Radiohead. See website for ticket prices and showtimes. Orpheum Theatre, 203 W. Adams St., Phoenix. 602-381-1096; balletaz.org
March 27–April 6
PHOENIX FILM FESTIVAL
The festival celebrates its 25th anniversary with more than 250 films from around the globe. Events include the Party Pavilion, Industry Night, Film Prom and Kids Day. See website for film schedule and ticket prices. Harkins Scottsdale 101, 7000 E. Mayo Blvd., Phoenix. 480-5133195; phoenixfilmfestival.com
March 28
‘STAR WARS CELEBRATION’
The Festival Orchestra presents John Williams’ iconic scores from all nine films of the “Star Wars” saga, plus themes from the expanded “Star Wars” universe. $65+.
7:30 p.m. La Casa de Cristo Lutheran Church, 6300 E. Bell Road, Scottsdale. azmusicfest.org
March 28–April 1
‘ART’
Theatre Artists Studio presents Yasmina Reza’s sophisticated comedy about friendship and the nature of art. The play explores what happens when one friend’s unexpected action challenges the foundation of their relationship. See website for ticket prices and showtimes. Theatre Artists Studio, 12406 N. Paradise Village Parkway East, Scottsdale. thestudiophx.org
March 30
‘RACHMANINOFF & COPLAND’
Arizona Musicfest concludes its Festival Orchestra Week with piano prodigy Maxim Lando performing Rachmaninoff’s Third Piano Concerto, plus Copland’s Third Symphony featuring “Fanfare for the Common Man.” $56+. 2 p.m. La Casa de Cristo Lutheran Church, 6300 E. Bell Road, Scottsdale. azmusicfest.org
March 31
CHRIS BOTTI
Arizona Musicfest welcomes back the Grammy Awardwinning trumpeter and composer for an evening of contemporary jazz. Known for collaborations with artists like Sting, Andrea Bocelli and Tony Bennett, Botti’s crystalline sound has made him the nation’s largest-selling instrumental artist. $65–$129. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org
This impressive 1940s Guatemalan marimba grande, requiring four musicians to play its 6 1/2 octaves, represents the evolution of the instrument from its African origins through Central American innovation.
IIn the spring of 2010, an ambitious vision took shape in North Phoenix — a museum dedicated to showcasing humanity’s shared musical heritage. Today, as the Musical Instrument Museum prepares to celebrate its 15th anniversary, that vision has evolved into a cultural cornerstone that draws visitors from all across the globe to experience the world’s largest collection of musical instruments.
“One of MIM’s core principles is constant evolution,” says Brian Dredla, the museum’s chief engagement officer, who has been with the institution since before its doors opened. “Walking through MIM today, I see how our galleries have evolved, featuring more exhibits, vibrant colors and dynamic audiovisual content.”
Writer Joseph J. Airdo // Photography Courtesy of the Musical Instrument Museum
That evolution is evident in the numbers: More than 3.9 million guests have explored MIM’s galleries since its opening, with the collection growing to encompass over 12,000 instruments and objects from every country in the world. The museum’s concert program has experienced particularly dramatic growth, expanding from fewer than 100 performances annually in its early years to 326 concerts that drew more than 91,000 guests in 2024.
The museum’s commitment to constant improvement extends beyond its exhibits. MIM has introduced several innovative spaces over the years, including the Encore Gallery in 2016 — a hands-on area focused on early childhood education — and the Collier STEM Gallery in 2018, which bridges the gap between music and technology.
In the Orientation Gallery, a new Acquisition of the Month display showcases recently acquired notable instruments, offering returning visitors fresh discoveries with each visit. Recent highlights have included a 1939 Gibson acoustic guitar played by Sister Rosetta Tharpe, known as the “godmother of rock and roll,” and a Ludwig snare drum used by Rick Allen on early Def Leppard albums. The museum has also acquired a pair of intricately carved 19th-century Maori flutes from New Zealand, exemplifying MIM’s commitment to preserving musical heritage from every corner of the globe.
“We’re incredibly fortunate to have such a large and engaged community of live music lovers who consistently support the MIM Music Theater,” Dredla says. “Their trust in our programming choices is evident in the number of sold-out performances we see — even when featuring artists who aren’t yet household names. Our guests trust that if it’s being presented at MIM, it’s going to be exceptional.”
The museum’s impact extends far beyond its walls, particularly in education. More than 620,000 students
have participated in field trips to MIM, with programs reaching schools in 28 states and countries including China, Italy, Mexico and Canada. Recent initiatives have expanded into STEM content, including activities with coding and musical robots.
“I really hope that MIM is viewed as a vital community resource,” Dredla says. “We work with numerous partner organizations — from school districts and universities to senior centers and cultural organizations. These partnerships help us connect with important audiences while bringing fresh perspectives and expertise that enhance our work.”
Looking ahead to 2025, the museum is strengthening its support for music education through several pilot programs.
“We’ve created performance opportunities for young musicians, including private studio recitals and a jazz day featuring bands from a local school district,” Dredla explains. “We’ve also developed a professional development program for music teachers in partnership with MusicFirst, a music education technology company.”
The museum’s Target Gallery continues to host worldclass special exhibitions, with 16 different presentations since opening. The current exhibition, “Stradivarius and the Golden Age of Violins and Guitars,” is on track to be one of the most highly attended special exhibitions in MIM’s history.
The museum’s Artist Gallery, already home to instruments from legends like Prince, Johnny Cash and Elvis, has expanded to include exhibits showcasing Mercedes Sosa, the influential Argentine singer, and Madonna’s early band instruments. These additions reflect MIM’s commitment to representing diverse musical traditions and artists who have shaped global popular culture.
MIM is the largest and most comprehensive musical instrument museum on the planet, which inherently makes it unique. But what truly sets it apart is its approach to the guest experience.
Brian Dredla
These late 19th-century Seto harps from the Central African Republic were conceived as distinctly male and female figures, with carved legs, heads and torsos defined by skin-covered resonators that might reference Seto and Nabo, a primordial couple.
Before joining MIM’s collection, this circa 1930 Vuvi figurative drum from Gabon was prized by prominent art collectors for its sophisticated sculptural qualities, enhanced by pigments matching the body painting of Bwiti spiritual association initiates.
By the Numbers: MIM at 15
• 3.9 million+ guests from all 50 states and 125 countries
• 12,000+ instruments and objects from every country in the world
• 620,000+ students enriched through field trips
• 91,000+ concert attendees in 2024 alone
• 550+ active volunteer team members
• 525,000+ volunteer hours dedicated since opening
While the instruments and exhibits form the heart of MIM, the museum has evolved into a complete cultural destination. Café Allegro and Beats Coffee Shop have become dining destinations in their own right, offering everything from quick snacks to global entrees that complement the museum’s international focus.
The MIM Museum Store has also grown into a mustvisit destination, perfectly reflecting the museum’s global mission with an extensive selection of musical instruments, MIM-branded clothing and unique, one-of-a-kind items that allow visitors to take a piece of their experience home.
To mark its 15th anniversary, MIM has planned an ambitious three-day celebration April 4–6, featuring at least 15 different activities and performances each day. The weekend will showcase the vast diversity of music represented at MIM, with performances by local musicians who have been part of the museum’s journey alongside new artists making their MIM debut.
“Whether you’re a first-time visitor or have explored MIM countless times before, this weekend celebration promises something special for everyone,” Dredla says. “You might even discover your new favorite artist or musical genre!”
The celebration will include demonstrations of two of the museum’s most requested instruments: the massive Robjohn pipe organ and the octobasse, both located in the Orientation Gallery. A special anniversary scavenger hunt will guide visitors to discover fascinating details about objects throughout the galleries.
What truly sets MIM apart, according to Dredla, is its approach to the guest experience, supported by more than 550 dedicated volunteers who have contributed over 525,000 hours since the museum’s opening.
“These volunteers are friendly, approachable and essential to enhancing every visitor’s experience,” he says. “We simply couldn’t do what we do without their support.”
The museum also stands out for its innovative approach to operations. Every team member completes at least yellowbelt level training in Lean Six Sigma, a process improvement methodology that optimizes efficiency and prioritizes customer needs. Dredla became MIM’s first Six Sigma Black Belt in 2019, bringing valuable tools for solving operational challenges and improving daily workflows.
As MIM enters its next chapter, its board and leadership remain deeply committed to creating an unrivaled
This 1949 Gibson J-50 guitar belonged to Mike Condello, who played it extensively during his appearances on “The Wallace and Ladmo Show,” a beloved fixture of Arizona television for generations of viewers.
This early 1700s Indian sarinda, one of only four known examples made entirely of ivory, features outstanding craftsmanship and elaborate decoration that suggests it was created for a courtly patron in Bijapur, Central India.
experience for guests. Multiple exciting projects are on the horizon, ranging from cutting-edge technology enhancements to expanded tour offerings and compelling special exhibitions.
“Our founder established a clear vision for MIM that continues to guide us: creating authentic, engaging exhibits; developing impactful educational and public programs; and celebrating live music in our Music Theater,” Dredla explains. “As we look ahead, we’re focused on redefining the museum experience while staying true to these core principles and exceeding our guests’ expectations.”
For Dredla, whose journey with MIM began as a part-time role to supplement his work as a professional clarinetist, the museum’s evolution has been personally meaningful.
“Over these past 16-plus years, I’ve worn many hats and worked alongside amazing colleagues — some who’ve been here almost as long as I have,” he reflects. “Since music is something people connect with every day, the connection between my work and music continues to excite me.”
As MIM celebrates its 15th anniversary, it continues to redefine what a museum can be — not just preserving musical heritage but actively celebrating the living, breathing culture of music that connects us all. With its combination of world-class exhibits, educational programs and performance spaces, MIM stands as a testament to music’s power to bring people together and inspire the next generation of musicians and music lovers.
WWhen Sue Bickerdyke recalls her earliest design inspiration, she doesn’t reference luxury showrooms or international design houses. Instead, she remembers shopping for fabrics with her mother and standing beside her Nana at PD Mercantile in Douglas, Arizona, where she arranged window displays and absorbed lessons that would shape her future.
These formative experiences, combined with a deep family heritage in textiles and design, laid the groundwork for what would become one of the Southwest’s most distinctive interior design firms, Sue Bickerdyke Interiors.
“Who I was born to had a huge impact on my creative passion — I’m a fourth-generation fabric enthusiast,” says Bickerdyke, who started sewing at age 5. “I made stuffed animals for the kids I babysat and sewed clothes that never quite fit me — the patterns weren’t designed for my long arms and legs!”
These early creative endeavors in Bisbee, Arizona, where Bickerdyke grew up, sparked a lifelong passion that would eventually transform countless homes across the Southwest. The mining town, run by Phelps Dodge Corp., provided unlikely but fertile ground for developing her work ethic and creative problemsolving skills that would serve her well in the decades to come.
“It was the kind of small town where everyone knew everyone,” she recalls. “As the oldest of four kids, I handled all the household chores and learned by doing — always finding a way to get things done.”
Writer Joseph J. Airdo // Photography by Loralei Lazurek
Sue Bickerdyke brings her signature “Carefree Style of Living” to every project, blending global influences with Southwest sophistication.
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I believe in celebrating artisanship — whether it’s custom pieces, handmade crafts or fine art. When we incorporate these handcrafted elements into a room, something magical happens.
Sue Bickerdyke
A pivotal moment came during her senior year when she dropped chemistry to take DECA, leading to her first professional role in fashion retail. The position offered invaluable lessons in customer service and design that continue to influence her work today.
“I worked for Irma Courteo at one of Bisbee’s two upscale dress shops,” she explains. “As the youngest employee, I did everything — from steaming clothes to creating window displays and building fashion wardrobes. The older ladies loved letting me learn every aspect of the business.”
Those early retail experiences shaped Bickerdyke’s enduring approach to client service, which remains at the heart of her business philosophy three decades later.
“I’m still a people pleaser today — our core business philosophy is ‘generosity of service,’” she reflects. “Learning to dress women was a gift. I learned to read body language and understand that how clients feel is critical.”
After moving to Phoenix for college, Bickerdyke worked her way through school as a nanny while attending Phoenix College. Her determination led to a position at Starrett’s Fashion World in Scottsdale in 1972, where she quickly advanced from merchandising and window displays to store management and buying.
It was in the fashion industry where she mastered the fundamentals that would define her future career: color coordination, texture combinations, pattern matching and client service.
“While helping clients with wardrobes, I met an Ethan Allen interior designer who changed my career path,” she explains. “The skills I’d developed in fashion — understanding color, texture, and most importantly, client needs — carried over perfectly to interior design. These fundamentals would become the foundation of my formal training.”
At Ethan Allen from 1979 to 1984, Bickerdyke found her true calling. Under the company’s guidance, she transformed from a fashion expert to an interior designer through intensive, hands-on training.
“I was a sponge at Ethan Allen, soaking up the full scope of their services,” she recalls. “They gave me free rein to play with showroom displays, teaching me skills I still use today. When something sells, it creates a domino effect — you have to fill that
opening in a way that complements the entire room, often leading to rearranging the whole showroom.”
When her first son was born in 1984, she began decorating nurseries for other new mothers, sharing childcare with a friend to maintain her growing business.
The early 1990s brought both challenges and opportunities. During a commercial real estate downturn, Bickerdyke’s work with ASID staging empty stores led to securing a low-rent showroom space near her home in Scottsdale. Her husband’s unwavering support proved crucial during this period of growth and transition.
“My husband’s encouragement was essential,” she remembers. “He would say, ‘Think you can, think you can’t — either way, you’ll be right.’”
This support, combined with her growing expertise and client base, led to the official birth of Sue Bickerdyke Interiors on Jan. 1, 1995. A serendipitous meeting with Iris Uptagraph later that year brought her to Carefree, where she would establish her permanent design home.
“Moving to her and Ellen Harper’s Carefree design studio felt meant to be,” Bickerdyke says. “With our husbands’ support, nothing could hold me back from realizing my dream of a public design studio.”
Over the next three decades, SBI’s evolution would mirror the growing sophistication of the CarefreeCave Creek area. The firm expanded thoughtfully, adding neighboring suites as its reputation and client base grew. Even during the 2008 recession, when it was in the process of doubling its size, the firm’s commitment to excellence never wavered.
“Major vendors and suppliers became increasingly eager to work with us, which was a real vote of confidence,” Bickerdyke notes. “We took baby steps to carefully navigate those challenging financial waters, and that cautious approach served us well.”
Throughout her career, Bickerdyke has developed what she calls the “Carefree Style of Living,” a signature approach that reflects both her deep Arizona roots and global perspective. Her design philosophy centers on creating spaces that serve multiple purposes while maintaining an air of sophisticated comfort.
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“I see our clients as elegant and sophisticated people who appreciate understated elegance,” she explains. “Their spaces need to work equally well for entertaining and serving as a personal sanctuary where they can reflect and recharge.”
This approach has created such a strong connection with the community that the showroom itself has become a destination.
“When clients walk through our door, they need to feel good — some even come just for the ‘emotional fix’ our showroom provides,” she says with a warm laugh.
As a third-generation Arizonan, Bickerdyke brings a unique perspective to her work, drawing inspiration from both local traditions and global influences.
“We truly are a global community,” she reflects. “I believe in celebrating artisanship — whether it’s custom pieces, handmade crafts or fine art. When we incorporate these handcrafted elements into a room, something magical happens. The energy and passion of the artisan flow through their work and create a special mood that resonates with the homeowner.”
For Bickerdyke, inspiration comes from everywhere, particularly the natural beauty of her beloved Arizona.
“My inspiration never turns off,” she says. “One day, I’ll notice sunlight streaming through a rabbit’s ears. The next, I’ll spot a hawk perched on a limb or soaring overhead. I’m constantly drawn to nature’s palette — the varied greens of desert plants or the dramatic contrast between clouds and our brilliant Arizona sky.”
Her remarkable visual memory allows her to draw upon decades of design inspiration, transforming remembered details into fresh concepts for her clients.
“I can still vividly recall the intricate tile patterns I saw years ago in Italy,” she shares. “In fact, those patterns inspired an incredible tile design we later incorporated into one of our spec house projects.”
In an increasingly digital world, SBI stands apart through its commitment to hands-on, experiential design. The firm has developed innovative approaches to ensure clients can fully envision their future spaces before making final decisions.
“To make the decision process easier, we offer 24-hour approval periods where clients can take accessories and lamps home to see how they look in their actual space,” Bickerdyke explains. “It’s so much more effective than trying to visualize everything through a computer screen!”
As she celebrates her firm’s 30th anniversary, Bickerdyke continues to evolve while staying true to her founding principles. The business is embracing technological advances while maintaining its signature personal touch.
“The future of SBI is embracing digital transformation — we’re moving our operations to cloud-based systems,” she shares. “I’ll be honest: We’re experiencing some growing pains with the technology transition and our
Sue and Paul Bickerdyke celebrate two milestones in 2025: their golden wedding anniversary and 30 years of Sue Bickerdyke Interiors in Carefree.
new website launch. But these changes are essential for serving our clients better.”
The success and longevity of SBI, Bickerdyke emphasizes, is very much a team effort. A dedicated support team helps ensure smooth operations, and her husband Paul manages all administrative work, maintaining a warm, welcoming presence on the showroom floor. Their professional partnership mirrors their personal one — they’ll celebrate their 50th wedding anniversary this year.
“I could not keep this business going without Paul and our entire support team,” she says. “He jokingly calls himself ‘the house dog’ when I’m working in clients’ homes, but his role is essential to our success, as is every member of our team.”
Despite her many accomplishments, Bickerdyke’s creative vision continues to evolve. With an eye toward the future, she’s already envisioning projects that will further cement her legacy in Arizona’s design landscape. Her next aspiration beautifully melds her appreciation for local artistry with her talent for creating luxurious, immersive spaces.
“My next dream project is designing a boutique hotel that showcases authentic Native American and Western art,” she reveals. “I envision spaces adorned with hand carvings and Navajo rugs, creating an immersive experience that honors Arizona’s rich cultural heritage while providing modern luxury.”
This concept not only highlights Bickerdyke’s ongoing passion for design but also demonstrates her deep connection to the Southwest’s artistic traditions. It’s a natural evolution of her “Carefree Style of Living,” expanding from private homes to public spaces while maintaining her signature blend of sophistication and cultural appreciation.
As she prepares to celebrate the milestone with a Mexican fiesta Thursday, March 20, at her showroom, Bickerdyke remains focused on the principles that have guided her success: exceptional service, attention to detail and an unwavering commitment to creating spaces that truly reflect each client's personality. The celebration will be particularly meaningful as it includes a special honor for her very first client.
Her advice for aspiring designers — and really, anyone pursuing their dreams — remains characteristically straightforward and encouraging.
“Follow your passion. Don’t be afraid to live your dreams,” she urges. “Don’t hold back from sharing your gifts and talents. Learn to sell — you must be able to sell your skills with confidence. Take risks. I never want to look back on my life and wish I had done anything differently.”
suebickerdyke.com
Sue Bickerdyke’s ‘Three Cheers’ Anniversary Fiesta Thursday, March 20 // 4–7 p.m. // Sue Bickerdyke Interiors // 36889 N. Tom Darlington Dr. Carefree, AZ 480-595-0171 // suebickerdyke.com
A vehicle fire sparked the Bush Fire on June 13, 2020, near the intersection of Bush Highway and State Route 87 in the Tonto National Forest. The humancaused blaze would become one of the five largest fires in Arizona history, consuming 193,455 acres before containment on July 6.
Writer Joseph J. Airdo // Photography by Mark E. Anderson
BBeautiful and terrible — two extreme emotions of equal intensity pulling in opposite directions. This is how photographer Mark E. Anderson describes his first encounter with wildfire imagery, a tension that would eventually draw him deep into the heart of Arizona’s most devastating natural phenomena. As Los Angeles has grappled with an unprecedented surge of wildfires since the beginning of this year, Anderson’s powerful photographs remind us that these fierce displays of nature’s might are both awesome and humbling.
Standing in what he calls “the belly of the beast,” Anderson has witnessed extraordinary moments that few will ever see: entire trees igniting in instant infernos, flames reaching 150 feet into the desert sky, and even saguaro cacti exploding in the intense heat. Yet his approach to documenting these events goes beyond mere spectacle. Through his lens, we witness both destruction and the promise of renewal, a cycle as old as the Southwest itself.
Anderson’s journey into wildfire photography began unexpectedly at a brush fire along the Gila River in Kearny, Arizona. What started as curiosity has evolved into a mission to document these increasingly frequent natural disasters with respect and purpose. His images, largely untouched in post-processing, tell stories of nature’s raw power, firefighters’ unwavering courage and the resilience of both landscapes and communities in the aftermath of devastation.
In this collection of photographs, Anderson invites us to witness Arizona’s wildfires from a perspective few ever experience. His work challenges us to consider our relationship with fire — a force that has shaped the Southwest’s landscapes for millennia and continues to transform them today, often accelerated by human activity and changing climate patterns. These images serve as both a window into nature’s fury and a reminder of our responsibility to protect the wild places we call home.
The Telegraph Fire burns near Superior, Arizona, in June 2021. The human-caused blaze would become Arizona’s largest wildfire that year, scorching 180,757 acres across Pinal and Gila counties and destroying 51 structures before being fully contained on July 3. Multiple communities were evacuated, including Miami, Top-ofthe-World and Dripping Springs.
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Nature has always been my playground, so seeing it destroyed brings deep sorrow. Yet, as someone who processes the world visually, I’m struck by the unusual beauty. Mark E. Anderson
Smoke
rises from Sweetwater Wetlands Park during a scheduled burn on Oct. 18, 2023. The morning operation, conducted between 9:30 and 11:30 a.m., provided valuable training for wildland firefighters while addressing environmental management needs.
“The wilderness is my healing ground — I spend as many nights as possible out there. But I follow my own strict criteria for fires, with the most important being: Can I extinguish it myself if something goes wrong? If I’m not completely sure, no fire gets lit. It’s that simple.Mark E. Anderson
A controlled burn transforms the landscape at Sweetwater Wetlands Park on Oct. 18, 2023. This annual collaboration between the Tucson Fire Department and Tucson Water maintains the health of this important urban wetland ecosystem.
The Picadilla Fire burned 71 acres in the Tonto National Forest on Feb. 9, 2025. Visible from State Route 87, the blaze in Picadilla Wash was contained by fire crews including three engines and the Mesa Hotshots, with support from the Maricopa County Sheriff’s Office Lake Patrol and Arizona Department of Public Safety.
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Fire is regenerative — from the ashes, new life always emerges. While it’s sad that the old growth takes decades to return, there’s immediate renewal, too. The first leaves that sprout are more vibrant, the wildflowers more brilliant. Nature shows us hope.Mark E. Anderson
The Bush Fire burns northeast of Phoenix in the Tonto National Forest during June 2020. Starting with zero containment and minimal control, the fire would eventually scorch 193,455 acres over three weeks, requiring a Type 2 incident management team to coordinate the massive firefighting response.
By June 16, 2020, the Bush Fire had grown to 64,500 acres, making it the largest wildfire in the United States at that time. Communities including Tonto Basin and Punkin Center were evacuated as more than 400 firefighters battled the flames with helicopters, engines, bulldozers and aircraft.
About the Photographer
For Mark E. Anderson, photography is more than just capturing images — it’s a spiritual journey that brings him closer to his faith. Whether he’s documenting the raw power of wildfires or the serene beauty of desert landscapes, Anderson finds himself drawing nearer to the divine.
“As a believer in Jesus, I feel closest to Him when I’m out in this vast, beautiful world He created,” he says. “It humbles me. Out there, I gain true perspective on life.”
An endless explorer at heart, Anderson spends countless hours researching and discovering new territories to photograph. His process often begins with virtual reconnaissance, using tools like Google Earth to scout potential locations. He can spend hours digitally flying over unexplored territories, searching for hidden gems worth visiting with his camera. This methodical approach, combined with his willingness to venture off the beaten path, has allowed him to capture some of Arizona’s most striking and lesserknown vistas.
As an FAA-certified Part 107 drone pilot, Anderson brings both ground-level and aerial perspectives to his work. Yet regardless of his vantage point, his philosophy remains steadfast: show things exactly as they are. His images come largely unedited and untouched, reflecting his commitment to authenticity.
“While there are talented artists working with AI and heavy editing, my goal is different,” Anderson explains. “I want to show people what I actually witnessed, what they could see with their own eyes if they were there.”
This dedication to truth in imagery, combined with his explorer’s spirit and deep spiritual connection to the landscape, makes Anderson’s work a powerful testament to the natural beauty of the Southwest. Through his lens, we’re invited to see the world as he does — a vast canvas of divine creation, waiting to be discovered and shared. markeandersonphotography.com
Documenting the Flames
Want to hear more of Mark E. Anderson’s extraordinary stories from the fire lines? Scan this QR code with your phone or search for Images Arizona on Spotify to listen to our in-depth exploration of his experiences documenting Arizona’s wildfires.
The Tucson Fire Department and Tucson Water conduct their annual controlled burn at Sweetwater Wetlands Park on Oct. 18, 2023. The carefully managed fire helps control invasive vegetation and reduce mosquito populations in this vital urban ecosystem.
Fighting Fire with Forethought
threatening
A lightning strike ignited the Superstition Fire on Aug. 20, 2020, in the Tonto National Forest. The blaze would ultimately consume 9,643 acres of the rugged
WWildfire preparedness isn’t just about responding when smoke is in the air — it’s about taking action before fire threatens your home. Rural Metro Fire and Arizona Foothills 911 encourage homeowners to become part of the Firewise movement, a national program that’s gaining traction in our region.
“Properly prepared homes give firefighters a better and safer environment to protect the property,” explains Shawn Gilleland, public information officer for Rural Metro Fire and Arizona Foothills 911. “Homeowners who take the time to maintain their property in accordance with Firewise protocol stand a greater chance of having their home survive a wildfire.”
The key is identifying what can “carry” fire to your home. Common fuel sources include dead grasses like globe chamomile and buffalo grass, fallen mesquite branches and their understory, and non-native trees. These can create “ladder fuels” that elevate fire from the ground to your home’s eaves or roofline. Homes positioned uphill face greater risk, as fire burns faster uphill. Wind channels and common wind directions also influence fire behavior and should factor into your prevention strategy.
A professional Firewise assessment will identify areas where debris accumulates: rooftops, gutters, corners around the house, and spots where blowing embers
Writer Joseph J. Airdo // Photography by Mark E. Anderson
wilderness area,
nearby communities including Gold Canyon, Apache Junction and Canyon Lake.
Properly prepared homes give firefighters a better and safer environment to protect the property. Homeowners who take the time to maintain their property in accordance with Firewise protocol stand a greater chance of having their home survive a wildfire.
Shawn Gilleland
could settle and smolder. Often-overlooked entry points include exterior attic vents, where large-gauge screens may allow ember penetration. Adding small-gauge metal mesh screens provides crucial protection. Another vulnerability: weep holes at the base of exterior walls. While stucco resists burning, heat infiltrating these holes can ignite insulation and materials behind the wall.
PREVENTION STEPS INCLUDE:
• Creating a 5-foot zone around your home free of flammable materials
• Storing patio furniture when not in use
• Moving firewood stacks 30 feet from structures
• Keeping ornamental plants well-watered
• Regularly clearing debris from roofs and gutters
This approach is already showing promise locally. Rural Metro recently helped two Rio Verde communities achieve Firewise recognition, and the program has just launched in Carefree. California has passed legislation requiring insurance companies to recognize Firewise communities for policy discounts — a model Arizona may follow.
Want to protect your property? Schedule a Firewise assessment through Rural Metro Fire or your local fire agency to identify specific risks and solutions for your home.
azfoothills911.com
IIn a groundbreaking fusion of Indigenous artistry, contemporary culture and automotive excellence, the inaugural Scottsdale Ferrari Art Week is poised to transform the Valley’s cultural landscape this March, establishing itself as America’s first art fair with a dedicated focus on Indigenous expression.
“Since the 1950s, Scottsdale has been an important city for the creation, development and market for Indigenous art, so it is only natural that we continue that tradition today,” says Amy Gause, associate director and co-owner of Scottsdale Ferrari Art Week.
“Groundbreaking and innovative Indigenous artists such as Fritz Scholder, Charles Loloma and Lloyd Kiva New sold their work in Scottsdale beginning in the 1960s, and we are honoring this tradition and showing work not just from these historic artists but also by contemporary Indigenous artists.”
Writer Joseph J. Airdo
British artist Anthony James’ life-size bronze sculpture of the 1957 Ferrari 250 Testa Rossa exemplifies the marriage of automotive and artistic excellence at Scottsdale Ferrari Art Week. The piece transforms the legendary racing car into a monument of “performative stillness.”
Groundbreaking and innovative Indigenous artists such as Fritz Scholder, Charles Loloma and Lloyd Kiva
New sold their work in Scottsdale beginning in the 1960s, and we are honoring this
tradition.
Amy Gause
Ray Parker's “No. 6” (circa 1955) represents one of many significant mid-century works featured at
The four-day celebration, running March 20–23 at WestWorld, brings together more than 100 leading galleries from across the globe, showcasing everything from antiquities to cutting-edge contemporary works. The event’s distinctive blend of fine art, fashion and Ferrari’s legendary automotive design creates an unprecedented cultural experience in the American Southwest.
“The Ferrari brand represents the pinnacle of art and design in the form of machine, so we are honored to play a key role in bringing such a high level of artistry in this fair to the community,” notes Scottsdale Ferrari General Manager Chad Morgan.
The fair kicks off with an exclusive VIP vernissage on opening night, benefiting the ASU Art Museum. Guests will enjoy performances by award-winning tenor James Valenti and an Indigenous-themed fashion show produced by Phoenix Fashion Week.
“Our ultimate mission is to garner global exposure to Arizona’s fashion industry, and this event is the perfect way to do so,” says Brian Hill, executive director of Phoenix Fashion Week. “It’s a great, innovative way to find emerging models while showcasing top brands and fashion in Arizona.”
A special exhibition titled “Desert Modernism,” curated by Diné artist and “Antiques Roadshow” appraiser Tony Abeyta, explores the convergence of Phoenix artists of Native and Anglo descent from 1930 to 1980. Contemporary Indigenous muralist Thomas “Breeze” Marcus will create a site-specific mural throughout the fair’s duration.
Scottsdale Ferrari Art Week.
The fair will honor Melissa Cody, a fourth-generation Diné weaver, with the Scottsdale Art Week Artistic Achievement Award.
“This exemplifies the interest and support for Native art at this moment in time,” Gause explains. “Cody was the first Arizona artist and first Indigenous artist to have a solo exhibition at MoMA PS1 in New York City.”
Daily programming includes panel discussions led by directors from the region’s premier institutions, including the ASU Art Museum, Heard Museum, Phoenix Art Museum and Scottsdale Museum of Contemporary Art. The Center for Creative Photography will host a special panel exploring Southwestern-inspired photography, creating a comprehensive dialogue between artists, curators and collectors.
International galleries from cities including Hong Kong; London; Brussels; and Tokyo will showcase works alongside local powerhouses such as Lisa Sette Gallery and Bentley Gallery. This global perspective, combined with the fair’s strong regional focus, positions Scottsdale as an emerging force in the international art market.
“I am thrilled that so many elements of Arizona culture will combine with those of other great world civilizations in this four-day celebration of art and ideas,” says Scottsdale Mayor Lisa Borowsky. “The community’s enthusiastic support will ensure this is a must-visit event on the U.S. cultural calendar for decades to come.”
scottsdaleartweek.com
Scottsdale Ferrari Art Week
March 20–23 // Thursday First Look: 12 p.m.–5 p.m.; Opening Night: 5 p.m.–8 p.m.
Public Hours: Friday–Saturday 11 a.m.–8 p.m., Sunday 11 a.m.–5 p.m. WestWorld of Scottsdale // 16601 N. Pima Road, Scottsdale // $35+ // scottsdaleartweek.com
Danish artist Anders Scrmn Meisner’s “Radiant Swimmer” demonstrates the contemporary art offerings at Scottsdale Ferrari Art Week. His signature style blends elegance with wit, creating imaginary landscapes that evoke the depth of modern cave paintings.
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S u p e r v i s e d W e i g h t L o s s
The Center for Integrative Healing & Wellness’ medical weight loss program integrates FDA-approved medications with a natural and holistic approach to address the underlying biological and physical issues responsible for weight gain.
In addition to losing weight and keeping it off, The Center for Integrative Healing & Wellness’ medical weight loss program provides clients with the tools they need to reduce the risk of coronary artery disease, stroke and type 2 diabetes as well as optimize hormones for energy, health and longevity
T h e M o s t C o m p r e h e n s i v e & S u c c e s s f u l P r o g r a m A v a i l a b l e
The Center for Integrative Healing & Wellness’ medical weight loss program is designed to help clients be the healthiest they have ever been, in the best body that they have ever had.
Regardless of the amount of weight you want to lose, the spa-like clinic’s Integrative Team will monitor and guide you throughout the process of reaching your goal. Our clients typically lose 15–20% or more of their body weight an average of 53 pounds in 6–12 months
Best of all, the program ensures that patients maintain lean muscle mass and keep the weight they lost off for life. That is because, unlike other programs, our weight loss program looks not only at scale weight but also takes into consideration body fat, muscle mass and water weight, which all affect one’s ultimate goal.
H o r m o n e T e s t i n g N u t r i t i o n a l & F i t n e s
m e d i c i n e S u p p o r t
L e d b y B o a r d C e r t i f i e d P h y s i c i a n
RECIPE
Italian Ricotta Cookies
Writer and Photographer Francine Coles
These delicate Italian cookies showcase the perfect balance of lemon and vanilla, with whole milk ricotta lending an ethereal lightness to each bite. Finished with a gossamer-thin glaze and festive sprinkles, these versatile treats can be decorated to suit any holiday or celebration.
Yield: 60 cookies
Ingredients:
1 stick (4 ounces) butter, softened
1 cup sugar
1 lemon, zested
1 cup whole-milk ricotta cheese
1 large egg
1 teaspoon pure vanilla extract
2 1/4 cups all-purpose flour
1/2 teaspoon baking soda
1 teaspoon baking powder
Glaze
1 cup powdered sugar
2 tablespoons lemon juice, milk or water
1/2 teaspoon vanilla extract
Rainbow sprinkles or colored sprinkles of choice
Directions:
To prepare the cookies: Preheat the oven to 350 degrees. Line two baking sheets with parchment paper.
In the bowl of an electric mixer fitted with the paddle attachment, beat the butter, sugar and lemon zest over medium speed until fluffy and lightened in color. Add the egg and vanilla; continue beating until well combined. Stir in the ricotta and mix over medium speed until combined. Scrape the bowl with a spatula.
Add the flour, baking soda and baking powder. Stir on low just until fully combined.
Using a teaspoon or small cookie scoop, portion the dough onto the prepared cookie sheets, leaving 1 inch of space between each cookie.
Bake one sheet at a time on the center rack for 11 to 12 minutes, until bottoms are golden brown and tops appear light but dry.
Let cookies rest on the baking sheet for 2 minutes, then transfer to a wire rack to cool completely.
To glaze the cookies: In a bowl, whisk together the powdered sugar, liquid of choice and vanilla until smooth. The glaze should have the consistency of heavy cream. (Note: Lemon juice will provide a pronounced citrus flavor; milk or water will yield a neutral sweetness.)
Place parchment paper under the wire rack to catch drips. Dip the top of each cookie into the glaze and return to the rack. Immediately top with sprinkles before the glaze sets.
Storage: Keep in an airtight container at room temperature for up to three days. Do not refrigerate. Cookies may be frozen for up to three months.
