grayson bailey grayson.d.bailey@gmail.com (DE) +015784297335 Klingenstr. 35 70186 Stuttgart DE
Academics Academics Bachelor of Sc. - Architecture (2008-2012)
Unversity of Nebraska Dublin Institute of Technology (erasmus) GPA _ 3.81 - Graduate with Distinction AIAS Historian (2011) / NAAB accreditor team 2012 Tau Sigma Delta Member
Master of Architecture (2012-2014)
Unversity of Nebraska GPA _ 3.84 - Graduate with Distinction Graduation Speaker Tau Sigma Delta Bronze Medal Nominee ARCC + King Design Research Award Harry F. Cunningham Bronze Medal Award (Thesis) Teaching Assistant - Design Thinking, Design Drawing Research Assistant - parametric analysis of structural span - Architecture in the Humanities
Publication Publication System Autonomy : A New Condition of Space (2014) Thesis Production Fear and Hope : Science Fiction Theory in Architecture (2014)
THERE journal of design
Equality through pedagogy (2014) No Limits Conference
Profession Profession LAVA - Laboratory for Visionary Architecture (2015-current) Junior Architekt (Stuttgart, DE)
Concept Development, Schematic Development, Design Development, Partial Drawing Package Coordination, Consultant Design Coordination, Office Marketing / Analysis, Client Coordination, Team Leadership, 3D Printing / Laser Cutting / Model Making, Project Management Assistance
Studio Castellano (2014) Junior Architect (New York, NY) Construction Drawing Set Coordination, On Site Construction Coordination, Landmark Building Filings, Building Dep. Filings Project Architect Responsibilities (1.5 months before moving to Germany)
Davis Partnership Architects (2013) Architectural Intern (Denver, CO) 3D printer file preparation and machine maintenance,
physical model creation, 3D Modelling
Proficiencies Proficiencies Personal (Working) team oriented
Language (Basic) English - native
German - novice
Software (Primary)
Rhinoceros - advanced Grasshopper - advanced Vray - proficient Revit - intermediate / advanced Dynamo - intermediate AutoCAD - Intermediate Vectorworks - Intermediate Keyshot - Intermediate Scripting - Novice
concept focused highly motivated
Software (Ancillary) Adobe Creative Suite - advanced
Microsoft Office Suite - advanced Cura / 3D Plastics print - advanced
After speaking with Daniel and tryi resolve a double-curved surface into 1 e TT ii m m bb ee rr C C oo nn ss tt rr uu cc tt ii oo nn R R e ss ee aa rr cc hh SS tt uu dd2 ii oIofeel overwhelmedint he ability3to ge per. We’ve come to think the comp University of Nebraska facades, which is still terrifically inte CONNECTION FRAME CONNECTION FRAME est, or even similar to our original int COMPONENTS COMPONENTS Beginning with intense research into the timber industry worldwide, an row, but I’m not feeling comfortable in depth informational graphic was composed to simulatneously display 4
information related to Cross-Laminated Timber manufacturers, global production leaders, sustainable rankings of forestry industrys, and the admistrative representation within each major country. This information, coupled with deforestation histories and drivers, allowed for a comprehensive geo-political survey of the world’s forestry industry and an investigation into the economic and design incentives that the material provides. Once this research was conducted and presented, primary focus shifted to the design implementation of timber-based material systems. The main qualifier was structural performance, accentuated by the analysis 4 system. of insulative possibilities for a comprehensive panelling
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I know that the mathematics are o achieve in a week what would usu WOOD FIBER INSULATION project within itself to orient non-no to be asking more than we are able t might be better off just working with not want to go back to it earlier for m nection frame will still be extremely i CLT PANELS into rigid frame strategies,6so i don’ was all a waste of time in Grasshopp more productive with it, regardless.
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To thoroughly resolve the major design frustrations, a sytem of mathematically solving panel connection orientation was arrived at INSULATION through the formation of a method that tied centroids ofWOOD planarFIBER geometries together so that the connections between panels were never oriented too complexly for easy fabrication.
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Having visited a CLT manufacturer in Utah for a tutorial of the machinery and software used in modern timber construction, the first solution was CLT PANELS tested on the solved geometry of geodesic dome design. Once it was proven CLT PANEL that the component could work in aesthetic and performative manners with foreground: site elevation structural integrity, the problem of implementing the system on unsolved component manipulation tactics NEOPRENE INSULATION complex geometries was tested successfully. The system was later used adjacent: core section Above: basic panel manipulations in a timber high-rise proposal located in Kansas City, MO. P2 : digital possibilities // 09.10.12 - 10.01.1
Flat composite breakdown
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APPLICATION OF COMPONENT AS CORE
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P2Below: : digital Geodesic possibilities Panel // 09.10.12 Model- 10
ing to find a coherent way to o the component we specified, et the script done in Grasshopponent will only work on planar ersting, but not of shared intertent. We will reconvene tomorwith the project right now.
out there, but to expect us to ually be an intensive research ormally curved surfaces seems to do. Its too bad, but I think we the frame idea, though we did many reasons. I think the conimportant when we are looking ’t think my manipulation code per, but I wish I could have been
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GENERATION OF COMPONENT LOGIC
geodesic panel method
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geodesic panel method
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TOTAL COMPOSITE
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complex geometry panel method complex geometry panel method
GENERATION OF COMPONENT ON GEODESIC
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System Autonomy a new condition of space
ecuting his recipe. ‘Having a system’, in contrast to the systems of the shuttle, is process-oriented as well, but more correctly posed as a set of if-then reactions. The gambler, through his system, will raise if the next card is high enough, will instance field system fold if it is too low. The artist will determine autonomy autonomy autonomy the composition of elements in either their proximity or importance, choosing a new condition of space to adjust focus or resolution, in order to correctly complete her work. The pick-up artist will either advance through his steps The ‘System’ can be understood in many of seduction, adjust course, or pull back ways, each with a specific presence in based off of the communication from his semantics. “All systems are go” beckons target. The chef waits until the water is at to the placement of technological routine, a simmer before adding the next ingredior supportive processes. The shuttle crew ent to her creation. verifies that each system is working, and in one spectacular moment the coordinaTo ‘have a system’ is to be systematic - to vs. tion of these ‘systems’ results in unified vs. have instinctual or planned steps through movement that defies gravity. In “all sysspecificity inclusivity an operation. Unlike “all systemscomprehensive are go”, tems are go” there is a differentiation of exclusivity which is connected to the meaning within these processes, a compartmentalization “system failure”, the systematic applicathat separates each - there is no “system tion of reactions is not dependent on the is go”, but only “systems are go.” The syssuccess of the operation. The gambler tem in this sense is specialized in its use, can fold, an admittance of failure in the limited in its expectations. attempt to win, but a viable and necessary portion of his ‘having a system’ in gamHuman systems (circulatory, neural, skelbling. There is no conception of failure in etal, etc.) are referential to the same use. this semantic use, for the reaction to operBoth the navigation system on the shuttle ative failure is contained within the system and the integumentary system in biologidefinition preference nonmimetic categorical social as a reaction. Folding is not aresource failure of the cal terms are collections of differentiated gambler’s system, but a routine of it. elements that are coordinated to achieve their specific goals. The coordination of all Increasing in ambiguity, there is also the things involved in each of these systems is semantic use of “system of oppression”. utilized to achieve specific results, which In this form there is a sudden simultaneis the central meaning of ‘system’ in this ity that appears. Instead of “all systems context. The process, either the orientaare go”, the semantics solidify into “the tion of the ship in space or the pumping of system goes”, which is representative blood through the body for oxygenation, is critical analysisof operations that work toof a variance what is of importance. The technology and wards a conceptually similar end. In I.M. matter involved is supportive, but kindly irYoung’s “Five Faces of Oppression”, the relevant in face of the expected result. In forms of oppression that fuse together so much, the components are necessary For my thesis production,inIthe chose to pursue as aproject, structural concept are Exploitation, a terminal creationnot of something alternative to Marginalization, Powerlessness, Cultural the indexof of parts. but instead develop an output theory, which discussed Imperialism, and Violence1. Each of these faces are systemic in their forms of active Another semantic use is the the idea of oppression, yet in the context of a “system “having a system” for set practices. The in space. d condit ntrolle g non-co of oppression” they are seen as contribugambler ‘has a system’ for winning, the ions the idea of creatin the and , theory tive to a larger orchestration, rather than artist ‘has a system’ for composing the social porary contem of ation applic the h Throug unrelated operations in parallel. There is imageof or ‘auton work, theomy’ pick-upand artist ‘contro ‘has a ial potent the l’, ideas dissection of the system’ for engaging with a target, and not a unification of their individual prothrough both was illucidated mous of systemically autono cess, but a collection of differentiated prothe chef ‘has space a system’ for correctly ex-
System Autonomy
the final production of a 120 page document of various essays, and a final thesis article, which addressed the basic tenets of the illusive pursuant concepts.
I received the Harry F Cunningham Bronze Medal for the collective work, which is used to define the Best Thesis of the year by a panel of professional architects.
While the application of t text, several urban and a simultaneously investigat to be covered.
Above : Swordgam of the Rogue-type level map arts game Go ( Sword of the S ideasBelow of :‘random randomized layout sce loose set of basi 3
System Autonomy a new condition of space
composition
growth
theory remained primarily within architectural fundamentals were ted for a wide area of knowledge
OBJECT
FIELD
St. Peter’s Basilica
Cordoba Mosque
Rome, Italy
SYSTEM Cliff Palace
Cordoba, Spain
Mesa Verde, U.S. Exterior
las gaviotas est: 1971// pop: 200
Interior
Partial Precedents at non-hierarchical spaces of communal functions were analysed, such as the Gaviotas ecovillage, located in Colombia. Each of these precedents were used early in research to investigate attempts at the creation of uncontrolled or otherwise radical organizations of function and community. Plan 132
Stars: The Pit second In Darwinia there is an even further push as Sword ofalong the Stars: with The Pit (2013) and mes were examined, the7,martial beyond simplicity in its creation of largeDarwinia (2005)8, achieve elevated levels (Weiqi) in order to divulge the underlying of sophistication in their spatially generatscale natural environments through the Stars: The Pit first level mized’ or ‘uncontrolled’ a procedural programming. Instead ed environments.generation withinsame enarios of hallways, rooms, and doors, the relaic expectations. tionships that determine the enviroments First, in Sword of the Stars: The Pit, there is
Above : Darwinia procedurally generated map5
4
the generation of dimensional space, rather than the organization of points in FTL. Moving through multiple levels to reach the bottom of the game environment, the turn-based game takes hallway widths, door placement, room function, and entrance to exit pathway into consideration through its generation. Without prior construction the game is able to maintain the separation of oppositional elements (entrance, exit) connect differentiated spaces (hallways, rooms) and specifically locate their intersection (doors). The environ-
made are instead the reaction between mountains, water, sky, and flatland. Obviously, the water and shore are connected, as the mountains are to the flatland, but there suddenly emergent relationships among multiple types of elements that determine how maps are constructed. In the production of these games, the procedural generation is simultaneously aware and aloof in its application. The randomized level generation is highly desirable because replay is infinitely variable
*Final Thesis Article can be provided upon request
JJ aa rr m m uu ll oo w w ss kk yy BB aa nn kk i BBuui li dl di ni ngg Studio Castellano The Jarmulowsky Bank Building was originally built in 1912 as a Beaux-Arts style high-rise. The reconstruction of the building was undertaken orginially to develop the site as a luxury hotel in the Lower East Side of Manhattan. Much of the interior was completely degraded over the years, as with the original roofline. The project was architecturally a combination of luxury hotel spaces and the preservation / recreation of a landmarked building.
A - PERSPECTIVE OF PROPOSED FROM CANAL & ESSEX
While working on the Jarmulowsky Bank Building Renewal from June 2014 through December 2014, I was involved in almost every level of the construction, design, and Jarmulowsky Bank Building When Historic Restoration - Amendments coordination. I began on and thePreservation project, the Notations - Domedinstitutional Spire nascent stages of foundation construction were already underway, but the specific designs for the reconstruction of the atrium entry and the recreation of the domed spire were A still underway along with the ratification of these designs via the Department of Buildings and the Landmarks Preservation Commission. In the period of 6 months, I transitioned from the role of Intern Architect to the acting Project Architect for the building under the circumstance of a project team exodus. Photograph of North East Corner c. 1931
Photograph of North East Corner c. 2012
Map of Project Location - Not to Scale
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54 - 58 Canal Street & 5 - 9 Orchard Street 11/26/14
A. Column base to be GFRC
B. Column shaft to be GFRC C. Column capital to be GFRC
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The project site is located at the convergence of Canal and Orchard Street, two streets from the architectural office D
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F. Frieze to be GFRC
G. Drum cornice to be GFRC H. Dome & ribbing to be GFRC
AREA MAP WITH PERSPECTIVE LOCATIONS
I. Coupola to be GFRC
J. Pinnacle to be Steel
Jarmulowsky Bank Building
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Visuliz
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194.403 193.945
Altogether, I was involved in the development of construction documents used in the active coordination on the building site, and the design finalization of specific recconstruction topics, such as the domed spire on the roof terrace of the htoel. Additionally, I helped coordinate the drawing sets used for Department of Building and Landmarks Preservation Commission submissions, and coordinated various topics among client representation and construction administration in the last couple of months of my time on the project.
scale: not to scale
Proposed Amendments
B
191.484
7'-5"
1. Proposed Domed Spire to match original historic Domed Spire. Details to be generated from original 1912 Rouse & Goldstone B Drawing obtained from Department Of Buildings and photographic documentation obtained from the New York Municipal Archives 2. Cooling Towers on the Roof have been raised approx. 10” A 3. Emergency Generator on the Roof has been raised 10” 4. Liquid Cooling Fans on the Roof have been raised 4” 5. Stair Bulkhead has been flipped 6. Proposed Marquee to be installed at Orchard Street Entrance (See Page 22) 7. Approved Roof Deck proposed T.O.S. to be raised an additional 3’-0” Pursuant to the zoning text ZR 74-711 8. Existing Windows to be converted to Doorway Openings to allow access to Roof Deck of New Construction at 60 Canal Street 9. Linear Drains to be installed at the Perimeter of the Roof Deck parallel to the existing Parapet 10. Parapet raised to meet 42" mininum height above Roof Deck required by the 2008 New York City Building Code 11. Rooftop Staircase removed and Glazing Area enlarged to correspond with Amendment Note #7 12. Cooling Fans at Roof Re-arranged (See Page 07) 13. Existing Pier at Deck-Side to be clad with GFRC to match Elevation Details at Exterior Façade Side 14. Parapet back-up wall and Terra Cotta Facing to be removed per Local Law 11 Inspection. Back-up wall to be rebuilt and Terra Cotta Facing to be replaced with GFRP DOMED SPIRE - PLAN B DOMED SPIRE - STRUCTURAL SECTION scale: not to scaleexisting Window. In-fill with matching Brick and a 1" scale:Reveal. not to scale 15. Remove
5'-11 3/4"
DOMED SPIRE - PLAN A
B
3'-5 3/4"
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187.855 187.584
DOMED SPIRE - SOUTH ELEVATION
DOMED SPIRE - WEST ELEVATION
scale: not to scale
scale: not to scale
Parapet and Cornice - East Section Scale 1" = 1'0"
The GFRC recreation of the previously destructed domed Jarmulowsky Bank Building Domed - Details isspire on the roof terraceSpire was anRestoration issue highly contentious 54 - 58 Canal Street & 5 - 9 Orchard Street 11/26/14 sue through the LPC approval of the roofline preservation, but overall was succesful in finding a way of presenting the period relevance in a modern set of material and structure.
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FOURTH FLR 79.816' F.F.
28'-2"
SECOND FLR 52.236' F.F.
38'-5"
6 19'-5"
FOURTEENTH FLOOR 195.649' F.F.
P22
PRPSD. ROOF DECK 195.581' F.F. (EXIST.) LOWER ROOF 187.831' T.O.S.
34'-3"
5'-5"
THIRD FLR 67.149' F.F.
UPPER ROOF 207.31' T.O.S.
33'-2"
31'-3"
28'-9"
38'-1"
STAIR BULKHEAD 216.03' T.O.S.
32'-2"
ELEVATOR BULKHEAD 222.048' T.O.S.
14 GRND FLR 38.38' F.F.
APPROVED BASE PROPOSED EAST ROOFNORTH SECTION B ELEVATIONS scale: 3/16" = 1'-0" scale: 3/16" = 1'-0"
PROPOSED NORTH BASE ELEVATION scale: 3/16" = 1'-0"
+t 1 212 777 0706 +f 1 212 777 0709 165 East Broadway, 3 fl. New York, NY 10002
DOME SPIRE 242.61' T.O.S.
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ELEVATOR BULKHEAD 222.048' T.O.S.
INTAKE VENTS 210.76' T.O.S.
19'-6"
34'-5"
UPPER ROOF 207.31' T.O.S.
3'-5 1/2"
54'-11"
STAIR BULKHEAD 216.03' T.O.S.
FOURTEENTH FLR 195.649' T.O.S. PRPSD. ROOF DECK 195.581' T.O.S.
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(EXIST.) LOWER ROOF 187.855' T.O.S.
Nine Orchard Partners, LLC. 590 Madison Avenie, 8th fl New York, NY, 10022 Carawill Equities, LLC. 590 Madison Avenie, 8th fl New York, NY, 10022 Foremost Contracting, LLC. 2390 McDonald Avenue Brooklyn, NY 11223 t: 718.266.6200 f: 718.266.4305 M E P Engineer:
TWELFTH FLR 176.308' F.F.
25 Chapel Street Suite 902 New York NY 11201 t: 585.272.4650 f: 585.272.4676
31 West 27th Street, 6th fl New York, NY, 10001 t: 212.545.7878 f: 212.545.8222
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1. Section Detail At Roof Deck East Parapet Scale 1" = 1'-0"
217 Grand St. 8th Floor New York NY 10013 t: 917.677.8023 f: 917.677.8023
ELEVENTH FLR 164.208' F.F.
Domani Consulting, Inc. 226 East Merrick Road Valley Stream, NY 11580 t: 516.256.0317 f: 516.256.0335
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NINTH FLR 140.048' T.O.S. Bulletin #17 No.
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Date
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54 - 58 Canal Street 5 - 9 Orchard Street New York, NY 10002 Drawing Title:
EIGHTH FLR 127.958' F.F.
Event Space & Roof Deck Sections & Details Scale: AS NOTED
Date:
SEAL & SIGNATURE
PROJECT No:
0702
DRAWING BY:
GB
CHK BY:
RC
2. Section Detail At Roof Deck East Parapet
11/25/14
DWG No:
Scale 1" = 1'-0"
A-942.00
149'-4"
DOB NYC Number:
SEVENTH FLR 115.908' F.F.
SIXTH FLR 103.828' F.F.
FIFTH FLR 91.748' F.F.
P20
FOURTH FLR 79.658' F.F.
THIRD FLR 67.241' F.F.
SECOND FLR 52.078' F.F.
6 GRND FLR 38.54' F.F.
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KK ii nn gg A A bb dd uu ll aa zz ii zz C C ii tt yy ff oo rr SS cc ii ee nn cc ee aa nn dd TTee cc hh nn oo ll oo gg yy Laboratory of Visionary Architecture
The King Abdulaziz City of Science and Technology is the campus of governmental research and educational institutes in Riyadh, Saudi Arabia. The Masterplan was designed by LAVA after winning a comptetitive international competition, and I was hired during the design development phase of the first 9 laboratory buildings along with the connective carpark areas and landscape The KACST masterplan sets out a vision for a state of the art research and innovation campus in Saudi Arabia. Cutting edge research had been undertaken to define a modular framework for the campus layout. Following an optimised grid, this system of research laboratories and support buildings allows maximum flexibility and evironmentally tuned facade systems.
Joining the project in January of 2015, I participated in thie DD phase on the Atria design team as well as the Landscape design team. Broadly, I helped design, detail, and create drawing packages for specific Atria elements in the first two buildings in order to be used as prototypical examples in the remaing seven, and aided in the general design development and documentation of the entire Landscape topic. In addition to working on these two design topics as a part of a collaborative team, I also personally coordinated the feature lighting design with lighting consultants SEAM, both for the Atria and for the Landscape, and coordinated the wayfinding concepts for the Landscape in the final portion of the Design Development phase.
In total, I was working on KACST from the beginning of my time at LAVA in January 2015 until the final production of the design tendering packages for each of the buildings in April / May 2016. Currently, the KACST Masterplan has completed the preliminary tendering phase, but remains on construction hiatus pending final costing approvals by the Saudi Arabian government.
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DRAWING TITLE
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LEAD CONSULT
ARCHITECTURE
PARKING STRUCTURE FACADE
LAV
Wolframstrasse 70191 Stuttgart Germany +49 711 722 32
& FEATURE STAIRS
LOCATION:
Emergency staircase - Overview
DRAWN BY: CHECKED BY: APPROVED BY: SCALE/SHEET:
KACST NCNDT Tender | Atrium |87
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MAIN IDOR CORR
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GOODSLIFT PRAYING AREA SUPPORT MODULE
ELEVATORS
LIBRARY
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GOODSLIFT
INFORMAL MEETING
STAIRS
SUPPORT MODULE
STAIRS
ELEVATORS
ARK CARP
Vertical Transportation Visitors Route Employee Route
PARKING LOT
TNCNDDING BUIL
LEVEL 01 OVERVIEW
LAB AXONOMETRIC PLAN General masterplanning not a part of design responsibilties, LAVA nation Background render produced externally.
KK A AC C SS TT :: A A tt rr ii uu m m D D ee ss ii gg nn Laboratory of Visionary Architecture
While working on the Atria design team, I developed design items, such as feature stairs, atria ceilings, and bridge balustrades, while also helping to develop the final design dimensions of the atria facade panelling in two buildings (NCNDT, PRI). As a part of the atria team, we perfected a strategy for transferring facade geometry between Rhino and Revit, and personally I developed a method of creating the previously designed atria lamella items within Dynamo. 16830 mm FFL_Level 03
Atrium Ceiling Cladding
Concrete Slab
1 A57-900
Downstand Cast In Concrete
Facade SubStructure L/T-Profile Fibre Cement Panel glued/riveted to L/T-Profile
Suspended Baffle System
SkyLight
14520 mm
BSC_Level 02
Concrete Column painted
Susp. Baffle System Fibre Cement Panel
CLG-101
Curtain Wall Facade Schüco FW 50+ SG Aluminum Lamellas (Background)
MD01
Lamellas Aluminum Floor Build-Up PVC Finish on Screed
Curtain Wall Facade Schüco FW 50+ SG
For the tendering process of the NCNDT building, I helped the team leader in preparing CAD drawing details for the atria flooring, planting, and lighting elements, and aided in implementing these elements in the Revit BIM environment. The final visual production, diagramming and rendering (including background render) for the architectural design report of NCNDT was also aided by me. 2A A57-900
11520 mm FFL_Level 02
Facade SubStructure L/T-Profile
Fibre Cement Panel glued/riveted to L/T-Profile (see accord. Details)
Concrete Slab
Downstand Cast In Concrete
Fibre Cement cladded Concept Gap
Suspended Baffle System
9480 mm
BSC_Level 01
Susp. Baffle System
Concrete Column painted
Fibre Cement Panel
Curtain Wall Facade Schüco FW 50+ SG
Curtain Wall Facade Schüco FW 50+ SG
Concrete Column
MD01
Glass Balustrade with Aluminum Rail
Floor Build-Up PVC Finish on Screed
2 A57-900
6480 mm
FFL_Level 01
Facade SubStructure L/T-Profile Fibre Cement Panel glued/riveted to L/T-Profile (see accord. Details)
Concrete Slab
Fibre Cement Panel glued/riveted to L/T-Profile
Fibre Cement Panel
I was personally responsible for the feature lighting coordination with the lighting consultant SEAM. This comprised of producing the general atria feature lighting concepts, which would be applied to each subsequent building. Additionally, the design development of the atria ceiling design to be applied to each subsequent building was also under my responsibility. Downstand Cast In Concrete
Metal Grate
3 A57-900
Metal Grate
Fibre Cement cladded Concept Gap Suspended Ceiling
Fibre Cement cladded Concept Gap
5 A57-900
6 A57-900
4 A57-900
Suspended Ceiling System
Facade SubStructure L/T-Profile
Fibre Cement Panel glued/riveted to L/T-Profile (see accord. Details)
3000 mm
BSC_Level 00
Concrete Column painted
Glass Partition Wall
IWS03
Café Pedestal Light Concrete Stone Finish
Natural Stone Finish
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Pedestal Light Concrete
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Suspended Baffle System
Concrete Column painted
Susp. Baffle System
CLG-101
Fibre Cement Panel MD01
Lamellas Aluminum Floor Build-Up PVC Finish on Screed
Curtain Wall Facade Schüco FW 50+ SG
Concrete Slab Downstand Cast In Concrete Suspended Baffle System
Susp. Baffle System Concrete Column painted
Fibre Cement Panel
Concrete Column
MD01
Glass Balustrade with Aluminum Rail
Curtain Wall Facade Schüco FW 50+ SG
Floor Build-Up PVC Finish on Screed
Concrete Slab Fibre Cement Panel glued/riveted to L/T-Profile
Fibre Cement Panel
Downstand Cast In Concrete 3 A57-900
Metal Grate
5 A57-900
Fibre Cement cladded Concept Gap Suspended Ceiling
Suspended Ceil System
Facade SubStructure L/T-Profile 6 A57-900
Fibre Cement Panel glued/riveted to L/T-Profile (see accord. Details)
Concrete Column painted
Glass Partition Wall IWS03
Café Pedestal Light Concrete Stone Finish
Natural S 7 A57-900
8 A57-900
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27
24
25
9 17
26
29
32
40
9 16
39
37
9 15
9 14
NCNDT SECTION
4
Cross-Section Office Module 1 : 200
Final design development accomplished in coordination with design team lead Costa Krautwald and project lead Nuno Galvo
KK A AC C SS TT :: LL aa nn dd ss cc aa pp ee D D ee ss ii gg nn Laboratory of Visionary Architecture
The connective landscape design of KACST was designed to transition employees and visitors from the parking structure into oasis style exterior spaces before placing them in the buildings of respective research institutes, as well as remaining strategically designed predominately as a xeriscape in order to maximize sustainability. 0 27 26
0 25
0 24
0 23
0 22
0 21´ 21
0 20
0 19
0 18
While working on the Landscape design team for KACST, I participated in excercises from schematic design to construction detailing for the tendering process. Personally, I was often tasked with the final appraisal and check of the landscape portions of the Tendering documents for each building parcel, and in large part coordinated much of the Revit BIM model for the carpark areas and general Landscape pacakges. As with the Atria design team, I coordinated the feature lighting design with the lighting consultants SEAM, but for the Landscape I also coordinated previously provided wayfinding design concepts, as well as elements of the traffic and landscaping consultant designs.
0 17
81430
5760
30
9400
9000
9000
9000
9400
30
8570
9000
9000
9000
630,340
FFL 624,580
340
10620
624,240
INFRA scope
4520
4860
As for specific design topics, I participated in the schematic design of the plaza elements and parking facade / stair items as a part of a collaborative team, while also working closely with rationalizing parking design elements in concert with the structural information provided by Elevation 1 Westengineering consultants.
590
FFL 619,720
20500
5500
1 : 250
0 27 26
0 25
0 24
0 23
0 22
0 21´ 21
0 20
0 19
0 18
In addition to general team design work, I had a more independent level of schematic and design development experience on the gateway and southern entrance to the campus, as well as the pedestrian parking routes, and several building specific elements, such as the JCEP landscape cafe. While working on the Landscape team I was able to wear many different hats, and experience a widened project overview.
0 17
0 16
0 15
0 14
117430
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9000
9000
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30
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9000
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5760
630,340
FFL 624,580
4860
10620
624,760
FFL 619,720
Elevation West_2
2
1 : 250
0 AA
0 AB
0 AC
0 AD
0 AE
0 9 AF 32
0 AG
0 AH
0 AI
0 AJ
0 AJ'
0 AK
0 AM AL
0 AN
0 AO
0 AP
0 AQ
0 AR
270680 6960
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WCP1 Scope INFRA scope 5500
3
5150
South Elevation 1 : 350
LANDSCAPE WADI SECTION
0 AS' AT
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0 AW
0 AX
0 AY
0 BR
0 AZ
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45325 4850
4150
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24 440 mm
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19 580 mm
FFL_Level B2
0 13
0 12
0 11
0 10
0 09
0 08
0 07
0 06
0 05
0 04
0 03
0 02
0 01
COOLING DISTRICT
30 200 mm
5760
WADI L0
623,580
10620
624,760
624,580
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0 BS
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5800
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0 BT
0 BB
0 BU
0 BC
0 BV
0 BD
0 BW
0 BE
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Final design development accomplished in coordination with design team lead Piotr Basinski and project lead Nuno Galvo
KK A AC C SS TT :: LL aa nn dd ss cc aa pp ee D D ee ss ii gg nn Laboratory of Visionary Architecture
The KACST parking facade and Landscape dunes followed a polygonal design language that was implemented to evince the stereotomy of stone desert landscapes, creatively produce level changes for seating and balustrade use, and to limit the amount of structural support areas for tree and heavy planting implementation. Routinely, the design variations of the Landscape team were tested through diagram excercises and physical modelling (plaster cast and 3d print, as seen below). While the majority of work was designed via Rhino and Grasshopper, the end output needed to be through Revit, which demanded a high level of geometry to be creatively readapted via Revit techniques or imported through several methods. Across the entirety of the Landscape, the lighting concepts coordinated with SEAM were implemented comprehensively to provide usability of each space during the evenings and nights, as the temperatures would then allow users to walk leisurely throughout the full breadth of the Landscape.
PARKING STAIR FACADE
PARKING FACADE MODEL
SOUTH CAMPUS ENTRANCE - TOTEM AND GATEWAY
on or t
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JCEP LANDSCAPE CAFE
to EP
JC
z City for Science and Technology
andscape Feature LighƟng
G STRATEGY
in the masterplan will support g diverse sets of social spaces ape. AS a transiƟon from the he strategy below is composed nts to volumes of light, which oncept of dynamic and staƟc eans of lighƟng.
XL4 SKIRT LIGHT
l connecƟons and cross paths light to assist visitors as they ublic realm.
es graphically drawn in space, be located along the landscape on either side of the walkways. e the lineariƟes within the
rcaƟng social spaces along the ed light will be spread along eaƟng mulƟfuncƟonal, open
ened as meeƟng hubs, the as will be created by low level nd landscpae illuminaƟon to pheric and inƟmate space.
XS4
RAIL LIGHT
XL3
STEP LIGHT
XL2 WASH LIGHT
XU1 PLANT LIGHT
XS2 PLANT LIGHT
LANDSCAPE FEATURE LIGHTING Final design development accomplished in coordination with design team lead Piotr Basinski and project lead Nuno Galvo
H HU UA AN N D D EE :: C C hh ii nn aa -- EE uu rr oo pp ee FF uu tt uu rr ee C C ii tt yy Laboratory of Visionary Architecture The China-Europe Future City is a 5 squarre-kilometer masterplanning project in the Longgang district of Shenzhen, China, which involves mixed commercial and residential districts in mesh of industrial and infrastructural development areas focused on future technologies. As the opening salvo of the masterplan, the CEFC Headquarters Plot is a composition of three office towers placed on a plinth layer of commercial spaces surrounding a natural hill south of the Innovation Center. The site is an intersectional collage, with the main metro extension pushing from one side, a major retail location directly south, and an overground tramline pushing from the far side. In responding to these vectors of circulation, bridgeways provide unimpeded connection over the busy roadways. The tension points of this CEFC main development location have been the obligation to interact with the Innovation center and the rest of the city, while not distracting from the Innovation Center’s individual placement in the city as a whole.
CEFC HQ T
3
HH AACC RROO P P AAPP
TR IB UT AR Y
From the first design steps, I have personally driven the design and concept of the CEFC Headquarters Plot, and directly coordinated with the client over this portion of the CEFC masterplan. While the high rise projects are still in its very early form, and the transformation of its parameters is still very much underway, I am proud of the stability of the underlying concept work. Specifically, the negotiation of the parking levels to the plinth commercial on street-level to the elevated landscape level which rings the natural remaining environment.
INTER
EAST OFFICE TOWER 45000m2
CITY ZONE B: LIFE SCIENCES CEFC HQ SITE PLAN
TOWER
CITY Z O SUSTA NE A: INABL E URBAN PARK
35000m2
WEST OFFICE TOWER 52000m2
ATION RNAL CIRCUL
INNOVATION CENTER
NE C: CITY ZO 4.0 RY INDUST
20000m2
Final design development accomplished in coordination with project lead Nuno Galvao.
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Additionally, I served as the direct support for the Project Arc out various fires as they came up, and acted as the LAVA with the client team when the Project Architect was unable Innovation Center was the first of the office to heavily rely on as both a client presentation tool as well as a design critique both the standard stereoscopic views along with the more imme accompanying the HTC Vive - responsibilities I have person in developing a workflow for productive immersive viewing, a techniques used for quick stereoscopic production. LEVEL 01
rr
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Tre veg es eta - hig tion h
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The Huan De CEFC Innovation Center provides fou masterplanning showcase, which details the planning o and the ‘Future City Concepts’ of Sustainable Urban P Industry 4.0. Additionally, one level of the Innovation development spaces for start-up businesses branc Europe, and exposition spaces for technology and co who wish to exhibit services related to the Future City ) ( ' &
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H HU UA AN N D D EE :: II nn nn oo vv aa tt ii oo nn C C ee nn tt ee rr Laboratory of Visionary Architecture
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Background Render produced externally. Final design development accomplished in coordination with project lead Nuno Galvao.
H HU UA AN N D D EE :: II nn nn oo vv aa tt ii oo nn C C ee nn tt ee rr Laboratory of Visionary Architecture The defining architectural element of the Innovation Center is a three level atrial space that counteracts the intensity of the exhibition rooms with winding and ethereal elements mixed with moments of natural incusion, allowing the most connective space within the Innovation Center to truly act as a centering psychological space. The internal facade and the balustrade items in the Atrium curve around to provide various area for cafe usage, epilogue exhibition, and general relaxation. The inclusion of green walls and planting in the atrium combines the aesthetic of the technological future with the natural in order to express a balanced vision of future architectural space. Each winding element was developed personally via several Grasshopper definitions which were used to increase the efficiency of design scheme variation and visualization, and combined the creation of the central stairs, the balustrade curves, and the handrail items where the balustrade dives down to floor finish level. The space planning was achieved as a team excercise, but a majority of the Atrium design schematics, even in planning, were under my independent responsibility.
LEVEL 01 PERSPECTIVE
INNOVATION CENTER ELEVATION
ATRIUM
Final design development accomplished in coordination with project lead Nuno Galvao.
FF ii bb rr oo uu ss A A gg ee nn cc yy W W oo rr kk ss hh oo pp D.Chromosome During the summer of 2017, I attended the Fibrous Agency workshop directed by Bogdan Zaha and Daniel Bolojan in Florence, Italy. The workshop involved 2 days of utilizing Maya in order to produce variants of urban form, followed by 3 days of working with Agent-Based Design scripting developed in its base by Daniel Bolojan. Once a base mesh was achieved via Maya, many variations of the agent script was run, tuning the starting locations, interactions, and mesh adherence of the moving agents in the simulations. The visualizations of the final output were then adjusted and optimized via Grasshopper to achieve the differentiation of mesh thickness and fluidity of the winding forms, and rendered via KeyShot. After the workshop, I applied the same techniques to a facade example from my work on the Huan De China-Europe Future City masterplan, and refined each of the agent system settings to test the application of ‘fibrous agency’ as a technique for creating a shading barrier on high-rise architecture. The resultant schemes produces interesting outcomes, especially in the potential for mixing multiple simulations to create an interweaving of larger fibrous elements with tighter counterparts.
FIBROUS TOWER SYSTEM ACHIEVED AT WORKSHOP
BACKGROUND: INTERNAL VIEW OF INTERWOVEN AGENT SYSTEMS
FIBROUS STRANDS: HONING DETAILS OF THE SYSTEM