Alfred Hitchcock's The 39 Steps - Spring 2022 by Great Lakes Theater

Cleveland’s Classic Company at the Hanna Theatre presents

April 29 – May 22, 2022

TABLE OF CONTENTS

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Welcome..................................................................................................................... 4 About Great Lakes Theater............................................................................................ 5 Alfred Hitchcock’s The 39 Steps................................................................................... 7 Cast of Characters........................................................................................................ 8 Spotlight on Alfred Hitchcock’s The 39 Steps................................................................ 9 The Artistic Company................................................................................................. 18 Donors....................................................................................................................... 22 Trustees..................................................................................................................... 28 Staff.......................................................................................................................... 29 Guest Services at Playhouse Square............................................................................ 30 April/May at Playhouse Square.................................................................................... 31

WELCOME Dear Friends,

at Playhouse Square

n behalf of our artists, staff and Board of Trustees, welcome to the conclusion of Great Lakes Theater’s 60th anniversary season! Our mission to bring the pleasure, power and relevance of theater to the widest possible audience guides our mainstage productions, as well as our educational programming. We believe theater holds the capacity to illuminate truth and enduring values, celebrate and challenge human nature and actions, and provide our student audiences a glimpse of a broader world and the wellspring of learning made possible through the arts. We are so pleased you have joined us for the finale of our 60th season, Alfred Hitchcock’s The 39 Steps. This production marks the directorial debut of GLT Artistic Associate, Jaclyn Miller, whose tremendous work as Choreographer/Movement Director/Assistant Director is familiar to our audiences from many Great Lakes Theater productions, including The Music Man, Julius Caesar and Mamma Mia!. This uproarious show combines all the best parts of the thrillers you love with a dash of romance and incredible laughs. The madcap, fast-paced, Tony Award-winning show is a truly fitting way to end this momentous season. We are extremely grateful to Fifth Third Bank and FirstEnergy Foundation for their generous support of this production. As we open Alfred Hitchcock’s The 39 Steps, we have begun work on our next season of six spectacular productions. The 2022-23 season begins September 16 with the delectable musical, Little Shop of Horrors. The world’s most enduring love story, Romeo & Juliet, follows closely after with an October 21 start. Our holiday celebrations kick off on November 25 with the opening of Charles Dickens’ A Christmas Carol in the Mimi Ohio Theatre. In February, we are back in the Hanna Theatre with the delightfully Austen-tatious romantic comedy, Sense & Sensibility by Kate Hamill, based on the novel by Jane Austen. We follow that up with Shakespeare’s enchanting romantic comedy As You Like it in March, and close our 61st season in May by bringing you the long-awaited, jazzy musical celebration of Fats Waller, Ain’t Misbehavin’. We hope you will join us again next season by purchasing a season subscription to three or more of our productions! With so much to celebrate in this milestone season, we especially wish to honor those who supported us over the past two years as we weathered this unparalleled storm. As you read your program and look around the theater tonight, you will see the names of many friends, partners, corporations, and foundations whose support makes all of this possible. We encourage you to join the Great Lakes Theater family with your gift. We extend our sincere gratitude to all of our sponsors and Annual Fund donor/members, with continued appreciation to our partners of 40 years at Playhouse Square, and the tireless efforts of our Board of Trustees, dedicated administrative staff, gifted artists and the tremendous generosity of this community. We thank you for your patronage and hope to see you in our audience again next season!

Charles Fee Producing Artistic Director

Bob Taylor Executive Director

ABOUT GREAT LAKES THEATER

he mission of Great Lakes Theater (GLT), through its mainstage productions and its education programs, is to bring the pleasure, power and relevance of classic theater to the widest possible audience.. Since the company’s inception in 1962, programming has been rooted in Shakespeare, but GLT’s commitment to great plays spans the breadth of all cultures, forms of theater and time periods –– including the 20th century –– and provides for the occasional mounting of new works that complement the classical repertoire. Classic theater holds the capacity to illuminate truth and enduring values, celebrate and challenge human nature and actions, revel in eloquent language, and preserve the traditions of diverse cultures and generate communal spirit. On its mainstage and through its education programs, GLT seeks to create visceral, immediate experiences for participants, asserting theater’s historic role as a vehicle for advancing the common good and helping people make the joyful and meaningful connections between clas-

sic plays and their own lives. The company’s commitment to classic theater is magnified in the educational programming that surround its productions. Since its inception, GLT has had a strong presence in area schools, bringing students to the theater for matinee performances and sending specially trained actor-teachers to the schools for weeklong residencies developed to explore classic drama from a theatrical point of view. GLT is equally dedicated to enhancing the theater experience for adult audiences. To this end, GLT regularly serves as the catalyst for community events and programs in the arts and humanities that illuminate the plays on its stage. Great Lakes Theater is one of only a handful of American theaters that have stayed the course as a classic theater. As GLT celebrates over a decade in its permanent home at the Hanna Theatre, the company reaffirms its belief in the power of partnership, its determination to make this community a better place in which to live, and its commitment to ensure the legacy of classic theater in Cleveland.

1501 Euclid Ave., Suite 300, Cleveland, OH 44115 P: (216) 241-5490 | F: (216) 241-6315 | W: GreatLakesTheater.org

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Great Lakes Theater’s fall 2019 production of The Music Man (Photo by Roger Mastroianni)

Cleveland’s Classic Company AT THE HANNA THEATRE

presents...

2022/23 season SUBSCRIBE & SAVE BIG! The Delectable Musical Comedy

LITTLE SHOP OF HORRORS September 16 - October 9, 2022 / Hanna Theatre

Book and Lyrics by Howard Ashman / Music by Alan Menken

The World’s Most Enduring Love Story

ROMEO & JULIET

October 21 - November 6, 2022 / Hanna Theatre By William Shakespeare

Northeast Ohio’s Favorite Holiday Tradition

A CHRISTMAS CAROL November 25 - December 23, 2022 / Mimi Ohio Theatre

By Charles Dickens / Adapted and originally directed by Gerald Freedman

A Delightfully Austen-tatious Romantic Comedy

SENSE & SENSIBILITY February 10 - March 5, 2023 / Hanna Theatre By Kate Hamill / Based on the novel by Jane Austen

An Enchanting Shakespearean Romantic Comedy

AS YOU LIKE IT March 24 - April 8, 2023 / Hanna Theatre By William Shakespeare

A Jazzy Musical Celebration of Fats Waller

AIN’T MISBEHAVIN’ April 28 - May 21, 2023 / Hanna Theatre

Conceived by Richard Maltby, Jr. and Murray Horwitz / Created and Originally Directed by Richard Maltby Jr. Original Choreography and Musical Staging by Arthur Faria / Musical Adaptations, Orchestrations, and Arrangements by Luther Henderson Vocal and Musical Concepts by Jeffrey Gutcheon / Musical Arrangements by Jeffrey Gutcheon and William Elliott

216.453.4458 / GreatLakesTheater.org

Hanna Theatre | April 29 – May 22, 2022

Charles Fee Producing Artistic Director

With generous support from:

Presents

ALFRED HITCHCOCK’S PATRICK BARLOW JOHN BUCHAN FROM THE MOVIE BY ALFRED HITCHCOCK ADAPTED BY

FROM THE NOVEL BY

Licensed by ITV Global Entertainment Limited And an original concept by Simon Corble and Nobby Dimon By arrangement with Fiery Angel Limited DIRECTED BY

JACLYN MILLER

Company

Maggie Kettering* Anthony Michael Martinez*

GreatLakesTheater.org

THE 39 STEPS Betsy Mugavero* Joe Wegner*

Scenic Designer Courtney O’Neill

Costume Designer Esther M. Haberlen

Lighting Designer Heather Gilbert

Sound Designer/Composer Matthew Webb

Production Stage Manager Sarah Kelso*

Assistant Stage Manager Imani Sade

The 39 Steps is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com The original London production directed by Maria Aitken designed by Peter McKintosh lighting designed by Ian Scott sound designed by Mic Pool and movement directed by Toby Sedgwick opened at the Tricycle Theatre (now known as Kiln Theatre) in Kilburn in August 2006 and transferred to the Criterion Theatre in the West End on 14 September 2006 and subsequently to the American Airlines Theatre on Broadway on 15 January 2008. The original production was directed by Fiona Buffini. This production is licensed and the film is distributed by ITV Global Entertainment Ltd. *Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States Support for Great Lakes Theater education programs is generously provided by EY. (www.ey.com) There will be one fifteen-minute intermission. The videotaping or other video or audio recording of this production is strictly prohibited.

CAST OF CHARACTERS Richard Hannay

Anthony Michael Martinez*

Annabella, Margaret, Pamela

Betsy Mugavero*

at Playhouse Square

Clown 1, Compere, Henchman, Mrs. Higgins, Salesman 1, Paperboy, Policeman 1, Professor Jordan, Sheriff, McQuarrie, Heavy 1, Mrs. McGarrigle, Inspector Albright

Clown 2, Mr. Memory, Henchman, Milkman, Salesman 2, Policeman 2, Porter, Crofter, Mrs. Jordan, Inspector, Dunwoody, Heavy 2, Mr. McGarrigle

Maggie Kettering*

Joe Wegner*

* Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States

spotlight an insider’s guide to

Generous support for Spotlight was provided by

Donald F. and Anne T. Palmer Design by:

Stacy Mallardi-StajcaR, Casual Images Graphic Design

Spotlight on alfred hitchcock’s The 39 steps 10

From the Director Jaclyn Miller

he 39 Steps marked the introduction of character Richard Hannay in a four-part, thriller book series penned by John Buchan in 1915. It has been considered the “progenitor of the modern spy novel” — and Buchan, the composer of this classic formula: take a seemingly ordinary human; draw them into a mystery they vaguely understand; give them an assignment to carry out; put roadblocks at every turn; take away the ability to seek help from authoritative figures or organizations; do not allow them to know who they can trust — and make sure time is of the essence. The novel was written and published amid World War I. It’s chock-full of references to an impending war, social and religious politics and anti-Semitism. Roughly two decades later, Alfred Hitchcock optioned the rights for the groundbreaking novel and adapted it into a screenplay. The film was released in 1935, the same year the Nuremberg Laws passed. World War II was on the horizon — and the social/religious politics of this work were as prevalent as ever. Although the underlying plot stayed the same, Hitchcock modified and generalized major plot points — namely the ending — to make the piece more fitting of the country’s current circumstances. But true to himself and the original intent, he plays on the psychological fears which are twofold: an innocent person accused of a crime that must be solved to clear one’s name, and what happens if this vital information makes its way into the enemy’s hands. Another fact: Hitchcock’s team was responsible for the creation of Hannay’s love interest, Pamela — a character that has been retained through many subsequent adaptations including Patrick Barlow’s four-person stage extravaganza that you are here to witness tonight! What I love about these facts is that they exemplify how art is always evolving to suit the medium, era, artists and ultimately, the story. Barlow’s adaptation takes this beloved, stylistic film and infuses it with inherent theatricality by putting it in the hands of four actors. Four actors. To recreate an entire film. This requires incredible resourcefulness, ingenuity, alacrity and ENDURANCE.

Synopsis In this fast-paced, madcap comedy, four people take on the near impossible — to recreate the film of The 39 Steps. Richard Hannay, a returning visitor to London who’s altogether bored with his life, has a chance encounter with a secret agent — Annabella Schmidt. Annabella entrusts Hannay with highly sensi-

tive, confidential information, knowing that her life is in grave danger. After she’s murdered — at his flat no less! — Hannay is the assumed suspect and must go on the run to unravel the clues of this spy thriller in order to protect national security and clear his name.

The story for The 39 Steps originated with John Buchan (1875-1940), a British writer and civil servant.

rom novel to film to play, the story of The 39 Steps has passed through many hands on its way to the Hanna Theatre tonight.

John Buchan (1875–1940)

The first hand was John Buchan’s. In the summer of 1914, John Buchan was confined to bed. Austria-Hungary had declared war that July. An extended bout of ill health would prevent the British man from joining his contemporaries as they signed up to defend the Allied cause. Buchan cast about for another way to contribute to the war effort. As a young man, he had won prizes for essays and poetry at Oxford. After a stint as a diplomatic secretary in South Africa, he had returned to England to join the editorial board of The Spectator, one of the world’s most venerable weekly magazines. Buchan was able to find a wartime role for himself with Thomas Nelson Publishers, based in his native Scotland. He was tasked with writing accounts of the major

Ill health prevented Buchan from active service during WWI, but he contributed to the war effort by writing accounts of major battles and offensives as they were taking place. These accounts were serialized by Scottish publisher Thomas Nelson & Sons.

battles and Allied offensives as they were taking place. Between 1914 and 1919, he churned out 24 volumes, 50,000 words at a crack, which were serialized under the title Nelson’s History of the War. These accounts brought Buchan to the attention of the British War and Foreign Offices, and he was hired to write communiques. But, before his path ahead was clear, Buchan entertained himself by writing what became one of the first British “spy thrillers.” He’d been publishing articles, essays and stories most of his adult life, often on historical topics or current affairs. But the threats and patriotism of the day inspired the writer to strike out in a new vein, even as he set the action in the familiar Scottish landscape of his childhood. “I have amused myself in bed writing a shocker,” Buchan wrote to his editor at William Blackwood & Sons, the Scottish publishers. “It has amused me to write, but whether it will amuse you to read is another matter.”

Spotlight on alfred hitchcock’s The 39 steps

Playnotes: Alfred Hitchcock’s The 39 Steps

Spotlight on alfred hitchcock’s The 39 steps 12

Playnotes (continued)

Buchan’s career eventually took precedence, when he was appointed to serve as Governor General of Canada from 1935–1940.

Alfred Hitchcock (1899–1990)

As the drumbeats for WWI sounded, Buchan was sick in bed. Though he had written historical fiction and magazine articles about current events, he decided to try his hand on what became a pioneering “spy thriller” — which was published in 1915 under the title, The Thirty-Nine Steps.

Buchan’s “amusement” hit the mark. Blackwood released the story, The Thirty-Nine Steps, in serial form during the summer of 1915. Sales were robust, warranting publication in book form in October. Within the first three months of publication, 33,000 copies were sold, and the book has remained in print ever since. Buchan went on to build several more thrillers around Richard Hannay, the central character of The Thirty-Nine Steps. The “next Buchan” was anticipated in the same way that a modern audience might look forward to the next espionage novel of John Le Carré — to name an accomplished successor in the genre that Buchan pioneered. Popular enthusiasm never translated into literary accolades, however. The writer continued to juggle writing with engagement in government and church politics and civic affairs. He served for a time as the President of the Scottish Historical Society and a trustee of the National Library of Scotland. And the government service side of

The 1935 film, The 39 Steps helped to define the artistic persona of filmmaker Alfred Hitchcock (1899-1990). The 39 Steps is often considered his breakthrough hit.

The “first hand” to pass along the story of The Thirty-Nine Steps was not the last. As Buchan’s granddaughter said in a note for the published playscript, “JB was never proprietorial about his work.” In the run-up to another World War, film director Alfred Hitchcock took the story up again 20 years later. The credit cannot be given to Alfred Hitchcock alone. In 1935, when Hitchcock’s film, The 39 Steps, was released, he was not yet the legendary auteur that he would become — though he was rising through the ranks of the British film studio system. From a working-class start — a Jesuit secondary-school education and night classes at a technical school — the young Hitchcock had leapfrogged from clerking in a telegraph office to designing telegraph ads to drawing title cards for a silent movie production company. A quick study, Hitchcock grew with the fledgling industry. He gravitated toward directing, absorbing the work of German, Soviet and American filmmakers along the way. A deft hand at atmospheric suspense distinguished one of his most successful early silent films, The Lodger

(1927), starring Ivor Novello. British International Pictures put Hitchcock at the helm for Britain’s first “talkie,” the 1929 film Blackmail. For Blackmail, a dramatic thriller, Hitchcock had been paired with scriptwriter Charles Bennett. Gaumont-British Picture Corporation tapped the two to work together on a spy thriller based on John Buchan’s well-known novel. Bennett’s strength was in plot construction. Ian Hay — the pen name for John Hay Beith, who shared Buchan’s Scottish origins and “Oxbridge” education — was brought in to polish the dialogue. Hitchcock rounded out the “writer’s room,” and his wife Alma, a screenwriter herself, was rumored to have weighed in as well. Hoping for box office in the US, the studio signed Robert Donat and Madeleine Carroll to the project, two British actors who had some exposure and success in Hollywood. The writing team hewed to Buchan’s focus on an ordinary citizen accidentally caught up in a nefarious web of foreign espionage. The theme of “the wrong man” — an innocent man wrongly accused — would reverberate throughout Hitchcock’s career from The Lodger through such later films as North by Northwest (1959). In Buchan’s book, it’s a man who sets in motion the plot that ensnares Richard Hannay. But in Hitchcock’s film, it’s a much more alluring, and foreign, “femme fatale.” Also, with a blonde actress on hire, Hitchcock’s film introduced a cool, sharp-edged heroine to confound Richard Hannay. Madeleine Carroll became the prototype for the many self-possessed blondes who would grace Hitchcock’s later

Gainsborough Pictures attached two British stars to the project — Robert Donat and Madeleine Carroll. The studio hoped that their previous exposure in Hollywood would help expand the film’s box office appeal in the US.

The theme of the “wrong man” runs throughout Alfred Hitchcock’s work, including the 1959 film starring Cary Grant, North by Northwest.

work. The concoction of writers, sources and exigencies worked. Throw in some menacing shadows, the foreboding Scottish moors at night, tilted camera angles, and tense, overlapping sound cues — and The 39 Steps became Hitchcock’s breakthrough hit.

Spotlight on alfred hitchcock’s The 39 steps

Depicted here on their wedding day in 1926 — under the headline “Hitch Gets Hitched,” screenwriter Alma Reville played an important but often un-credited role in Hitchcock’s work, including The 39 Steps.

Spotlight on alfred hitchcock’s The 39 steps 14

Playnotes (continued) Patrick Barlow (1947- ) et al Already a novel and a film, this story needed one more set of hands to become a play. The stage process started with an actor and director named Nobby Dimon who aspired to bring small-scale theater productions to the village halls of northern England. To launch his North Country Theatre (ca. 1995), Dimon was drawn to a “North Country tale” — John Buchan’s novel. Simon Corble, a Manchester-based English actor-director-writer, got wind of the project and asked in. With the help of a £1,000 grant from the Yorkshire Arts Council, Dimon and Corble assembled a few actors to workshop ideas. Shifting and assumed identities are a thru-line in the source material, and the group soon landed on the concept of adapting the story for four quick-changing performers relying on minimalist props and set pieces. After an initial tour of North Country halls in 1996, Corble presented The 39 Steps at his own Midsommer Actors Company in Manchester, and brought it to the London Fringe theater, the Tabard. Both virtuosic and zany, the adaptation gathered attention along the way until producer Edward Snape bought the rights to the script in 2002. By 2004, a prominent English comedic performer had been asked to look at the script. Patrick Barlow was the anchoring member of a British comedy duo act that presents itself as the mock National Theatre of Brent. With such collaborators as actor Jim Broadbent at his side, Barlow had made a name delivering tongue-in-cheek “productions” on radio and television. In part because of difficulties with the Buchan estate, in part because Hitchcock’s version of the story is both better known (especially in the US) and sexier, Barlow ended up doing a new adaptation that was more firmly grounded in Hitchcock’s film. Barlow wisely retained the four-performer approach first developed by Dimon and Corble. Between incidental train conductors, Salvation Army band members, policemen and traveling salesmen, not to mention the “main characters” who carry the convoluted plot, at least 150 characters need to be impersonated — some for mere seconds of stage time. Hats and jackets were donned and shed, and boxes stood in for train cars during the obligatory chase atop a moving train. Verisimilitude was not a goal. As a critic from The Guardian observed in

After a long development phase, Patrick Barlow’s adaptation of The 39 Steps opened at the Criterion Theatre in London’s West End in September 2006 — and ran for nine years, the fifth longest running play in West End history.

Barlow’s adaptation recreates iconic scenes from Hitchcock’s movie that involve equally iconic landscapes and structures such as the Forth Rail Bridge—an early cantilever bridge that dramatically spans the “Firth of Forth” outside Edinburgh.

2006, “Patrick Barlow’s adaptation bears the hallmarks of his work with the National Theatre of Brent, in that it tells an epic tale while comically accentuating theatre’s unsuitability for the task.” An Independent critic simply dubbed it “highly inventive silliness.” After a London premiere in 2006 at the Tricycle Theatre, the play moved to the West End — London’s equivalent of Broadway — for a nine-year run, making it the fifth longest-

From page to stage: GLT’s Production Team The last set of hands that the story has passed through before reaching the stage of the Hanna Theatre belongs to the creative team that Great Lakes Theater assembled for this production, with director Jaclyn Miller at the helm. Miller has a background as a choreographer, and has created movement for a variety of recent GLT productions from The Music Man to Julius Caesar. Miller’s training is well-suited for a show whose storytelling relies, as the director observes, on “the creative use of bodies in space.” Patrick Barlow’s unabashedly theatrical adaptation only provided the starting point for the assembled team. They embraced the theatricality by creating a framing device for jumpstarting the action. The conceit requires four people to bring

Costume designer Esther Haberlen collected Images of British gentlemen in suits for her research, knowing that central character, Richard Hannay, must have the appearance of a British everyman.

the story to life using props and costumes that might be found in a 1930s theater space — onstage, backstage, or in costume and set storage. The four performers and the objects at hand have to represent more than 150 characters in rapidly changing locations and plot circumstances. The playscript for The 39 Steps evolved from a series of improv sessions, and the text memorializes some of the original design and performance solutions. Some are no-brainers. As costume designer Esther Haberlen admits, there are only three kinds of costume elements that can help produce instantaneous character changes onstage: “jackets, hats and accessories.” But each production of the play needs to recreate the original improv process. During rehearsal, GLT’s director and performers had to find the solutions to the storytelling challenges that work best for four particular people in real-time. As Miller reflects, “How does each person’s body move? We have to build on that. The execution is all in the alchemy of the people in the room.” It helps that GLT can draw on a mix of new faces and resident company members who have what Miller calls, “a shorthand, a playfulness that comes with people who know each other so well.” Miller tasked the costume and set designers with supplying lots of “stuff” for the rehearsal

Alfred’s Hitchcock’s film introduced a “femme fatale” into Buchan’s story — a mysterious foreign agent who brings nothing but trouble. 1930s silhouettes that convey the aura of a “femme fatale” were also part of Haberlen’s research.

Splashes of color are also important to the production’s sense of fun and are an important part of the wardrobe choices as well. Pictured here are some clothing options for the brisk and confident character originated by Madeleine Carroll.

Spotlight on alfred hitchcock’s The 39 steps

running play in West End history. The play transferred to Broadway in 2008 and ran for 771 performances. Recognition included an Olivier Award for Best Comedy in 2007. The Broadway production also won the 2008 Drama Desk Award for Unique Theatrical Experience. The spy-thriller-that-could now continues its surprising journey as a play seen ’round the world.

Spotlight on alfred hitchcock’s The 39 steps 16

From Page to Stage (continued)

In Alfred Hitchcock’s The 39 Steps, the film director employed a “film nor” style influenced by German expressionist cinematography and marked by dark settings, striking uses of light and off-kilter camera angles, shadows, and silhouettes. Scenic designer Courtney O’Neill had to provide for such angles and sources for dramatic lighting in her set design for the GLT production.

room — the aforementioned jackets, hats and accessories, as well as costume trunks, rehearsal cubes, stepladders and the like — to find out what objects might best support the storytelling. The design questions compounded: What objects can be pulled as is from GLT’s own costume and set storage? What items need to be built to accommodate theatrical tricks? Does a shift need to happen quickly onstage? If so, how can the item be built so that an actor can execute the change? Where does the object need to be located for easy access onstage? Is the item already visible or is a reveal involved? Do some changes need to be made offstage? What kind of offstage help is needed to pull them off? First and foremost, the designers’ choices had to support lightning-quick movement. The weight of objects or clothing had to be considered. Lightness was paramount in clothing, for instance. But for set pieces, lightness sometimes had to be sacrificed for stability. “Everything has to be climbable,” cautions set designer Courtney O’Neill. Wheels have been added so that set pieces could more easily crisscross the stage, but locking mechanisms had to be built in as well. During the rehearsal process, the production team had to constantly update a spreadsheet tracking what objects and backstage helpers were

needed when and where. Three dedicated wardrobe people were hired to assist with quick changes during the rehearsal process and for the run of the show. They have learned the show “backwards and forwards,” Haberlen says, becoming an integral part of the choreography of people and objects as it was shaping up. “They are as much a part of the performance as the actors are,” she adds. But utility and practicality were not the only factors that the designers had to consider. The stage show blends the atmospheric “film noir” style of Alfred Hitchcock’s work with the zaniness of Patrick Barlow’s adaptation. The scenic designer was called upon to provide sharp, off-kilter angles that could be lit in ominous ways, while bright colors, patterns and inventive layering were also required of the costume designer. Indeed, as the action of the thriller ratchets up so does the intricacy of the dance of costumes, performers and set pieces. A wardrobe trunk may function as a piece of luggage or a car seat, but it can also be upended to define yet another pop-up location. The re-purposing gets more clever and more absurd by turns. For it’s up to the last set of hands — the GLT production team — to bring the wow factor that tops off a virtuosic piece of storytelling.

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THE ARTISTIC COMPANY Acting Company

at Playhouse Square

Maggie Kettering* Clown 1 Five seasons with Great Lakes Theater Maggie’s previous credits include The Taming of the Shrew, A Christmas Carol, Love’s Labour’s Lost, And Then There Were None, Blithe Spirit and Much Ado About Nothing. Previously, she has worked with Peninsula Players (Miss Holmes, Outside Mullingar, Lend Me a Tenor), Milwaukee Repertory Theater (Holmes and Watson), House Theatre (Season on the Line, Joseph Jefferson nomination), Shakespeare Theatre Company (Henry IV, parts 1 and 2), TimeLine Theatre (My Kind of Town) and Northlight Theatre (Season’s Greetings, Jack Springer Award). Maggie is a proud member of Actors’ Equity, a resident of Chicago, and an Ironman finisher. Anthony Michael Martinez* Richard Hannay Debut season with Great Lakes Theater Anthony is an NYC-based actor and acting coach with credits that include off-Broadway at CSC, Vineyard Theatre, Boomerang Theatre (Comedy of Errors, Antipholus of Syracuse), New Ohio, Flea Theatre and Theatre Row. Regional credits include Macbeth (Alabama Shakespeare), Antony and Cleopatra (Folger Theater), Shakespeare In Love, Will)-IL Shakespeare, Triad Stage, Miami New Drama, Florida Rep and Shakespeare Theatre NJ. He earned an MFA in classical acting from Shakespeare Theatre Company’s Academy for Classical Acting. Anthony is a resident teaching artist for Red Bull, Classic Stage and NY Theatre Workshop. He teaches a master class, Acting In Spiritual Principle, which empowers actors to deepen their sense of joy and purpose within the craft. www.anthonymichaelmartinez.net

Betsy Mugavero* Annabella Schmidt/ Margaret/Pamela Three seasons with Great Lakes Theater Betsy is thrilled to be back on stage at GLT! Previous shows include: Romeo and Juliet, Much Ado About Nothing, As You Like It and A Christmas Carol. Other theaters include 11 seasons with the Utah Shakespeare Festival; Idaho Shakespeare Festival, Lake Tahoe Shakespeare Festival, Folger Theatre, Pennsylvania Shakespeare Festival, and more. Many thanks to the fam, especially Quinn, and for all of the support from loved ones to allow me to continue my work. Joe Wegner* Clown 2 Two seasons with Great Lakes Theater Joe Wegner’s off-Broadway credits include Judgment Day (world premiere, Park Avenue Armory). Regional credits include Much Ado About Nothing, The Tempest, The Taming of the Shrew (Great Lakes Theater, Idaho Shakespeare Festival, Lake Tahoe Shakespeare Festival), Archduke (world premiere, Center Theatre Group), Guys and Dolls, A Wrinkle in Time (world premiere), A Midsummer Night’s Dream, The Taming of the Shrew, Very Merry Wives of Winsor Iowa, Secret Love in Peach Blossom Land, Romeo and Juliet (Oregon Shakespeare Festival), Guys and Dolls (Wallis Annenberg Center), The School for Lies (Arkansas Repertory Theatre), In the Blood (Mixed Blood Theatre). TV and film includes Tales of the City (Netflix). He received his BFA from Southern Oregon University. www.joewegner.net

Understudies Hailey Elberg, Andy Faria, Jared Guerrasio, Hanako Walrath

Directors Jaclyn Miller Director Five seasons with Great Lakes Theater

Charles Fee Producing Artistic Director Twenty seasons with Great Lakes Theater Directing credits at GLT include Much Ado About Nothing, Sleuth, Witness for the Prosecution, A Christmas Carol, Misery, Macbeth, Hamlet, And Then There Were None, Dial “M” for Murder, Deathtrap, Blithe Spirit, Romeo and Juliet, The Two Gentlemen of Verona, A Midsummer Night’s Dream, Twelfth Night, The Comedy of Errors, All’s Well That Ends Well, Hay Fever, The Importance of Being Earnest, Arms and the Man and The Complete Works of William Shakespeare (abridged). Charles holds a unique position in the American theater as producing artistic director of three independently operated, professional theater companies: Great Lakes Theater in Cleveland, Ohio (since 2002); Idaho Shakespeare Festival in Boise, Idaho (since 1991) and Lake Tahoe Shakespeare Festival in Incline Village, Nevada (since 2010). His appointments have resulted in a dynamic and groundbreaking producing model for the

GreatLakesTheater.org

Jaclyn’s credits for Great Lakes Theater choreography and movement include The Tempest, The Music Man, Julius Caesar, Mamma Mia!, The Taming of the Shrew, Pride and Prejudice, The Hunchback of Notre Dame. Regional credits include Oregon Shakespeare Festival (It’s Christmas, Carol!, Hairspray, Alice in Wonderland, Book of Will, Shakespeare in Love, Twelfth Night, Yeoman of Guard, the world premiere of Fingersmith, The Cocoanuts and My Fair Lady); South Coast Rep (She Loves Me); Arizona Theatre Company (Cabaret); Guthrie Theatre (The Cocoanuts); and Baltimore Center Stage (Fun Home). Additionally, Jaclyn has worked as an associate director and/or choreographer around the country in theaters including Arena Stage, Kirk Douglas Theatre, Ogunquit Playhouse, Portland Opera, Berkshire Theatre Festival and Lyric Theatre of Oklahoma.

companies, in which more than 60 plays have been shared since 2002. In 2009, Charles was honored to receive recognition for his leadership by the Cleveland Arts Prize as a recipient of the Martha Joseph Award. Other awards include The Mayor’s and Governor’s awards for Excellence in the Arts, Idaho. From 1988 to 1992, he held the position of artistic director at the Sierra Repertory Theatre in California. He has also worked with The Old Globe, La Jolla Playhouse, the Milwaukee and Missouri repertory theaters, Actor’s Theatre of Phoenix and the Los Angeles Shakespeare Festival. In addition to his work with the companies in Ohio, Idaho and Nevada, Charles is active within the community. He has served as a member of the strategic planning committee for the Morrison Center, as producer of the FUNDSY Award Gala (’96, ’98 and 2000), and as producer of the 1996 Idaho Governor’s Awards in the Arts. Charles has served on the board of the Boise Metro Chamber of Commerce and as a member of the Downtown Rotary Club. He received his BA from the University of the Pacific and Master of Fine Arts from the University of California, San Diego. Along with his wife, Lidia and daughter, Alexa, Charles resides in Boise, Cleveland and Lake Tahoe — a feat that is only possible because of the incredible love and support of his family, and the generous communities he serves!

Designers Heather Gilbert Lighting Designer Debut season with Great Lakes Theater Heather Gilbert is a Chicago-based lighting designer. Her credits include the Broadway production of The Sound Inside, which received a Drama Desk Award, Outer Critics Circle Award and Tony nomination. In Chicago, Heather has designed at Steppenwolf, Goodman Theatre, Writers Theatre, Northlight, Victory Gardens, Court Theatre, Steep Theatre, and many, many storefronts. Regionally, her credits include Center Theatre Group, Studio Theatre, Actor’s Theatre Louisville, Alley Theatre, American Repertory Theater, Magic Theatre, Williamstown Theatre Festival, Oregon Shakespeare Festival, Pasadena Playhouse, Berkeley Repertory Theatre and Olney Theatre Center. She is the

head of lighting design at Columbia College Chicago, and received her MFA at The Theatre School at DePaul University.

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Esther M. Haberlen Costume Designer/Costume Director Seventeen seasons with Great Lakes Theater Esther is a Cleveland based costume designer whose previous designs at GLT include Sleuth, Witness for the Prosecution, Les Misérables, Beehive: The’60s Musical, The Fantasticks, Much Ado About Nothing (2013) and numerous educational touring productions. Esther has spent 15 seasons at The Idaho Shakespeare Festival, GLT’s sister company, as wardrobe supervisor, draper and costume director and 11 seasons with the Lake Tahoe Shakespeare Festival. Other theater credits include Dobama Theater, Beck Center, Cleveland Opera Theater, Case Western Reserve University/Cleveland Playhouse MFA Program, Baldwin Wallace University and Willoughby Fine Arts Association. Esther is a graduate of the State University of New York, Fredonia. Courtney O’Neill Scenic Designer Debut season with Great Lakes Theater Courtney is a Chicago-based designer who works extensively in regional theater. She has designed sets at Cleveland Play House, Goodman Theatre, Steppenwolf Theatre Company, Apollo Theater, Court Theatre, Denver Center, Baltimore Center Stage, Apollo Theater, Lookingglass Theatre Company, Victory Gardens, Writers Theatre, Mosaic Theater Company, Dallas Theatre Center, Children’s Theatre Company, Kansas City Repertory Theatre, Marin Theatre Company, Round House Theatre, South Coast Repertory and Milwaukee Repertory Theater, among others. Courtney teaches at DePaul University and Northwestern University, and has received multiple awards, including a Joseph Jefferson Award and the Michael Maggio Emerging Designer Award. www.courtneyoneill.com Matthew Webb Sound Designer/Composer Fifteen seasons with Great Lakes Theater

Matthew is music director for music theater

at Baldwin Wallace University. Previous Great Lakes Theater sound design credits include Much Ado About Nothing, The Tempest, A Christmas Carol (Radio Play), Julius Caesar, The Taming of the Shrew, Macbeth and Hamlet. As music director, credits include The Music Man, Mamma Mia!, The Fantasticks, Sweeney Todd, Guys and Dolls, Sondheim on Sondheim, Cabaret, Bat Boy, The Mystery of Edwin Drood and The Two Gentlemen of Verona. Other credits include Into the Woods and Kinky Boots (Baldwin Wallace University), Be More Chill and Lizzie (Playhouse Square), Scottsboro Boys and Once (Beck Center) and Hair (Cain Park and Kent State). Many thanks to Jackie, Charlie, Sara, and his incredible parents, Carol and Jerry.

Stage Management Sarah Kelso* Production Stage Manager Five seasons with Great Lakes Theater Sarah’s shows include Much Ado About Nothing, A Christmas Carol, Sleuth, Million Dollar Quartet, Beehive: The ’60s Musical and Romeo and Juliet. She has spent 11 seasons with Idaho Shakespeare Festival, and has credits that include Sleuth, The Complete Works of William Shakespeare (abridged), Million Dollar Quartet, Beehive: The ’60s Musical, The Hound of the Baskervilles, Forever Plaid, The Fantasticks and Steel Magnolias. Her 10 seasons with Boise Contemporary Theater include The Wolves, The Curious Incident of the Dog in the Night-Time, With Love and a Major Organ, Good Bitch Goes Down, Hedwig and the Angry Inch and A Skull in Connemara. Sarah is a graduate of Boise State University’s Department of Theatre Arts. Imani Sade Assistant Stage Manager Two seasons with Great Lakes Theater Imani’s recent credits include Lizzie (Beck Center), Into the Woods (Baldwin Wallace), Jersey Boys Streaming (Playhouse Square), Greenwood: An American Dream Destroyed (Karamu House) and If/Then (Lakeland Civic Theatre). Imani would like to thank her family and friends for the love and support.

play ’s the thing

Great Lakes Theater Camp is a summer drama camp with musical theater elements that immerses students in interactive and educational theater-based activities. Theater Camp is a unique opportunity for students to work with and learn from Great Lakes Theater’s professional teaching artists in a fun, safe and supportive environment.

june 13-23, 2022 Two-week session! (Mon.- Thurs.) full and half-day camps available!

a summer camp for students ages 5-18 at berea-midpark middle school For more info: GreatLakesTheater.org/camp

DONORS The trustees, staff, and artistic company of Great Lakes Theater express our deepest gratitude to the hundreds of supporters of Cleveland’s Classic Company. The donors listed below and on the following pages made generous gifts to our Annual Fund between July 1, 2020 and June 30, 2021. “I can no other answer make but thanks.” Twelfth Night, Act III, Scene iii

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Make a Contribution Great Lakes Theater serves more than 100,000 students and adults annually through its Hanna and Mimi Ohio Theatre mainstage productions and education programs throughout Northeast Ohio. Please consider joining the Great Lakes Theater family by making a gift to support Cleveland’s Classic Company. To learn more about our Membership and gift-giving opportunities, please visit the “Support” section of our website (GreatLakesTheater.org) or contact Jeremy Lewis, Development & Donor Relations Manager at (216) 453-4457 or jlewis@greatlakestheater.org.

$100,000 and above Cuyahoga Arts & Culture

The Kelvin and Eleanor Smith Foundation

The George Gund Foundation Kulas Foundation

John P. Murphy Foundation

Ohio Arts Council

$50,000 to $99,999 David and Inez Myers Foundation, a supporting foundation of the Jewish Federation of Cleveland

$25,000 to $49,999 Community Foundation of Lorain County

The Reinberger Foundation

The National Endowment for the Humanities: Democracy demands wisdom.

Shakespeare in American Communities: National Endowment for the Arts in partnership with Arts Midwest

“Intermission” Ticket Donors

Over 800 patrons generously donated the value of their tickets back to support Great Lakes Theater during pandemic-related disruptions to our 2019-20 and 2020-21 seasons. This vital “intermission” support has enabled us to raise our curtain once again. We are truly grateful! Scan the QR code to check out the full list of donors online.

THE LEGACY SOCIETY

Great Lakes Theater’s Legacy Society honors individuals, families, foundations and other generous donors that make gifts to Great Lakes Theater’s Endowment Fund or have made a provision for Great Lakes Theater through their estate plans. Please consider becoming a member of the growing list of generous Great Lakes Theater Legacy Society supporters and help ensure that classic theater endures for future generations in northeast Ohio by designating Great Lakes Theater a beneficiary in your will, trust or other estate plans.

“Evermore thanks.” Judie & Bruce Amsel Mrs. Al A. Archambault° Kathleen L. Barber° Marilyn° & Paul° Brentlinger Willard & Donna Carmel Mary° & Leigh Carter Natalie & Morton° Epstein Gerald Freedman° GAR Foundation Edward S. Godleski Tom Hanks & Rita Wilson

Richard II, Act II, Scene ii

Mary Jane Davis Hartwell° Samuel S. Hartwell The Hershey Foundation Jack° & Mary Ann Katzenmeyer Kate Lunsford Thomas° & Margaret° Lynch Charitable Trust Mary Anne° & Jack McGrath Janet & Bob° Neary James A . Nelson° Donald & Anne Palmer

Jean Z.° & John S.° Piety Tim & Lynn Pistell Ron° & Nancy° Pottorff Professor Alan Miles Ruben & Judge Betty Willis Ruben The John Sherwin Family George° & Marjorie° Springer Thomas G. & Ruth M. Stafford Arthur L. Thomas Audrey° & Dick° Watts Ms. Margaret E. Zellmer°

A Gift to the Great Lakes Theater Endowment Fund was received from the following donors between July 1, 2021 and March 9, 2022.

Mrs. Al A. Archambault° | Edward S. Godleski °Deceased: The legacy of these generous donors lives on for future generations.

LEAVE A LEGACY!

For more information regarding planned gifts, please contact Todd Krispinsky, Director of Institutional Advancement. (216) 453-4449 | tkrispinsky@greatlakestheater.org

THE SHAKESPEARE SOCIETY

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Annual Fund donors of $1,000 and above are members of Great Lakes Theater’s “Shakespeare Society” and are entitled to exclusive benefits, including access to special services, events, and opportunities to connect deeply with Cleveland’s Classic Company. To learn more, contact Jeremy Lewis at (216) 453-4457 or jlewis@greatlakestheater.org.

$10,000 to $24,999

$2,500 to $4,999

The Paul M. Angell Family Foundation The Eva L. and Joseph M. Bruening Foundation Eaton The Char and Chuck Fowler Family Foundation The Family of Jill Hearey Martha Holden Jennings Foundation Robert° & Janet Neary Don & Anne Palmer Georgianna T. Roberts The Shubert Foundation Thomas G. & Ruth M. Stafford The Stocker Foundation The Treu-Mart Fund, a supporting organization of The Cleveland Foundation and the Jewish Federation of Cleveland The Thomas H. White Foundation, a KeyBank Trust Robert C. & Emily C. Williams

Michelle R. Arendt Walt & Laura Avdey Carol A. Barnak Gina L. Beebe Kim & Bart Bixenstine Mr. Todd M. Burger & Ms. Kristie Beck Glenn R. & Jeanette G. Brown Homer Chisholm and Gertrube Kalnow Chisholm Fund George A. M. & Heather Currall Timothy J. Downing & Ken Press Charles, Lidia & Alexa Fee Dianne V. Foley Lynn M. Gattozzi & Glenn Myers Mr. & Mrs. Arthur C. Hall III Mary Elizabeth Huber Faisal Khan & Angela DiCorleto Mr. & Mrs. John J. Lane, Jr. The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust Susan & John Lebold The Lubrizol Foundation Rita & Charles Maimbourg David & Denise Maiorana Mr. & Mrs. Donald J. Mayer Jack E. McGrath Karen Nemec Dr. Scott & Mrs. Judy Pendergast Michael & Barbara Peterman Ms. Ana G. Rodriguez Kim Sherwin Sally J. Staley A.J. & Nancy Stokes Geoff & Catherine Tanner Kris & George Tesar Arthur L. Thomas Mr. & Mrs. Paul L. Wellener IV

$5,000 to $9,999 Anonymous (1) Chuck & Bonnie Abbey Dalia & Robert Baker Fred & Mary Behm Bill & Judie Caster Gail Cudak Carol Dolan & Greggory Hill Evelyn Dolejs Natalie Epstein Ernst & Young, LLP The Harry K. and Emma R. Fox Foundation Glenmede Trust Company Elizabeth Grove & Rich Bedell Mr. & Mrs. Samuel Hartwell Diane Kathleen Hupp Paul R. Keen & Denise Horstman Keen Thomas A. Piraino & Barbara C. McWilliams Tim & Lynn Pistell Greg Pribulsky & Donna Heinz John & Barbara Schubert

$1,000 to $2,499 Anonymous (3) Gary D Benz & Betsy A Karetnick Mitch & Liz Blair Mr. Kip T. Bollin & Catherine Bollin Matthew Burke & Victoria Sistek Jack & Janice Campbell

Donald & Annamarie Chick Christopher & Nancy Coburn Mrs. Anthea Daniels & Mr. Matthew Burke Eva & Larry Dolan Rebecca Dunn Dr. Howard Epstein Evans Charitable Foundation Steve Gariepy & Nancy Sin The Giant Eagle Foundation Rich & Barbara Gray The Gries Family Foundation Geoffrey Michael Heller Memorial Fund Mr. & Mrs. Douglas M. Hicks Hyster-Yale Materials Handling, Inc. Katie Kennedy & Doug White Donna M. Koler The Milton A. & Charlotte R. Kramer Charitable Foundation Ms. Cathy Lincoln Eva & Rudolf Linnebach Ken & Mary Loparo Mr. & Mrs. John S. Lupo Mr. & Mrs. William E. MacDonald III Katie McVoy & Justin Cernansky Nordson Corporation Foundation Michael Novak The Perkins Charitable Foundation M.B. Perkins Donor Advised Fund Mr. & Mrs. Wilmer M. Piper John & Norine Prim Uma & Lilena Rajeshwar Mr. & Mrs. Andrew Rosen Otmar & Rota Sackerlotzky Linda Schlageter The Sherwin-Williams Company Christopher & Gail Steward Katherine Stokes-Shafer The Alvah Stone & Adele Corning Chisholm Memorial Fund Diana & Eugene Stromberg Mr. Frederick & Mrs. Elizabeth G. Stueber James L. Wagner Nancy-Anne Wargo Mary C. Warren ° Deceased

Welcome! The following individuals made their first gift, returned as active donors or increased their gift to Great Lakes Theater’s Annual Fund during the period of July 1, 2021 through March 9, 2022. The Great Lakes Theater family is grateful for your support!

$750 to $999 Robyn & David Barrie John & Laura Bertsch Barry & Suzanne Doggett Gary & Joanna Graeff Dr. & Mrs. Lynn A. Smith

$500 to $749 Anonymous Ms. Carol Arbaczewski Joanne R. Bratush Julia & Ben Brouhard Patricia Brownell & James Collins

Bill & Terri Frey Carla & Jim Gallagher James Graham & David Dusek Richard & Jo Anne Harris Iris & Tom Harvie Debra & Tom Hayes Elizabeth Hecht & Peter Savoy Curt & Karen Henkle Thomas Higgason Mrs. Edith Hirsch Lynn & Mark Hofflund Gary Nemeth & Gail Jones-Nemeth Deb & Gar Kaminski Ms. Catherine M. Kilbane & Mr. Donald H. Bullock Charles King & Catherine Keating James & Rosemary Koehler Ursula Korneitchouk Ms. Amanda Kost Jacob Kronenberg & Barbara Belovich Charles Kruger Stephen & Carolyn Kuerbitz Mike Kupiec & Pat Murphy Chris & Laura Larson The Laub Foundation Mr. & Mrs. Brian Lawler Daniel Leschnik James & Tayna Lewan Jeremy Lewis & Daniel Napolitano Timothy Liston Brian & Renee Lowery Christie Lucco & Michael Devlin

Beverly & Bruce Cameron Bruce & Maryellen Cudney Audrey DeClement Jennifer Dowdell Armstrong Ms. Charlotte A. Estafen Ann & Harry Farmer Mr. Joseph Ferritto Dale & Linda Gabor Bernie & Nancy Karr Eileen Kennedy & Greg Cloyd Bill & Susan Kirchner Jim & Paula Lang Barbara & Mark Mazzone Helen & Harry Mercer David & Leslee Miraldi

Robert MacDougall Kenneth & Joan MacGillivray Jeanette McGovern Jean McQuillan Jennifer & Peter Meckes Bill & Marilyn Miller Roy & Cindy Moore Mr. & Mrs. John C. Morley Ms. Cheryl A. Moskwa The Music and Drama Club Ms. Barbara H. Nahra Deborah L. Neale Robert° & Janet E. Neary The Nord Family Foundation Nordson Corporation Foundation Ms. Brenda Norton Mr. Gerald Norton The NRP Group LLC Barbara B. O'Connor Lou M. Papes Brian Perry & Ka Pi Hoh Frederick Perry Mr. & Mrs. Harold I. Pittaway III John & Norine Prim James & Susan Prince John & Betsy Quinn Dr. James E. Racic Tom & Helen Rathburn Frank Rausche Rick & Paula Reed Jeff & Nancy Reinhart Mr. & Mrs. Gerald P. Rencehausen Robinson Family Philanthropic Fund of the Jewish Federation of Cleveland

Ms. Ana G. Rodriguez Bryan Salisbury John & Barbara Schubert Doris A. Schultz Randall & Sara Shaner William E. Spatz Rex & Judy Stanforth A.J. & Nancy Stokes Anita Stoll & Pete Clapham Jeffrey Tasse Mr. & Mrs. Edward J. Tatman The Alvah Stone & Adele Corning Chisholm Memorial Fund Karl & Carol Theil Arthur L. Thomas The Edward & Katherine Thomas Family Frank & Vicki Titas Lori Trehan U.S. Bank Dr. Joanne M. Uniatowski Christine & Daniel Vento Jerry & Carolyn Webb Ken Vinciquerra & Louise Acheson Kimberly Vivolo Natalie & James Vloedman Lance Whitson & Terry Juhn Mr. & Mrs. Harold L. Williams Ms. Jean Wingate Juliet Zavesky Zilber Family Foundation, a supporting foundation of the Jewish Federation of Cleveland John & Jane Zuzek

Roy & Cindy Moore Toni & Linda Moore Ms. Barbara B. O’Connor Thomas & Helen Rathburn Mrs. Sharon L. Rogers Dina & Richard Schoonmaker Jack & Terry Southworth Albert Stratton Wulf & Moira Utian Chris & Mary Weaver Mr. & Mrs. Harold L. Williams Brian Wynne & Patrick Cozzens Mr. Lee C. Zeiszler John & Jane Zuzek

$250 to $499 Anonymous (2) Ms. Louise Acheson The Thomas and Joann Adler Family Donor Advised Fund of the Jewish Federation of Cleveland Bill Amato Mrs. Kathryn Berkshire John & Jeannene Bertosa Mr. & Mrs. Patrick Beyer Gary & Kay Bluhm Cindy & Tim Carr Jim & Berni Cockey Rollin & Anne Conway

GreatLakesTheater.org

Anonymous (3) Beth A. Adams Mary S. Baker Carol A. Barnak Cheryl Barnes Mr. & Mrs. Benham S. Bates Fred & Mary Behm Mr. & Mrs. David R. Blackman Mitch & Liz Blair Amelia & Heather Blonskty Dr. & Mrs. Dieter F. Bloser Gary & Kay Bluhm Ms. Dorothy F. Borer Joanne R. Bratush Richard & Mary Ann Brockett Mike & Carole Brown V. Elizabeth Brown Mr. & Mrs. Frank Cercone Gary Ciolli Joanne Clifford John & Donna Clifford Jim & Berni Cockey Gilbert & Lisa Corwin Daniel Divis Mrs. Mary Helen Doherty John & Maryann Doucette Rebecca Dunn Mr. Theodore Elrick Clyde & Janice Evans Gene & Patricia Ewald Dr. & Mrs. Robert L. Fairchild Jon & Mary Fancher Fifth Third Bank Mr. & Mrs. Fishwick David V. Foos Dr. J. Robert & Carol A. Fowler

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Dr. & Mrs. Kevin D. Cooper Pete & Margaret Dobbins Mary Eileen Fogarty Jenifer Garfield Robert & Linda Jenkins Gary Nemeth & Gail Jones-Nemeth Larry & Joy Kent Bob & Nanci Kirkpatrick Michael & Lynn Kleinman Ronald G. Kollar Mr. & Mrs. Mark D. Kozel Stephen & Carolyn Kuerbitz Robert & Jennifer Larson Mr. & Mrs. Brian Lawler Daniel Leschnik Kenneth E. & Anne R. Love Thomas & Sheryl Love The Mersol Family Steve Z. & Mary Gibbs Mitchell Glenn & Susan Morley Mr. & Mrs. Robert J. Patalon Ms. Diane L. Pauley Jeff & Nancy Reinhart Dr. Edward J. Rockwood The Schaum Family Mr. & Mrs. James L. Wamsley III Dr. & Mrs. Gregory A. Watts John & Dianne Young Ms. Rachel Zbiegien

$125 to $249

Anonymous (3) Judie & Bruce Amsel Matthew Baker Ms. Carol Barasha Mr. Thomas D. Basco Pam & Scott Benson Mr. & Mrs. Thomas W. Berges Lynn Berner Susan Bobey Tommy Boddy John Bolton Ms. Carole Rupnik Brown Mike & Carole Brown Larry & Andi Carlini Mr. Robert Carlyon Ms. Joanne Clifford Samuel Cowling Mr. & Mrs. Thomas Craft David & Gayle Cratty Ms. M. Judith & Mr. Ronald J. Crocker Judith Darus Mr. William M. & Mrs. Ruth Ann Delong Mr. & Mrs. Robert Eikenburg Mr. & Mrs. L. William Erb David V. Foos Carla & Jim Gallagher Deborah A. Geier Janet & Patricia Glaeser Ms. Linda Grau Jean E. Gubbins Ms. Edith F. Hirsch Lynn & Mark Hofflund

Jessica Holland Ms. Marie Ivkanec Mr. & Mrs. Robert L. Janson Stephen Jones Lauren Kawentel Mr. Kenneth R. Kessler William & Marion Kettering Mr. & Mrs. David R. Knowles Ms. Robin Kunikis Gregory & Vickie Leyes Mr. & Mrs. Kenneth A. Linick Charles E. & Donna Loper Philip & Simone Montgomery Ms. Barbara H. Nahra Tom & Mary Neff Joan Niederriter Joan M. Oravec Robert & Margery Orth Frederick Perry Mr. David Porter Ms. Bette M. Prendergast Ms. Jacqueline Y. Rhodes Mr. & Mrs. Michael P. Rowan Mr. Richard Shirey Edward W. & Donna Rae Smith Mr. Byron Solomon & Mrs. Julie Johnson Susan St. John Kathlyn & Harry Stenzel Betsy Sullivan Ian & Kara Suzelis Dr. Elizabeth Swenson Sean & Tabitha Swick Dr. & Mrs. Ken Tomecki Dr. Joanne M. Uniatowski Anne Unverzagt & Richard Goddard Mr. & Mrs. James D. Vail Christine & Daniel Vento Carol A. Vidoli Mr. Kenneth Vinciquerra Mr. & Ms. Michael Wagner Jerry & Carolyn Webb Ms. Martha Webster Ms. Suann M. Winczek Ms. Jean Wingate Thomas M. & Barbara A. Wladyka Ms. Constance Wolfe James & Sandra Wood Jason & Gretchen Woods Mr. Ted Zajac, Jr.

$75 to $124 Anonymous (2) Lori Adler Ms. Kimberley Barton Brian & Teresa Bester Roger Bielefeld Tom & Dorothy Bier James & Anita Bridges Mr. David Byrnes Mr. & Mrs. Robert B. Charlick Mr. Edward A. Chuhna Gary Ciolli Dr. & Mrs. Dale H. Cowan Chris & Mary Ann Deibel

The Eldridge Family Mr. & Mrs. Emerson Clyde & Janice Evans Mr. & Mrs. Fishwick Ms. Jeanne Frey Mr. & Mrs. Timothy Gabb Charles & Julia Gall Givinga Foundation Ms. Pamela S. Goetsch Ms. Wanda Gulley Richard & Esther Haberlen Marian Hancy Gale Hazen Linda A. Heath Jean Heller Curt & Karen Henkle John Higgins & Cicilia Yudha Janice Hornack IBM Corporation Tom & Terri Jecker Amy & Jeff Johnson Deb & Gar Kaminski Marilyn & Howard Karfeld Paul Kershey Ms. Kerry King Albert & Karen Kirby Benjamin R. Kirkpatrick Richard B. Kotila Jacob Kronenberg & Barbara Belovich Al & Cynthia Kuntz Mike Kupiec & Pat Murphy Brian & Renee Lowery David & Cheryl Lundgren Ms. Anne Martin Ms. Margaret Martino Gretchen Mates Ms. Constance May Cathy J. McCall Mr. & Mrs. Robert E. McDonald David & Eileen McGee Jean McQuillan & Richard Christ Rev. Edward E. Mehok Ms. Meribeth A. Pannitto Zachary & Deborah Paris Brian Perry & Ka Pi Hoh Mr. & Mrs. James M. Petras Sandy & Kate Robbins Pauline Ryder Dr. Dave & Faye Sholiton Mr. & Mrs. Alan Shubert Mary Slak Mr. & Mrs. Vernon C. Sponseller Diane Stewart Darren & Missy Toms Thomas Wagner & Malinda Smyth Ms. Kathleen Waits William Wallis Lance Whitson & Terry Juhn Sharon & Yoash Wiener Colleen Williams & Jim Persichitti Ms. Jeanne Wojciechowicz Patrick M. Zohn

Endowment Fund Gifts to the Great Lakes Theater Endowment Fund were received from the following donors between July 1, 2020 and June 30, 2021. Mrs. Mary Jane Hartwell° Edward S. Godleski

Gifts were received in honor of: Melanie Bordelois by: Sylvia Bordelois Jack & Janice Campbell by: Holly & Bruce Tomasch Carol Dolan by: The Ashkettle Family Mr. & Mrs. John Azzolina Mary Dolan & David Haracz Paula Drdyen Dianne V. Foley Chad & Ivy Gaizutis Barb Harris Ms. Kathy Leciejewski Jeremy Lewis & Daniel Napolitano Tanya Scharpf Bob Taylor & Jeff Herrmann Kris & George Tesar Antoanela Vaccaro Laura Weiss Shauna Widman Natalie G. Epstein by: Marilyn Bedol Chad & Andrea Deal Mr. Gene DiVincenzo Dr. Lauren Goldman Mr. & Mrs. Henry Goodman Rabbi Eddie & Dr. Roxanne Sukol Wulf & Moira Utian Mr. David I. & Mrs. Ann K. Warren Mr. & Mrs. Philip Wasserstrom Mr. Adam Weinsein Mr. & Mrs. Steven Wiesenberger Great Lakes Shakespeare Festival Interns 1977-78 (A Merry Band of Players) by: Mary Beidler Gearen Hal Holzer by: Ramona Bause Todd Krispinsky by: Ms. Margaretta B. Harris Robert° & Janet E. Neary by: Mr. & Mrs. Doug Neary

Gifts were received in memory of: Mrs. Al A. Archambault by: Women’s Committee of Great Lakes Theater

Kate Lunsford by: John & Judith Fuller Debbie Hunter Tricia & Stephen Mullin Georgianna T. Roberts Neil & Laurie Segall

Matching Gift Corporations Many companies, like the ones listed below, match all or a portion of their employees’ charitable giving. Is your employer a matching gift company? Find out by contacting your employer or the Great Lakes Theater Development Office at (216) 453-4457.

Viola McDowell by: Jack & Janice Campbell Women’s Committee of Great Lakes Theater

Elsie Glassford by: Angela Kovacs

Jean Terstage by: Marcia J. Terstage

William W. Jacobs by: Samantha Jacobs & Aubrey Wynne Ms. Deborah Glosserman

Sarah C. Umek by: Sarah Clemons-Ogan

The Women’s Committee

Demitra Xinakes by: Ed & Denise Bell The Bornstein Family Sherry & Ira Feuer & Family Anita B. Rosenbaum

Formed in 1961, the committee is Great Lakes Theater’s longest standing volunteer support group. Members act as hosts for our actors, provide support in our administrative office and at events, and cheer us on throughout the season. If you would like

Jean Lewis by: Elizabeth Woolf

Carole Nicolosi by: Ms. Joyce L. Adams Dr. James Sheridan by: Donna Sheridan

James Weiss by: Holly McTernan

Aramark Eaton GlaxoSmithKline Foundation The Lubrizol Foundation Nordson Corporation Foundation PNC Foundation Progressive Insurance Foundation The Sherwin-Williams Company

Officers Janice Campbell, President Barbara Chernus, Recording Secretary Bernice Bolek, Corresponding Secretary Nanci Kirkpatrick, Treasurer °Deceased: The legacy of these generous donors lives on for future generations. Thank you to our donors! Every effort is made to ensure that our donor records are current and correct. Please contact the Great Lakes Theater Development Office at (216) 453-4457 to share an update or request a revision.

Stay Connected with Great Lakes Theater facebook.com/gltfcleveland

youtube.com/gltfcleveland

GreatLakesTheater.org

Charles H. Dickson by: Cerity Partners, LLC Gail Cudak Ann & Harry Farmer Mr. & Mrs. Samuel Hartwell Robert° & Janet E. Neary Lucy Oliver & Tom Rightmyer Georgianna T. Roberts Thomas G. & Ruth M. Stafford Bob Taylor & Jeff Herrmann

to become a member, call Joanne Hulec at (216) 252-8717 for more information.

@great_lakes_theater

twitter.com/gltfcleveland

TRUSTEES Chair

Samuel Hartwell*

President

William Caster*

Secretary

Elizabeth A. Grove*

Treasurer

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Kathleen Kennedy*

Trustees

Beth A. Adams Michelle Arendt Jennifer Dowdell Armstrong* Walter Avdey*

Dalia Baker Gary D. Benz Kim Bixenstine* Kip T. Bollin Todd M. Burger* Gail L. Cudak George A. M. Currall Anthea Daniels Carolyn Dickson† Barry Doggett† Carol Dolan* Timothy J. Downing* Dr. Howard G. Epstein* Natalie Epstein† Dianne V. Foley* Lynn M. Gattozzi Arthur C. Hall III* DavidM. Hopkins

Mary Elizabeth Huber Diane K. Hupp Denise Horstman Keen Faisal Khan* John W. Lebold* William MacDonald III† Charles Maimbourg David M. Maiorana Ellen Stirn Mavec† Mary J. Mayer John E. McGrath† Katie McVoy* Ingrid A. Minott* Janet E. Neary† Michael Novak Michael J. Peterman† Timothy K. Pistell† David P. Porter†

Gregory Pribulsky* Uma M. Rajeshwar Georgianna T. Roberts† Ana G. Rodriguez John D. Schubert† Peter Shimrak† Thomas G. Stafford*† Sally J. Staley Diana W. Stromberg Catherine Tanner Kristine M. Tesar* Arthur L. Thomas Nancy Wellener * Executive Committee † Life Trustee

STRATEGIC ALLIANCE In 2002, Great Lakes Theater (Cleveland, Ohio) and Idaho Shakespeare Festival (Boise, Idaho) conceived a unique, strategic producing alliance designed to maximize return on organizational investments, increase production efficiencies, create long term work opportunities for artists and share best practices. In 2010, Lake Tahoe Shakespeare Festival (Incline Village, Nevada) joined the collaborative — further contributing to the momentum of the revolutionary producing prototype’s success. The long term results have been remarkable. The alliance’s three independent, 501c3 regional theaters have shared over 60 jointly-created productions — each featuring long term, multi-city employment opportunities for artistic company members. This revolutionary producing model has realized its vision and exceeded expectations while simultaneously resulting in notable audience growth for each company.

STAFF Leadership Charles Fee, Producing Artistic Director Bob Taylor, Executive Director

Management Team Associate Artistic Director.........................Sara Bruner Production Manager.................................... Majel Cuza Director of Educational Services.................Kelly Schaffer Florian Managing Director................................Todd Krispinsky Director of Educational Programming...... Lisa Ortenzi Director of Administration....................Stephanie Reed Director of Marketing & Communications................................... Kacey Shapiro

Artistic Artistic Associate.........................................Jaclyn Miller Development & Donor Relations Manager................................................... Jeremy Lewis Patron Services Coordinator.................. Marilyn Niksa

Marketing Audience Cultivation Coordinator....... Lauren Tidmore

Education Education Outreach Associate................David Hansen School Residency Program Actor-Teachers ..........Noelle Elise Crites, Kelly Elliott, Tim Keo, Avery LaMar Pope, Anna Parchem, A’Rhyan Samford, Asia Sharp-Berry

Production Assistant Production Manager................ Shaun O’Neill Company Manager.......................................Amy Essick Production Office Assistant................Lindsay Mandela Technical Director.......................................Mark Cytron Assistant Technical Director.............Richard Haberlen Assistant Scenic Designer................................. Joy Ahn Master Carpenter.......................................Lindsay Loar Carpenters.......................Bill Langenhop, Val Kozlenko, Ralph Melari, Gary Zsigrai Properties Master............................. Bernadine Cockey Assistant Properties Master...................... Gina Meluso Costume Director............................Esther M. Haberlen Assistant Costume Shop Manager/Tailor......Leah Loar

Special Thanks Great Lakes Theater is a member of the League of Resident Theaters (LORT) and operates under agreements with LORT, Actors’ Equity Association, American Federation of Musicians, the International Alliance of Theatrical Stage Employees, the Society of Stage Directors and Choreographers, and the United Scenic Artists, which are unions representing professional actors, stage managers, musicians, stagehands, directors, choreographers, and designers, respectively, in the United States.

GreatLakesTheater.org

Development

Draper..........................................................Diana Sidley Lead First Hand..........................................Tina Spencer Junior First Hand......................................Eleanor Dobry Design Assistant/Crafts Artisan............ Zachary Hickle Crafts Assistant/Wardrobe Crew.............Joseph Bruch Stitcher............................................ Serenity Grace Tate Stitcher/Wardrobe................................Cheyenne Moore Hair and Wig Design/Supervisor...... Iran Micheal Leon Wardrobe Supervisor....................... Mackenzie Malone Master Electrician.................................... Tammy Taylor Assistant Lighting Designer.....Erica Lauren Maholmes Electrics Consultant......................................Paul Miller Assistant to Electrics.................................Grace Pierce Charge Scenic Artist....................................Ruth Lohse Assistant Scenic Artist.......................Justine Schneider Audio Supervisor.....................................Brian Chismar Assistant Audio Supervisor...............Josh Brinkman, Alex Mason Audio Engineer..............................................Alena Milos A2......................................Katherine Mader, Alex Mason Run Crew.............................. Ralph Melari, Gary Zsigrai Dialect Coach............................................Chuck Richie Production Assistant......................................Adam Kirk Hanna Theatre Crew..............................Thomas Boddy, Shaun Milligan, Lester Parker Jr., Nathan Tulenson Health and Safety Team........ Jaclyn Miller, Amy Essick, Lindsay Mandela

LORT

1501 Euclid Ave., Suite 300 Cleveland, OH 44115 P: (216) 241-5490 F: (216) 241-6315 W: GreatLakesTheater.org

Playbill Editor: Linda Feagler For advertising information, please contact Matthew Kraniske: 216-377-3681

at Playhouse Square

GUEST SERVICES AT PLAYHOUSE SQUARE

Guest Assistance

Beware of Ticket Scalpers

For questions or service that may provide a quality, entertaining experience, please see the House Manager on duty. A RedCoat usher can direct you to their office location.

Buy your tickets ONLY from the Playhouse Square Ticket Office, at playhousesquare.org, by phone at 216-241-6000 or your licensed group/travel leader. (We cannot guarantee validity or admittance for tickets purchased elsewhere, nor can we issue replacement tickets if they are lost or stolen). Help us keep ticket prices affordable and fair for everyone.

Smoking Policy Smoking, including electronic smoking or “vaping,” is not permitted indoors at Playhouse Square.

We Love Hearing From Our Guests Your feedback is important. For matters that are not immediate or for additional questions you may have, please access our online comment form at playhousesquare.org/contact-us. We read and share all comments with the staff and meet often to discuss how we can improve upon your experience at Playhouse Square. You may also find us on Facebook at facebook.com/playhousesquare, or follow us on Twitter at twitter.com/playhousesquare.

Camera Policy Cameras, including cameras on cell phones and other personal handheld devices, audio/ video tape recorders and flash photography are strictly prohibited.

Cell Phones The experience of a live performance can be ruined by the interruption of ringtones, vibrating phones or conversation. The magic of a darkened theater can be disrupted by the light of someone text messaging as well. Please be considerate to others and remember to turn off your cell phone for the duration of the show.

Thank You

Playhouse Square gratefully acknowledges the people of Cuyahoga County for their historical support to theater restoration, upkeep and programming, as well as through their ongoing contributions through Cuyahoga Arts and Culture.

APRIL/MAY AT PLAYHOUSE SQUARE OUTCALT/ HELEN/ ALLEN ALLEN

ALLEN Sunday

Monday

HANNA Tuesday

Much Ado About Nothing

MIMI OHIO

KENNEDY’S

Wednesday

Much Ado About Nothing

An Evening with Fran Lebowitz

CONNOR KEYBANK US BANK WESTFIELD PALACE STATE PLAZA STUDIO Thursday

Much Ado About Nothing

Friday

Saturday

Passage Much Ado About Nothing

Much Ado About Nothing

APRIL

Celtic Woman

Keith Sweat

David Sedaris

Villainy of Richard III Alvin Ailey An Officer & A Gentleman Villainy of Richard III The Lightning Thief: The Percy Jackson Musical

Alvin Ailey An Officer & A Gentleman Villainy of Richard III The Lightning Thief: The Percy Jackson Musical

17 18 19 20 21 22 23 Alvin Ailey An Officer & A Gentleman Villainy of Richard III The Lightning Thief: The Percy Jackson Musical

To Kill a Mockingbird To Kill a Mockingbird To Kill a Mockingbird To Kill a Mockingbird Villainy of Richard III Alfred Hitchcock’s The 39 Steps Villainy of Richard III

To Kill a Mockingbird The 39 Steps The Three Musketeers Villainy of Richard III Dino-Light Doodle POP SNAP To Kill a Mockingbird To Kill a Mockingbird To Kill a Mockingbird To Kill a Mockingbird To Kill a Mockingbird Alfred Hitchcock’s The The Three Musketeers Alfred Hitchcock’s Alfred Hitchcock’s Alfred Hitchcock’s 39 Steps The 39 Steps The 39 Steps The 39 Steps The Three Musketeers The Three Musketeers The Three Musketeers The Three Musketeers Black Violin A Midsummer Night’s A Midsummer Night’s Dream Dream Johnny Mathis

24 25 26 27 28 29 30 M AY

To Kill a Mockingbird The 39 Steps The Three Musketeers Villainy of Richard III Dino-Light Doodle POP

9 10 11 12 13 14

To Kill a Mockingbird Alfred Hitchcock’s The 39 Steps The Three Musketeers

GreatLakesTheater.org

10 11 12 13 14 15 16

To Kill a Mockingbird Rupi Kaur World Tour Alfred Hitchcock’s The 39 Steps The Three Musketeers

To Kill a Mockingbird Alfred Hitchcock’s The 39 Steps The Three Musketeers

To Kill a Mockingbird Alfred Hitchcock’s The 39 Steps The Three Musketeers Marc Maron

To Kill a Mockingbird Alfred Hitchcock’s The 39 Steps The Three Musketeers Alyssa Edwards The Ghost Tour I’m Back Now

To Kill a Mockingbird Alfred Hitchcock’s The 39 Steps The Three Musketeers

Alfred Hitchcock’s Alfred Hitchcock’s Alfred Hitchcock’s The 39 Steps The 39 Steps The 39 Steps The Three Musketeers The Three Musketeers The Three Musketeers An Evening with Neil Gaiman

Alfred Hitchcock’s The 39 Steps The Three Musketeers TANEC “The Soul of Macedonia”

Alfred Hitchcock’s The 39 Steps The Three Musketeers 2022 Dazzle Awards Tori Amos Liébling

Waitress

15 16 17 18 19 20 21 Alfred Hitchcock’s The 39 Steps The Three Musketeers Tori Amos Waitress Kraftwerk 3-D

Waitress

22/29 23/30 24/31

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New shows are announced every week. Sign up for the Playhouse Square newsletter at playhousesquare.org to get advance notices by email!

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Alfred Hitchcock's The 39 Steps - Spring 2022

Articles inside

Welcome

The Artistic Company

Cast of Characters

Guest Services at Playhouse Square