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THE GALLERY IN FOCUS
Greenhill 200 North Davie Street, Box No.4 Greensboro, NC 27401 www.greenhillnc.org
Published in conjunction with the 2014 exhibition schedule All exhibitions curated by Edie Carpenter January 2014 - January 2015 Greenhill
All artwork Š the Artists Š 2014 Greenhill
All rights reserved. This publication is protected by copyright. No part of this publication may be repoduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any other information storage and retrieval system, without prior permission in writing from the copyright holder.
Cover and Book Design: Lauren Gordon, Marketing & Design Specialist, Greenhill
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T H E G A L L E RY I N FO C U S
GREENHILL
C EL EBRAT ING 40 YEARS OF N C A RT Last year I spent some time talking to some of Greenhill’s founding members. I wanted to understand how Greenhill came to be…what was the motivation and who were the driving forces behind it. I met with Joan Gregory, Ginger Booker, and Sue Seagrove to talk about their memories of the early days. At the time I wanted to learn more about Greenhill as we had formed a task force to study our name to see if we should change it. (And we did, but not drastically, Green Hill Center for NC Art {a mouthful} to simply Greenhill {short and sweet}). Meeting with these three wonderful woman I heard a lot of names, some new to me and some not—Hope Beaman, Dot Latham, Betty Jane Edwards, Bert Carpenter, and Claudius Dockery were just a few. I heard that providing a gallery space for professional artists was a priority, that having a statewide mission of supporting North Carolina artists was there from the start, and that in 1974, some of the best artists were coming out of the art department at UNC Greensboro, which I have heard referred to as the Greensboro School. On October 7, 1974 Green Hill Art Gallery was incorporated and soon found a home at the Sternberger House on Summit Avenue. Greenhill has moved three times since, to the old News and Record building (i.e., Greensboro Cultural Center), while it was being renovated we moved to 327 South Elm Street, and finally back to our current home, the Greensboro Cultural Center at 200 North Davie Street. Now, as we are entering our forty-first year, and are going to spend a year celebrating our 40th anniversary, it is important to remember our past, celebrate our achievements, recognize how they inform our present and help guide us in our future but never hold us back. Greenhill has a rich and important history, right up to this minute. We have served well over a million visitors, shown work of over 9,800 artists, traveled shows, brought in outside curators, given artists the opportunity to have important retrospectives, shown comprehensive surveys of mediums and genres, started an award-winning program in ArtQuest, reached into our community to serve and we have always strived for excellence in all we do.
Come along on a journey with us this year as we look back with “Throw Back Thursdays,” take trips to artist studios and the NC Museum of Art where Greenhill will be presenting an exhibition, Line, Touch, Trace, and have a celebratory cupcake at First Fridays and exhibition openings. Look for things to change, for unexpected exhibitions, for us to continue to present engaging and creative programs, and to collaborate with peer organizations and schools. This year, and for the decades to come, we are committed to supporting and advocating for artists and working to achieve our vision of being the preeminent visual arts center celebrating North Carolina arts and culture. Best, Laura Way, Executive Director
SAV E T H E DAT E S GREENHILL ON THE ROAD | SEAGROVE Saturday, April 5, 2014 GREENHILL ON THE ROAD | FAMILY FRIENDLY EVENT Summer 2014 (Date TBD) GREENHILL ON THE ROAD | NORTH CAROLINA MUSEUM OF ART Saturday, October 18, 2014
IMPRINT
JA N UA RY 31 - MARCH 27, 201 4 Imprint, curated by Edie Carpenter, presents four artists who utilize printmaking techniques to create 3-dimensional works. Following Greenhill’s 2008 survey North Carolina printmakers, this exhibition continues to examine the evolution of printmaking as one of the dominant influences in today’s visual culture. The four artists brought together for this exhibition conceive works that defy the confines of a frame or matrix that is the basis of traditional printmaking and work towards a three dimensional presence in space. Through layering, Western NC artist April Flanders builds up texture in installations composed of groups of prints in which plant forms appear to overrun gallery walls like some scientific experiment gone awry. A sense of wild yet fragile nature is also evident in the likenesses of deer and birds by Raleigh artist Mathew Curran. The direct stencil process characteristic of urban street art utilizing ink or red NC clay as a pigment, lends his life-size subjects a haunting presence. Charlotte artist Indrani Nayar-Gall combines intaglio processes with paper-cutting and organic materials such as rice in new works examining the ritual traditions of her native India. Durham artist Mark Iwinski’s “stump prints” of ancient trees taken directly from old growth utilizes printmaking as a surveyor’s tool for measuring contemporary amputations and absences.
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MATHEW CURRAN Mathew Curran, Bird in Flight, 2013 set of 2: cut paper stencil and spray paint; spray painted stencil on cardboard
Drawing from his international roots, Mathew Curran has developed a unique and personal style, which transcends a half dozen different mediums. Over the past decade, he has drawn from street life and hip-hop culture to focus primarily on stencil work.
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APRIL FLANDERS Advance, 2014 monotype, cut paper, dimensions variable (detail)
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April’s current work addresses the issue of native versus invasive botanical species in the Appalachian region using a variety of media including printmaking, painting, drawing and installation.
MARK IWINSKI Aperture, Arbor Incognita, from the terra de absentia series, 2010-13 ink on handmade indigo Gampi paper, 25 x 35 inches
Durham artist Mark Iwinski’s “stump prints” of ancient trees taken directly from old growth utilizes printmaking as a surveyor’s tool for measuring contemporary amputations and absences.
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INDRANI NAYAR-GALL Spring-Chrysalis I, 2013, intaglio, embossed, drawn, and cut paper, 9 x 12.5 x .75 inches
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Nayar-Gall’s present work is primarily print-based with 3D elements and includes drawing, hand coloring, cutting and video. Her recent work reflects the progression of her thoughts on migration, identity, loss, memory and displacement.
IMPRINT
DAT ES TO R E M E M BE R
EXHIBITION OPENING Friday, January 31, 2014 5:30 - 6:30 pm | Members Programming, Curator, Edie Carpenter’s comments 6:30-8:30 pm | Public Reception FIRST FRIDAY Friday, February 7, 2014 6:00 pm | Doors Open 6:30-7:30 pm | Live music with The Nutbush Ramblers ARTIST TALK | APRIL FLANDERS Wednesday, February 19, 2014 | 5:30 - 6:30 pm FIRST FRIDAY Friday, March 7, 2014 6:00 pm | Doors Open 6:30-7:30 pm | Live music with Lorena Guillen Tango Duo (Lorena Guillen, voice; Alejandro Rutty, piano) OPEN NC ART REVIEW Saturday, March 8, 2014 2:00 - 4:00 pm NC Artists are invited to bring a CD and present 20 slides of their work in pecha kucha format. Pre-registration required. Open to the first 15 NC Artists. Go to greenhillnc.org for eligibility, format and to sign up. ARTIST TALKS | MARK IWINSKI + INDRANI NAYAR-GALL Wednesday, March 19, 2014 | 5:30 - 7:00 pm
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T WO A R T I STS O N E S PAC E A P RI L 11 - JU NE 22, 201 4
Greenhill has developed an ongoing series of exhibitions, Two Artists | One Space, whereby two artists are given the opportunity to present their work in the spacious 7,000 square foot gallery in a manner that gives each artist the sense of having a solo exhibition while creating a contextually synergistic art space. Opening April 11, Greenhill will present the third in this series, Two Artists | One Space: John Beerman and Noé Katz, curated by Edie Carpenter. North Carolina artists Beerman and Katz are known both nationally and internationally. In this exhibition, a mix of the artists’ new works and recently shown works will be presented to North Carolina audiences for the first time. Together, Beerman and Katz bring two divergent approaches to art-making. Even with their differing processes and aesthetics, the viewer will feel the connections and through lines made possible when seen through the curator’s lens.
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JOHN BEERMAN Grandfather Mountain, White Clouds, 2013, oil on linen, 30 x 36 inches
Beerman’s works are in many collections, such as the North Carolina Museum of Art, the Brooklyn Museum, and the Metropolitan Museum of Art.
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NOÉ KATZ Fruit of Love, 2002, oil on linen canvas, 34 x 42 inches
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Katz’s works are in collections around the world, such as the Museo de Arte Moderno in Mexico City, the Tokoro Museum of Modern Art in Omishma, Japan, and the Museum of Latin American Art in Long Beach, California.
T WO A R T I STS O N E S PAC E DATES TO REMEMBER EXHIBITION OPENING Friday, April 11, 2014 5:30 pm | Members Programming, Curator, Edie Carpenter’s comments 6:30 - 8:30 pm | Public Reception ARTIST TALK | JOHN BEERMAN Thursday, April 24, 2014 | 5:30 - 6:30 pm John Beerman will discuss his recent landscape paintings. Reception to follow. INFORMAL ARTIST TALK + RECEPTION | NOÉ KATZ + CASA AZUL Thursday, May 1, 2014 | 6:30 - 8:30 pm In association with Casa Azul, a book signing and an informal talk by Noé Katz. Light refreshments and a reception with music will follow. FIRST FRIDAY Friday, May 2, 2014 6:00 pm | Doors Open 7:00-7:30 pm | Dance performance by Jan Van Dyke Dance Group FIRST FRIDAY Friday, June 6, 2014 6:00 pm | Doors Open 6:30-7:30 pm | Live Music by The Bronzed Chorus
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S E L E C T CO L L E C T I O N A P RI L 15 - JU NE 22, 201 4
PR IN TS OF R OM A R E BE A R D E N
Select Collection | Prints of Romare Bearden celebrates one collector and his extraordinary collection of Romare Bearden etchings, serigraphs, lithographs, Bon à Tires, drawing and collage. Romare Bearden was a seminal African American artist and is recognized as one of America’s most important twentieth-century artists. Greenhill is honored to host this exhibition and art sale, which will display over 40 of his works with 87 works available for sale. Romare Bearden was a prolific artist, with a catalogue of works in the hundreds. The exhibition and art sale at Greenhill will provide the viewer with a sampling of some of his most important lithographs, serigraphs and etchings, including his highly acclaimed works The Family, Carolina Morning, Mecklenburg Autumn and The Train. A full catalogue of works available for sale is available on our website. Visit www.greenhillnc.org & click on “Select Collection” on the menu bar.
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ROMARE BEARDEN Sword Fighter, 1948 pen and ink, image 24 1/4 x 18 1/2 inches
A rt (c) Be arde n Fou n d ati o n /L i ce n s e d by VAG A , N ew Yo r k, N Y
Recognized as one of the most creative and original visual artists of the twentieth century, Romare Bearden had a prolific and distinguished career. He experimented with many different mediums and artistic styles, but is best known for his richly textured collages.
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ROMARE BEARDEN The Family, 1975 aquatint, image 19 3/4 X 26 inches
A rt (c) Be arde n Fou nd ati o n /L i ce n s e d by VAG A , N ew Yo r k, N Y
Bearden’s work is included in many important public collections including the Metropolitan Museum of Art, the Whitney Museum of American Art, the Philadelphia Museum of Art, the Museum of Fine Arts, Boston, The Mint Museum, Charlotte, The Cameron Museum, Wilmington, NC and The Studio Museum in Harlem, among others. He has had retrospectives at the Mint Museum of Art (1980), the Detroit Institute of the Arts (1986), as well as numerous posthumous retrospectives, including The Studio Museum in Harlem (1991) and the National Gallery of Art, Washington, DC (2003). 16
ROMARE BEARDEN Girl in The Garden, 1979 lithograph, image 22 x 16 inches
A rt (c) Be arde n Foun d ati o n /L i ce n s e d by VAG A , N ew Yo r k, N Y
Bearden was the recipient of many awards and honors throughout his lifetime. Honorary doctorates were given by Pratt Institute, Carnegie Mellon University, Davidson College and Atlanta University, to name but a few. He received the Mayor’s Award of Honor for Art and Culture in New York City in 1984 and the National Medal of Arts, presented by President Ronald Reagan, in 1987.
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ROMARE BEARDEN The Train, 1974 etching and aquatint, image 17 3/4 x 22 1/8 inches
A rt (c) Be arde n Fou nd ati o n /L i ce n s e d by VAG A , N ew Yo r k, N Y
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S E L E C T CO L L E C T I O N DATES TO REMEMBER EDUCATIONAL PROGRAMMING Saturday, April 26, 2014 | Cost is $5/person 10:00 - 11:30 am | Romare Bearden in Context Who was Romare Bearden, what was his role in 20th Century contemporary art, what was his influence in and outside of the arts. 1:30 - 3:00 pm | The Prints of Romare Bearden Discussion focused on examining the wide array of his prints, helping to articulate to viewers the experimentation, adaptation, and improvisation found in his prints. PRIVATE RECEPTION Saturday, April 26, 2014 | Cost is $125/person 5:30 pm | Bearden at Home A ticketed private reception ($125/person.) Guests will have an opportunity to participate in a “Walk and Talk�, a walkthrough of the exhibition highlighting works within the collection, their importance, references and influences. For information email emily.shank@greenhillnc.org.
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LIGHT ON CHINA J ULY 11 - S EPT EMBER 6 , 201 4
P H OTO GRA P H S BY JOE LIPKA BILL M c A LLIST E R DAV ID M . SPE A R + BA R BA R A T Y R OLE R
Light on China | Photographs by Joe Lipka, Bill McAllister, David M. Spear, and Barbara Tyroler highlights four photographic artists who have traveled to China and through their lenses have captured the sights, textures, nuances, shadow and light they found there. Light on China will facilitate a dialogue around generally received notions and mythology surrounding China and contemporary visual representations of the globe’s most powerful emerging economy. The exhibition offers the artists a platform with which to share their perspectives of their journey unencumbered by external expectations of what we will see. Audiences will get to peak behind screens of stereotype and follow those who have ventured in; whose camera shutters have captured images of China from cities to remote villages. Visitors will see landscapes of striking abstract beauty and reflections of the day-to-day, leading the viewer to ponder if all human emotions are not inextricably linked.
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JOE LIPKA Not of This Place, 2011 pigment on paper, 10 x 13.5 inches
Joe Lipka was born in Lorain, Ohio (near Cleveland), in 1951. He attended University of Notre Dame in Indiana, earning a Bachelor of Science in Mechanical Engineering and Master of Business Administration.
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BILL McALLISTER Bullet Train Pylons in Field, Rural China, 2012 archival pigment print from infrared photograph, 11 x 15 inches
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Bill McAllister has been involved in creating and teaching photography for over 30 years. He has taught at the Art Institute of Atlanta, Chowan College and the Art School in Carrboro. Bill was a fellow at the Michael Karolyi Memorial Institute in Vence, France, and is a longtime member of the Society for Photographic Education.
DAVID M. SPEAR Dancing with Rooster, 2006 silver print, 18 x 18 inches
David M. Spear lives in Madison and has been a full-time photographer for the past 20 years. His first book of photography, The Neugents: “Close to Home,� looked at one North Carolina family and their lifestyle through 66 photographs. In his second book, Visible Spirits, he documents time spent traveling and living in Mexico since the 1990s, capturing ordinary people -- from hairdressers to day laborers.
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BARBARA TYROLER Urban Apparition (from the Series Beijing Impressions), 2012 digital print with archival ink, 30 x 40 inches
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Tyroler’s recent series “Beijing Impressions; Portraits of a Foreign Landscape” -- a series of photographic works inspired by the writings of the Tang Dynasty poet Li Bai. Tyroler’s multilayered color prints on paper portraying people in their surroundings translate a vision of a society in transition.
LIGHT ON CHINA DATES TO REMEMBER EXHIBITION OPENING Friday, July 11, 2014 5:30 - 6:30 pm | Members Programming China Scholar and Independent Consultant Samm Sacks shares her perspectives on changing life in contemporary China. 6:30-8:30 pm | Public Reception OPEN NC ART REVIEW Saturday, July 26, 2014 | 2:00 - 4:00 pm NC Artists are invited to bring a CD and present 20 slides of their work in pecha kucha format. Pre-registration required. Open to the first 15 NC Artists. Go to greenhillnc.org for eligibility, format and to sign up. FIRST FRIDAY Friday, August 1, 2014 6:00 pm | Doors Open 6:30-7:30 pm | Live Music with Katharine Whalen ARTIST DIALOGUE | LIGHT ON CHINA PHOTOGRAPHERS Sunday, August 17, 2014 | 2:00 - 4:00 pm FIRST FRIDAY Friday, September 5, 2014 6:00 pm | Doors Open 6:30-7:30 pm | Live Music TBD
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L I N E , TO U C H , T RAC E AUG UST 31 , 201 4 - MARCH 8 , 2 01 5 N O RTH CAROLINA MU SEU M OF A RT
The stylus is one of the most direct tools of artistic expression. Line, Touch, Trace highlights hand-drawn works by thirteen North Carolina artists who use graphite, ballpoint pen, contÊ crayon, ink, or charcoal to explore drawing in its relationship to thought processes. Line may be used to precisely render contours or as calligraphy on the drawing’s surface; touch builds tonal values or erases edges; and traced marks may suggest elements of an imagined topography. The artists use line, touch, and trace in works that communicate mental states, project invented worlds, or portray moments of contemplation. The range of approaches presented attests to the effervescence of drawing and its contribution to contemporary art. The exhibition includes works by Selena Beaudry, Tamie Beldue, Lori Esposito, Kiki Farish, John D. Gall, John Hill Jr., Fritz Janschka, Kenn Kotara, Kreh Mellick, Matthew Micca, Ippy Patterson, Isaac Payne, and Jason Watson. This exhibition was curated by Edie Carpenter, Director, Curatorial and Artistic Programs, Greenhill in consultation with Jennifer Dasal, Associate Curator for Contemporary Art, North Carolina Museum of Art. This exhibition is made possible, in part, by the North Carolina Department of Cultural Resources, the North Carolina Museum of Art Foundation, Inc., and the William R. Kenan Jr. Endowment for Educational Exhibitions.
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FRITZ JANSCHKA Joyce’s Calendar, 1995 ink on paper, 19 3/4 x 27 3/4 inches
The Viennese painter, sculptor and graphic artist Fritz Janschka is one of those artists whose place in the history of post-war European art has been secured. Born in 1919 in Vienna, Fritz Janschka entered the Academy of Fine Arts in 1943. After achieving critical acclaim in Europe, he was eager to expand his horizons and accepted an opportunity to work in America in 1949, where he still lives and creates today.
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LORI ESPOSITO Secret Garden, 2010 two sided, graphite on translucent mylar, 20 x 19 inches
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Espositos’s graphite on mylar drawings often utilizing bi-lateral symmetry portray “impossible forms” that the artist describes as “simultaneously organic and inorganic, figurative and botanical. . .” to create optical effects which defy perceptual space. (Lori Esposito, artist statement)
MATTHEW MICCA The Return 5, 2010 ballpoint pen, colored pencil and white charcoal on paper, 16 x 16 inches
Matthew Micca elaborately prepares the paper used in his ballpoint ink drawings in which hundreds of lines accumulate into color fields with activated edges.
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JOHN D. GALL The Awesomest Anti-Earthquake House Ever, 2013 ink and ink washes on paper, 30 x 22 inches
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John D. Gall ‘s drawings utilize line with the precision of an engraver to recount allegories of the quest for knowledge. In his ongoing series balding “knowledge seekers” maneuver a technologically enhanced house across a fissured landscape.
L I N E , TO U C H , T RAC E DATES TO REMEMBER EXHIBITION RECPETION AT NORTH CAROLINA MUSEUM OF ART Friday, September 5, 2014, 6:00 - 8:00 pm GREENHILL ON THE ROAD | TRIP TO NCMA + LUNCH Saturday, October 18, 2014 11:00 am | Arrive + Artist Talk Participating artists will talk and give a tour through the exhibition. 12:00 pm | Lunch at Iris (NCMA’s Resturaunt) 1:30 pm | Explore the museum
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F O L LOW I N G T H R E A DS F I BER A RT AND DRAW ING SEP TEMBER 1 9 - NOVEMBER 1 9
HA R R IE T HOOV E R BE C KY JOY E LE IGH SU GGS + JASON WATSON
Four emerging artists explore the drawn and stitched line in works that stretch the definitions of drawing. Utilizing collage, hand and machine sewing, and installation these artists each create a poetics of space in figurative and abstract works. This exhibition was developed concurrently with Line, Touch, Trace at the North Carolina Museum of Art and examines the importance of line in drawing and fiber art.
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HARRIET HOOVER Sporting with an Overturned Cart, 2014 paper, gouache, sumi ink, 54 x 38 inches
Harriet Hoover is a multidisciplinary artist whose practice is concerned with connecting the past and present with the personal and social through sculpture, performance, and curatorial endeavors. She lives and works in Greensboro, NC.
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BECKY JOYE Lantern, 2010 acrylic and pencil on paper, 30 x 22 inches
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Becky Joye is a visual artist and designer based in Raleigh, North Carolina. She graduated from the University of North Carolina at Charlotte with a Bachelor of Architecture in 2003, In 2009 she shifted course to focus on drawing and making. Now she enjoys escaping to an invented world of color, pattern, and impracticable structures.
LEIGH SUGGS Luminate, 2012 archival gel ink and acrylic on paper, 22 x 22 inches
Leigh Suggs whose work was first seen at Greenhill in Winter Show 2010 will be presenting new fiber works and drawings in which minute gradations in the flow of ink create patterns evoking stellar maps.
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JASON WATSON Untitled (from the Fremde Series), 2012 graphite, acrylic, ink, found photographs, stitching, 11 x 8 inches
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Jason’s compositions mix various visual components from storybook illustration, movie poster design, and text book diagrams. Jason’s work addresses how the meaning of objects and symbols is altered through time and context. He says, “this art process is my way of investigating the boundaries between historical fact and creative invention.”
F O L LOW I N G T H R E A DS DATES TO REMEMBER EXHIBITION OPENING Friday, September 19, 2014 5:30 - 6:30 pm | Members Programming 6:30-8:30 pm | Public Reception FIRST FRIDAY Friday, October 3, 2014 6:00 pm | Doors Open 6:30-7:30 pm | Live Music TBD ARTIST TALK | FOLLOWING THREADS ARTISTS Wednesday, October 15, 2014 | 5:30 - 7:00 pm ARTIST TALK | FOLLOWING THREADS ARTISTS Wednesday, October 29, 2014 | 5:30 - 7:00 pm FIRST FRIDAY Friday, November 7, 2014 6:00 pm | Doors Open 6:30-7:30 pm | Live Music TBD
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W I N T E R S H OW 2 01 4 DEC EMB E R 7, 201 4 - JANUARY 1 1 , 2 01 5
To commemorate Greenhill’s 40th anniversary, this year in Winter show’s 35th year, Greenhill will present works from 40 new artists, 40 artists who been in Winter Show in the past 5 years, and 40 artists from the first 20 years. The artists come from around the state, with a mix of mediums including painting, sculpture, photography, ceramic, jewelry, woodwork, fabric and fiber works, all within a harmonious installation. Artists showing work in the exhibition vary not only by mediums, but also by experience, background and perspective. The public is invited to view a carefully curated selection of works from emerging and returning North Carolina artists in The Gallery at Greenhill. With over 500 works all available for sale, Winter Show is the quintessential showing of art produced by North Carolina artists today. Laura Way, Greenhill’s Executive Director says, “Winter Show is an amazing experience. During this annual show you walk into The Gallery at Greenhill and are invigorated by the beauty, breadth and depth of work being produced by the artists of our great state. Greenhill is about community, and Winter Show is like inviting 120 of our favorite artist friends to celebrate the season with us. Have a creative journey in our space and then take something special back home with you. The work will feel fresh and vibrant, right for your home or your office, or perhaps it will find a place with a special friend.”
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RICHARD FENNELL Oldest House in Hyde County II oil on board, 16 x 18 inches
New landscapes by Richard Fennell will be one of the highlights of the 40th Anniversary Winter Show.
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W I N T E R S H OW DATES TO REMEMBER FIRST CHOICE Thursday, December 4, 2014 | 5:30 - 7:30 pm COLLECTOR’S CHOICE Saturday, December 6, 2014 | 7:00 - 11:00 pm EXHIBITION OPENING Sunday, December 7, 2014 | 2:00 - 5:00 pm
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A R T I ST I C P R O G RA M S CO RP O R AT E AND FOU NDAT ION SU PPORT E R S $ 1 000+ Alliance Commercial Properties
Lincoln Financial Foundation
ArtsGreensboro
Lomax Properties
Bank of North Carolina
Natty Greene’s Brewing Co.*
Blue Cross Blue Shield of North Carolina
North Carolina Arts Council
blvd Interiors Marketplace
Oppenheimer & Co. Inc.
Brady Services, Inc.
Our State*
Cemala Foundation, Inc.
PhotoBiz, LLC*
City of Greensboro*
Principal Financial Group
Chicks Chat and Change
Printery*
Clear Defense, LLC
Replacements, Ltd.*
Clinton Press*
Richardson Properties
Diversified Trust
Sarvisberry Gallery & Studio
Fenwick Foundation
Shamrock Corporation
The Fresh Market, Inc.*
SJ Edwards Foundation
Granville Capital
Strategic Employee Benefit Services
Greensboro Area Convention & Visitors Bureau
Tannenbaum-Sternberger Foundation
Guilford Council Schools
Target
Joseph M. Bryan Foundation of Greater Greensboro
VF Corporation
Junior League of Greensboro, Inc.
Well-Spring
Kinder Morgan Foundation
Wells Fargo
Knight Carr & Company
Wingate Charitable Foundation
January 2012 - December 2013 *In Kind
Greenhill 200 North Davie Street, Box No.4 Greensboro, NC 27401 336.333.7460 www.greenhillnc.org