OCT 03 - 06, 2019
REGENT’S PARK, LONDON
BOOTH G07
LOIE HOLLOWELL 1983, Woodland (US)
Meeting Place, 2019 Oil paint, acrylic medium, high density foam on linen over panel 71.1 × 53.3 × 7.6 cm | 28 × 21 × 3 in
Loie Hollowell lives and works in Brooklyn, NY (US). Her work has been exhibited at PACE Gallery, New York (US); Crystal Bridges Museum of American Art, Bentonville, AR (US); The New Britain Museum of Art, CT (US), amongst others. Selected public collections include the Arts Council England, London (UK); Crystal Bridges Museum of American Art, Bentonville, AR (US) and Zentrum Paul Klee, Bern (CH). Loie Hollowell’s first solo exhibition with GRIMM will open on Friday, November 22nd on the Keizergracht in Amsterdam, coinciding with Amsterdam Art Weekend.
LOIE HOLLOWELL 1983, Woodland (US)
The Kiss, 2019 Oil paint, acrylic medium, high density foam on linen over panel 71.1 × 53.3 × 7.6 cm | 28 × 21 × 3 in
LUCY SKAER 1975, Cambridge (UK)
In the Yew Woods, Arrows Rain Down, The Day is Bright and Open, Hare Darts for Cover and the Chord of C Minor Sounds, 2018 Bronze, yew, copper, oil paint, stone Approx: 70 x 120 x 280 cm | 27 1/2 x 47 1/4 x 110 1/4 in Lucy Skaer lives and works in Glasgow and London (UK). Often assembling various source materials and presenting them as installations, her work deals with the meaning of reproduction and the influence of mass media. Skaer’s process is deeply engaged with the significance of materials as objects of personal significance and as they fit into a larger historical narrative. Skaer was nominated for the Prix Canson in 2016, the Turner Prize in 2009, and was awarded the Paul Hamlyn Foundation Award in 2016. Her work can be found in the collections of the Metropolitan Museum of Art, New York (US), Tate Modern, London (UK), Centre George Pompidou, Paris (FR), and the Arts Council Collection, London (UK) among others prominent private and public collections.
Skaer’s recent solo exhibitions include: Heavy Weather, GRIMM Amsterdam (NL) in 2019; The Green Man, Talbot Rice Gallery, Edinburgh (UK); Sentiment, Peter Freeman Inc., New York, NY (US); Available Fonts, Salzburger Kunsthalle, Salzburg (AT); La Chasse, Salzburger Kunsteverein, Salzburg (AT) all in 2018. In 2017, Available Fonts, KW, Berlin (DE); Una Casa Más Pequeña (The Smaller House), Museo Tamayo, Mexico City (MX); One Remove at Witte de With, Rotterdam (NL), 2016; Sticks & Stones at Murray Guy, New York (US), 2015; Random House at Peter Freeman, New York (US), 2015; Sticks & Stones at Musées Gallo-Romains, Lyon (FR), 2015. Skaer will have an upcoming solo exhibition at Meessen-Declercq Gallery in Brussels (BE), opening 24 October, and at S.M.A.K., Ghent (BE), opening 30 November, 2019.
MICHAEL RAEDECKER 1963, Amsterdam (NL)
site, 2019 Acrylic, laser printer pigment transfers, acrylic dispersions and thread on canvas 195 x 133.5 cm | 76 3/4 x 52 1/2 in Michael Raedecker was born in Amsterdam and currently lives and works in London. He received his BA in Fashion Design from the Gerrit Rietveld Academy, Amsterdam (NL), continued his curriculum at the Rijksakademie van Beeldende Kunsten, Amsterdam (NL), and at Goldsmiths College, London (UK). In 2000, Raedecker was shortlisted for the Turner Prize and he received the John Moores Award in 1994. Recent solo exhibitions include parade (2019) at GRIMM New York, cntrl (2018) and camouflage (2016) at GRIMM, Amsterdam (NL); record (2014) at Galerie Max Hetzler, Berlin (DE); tour (2013-2014) at Sprengel Museum, Hannover (DE), Wilhelm-Hack-Museum, Ludwigshafen am Rhein (DE) and Andrea Rosen Gallery in New York (US); and volume (2012) at Hauser & Wirth, London (UK). His work has also been shown in the exhibitions Where is the Madness You Promised Me?, Hudson Valley MOCA, Peekskill (US); Freedom, the fifty key Dutch artworks since 1968, curated by Hans Den Hartog Jager, Museum de Fundatie, Zwolle (NL) and Out of Office, Singer Laren, Laren (NL). Michael Raedecker’s works can be found in many public and private collections including the Art Institute Chicago, Chicago, IL (US); Astrup Fearnley Museum, Oslo (NO); ABN AMRO Art Collection, Amsterdam (NL); AkzoNobel Art Collection, Amsterdam (NL); Guggenheim Museum, New York, NY (US); Gemeentemuseum Den Haag, The Hague (NL); Museum Voorlinden, Wassenaar (NL); Wilhelm-Hack-Museum, Ludwigshafen am Rhein (DE); The Saatchi Gallery, London (UK); Tate, London (UK) and Van Abbemuseum, Eindhoven (NL) amongst many more.
MICHAEL RAEDECKER 1963, Amsterdam (NL)
hideout, 2019 Acrylic, laser printer pigment transfers, acrylic dispersions and thread on canvas 76 x 123 cm | 29 7/8 x 48 3/8 in
detail | hideout, 2019
MATTHEW DAY JACKSON 1974, Panorama City (US)
Winter, 2019 Formica, acrylic paint on epoxy resin, fiberglass, lead on panel, stainless steel frame 63.6 x 47 cm | 25 1/8 x 18 1/2 in Matthew Day Jackson lives and works in Brooklyn, New York (US). His work is included in many private and public collections such as the Whitney Museum for American Art, New York (US); Stedelijk Museum, Amsterdam (NL); Pinault Collection, Paris (FR); Museo d’Arte Moderna, Bologna (IT); Zabludowicz Collection, London (UK); Gemeentemuseum Den Haag, The Hague (NL) and High Museum of Art, Atlanta (US). Jackson’s recent solo exhibitions include: Maa, Gösta Serlachius Museum, Mänttä (FI); Van Gogh Inspireert Matthew Day Jackson, Van Gogh Museum, Amsterdam (NL); Pathetic Fallacy at Hauser & Wirth, Somerset (UK) in 2019; New Landscape, Qiao Space, Shanghai (CN) and Still Life and the Reclining Nude, Hauser & Wirth London (UK) in 2018 and Gunshot Plywood Bronze Works, GRIMM Amsterdam (NL) in 2017. Jackson’s solo exhibition Pareidolia will open on Thursday October 10th at GRIMM Keizersgracht in Amsterdam (NL).
MATTHEW DAY JACKSON 1974, Panorama City (US)
Vegetables, 2019 Formica, acrylic paint on epoxy resin, fiberglass, lead on panel, stainless steel frame 63.6 x 47 cm | 25 1/8 x 18 1/2 in
ELIAS SIME
1968, Addis Ababa (ET)
Tightrope: Heart, 2017 Reclaimed electronic components on panel 210.2 x 161.3 cm | 82 3/4 x 63 1/2 in
Elias Sime incorporates the refuse from consumer electronics, repurposing salvaged components such as circuits and keyboards to create abstract compositions. The materials he uses are sourced from the largest open-air market in Africa located in the Ethiopian capital, Addis Ababa, where Sime’s practice is based. Sime is deeply involved in developing the Ethiopian art community and has established a research practice studying the ancient rituals of rural communities in the country. In 2002, he co-founded and designed the ZOMA Contemporary Art Center in Addis Ababa, working in cooperation with the founding director, curator and anthropologist Meskerem Assegued. His work has been exhibited at the Metropolitan Museum of Art, New York, NY (US); the Studio Museum in Harlem, NY (US); and in 2009, a retrospective of his work travelled from the Santa Monica Museum of Art, CA (US), to the North Dakota Museum of Art, ND (US). A solo exhibition is currently on view at the Ruth and Elmer Wellin Museum of Art, Clinton, NY (US) until December 8th, 2019 and will travel to the Akron Art Museum in Akron, Ohio (February 29 – May 24, 2020), the Kemper Museum of Contemporary Art in Kansas City, Missouri (June 11 – September 13, 2020), and the Royal Ontario Museum in Toronto, Canada (December 12, 2020 – April 18, 2021). Elias Sime’s work is included in the permanent collection of the Metropolitan Museum of Art, New York, NY (US); The Israel Museum, Jerusalem (IL); North Carolina Museum of Art, Raleigh, NC (US); Toledo Museum of Art, OH (US); Perez Museum of Art, Miami, FL (US); Virginia Museum of Fine Arts, Richmond, VA (US); Detroit Institute of Arts, MI (US); Chrysler Museum of Art, Norfolk, VA (US); North Dakota Museum of Art, ND (US); Newark Museum, NJ (US); Pizzuti Collection, Columbus, OH (US); Harn Museum of Art, University of Florida, Gainesville, FL (US); Hood Museum of Art, Dartmouth College, NH (US); Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, NY (US); Kemper Museum of Contemporary Art, Kansas City, MO (US); and the Carl and Marilynn Thoma Art Foundation, Santa Fe, NM (US).
ELIAS SIME
1968, Addis Ababa (ET)
Tightrope: Evolution (1), 2017 Reclaimed electronic components on panel 279.4 x 422.3 cm | 110 x 166 1/4 in
ELIAS SIME
1968, Addis Ababa (ET)
Tightrope: Whirlwind, 2017 Reclaimed electronic components on panel 278.8 x 361.9 cm | 109 3/4 x 142 1/2 in
ROSALIND NASHASHIBI 1973, Croydon (UK)
not yet titled, 2019 Oil on canvas 150 x 120 cm | 59 1/8 x 47 1/4 in Rosalind Nashashibi was nominated for the 2017 Turner Prize and represented Scotland in the 52nd Venice Biennale. Her films have been included in Documenta 14, Manifesta 7, the Nordic Triennial and Sharjah 10. She was the first female artist to win the Beck’s Futures prize, and the first artist to join the residency program of the National Gallery, London (UK). Recent and forthcoming exhibitions focusing on her paintings include Witte de With Centre for Contemporary Art Rotterdam (NL), Vienna Secesion (AT), CAAC Sevilla (SP) (20192020) and S.M.A.K. Ghent (BE) (2019-2020). Selected collections include Tate Britain (UK), The Museum of Modern Art (US), Centre Pompidou - Musée National d’Art Moderne (FR), British Arts Council (UK), The Metropolitan Museum of Art (US), Fonds National d’Art Contemporain (FR), The Art Institute Chicago (US), Kunsthaus Zürich (CH), Scottish National Gallery (UK), Southampton City Art Gallery (UK).
ALEX DORDOY 1985, Newcastle (UK)
Golfe du Morbihan (dusk), 2019 Acrylic on canvas 200 x 140 cm | 78 3/4 x 55 1/8 in
Alex Dordoy lives and works in London (UK). His work can be found in the collections of the Gemeentemuseum, The Hague (NL), AKZO Nobel Art Foundation, Amsterdam (NL) and the Zabludowicz Collection, London (UK), and many private collections. Recent solo exhibitions include Summers’ Ego, GRIMM, Amsterdam (NL) in 2018; The Moss is Dreaming, curated by Tom Morton, Blain | Southern, London (UK) and From Svalbard Soil, The Modern Institute, Glasgow (UK), both in 2017. Alex Dordoy will have an upcoming solo exhibition at GRIMM New York (US) in the Spring of 2020.
ALEX DORDOY 1985, Newcastle (UK)
Golfe du Morbihan (dawn), 2019 Acrylic on canvas 200 x 140 cm | 78 3/4 x 55 1/8 in
WILLIAM MONK
1977, Kingston upon Thames (UK)
Untitled I (Pink Rise), 2019 Oil on canvas 47 x 37 cm | 18 1/2 x 14 5/8 in William Monk lives and works in London (UK). He received his BA at Kingston University, London (UK) in 2000 and completed his studies at De Ateliers in Amsterdam (NL) in 2006. Monk was awarded the Koninklijke Prijs voor Vrije Schilderkunst (Royal Award for Painting) in 2005 and the Jerwood Contemporary Painters award in 2009. His work can be found in the collections of the Gemeentemuseum, The Hague (NL), David Roberts Art Foundation, London (UK); Fries Museum, Leeuwarden (NL); ING Collection, Amsterdam (NL), and in many international private collections. Solo exhibitions include: A Fool Through the Cloud, PACE, London (UK) in 2019; Seven Leagues to Pompeii, GRIMM, New York (US) in 2017; The Cloud is Growing in the Trees, Kohn Gallery, Los Angeles (US) in 2015; William Monk, James Cohan Gallery, New York (US) in 2014; Furthur Planetarium!, GRIMM, Amsterdam (NL) in 2013; and How to stop whining and start living, Fries Museum, Leeuwarden (NL) in 2006. Group exhibitions include; Away in the Hill, GRIMM, New York (US) in 2019; In-house exhibition, curated by Jorg Grimm, Manifesta, Amsterdam (NL) in 2018; Miniatuur Museum, Wonderkamers, Gemeentemuseum, The Hague (NL) in 2017; Culture of Colors, Akzo Nobel Art Foundation, Amsterdam (NL) in 2016; The Hidden Picture, Cobra Museum, Amstelveen (NL) in 2015; Facing Nature, Collectie De Heus-Zomer, Museum BelvÊdère, Heerenveen (NL) in 2014 amongst others. William Monk will have a solo exhibition at GRIMM Amsterdam in 2020.
WILLIAM MONK
1977, Kingston upon Thames (UK)
Untitled II (Yellow Rise), 2019 Oil on canvas 47 x 37 cm | 18 1/2 x 14 5/8 in
WILLIAM MONK
1977, Kingston upon Thames (UK)
Untitled III (Green Rise), 2019 Oil on canvas 47 x 37 cm | 18 1/2 x 14 5/8 in
CAROLINE WALKER 1982, Dunfermline (UK)
Antibody Selection, 2019 detail Caroline Walker lives and works in London (UK) where she completed her MA at the Royal College of Art in 2009. Upcoming solo presentations in 2020 include a museum exhibition at the Midlands Art Centre, Birmingham (UK) and Ingleby Gallery, Edinburgh (UK). Past exhibitions have been presented at GRIMM, New York (US); Kettle’s Yard, Cambridge (UK); Anat Ebgi, Los Angeles, CA (US); Space K, Gwacheon (KR); Victoria Miro Gallery in London (UK); Whitechapel Gallery, London (UK); ARTUNER, Palazzo Capris, Turin (IT); the 2014 Milan Triennale (IT); Fine Arts Society, London (UK) and Walker Art Gallery, Liverpool (UK) among others. Works by Caroline Walker can be found in many international collections including Akzo Nobel Foundation, Amsterdam (NL); De Ying Foundation (KR); Museum Voorlinden, Wassenaar (NL); Jimenez-Colon Collection, Ponce (PR); Gemeentemuseum, The Hague (NL); Kistefos Museum (NO); Kolon Group Collection (KR); Shetland Islands Council, Lerwick (UK); EKARD collection; The Franks-Suss Collection, London (UK); Woong Yeul Lee Collection (KR) and others. Caroline Walker’s current exhibition A Woman Sewing is on view at GRIMM, Amsterdam (NL) until October 5th.
CAROLINE WALKER 1982, Dunfermline (UK)
Antibody Selection, 2019 Oil on linen 170 x 230 cm | 66 7/8 x 90 1/2 in
DANA LIXENBERG 1964, Amsterdam (NL)
Christopher Wallace (Biggie) 1996 Printed in 2019
Gelatin Silver print mounted on aluminium, walnut frame, museum glass 127 x 100 | 50 x 39 3/8 in Edition of 10 plus 2 artist’s proofs Dana Lixenberg is a Dutch artist living and working in Amsterdam (NL) and New York (US). The series Imperial Courts 1993–2015, her most extensive body of work to date, was awarded the Deutsche Börse Photography Foundation Prize in 2017. Lixenberg has exhibited at Het HEM, Zaandam (NL); TENT, Rotterdam (NL); Mai Manó Ház, Budapest (HU); Belfast Exposed, Belfast (UK); Aperture Foundation, New York (US); Rijksmuseum, Amsterdam (NL); Centre Photographique, Rouen (FR); MMK, Frankfurt (DE); The Photographers’ Gallery, London (UK); Busan Biennale (KR); Huis Marseille, Amsterdam (NL); De Kunsthal, Rotterdam (NL); Stedelijk Museum, Amsterdam (NL); FOAM, Amsterdam (NL); Frans Halsmuseum De Hallen, Haarlem (NL); and LACP, Los Angeles (US) among others. Lixenberg currently has a solo exhibition on view at Fotohof, Salzburg (AT) and will have forthcoming exhibitions at GRIMM, New York (US), Het Nieuwe Instituut, Rotterdam (NL), Danziger Gallery, New York (US) and Stedelijk Museum, Amsterdam (NL).
installation view | Street Dreams | De Kunsthal, Rotterdam (NL) | 2019
SASKIA NOOR VAN IMHOFF 1982, Mission (CA)
#+39.01, 2019 C-print on EHM, laser engraved Plexiglass photo: 250 x 125 x 11 cm unique editions 2 + 1 AP (#1/2)
Saskia Noor van Imhoff is a Dutch artist living and working in Amsterdam (NL). She was awarded the 2017 ABN Amro Art Prize (NL), the 2012 Walter Tielmann Prize for Book Design (DE) and the 2008 Gerrit Rietveld Academie Prize (NL). Selected exhibitions include the Arnulf Rainer Museum, Baden (AT); 11th Gwangju Biennial (KR); Centre Pompidou, Paris (FR); Frans Hals Museum De Hallen, Haarlem (NL); Stedelijk Museum, Amsterdam (NL); De Appel, Amsterdam (NL) and the Moscow Biennial (RU). Van Imhoff’s work is present in the collections of the Stedelijk Museum, Amsterdam (NL); Museum Voorlinden, Wassenaar (NL); Verbeke Foundation, Kemzeke (BE); De Nederlandsche Bank, Amsterdam (NL); AKZO Nobel Art Foundation, Amsterdam (NL) and ABN Amro Art Collection, Amsterdam (NL) among many other institutional and private collections. Van Imhoff’s upcoming solo exhibition will open at GRIMM New York, October 17, 2019.
SASKIA NOOR VAN IMHOFF 1982, Mission (CA)
#+40.09, 2019 neon, plaster plaster (l): 65 x 19 x 27 cm | 25 5/8 x 7 1/2 x 10 5/8 in plaster (r) 15 x 27 x 65 cm | 5 7/8 x 10 5/8 x 25 5/8 in neon: 20 x 210 x 45 cm | 7 7/8 x 82 5/8 x 17 3/4 in
CHARLES AVERY 1974, Oban (UK)
Untitled (Gatherers and Water carriers tending Crops), 2019 detail Charles Avery lives and works in London and Mull (UK). His work is currently part of the 16th Istanbul Biennale (TR) titled The Seventh Continent, curated by Nicolas Bourriaud. Recent exhibitions were on view at the Royal Academy of Arts, London (UK) and the Scottish National Gallery of Modern Art, Edinburgh (UK). Avery’s work can be found in the collections of Tate, London (UK); Museum Boijmans van Beuningen, Rotterdam (NL); David Roberts Art Foundation, London (UK) and Gemeentemuseum, The Hague (NL), amongst others. Avery will have an upcoming solo exhibition at GRIMM Amsterdam (NL) in the Spring of 2020.
CHARLES AVERY 1974, Oban (UK)
Untitled (Gatherers and Water carriers tending Crops), 2019 Pencil, Acrylic, Watercolour and Ink on paper 153 x 240 cm | 60 1/4 x 94 1/2 in
CHARLES AVERY 1974, Oban (UK)
Untitled (Hunter and Dog with Cloudburst), 2019 Pencil, acrylic and ink on paper 102 x 146 cm | 40 1/8 x 57 1/2 in
MATTHIAS WEISCHER 1973, Elte (DE)
Untitled, 2019 Oil on canvas 64 x 90 cm | 25 1/4 x 35 3/8 in
Matthias Weischer is interested in the historical perspective of painting; both the medium as well as the classical system of representation. His interest in the process of building a composition and searching for the equilibrium of chaos and harmony finds expression in collage-like interiors and the landscapes. From 1995 to 2000 Weischer studied at the Leipzig Academy (DE) where he received his master’s degree in 2003. Weischer was the protégé of British artist David Hockney through the Rolex Mentor & Protégé Arts Initiative. Weischer’s work is part of institutional and private collections, such as The Museum of Contemporary Art, Los Angeles (US); Gemeentemuseum, The Hague (NL); Museum Voorlinden, Wassenaar (NL); Arken Museum of Modern Art (DK); Museum der Bildende Künste, Leipzig (DE) amongst others.
LOUISE GIOVANELLI 1993, London (UK)
Palisade II, 2019 Oil on canvas 180 x 120 cm | 70 7/8 x 47 1/4 in
Louise Giovanelli was born in London (UK) and received her Bachelor (Hons) of Fine Art at the Manchester School of Art (UK) in 2015. She currently lives and works in Frankfurt am Main (DE) where she studies at the Städelschule. Recent and forthcoming solo exhibitions include Warrington Museum and Art Gallery (UK), GRIMM, New York (US) and Manchester Art Gallery, Manchester (UK). Giovanelli’s work can be found in the Government Art Collection, Sarow Gallery collection, The University of Salford collection (UK), The Grundy Gallery collection, Manchester Art Gallery Collection (UK), Manchester School of Art collection (UK) and a number of private collections.
installation view | Louise Giovanelli | Manchester Art Gallery (UK) | 2019
LOUISE GIOVANELLI 1993, London (UK)
Peeping Tom, 2019 Oil on linen 50 x 40 cm | 19 3/4 x 15 3/4 in
LOUISE GIOVANELLI 1993, London (UK)
Marker X, 2019 Oil on linen 46 x 33 cm | 18 1/8 x 13 in
LETHA WILSON 1976, Honolulu (US)
Weeping Rock Rolled Steel, 2019 UV prints on Corten steel 99.1 x 55.9 x 38.1 cm | 39 x 22 x 15 in
Letha Wilson combines landscape photography with industrial materials like concrete and steel. Her work explores the magnetic pull of the American West, alluding to landscape’s intrinsic role in our own myths of reinvention, endless possibility, and inevitable promise. Wilson earned her BFA from Syracuse University, NY (US) in 1998, and an MFA from Hunter College, NY (US) in 2003. Wilson’s work can be found in the collections of the New York Public Library, New York (US), ING Art Collection, Amsterdam (NL) and the University of Maryland, College Park (US). Recent solo exhibitions include Cross Country, GRIMM, New York (US) in 2019; Horizon Eyes, GRIMM, New York (US), BAMbill Cover Artist: Letha Wilson, Brooklyn Academy of Music, Brooklyn (US) in 2018; the Center for Contemporary Art and Culture, PNCA, PO (US) and the DeCordova Sculpture Park and Museum, Lincoln, MA (US) in 2017; Galerie Christophe Gaillard, Paris (FR) in 2016; Look with Your Hands, GRIMM, Amsterdam (NL); Sight specific, Light Work, Syracuse, NY (US) Terra Firma, Brand New Gallery, Milan (IT) in 2015. Wilson has participated in group exhibitions at the New York Public Library, New York, NY (US); MASS MoCA, North Adams, MA (US); MACRO Museo d’ Arte Contemporanea, Rome (IT), Essl Museum, Klosterneuburg (AT); Bemis Center for Contemporary Art in Omaha, NE (US); Bronx Museum of the Arts, Bronx, NY (US); Socrates Sculpture Park in Long Island City, NY (US); Exit Art, NY (US); and the Aldrich Museum of Contemporary Art, Ridgefield, CT (US).
LETHA WILSON 1976, Honolulu (US)
3 Valley of Fire Nested Rocks Steel, 2019 UV prints on Corten steel, bronze tube 81.3 x 48.3 x 27.9 cm | 32 x 19 x 11 in
LETHA WILSON 1976, Honolulu (US)
Hawaii California Steel (Figure Ground), 2017 UV prints on Corten steel 279.4 x 193 cm | 110 x 76 in installation view, deCordova Sculpture Park and Museum, Lincoln, MA
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