Grogan & Company | The Fine Art Auction | Saturday, October 28, 2023 by Grogan & Company

FINE ART OCTOBER 28, 2023

Lot 40 Cover: Lot 6

MICHAEL B. GROGAN Founder & Chief Auctioneer michael@groganco.com

GEORGINA C. WINTHROP President & Fine Art Director georgina@groganco.com

TAYLOR P. SEE Jewelry Director taylor@groganco.com

CLAUDIA E. DEELEY Gallery Director claudia@groganco.com

MIMI K. CABOT Auction Coordinator mimi@groganco.com

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20 CHARLES STREET, BOSTON, MASSACHUSETTS 02114

G R O G A N C O. C O M

Lot 42 32

A MERICA N A RT Lots 1 — 117

PRINTS & MU LTIPLES Lots 118 — 127

EU RO PEA N ART Lots 128 — 153

Lot 96

A MERICA N A RT

1 RICHARD YARDE (American, 1939-2011) Leon and Willa Mae (The Spin) 1998, watercolor and ink on paper signed and dated © R. Yarde '98 lower right 41 1/2 x 29 1/2 in., frame: 54 1/2 x 41 1/2 in. $4,000–6,000

Provenance: R. Michelson Galleries, Northampton, Massachusetts; Private Collection, Maine; Skinner Auctioneers, Boston, January 22, 2021, Lot 142; Private Massachusetts Collection.

2 EKUA HOLMES (American, b. 1955) Girl 2006, acrylic, watercolor, and collage on paper signed and dated Ekua Holmes 3/2006 lower right sight: 22 3/4 x 17 in., frame: 31 3/4 x 26 3/4 in. $1,000–2,000

3 IRA YEAGER (American, 1938-2022) Floral Still Life oil on canvas 36 x 35 3/4 in. $3,000–5,000 Provenance: Acquired directly from the artist by a Newport, RI Lady.

4 MICHAEL MAZUR (American, 1935-2009) Untitled (Provincetown) 1998, oil on vellum paper signed Mazur lower right 24 x 19 in., frame: 33 x 27 in. $1,000–1,500 Provenance: The Collection of a Newton, Massachusetts Gentleman. Other Notes: Albert Merola Gallery (Provincetown) label verso.

5 MICHAEL MAZUR (American, 1935-2009) Untitled 2004, acrylic and ink on paper signed lower right 12 5/8 x 11 in., frame: 22 3/4 x 20 3/4 in. $500–800 Provenance: The Collection of a Boston Couple.

6 JOHN STUART GIBSON (American, b. 1958) Larger Pile of Blue and White Balls 1989, oil on canvas signed, titled, and dated John Gibson "Larger Pile of Blue and White Balls" 7/89 verso 48 x 36 in., frame: 53 1/4 x 41 1/4 in.

$5,000–8,000 Provenance: The Harcus Gallery, Boston, Massachusetts, 1991; Acquired from the above by a Boston Lady.

7 ROBERT PIESEN (Czech, 1921-1977) Space 1966, mixed media on wood signed and dated Robert Piesen 1966 verso 32 x 24 1/2 in. $5,000–8,000 Provenance: Property of a prominent Dutch estate; by descent to a Massachusetts family.

8 TSENG YU-HO (Hawaiian/Chinese, 1924-2017) Incident of Earth 1964, gold, palladium, and dsui collage on masonite signed lower right; titled, dated, and signed verso 24 x 24 in., frame: 25 5/8 x 25 5/8 in. $7,000–10,000 Provenance: The Downtown Gallery, New York; The Collection of a Massachusetts Gentleman. Other Notes: The Downtown Gallery (New York) label verso; Philadelphia Museum of Art (Philadelphia) exhibition label verso.

9 OLGA ALBIZU (Puerto Rican, 1924-2005) Untitled (Red) oil on canvas signed Albizu lower right 18 x 18 in. frame: 19 1/8 x 19 1/8 in. $7,000–10,000 Provenance: The Collection of a Long Island, New York Gentleman.

10 OLGA ALBIZU (Puerto Rican, 1924-2005) Untitled (Green) oil on canvas signed Albizu lower left 18 1/8 x 18 1/8 in. frame: 18 5/8 x 18 5/8 in. $6,000–9,000 Provenance: The Collection of a Long Island, New York Gentleman.

11 LUDWIG SANDER (American, 1906-1975) Small Green I 1960, oil on paper on board signed Sander lower left 9 1/2 x 11 1/2 in. frame: 10 1/2 x 12 1/4 in. $2,000–3,000 Provenance: Leo Castelli Gallery, New York (label verso); Purchased from the above by the father of the current owner.

12 ESTEBAN VICENTE (Spanish/American, 1903-2001) Untitled 1963, mixed media on artist's board signed and dated Esteban Vicente '63 lower right 14 1/8 x 11 3/4 in. $3,000–5,000 Provenance: The Collection of a Long Island, New York Gentleman.

13 JOAN SNYDER (American, b. 1940) From Grief to Spring 2008, oil, acrylic, berries, cloth, burlap, paper mache, and pastel on linen 72 x 96 in. $20,000–40,000 Provenance: Nielsen Gallery, Boston, Massachusetts; Acquired from the above by a Boston Couple.

14 JOAN SNYDER (American, b. 1940) Untitled 1993, monoprint on paper signed Joan Snyder lower right 22 1/2 x 29 1/2 in. frame: 28 1/2 x 35 3/4 in. $1,000–2,000 Provenance: Nielsen Gallery, Boston (label verso); Acquired from the above by a Cambridge, Massachusetts Lady. Other Notes: Printed at Provincetown Fine Arts Work Center, August 1993.

15 JOHN WALKER (American, b. 1939) Untitled acrylic and collage on paper double signed and dated John Walker 70 in pencil lower right sight: 34 3/4 x 45 1/2 in. frame: 35 1/2 x 46 1/4 in. $2,000–4,000 Provenance: Collection of a Brooklyn, New York Gentleman.

16 JOHN WALKER (American, b. 1939) Untitled (No. 18) 2001, oil on canvas signed, dated, and titled verso 24 x 18 in. $3,000–5,000 Provenance: Nielsen Gallery, Boston (label verso); Acquired from the above by a Cambridge, Massachusetts Lady.

17 JOHN WALKER (American, b. 1939) Untitled 1992, monoprint on Japanese paper signed and dated Walker 92 lower right 21 x 17 5/8 in. frame: 28 5/8 x 25 1/8 in. $500–1,000 Provenance: Nielsen Gallery, Boston (label verso); Acquired from the above by a Cambridge, Massachusetts Lady.

18 CHERYL ANN THOMAS (American, b. 1943) Collapsed Basket hand-coiled porcelain height: 22 in., length: 21 in., width: 18 in. $1,000–1,500 Provenance: Gallery NAGA, Boston; The Collection of a Boston Couple.

19 JUDY KENSLEY MCKIE (American, b. 1944) Tiger Table 2009, cast bronze signed, dated, and numbered JKM '09 2/8 on underside height: 34 in., length: 60 in., width: 12 in. $50,000–80,000 Provenance: Gallery NAGA, Boston; Acquired from the above by a Boston Couple.

20 JUDY KENSLEY MCKIE (American, b. 1944) Proud Dogs 1985, carved and painted wood, glass both dogs signed JKM 1985 on base overall height: 17 in., overall length: 56 1/4 in., width: 18 in. dogs each measure height: 16 in., length: 44 in., width: 4 in. $40,000–60,000 Provenance: The artist; The Collection of a Cambridge, Massachusetts Couple.

21 TADASHI ASOMA (Japanese, 1923-2017) Day and Night 1971, oil on canvas signed and dated Asoma '71 lower right 40 x 50 in., frame: 40 1/2 x 51 in. $4,000–6,000 Provenance: The Collection of a Connecticut Lady. Other Notes: David B. Findlay Galleries (New York) label verso.

22 TADASHI ASOMA (Japanese, 1923-2017) Lake of Hakone 1971, oil on canvas signed and dated Asoma '71 lower right 40 x 50 in., frame: 41 1/2 x 51 1/2 in. $4,000–6,000 Provenance: The Collection of a Connecticut Lady. Other Notes: David B. Findlay Galleries (New York) label verso.

23 TADASHI ASOMA (Japanese, 1923-2017) Magnolia with Blue Mountain 1975, oil on canvas signed and dated Asoma '75 lower right 40 x 44 1/2 in., frame: 41 x 45 1/2 in. $4,000–6,000 Provenance: The Collection of a Connecticut Lady. Other Notes: Findlay Galleries (New York) label verso.

24 TADASHI ASOMA (Japanese, 1923-2017) The House on the Hill 1973, oil on canvas signed and dated Asoma '73 lower right 41 x 41 in., frame: 44 x 44 in. $4,000–6,000 Provenance: The Collection of a Connecticut Lady. Other Notes: Findlay Galleries (New York) label verso.

25 FLORENCE HENRI (American, 1893-1982) Composition 1926, gouache monogrammed and dated F.H. 1926 lower right 18 1/2 x 12 1/2 in., frame: 28 1/4 x 22 1/4 in. $5,000–8,000 26

Provenance: Private Florida Collection. Other Notes: The Hanover Gallery (London) exhibition label verso.

26 DIEGO RIVERA (Mexican, 1886-1957) Niña de Cuclilla watercolor and ink on paper signed Diego Rivera lower right 15 1/4 x 11 in., frame: 27 7/8 x 22 3/4 in.

Provenance: By descent within the Pillsbury Family, Minneapolis, to a Cambridge, Massachusetts Gentleman. Other Notes: Fifteen Minneapolis Institute of Art (Minneapolis, Minnesota) exhibition labels verso, dating from 1965-1991.

$25,000–35,000 27

27 MARGUERITE ZORACH (American, 1887-1968) Garter Snake on Rocks oil on canvas signed Marguerite Zorach lower right 14 x 24 in., frame: 21 1/4 x 31 1/8 in. $7,000–10,000 Provenance: The Collection of a Mount Desert Island, Maine couple.

28 ROCKWELL KENT (American, 1882-1971) Five Pines, Mount Monadnock, N.H. 1906, oil on canvas signed and dated Rockwell Kent 1906 lower right 8 1/4 x 13 1/2 in. frame: 14 5/8 x 19 3/4 in. $10,000–15,000

29 WOLF KAHN (American, 1927-2020) Evening Barn 1991-2, pastel on paper signed W Kahn lower left 12 x 18 in., frame: 19 3/8 x 25 3/8 in. $5,000–8,000 Provenance: Thomas Segal Gallery, Boston (label verso); The Collection of a Cambridge, Massachusetts Lady.

30 LILLA CABOT PERRY (American, 1848-1933) Early Spring from My Window in Hancock, New Hampshire 1921, oil on canvasboard signed and dated L.C. Perry '21 lower left and titled verso 12 x 15 in., frame: 19 1/2 x 22 1/2 in. $3,000–5,000 Provenance: The Collection of a New Hampshire Lady.

31 GUY CARLETON WIGGINS (American, 1883-1962) Hazy Autumn oil on canvas signed Guy Wiggins lower right; signed and titled verso 12 x 16 in., frame: 18 x 22 in. $2,000–3,000 Provenance: The Collection of a Florida Couple.

32 GUY CARLETON WIGGINS (American, 1883-1962) Winter on Fifth Avenue at 42nd Street oil on board signed Guy Wiggins lower right signed and titled verso 12 x 15 3/4 in. frame: 17 1/4 x 21 1/4 in. $20,000–30,000 Provenance: The Collection of a Florida Couple.

33 RALPH EUGENE CAHOON, JR. (American, 1910-1982) Tableau de l'art aerostatique et de la direction des ballons oil on board signed R. Cahoon Jr. lower right 24 1/8 x 34 5/8 in., frame: 28 x 38 1/4 in. $8,000–12,000 Provenance: The Collection of a Florida Couple.

34 ANNA MARY ROBERTSON 'GRANDMA' MOSES (American, 1860-1961) Mt. Nebo 1945, oil on masonite signed Moses lower left 9 x 11 in., frame: 11 3/4 x 13 3/4 in. $8,000–12,000 Provenance: By descent within the Wanamaker Family, Philadelphia, Pennsylvania, and New York, New York. Other Notes: Bears Grandma Moses inventory label verso: dated October 30, 1946, numbered 1000, and titled.

35 CHARLES WYSOCKI (American, 1928-2002) Sweet Tooth Confectionery oil on canvasboard signed Charles Wysocki lower right sight: 19 5/8 x 16 3/4 in. frame: 23 x 25 3/4 in. $4,000–6,000 Provenance: Purchased from the artist by a New York Gentleman. Other Notes: The Charles Wysocki Gallery (Lake Arrowhead) label verso; accompanied by a letter from the artist.

36 STEPHEN MORGAN ETNIER (American, 1903-1984) Winnegance Bay, Maine 1965, oil on canvas signed and dated Stephen Etnier 65 lower right 18 x 24 in., frame: 24 1/4 x 30 1/4 in. $3,000–5,000 Provenance: Collection of a Fairfax, Virginia Lady. Other Notes: The Milch Galleries (New York) label verso; Wiscasset Bay Gallery (Wiscasset) label verso.

37 STEPHEN MORGAN ETNIER (American, 1903-1984) The Blue Boat 1958, oil on canvas signed and dated Stephen Etnier 58 lower right 14 x 23 1/4 in., frame: 24 1/2 x 33 1/2 in. $2,000–4,000 Provenance: Collection of a Fairfax, Virginia Lady. Other Notes: The Milch Galleries (New York) label verso; Wiscasset Bay Gallery (Wiscasset) label verso.

38 MONTAGUE DAWSON (English, 1895-1973) Breakers Off Newport watercolor signed Montague Dawson lower left 12 x 34 in., frame: 19 1/4 x 41 in. $4,000–6,000 Provenance: The Collection of a Newport, Rhode Island Lady.

39 ARTHUR BEECHER CARLES (American, 1882-1952) The Bridge oil on canvas on board signed Carles lower left 9 1/8 x 7 in., frame: 12 1/2 x 10 1/2 in. $1,000–2,000 Provenance: By descent to a Cambridge, Massachusetts Estate. Exhibitions: Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, Arthur B. Carles: "Painting with Color", September 23 - November 27, 1983, cat. no. 13 (label verso).

40 JOHN LA FARGE (American, 1835-1910) The Aorai, Tahiti 1891, watercolor and gouache on paper signed and dated La Farge 1891 lower right with pencil inscription lower left: Tahiti - The Aorai looking S from Papeete - May 29 or 30. Noon Near consulate opposite the entrance to [Queen] Marau's. Then on either side of picture - the plateau of the [illegible] occupies the first open space below trees - there is a sketch in pencil for this. Sky had changed at that moment tho' the sky wasn't clear for more than 1/2 hour. image: 9 x 13 1/4 in., sheet: 12 x 17 in., frame: 18 3/4 x 21 3/8 in. $5,000–8,000 Provenance: By descent within a Boston family. Exhibitions: - Vance Jordan Fine Arts, New York, Recreation and Idleness: The Pacific Travels of John La Farge, April 30–June 9, 1998. - Peabody Museum, Salem, Massachusetts, The South Sea Paintings of John La Farge, February 1–May 1, 1978.

41 JOHN SINGER SARGENT (American, 1856-1925) Quarry, Chocorua, New Hampshire 1921, watercolor on paper signed John S. Sargent lower left 12 3/8 x 20 in. frame: 21 3/8 x 28 7/8 in. $40,000–60,000

Provenance: The artist; Mrs. Bayard Thayer (1864-1941, née Ruth Simkins), a friend of the artist; her daughter, Mrs. William Dexter (née Constance van Rensselaer Thayer), 1941; thence by descent. Literature: Ormond, Richard and Elaine Kilmurray. John Singer Sargent: The Complete Paintings. Vol. IX: Figures and Landscapes, 1914-1925. New Haven, CT: Yale University Press, 1998-2016, cat. no. 1892, illus. p. 264. Exhibitions: [possibly] Boston, 1922, no. 4, as 'Chocorua'; Museum of Fine Arts, Boston, 1925, 'Watercolors', no. 111. This work depicts Alice James, her hat secured with a bright red scarf, sketching in a deserted quarry near her home in Chocorua, New Hampshire, a lakeside village in the White Mountains. Sargent painted this work while visiting Alice and her husband William 'Billy' James, Jr. in the summer of 1921.

42 JOHN SINGER SARGENT (American, 1856-1925) Constance Van Rensselaer (Thayer) Dexter 1920, charcoal on paper signed and dated John S. Sargent 1920 lower center 24 x 18 in., frame: 25 1/2 x 19 3/8 in.

Provenance: The artist; by descent within the family of the sitter. Literature: Downes, William Howe. John S. Sargent: His Life and Work. Boston: 1925 and London: 1926, p. 298; McKibbin, David. Sargent's Boston. Boston: 1956, p. 126.

$30,000–50,000

43 CECILIA BEAUX (American, 1855-1942) Ladies Crocheting pencil on paper initialed lower left 5 x 7 in. frame: 13 x 14 1/4 in. $800–1,200 Provenance: The artist; to her niece, Ernesta Drinker Barlow; a gift to Harrison B. Cultra; by descent to Richard Barker; to his estate; Alfred J. Walker Fine Art, Boston; The Collection of a Connecticut Lady.

44 WINSLOW HOMER (American, 1836-1910) The Ghosts of Departed Prouts 1901, charcoal and pencil on paper signed and dated Winslow Homer / 6:30 A.M. Dec 1. / 1901 lower left titled The ghosts of departed prouts / (at the house raising) upper left sight: 4 3/4 x 7 3/4 in., frame: 14 1/4 x 17 1/4 in. $8,000–12,000

45 ALFRED THOMPSON BRICHER (American, 1837-1908) Newport Coast oil on canvas signed ATBricher lower left 18 1/16 x 30 1/16 in. frame: 30 1/2 x 42 1/2 in.

Provenance: Phillips New York, 12 October 1978, Lot 97; Steppingstone Gallery, Long Island, New York; Private collection, acquired from above, 1986; Sotheby’s New York, 29 November 2006, Lot 131; Godel & Co. Fine Art, New York; Questroyal Fine Art, New York; Private Collection, New York.

$20,000–40,000

LOTS 46 - 51: THE WHITE MOUNTAINS The Collection of a New Hampshire Couple

46 BENJAMIN CHAMPNEY (American, 1817-1907) Mount Adams 1852, oil on canvas signed and dated B. Champney 1852 lower right 18 x 24 in., frame: 24 3/4 x 30 3/4 in. $10,000–15,000

Provenance: The Collection of a Distinguished New Hampshire Family; The White Mountains: The Collection of a New Hampshire Couple. Exhibitions: - The Currier Museum of Art, Manchester, NH, Mount Washington: The Crown of New England, October 1, 2016–January 16, 2017, cat. no. 13, fig. 77, illus. p. 89. - Jackson Historical Society, Jackson, NH, Personal Favorites: Collectors of White Mountain Art, October 2015. Other Notes: Accompanied by the original John Doggett frame.

47 FRANK HENRY SHAPLEIGH (American, 1842-1906) Mount Washington and Ammonoosuc River Near Fabyan House oil on canvas signed F.H. Shapleigh lower left 20 x 14 in. frame: 27 1/2 x 21 3/4 in. $4,000–8,000

Provenance: The White Mountains: The Collection of a New Hampshire Couple. Exhibitions: - Museum of the White Mountains, Plymouth, New Hampshire, The Grand Hotels of the White Mountains, May 17–September 12, 2019 (label verso). - Castle in the Clouds, Moultonborough, NH. Other Notes: For many years, this work hung at the U.S. State Department, in the office of Deputy Assistant Secretary of State Robert Ware. 43

48 JOHN ROSS KEY (American, 1837-1920) The Presidential Range from Jefferson Highlands 1873, oil on canvas signed and dated John R. Key 73 lower left 19 3/4 x 38 1/4 in., frame: 30 x 48 in.

Provenance: The White Mountains: The Collection of a New Hampshire Couple. Exhibitions: The Museum of the White Mountains, Plymouth, NH.

$8,000–12,000

49 SAMUEL LANCASTER GERRY (American, 1813-1891) Lake Winnipesaukee from Dane's Hill, Center Harbor, N.H. 1854, oil on canvas signed and dated Gerry 1854 lower right 18 x 24 1/4 in. frame: 24 1/2 x 30 3/4 in. $4,000–8,000 Provenance: The White Mountains: The Collection of a New Hampshire Couple. Exhibitions: The Museum of the White Mountains, Plymouth, NH; Castle in the Clouds, Moultonborough, NH.

50 SAMUEL W. GRIGGS (American, 1827-1898) Mount Washington from North Conway, N.H. 1868, oil on artist's board inscribed N. Conway, NH, Sept 22, 1868 with the regards of S.W. Griggs in pencil verso 9 1/2 x 11 3/4 in. frame: 13 3/4 x 15 3/4 in. $1,500–2,500 Provenance: The White Mountains: The Collection of a New Hampshire Couple. Other Notes: For many years, this work hung in the chambers of Judge Thomas E. Flynn of Portsmouth, New Hampshire.

51 JOSIAH WOLCOTT (American, 1814-1885) Mount Kearsarge from Rattlesnake Hill, Concord, N.H. 1859, oil on canvas signed and dated J Wolcott 1859 lower right; signed, titled, and dated verso 18 x 24 in., frame: 26 1/2 x 32 1/2 in. $1,500–2,500 Provenance: The Collection of a Distinguished New Hampshire Family; Northeast Auctions, Portsmouth, New Hampshire, 20 August 2015, Lot 272; The White Mountains: The Collection of a New Hampshire Couple. Exhibitions: The Currier Museum of Art, Manchester, NH, 1960.

52 GEORGE INNESS (American, 1825-1894) Dawn 1888, oil on canvas signed and dated G. Inness 1888 lower right 21 3/4 x 36 in. frame: 29 1/2 x 43 1/2 in. $30,000–50,000 Provenance: The Collection of James William Ellsworth (1849-1925), Chicago and New York, ca. 1889; by descent within the family; Sloan & Roman, Inc., New York, 1968; Meredith Long and Company, Houston, TX; Estate of James H. Stone, New Orleans, LA; Neal Auction Company, 8 February 2020, Lot 105; The Collection of a Charleston, SC Gentleman. Other Notes: This painting was selected by George Inness, Jr. to be included in his tribute to his father titled Life, Art, and Letters of George Inness (1917).

Exhibitions: The Art Institute of Chicago, Second Annual Exhibition of American Oil Paintings, 30 May–30 June 1889, cat. no 120 (lent by James W. Ellsworth) [accompanied by a photocopy of the exhibition catalogue]; The Art Institute of Chicago, Catalogue of the Collections Loaned by James W. Ellsworth, May 1890, cat. no. 49 [accompanied by a photocopy of the exhibition catalogue]; New York Athletic Club, Sixth Annual Loan Exhibit, 19 March 1892, cat. no. 38 (as Moonlit Night) (lent by James W. Ellsworth); The Art Institute of Chicago, List of Paintings by George Inness on Exhibition, 1-17 March 1897, cat. no. 3. [accompanied by a photocopy of the exhibition catalogue]; Oakland Museum of Art, Oakland, California, George Inness Landscapes: His Signature Years, 1884-1894, November 28, 1978–January 28, 1979 and Santa Barbara Museum of Art, Santa Barbara, California, February 10–April 15, 1979 (labels verso). Literature: Quick, Michael. George Inness: A Catalogue Raisonné. New Brunswick: Rutgers University Press, 2007, pp. 228-29, no. 934; Ireland, Leroy. Works of George Inness. 1965, p. 322 (illus.), no. 1280.; Kurtz, C.M. "A Notable Chicago Gallery, I.–Mr. James Ellsworth's Paintings," The Art Amateur 26, no. 4 (March 1892): 111.

53 GEORGE INNESS JR. (American, 1854-1926) Night Falls (Montclair, New Jersey) oil on canvas signed Inness Jr. lower left 16 1/4 x 24 in., frame: 24 3/4 x 32 3/4 in. $3,000–5,000 Provenance: Gray’s Auctioneers, Cleveland, Ohio, 22 March 2009; The Collection of a Charleston, SC Gentleman.

54 THOMAS DOUGHTY (American, 1791-1856) The Hudson Highlands from West Point oil on board signed Doughty lower left; inscribed West Point Hudson River verso 13 7/8 x 17 3/4 in. frame: 19 5/8 x 23 3/4 in. $5,000–8,000 Provenance: Northeast Auctions, Portsmouth, New Hampshire, August 20, 2016, Lot 764; Private Collection, Connecticut; Shannon's Fine Art Auctioneers, Milford, Connecticut, May 2, 2019, Lot 77; The Collection of a New York Gentleman.

55 GEORGE LORING BROWN (American, 1814-1889) Entrance to the Harbor of Norwalk, Connecticut 1863, oil on paper laid on board signed and dated Geo. L. Brown 1863 lower right; titled, signed, and dated verso 13 x 20 1/2 in., frame: 22 x 29 1/2 in. 56 WILLIAM FREDERICK DE HAAS (American, 1830-1880) Coastal View 1875, oil on canvas signed and dated William F. de Haas 75 lower right; signed and dated verso 14 1/4 x 26 1/8 in. frame: 17 1/2 x 29 3/4 in. $3,000–5,000

$4,000–6,000 Provenance: Shannon's Fine Art Auctioneers, Milford, Connecticut, April 28, 2011, Lot 117; Collection of a Beverly Farms, Massachusetts Gentleman.

57 CHARLES HENRY GIFFORD (American, 1839-1904) Coastal View 1869, oil on canvas signed and dated C.H. Gifford 69 lower right 10 x 15 1/2 in., frame: 15 x 20 1/8 in.

$1,500–2,500 Provenance: Collection of an Upstate New York Lady.

58 Attributed to CHARLES HENRY GIFFORD (American, 1839-1904) Ship at Sea (Coast of Martha's Vineyard) ca. 1872, oil on board 7 x 10 in., frame: 11 x 14 in. $1,500–2,500

59 GEORGE CURTIS (American, 1826-1881) Rounding the Light oil on canvas 30 x 25 in., frame: 35 1/2 x 30 in. $3,000–5,000 Provenance: The Collection of a Charleston, SC Gentleman.

60 GEORGE CURTIS (American, 1826-1881) Ship Sailing oil on canvas signed Geo. Curtis lower right 30 x 25 in., frame: 35 1/2 x 30 1/2 in. $3,000–5,000 Provenance: The Collection of a Charleston, SC Gentleman.

61 HARRY AIKEN VINCENT (American, 1864-1931) Heading Out oil on canvas signed H.A. Vincent lower left 26 x 30 in., frame: 35 1/2 x 40 1/4 in. $12,000–15,000

62 JOSEPHINE LEMOS REICHMANN (American, 1864-1938) Gloucester Boats oil on artist's board signed JReichmann lower right 9 x 10 in. frame: 11 1/4 x 12 1/4 in. $800–1,200 Provenance: The Collection of a Massachusetts Gentleman.

63 HENRY BAYLEY SNELL (American, 1858-1943) Harbor View (Likely Boothbay Harbor, ME) oil on board signed Henry B Snell lower right 12 x 16 in. frame: 14 1/2 x 18 1/2 in. $1,000–2,000 Provenance: Private Massachusetts Collection.

64 WILLIAM LESTER STEVENS (American, 1888-1969) Harbor Dock View 1922, watercolor on paper signed and dated W. Lester Stevens 1922 lower right sight: 14 1/4 x 17 in. frame: 22 1/4 x 24 7/8 in. $1,000–1,500 Provenance: Private Massachusetts Collection.

65 ARTHUR DIEHL (American, 1870-1929) Dunes on a Sunny Morning Near High Head, Cape Cod, Mass. oil on board signed Arthur V. Diehl lower left; titled verso 8 1/4 x 10 1/4 in. frame: 12 3/4 x 14 3/4 in. $1,000–1,500 Provenance: The Collection of a Massachusetts Gentleman.

66 CHARLES MOVALLI (American, 1945-2016) Fish Shack oil on canvasboard signed and dedicated To my girl Eleanor from C. Movalli lower right 16 x 20 in., frame: 21 3/4 x 26 in. $1,000–1,500 Provenance: Collection of a Wellesley, Massachusetts Gentleman.

67 PAUL STRISIK (American, 1918-1998) The Beach 1964, oil on board signed P. Strisik lower left titled, signed, and dated verso 16 x 24 in., frame: 23 1/4 x 31 1/2 in.

$1,000–1,500 Provenance: Collection of a Wellesley, Massachusetts Gentleman.

68 ALDRO THOMPSON HIBBARD (American, 1886-1972) Coast of Mohegan oil on board signed A.T. Hibbard lower right 18 x 28 in. frame: 23 1/2 x 30 1/4 in. $2,000–3,000 Provenance: Collection of a Wellesley, Massachusetts Gentleman.

69 ALDRO THOMPSON HIBBARD (American, 1886-1972) Bay of Naples with Mt. Vesuvius, Italy oil on board signed A.T. Hibbard lower right 9 1/2 x 11 1/2 in. frame: 11 1/2 x 13 1/2 in.

$1,000–1,500 Provenance: Collection of a Wellesley, Massachusetts Gentleman. Other Notes: With estate stamp verso; accompanied by letter of authenticity from the artist's daughter, Elaine Hibbard Clark, dated March 3, 1998.

70 CHARLES HERBERT WOODBURY (American, 1864-1940) House in the Trees oil on canvas signed Chas H. Woodbury lower left 14 x 10 1/8 in. $800–1,200 Provenance: The Collection of a San Antonio, Texas Lady.

71 ROBERT EMMETT OWEN (American, 1878-1957) Rocky Stream oil on canvas signed R. Emmett Owen lower left 24 x 35 in. frame: 34 1/2 x 43 1/2 in. $2,000–3,000 Provenance: Grogan & Company, February 5, 2017, Lot 13; The Collection of a Boston Couple.

72 ROBERT EMMETT OWEN (American, 1878-1957) Rocky Stream oil on canvas signed R. Emmett Owen lower left 16 x 20 in., frame: 21 x 25 in. $1,000–2,000 Provenance: Private Massachusetts Collection.

73 MARGARET JORDAN PATTERSON (American, 1867-1950) Edge of the Forest gouache on paper 17 7/8 x 14 7/8 in. frame: 23 1/2 x 20 1/2 in. $1,000–1,500 Provenance: The Collection of a San Antonio, Texas Lady.

74 MARGARET JORDAN PATTERSON (American, 1867-1950) Gnarled Tree at Pond's Edge pastel on paper sight: 18 x 15 in., frame: 25 5/8 x 22 1/8 in. Canal Reflections pastel on paper sight: 14 3/4 x 17 1/2 in. frame: 24 1/8 x 26 5/8 in. $1,000–1,500 Provenance: The Collection of a San Antonio, Texas Lady.

75 ROBERTO MOYA (American, 1932-2008) Landscape oil on canvas signed Moya lower right 24 1/4 x 36 in. frame: 33 1/4 x 45 1/4 in. $1,500–2,500 Provenance: Private Massachusetts Collection.

76 ANTHONY THIEME (American, 1888-1954) Gloucester Rocks watercolor on artist's board signed A Thieme lower right sight: 12 3/4 x 16 3/4 in. frame: 25 1/4 x 29 1/4 in. $1,000–1,500 Provenance: Private Massachusetts Collection.

77 REGINALD MARSH (American, 1898-1954) Shipyard 1944, watercolor signed and dated Reginald Marsh 44 lower left sight: 15 5/8 x 11 5/8 in., frame: 22 3/4 x 18 3/4 in. $3,000–5,000

78 H.A. REY (American, 1898-1977) K is a Kangaroo 1970, crayon on paper signed, inscribed, and dated For Tabitha with best wishes! HA Rey 4-9-1970 lower right 40 1/2 x 33 1/2 in., frame: 43 x 36 in. $3,000–5,000 Provenance: The artist; Private Collection, Barrington, Rhode Island; Collection of a New Hampshire Gentleman. On April 9, 1970, H.A. and Margaret Rey gave a lecture at and contributed to a PTA fundraising auction for the Nayatt School in Barrington, Rhode Island. The present work was purchased by the parents of a student at the school, and was dedicated by the artist to the student at the end of the evening.

79 JOSEPH SOLMAN (American, 1909-2008) Subway Reader gouache on newspaper initialed JS upper left sight: 11 1/4 x 8 1/8 in. frame: 17 3/8 x 15 3/4 in. $800–1,200 Provenance: The Collection of a Massachusetts Gentleman.

80 JOHN WHORF (American, 1903-1959) Through the Birches: Winter Afternoon watercolor on paper signed John Whorf lower right; titled verso 22 3/4 x 31 1/4 in. $2,000–3,000 Provenance: Private Florida Collection.

81 ROBERT STRONG WOODWARD (American, 1885-1957) Winter Landscape oil on canvas signed Robert Strong Woodward lower right 25 1/8 x 30 in. frame: 30 1/2 x 35 3/4 in. $2,000–3,000 Provenance: The Collection of a Boston Couple.

82 AIDEN LASSELL RIPLEY (American, 1896-1969) Vermont Winter View 1923, oil on board signed and dated A. L. Ripley 1923 upper left 28 x 25 1/2 in., frame: 31 3/4 x 29 3/4 in.

$4,000–6,000 Provenance: Alden & Mary Bryan Art Gallery, Jeffersonville, Vermont; by descent within a New England family.

83 HARRIET WHITNEY FRISHMUTH (American, 1880-1980) The Star bronze inscribed Harriet W. Frishmuth 1918(c) on base; stamped and numbered Gorham Co. Founders Q505 and further inscribed #304 along base height: 19 1/2 in. $5,000–10,000 Provenance: Collection of a New Hampshire Lady.

84 HARRIET WHITNEY FRISHMUTH (American, 1880-1980) Girl with Frog 1910, bronze inscribed Harriet W. Frishmuth copyright 1910, stamped Gorham Founders Q.E.H., and further inscribed #47 along base length of base: 6 3/4 in. height: 4 1/2 in. $3,000–5,000 Provenance: Collection of a New Hampshire Lady.

85 Attributed to THOMAS SULLY (American, 1783-1872) The Valentine Children oil on canvas 35 1/2 x 25 1/2 in., frame: 45 x 37 in. $3,000–5,000 Provenance: The Collection of a Cambridge, Massachusetts Estate. 65

86 IRVING RAMSEY WILES (American, 1861-1948) The Actor (John Barrymore) oil on canvas signed Irv R. Wiles lower right 34 1/4 x 27 in., frame: 42 x 35 in. $10,000–15,000

Provenance: Skinner Boston, American & European Paintings, 21 May 2010, Lot 226; The Collection of a Beverly Farms, Massachusetts Gentleman. Exhibitions: Grand Central Art Galleries, Inc., New York, William M. Chase/Robert Henri: Between Two American Masters, October 25-November 30, 1985 (label verso).

87 FRANK DUVENECK (American, 1848-1919) Portrait of Joseph DeCamp 1887, oil on canvas inscribed and dated To my friend Joe, Munich, [indistinct], 87 upper right 40 x 24 in., frame: 45 1/4 x 29 1/4 in.

$5,000–10,000 Provenance: By descent within a New England family

88 LEE LUFKIN KAULA (American, 1865-1957) Trinkets oil on canvas signed Lee Lufkin Kaula lower right 40 x 32 in., frame: 46 x 38 in. $1,500–2,500 Provenance: The Collection of a Massachusetts Estate. Other Notes: Carnegie Institute (Pittsburgh) label verso.

89 LOUIS HENRY CHARLES MOELLER (American, 1855-1930) The Gossips oil on canvas signed Louis Moeller lower right 18 1/4 x 24 1/4 in. frame: 23 3/4 x 29 3/4 in. $3,000–5,000 Provenance: The Collection of a New York Gentleman.

90 AMERICAN SCHOOL (19th century) Interior Scene oil on canvas monogramed CF lower right 14 1/2 x 21 5/8 in. frame: 21 5/8 x 28 3/4 in. $1,000–1,500 Provenance: The Collection of a New York Gentleman.

91 CHARLES COURTNEY CURRAN (American, 1861-1942) Portrait of a Girl 1919, oil on canvas signed and dated Charles Curran 1919 lower left 22 1/4 x 18 1/4 in., frame: 29 3/4 x 26 1/8 in. $2,000–4,000 Provenance: Hoover Gallery, San Francisco, California (label verso); W.S. Budworth & Son, New York, New York; Private Collection, Texas; Shannon's Fine Art Auctioneers, Milford, Connecticut, May 4, 2017, Lot 105; The Collection of a New York Gentleman.

92 WALTER GAY (American, 1856-1937) Floral Still Life oil on canvas signed Walter Gay lower right inscribed W. Gay on stretcher verso 18 1/4 x 14 1/4 in. frame: 23 x 19 in. $4,000–6,000 Provenance: The Collection of a Massachusetts Gentleman.

93 AMERICAN SCHOOL (19th century) Winter Lodging oil on canvas 21 x 30 in. frame: 26 x 36 in. $1,000–1,500 Provenance: Nestle/Stouffer Art Collection (displayed in the Mayflower Hotel, Washington, D.C.); Nestle Art & Artifact In-House Auction, 2010; Acquired by a Charleston, South Carolina Gentleman, a former Nestle employee.

94 HENRY PEMBER SMITH (American, 1854-1907) View of Venice oil on canvas signed Henry P. Smith lower left 35 x 25 in., frame: 46 x 36 in. $1,000–1,500 Provenance: Alexander Kahan Fine Arts, New York; Dallas Auction Gallery, 14 September 2016, Lot 275; Private Collection; New Orleans Auction Galleries, 20 May 2023, Lot 335; The Collection of a Boston Lady.

95 WILLIAM RICKARBY MILLER (American, 1818-1893) A Long Island Homestead 1877, oil on canvas signed and dated W.R. Miller 1877 lower left 14 1/8 x 20 in. frame: 21 7/8 x 27 3/4 in. $1,500–2,000

96 ANNE PACKARD (American, b. 1933) Summer Showers 2011, oil on canvas signed A. Packard lower left inscribed verso Anne Packard Provincetown, MA 2011 18 x 24 in., frame: 22 5/8 x 28 5/8 in.

97 ANNE PACKARD (American, b. 1933) Onward Forward oil on canvas signed A. Packard lower left 30 x 40 in., frame: 35 1/2 x 45 1/2 in. $10,000–12,000 Provenance: The Collection of a London Gentleman.

$8,000–12,000 Provenance: The Collection of a Boston Gentleman; Grogan & Company, 5 May 2019, Lot 128; The Collection of a Connecticut Lady.

98 ANNE PACKARD (American, b. 1933) House on the Dunes oil on board signed and dated A. Packard '87 lower left 10 x 5 in., frame: 12 3/4 x 7 3/4 in. $2,000–3,000 Provenance: The Collection of a Boston Lady.

99 ANNE PACKARD (American, b. 1933) Long Point oil on board signed A. Packard lower left 5 x 10 in., frame: 7 1/2 x 10 1/2 in. $4,000–6,000 Provenance: The Collection of a Florida Lady; Grogan & Company, 14 June 2020, Lot 103; The Collection of a Connecticut Lady. Other Notes: Anne Packard Gallery (Provincetown) gallery label verso.

100. ANNE PACKARD (American, b. 1933). Dunes, oil on board, signed A. Packard lower left, 8 x 10 in., frame: 10 3/4 x 12 1/2 in., $2,000–3,000, Provenance: The Collection of a London Gentleman.

101 ANNE PACKARD (American, b. 1933) Dune Path 2018, oil on canvas signed A. Packard lower left 11 x 14 in., frame: 18 x 14 3/4 in. $2,000–3,000 Provenance: The Collection of a London Gentleman.

102. ANNE PACKARD (American, b. 1933). Beach Cottages, oil on board, signed A. Packard lower left, 8 x 10 in., frame: 10 3/4 x 12 3/4 in., $2,000–3,000; Provenance: The Collection of a London Gentleman.

103 ANNE PACKARD (American, b. 1933) Coastline oil on board signed A. Packard lower left 6 x 8 in., frame: 8 3/4 x 10 3/4 in. $1,500–2,500 Provenance: Collection of a Wellesley, Massachusetts Gentleman. Other Notes: Packard Gallery (Provincetown) label verso.

104 CYNTHIA PACKARD (American, b. 1957) Seated Girl oil on linen signed Cynthia Packard lower right 40 x 36 in., frame: 41 3/4 x 38 in.

$2,000–3,000 Provenance: Chase Gallery, Boston, 1996; Acquired from the above by a Boston Lady.

105 CYNTHIA PACKARD (American, b. 1957) Across the Room oil on canvas signed Cynthia Packard lower right 28 x 24 in. $1,000–2,000 Provenance: Chase Gallery, Boston, 1996; Acquired from the above by a Boston Lady.

106 KAY JACKSON (American, b. 1952) Lion, from the Endangered Species Series 1997, gold leaf and tempera on gessoed wood panel 11 x 8 3/4 in. frame: 17 1/2 x 15 1/2 in. $1,500–2,500 Provenance: The Collection of a New England Lady.

107 PORFIRIO DIDONNA (American, 1942-1986) The Beginning 1979, oil on linen signed, titled, and dated verso 40 x 28 in.

$2,000–3,000 Provenance: Nielsen Gallery, Boston (label verso); Acquired from the above by a Cambridge, Massachusetts Lady.

108 PORFIRIO DIDONNA (American, 1942-1986) Untitled (PDN 20) 1985, oil on linen 24 x 22 in. $1,000–2,000 Provenance: Nielsen Gallery, Boston (label verso); Acquired from the above by a Cambridge, Massachusetts Lady.

109 PORFIRIO DIDONNA (American, 1942-1986) Untitled 1982-83, watercolor on paper 30 1/2 x 23 in. frame: 33 3/4 x 26 1/2 in. $800–1,200 Provenance: Nielsen Gallery, Boston (label verso); Acquired from the above by a Cambridge, Massachusetts Lady.

110 JAKE BERTHOT (American, 1939-2014) As she passed through it (For Kristin) 1995, oil on gessoed wood panel signed, titled, and dated verso 22 3/4 x 16 1/2 in. $2,000–4,000 Provenance: Nielsen Gallery, Boston (label verso); Acquired from the above by a Cambridge, Massachusetts Lady.

111 JAKE BERTHOT (American, 1939-2014) Woods (Cherry Hill) 1999, oil on board signed, titled, and dated verso 14 3/16 x 16 1/2 in. frame: 15 1/8 x 16 in. $1,500–2,500 Provenance: Nielsen Gallery, Boston (label verso); Acquired from the above by a Cambridge, Massachusetts Lady.

112 IRENE VALINCIUS (German/American, b. 1948) Double Torch II 1998, oil and wax on panel signed, titled, and dated verso 48 x 36 in. $800–1,200 Provenance: Skinner Auctioneers, Boston, Massachusetts, May 16, 2008, Lot 480; Collection of a Newton, Massachusetts Gentleman.

113 IRENE VALINCIUS (German/American, b. 1948) Torch XII 2002, oil and wax on panel signed, titled, and dated verso 48 x 24 in. $800–1,200 Provenance: The Collection of a Newton, Massachusetts Gentleman. Other Notes: Gallery NAGA (Boston) label verso.

114 KRISHNAJI SHAMRAO KULKARNI (Indian, 1916-1994) Two Figures gouache on paper signed KS Kulkarni lower right 14 1/2 x 21 1/4 in. frame: 24 1/4 x 30 1/2 in. $3,000–5,000 Provenance: The Collection of a Massachusetts Gentleman.

115 JYOTI BHATT (Indian, b. 1934) No Where to Go 1970, lithograph in color signed, numbered, dated, and titled No Where to Go–Artist's Proof 1970 Jyoti Bhatt along lower margin sheet: 19 1/2 x 10 in., frame: 28 x 18 in. $500–700 Provenance: The Collection of a Massachusetts Gentleman. Other Notes: Gallery of Graphic Arts, Ltd. (New York) label verso.

116 SOREL ETROG (Canadian, 1933-2014) Piéton Study bronze inscribed and numbered Etrog 2/10 on base height: 8 3/8 in., length of base: 3 5/8 in., width of base: 2 in. $3,000–5,000 Provenance: Private Massachusetts Collection.

117 YARDE, RICHARD and ALEXANDER ELIOT Richard Yarde's The Savoy Ballroom. Boston: Hampshire Typothetae for Savoy Associates, 1986. Folio edition, housed in original grey cloth box with black morocco spine; the letterpress and plates loose and housed in black paper chemise with debossed lettering. The complete suite, with two sets of 14 prints hand signed by the artist. exterior dimensions of box: 15 1/2 x 12 x 2 in.; sheet of each print: 14 1/2 x 20 1/2 in. $800–1,200 Provenance: The artist, to a supporter of the artist; by descent within her family. Other Notes: This example is a partner copy from the intended edition of 400; however, it is not known whether the full edition was ever printed.

Lot 120

PRINTS & MU LTIPLES

118 BERENICE ABBOTT, after EUGENE ATGET (American, 1898-1991) Marchand de Vin, 15 Rue Boyer, Paris gelatin silver print 9 1/4 x 6 3/4 in., frame: 21 1/8 x 17 1/8 in. $1,000–1,500

119 THOMAS HART BENTON (American, 1889-1975) Down the River lithograph signed Benton in pencil lower right sheet: 16 x 12 in. $1,000–1,500 Provenance: The Collection of a Cambridge, Massachusetts Lady.

120 GEORGE BELLOWS (American, 1882-1925) Businessmen's Bath 1923, lithograph signed George Bellows lower right; signed by the printer Bolton Brown, imp. lower left; titled center sheet: 14 x 19 in. frame: 19 x 24 in. $2,000–4,000 Provenance: Sotheby's New York, November 13, 1980, Lot 55; The Collection of a Massachusetts Lady.

121 RICHARD DIEBENKORN (American, 1922-1993) Seated Nude 1965, lithograph signed and dated RD 65 lower right; numbered 85/100 lower left sheet: 25 3/8 x 20 1/16 in. $1,500–2,500 Provenance: The printer, Joseph Zirker; The Collection of a Connecticut Gentleman.

122 HENRY MOORE (English, 1898-1986) Reclining Figures ca. 1973, lithograph numbered VII/XV lower left and signed Moore lower right sight: 18 3/4 x 14 3/4 in. frame: 28 1/4 x 23 1/2 in. $1,000–1,500 Provenance: A Massachusetts Collection.

123 PABLO PICASSO (Spanish, 1881-1973) Two Plates from Fruits de Provence glazed ceramic each stamped Madoura Plein Feu verso each: 8 3/8 x 8 1/2 in. $3,000–5,000 Provenance: By descent to a New England Lady.

124 LE CORBUSIER (Swiss/French, 1887-1965) Modulor 1956, lithograph 29 x 21 1/2 in. frame: 33 x 25 1/2 in. $1,000–1,500 Provenance: The Collection of a Boston Family.

125 GEORGE GROSZ (German, 1893-1959) Der Besessene Forstadjunkt lithograph signed Grosz in pencil lower right 18 1/2 x 24 1/2 in. frame: 25 7/8 x 31 1/2 in. $1,200–1,800 Provenance: Private Massachusetts Collection.

126 REMBRANDT VAN RIJN (Dutch, 1606-1669) Christ and the Woman of Samaria: an Arched Print etching sheet: 5 1/4 x 6 3/8 in. frame: 13 1/4 x 15 1/4 in. $2,000–3,000 Provenance: Property of a Maine Collector.

127 ALBRECHT DÜRER (German, 1471-1528) The Virgin and Child on a Crescent with a Sceptre and a Starry Crown (B.32; M.Holl.37) engraving sight: 4 3/4 x 3 in. $3,000–5,000 Provenance: By descent to a Boston Gentleman.

Lot 133

EU RO PEA N A RT

128 Manner of JEAN-HONORÉ FRAGONARD (French, 1732-1806) Figural Group charcoal on paper sight: 4 3/4 x 3 5/8 in. frame: 9 1/2 x 8 1/2 in.

$500–1,000 Provenance: By descent within a Boston family. Other Notes: Geoffrey Dodge & Cie, Paris label verso.

129 TWO OLD MASTER DRAWINGS Kneeling Woman ink on paper inscribed Palma lower right 5 1/4 x 4 1/2 in. frame: 13 1/2 x 10 3/4 in. This work, in the manner of Jacopo Negretti, Palma il Giovane, relates closely to an Annunciation study by il Giovane in the National Galleries of Scotland (D2971). Italian Landscape ink on paper inscribed lower left 7 1/2 x 6 3/4 in. frame: 15 3/4 x 15 3/4 in. $1,000–1,500 Provenance: Property of a Maine Collector.

130 Attributed to PIERRE II VEYRIER (French, Limoges, active 1528–1558) The Crucifixion and The Lamentation polychrome and partial-gilt painted enamel on copper each: 7 x 6 in., frame: 9 3/4 x 8 3/4 in.

131 FRENCH SCHOOL (Limoges, 16th century) The Crucifixion, from the Passion Cycle polychrome and partial-gilt painted enamel on copper 6 1/2 x 4 1/2 in., frame: 8 3/4 x 6 3/4 in.

$30,000–50,000

$10,000–15,000

Provenance: Mr. and Mrs. Rudolf Brenninkmeyer, Bussum, Netherlands; by descent within the family.

132 ESAIAS VAN DEN VELDE (Dutch, 1587-1630) Village in Woods oil on panel signed E.V. Velde lower center panel: 7 3/4 x 9 3/8 in. frame: 13 1/2 x 15 3/4 in. $20,000–30,000

Provenance: Mr. and Mrs. Rudolf Brenninkmeyer, Bussum, Netherlands; by descent within the family. Literature: Keyes, George S. Esaias van de Velde (1587-1630). Doornspijk: 1984, p. 158, cat. no. 146, plate 406.

133 Manner of GIOVANNI ANTONIO CANALETTO (Italian, 1697-1768) The Grand Canal and Santa Maria della Salute oil on canvas 29 x 41 1/8 in., frame: 35 3/4 x 47 1/8 in. $10,000–15,000 Provenance: By descent within a New England Family.

134 JAN FERDINAND MONCHABLON (French, 1855-1904) Summer Landscape 1887, oil on canvas signed and dated Jan Monchablon 1887 lower right 21 1/2 x 29 in., frame: 29 x 36 1/2 in. $12,000–18,000 Provenance: J. Newman, New York; Private Collection, South Orange, New Jersey; by descent; Sotheby's New York, 1 February 2013, Lot 761; The Collection of a Beverly Farms, Massachusetts Gentleman.

100

135 FRENCH SCHOOL (19th century) Spring Landscape oil on board bearing signature Corot lower right 14 3/4 x 18 in. frame: 23 x 26 1/2 in. $1,000–1,500 Provenance: By descent to a Cambridge, Massachusetts Estate. Other Notes: Housed in a Prendergast frame.

136 LOUIS FRANCOIS NUMANCE BOUEL (French, 19th century) Paysage de Campagne oil on canvas 30 7/8 x 54 in. frame: 31 1/2 x 55 1/4 in. $1,500–2,500 Provenance: Northeast Auctions, Portsmouth, New Hampshire, 7 November 1998; The Collection of a New England Gentleman.

101

137 HENRY LEROLLE (French, 1848-1929) Village Scene at Night oil on canvas signed H. Lerolle lower left 18 x 14 3/4 in. frame: 29 1/4 x 26 1/4 in. $2,000–4,000 Provenance: Thomas Dunbar Fine Prints, Milwaukee, 1920; John Gobie, Columbus, Ohio; by descent within his family; Aspire Auctions, Cleveland, Ohio, June 2005; The Collection of a Charleston, SC Gentleman.

138 JOHANNES BOSBOOM (Dutch, 1817-1891) Church Interior oil on canvas signed J. Bosboom lower left 15 1/2 x 11 1/2 in. frame: 23 x 19 in. $1,500–2,500 Provenance: The Collection of a Charleston, SC Gentleman.

102

139 PAUL GUSTAV FISCHER (Danish, 1860-1934) Spadserende ved Krinsen på Kinvens Nytorv (Strolling by the Krinsen on Kongens Nytorv) oil on board signed Paul Fischer lower left 12 1/2 x 15 3/8 in., frame: 17 3/4 x 20 1/2 in. $8,000–12,000 Provenance: Bruun Rasmussen Kunstauktioner, Copenhagen, Denmark, 18 January 1989, Lot 102; The Collection of a Florida Gentleman.

103

140 ANTOINE BLANCHARD (French, 1910-1988) A View of La Madeleine, Paris as seen from Rue Royal oil on canvas signed Antoine Blanchard lower left 20 x 24 in. frame: 27 x 30 3/4 in. $3,000–5,000 Provenance: Atlas Galleries, Chicago, Illinois.

141 GUY DESSAPT (French, b. 1938) Saint Germain des Pres 1988, oil on canvas signed and dated Dessapt 1988 lower right 36 x 48 in. frame: 45 3/4 x 57 3/4 in. $2,000–3,000 Other Notes: Gallery Revel (New York) label verso.

104

142 CLAUDE VENARD (French, 1913-1999) L'Amateur oil on canvas signed C. Venard lower right 15 x 18 in. frame: 25 3/4 x 28 3/4 in. $3,000–5,000 Provenance: Within a prominent Dutch estate; by descent to a Massachusetts family.

143 JACQUES VILLON (French, 1875-1963) Two Figures oil on canvas signed and dated Jacques Villon 28 lower right 21 1/4 x 25 1/2 in. frame: 24 3/4 x 29 1/8 in. $5,000–10,000 Provenance: Katherine S. Dreier (1877-1952), an artist, friend, and frequent collaborator of Villon; by descent to a Cambridge, Massachusetts Estate.

105

144 LE PHO (French, 1907-2001) The Reader oil on canvas signed Le Pho lower right 45 x 28 in., frame: 52 x 35 in. 106

$60,000–80,000 Provenance: Findlay Galleries, Chicago (label verso); The Collection of a Chicago Lady; by descent to a Massachusetts Lady.

145 ÉDOUARD VUILLARD (French, 1868-1940) Annette with a Blue Pillbox Hat watercolor and pencil initialed E.V. lower right 6 7/8 x 4 in., frame: 15 3/4 x 12 3/4 in. $4,000–6,000

107

146 JEAN DUFY (French, 1888–1964) Marrakech gouache and watercolor on paper on canvas signed Jean Dufy lower right 19 x 25 1/2 in., frame: 29 x 35 1/2 in. $40,000–60,000

108

Provenance: The artist; Private US Collection; Parke Bernet Galleries, New York, October 7, 1970, Lot 76; by descent within an Illinois family. Literature: This work will be included in the forthcoming volume of the catalogue raisonné being prepared by Jacques Bailly and is accompanied by a certificate from Bailly.

109

147 ANDRE DERAIN (French, 1880-1954) Buste nue dos oil on canvas signed Derain lower right 16 x 13 in. frame: 21 1/4 x 18 in. $8,000–12,000

110

Provenance: Collection of a Beverly Farms, Massachusetts Gentleman. Literature: Kellerman, Michel. André Derain: Catalogue Raisonné de L'Oeuvre Peint Tome II: 1915-1934. Paris, France: Galerie Schmit, 1992-1999; cat no. 982. Other Notes: Accompanied by a letter of authenticity from the Comité Derain dated January 20, 2015.

148 ANDRE DERAIN (French, 1880-1954) Floral Still Life oil on board signed Derain lower right 9 7/8 x 10 1/4 in. frame: 13 7/8 x 14 3/8 in.

Provenance: The Collection of the Duke and Duchess of Windsor, Paris; Sotheby's New York, The Duke and Duchess of Windsor, September 13, 1997, Lot 857; The Collection of a New York Gentleman. Literature: Kellerman, Michel. André Derain: Catalogue Raisonné de L'Oeuvre Peint Tome III: 1935-1954. Paris, France: Galerie Schmit, 1992-1999; cat no. 1528, illus. p. 50.

$10,000–15,000

111

149 FERNAND RENARD (French, 1912-1990) Still Life with Flowers in a Glass Vase oil on canvas signed Renard lower right 18 1/2 x 13 in. frame: 21 1/2 x 16 1/3 in. $1,500–2,500

150 FERNAND RENARD (French, 1912-1990) Still Life with Fruit and Flowers oil on canvas signed Renard lower right 10 3/4 x 16 in. frame: 16 3/4 x 22 in. $1,000–1,500

112

151 SIR GERALD KELLY (British, 1879-1972) Crowd Under Mango Tree, Mandalay 1909, oil on board titled and inscribed verso 8 x 10 1/4 in. frame: 12 3/4 x 14 7/8 in. $2,000–4,000 Provenance: The Collection of a Vermont Family.

152 SIR GERALD KELLY (British, 1879-1972) Market in Taungdwingyi III oil on board titled and inscribed verso 8 x 10 1/4 in. frame: 12 3/4 x 14 7/8 in. $2,000–4,000 Provenance: The Collection of a Vermont Family.

153 WILLIAM SMITHSON BROADHEAD (British, 1888-1960) In the Paddock oil on canvas signed W. Smithson Broadhead lower right 19 1/2 x 27 1/2 in., frame: 27 x 35 in. $4,000–6,000

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TE RMS AND CO ND ITIO NS OF S AL E PLEASE READ CAREFULLY AS YOU WILL BE BOUND BY THESE TERMS IF YOU BID AT AUCTION The auction catalogue, if any, and the terms hereinafter set forth, as amended by any posted notices or oral announcements during the sale, is Grogan & Company’s (herein referred to as “we”, “us”, or “our”) and the consignor’s entire agreement with the purchaser relative to the property listed in our catalogue or otherwise offered for sale. 1. All property is sold “as is” and neither we nor the consignor make any guarantees, warranties or representations, expressed or implied, with respect to the property, merchantability, or correctness of the catalogue or other description of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. No statement anywhere, whether oral or written, shall be deemed such a guarantee, warranty or representation. Prospective bidders should inspect the property before bidding to determine its condition, size, and whether or not it has been repaired or restored. We and the consignor make no representation or warranty as to whether the purchaser acquires any copyrights, including but not limited to any reproduction rights, in the property. However, if within 14 days of the sale of any lot, the purchaser gives notice in writing to us that the lot is counterfeit and within 10 days after such notice, the purchaser returns the lot to us in the same condition as when sold, and demonstrates to our satisfaction that the lot is a counterfeit, we will refund the purchase price. 2. A buyer’s premium of 25% will be added to the successful purchase price and is payable by the purchaser as part of the total purchase price. Purchases made online through Invaluable or LiveAuctioneers will be subject to an additional 5% charge and Bidsquare a 3% charge. 3. Acceptable forms of payment include cash, check, or wire transfer. Property will not be released until a personal check clears, unless credit has been previously established with us. All property must be paid for within 5 business days following the sale and removed from the gallery within 20 days. Property not removed from the gallery within 20 days will be sent to our warehouse where storage fees may be assessed. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or, in case of bank or cashier’s checks, we have confirmed authenticity. 4. We reserve the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the purchaser. In the event of a dispute between bidders, or in the event of doubt on our part as to the validity of any bid, the auctioneer will have the final discretion either to determine the successful bidder or to re–offer and re–sell the article in dispute. If any dispute arises after the sale, our sale record is conclusive. Although at our discretion we will execute order bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. 5. We reserve the right to withdraw any property before the sale. 6. If the auctioneer decides that any bid is below the value of the article offered, he may reject the same and withdraw the article from sale, and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient; he may reject the advance and may thereafter withdraw the property. Unless an auction is

announced as “without reserve,” each lot offered may be subject to a reserve and we may execute said reserves by bidding on behalf of the consignor. 7. On the fall of the auctioneer’s hammer, title to the offered lot will pass to the highest bidder acknowledged by the auctioneer, subject to fulfillment by such bidder of all of the conditions set forth herein, and such bidder thereupon assumes full risk and responsibility therefore. 8. If any applicable conditions herein are not complied with the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, we at our option may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property at public auction without reserve, and the purchaser will be liable for any deficiency, as well as costs, including handling charges, the expense of both sales, our commission on both sales at our regular rates, all other charges due hereunder and incidental damages. 9. Unless exempt by law, the purchaser will be required to pay the Massachusetts sales tax or any applicable compensating use tax of another state on the total purchase price. The rate of sales tax in Massachusetts is 6.25%. For those eligible, a Massachusetts exemption number may be applied for prior to the auction by contacting the Massachusetts Department of Corporations and Taxation, 100 Cambridge Street, Boston, Massachusetts. 10. These Conditions of Sale as well as the purchaser’s and our respective rights and obligation hereunder shall be governed by and construed and enforced in accordance with the laws of the Commonwealth of Massachusetts. By bidding at an auction whether present in person or by agent, order bid, telephone, or other means, the purchaser shall be deemed to have consented to the jurisdiction of the state courts, and the federal courts sitting in the Commonwealth of Massachusetts. 11. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser. In no event will we be liable for damage to glass or frames, regardless of the cause. 12. In no event will our liability to a purchaser exceed the purchase price actually paid. 13. No invalidity or partial invalidity or unenforceability of any provision provided herein shall effect or impair the validity of enforceability of any other provision hereof. 14. Bidding at an auction, whether present, by proxy (agent, order, telephone, online bid), or by any other means, constitutes your acceptance of these terms and conditions of sale.

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Lot 130 Lot 26

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