The Breakout Issue 2021 by Groove Magazine Intl

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Contents THE BREAKOUT ISSUE 07

Panel Question

Cover Story: Stealing the Scene with Freeman

HKD

Speaking Change with John Bernard

Star Power: Letters to Lynsey

Takunda Chiweza Linking The Young Money

Business Feature Takunda Chiweza is an entrepreneur who is using his platform and networks to link

young people in business. Read more. Page 28

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Editor's Note In the Groove What We Are Watching Groove Deck Music Reviews

ON THE COVER Freeman HKD takes fans through the story behind his latest album 'Robbery' in an exclusive interview with Peggie Shangwa. Cover photo by Lennox The Photographer. Styling by Tapfumanei Munenge.

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Groove Magazine International is a music and urban culture magazine focused on young innovators and influencers across the globe and their impact on urban culture.

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THE BREAKOUT ISSUE

Editor's Letter If we’re growing, we’re always going to be out of our comfort zone.”- John C. Maxwell We all love the magic of success, but often fall short when it comes to the work put in to create it. This can be a result of the fear of the unknown. We are comfortable with what we know. But when we don't try something new, how do we grow? A task was set for our team to execute our goals. With so many hurdles, the easiest route was to revert to our comfort zone. Yet with this issue, we met Freeman HKD Boss, who within himself stepped out and showed up for his album "Robbery." The entertainer takes fans on a journey that has shown steady growth and takes him to the next level. It's the breakout moment! We linked up with UK-based rapper and poet, John Bernard, whom we met at the 2021 edition of DigiPoems. His passion to share his voice in different spaces is plausible. In business, Takunda Chiweza gives insight on what "young money" is and the future of entrepreneurship in Zimbabwe. Dance is an intrinsic part of music, particularly when visualised. Lynsey Chenai Mambwere (nee Nyamakwenje) known as Lynsey Lynn shared her gift of the arts through dance. The National Arts Merit Awards (NAMA) nominated dancer and choreographer had an intriguing resume having worked with some of the biggest names in Zimbabwean entertainment. In 'Letters to Lynsey', friends and loved ones pay tribute to the young star whom we lost. It’s never easy to say goodbye, so we will call this a úntil we meet again' as we find hope through the life lived, and memories left. Breakout noun break·out | \ ˈbrāk-ˌau̇ t \ meaning: a success or accomplishment especially in comparison to previous efforts It is time to break out and move to the next level, never forgetting where we came from. Looking ahead, let's rise to the challenge to stepping out of our comfort zones. We are here to reach our full potential and make an impact.

We are Metropolitan, African, Global... Groove Magazine International!

Elspeth Chimedza EDITOR IN CHIEF

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Groove Magazine International Vol. 2 Issue 4 November 2021 Editor in Chief Elspeth Chimedza

SPECIAL CONTRIBUTORS Elgiva Chimedza DESKTOP PUBLISHER KeRu Media COVER SHOOT: Creative Director Peggie Shangwa Studio shoot: Munashe Chirimanzi OC Media Outdoor shoot: Lennox The Photographer Wardrobe : Tapfumanei Munenge Couture Styling: Tapfumanei Munenge Shoes: JanJam Make-Up Artist : Tessa Masawi - Charisma Beauty Studio Venue Studio : OC media Outdoors: Afrotopia Photography Credits:Getty Images Research Peggie Shangwa Elspeth Chimedza Cover By Brendon Mafukidze- BM Media Graphics Brendon Mafukidze- BM Media KeRu Media Advertising groovezim@gmail.com 20 Mitchell Road Greendale Harare Zimbabwe Mobile: +263 733 817 786 +263 772 355 188 www.groovemagazineintl.com info@groovemagazineintl.com

Published quarterly by Groove Magazine International

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Senior Editor Peggie Shangwa

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GLOBAL

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METROPOLITAN

WE ASKED...

PANEL QUESTION IN THIS ISSUE

With the skills and experiences that you have acquired, how are you shifting the narrative to your success?

ELSPETH CHIMEDZA Execution and consistency are the narratives that I am applying to build my success, and for those around me. I'm a continuous student in the fields of content creation, media, intellectual property and business so I will always seek knowledge. to achieve excellence.

PEGGIE SHANGWA My tagline has always been “Shifting art and media trajectory.” as a brand and in all the projects I undertake with the many hats that I wear the story is the same. I will continue to create platforms to tell my story and other people’s stories. So that when time folds on me, I would have emptied all I came into this world carrying.

GUESTS FREEMAN HKD I would like to work more with various individuals in the industry and help foster relations that bring growth to me and to the people that are around me. I believe that growth comes with responsibility both as an artist, father and husband. So I hope that I will help create these opportunities and grow the culture more.

JOHN BENARD I am going to continue pushing, persevering, and creating sustainable art that would be impactful to the generations to come.

TAKUNDA CHIWEZA Success is a continuous process, and I’m not sure if I am successful just yet. All I try to do is share the story of the journey I am currently undertaking .

#TRENDING

In The Groove The last quarter of the year is probably the most exciting part. Festive season has started, new music elongates the playlists, and piping hot tea keeps spilling, so take a sip. Check out the hot topics.

ADELE BACK AT 30 Adele is back … with new love, a deeper perspective of self and the album '30'! When Adele takes a hiatus, the comeback is always musically great! The Grammy award winning singer follows up her 2016 album '25' with '30'. Following her divorce and the lead single 'Easy On Me', fans can expect the consistency in her trademark style. Fans could expect a few surprises since she's in a happy place, but we believe that we will all need a box of tissues whilst singing along to the songs off '30'.

#TRENDING

IT'S TIME FOR AFRIMA/AFRIMMA

TIKTOK'S GREAT YEAR FOR AFRICAN MUSIC

Africa's biggest awards are here as the year comes to an end. The All Africa Music Awards (AFRIMA) defies the pandemic challenges to hold its seventh edition in Nigeria. The awards received a huge response with 8,880 songs submitted. Zimbabwe sees six artists nominated in both regional and genre based categories. The African Muzik Magazine Awards (AFRIMMA) will also hold its 8th edition with Nigeria and Ghana leading the nominations list. The new school of African Artists will definitely be holding down this year's continental and diaspora awards.

If you are reading this now you have probably participated in the #lovenwantitichallenge, or danced to Tiwa Savage's 'Somebody's Son' on TikTok. Yes, the continuous spread of African Music to the world led by Nigeria is in full force thanks to TikTok. 2021 has seen Africans takeover the Billboard charts for example Wizkid and Tems 'Essence'. Somali entertainer, Nimco Happy got signed to Universal Music Group following her single "Isii Nafta,’ having a viral momenton social media. It’s one platform at a time for African music, and the world is truly our stage.

PORTUGAL SETTING WORK-LIFE BOUNDARIES

CRYPTOCURRENCY REVOLUTIONIZING BUSINESS

Work-life balance is now a fundamental aspect of our lives as mental health is a prime focus. Portugal passed a new law making it illegal for employers to contact their employees. According to a report by Vice News, employers could face penalties for contacting employees outside work hours, according to the new laws. The legislation is intended to support remote workers working from home. More rules coming down the pipeline to help work from home employees, such as a ban on employer-employee contact.

It seems like almost every major technology company has embraced Cryptocurrency in some shape or form. Following Mark Zuckerberg’s announcement to rebrand Facebook to Meta, Apple is reportedly planning on incorporating Cryptocurrency. Tesla CEO, Elon Musk, earlier this year announced that his company Tesla invested $1.5 billion in Bitcoin. With the evolving changes to digital currency, many companies, particularly tech companies are working towards acquiring blockchain and cryptocurrency transformations.

Cover Story

Photography: Munashe Chirisa Dressed by: Tapfumanei Munenge Stylist: Tapfumanei Munenge Make-up: Tessa Masawi

Stealing the Scene

Freeman

HKD

COVER STORY

By Peggie Shangwa

Entertainers are expected to strike a balance between a chameleon evolution whilst staying true to their roots. With each record, a musician must exhibit growth sonically, aesthetically, and net worth. In comes Freeman HKD with his tenth studio album titled, ‘Robbery.’ Interesting album title, yet we need to look at how far this hitmaker has come. The HKD boss’ career has experienced a steady growth from obscure artist in 2009, to one of the most recognised voices on the airwaves. Born, Sylvester Chizanga in the small town of Bindura, Freeman HKD now rubs shoulders with industry heavyweights whom he calls his peers. Some of Freeman's biggest collaborative hits have included 'Ngaibake' with the iconic Sungura king, Aleck Macheso, 'Jerusalema' and 'Nzenza 'with Ex Q. Now elevating his brand with his eye on the continent and global stage, he is ready to steal the scene. Following his 2010 hit, ‘Joina City’, Freeman HKD has enjoyed a career that has earned several Zimdancehall Awards, NAMA and Star FM awards. The big question now is, “What’s next?” In an exclusive interview, we sat with Freeman HKD to experience the man, the brand, and story behind ‘Robbery’. 11

COVER STORY

GMI: Welcome to GMI Freeman, the HKD boss. Most people love your music because it rocks the party scene with hits like 'Ngaibake', 'Pombi' and of course the latest, 'Unobvuma Here?' Would you take us back to the path that brought you here and who is Freeman? Freeman: Freeman HKD is a young man who is one of Zimbabwe's biggest artists from Bindura. Yes people do like my party anthems!!! GMI: Talk to us about your genre of music and when the spark started, was music always a part of your life and did you know this would be the path you would take? Freeman : I'm a dancehall artist, I sing and write any type of music but the genres that are evident in my music are,

dancehall, Afrobeats, Afro dancehall and reggae. I didn’t always know that I would be a successful musician growing up. I played soccer. I was actually drafted for a division team and I played for a bit. I was quite good. But you know the hardships in many industries in this environment we are in, there isn’t much funding and remuneration, so I quit. When I moved to Harare for my advanced level in school, I was staying with my uncle in DZ (Dzivarasekwa). That’s where I met Nhubu weManafu the producer of 'Joina City.' From that the journey to Freeman began. GMI: From awards to tours - home and away, would you say the response to your music has been constant over the years in the entertainment industry as well as the communities you have gone into. Has the journey been easy? Freeman : No this journey hasn’t been

easy. I don’t think there’s a journey that is easy. Any journey one partakes in comes with its challenges and issues. It’s no secret that we have many issues in our own industry here, but despite that you prevail. There’s so much piracy in this industry that the minute you release anything within hours your music is already being pirated online or in the streets, but this has its slight advantages, your music gets to more people. Getting responses becomes automatic, you get praises and criticism from every angle. Over the 10 years that I’ve been in the industry I’ve been getting positive remarks from my fans and that’s what keeps me going. At times they even request for more music when I'm not even thinking of releasing anything. It’s such an overwhelming experience when you go to places in the corner of the country and you don’t expect people to know your music to like that because you think it takes time for music to reach those places. But you see an old lady the age of my grandmother singing my songs. GMI: ‘Robbery’ is out, the title of the album paints such a vivid picture and most people will have different interpretations of the meaning at the first go. What's the concept behind it, who is on it and what can your fans expect this time around? Freeman: With a Freeman album, one is always guaranteed to be served with groovy afro-dancehall vibes and on this one, I made sure that this body of work was well oiled and packed up. As one nurtured by urban Zimbabwe, we can pick up these elements in the lingo used in most of my songs which have deliberate intention to entice

Photography: Munashe Chirimanzi Dressed by: Tapfumanei Munenge Stylist: Tapfumanei Munenge Make-up: Tessa Masawi

Photography: Lennox The Photographer Dressed by: Tapfumanei Munenge Stylist: Tapfumanei Munenge Make-up: Tessa Masawi

Be who you are and stay focused in your lane.

COVER STORY

and engage the urban and youthful audience. “Robbery'' as a title, is inspired by the losses that many people have endured over the last 2 years due to COVID-19. Not only through life but also, socialising, working, and all things that make us human. However, it also shares how much one has been robbed of their love whilst giving it to someone who in turn doesn’t reflect the same. In short, it’s a metaphor which captures the moment which we live in now. The collective of producers on the project; Sunshine Family (Tynash and Shelton), Rodney Beats, Cymplex & Shamex whom have always brought runway smash hits with. Fans are reminded of how a Sunshine Family and Freeman joint feels like on the party record “Tanakidzwa”, a song that is set to fill dance-floors, and a Cymplex and Freeman beat on “Wairesi”. A compelling listen and thematic production is brought forward by new producer Shamex on “Gomba”. The album only featured one collaboration “Chimhanya”, which features the Queen of HKD Family Daruler and Tocky Vibes. GMI: We live in a time where conversations about mental health are on the increase. Have you been affected in any way in the last year and a half or so? Freeman : Mental health is a serious issue, it’s something that we as humans go through at one stage of our lives and it’s a conversation that we are not having enough of. These past 2 years have taken a toll on a lot of us during this pandemic, as a musician I haven’t been able to work to my full capacity due to many restrictions brought upon us by this pandemic. At times as a father, husband and son I have many responsibilities. This year it was hard. Anxiety, and depression can linger but being able to have the right people around you to talk to helps. The company you keep around you is very important, they can make or break you. I urge people to talk, and open up. Sharing your feelings doesn’t make you any less of a man.

GMI: When people engage with your music this time around, what do you intend for them to walk away with? Freeman: This time around you will hear some songs within the album that have live instruments. On this album I decided to play around with my band, The Wildingz (HKD Band) to create a live feel to some tracks. When fans hear this album I want them to appreciate the real music effect we’ve placed and the content of lyrics on this project is a bit more seasoned and matured. Right from the beginning on the album with the first track “Zvichanaka" you already feel it. I want the fans to appreciate the level of work that we put into this. GMI: Talk to us about the love of your life and how you two met? Freeman: Haha, there’s a song I did a few years ago off the “Top Striker '' album titled “April 19". In this song you hear directly from the horse's mouth how I met my wife and what happened! I can tell you that we met on April 19th. GMI: In Zimbabwe, there’s a music industry but not much of a viable music business. What strategies have you adapted to increase the value of not just your music but your brand as an artist, and businessman? Freeman: The people I work with and the people I choose to surround myself with enable me to always challenge myself. Yes, the music business side of music isn’t something that has a clear structure or blueprint that we can follow - it’s all trial and error. As Michelle Mukaro, one of my managers always says “this music thing is serious business it’s not like we are running a tuckshop business under a tree, this is not a tuckshop business”. There are some strategies I have adopted over the years to ensure that I am always pushing forward. For instance, I work with deadlines. I work with procedures. For example, I finished the 'Robbery' album earlier in the year.

In July my team and I had a listening session where we listened to each track and critiqued them all. I thought that I was done with the album only to find out that I had only done half the work. From July till September I applied what we discussed. Rome wasn’t built in one day nor was it built by one man. I choose to surround myself with people who will always challenge, people who don’t always accept the basic standard. Bouncing ideas off each other and discussing goes a long way. It sounds like it’s something simple but I’m sure not many people out there have this formula. Last but not least, social media. I use my platforms to engage with my fans. I’m one of those artists who replies to DM's, like some of my fans' pictures and engage with them in the comment section. This sounds simple but it goes a long way. I'm sure this can definitely contribute to my rising number of followers across my pages. I engage with my fans. It’s very very important. GMI: Tell us about the three most influential people in your life and how they impacted you. Freeman: Vybz Kartel, Tinashe Mutarisi and Stern Chizanga (Minnox). All these three have impacted my life in a huge way one way or another. The king of dancehall needs no introduction but he inspires me a lot in my music. Tinashe is a renowned successful businessman who I can call a close friend. From his experiences in life, what he shares with me, he is always a drive away and someone I can rely on. Stern my older brother or as we call him Minnox, is a father figure in my life. I lost my father at an early age and that left me clueless as a man. Minnox stepped in and he is the glue that holds me, he advices me and he always expects nothing but the best for me. GMI: If you could go back and give your 18-year-old self one piece of advice, what would it be? Freeman: Say no to peer pressure, it can mislead you and you regret later. Be who

COVER STORY

you are and stay focused in your lane. GMI: In parting, apart from the album ‘Robbery’, what can fans expect from Freeman for this festive season and the coming year? Freeman: Expect more vibes! I’ve got some music videos to release, early next year there’s another aspect of 'Robbery' that will be released - a short film. Some of the restrictions in some areas have lowered so expect a fun filled festive season with shows regional!! For the latest updates please follow me on social media so you always know where I’m performing and when.

FREEMAN HKD'S

IF YOU COULD LIVE ANYWHERE IN THE WORLD, WHERE WOULD IT BE?

10 in 10

Dubai

IF YOU COULD HAVE LUNCH WITH ANY HISTORICAL FIGURE, WHO WOULD YOU CHOOSE?

Didier Drogba

WHAT WAS YOUR FAVOURITE SUBJECT IN SCHOOL?

Accounts

NAME THE ONE SONG THAT KEEPS YOU MOTIVATED DAILY?

It used to be my song Vhura Mukova but now it’s Nutty O Handipere Power

5 6

WHAT DOES YOUR MORNING ROUTINE LOOK LIKE?

Gym, gym, gym!

WHICH SOCIAL MEDIA PLATFORM DO YOU SPEND MOST OF YOUR TIME ON AND WHY?

Instagram and Facebook, I enjoy engaging with my fans insta and fb comments sections will always have you laughing. It’s not only work but it’s fun! If you are active on social media and you follow me you’ll definitely know you’ve seen me in these social media streets commenting and liking.

You need to work to live not live to work! Life is not a rehearsal and you need to enjoy every minute you can with the people that mean everything to you.

Man United supporters (Laughs)

Soccer player

WHAT'S YOUR WORK AND LIFE PHILOSOPHY?

WHAT IS THE ONE THING THAT ANNOYS YOU?

IF YOU WERE NOT AN ARTIST, WHAT CAREER PATH WOULD YOU HAVE TAKEN?

PLEASE SHARE SOMETHING THAT MOST PEOPLE DON’T KNOW ABOUT YOU.

I’m a songwriter. I write and have written songs for numerous artists local and international.

WHAT WE ARE WATCHING Reviews On Trending Television/Web Shows It is the season for something new to view. From the web, to television and even better, the big screen, there’s a must-watch for everyone. Check out what we are watching.

New Series Our Kind of People

Who doesn't love to watch black excellence on screen? The Fox adaptation of Lawrence Otis Graham, "Our Kind of People" is by far the best thing to watch this season. With an all-star cast that includes Yaya Dacosta, Morris Chestnut, Lance Gross, Debbie Morgan, and Joe Morton this show will keep you on the edge of your seats. Six episodes in this series takes fans into the lives of black upper crust. Throw in black history, fun facts, drama and a lot of glamorous fashion and you have 'Our Kind of People.' Yaya plays the role of Angela who comes to Martha's Vineyard to unravel secrets of her estranged father, Teddy Franklin and the entire Franklin family.

Mudiwa Wepamoyo Beloved Zimbabwean web series, 'Wadiwa Wepamoyo- returned with the long-awaited second season. Picking up from Man Tawa's departure in season one brings, we find that a lot has changed. Nokhu is in a new relationship, Biko finds his life's calling, Shami is trying to get it together and lots of drama in between. Fans can expect to see new faces during the series including a guest appearance by football star, Olympique Lyon striker, Tino Kadewere.

Squid Games

Unless you have been living under a rock, you have come across the global phenomenon, Netflix, 'Squid Games'. And yes this is a spoiler alert! The Korean series takes children's games to a whole new, and violent level. 456 individuals with financial issues accept a strange invitation to compete in children's games. Set on an isolated island, it is survival of the fittest with a whopping 45.6 billion-won prize at stake… at a deadly cost. Squid Games took viewers through themes of capitalism and even questioned morality.

The Big Screen Happiness Ever After

What does happily ever after look like? Well that is an answer that fans can expect from Netflix's 'Happiness Ever After'. The sequel to "Happiness Is a Four-Letter Word" finds Zaza, Princess and Zim trying to balance love and life through several hurdles. The South African romantic drama follows the lives of three professional Johannesburgbased friends. The ladies tackle co parenting, loss, breakups, business, and family The film stars Renate Stuurman, Khanyi Mbau, who reprise their roles, while Nambitha Ben-Mazwi, joins as Zim, and there is male eye candy in the form of Daniel Etim Effiong and Yonda Thomas. Other faces that you can expect are Richard Lukunku, Xolile Tshabalala, Loyiso McDonald and the legendary, Nandi Nyembe. Looking for an African chick-flick, you've got it.

House of Gucci Behind every great fashion house, there is drama, and sometimes murder. Based on the Sara Gay Forden book, “The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed”, the Ridley Scott directed film takes fans into the world of the Gucci dynasty. Lady Gaga takes on the role of the ambitious Patrizia Reggiani as she romances Maurizio Gucci (Adam Driver) and marries her way into the dynastic Italian luxury label. The family business holds little allure for bookish Maurizio, and the real power is held by his father Rodolfo (Jeremy Irons) and his uncle Aldo (Al Pacino). Realising that she remains an outsider, Patrizia plots to put the Gucci family against each other. Eventually, even Patrizia and Maurizio find themselves at odds, and her rage at him soon turns murderous. Gucci is more than the handbags, shoes or belts that many flex on the Gram about - it’s a story about how one woman changed the narrative of the great fashion house. Looks like Gaga might have landed her Oscar winning role.

Speaking Change With JOHN BERNARD By Peggie Shangwa

CULTURE: JOHN BERNARD

GMI: Welcome to Groove Magazine International, it's a pleasure to have you with us. Who would you introduce yourself to for the first time if you walked into a room? JB: I would introduce myself as an entertainer with influential views, trying to make the world a better place for the next generation. And also, your favourite poet’s favourite poet. GMI: Coventry is a small city, and unlike some of the huge cities in England, Did you grow up there, and how did you experience poetry, rap, and urban culture as a child? JB: Yes, I grew up in Coventry and it’s a small city that holds a lot of character and tenacity. The music scene in the city has always been vibrant. Coventry has produced some insanely gifted rappers and, growing

Generations have been impacted by the words of many great creatives. In this generation, speaking up about causes affecting our societies is of great importance. And we are speaking words that take up the digital space and continue to deliver the messages that our generation needs. John Bernard is a Coventry-based spoken word artist and rapper. His spoken word poetry film looks at the perception of people of colour and how this affects young people from disadvantaged backgrounds. John is the founder of BACE (Be A Change Everywhere), an organisation that helps young people find a medium through poetry and spoken word. John joined the line-up at the DigiPoems 2021 edition, where he collaborated with Botswana digital artist, Bantle Wale. The DigiPoem, titled "Obsedian Black", explores how life-threatening situations can make us question our behaviour and actions and change the course of our lives. We spoke to John who delivered insight into speaking words of change. up, music, especially urban music and culture, played a huge role in how we viewed society. I was blessed to have access to a recording studio and mentors who taught me the ins and outs of recording, writing, and production at a young age. Music, on the other hand, was not as prominently visible as the music. I don’t remember attending any poetry shows in my teens, but I guess this was maybe due to access and coming from a working-class background. Some friends that I met later in life told me that they attended many poetry events at theatres in Coventry — but this was due to their parents' being accustomed to theatres. GMI: You are very passionate about your art. Take us back to your path to the stage. What was the process of finding your identity, your voice and what has this meant

for your family and a generation of artists like you in your community? JB: Since a young age, I have been in love with music, poetry, and writing. Cliché as it may come across, but it's everything that I have ever wanted to do. My mum saw that I gravitated towards the creative side of things and she supported and pushed me. Unfortunately, I lost my mum at the age of 11 and, from there on, the creative medium became a form of therapy for me. The process of finding my identity was long and hard, filled with a substantial number of mistakes, but I am glad I was able to navigate through these trials to find faith. It was when I found my faith that everything changed for me; everything became clear. There is a saying that if you want to know why something was created, you should ask its creator. I felt strongly that God had

CULTURE

inequality, etc. My art leans on the activism side of things quite a bit. I think the reason is that I am passionate about my community and being able to make effective change. GMI: Art and the media have been used to promote and change mindsets for a long time. Many issues are being spoken about. For example, patriarchy, feminism, and sexuality have been huge themes over the years. What are your thoughts on this, and what message do you think that we should send to people with our words and our actions?

turned the pain into purpose, and this is where I found my voice. Since then, I have endeavoured to encourage, empower, and inform my community and the next generation of Coventry artists. GMI: Walk us through your creative process. What inspires you to get up in the morning to create a rap track or a poem, and do you think that artists need to have a deeper reason that explains why they speak before they stand before an audience? JB: My creative process is simple; I tend to write about what I am passionate about. I like to jot down small ideas and then build on them. I have hundreds of voice notes on my phone, some melodies, others words and sentences. We cannot always wait for inspiration, so I find this a good way of storing

potential gems that can be extracted when needed. I feel like, as artists, we have a duty to represent our times, our communities, and our experiences. We can’t devoid our audience from our authentic selves, nor can we devoid our art from authenticity. It’s important to understand why you are doing what you are doing and always keep in mind that words are powerful and they can either cultivate or corrupt.

JB: Art and the media are the biggest tools of communication, especially in this age of social media. The sad thing is that there are a lot of negative things put out there, and a lot of mixed messages. It’s important for us as artists to continue changing the narrative and shaping the minds of the next generation. The message I think we should be sending young people is one of positivity and encouragement. Young people are dealing with things like body dysmorphia, depression, and anxiety due to social media, so we, as artists, must try our best to promote positivity.

GMI: What issues of prejudice and discrimination do you address in your work? Would you say that your own art or work speaks into artivism in any way or even explores the right to freedom to speak as an artist?

GMI: You have worked with Southern African artists and poets in Beirut in collaboration, as well as being featured in the BBC Contains Strong Language festival. In your own opinion, how has this experience changed you? Have you grown in your craft? What have you taken away from all these opportunities?

JB: I tend to write on issues of racism and other forms of discrimination such as gender inequality, social

JB: The projects have helped me tremendously. I have learnt so much about the craft of poetry and the

CULTURE

various ways to communicate it. I have grown in my craft, especially in collaboration. I wouldn’t say the experience has changed me, but it has helped me broaden my scope. What I have taken away from the experience is that you should never let the fear of the unknown compel you to miss out on great opportunities. GMI: What are your thoughts about rap, hip hop, and poetry as a genre and their impact presently on the global scene? JB: My thoughts are that they are durable genres and have stood the test of time. I think one of the reasons is that they have been tools of activism and a megaphone for the working class. They continue to impact the global scene in major ways, probably more so than any other genre. Sometimes it’s positive and other times negative. It just depends on the artists and the moral values of the listeners. GMI : Talking to you for a while now, you seem like a very relational person who values people. What steps do you usually take to keep yourself from toxic relationships? JB: People are important. People matter. The last 18 months should have taught us not to take people for granted. I do keep a small circle of like-minded people, as I believe surrounding yourself with people who have a similar vision or drive is edifying. GMI: What do people misunderstand about you most and what has that taught you about yourself, people, and assumptions?

vision or drive is edifying. GMI: What do people misunderstand about you most and what has that taught you about yourself, people, and assumptions? JB: I think the major one is that people think I am an ultraextrovert because of how I am on stage, but the reality is that off stage, I am pretty reserved. People are bound to make assumptions, but it's just the way the world is. GMI: If you had to eat one meal for the rest of your life, what would it be? JB: I am a foodie, so this is difficult! I guess I will go for an East African dish called ugali with spinach and fish. GMI: What would be the title of the book about you, if your worst enemy wrote it? JB: The unforgettable Ex GMI: What would you say to your younger self, to someone special in your life reading this, if you had a chance at a do over, and lastly, to our audience in parting? JB: To my younger self, I would say every action has a consequence – stick to the plan. To someone special reading this: keep going and make sure you continue to be the best you. To the listeners: I appreciate you taking the time to read this. Continue being great.

POWER r a t

TRIBUTE

Letters to Lynsey

By Peggie Shangwa

A Groove Magazine International feature. A tribute to celebrate Lynsey, to honour and remember lovely Lynn.

It’s a collection of thoughts, memories and things we would like to say to her in farewell and in tribute to honour her. Special prayers and inspirational words for her husband and family. The article is about hope, love and encouragement.

'Letters to Lynsey' is a tribute from family, friends and loved ones with acknowledgement to her husband, Sean Mambwere, and the family.

To Sean:

May the Lord sit with you, may his word live and speak. Even in the silence may he hold you in his arms. May Jesus, the balm of Gilead bring you healing as time unfolds, day by day. Become the salve that will heal you deeply where the wound sits in your spirit.

Our prayers and love are with you and the family. You are not alone and you don’t stand alone.

Isaiah 41:10 Fear not, for I am with you; be not dismayed, for I am your God; I will strengthen you, I will help you, I will uphold you with my righteous right hand.

Isaiah 43:2 When you pass through the waters, I will be with you, and through the rivers, they will not overwhelm you. When you walk through the fire, you will not be burned or scorched, nor will the flame kindle upon you.

For some, death is the finale to a life that’s folding, but for those left behind, it is the beginning of a new journey with various chapters. It's up to those who are left to pen in ink the tale they wish to bring to life. It is a painful ordeal, mostly peppered with shock, heartache, and numbness. From a young age, I have always had an attachment to letters, and most of my friends through life have met with my many little notes, cards, and such to people I care about, to let them know that I am here and I care about them. I haven’t written much this year, but I thought that I should start again as I study the way life is unfolding. One of the things that has made 2021 a bitter-sweet year is the realisation that we don’t always have time but we have so much to say to the people we love, and sometimes a lot is left unsaid when we lose those we love.

The illusion that we can say the things we want to say to those we love someday, has been thoroughly wiped out. The statement there is no moment like the present is truer now…To grab at moments and be present but above all to live our lives conscious that tomorrow is never guaranteed. That way the word for each day becomes “ Enjoy the beauty of life and savour it with each day you get. Make sure that you are present in the moment and don’t you dare waste a chance to love honestly, to give generously and to forgive easily the people you hold dear.” And as a rule just be grateful for each breath you take.

Lynsey Lynn was a phenomenal, soft-spoken, down-to-earth, passionate queen who reigned with humility and turned dance floors on fire. She loved the Lord, her husband and people, and this was evident to me from the moment I met her a few years ago. Then we worked on a few projects together from there. We did SoCreative this year and went ham on selfies in our make-up and costumes. I was unaware that this would be the last time we would be able to get goofy like this together. If I had known, I would have told her all I thought about her and celebrated her more intentionally. Instead, this piece will frame some of that heartfelt celebration, but the gravity of it will be known only by God. She lives in our hearts and stays in our memories, and once in a while, captured moments will bring her to us in still and motion pictures across social media.

- Peggie Shangwa

Mrs L George ndotangira papiko?

I am writing this letter to you because I know you are watching down on us, even though you are not able to respond anymore but this one is from the heart.

We shared a strong mutual love for natural hair and that’s how we started talking. I was that very annoying loud friend wawaiti wotarisa with half a smile ongoti hayass, and I would always say, “Lyn anobhowa haanzwisisike kuti zvirikusekesa here oro ndikutomubhowa.” It’s moments like those that I look back and find myself also shaking my head ndongoti hayas. You know I was so ready to be the rich aunty to my muzukuru.

The last conversation I had with you was a prayer for my muzukuru, little did I know that was the last time I would be hearing from you. It hurts shaaa, I still can’t comprehend, sigh.

I can go on and on, but one thing I would like to say is THANK YOU, Thank you for being the big sister in this industry. I know ndaikutemesa musoro at times but I am grateful to have known you. Thank you, for the many links you hooked me up with. You always had your people at heart, nyangwe tambotukana you were the real definition of the bigger person. I miss you, hopefully I will be able to get used to this gap.

Nemashoma iwawa ndinoti Sleep well sis, Till we meet again.

Much love NdoMzy.

Lynsey Lynn was more than a co-worker and a friend, she was more of a sister. A person l could share my thoughts and vision without worry of judgement and someone who would be real with me in any situation.

We met through Sean (her husband) l knew him before her and from then our journey began. She was a sweet, kind, caring and loving sister. We got along so well in dance circles and in life generally to the extent that we shared each others special days and moments like family events. I was there as part of her bridal team for her wedding, she was my best girl on mine. We had a lot in common l bet that's what kept us close.

It is with sadness that she had to go because God has his ways. l pray and hope wherever she is, she is happy and smiling whenever she looks down. Her legacy will shine on, she might have left us physically but she will always be with us spiritually, mentally and in our hearts. Because once you love someone they always stay in your heart.

- Zoe

Lyn will forever be my doppelganger, a perfect mirror image and an even better true image of Christ and for whatever might have been, all that never was and all we thought we could've been, knowing that you got to be in our Father's arms first is my solace. Thank you for being the best version of you that heaven created you to be and loving me just as I was. Rest easy red ranger the queen.

Letters to Lynsey

And Sean, His will and not ours, we stay on our knees at the foot of the cross with the hope of eternity with Christ when we all meet again.

-Deboh

Lynsey was one of the humble, warm hearted, kind and talented people I ever met. Her drive to overcome a lot of barriers to become one of the most polished, accomplished dancers and choreographers in the country will inspire generations.

It is painful that you are gone but, you are with our Lord. I will cherish

She was daring and determined considering dance was

these memories forever until we meet again.

predominantly a male territory. I worked with her for years and

I will forever appreciate her contributions. May her legacy live.

From your Sheroe

Forever missed

Kudzanai

Plot Mhako

LINKING THE YOUNG MONEY

TAKUNDA CHIWEZA By Elspeth Chimedza

PROFILE Name : Takunda Chiweza Occupation : Marketing and Media Strategy Career background: Marketing, Logistics, Economics, Corporate Strategy

ZiFM Stereo, FedEx , Knight Frank RSA Project background : Young Africa Network (Entrepreneurs Development Network)

Adversity is often a catalyst for innovation, and for the post-baby boomer generations, it has raised several self-made millionaires and even billionaires. In Zimbabwe, the wealth gap is increasing due to the economic challenges. This gap is mostly felt by young people, who are mostly from the post-independence generation. Lack of employment opportunities has seen a surge in the informal sector and a new breed of entrepreneurs in Zimbabwe. According to global statistics, there are 582 million entrepreneurs in the world. According to those statistics, the majority of entrepreneurs are now under the age of 45 and seek to actively contribute to economies. Meet Takunda Chiweza, who is using his platform, "The Young Money Show," to link entrepreneurs to develop strategic and viable networks and change the narrative of generational wealth. Here's his story. ZiFM Stereo, where I coordinated events such as the Kalakoda Friday Fight Nights, which brought boxing back to the fray, Father's Day functions in conjunction with UNICEF, hosting DJ Maphorisa with The Fixx, and a myriad of other outdoor events. I am currently a brand and retail executive with FedEx in Zimbabwe and have found all my experiences to have equipped me well for the high-paced field I find myself in. GMI: From our understanding The Young Money was birthed from an event that you hosted in 2018. How did you transition to a radio show with this initiative?

GMI: Welcome to Groove Magazine International, it’s a pleasure to have you share your story with us. For those being introduced to you, please kindly share who is Takunda Chiweza. TC: Takunda Chiweza is a patriotic panAfrican youth with a drive to create platforms for young Africans like myself. I am just like everyone else. I am a son, a brother, and a friend who not only wishes to see us all fulfill our Godgiven destinies but is determined to take the future into his own hands and make it happen. GMI: You have worked immensely in Marketing with experience in media as well, please share with us your educational and career background? TC: Surprisingly, I majored in Economics at university.I find this to have given me quite a robust appreciation of business, society, and people, as economics is

generally a well-rounded field and is a social science that studies the relationship between well-being and the community. I have always been driven and wanted to get involved in worldchanging experiences and was fortunate to find that expression through an organization called Enactus, which I joined on campus at the University of Pretoria. This global organization was a student-led organization that worked with student leaders to enhance the livelihoods of underprivileged communities. Here I quickly learnt organizational and leadership skills, and one fundamental lesson that I live by today. You can make money while helping people. While at Enactus, I was offered the position of Marketing Manager on the executive committee, contrary to the position I had actually applied for, which was Events and Mentorship Manager, and this is where my real relationship with marketing began. I have since gone on to work at

TC: I remember being interviewed by your editor in 2018 when I hosted the first Young Money Workshop, which was a panel-based event that was designed to stimulate conversation amongst youth in business and provide a platform for them to network. After the success of this event, it quickly became evident that this could not just be limited to a small number of people who would be gathered for the event but that this product had to be scaled to increase the benefit for all, create more content, and catch more stories. This was also jolted by a phrase from the classic book, Think and Grow Rich by Napoleon Hill, where he described the power of communication and radio. It became my mission to get this program on the air, and after 2 years of negotiating, we were eventually able to make this a reality. GMI: What gaps in the business sector did you observe that promoted you to focus on young entrepreneurs? TC: I wouldn’t necessarily say gaps, but

BUSINESS FEATURE; TAKUNDA CHIWEZA

to use the old cliché, "We Are The Future." The entrepreneurs we are talking to now are the very same people who are going to be active in shaping the future we are going to live in. This is a simple fact. I would like to engage these people as they embark on their journeys so we can align our visions moving forward. I think everyone, young and old, should be paying attention to young entrepreneurs if they want to stay relevant. Trends show the following: 1. The average consumer is getting younger and younger each day. Who else can understand that consumer more than youth? 2. Technological disruption has come front and centre. The average tech CEO is under the age of 35. Need I say more? GMI: The Young Money Show airs midweek during the prime time slot. Do you think that this time slot is effective in reaching your target audience? TC: I don’t think there is ever an ideal time to reach everyone. However, our target audience is one that is invested and that will not just wait to stumble upon our program but make an active effort to tune in. Our intended audience is a go-getter and a plan-maker. One who will search for our information, knowledge, and mentorship. Whatever day or time it may be . GMI: You have profiled some of the most influential entrepreneurs on your show. What criteria do you use for choosing your guests? GMI: You have profiled some of the most influential entrepreneurs on your show. What criteria do you use for choosing your guests? TC: The criteria we use is simple: there must be a proven track record of conventional business or leadership for you to be profiled in our program. This is not a show to interview "dealers" or people who have found riches that we

cannot tie down to tangible operations. And funnily enough, you don’t necessarily have to be "young" to be on the program. However, your energy and approach must be enthusiastic, your vision new and ground breaking, and your passion be about the success of the constituency of youth. GMI: What are the common challenges and successes shared by the entrepreneurs that you have come across? TC: One of the most common challenges you will hear about is financing. This is a challenge for whoever should not be an inhibiting factor. Many businesses have been built through bootstrapping. Start operating and then you can begin to look into financing. Another major challenge faced by start-up entrepreneurs is a lack of adequate training and information regarding accounting and cash flows. This is the single most dangerous thing for any start-up. In general, it is the fundamentals of good business practice that I see many entrepreneurs struggling with. Very often, they have the right idea and the right energy but lack the discipline and consistency to operate a long-term venture. One of the general successes I have taken note of is taking advantage of trends seen abroad and applying them locally, particularly in the tech space. There is no need to reinvent the wheel. GMI: What important take-aways would you like for young listeners and even well established business people to get from The Young Money Show? TC: I have a statement I like to say that I heard somewhere that says, "I'm not young enough to think I know everything." And I think this is generally it. There is something for everyone, whether you are a young person looking for advice on how to make your dreams

a reality or an established person looking for inspiration on new business practices, a better understanding of the youth target market, or even a business to invest in. This show is for anyone with a keen interest in business. GMI: Are you collaborating with organisations that can assist entrepreneurs with either mentorship, networking or funding through The Young Money Show? TC: The Young Money Show is a cog in the wheel of an overall organization called the Young Africa Network. The Young Africa Network is an organization that exists to create platforms, opportunities and support for young business people through networking, financing, training and mentorship. This entity structures arrangements with various third parties to facilitate such initiatives. We are open to working with other entities that have a vested interest in ensuring the success of our youth. Our pursuit is not a selfish one, and we are happy to collaborate. The pie is big enough for everyone. GMI: What motivates you in life? TC: I love people. And overall, I want to see people happy. More specifically, I want to see the position of Africans elevated. This drives me, and this gives me creativity and energy in all that I do. GMI: In parting, what other ventures can we expect from you? TC: I am a typical Zimbabwean with my hands in many pots. However, you can expect to see further expansion in logistics and marketing. I am also considering a dive into the TV/Video space. Watch this space.

Tune in every Wednesday on ZiFM Stereo at 1915 hours and join Takunda Chiweza on 'The Young Money Show.

Groove Deck T H I S

I S S U E ' S

Q U E S T I O N What’s

your

song

for

Summer 2021?

Staff

Picks

ELSPETH CHIMEDZA Moth To A Flame by Swedish House Mafia featuring The Weeknd

PEGGIE SHANGWA Cover Me in Sunshine by Pink featuring Willow Sage Hart Guest

Picks

FREEMAN HKD Handipere Power by Nutty O

JOHN BENARD Coming in hot by Andy Mineođ, Lecrae

TAKUNDA CHIWEZA Handipere Power by Nutty O

ALBUM REVIEWS

EDITOR'S CHOICE

Nutty O: Mustard Seed Review Nutty O’s consistency, despite criticism and expectations of being mediocre, has always made him stand out from the dancehall pack. Blending Jamaican patois and his vernacular, Shona, Mr. Ability Extension's message has been consistent from day one. Despite having hits such as "Bugatti", "Safe" or collaborative successes such as "Let’s Talk About It", it always seemed as if Nutty O was an underrated artist in the Zimbabwean media. Nonetheless, he has stayed in his lane and has remained dedicated to the art of dancehall. We met the artist when he was signed at Kenako Muzik in 2016. He dropped 'Kwandakabva Kure' a single that showcased Nutty O's musical potential. Global recognition and several awards later, Mr. Ability Extension delivers his seed of faith. He dropped his highly anticipated debut album titled, "Mustard Seed." Taking the Biblical meaning of being small but capable of becoming large. This is illustrated with the opening track, "Open Doors," which is more of a prayer. The track takes fans to church at 2:49 when the backing vocals of a choir come through. "Ndiwe" is a mid-tempo blend of Afro Pop and dancehall featuring Jamaican artist, Demarco. On the track, the duo sing about taking a risk in love. The pre released "Safe" was a perfect addition to the album as it is a fan favourite. Yet another track focused on romantic relationships. "Peter Pan" is an aspirational song about uplifting and representing ghetto youths. The track encompasses dancehall bassline, whilst Nutty O asks for spiritual guidance. ‘Kokorigo’ is about a search for love and Jah Prayzah’s vocals can be heard in the background. Mellowing down the pace, ‘Be My Girl’ features newcomer Kae Chaps as they woo a love interest. Still running under the theme of love, ‘Shoulder’' is a promise of being the ideal lover. ‘Finnesse’' is a sexy tropical flavoured track for the dancefloor. Nutty O and Ex Q’s collaboration have always offered fan favourites. ‘Ready’ is that track where the duo are laying their lines as they sing to a love interest. ‘Kungfu’ gives the listener a kick with its upbeat vibe as Nuty O declares his world takeover as he asks fans to hear for themselves. Riding on a blend of Amapiano and Afro Pop, ‘Reverse’ is another sexy, mid tempo track for the dancefloor. Raising the bar by collaborating with Ghanaian dancehall giant Stonebwoy comes ‘Success’. The track is about pursuing success despite life’s many challenges. Taking on a reggae vibe, and sampling a classic Zimbabwean track, Nutty O sings about the hustle on ‘Trouble In the City’. The closing track ‘Handipere Power’ is a champion’s anthem as the song covers resilience. He proclaims that he will continue to persevere and encourages listeners to do the same.

Overall Review ‘"Mustard Seed" sets a precedent for great things to come as Nutty O demonstrates the value of quality over quantity. The choice of his production team and collaborations showcase his exploration of his soundscape as an artist. The record is an aspirational and inspirational body of work, elevating Nutty O’s artistry. Rate: 5/5 Groove Speakers

New Album Releases

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Groove Magazine 3 ON EUSSI

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The Breakout Issue 2021

Articles inside

The Breakout Issue 2021