Fall 2021 Quarterly

Page 24

FINE ARTS

Top: Gustavus Wind Orchestra (April), Rosencrantz and Guildenstern are Dead (Feb.); Bottom: Spring Dance Complex (April), An Active and Urgent Telling exhibit in Schaefer Art Gallery (Feb./March)

M E E T I N G YO U W H E R E YO U A R E Spring was all about going to where the

been challenging, but everyone’s attitude

tour. In particular, that meant showcasing

audience was—outside or in homes.

has been fantastic.” This spring, Rolnick’s

the talents of Gustie students and sharing

students performed live after more than

the power of music with the world.

experimentation in the artist-audience

a year of cancelled concerts and filmed

And with recorded concerts that are

relationship. Students stretched to

performances. The performances were

archived for anytime viewing, a new

deliver in multiple mediums: live outdoor

held outside, dancers stayed distanced,

benefit emerged. Many Gustavus music

events, pre-filmed events, livestreamed

and they did not have physical interaction

performances are accessible to anyone

performances, and virtual walkthroughs

with one another.

with digital streaming access, not just

COVID-19 created opportunities for

of visual art exhibitions. All offered new GUSTAVUS QUARTERLY | FALL 2021

ways to create and enjoy the fine arts.

22

“[This year has] been a good lesson in

James Patrick Miller, the Douglas Nimmo Professor of the Gustavus Wind Orchestra, and Brandon Dean, Jon and

those who can be present in person at one place during one moment in time. For Gustavus Fine Arts, the moment

adaptation all the way around,” says dance

Anita Thomsen Young Distinguished

in time that is COVID-19 has been

professor Melissa Rolnick. “In theatre and

Chair in Music and Conductor of the

trying and tumultuous. It is also a driver

dance, what we teach is so challenging

Gustavus Choir, reached audiences

of innovation. Through it, we have

online. And I think we’ve done good

through virtual concerts. Livestreamed

discovered and honed ways to reach

work. We’ve been pushed, but I think

and archived performances accomplished

audiences—like you—across the world

we’ve been successful. The logistics have

many of the goals of a more traditional

and in your own homes.


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