Selected works GSAPP 2012–2013
Yuri Jeong
UNCOMMON COMMONNESS
2
Selected works GSAPP 2012–2013
Yuri Jeong
UNCOMMON COMMONNESS
3
6
Living with Water
Environmental urbanism in Rockaway 54
Extra Small
78
Party Wall as Camouflage
A polemical exploration of scale
Reformulating identity for the New Dia Museum
4
Selected works GSAPP 2012–2013
Yuri Jeong Uncommon Commonness
5
Resilience or Resistance The New Holland American Line: Architecture, Infrastructure, Ocean GSAPP Spring 2013 Michael Bell Zachary Kostura
6
PROJECT 01
Living with Water
Environmental urbanism in Rockaway
7
8
PROJECT 01
Density
Rockaway
Resilient Rockaway
What is the density which is reactive to the environment of Rockaway in the urban scale? Is it possible to increase the density without feeling like living in the dense environment?
Rockaway is the area where the social, political and climatic issues are mixed. Some areas have historically organic growth, while some other areas have been grown by the heavy hand of the government. Beauty and strife coexist in Rockaway. There are a beautiful beach and the sea, but these could turn to the risk factor when severe disasters are coming.
How is Rockaway going to be? How can Rockaway coexist with the nature? Not just watching the nature, it is necessary to bring the nature inside the living. Not only making Rockaway more resilient, it is important how to coexist with the nature and how to create the experience and the energy in this environment. The response to the disaster is not just simply one-to-one solution in order to defend people from the severe phenomena of nature. But it could be also the potential for creating different urban experiences and environment. Rather people could sometimes enjoy the situation of flooding. 9
10
PROJECT 01
11
FAR
Density of Rockaway Rockaway is the area where the social, political and climatic issues are mixed. Some areas have historically organic growth, while some other areas have been grown by the heavy hand of the government. Beauty and strife coexist in Rockaway. There are a beautiful beach and the sea, but these could turn to the risk factor when severe disasters are coming.
12
PROJECT 01
Somerville
0.00 - 0.30 0.30 - 0.60 0.60 - 1.00 1.00 - 1.50 1.50 - 2.00 2.00 - 3.00 3.00 - 11.12
13
Topography water 2ft high This area has low density and most of buildings are single detached houses. Therefore, most occupancy of buildings is on the ground level, but topography has low level. It is quite vulnerable to flooding and has a risk of still water. On the other hand, population of this area is on the rise.
14
PROJECT 01
15
Topography water 4ft high
16
PROJECT 01
17
What is the building typology which can accomm while it is dealing with flooding issue effectively?
Neponsit Belle Harbor
Rockaway Rockaway Beach Park
5,646
12,264
11,037
18 5,452
12,664
13,449
-3.4%
+3.2%
+21.8%
Arverne
7,765
Edgemere Bayswater
Far Rockaway
Broad Channel
Total
14,810
9,835
38,509
2,630
106,738
PROJECT 01 9,809 17,012
10,433
39,625
2,443
114.978
+6.0%
+2.8%
-7.1%
+7.2%
+26.3%
+14.8%
modate higher density ?
subway station
19
Inversion of sp
20
PROJECT 01
pace occupancy
21
Negative space
12.0
24.0
Inbetween space
14.2
6.3
15.5
29.1
4.7
5.9
8.4
24.0
East side
West side
22
PROJECT 01
9.8
9.8
9.6
10.2
8.2
22.3
6.7
59.0
2.7
15.6
5.0
9.2
12.0 58.1
35.0
18.0 4.7
18.0
14.6
24.0
33.0 12.5
24.0
36.0 9.9
12.0 14.5
12.0
9.4
10.4
15.1
10.2
6.3
1 Family Detached 2 Family Detached 1 & 2 Family Semi-detached 1 & 2 Family Attached
23
Occupy negative space like water Void would be solid. Solid would be void.
0 - 12 ft
12 - 18 ft
18 - 24 ft
24 - 33 ft
33 - 36 ft
36 ft -
Drawing of existing negative space
24
PROJECT 01
Inversion of space occupancy 25
12.0 12.0 12.0
12.0 12.0 12.0
12.0 12.0 12.0
Minimize the ground floor area and inversely maximize the top floor area
26
PROJECT 01
27
Inducing movement of water It starts to take the water into the building rather than just block out the water against storm surge.
28
PROJECT 01
29
Memory of the existing buildings Existing buildings would be empty, but the trace of them could be the structural wall of the new building. The shape of the existing buildings would be remained. Between structural walls, housing spaces start to occupy. Water can flow through these inclined walls.
30
PROJECT 01
31
Collection of water different kinds of water for different purposes - rain water - ocean water - ground water Rain water could be collected from the maximized rooftop area. Based on the calculation, rain water in this area can supply 75% of residential water use or 12 stores in commercial use. The connection between stacked boxes and the structural wall has different size and gap, so the movement of water would be more dynamic.
Connection between stacked boxes and the structural wall
32
PROJECT 01
33
34
PROJECT 01
35
Section Water can go through different material. It could be gardening water. People would see the water flow with the light. They can also play with it.
36
PROJECT 01
0
10ft
37
Water flow Not only in rainy days, we can also see the water in sunny days. Using the sunlight, ocean water or ground water could be pumped up for cooling the building. It would also create public activities on the ground level.
38
PROJECT 01
cooling public activity
collecting rain water
storage
solar E pumping up
ocean water
ground water
Different water use in sunny days and rainy days
39
40
PROJECT 01
41
People can play with water.
Plan 20 ft high
42
PROJECT 01
N 0
10ft
43
plan axonometric, 20ft high
Infrastructure This building could work as infrastructure. If storm surge comes, the connection between the elevated station and the roof would work as the street for residents. According to the density of walking people, the shape of the roof is getting narrower and narrower.
44
PROJECT 01
45
connection with the elevated station
46
PROJECT 01
view from the roof toward the ocean
47
The roof slightly inclined toward the Jamaica bay and the ocean.
Raised floors 4 ft high, connected to public space
48
PROJECT 01
The raised floors are connected to the public open space.
49
Public road green space
This green space is maintained by the collected water. If storm surge comes, this could also help the water absorb to the ground quickly.
50
PROJECT 01
51 view from the sky
This building is not just for defending from storm surge, but also creating architectural, urban experiences or even some energy like a machine. It can be expanded to the whole Rockaway. It would be a new environmental alternative for higher density in Rockaway. West side
West
52
PROJECT 01
East
53
XS (Excess) A Polemical Exploration of Scale GSAPP Fall 2012 Amale Andraos Sam Dufaux
54
PROJECT 02
Extra Small
A polemical Exploration of scale
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(Excess) A Polemical Exploration of Scale GSAPP Fall 2012 Amale Andraos Sam Dufaux
56
PROJECT 02
City and Scale What is “scale” in the contemporary city? Which scale is needed, and if there is appropriate scale needed, what is the role of that scale in architecture? Today, cities are getting denser, buildings are getting bigger and people are consuming more and more. However, spaces and resources in the city are limited. In this condition, bigness cannot be the solution any more. It is necessary to re-think “small” scale in architecture. “Small scale” in architecture does not just mean the compression of something big or standardized small unit.
It needs to think about “reasonable small scale”.
57
If we just compress the existing space in order to create small spaces, people might feel just cramped in those spaces. In other words, compression has limit.
Using several specific scale strategies about perception of people, we can create physically extra small space, but psychologically not tight space. In this XS hotel, everything gets smaller, but each would have specific quality. As the result of testing the limit of compression, air space is needed everywhere in the hotel space. 58
PROJECT 02
In this XS hotel, everything gets smaller, but each would have specific quality.
59
Cramped
60
PROJECT 02
Uncramped
61
62
PROJECT 02 two sidestwo sides SMOOTH
curve curve fit to body fit to body POCHE
OPENING OPENING
SMOOTH SMOOTH
2m
2m
2m
2m
inclined inclined
DEGREE DEGREE OF OF CEILING CEILING
APPENDIX SPACE
-
POCHEPOCHE
DEGREE OF CEILING -
thin thin narrow OPENING narrow
DEPTHDEPTH
DEPTH
2m
2m
2m
2m
NOT NOT CRAMPED CRAMPED
uncramped
sense of expansion
inclined
-
curve fit to body
two sides
thin narrow
2m
2m
2m
2m
NOT CRAMPED
flat
-
-
thick deep
flat
-
-
thick deep
6m
CRAMPED CRAMPED
cramped
flat
-
-
thick 6m deep
CRAMPED
6m
XS strategies
How can we create uncramped feeling in an extra small space? Not feeling tight in a small space is related to the sense of expansion and comfortable feeling.
63
sense of expansion sense of expansion
MIRROR MIRROR EFFECT EFFECT
light
-
thin narrow
STRUCTURE STRUCTURE
DEGREE OF DEGREE OF WALL WALL
CONCAVECONCAVE CONVEX CONVEX
thin narrow
-
light
2m
mezzanine mezzanine
sense of weight sense of weight light light
1.22m
opening of opening opening of of opening of ceiling ceiling ceiling ceiling
2m
space in the space space in the space VISUAL VISUAL CONNECTION CONNECTION with largerwith larger space space
transparencytransparency
MATERIAL MATERIAL
1.22m
heavy
thick deep
thick deep
sense of sense of compressioncompression
heavy
2m
-sense of weight sense of weight heavy heavy
2m
Unit 2.68m
4.18m
Capsule hotel unit
Unit 2.68m
air space 4.18m
Capsule hotel unit
capsule hotel unit
Requirement of each unit
between units
Usage of the air space Different size of the air space
As the result of testing the limit of compression, air space is getting necessary everywhere in the hotel space. air space 64
Requirement of each unit Usage of the air space Different size of the air space
PROJECT 02
Individuality Hotels today need to address the guest experience, rather than simply provide space for the traditional lodging and dining functions. “Lifestyle� is the new driver. According to various interests, lifestyles of people, individual and different spaces are needed for their experiences in the hotel. Thus, it is necessary to think about un-unified, small units and create different combination of units. 65
Unit
01 01
03 03
thin layer
inclined thin layer
inclined space in the space space in the space
02 02
mezzanine
04 04
thin layer
thin layer sense of expansion
sense of expansion
The shape of the units is quite related to the strategies which are applied to the units. Each room has different requirement. To meet this requirement, air space is needed between different units. Air is the key of this project. Between different room units, between one room and a collective space, between two or more clusters, 66
mezzanine
PROJECT 02
sense of expansion
sense of transparency expansion
transparency sense of weight - light
sense of weight - light
between the whole building and the site, air space is everywhere whatever it is small or not. In addition, there is some criteria of the surrounding necessary distance from one to another room. Based on this criteria, each unit could be organized. A bunch of units would form specific clusters which have collective spaces in each.
Unit type 01 In this unit, there are overlapped spaces which have three different scale in a same shape. The space between two different scale could be used for a storage closet.
Each space of different scale would create and accept different activities of people.
67
In terms of collective space in the hotel, compare to the general hotel which has public space in the lobby on the ground floor and on the rooftop, in this hotel, public spaces are distributed in order to create new experiences in hotel. There would be mini lobbies, large lobbies, a library, a restaurant, cafes, community spaces etc. which have different atmosphere. Units are located surrounding each collective space, and these units and collective space form one cluster. People in this hotel would go to their room only through these collective spaces. This collective space is called “bubble� which is bigger version of an air space. Between two clusters, there would be specific connection. The unit can be extended and connect between two clusters. There are two types of the connection. 01) One is like this. In here, people would feel the change of sense of scale. When people go into this space, they would feel compression, but when they reach another cluster, the feeling of expansion would be amplified. 02) Another connection is like this. In this space, people can sit and rest, or have a nice view of outside.
68
PROJECT 02
01
connection
02
connection
types of the connection
Some collective space could be used for a group of people. They can manage a whole cluster for themselves.
In this cluster, the public passage could be also a green space. Green space can get the sunlight directly.
69
Hotel in the city The air space is also the key to make relationship to the city. With the rest of the site, this space makes it easier for public to access to the waterfront as well as creates varied and compelling views of waterfront. It could also connect the public walkway along the waterfront which is ended right next to the site.
70
PROJECT 02
Public space space Public consolidating consolidating
breaking breaking down down
distributing distributing
general
circulation circulation
only through
general hotelhotel
through public space public space
Program Program
Hotel Knickerbocker
ay
dw broa
retail
4th floor
ground floor
penthouse floor circulation back of house / N.I.C. indoor collective space outdoor collective space
# Keys 363 room areas
45,200
public areas support areas administration support @ guestroom corridor building mechanical spaces total
9,741 7,646 3,200 7,262 9,660 37,509
relative to room areas
grand total
26.0 % 20.4% 8.5% 19.4% 25.7%
6.7% 5.3% 2.2% 5.0% 6.6% 25.8%
182,709
al
lic
b pu
Knickerbocker
XS Hotel
t2 ic t1 or in or han pp m pp ec su ad su m
guest rooms
guest rooms
71
N 0
72
PROJECT 02
5ft
Plan
Collective of different types of units
Connection between two different clusters
73
Williamsburg and Waterfront Overall effect on the site: - public access(reconnect the neighborhood to the waterfront) offering communal space a pedestrian-friendly streetscape addressing the scale of the existing neighborhood continuous path along the waterfront - frame new open spaces, create a varied and compelling skyline making void (air space) – creating views of waterfront for public) - a moderate density - For guests of hotel, they have their own open spaces between the bubbles or on the bubbles.
overall configuration
N
74
PROJECT 02
0
30ft
Site plan
Space for the passage and the view to the outside
People would feel the change of scale when they are walking through the space.
75
76
77
Camouflage Studio Reformulating Identity for the New Dia Museum GSAPP Summer 2012 Phu Hoang Group work of two member Yuri Jeong and Ni Zhang
78
PROJECT 03
Party Wall as Camouflage Between the Walls
79
Camouflage research investigated orientation and disorientation within a system, which culminated in the use of a building’s party wall as a mechanism to explore this concept. Several party walls not only disconnect but also connect programs in the museum. The party walls also act as structure allowing the spaces between the structural walls to be flexible, variable and changeable.
80
PROJECT 03
The cavity within each party wall is sometimes stretched and expanded to allow for circulation, mechanical systems and on-site artists´ residence. This informs the new Dia identity: creative residency, a flexible structural system and a dynamic public interface. 81
Camouflage Research
N
W
E
S
The Lightning Field
The original organization Field is system. grid system. The original organizationof ofthe the Lightning Lightning Field is grid
Camouflage in Dia Art - The Lightning Field, 1971-77, Walter De Maria The Lightning Field (1977) is a Land Art work in Catron County, New Mexico, by sculptor Walter De Maria. It consists of 400 stainless steel poles with solid, pointed tips, arranged in a rectangular 1 mile Ă— 1 kilometre grid array. It was commissioned by Dia Art Foundation, which also maintains the work.
82
PROJECT 03
Transformation through day light / shadow - From the air
5:00
6:00
8:00
10:00
11:00
14:00
17:00
18:00
19:00
19:20
19:23
19:25
However, over time, the original organization transforms through the reaction to the day light.
83
New line, New pattern, New form from the shadow The ever-changing shadows of thin poles create a bunch of lines and those lines also create new lines and patterns. New form could be made by using the depth of shadows. This made us to find the possibility of the system to create various, different spaces depending on how the original system reacts to other factors.
84
PROJECT 03
85
Chelsea; the condition of neighborhood
Location of the New Dia Museum
Party walls have different functions. It functions as a structure of a building in itself. At the same time, it shows the trace of the building and it is also used for billboards.
18th st
86
19
PROJECT 03
20
21
22
In the site area, Chelsea, when we are walking on the High Line, we can find the different party walls as a front side of buildings. Originally, as a side wall of buildings, party walls cannot be really perceived by people, but they have existed in everywhere.
23
24
25
26
27
On the High Line, different party walls as a front side of buildings
87
Classification of party walls We can organized different types of party walls in order to understand the condition of the n eighborhood. In terms of people’s perception, party walls could be classified by the different heights. These analyses are used as a method to make system and design the new Dia.
Location of party walls
Height of party walls
26
25
24
25
24
23
23
22
22
21
21
20
19
88
26
PROJECT 03
20
19
Types of party walls
trace of a building structure billboard new facade normal side wall
Heights from the ground
20 ft 40 ft 60 ft 80 ft 100 ft over 100 ft
89
What is the role of the museum in the contemporary city? What is the role of Dia in Chelsea? Living inside the party wall, Our museum would be a potential site to artists.
90
PROJECT 03
91
Party wall system
It started from making structural party wall.
Program
lobby residence residence
tic re ket st co r g oo u
m
ai
n
lo
bb
y
expanding party wall: steel structure extra program circulation
m ai
n
lo
mechanical wall: mechanical system elevator air duct lighting system
exterior space mechanical wall : mechanical system, elevator, air, duct, lighting system
92
PROJECT 03
tic re ket st co r g oo u
bb
y
expanding party wall : steel structure extra program, circulation(stair, ramp, escalator)
ry
te r
ry
lle
ga
ch
k
C
B
C
B
A
e
st
sh
ea
ry
C
B
A
#3
#2
#1
ce
sh
tra
ea
additional program in terms of party wall
&
s rm
ea
ar
s
ea
ar
o or p st age af lo f off ad ic in es g do ck st
sh
rk
wo
en
y
ar er
rk
wo
et nf
co
cr
se
en
op
ar
es
di re ad cto m r’s in o ist ff ra ice tio n of fic
ry
lle
ga
lle
ga
ry
n
io
ct
lle
co
n
io
ct
lle
co
n
io
ct
lle
co
lle
ga
a
Di
a
Di
a
Di
administration & staff
&
tra
ea s
ea s
rm
ar
nc
y
ar
o or p st age af lo f off ad ic in es g do ck
sh
rk
wo
er e
nf
co
rk
wo
et ar
cr
se
op en
ar
es
di re ad cto m r’s in o ist ff ra ice tio n of fic
ry
lle
ga
ry
lle
ga
ry
lle
te r
ch
ga
Ri
ck
ia
ba
ar
M
nd
Sa
De
u ft omsnte sh r op
gi
restau -rant
Ri
A
ba c
nd
lle
ga
Sa
ry
ia
M ar
lle
ga
De
u ft omsnte sh r op
gi
exhibitions
artist residency
93
Expanding wall
reaction program reaction to to the the program
connection connection view (circulation, (circulation, pulic space) - -view public space) airpassage passage - -air light - -light
combination combination
94
PROJECT 03
Ex
xpanding walls
95
96
PROJECT 03
Connection and Disconnection
Connection and Disconnection c
bli
pu
n
tio
ula
c cir
e
fac
er
int
tis
ar
cy
Mechanical Wall
ry
lle
en
sid
e tr
ga
p
y y e nc ller ac ide ga ic sp l b pu
ce
pa
cs
li ub
t
ar
es
r ist
potential site of artist
Mechanical Wall ry ace ace lle f ga nter nt sp i e ev
flexibility, changeability flexibility, changeability
n
mi
ad
n
mi
ad
ry
lle
ga
e e fac spac t en v e
er
int
n
mi
ad
e e fac spac c bli u p
er
int
connection between gallery and admin
informing wall, lighting wall
connection between gallery and admin
informing wall, lighting wall
ry
lle
ga
ce
pa
gs
in ait
w
97
Flexibility Each exhibition requires different condition of the gallery space. As part of solution to that, many museums have been expanded and are expanding the space now,however the space in the city is limited. Then, what can architecture do for the different requirement of exhibition?
Flexibility
Different uses of the space
Flexibility Flexibility gallery +10100
admin +12500
minimum space space minimum extended space extended space exterior enclosure enclosure exterior
minimum space extended space exterior enclosure
minimum space extended space exterior enclosure temporary temporary
temporary
temporary temporary
temporary
temporary
temporary
temporary temporary
temporary
temporary
98
PROJECT 03
residence +8500
rooftop exhibition +9000
rest room
public space +11400
admin
gallery +10000
admin
open space +5000
gallery +11400
The party wall system of this museum enables the gallery space to be flexible according to the various requirement of the exhibition. N
99
100
PROJECT 03
101
Materiality of party walls Policarbonate is used for mechanical wall. Due to the semi transparent materiality of policarbonate, people can perceive what happens over the policarbonate wall. The wall would work as a lighting wall for offering indirect light to the interior space of galleries.
102
PROJECT 03
Plan, 30 ft high rooftop exhibition +9000
admin
resid -ence
+9000
rest room
+6000
gallery +6000
residence +6000
public space +5000
gallery
open space
public space
+500
+5000
+6000
+3000
lobby +5000
resid -ence +6000
N
Plan, 45 ft high residence +8500
rooftop exhibition +9000
rest room
gallery
admin
+10100
public space admin
+11400
gallery +10000
admin
open space +5000
+12500
gallery +11400
N 0
N
10ft
103
Section
Light in the museum
gallery
gallery
resid -ence
residence
admin gallery
104
PROJECT 03
gallery
gallery
admin
rooftop exhibition
admin
e lobby
gallery
admin
0
10ft
105
Yuri Jeong
yj2274@columbia.edu 646-574-2296
106
107
Selected works GSAPP 2012–2013
Yuri Jeong