Haley Weathersby Portfolio by Haley Weathersby

INTERIOR DESIGN PORTFOLIO

HALEY WEATHERSBY issuu.com/haleyweathersby 601.795.5149 haleyweathersby@gmail.com My love for interior design began at a very young age. I vividly remember the day in fifth grade when I decided what I wanted to be when I grew up. I had always been attracted to beautiful colors, unique patterns, and interesting design elements such as furniture and spaces. Thanks to my teacher's neice's senior project presentation, I was finally able to put a title with the goal I would spend the rest of my educational career reaching for. My college experience at the University of Southern Mississippi has allowed my passion for interior design to transform from a childhood dream to a reality. My portfolio is just a snapshot of what I am capable of creating. I take great pride in my work, and I do not consider a project complete until I am confident enough to put my name on it. I am highly organized, detail-oriented, and a perfectionist. My first degree from the University of Mississippi is in marketing, so my business background opens up doors for possible sales opportunities. I am a people person, and I never meet a stranger. I am seeking the opportunity to further my knowledge and expertise in the field I am passionate about, and I hope to find a position that challenges me to produce high-quality design work.

TABLE OF CONTENTS HOSPITALITY

RESIDENTIAL

CORPORATE

EDUCATION

HEALTHCARE

PRODUCT DESIGN

01 Hospitality

CHARLESTON NEW ORLEANS

1925

PROHIBITION

BOOTLEGGERS

THE FLYING SAUCER

charleston new orleans PROJECT TYPE: Individual SQUARE FOOTAGE: 18,646 Designed LENGTH OF PROJECT: 11 Weeks SEMESTER COMPLETED: Senior Year - Fall Semester PROJECT RESPONSIBILITIES: Research, Programming, Preliminary Sketching, Space Planning, Computer-Aided Drawings, 3D Modeling, Colored Renderings, Finish Boards PROJECT CHALLENGE: Design a hotel located in the New Orleans Warehouse District with multiple retail spaces, a restaurant, a bar, and lobby areas. Create a space that combines local culture with elements and amenities attractive to those ages 25 to 40. PROJECT SOLUTION: The hotel incorporates the latest technologies to create ease of use by its guests. Quick and easy check-in/out practices make the hotel attractive to those traveling on business. Art Deco design elements appeal to the younger travelers, and the restaurant serves foods indigenous to the area, creating a culture-inspired atmosphere.

CONCEPT STATEMENT At Charleston New Orleans, guests will be taken back in time and experience elegance, style, and excitement. Art Deco influences with a modern twist will be highlighted throughout the hotel with large, geometric motifs, bold colors, and sparkling metallics. The existing building will be transformed from an industrial-style warehouse to a space that would make the movies jealous. Luxurious leathers, exquisite mohairs, and other lavish fabrics will adorn the furniture and draperies. After visiting Charleston New Orleans, guests will be tempted to escape the 21st century and party like it is 1925.

INSPIRATION PHOTOGRAPHS

LOBBY MANTLE

charleston new orleans

FURNITURE SELECTIONS

PRELIMINARY SKETCHES

RECEPTION PODS FINISH SELECTIONS

charleston new orleans

3D MODEL

1 ADA SUITE BEDROOM LAYOUT FINISH BOARDS

ADA ACCESSIBILITY CODES 302.1: Floor & ground surfaces shall be stable, firm & slip resistant. 304.3.1: A turning circle with 60" min diameter is provided. 307.2: Objects mounted between 27" & 80" high shall not protrude more than 4" into the circulation path. 309.4: All operable parts shall be operable with one hand and shall not require tight grasping, pinching or twisting of the wrist. 403.5.1: Accessible routes shall have 36" min clear width. 806.2.3: At least one sleeping area shall provide a 30" wide & 48" deep clear space on both sides of the bed, positioned for parallel approach to the bed. EXCEPTION-Where a singe 30" & 48" deep clear space positioned for parallel approach is provided between two beds, a clear floor or ground space shall not be required on both sides of a bed.

RENDERED ELEVATIONS

KING SUITE SLEEPING AREA 08

charleston new orleans

WAYFINDING LEGEND

SIGNAGE DESIGN

 



 







 

 



 

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  

  

 

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CODES SUMMARY

OCCUPANCY CLASSIFICATIONS:

•The sleeping areas of a hotel are classified as R-1 residential occupancies. •Restaurants, nightclubs, and bars are classified as assembly occupancies. •Retail stores are classified as mercantile occupancies.

EGRESS:

WAYFINDING CONCEPT

Charleston New Orleans will have a flowing floorplan that is easily navigable for people of all ages and cultures. However, directional problems that may arise will be addressed through the use of restricted, directional, informational, and identification signage located in various spaces throughout the hotel. The friendly hotel staff will be trained to help those with cognitive disabilities or those from other nationalities.

CHARLESTON HOTEL WAYFINDING

•Seven inches is the maximum amount that doors can protrude into exit corridors. •Door height must be a minimum of 6’-8” •Five pounds is the maximum force for pushing or pulling interior doors. •Forty-eight inches plus the width of the door is the minimum space required between two hinged doors in a series. •Exit doors must pivot in the direction of travel. •Kitchens, closets, storerooms and restrooms are not allowed by code to be travelled through to get to an exit. •The minimum number of exits required for an occupant load of 1-500 is two doors. •Sill heights for windows in sleeping rooms must be a maximum of 36 inches AFF. •The half-diagonal rule stipulates that the distance between exits must be at least half of the diagonal distance within the building. For the lobby of this hotel, exits must be at least 138’-6” apart. •The minimum spacing distance required for two exits is 30 feet to make sure they are not too close together. •The clear unobstructed width for corridors on the guest floors of a residential (R-1) occupancy should be a minimum of 44 inches. •The maximum travel distance to an exit allowed in a sprinkled R-1 occupancy is 250 feet. •The maximum dead-end allowed in a sprinkled R-1 occupancy is 50 feet.

FINISH CLASSIFICATIONS:

•The maximum dead-end allowed in a sprinkled R-1 occupancy is 50 feet. •The allowed finish classification for existing guest room finishes are A, B, or C. •The allowed finish classification for exit access corridors are A or B, I or II. •The allowed finish classification for existing mercantile spaces are A or B for ceilings and A, B, or C for walls.

1925 RESTAURANT @ charleston new orleans

2 5

restaurant

CONCEPT STATEMENT The luxurious hotel concept will carry into Restaurant 1925, where the large space will be furnished with complementary furniture and accessories found in the lobby and bar areas. Black and white tile flooring in geometric patterns will help blend design elements from the 1920s with modern day motifs. Multiple seating arrangements will accommodate parties of all sizes. Cozy booths will create intimate atmospheres for smaller parties, while private dining rooms will allow for guests to host parties or meetings while enjoying their succulent meals prepared by the in-house chef. Soft seating with exquisite leathers and plush mohair fabrics will furnish the secondary lobby, a space where guests can hang out after grabbing a drink at Prohibition or while waiting for their table in Restaurant 1925.

RESTAU

URANT BOOTHS

RESTAURANT TABLES

PROHIBITION @ charleston new orleans

LIGHTING PLAN ARCHITECTURAL FINISHES

CONCEPT STATEMENT

BAR SEATING

PRoHIBITION Bar & Cocktail Lounge

Prohibition Bar & Cocktail Lounge will have an inviting atmosphere attractive to customers of all walks of life. The chic furniture pieces adorned with black, white, and lime leathers will create a crisp, clean look. Guests will have the choice of enjoying their cocktails at private tables, the large bartop counter, or the cocktail lounge seating area, a space that is sure to be a crowd favorite. Some of the cityâ&#x20AC;&#x2122;s best bartenders will have daily specials and featured cocktails to keep the customers coming back for more.

Bootleggers @ charleston new orleans

CIGAR LOUNGE

BOOTLEGGERS FINE CIGARS & LIQUOR

CONCEPT STATEMENT The Speakeasy atmosphere at the Bootleggers Fine Cigar and Liquor store will make each guest feel exclusive and welcomed. A cigar lounge will allow customers to enjoy their purchases made in the shop, creating a firstclass experience for the gentlemen that visit. The masculine atmosphere will be emphasized through the use of dark wood accents, wood floors, leather furniture, and a television to watch their favorite team play on Sundays. Guests will feel like world travelers as they walk through the fullsized humidor and select cigars from different areas of the world. Top-shelf liquors will adorn the glass shelving, creating an attractive display that is sure to appeal to even the most masculine men. Jazz music and the smell of elite cigars will fill the air and create a long-lasting impression on even the biggest cigar connoisseurs.

SECURITY Security at Bootleggers Fine Cigar & Liquor will be addressed in a multitude of ways. The centrally-located check-out counter will allow for eye monitoring of people coming in and out of the store from inside the hotel. For other areas of the shop, security cameras will be used with display screens located in the manager’s office. The most expensive items will either be placed on shelving behind the counter or in a locked display case located to the right of the check-out counter. When the store is closed, a metal locking gate will cover the cased opening leading into the hotel, preventing guests from wandering the space when no one is there to monitor.

ANTRHOPOMETRIC CONSIDERATIONS The layout and accessibility of Bootleggers Fine Cigars & Liquor has been designed with customers in mind. Display Height: Between 56” and 68” (maximum) Display Reach: Maximum of 72” Counter Height: Between 35” and 38” at accessibility counter Counter Depth: Between 18” and 24” Clerk’s Aisle: Between 30” and 48” Public Circulation Zone: Minimum of 36” Customer Activity Zone (at register): Between 26” and 30”

CHECK-OUT COUNTER 16

The Flying Saucer PROJECT TYPE: Individual SQUARE FOOTAGE: 9,766 Designed LENGTH OF PROJECT: 12 Weeks SEMESTER COMPLETED: Sophomore Year - Spring Semester PROJECT RESPONSIBILITIES: Space Planning, Technical Construction Documents, Colored Renderings

VIEW OF RESTAURANT

PROJECT CHALLENGE: Design a Restaurant and Nightclub that incorporates multiple dining styles and an exciting theme that is unique and well-executed.

DINING AREA

DRAWING INDEX

PROJECT SOLUTION: The restaurant is an inviting space serving gourmet pizzas to guests of all ages. Booths, dining tables, and private dining rooms allow guests to choose their dining experience style, ranging from casual to formal. The nightclub is furnished with cutting-edge sound technology and will host local musicians each week. VIEW OF RESTAURANT

Sheet Name COVER SHEET OVERALL CONSTRUCTION PLAN RESTAURANT CONSTRUCTION PLAN NIGHTCLUB CONSTRUCTION PLAN OVERALL FURNITURE PLAN RESTAURANT REFLECTED CEILING PLAN NIGHTCLUB REFLECTED CEILING PLAN ELEVATIONS AND DETAILS ELEVATIONS AND DETAILS PRESENTATION PLAN

VIEW OF NIGHTCLUB

 

Sheet Number A-100 A-101 A-102 A-103 A-104 A-105 A-106 A-107 A-108 B

SATELLITE SERVICE 2

SATELLITE SERVICE 3

F-3

MAIN SERVICE STATION

F-11

MEN'S RR WOMEN'S RR

MAIN SERVICE STATION

UPSCALE DINING

F-4

4 F-1

F-3

WOMEN'S RR

UPSCALE DINING

F-4 F-3

9' - 0"

MEN'S RR

SATELLITE SERVICE 2

F-6 TYP F-4

12' - 0"

F-1

F-3

F-1

F-4

12' - 0"

F-1

F-7 F-6

 

9' - 0"

TYP

TYP F-4

    

9' - 0"

F-8

9' - 0"

10' - 0"

DRAWING INDEX 10' - 0"

Sheet CASUAL DINING Number 9' - 0"

MEETING ROOM

9' - 0"

2 9' - 0"

A-100 A-101 10' - 0" A-102 A-103 A-104 A-105 A-106 A-107 A-108 B

CONSTRUCTION DOCUMENTS 1

Sheet Name

10' - 0"

9' - 0"

10' - 0"

COVER SHEET OVERALL CONSTRUCTION PLAN 9' - 0" RESTAURANT CONSTRUCTION PLAN NIGHTCLUB CONSTRUCTION PLAN FOYER/LOBBY OVERALL FURNITURE PLAN 10 RESTAURANT REFLECTED CEILING PLAN 10' - 0" NIGHTCLUB REFLECTED CEILING PLAN ELEVATIONS AND DETAILS ELEVATIONS AND DETAILS PRESENTATION PLAN

FOYER/LOBBY 10

ENLARGED RESTAURANT LIGHTING PLAN 1/8" = 1'-0" LIGHTING LEGEND VIVO CHANDELIER 24" DIA. MODEL #: 5026-24 GREEN GLOSS FINISH 9' - 6"

11' - 0"

BAR 12

UPSCALE MAITRE'D STATION ELEV.

THEORY FPL 4'-0" MODEL #: 765832 UPSCALE MAITRE'D STATION ELEV. 2 3/16" = 1'-0"

7' - 3"

10' - 0"

RESIN WALL PARTITION

CASUAL DINING-WEST-ELEV. 3 3/16" = 1'-0"

CASUAL DINING-EAST-ELEV. 3/16" = 1'-0"

RESIN WALL PARTITION - 0"

- 6"

COATED METAL LETTERING 3' - 4"

7' - 3"

9' - 6"

7' -4'3" - 0"

10' - 0"

UPSCALE MAITRE'D STATION ELEV. 3/16" = 1'-0"

ELEVATIONS AND DETAILS

F-5

F-2 F-12

F-5

F-14

FOYER/LOBBY 10 F-15

F-16

F-10

F-2

F-10

F-2

DINING AREA

F-6 TYP

F-7 TYP F-2

F-2

F-3

BAR F-1

F-1

MEN'S RR 16

DANCE FLOOR F-11 F-14

F-17

OVERALL FURNITURE PLAN

ARTIST ROOM F-13

F-18 F-8

WOMEN'S RR STAGE

Date Drawn by Checked by

VIVO CHANDELIER 24" DIA. MODEL #: 5026-24 GREEN GLOSS FINISH

DINING AREA 15

12' - 0" 10' - 0"

THEORY FPL 4'-0" MODEL #: 765832 9' - 0" CARSTEN CHANDELIER 36" DIA. MODEL #: 6160-36 LIGHTING LEGENDBRUSHED ALUMINUM FINISH

9' - 0"

10' - 0"

9' - 0"

ULTRA RECESSED VIVO CHANDELIER 24" DIA. MODEL #: 11256 MODEL #: 5026-24 120V GREEN GLOSS FINISH

DINING AREA MEN'S RR 15 16

10' - 0"

9' - 0"

VIVO CHANDELIER 5'-0" X 2'-0" MODEL #: 307

12' - 0" THEORY FPL 4'-0" MODEL #: 765832

9' - 0" 9' - 0"

WOMEN'S RR 12' - 0"

STAGE

CARSTEN CHANDELIER 36" DIA. MODEL #: 6160-36 BRUSHED ALUMINUM FINISH

14 9' - 0" 10' - 0"

MEN'S RR

ULTRA RECESSED MODEL #: 11256 120V

16 9' - 0" 10' - 0"

DANCE FLOOR

9' - 0"

ARTIST ROOM 11

9' - 0"

CASUAL DINING ENTRANCE ELEV. 4 3/16" = 1'-0"

ENLARGED NIGHTCLUB LIGHTING PLAN 1/8" = 1'-0"

A-104 Scale

VIVO CHANDELIER 5'-0" X 2'-0" MODEL #: 307

10' - 0"

ENLARGED NIGHTCLUB LIGHTING PLAN 1/8" = 1'-0"

RESIN PANEL DOORS

ID 04/10 Haley Weathe Chec

Project number

LIGHTING LEGEND

13 As indicated

9' - 0"

0' - 0"

F-5

A-105DANCE FLOOR

BAR ARTIST ROOM 12

CASUAL DINING ENTRANCE ELEV. 3/16" = 1'-0"

RESIN WALL PARTITION

9' - 0"

GLASSTOP/METAL SERVICE BAR

F-3

F-4 F-2

F-8

RESTAURANT 9' - 0" REFLECTED CEILING PLAN

Scale

RESIN PANEL DOORS

7' - 3"

10' - 0"

9' - 0"

6' - 0"

7' - 3"

10' - 0"

RESIN WALL DIVIDERS

PAINTED WOOD DOOR

10' - 0"

2' - 6"

1' - 6"

CASUAL DINING-WEST-ELEV. 3/16" = 1'-0"

ACOUSTICAL CEILING CLOUDS

WALL PARTITION

 

UPSCALE DINING ENTRANCE ELEV. CASUAL DINING ENTRANCE ELEV. 4 3/16" = 1'-0" 3/16" = 1'-0"

RECEPTION

F-3

F-5

Project number

ULTRA RECESSED MODEL #: 11256 120V

RESIN WALL PARTITION MOSAIC TILE

6' - 0"

ACOUSTICAL CEILING CLOUDS 10' - 0"

7' - 3" 7' - 3"

RESIN PANEL DOORS

9' - 0"

RESIN WALL DIVIDERS

GLASS DOOR

10' - 0" 12' - 0"

RESIN WALL PARTITION

2' - 6"

1' - 6" MOSAIC TILE WALL ACOUSTICAL CEILING CLOUDS

F-5

F-8

ID 311 9' - 0" 04/10/14 Date Drawn by Haley Weathersby Checker Checked by

CARSTEN CHANDELIER 36" DIA. MODEL #: 6160-36 BRUSHED ALUMINUM FINISH

11' - 0"

3/16" = 1'-0" UPSCALE DINING ENTRANCE ELEV. 1 3/16" = 1'-0"

F-5

CASUAL DINING

FOYER/LOBBY PAINTED WOOD DOOR

VIVO CHANDELIER 5'-0" X 2'-0" MODEL #: 307

MOSAIC TILE RECEPTION

4' - 0"

MOSAIC TILE RECEPTION

7' - 3"

7' - 3"9' - 6"

PAINTED WOOD DOOR

7' - 3"

GLASS DOOR

4' - 0"

11' - 0"

MOSAIC TILE WALL

12' - 0"

GLASS DOOR

F-5

OVERALL FURNITURE PLAN 1 3/32" = 1'-0"

  

9' - 0"

F-8

F-5

F-8

ROOM

9' - 0"

F-8

F-8 MEETING

F-8

SATELLITE SERVICE 1

F-8

F-9 TYP

9' - 0"

10' - 0"

F-5

SATELLITE SERVICE 1

10/29/2015 12:59:41 PM

12' - 0"

F-2

F-5

WOMEN'S RR STAGE

12' - 0"

3/32" = 1

19 RESIDENTIAL

THE BECKER RESIDENCE

DOVE HOUSE

COASTAL COTTAGE

OUMA'S HOUSE

BONEY KITCHEN

THE BECKER RESIDENCE PROJECT TYPE: Individual SQUARE FOOTAGE: 689 Designed LENGTH OF PROJECT: 8 Weeks SEMESTER COMPLETED: Senior Year - Fall Semester PROJECT RESPONSIBILITIES: Research, Space Planning, Technical Construction Documents, Colored Renderings, Finish Board PROJECT CHALLENGE: Design a residence for a client based on a time period that heavily influenced interior design trends. PROJECT SOLUTION: The overall design of the Becker Residence combined Mid Century Modern aspects with elements popular in today's interpretation of modern design. Storage space was maximized using sleek built-in casework. A Nanawall was incorporated to mesh the outdoors with the interior of the home, an element popular in Mid Century Modern design.

HISTORICAL RESEARCH The Mid Century Modern design movement began in the mid-1940s and lasted until the 1960s. During this time, mass production of household furniture and accessories was introduced into the interior design world. Sleek lines and simplicity replaced the heavy ornamentation of design periods of the past. There were many chief designers during this time period, but two of the most influential designers were arguably Charles and Ray Eames. Their main goal was to provide affordable furniture pieces and accessories to the average homeowner. This sparked a revolution in the design world, and Mid Century Modern design was visible in many homes worldwide. The United States, Great Britain, Japan, and Scandinavia became the centers of Mid Century Modern design, all producing notable designers and famous design pieces. Architectural characteristics play an important role in distinguishing Mid Century Modern. Flat panes, large glass windows, and simplicity are a couple elements that are seen in Mid Century Modern design. Other elements are open floorplan concepts and integration of interior spaces with nature.

RENDERED FLOORPLAN APPLIANCES

FINISHES

Many of historyâ&#x20AC;&#x2122;s most notable architects focused their efforts on the Mid Century Modern movement. A number of these architects were from Germany and fled to the United States to escape Nazi control during World War II. During the war, experiments involving building materials and technologies took place. At that time, materials such as plywood and metal were introduced into building design. There are many great examples of homes built with Mid Century Modern style emphasized. Four of the most notable examples are the Philip Johnson Glass House, Neutra VDL Studio & Residence, Farnsworth House, and Stahl House.

The Becker Residence

INSPIRATION

RENDERED VIEWS

LIVING ROOM RENDERING

FINISH BOARD 24

The Becker Residence

DINING ROOM OVERHEAD VIEW PRECENDENTS

DINING ROOM FURNISHINGS

EXTERIOR INSPIRATION

FRONT DOOR & CARPORT

BACK PATIO

DINING ROOM RENDERING “Simplicity and repose are the qualities that measure the true value of any work of art.” -Frank Lloyd Wright FRONT OF HOME

CLIENT PROFILE

27 dove house

PROJECT TYPE: Individual SQUARE FOOTAGE: 2,866 LENGTH OF PROJECT: 8 Weeks SEMESTER COMPLETED: Junior Year - Spring Semester PROJECT RESPONSIBILITIES: Renovation Planning, Codes Resarch, Space Planning, Technical Construction Documents, Colored Hand Renderings, Finish Boards PROJECT CHALLENGE: Design a residence that incorporates universal design while meeting parameters assigned by the professor. PROJECT SOLUTION: The Dove House Renovation successfully met the parameters of the project. A 1,250 square foot addition provided extra space needed for two additional bedrooms, a spacious full bathroom, a powder room, and a laundry room. Ample space is provided in each room for easy navigation by a wheelchair. An office space allows the client to work from home, and a large patio provides an inviting area for entertaining guests.

Clients: Isabel and Maria Garcin (sisters) Age: 35-40 Pet: Therapy cat named Crystal Hobby: Cooking Income: Modest Limitations: 1 lady in wheelchair Spanish heritage Isabel and Maria are sisters. Isabel, the youngest (age 35), is temporarily living with her sister. Maria, age 38, is the primary homeowner who enjoys fitness and cooking. Maria was in a recently involved in a tragic accident, leaving her wheelchair bound. She is currently in therapy, and is hopeful to one day be able to walk again. Isabel and Maria moved from Spain when they were very small and have spent most of their lives in the USA. However, their rather close Spanish family visits regularly, so a guest room is a necessity. Although each woman makes a modest salary, they believe the addition will help boost the resale value of the property, so they do not mind paying a little more up front to benefit them now and in the future. Isabel is a nurse at Forrest General Hospital and is helping Maria during her road to recovery. She is helping Maria pay for the remodel, and Maria will pay her back as she gathers the funds. Maria is a dietician and works from her home. She cooks meals for people on strict diet plans, so a large pantry and home office are needed. Occasionally, she meets with clients, but she does this at a local nutrition clinic. Since neither ladies have children, they have a cat, Crystal, who is their pride and joy. Crystal is actually a therapy cat that was provided to Maria after her accident to help her cope with the drastic life change.

PRELIMINARY SKETCHES

EXTERIOR VIEW DESIGN CONCEPT The design concept behind the Dove House is to create a joyful and inviting living space for the Garcin sisters. By adding an extra wing onto the original structure, the sisters will be able to enjoy each other’s company without feeling cramped and intrusive on each other’s privacy. Transitional design aspects will be emphasized through the use of traditional furniture with touches contemporary elements in artwork and fabrics. Because of Maria’s physical limitations, the home will be wheelchair-friendly, especially in the primary areas she needs to access daily. The kitchen will allow her to move freely through the space without causing obstacles so she can easily cook for her clients and herself. Light granite countertops and will create pleasant contrasts against the rich dark woods in the cabinetry and flooring. An inviting living room will be complete with cheerful yellow walls with accents of cool blues and tans. Ample seating will maximize comfort through the use of plush cushions and throw pillows. The style of the home will be further highlighted in the bedrooms, where comfort will be the main focus. Each room will have an attached bathroom, which will maximize functionality for the Garcin sisters and their guests. After a day in the office, Maria and Isabel will be able to retreat to their home and effectively reenergize for the next days’ activities.

Dove

House 28

Dove House

LIVING ROOM RENDERING 29

FINISH BOARDS

LIVING ROOM RENDERED FLOORPLAN FURNITURE SELECTIONS

Dove House

CODE F-1

QTY.

SPECIFICATION

SELLING PRICE EACH

TOTAL PRICE

Custom Arched Wing Upholstery Bed by Bassett, Exposed Wood Legs, 64 1/2" H x 71" W x 86" D (Queen Bed), COM as noted below COM for bed: Kravet Couture, Pattern: New Direction, Color: Plum 31202.10, Width: 55", price per yard: $60 COM for bolster pillow: Robert Allen, Pattern: Perranporth, Color: Wisteria and Straw, Fabric width: 54", price per yard: $30, price of labor: $50

$2,689.00

$3,639.00

Nightstand by Hooker Furniture, Sanctuary 3-Drawer Dresser, 34 1/2" H x 42" W x 19" D Dresser by Hooker Furniture, Sanctuary 10-Drawer Dresser, 40" H x 68" W x 20" D

$1,427.99

$2,855.98

$2,163.00

14 yds. 2 yds.

$840.00 $110.00

F-2

F-3

L-1

Lamp by Surya, Antony Table Lamp, Finish: Antiqued Silvertone, 10" W x 26" H

$215.00

$430.00

D-1

Drapery: Stroheim, Pattern: Chaviteau 2741C-0412, Width: 54", Repeat approx. 5", Price per yard: $35, 9 yds. Per window, Labor: $500 per window Cambria Premier Complete 32"-60" Extension Rod in Oil Rubbed Bronze with Complete Paragon Finial; $54.98 per window Rug by Surya, Fallon FAL-1009, Beige, 5' W x 8' L

$1,630.00

$1,739.96

Accessory Allowance

$1,000.00

TOTAL

$12,526.94

2 R-1

BEDROOM FURNITURE

$109.96 $699.00

$699.00

NOTE 1: For furniture items that will have a COM fabric, put in the retail price of the piece of EXAMPLE:

F-1

1 12 yards

RENDERED FLOORPLAN

RENOVATION PLAN

Sofa, tufted back and seat, exposed wood legs, 84" w x 36" d x 35" h. COM as noted below. COM for sofa: Lee Jofa, Pattern: xxxxxx, color: xxxxxx, vertical repeat 12", horizontal repeat 5". Price per yard $60

$1,500.00 $720.00

FINISH BOARDS

BEDROOM RENDERING 32

COASTAL COTTAGE

FRONT ELEVATION

SIDE ELEVATION

PROJECT TYPE: Individual SQUARE FOOTAGE: <700 LENGTH OF PROJECT: 2 Weeks SEMESTER COMPLETED: Junior Year - Spring Semester PROJECT RESPONSIBILITIES: Research, Space Planning, Colored Renderings PROJECT CHALLENGE: Design a tiny house from the ground up that is less than 700 square feet with all the necessary residential amenities. Incorporate at least three Sherwin-Williams paint colors into the design. PROJECT SOLUTION: The Coastal Cottage incorporates full-sized kitchen, laundry, living, and bathroom areas. The loft houses a queen bed for sleeping. Built-in storage on the main interior wall provides ample space for storing personal belongings, as well as a ladder for access to the overhead loft. The Sherwin-Williams colors selected create a coastal theme that matches the house setting.

ISOMETRIC VIEW

INTERIOR ELEVATION 6' - 6"

KITCHEN

6' - 8 1/2" 2' - 8 1/2"

6' - 8 1/2"

Consultant Address Address Phone Fax e-mail

No.

Pink Flamingo SW 0080

Consultant Address Address Phone Fax e-mail Consultant Address Address Phone Fax e-mail

Consultant Address Address Phone Fax e-mail

Pink Flamingo SW 0080

Consultant Address Address Phone Fax e-mail

Description No.

Blue Sky SW 0063 Date

DN DN

Project number Date

Drawn by

Checked by

Project number Date

Drawn by

Checked by

DESIGN CONCEPT

Scale

The Coastal Cottage is a cozy 438 square foot home nestled on the pristine beaches of Key West, Florida. Its coastal design and quaint location make it the perfect home for those who prefer the charm of simplicity.

Blue Peacock SW 0064

Project Number Project Number Issue Date Issue Date Author Author Checker Checker

A101 A101

3/8" = 1'-0"

3/28/2015 10:48:55 PM

5' - 0"

17' - 9"

Blue Sky SW 0063

Date Description

OwnerOwner Project NameName Project Unnamed Unnamed

17' - 9"

5' - 0"

2' - 8 1/2" 6' - 4"

Consultant Address Address Phone Fax e-mail

3/8" = 1'-0"

3/28/2015 10:48:55 PM

18' - 8 1/2"

LIVING ROOM LIVING ROOM

18' - 8 1/2"

FIRST FLOOR

15' - 9" 15' - 9"

KITCHEN

BEDROOM

6' - 4"

BUILT-IN STORAGE BUILT-IN STORAGE

LADDER TO LOFT LADDER TO LOFT

www.autodesk.com/revit www.autodesk.com/revit

BEDROOM

EXTERIOR PAINT COLORS

8' - 2 1/2"

BATHROOM BATHROOM

8' - 2 1/2"

STACKABLE W/D STACKABLE W/D

SECOND FLOOR

7' - 10"

6' - 6"

LAUNDRY/ CLOSET LAUNDRY/ CLOSET

Coastal Cottage 34

EXTERIOR RENOVATION EXISTING CONDITIONS

Ouma's House

PROJECT TYPE: Team SQUARE FOOTAGE: 960 LENGTH OF PROJECT: 4 Weeks SEMESTER COMPLETED: Senior Year - Fall Semester PROJECT RESPONSIBILITIES: Measure Existing Space, Design of Immediate Bathroom/Laundry Renovation, Design of Future Bathroom/Laundry/Closet Renovation, Computer Aided Drawings for Specified Areas PROJECT CHALLENGE: Design a residential space that allows the client to age in place while staying within a modest budget. PROJECT SOLUTION: Ouma's House Renovation successfully incorporates capabilities to age in place without losing the overall characteristics of the home. Immediate design plans allow the client to remodel the home with the least amount of changes, while the future design plans create more possibilities for the client to remain in her home if physical limitations arise.

DESIGN CONCEPT Ouma is moving from Laurel to be near her family in a historic Hattiesburg home. In order to make her feel as comfortable in her home as possible she will walk up to a warming red door, welcoming greenery, and charming cypress porticos. Once inside cool neutral colors and playful fabrics will create a relaxed atmosphere. An eclectic array of furniture, natural lighting, and an organized workspace cater to her personality and needs. The open kitchen and dining area allows her to work and socialize in a clean and crisp environment. An improved laundry and bathroom allow her accessibility and luxury. Plush bedding and lively artwork make for a stylish yet soothing atmosphere for end of busy days. The home promises to be everything Ouma needs as she takes on this new adventure in Hattiesburg, Mississippi.

IMMEDIATE BATHROOM RENOVATION

FUTURE BATHROOM RENOVATION

FIXTURE SELECTIONS

Ouma's House 37

LIGHTING & ELECTRICAL PLAN

FUTURE LAUNDRY ROOM

FUTURE MASTER CLOSET

ASID South Central Chapter Winner 3rd Place Beginner Residential Design

39 PROJECT TYPE: Individual

SQUARE FOOTAGE: 191 Designed LENGTH OF PROJECT: 6 Weeks

SKETCHES

Boney Kitchen

NORTH ELEVATION

SEMESTER COMPLETED: Sophomore Year - Spring Semester PROJECT RESPONSIBILITIES: Site Measuring, Research, Space Planning, Finish & Furniture Selections, Colored Hand Renderings, Technical Construction Documents, Digital Finish Boards PROJECT CHALLENGE: Design a kitchen in keeping with the home's historical Spanish Eclectic style. PROJECT SOLUTION: The Boney Kitchen Renovation mixes Spanish Eclectic style with finishes desired by the client. Dark cabinetry, stone finishes, and modern appliances create a balance with the existing character of the home.

SOUTH ELEVATION

WEST ELEVATION

RENDERED FLOORPLAN DESIGN CONCEPT

EAST ELEVATION

The design of the Boney Kitchen Renovation is Spanish Eclectic that reflects the overall style of the 1920s home. By using Spanish tile flooring, honedmarble countertops, and a mixture of both solid wood and glass front cabinets, the overall design goal will be achieved while also creating a transitional feel in the space. Dark wooden beams will be added to the ceiling, along with arch accents over the range to mimic design aspects of typical Spanish Eclectic homes. The transitional style will be emphasized by adding a built-in storage unit that imitates a piece of furniture. An L-shaped bar at countertop height will allow seating for four people and will provide an intimate atmosphere for the family as they cook and dine at mealtime.

DESIGN SOLUTION

112" 36"

74"

78"

18"

112"

36"

18"

18 3/8"

24"

36"

61 3/8"

18"

PRODUCED BY AN AUTODESK STUDENT PRODUCT 2" 12 3/8" 12 3/8"

38 3/8"

30"

122 1/8" 190 1/2"

144" 104 3/8" 29 7/8"

18"

59 1/8"

18"

13"

12"

Description

Date



WOODEN No. BEAM

18"

39 5/8" 12"



  



 

36"



   

CAB. ON ANGLE

112" 18"

18"

112"

36"

REF. ON ANGLE

24" 30 7/8" 18" 41 5/8" 24" PRODUCED BY AN AUTODESK STUDENT PRODUCT 5 1/2" 39 1/4"

104 3/4" 144"

WEST ELEVATION 1/2" = 1'-0"

190 1/2"

94"

61 3/8"

35 1/4" 12 3/8" 12"

2" 24"

16 1/2"

33"

36 7/8"

30"

23 3/4"

No.

Description

Date

 18"

   

18"



   

  

CAB. ON ANGLE

112"

36"

36" 112"

18"

29 1/2"

36"

68"

24 1/2"

REF. ON ANGLE

PRODUCED BY AN AUTODESK STUDENT PRODUCT 25 3/4"

16 1/2"

18"

30 7/8"

18"

93 7/8"

40 5/8"

15"

24"

24 3/8" 20 3/8"

35 1/2"

190 1/2"

SOUTH ELEVATION 1/2" = 1'-0" 144" 132"

12" Description

Date

18"

No.

WOODEN BEAM



   



   

  

24 1/2"

112"

36"

76" 112"

29 1/2"

36"

PRODUCED BY AN AUTODESK STUDENT PRODUCT

40 1/4"

PRODUCED BY AN AUTODESK STUDENT PRODUCT

23 7/8"

NORTH ELEVATION 1/2" = 1'-0"

PRODUCED BY AN AUTODESK STUDENT PRODUCT

The Boney Kitchen was designed to preserve the Spanish Eclectic style of the home while using all-natural materials such as marble and travertine throughout the entire space. This was accomplished by preserving unique features of the home, while adding modern fixtures to update the kitchen. The package delivery pass-through and the brick column are special characteristics to the house that are important to the homeowner. Because of the uncertainty of existing structural soundness, minimal cuts into the walls will be necessary. New electrical outlets have been placed around the perimeter of the room to supply power to the appliances used most by the homeowner. Also, the ceiling has been dropped six inches to allow for room to add recessed lighting into the area. This also allows for decorative wooden beams to be placed on the ceiling, a feature common in Spanish Eclectic homes. Repairs will be made to trim work that was cut into during a previous remodel. The cabinetry has been strategically sized to fit around the wide trim on the door and window frames. By using a neutral paint color on the walls, walnut cabinets, and other neutral colored accessories and furniture pieces, the kitchen will be timeless and appealing to many people with different design tastes. With a mixture of neutral colors and natural materials, the kitchen will be mainly organic, which is reflective of Suzanna’s lifestyle. Since the homeowner was on a budget, the existing oven will be reused in the new space. By matching it with new stainless steel appliances, the kitchen will look harmonious and fresh. Since ample storage is important to Suzanna, the hutch originally in the kitchen will remain. This will help the project remain within a realistic budget and also give her a place to display dishes and items she does not use on an everyday basis. By adding a desktop nook and a peninsula seating area, Suzanna will be able to use the space for multiple functions. The desktop nook is complete with an overhead bookshelf to house Suzanna’s collection of cookbooks. By designing the seating area at countertop height, guests will be able to easily visit with Suzanna as she works in the kitchen. Preserving the style of the 1920s Spanish Eclectic house and mixing it with modern amenities was successfully implemented in this kitchen remodel design.

81 1/2"

PRODUCED BY AN AUTODESK STUDENT PRODUCT

190 1/2"

2 3/8" 24"

PRODUCED BY AN AUTODESK STUDENT PRODUCT

Boney Kitchen

PRODUCED BY AN AUTODESK STUDENT PRODUCT

24"

30"

18"

5 1/8"

42 1/2"

23 1/4"

1" 144"

EAST ELEVATION 1/2" = 1'-0"

No.



Description

Date

   

  



RODUCT

PRODUCED BY AN AUTODESK STUDENT PRODUCT

CABINETRY VOID APPROX. 12 1/4"

BASE FILLER CUT TO FIT

3-DRAWER BASE W/ BREAD BOX DRAWER

GE PROFILE SERIES ENERGY STAR 23.1 CU. FT. COUNTER-DEPTH FRENCH DOOR REFRIGERATOR, MDL. PYE23KSDSS

GE PROFILE SERIES BUILT-IN 15" COMPACTOR, MDL. GCG1580RSS

BASE DRAWER W/ POTS & PANS STORAGE

(EXISTING RANGE AND OVEN) 31" OPENING

BASE PANTRY PULLOUT

WALL FILLER CUT TO FIT

   



  

34 3/4" 31"



BD24-3

SBMS36

BWBT18

BF3 5

EX. STORAGE

B3012

87 1/2" 6

95 5/8"

GE ST W/ HID

SINK B LARG MDL. K

BASE

CABIN

BASE

3-DRA

GE PR COUN MDL. P

GE PR MDL. G

BASE

(EXIST

BASE

WALL

BF3 5

B1812 1

CEILING HEIGHT 112"

W1836 BBD18 A103 TO DINING ROOM 1

A104

A106

A105 7

60 3/8"

8" 3/



FLOOR P

21 1/8"

W2436

Date

34 3/4"

40 7/8"

BASE DRAWER W/ POTS & PANS STORAGE

144 1/4"

BASE SINGLE DOOR W/ TRAY DIVIDER

78 1/2"

32" 28 1/2"

111 7/8"

83 3/4"

BASE TRASH W/ DOUBLE WASTEBASKET KIT

122 1/8"

6 3/4" 16"

144 1/4"

30"

32"

SINK BASE MULTI-STORAGE W/ KOHLER UNDERTONE EXTRA LARGE SQUARED UNDER-MOUNT SINGLE-BOWL KITCHEN SINK, MDL. K-3325-NA

38 3/8"

1 10 B9

BPPS18

 

8 W3036

BPPS18

BPP9

WOC2430

W3336

148 1/4" 55 7/8"

WF 14

16 1/2"

41"

28 1/2"

PRODUCED BY AN AUTODESK STUDENT PRODUCT

144 1/4"

GE STAINLESS STEEL INTERIOR DISHWASHER W/ HIDDEN CONTROLS, MDL. GDT740SIFII

O DINING ROOM

ription

190 1/2"

PRODUCED BY AN AUTODESK STUDENT PRODUCT

83 3/4"

FLOOR PLAN SPECIFICATIONS

25 3/4"

93 7/8" 190 1/2"

No.

Description

Date





PRODU

43 corporate

F & W ARCHITECTURE

POINTE LAW FIRM

PRELIMINARY WORK Direct Adjacency Close Adjacency Visual Access Daylight Administration/Executive Production/Operations Ancillary

STAFF CONF ROOM 300 SQ FT

PATIO 50 SQ FT

LIBRARY 150 SQ FT BREAK ROOM 200 SQ FT

ARCHIVES 600 SQ FT

JAN 50 SQ FT SHOW 45 SQ FT ST RR 45 SQ FT ST RR 45 SQ FT

RECYCLE 45 SQ FT

PRINTER/PLOTTING 250 SQ FT

FILE ROOM 125 SQ FT

LOBBY 290 SQ FT

ENTER

EXEC CONFERENCE ROOM 500 SQ FT

COPY/BINDING 135 SQ FT

RECEPT 110 SQ FT

PUB RR 45 SQ FT

STOR

STUDIO SPACE/WORKSTATIONS 1500 SQ FT

PUB RR 45 SQ FT

MECH

GALLERY 400 SQ FT

MECH

OFFICE MGR 140 SQ FT

SERVER ROOM 110 SQ FT

EXEC OFFICES 180 SQ FT

EXIT

F & W Architecture PROJECT TYPE: Interdisciplinary Team SQUARE FOOTAGE: 8,733 LENGTH OF PROJECT: 12 Weeks

LEGEND

MECH

Administration/Executive Production/Operations Ancillary

SERVER ROOM

SEMESTER COMPLETED: Junior Year - Spring Semester

PATIO

SHOWER STAFF RR

MECH CUST

STAFF RR

EXEC EXIT

EXEC OFFICE

STUDIO SPACE/ WORKSTATIONS EXEC CONFERENCE

ARCHIVES

EXEC CONFERENCE

STAFF CONFERENCE

OPEN GALLERY SPACE

FILE ROOM

PUB RR

LOBBY/RECEPTION

ENTER

OFFICE MGR

STOR

COPY/ BINDING

PRINTER/ PLOTTING

LIBRARY

STUDIO SPACE/ WORKSTATIONS

The design concept behind F & W Architecture is to create a space that is inviting to clients and also an energizing atmosphere for the firm’s employees. Bright greens and cool grays will harmoniously blend with metals, glass, concrete and wood to create an industrial feel with hints of contemporary elements. By using exposed beams and mechanical systems on the ceiling, the industrial style will be further enhanced by incorporating sleek floor-toceiling glass walls with sliding glass barn doors. Movable walls and access flooring will allow the owners to redesign the space when necessary and as efficiently as possible. Exterior glass walls will be used around a portion of the office to allow maximum sunlight inside the building. Nature will be brought indoors by strategically placing plants throughout the building by using “living walls.” Collaboration between colleagues will be optimized by adding extra space to the floor plan. Plush seating and breakout spaces will encourage relationships between employees and clients. Sound machines that produce white noise and acoustical materials such as carpet tiles and upholstered furniture will be added in locations throughout the building to cut down on unnecessary noises.

REFLECTED CEILING PLAN

DESIGN GOALS

Create a space that can easily transform to meet the needs of the firm.

Design the space with collaboration between office members in mind.

Utilize as much daylight as possible.

Enhance privacy in designated private areas.

F & W Architecture

C-1

C-2

C-3

C-4

C-7

C-8

C-10

Slip-Resistant Flooring

C-3

C-11

D-1

Compartmented Recycling Center HandicapAccessible Sink

C-5

C-6 Low VOC Building Materials to Reduce Offgassing

C-12

C-14

Multi-Height Reception Desk

D-4

C-1 C-2 C-3 C-4

S-1

Herman Miller Nelson Coconut Chair Bernhardt Argon Bench (5811) Steelcase Think 465 Chair Herman Miller Eames Upholstered Arm Chair

60â&#x20AC;? Wide Accessible Corridors

G-1 DIRTT Modular Wall System

C-15

C-5 C-6 C-7 C-8

Coalesse Bob Lounge Chair Haworth Very Wire Stacking Stool Haworth Very Perforated Conference Chair First Office Yaz Side Chair

C-9 C-10 C-11 C-12

Haworth Very Wire Stacking Chair Steelcase Siento Executive Desk Chair Bernhardt Argon Bench (5832) Steelcase QiVi 428 Series

T-10

T-9

T-3

T-2

DIRTT Breathe Plant Wall

C-13 C-14 C-15 C-16

Herman Miller Lyra Stool Turnstone Campfire Big Lounge Turnstone Alight Round Ottoman Bernhardt Pause Bench

D-1 D-2 D-3 D-4

Haworth Patterns Reception Desk Steelcase Universal Storage Desk Kimball Office Priority Executive Desk Haworth Compose Workstations

T-11

S-1 S-2 S-3 S-4

St St Co St

D-2

D-3

S-1

S-3 G-2 Break Out Areas for Collaboration

F&W architecture

S-4

G-3 Access to Daylight and Natural Views

T-1

T-8 G-1 Haworth TecCrete Access Flooring

T-4

NOTE: Plan Not To Scale Flush Floor Transitions

T-7

T-12

teelcase Universal Storage (30” W) teelcase Universal Storage (42” W) oalesse Host Credenza teelcase FlexFrame Wall Storage

S-1

T-1 T-2 T-3 T-4

Coalesse Bix Side Table First Office Intermix Table Herman Miller Renew Sit-to-Stand Table Haworth Planes Conference Table

C-9

T-7 T-8 T-9 T-10

C-13

Herman Miller Eames Square Table Coalesse Bob Conference Table Coalesse Low Collaborative Conference Table Steelcase MediaScape w/ TV Attachment

C-16

T-11 T-12

Turnstone Campfire Personal Table Turnstone Campfire Paper Table

F & W Architecture

OPEN OFFICE BUILDING SECTIONS

RECEPTION

GALLERY 50

PRODUCED BY AN AUTO PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PARALEGAL

COPY/BREAK

ATTY #3 OFFICE

SR. ATTY OFFICE

POINTe LAW FIRM

THE POINT LAW FIRM

CLOSET

CORRIDOR

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

WAITING ROOM ATTY #1 OFFICE

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

RECEPTIONIST

ATTY #2 OFFICE

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

ADMIN ASST

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PROJECT TYPE: Individual

DIMENSIONED PLAN

FURNITURE & ELECTRICAL

THE POINT LAW FIRM

PROJECT SOLUTION: The Pointe Law firm is strategically designed to maximize space. The design includes offices for four attorneys, a paralegal, an administrative assisstant, and a receptionist. There is also a waiting room that comfortably seats six guests, and a break room for employee use. Techniques taught in the beginner AutoCAD course were used in this project, including the preparation of simple construction documents and schedules.

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PROJECT CHALLENGE: Design an office space in a New Orleans highrise using the skills learned in the beginning AutoCAD course.

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PROJECT RESPONSIBILITIES: Renovation Planning, Codes Resarch, Space Planning, Technical Construction Documents, Colored Renderings, Finish Boards

UCATIONAL PRODUCT

SEMESTER COMPLETED: Sophomore Year - Fall Semester

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

LENGTH OF PROJECT: 5 Weeks

ELEVATIONS

SQUARE FOOTAGE: 1,694

THE POINT LAW FIRM

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

THE POINT LAW FIRM

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

THE POINT LAW FIRM

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

THE POINT LAW FIRM

REFLECTED CEILING PLAN

THE POINT LAW FIRM

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

DESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

AXONOMETRIC VIEW 52

53 EDUCATION

JOHNSON SCIENCE TOWER

SCHOOL OF CONSTRUCTION

JOHNSON SCIENCE TOWER

PROJECT TYPE: Team SQUARE FOOTAGE: 14,393 Designed LENGTH OF PROJECT: 4 Weeks SEMESTER COMPLETED: Senior Year - Fall Semester PROJECT RESPONSIBILITIES: Renovation Planning, Codes Resarch, Space Planning, Technical Construction Documents, Colored Renderings, Finish Boards PROJECT CHALLENGE: Design an exciting environment for students and faculty. Create an inviting outdoor area to update the overall look of the building. PROJECT SOLUTION: The design for the Johnson Science Tower includes an addition to the lobby area to create a more inviting entrance to the building. Hightop tables and soft seating in the lobby and laboratory corridors encourages students and faculty to collaborate outside of the classroom, stimulating imagination and providing an atmosphere to clear the mind.

DESIGN CONCEPT

The design will produce user-friendly, sustainable, and learning efficient spaces to promote maximum productivity. The use of foliage and complementing colors will bring life into the space, connecting the students and faculty to the environment. Implementing the use of group study areas, displays for student work, and improved technology will inspire collaboration and creativity.

GOALS

Sustainability: Environmentally friendly materials and finishes will immerse users in nature. Acoustical ceilings with LED lighting featuring daylight harvesting will lessen energy costs. Branding: Display areas will be maximized to feature current student work. Appropriate signage will be used throughout the building to promote wayfinding. Community: Student collaboration spaces will promote positive experiences and learning. Public dining areas will allow for a blend of students and faculty to interact.

OUTDOOR INSPIRATION

This outdoor space will improve sustainability, branding, flow, and sociability. It will feature a noticable recycling center, bike racks, greenery, and foliage to decrease carbon emissions and improve outdoor air quality. The use of circular shapes with changes in concrete color and grassy areas will redefine the building, enhance pedestrian flow through the space, and inspire creativity and study. Small outdoor benches and covered bar seating will encourage group study and provide areas for students and faculty to gather before entering the building.

CODES IMPLEMENTED

EXTERIOR LANDSCAPING

5' clear diameter turning radius in hallways. Non-slip flooring with transitions that do not exceed 1/2" in height for ambulatory ease. Objects do not protrude more than 4" into a path of travel. Dining areas, separate from labs, is provided on each floor. Fire exit signage is placed at the doors of all stair enclosures and within visible access of any point 100' from the sign. Furniture finish selections are flame, moisture, and wear resistant.

Johnson Science Tower 57

FLOOR PATTERN DESIGN

OUTDOOR COURTYARD SCHEMATIC

EXISTING LOBBY

HALLWAYS EXISTING CONDITIONS

(S)

ADDITION



 



 

 





  

DESIGN CONCEPT

School of Construction

PROJECT TYPE: Individual SQUARE FOOTAGE: 32,000 Designed LENGTH OF PROJECT: 9 Weeks SEMESTER COMPLETED: Junior Year - Fall Semester PROJECT RESPONSIBILITIES: Renovation Planning, Codes Resarch, Space Planning, Technical Construction Documents, Colored Renderings, Finish Boards

The design concept behind the University of Southern Mississippi School of Construction project is to create an active learning and universally accessible environment. The use of wood, stone, concrete and metal will emphasize the overall theme of the School of Construction, creating inspiration for students and teachers alike. Moveable and adjustable furniture will help transform the spaces into climates best suited for each class's needs.

RESEARCH SUMMARY An excerpt from "Who Needs and Accessible Classroom?" "Most faculty members design their courses for the average student. When a student with a disability enrolls, the disability services office typically helps the professor accommodate the student...But there's a way to make classes accessible to people with different levels of ability, thus reducing the need for special adaptations" (Burgstahler, 2007). Use of Universal Design: -Class Climate -Physical, Access, Usability, and Safety -Delivery Methods -Interaction

PROCESSPROCESS WORK WO

PROCESS PROCESS WORK PROCESS WORK WORK

Implemented on First, Second and Third Floors

PROJECT CHALLENGE: Design a space to house the new University of Southern Mississippi School of Construction. The design should implement state-of-the-art technology and encourage collaboration between students and faculty members. PROJECT SOLUTION: The overall design for the Southern Miss School of Construction is updated with fresh colors and building materials. Varied seating styles allow students to enjoy environments proven to increase learning and stimulate imagination. Classrooms and lobby areas provide endless opportunities for design collaboration.

Implemented in the First Floor Atrium Lobby

Implemen Second an

CLASSROOM

RECEPTION

INSPIRATION PHOTOS





RECEPTION 

 



STUDIO CLASSROOM

 Project number

FIRST FLOORSECOND LAYOUTFLOOR LAYO Drawn by

Checked by



MAIN LOBBY

STUDIO CLASSROOM RECEPTION AREA

Project Number DECEMBER 9, 2014 HALEY WEATHERSBY Checker

Scale

12/4/2014 11:09:41 AM

RECEPTION AREA



Project number Date

Date

Drawn by



MAIN LOBBY

Scale

FIRST FLOOR

SECOND FLOOR

Date Drawn by Checked by

RECEPTION AREA

Project Number DECEMBER 9, 2014 HALEY WEATHERSBY Checker



MAIN LOBBY Scale

12/4/2014 11:09:41 AM

 Project number

D HAL

Checked by

School of Construction

FURNITURE & MATERIALS

FURNITURE & MATERIALS FURNITURE & MATERIAL Sherwin Williams Aquarium (SW6767)

Atrium Lobby

Atrium LobbySherwin Williams

Sherwin Williams Aquarium (SW6767)

Loyal Blue (SW6510)

Sherwin Williams Loyal Blue (SW6510)

Steelcase Coalesse Atrium Lobby Ripple Bench

Steelcase Coalesse Sidewalk Chair

FURNITURE & MATERIALS Sweet Dreams

Acrobat Tumble

FURNITURE & MATERIALS LOBBY RENDERING& MAT FURNITURE Billow Sherwin WilliamsCoalesse Sherwin Williams Steelcase Steelcase Coalesse Atrium Lobby AquariumSidewalk (SW6767) Loyal Blue (SW6510) Chair Ripple Bench Sherwin Williams Aquarium (SW6767)

Block Party Glade

Sherwin Williams Loyal Blue (SW6510)

Acrobat Atrium Lobby Tumble

Sweet Dreams Billow

Flex Thunder

Daddy-O Melody

Atrium Lobby

FURNITURE & MATERIALS

Sherwin Williams Aquarium (SW6767)

Sherwin Williams Block Party Loyal Blue (SW6510) Glade

Flex Thunder

Steelcase Coalesse Sidewalk Chair

Daddy-O Melody

Sweet Dreams Billow

Block Party Glade

Daddy-O Melody

Steelcase Coalesse Steelcase Coalesse Sidewalk Bix Booth Chair Sherwin Williams Loyal Blue (SW6510) Sweet Dreams Steelcase Coalesse Bix Booth

Steelcase Coalesse Bix Booth

Steelcase Coalesse Ripple Bench

Sherwin Williams Loyal Blue (SW6510)

Acrobat Tumble

Billow

Steelcase Coalesse Sidewalk Chair

Atrium Lobby Flex Thunder

Sherwin Williams Aquarium (SW6767)

Steelcase Coalesse Ripple Bench

Sherwin Williams Aquarium (SW6767)

Steelcase Coalesse Steelcase Coalesse Ripple Bench Passerelle Loveseat Acrobat Tumble

Steelcase Coalesse

Passerelle Loveseat Block Party Glade Daddy-O Steelcase Coalesse Melody Flex Thunder Sidewalk Chair

Steelcase Coalesse Passerelle Loveseat

Sweet Dreams Billow

Acrobat Tumble

Steelcase Coal Sidewalk Cha

Swee B

Bloc G

Flex T

Block Party Glade Flex Thunder

Daddy-O Melody

Steelcase Coalesse Ripple Bench

Steelcase Coalesse Bix Booth

101

102

CORRIDOR F

SENIOR STUDIO

201

202

CORRIDOR A 103

MODEL SHOP 108

 

CORRIDOR G

COMPUTER LAB

203

104

CORRIDOR B STUDENT EXHIBITION

107

CONSTRUCTION DOCUMENTS

LECTURE CLASSROOM #1

109

206

7' - 11 1/8"

CORRIDOR H 205

COMPUTER TECH

COMPUTER STORAGE

STUDENT LOUNGE

MECH. ROOM

105

106

204

101

SOILS LAB

SWITCH FRONT ROW SEPARATELY

102

CORRIDOR F

DN UP

UP DN

MECH. ROOM

10' - 0"

LOBBY MODEL SHOP

CLG HT TYP 9'-0"

LOBBY

207

110

COMPUTER LAB RECEPTION

101

104

111

JANITOR CLOSET #2

SOILS LAB

109

112

7' - 11 1/8"

121

119

1 A-105

STUDIO CLASSROOM #1

STUDIO CLASSROOM #2

116

117

203

FIRST FLOOR REFLECTED CEILING PLAN 1/16" = 1'-0" RCP LEGEND THEORY FPL 4'-0" MODEL #: 765832

0' - 11 1/2"

COMPUTER STORAGE

ACT CEILING CANOPY

COMPUTER STORAGE

STUDENT LOUNGE

106

204

STUDENT LOUNGE

LECTURE CLASSROOM #1

204

206

SCONCE LIGHT MODEL #: WINLTG-6132 120V

7' - 10 1/2"

RECEPTION

LOBBY UP

LOBBY

110

RECEPTION

1 A-104

111

JANITOR CLOSET #1

121

BREAK OUT CONFERENCE #2 4" RUBBER BASE 209

ELEV OF ACOUSTICAL CLOUDS 3/8" = 1'-0" 112

114

3' - 6"

4" RUBBER BASE

OUT CLASSROOM CONFERENCE#1 #1 STUDIO BREAK OUT CONFERENCE #1 BREAK

STUDIOCLASSROOM CLASSROOM#1 #2 STUDIO

215

CORRIDOR E

123

WIGGLE BENCH LECTURE CLASSROOM #3

FIRST FLOOR KEY PLAN FIRST FLOOR KEY PLAN 1 1/16" = 1'-0" 1/16" = 1'-0"

LECTURE CLASSROOM #2 LECTURE CLASSROOM #3 211

211

103

JANITOR CLOSET #2

104

CORRIDOR B

MALE RESTROOM #2 10' - 0"

217

212

SECOND FLOORSECOND KEY PLAN FLOOR KEY PLAN 2 1/16" = 1'-0" 1/16" = 1'-0" GWB CEILING

ACT CEILING CANOPY

CORRIDOR K

218

218 CORRIDOR C 112

STUDIO CLASSROOM #3

114

Checked by

Scale

RCP LEGEND 2' X 2' ACT SYSTEM

THEORY FPL 4'-0" MODEL #: 765832 CORRIDOR F 201

ULTRA RECESSED 202 MODEL #: 11256 120V

GWB ON METAL STUD

COOPER SHAPER PENANT 26" D MODEL #: 1250 120V

ARMSTRONG FORMATIONS CEILING CANOPY 6' X 6' ASHLAR AND PLANK

SENIOR STUDIO

CORRIDOR G SCONCE LIGHT 203 MODEL #: WINLTG-6132 120V LECTURE CLASSROOM #1 206

7' - 11 1/8"

CORRIDOR H 205

STUDENT LOUNGE SWITCH FRONT ROW SEPARATELY

204

LOBBY 207

JANITOR CLOSET #2 216

CORRIDOR I 208 7' - 11 1/8"

FEMALE RESTROOM #2

CORRIDOR J

MALE RESTROOM #2

215

214

217

BREAK OUT CONFERENCE #2 BREAK OUT CONFERENCE #3 209 210

123

RESOURCE LIBRARY

117

118

  1



SECOND FLOOR REFLECTED As indicated PLAN 2 1/16" = 1'-0"

CORRIDOR K 218

213

212

211

PLAN ELEV OF2 ACOUSTICAL CLOUDS 1/16" = 1'-0" 3/8" = 1'-0"

GWB

SWITCH FRONT ROW SEPARATELY

RCP LEGEND

Project THEORY FPL 4'-0" MODEL #: 765832

number

Date ULTRA RECESSED MODEL #: 11256 Drawn by 120V COOPER Checked SHAPER PENANT by 26" D MODEL #: 1250 120V SCONCE LIGHT MODEL #: WINLTG-6132 120V

9' - 0"

5' - 6"

7' - 1 1/2" Scale

SMART BD

Project Number DECEMBER 9, 2014 HALEY WEATHERSBY Checker



ELEVScale OF CLASS WALL 1 3/8" = 1'-0"

122

FIRST FLOOR REFLECTED CEILING PLAN 1/16" = 1'-0"

3/8" = 1'-0"



Project number 2' X 2' ACT Number SYSTEM Project Project Number GWB ON METAL STUD Date DECEMBER 9, 2014 DECEMBER 9, 2014 ACT CEILING Drawn by WEATHERSBY HALEY HALEY WEATHERSBY FORMATIONS Checked byARMSTRONG Checker Checker CEILING CANOPY 6' X 6' ASHLAR AND PLANK

  Scale

1/16" = 1'-0"

TACKBOARD

12/4/2014 11:09:56 AM

Drawn by

Checked by

SECOND FLOOR REFLECTED CEILING 1

1' - 9" Date

Date Drawn by

LECTURE CLASSROOM #2

1' - 3"

Project number

118

LECTURE CLASSROOM #3

4' - 3"

4' - 8"

3' - 3 1/2"

3' - 7 1/2"

121

STUDIO CLASSROOM #2

116

115

213

2' - 8 1/2"

3' - 7 1/2"

GWB CEILING

GYP BD

1/16" = 1'-0"

4" RUBBER BASE

GYP BD

Project number Date Drawn by Checked by

GLASS CURTAIN WALL

Project Num DECEMBER 9, 2 HALEY WEATHER Che



As indic

Scale

4" RUBBER BASE

ELEV OF BREAKOUT CONFERENCE 2 3/8" = 1'-0"

ACT CEILING

' - 0 1/2"

7' - 10 1/2"

6' - 8"

ELEV OF STUDENT LOUNGE 3/8" = 1'-0"

3' - 7 1/2"

117

LARGE LECTURE STUDIO CLASSROOM #1

BREAK OUT CONFERENCE #1

LARGE LECTURE

213

1' - 9" 3' - 7 1/2" 3' - 7 1/2"

3' - 7 1/2"

120

DN UP



UPHOLSTERED WALL 3' - 7 1/2"

116

115

CORRIDOR E

GYP BD

3' - 7 1/2"

RESOURCE LIBRARY

FIRST FLOOR REFLECTED CEILING PLAN 1/16" = 1'-0"

119

GYP BD

4' - 8 1/2"

STUDIO CLASSROOM #2

BREAK OUT CONFERENCE #1

FEMALE RESTROOM #1 JANITOR CLOSET #1 MALE RESTROOM #1 CORRIDOR D

LOCKERS

Project Number DECEMBER 9, 2014 LECTURE CLASSROOM #3 HALEY WEATHERSBY 211 Checker

Project number STUDIO CLASSROOM #1

7' - 11 1/8"

113

BREAK OUT CONFERENCE #2 BREAK OUT CONFERENCE #3 209 210

123

110

111

CORRIDOR K



122

CORRIDOR E

CLG HT TYP 9'-0"

LOBBY

RECEPTION

LECTURE CLASSROOM #2 LARGE LECTURE

212

106

121

114

109

COMPUTER STORAGE

105

120

119

LOCKERS

STUDENT EXHIBITION

107

COMPUTER TECH

7' - 11 1/8"

FEMALE RESTROOM #1 JANITOR CLOSET #1 MALE RESTROOM #1 CORRIDOR D

108

COMPUTER LAB

216

CORRIDOR J 217

215

112

113

MODEL SHOP

214

ALUMINUM METAL REVEAL

ELEV118OF SEATING AREA 3 3/8" = 1'-0"

118

CORRIDOR J

102

1 A-106

FEMALE RESTROOM #2 RESTROOM #2 MALE

FEMALE RESTROOM #2

CHERRY WOOD PANEL

RESOURCE LIBRARY

RESOURCE LIBRARY STUDIO CLASSROOM #2 117

117 116

208

122

119

GLASS CURTAIN WALL

116 115 115 ELEV OF BREAKOUT CONFERENCE 2 3/8" = 1'-0"

CORRIDOR I

208

MALE RESTROOM #1

CORRIDOR D 122

119

2' - 0" 0' - 3" 2' - 0" 0' - 3" 2' - 0" 0' - 3" 2' - 0"

114

FEMALE RESTROOM #1 RESTROOM #1 MALE

CORRIDOR120 D

113

9' - 0"

LOCKERS

GWB CEILING

120 STUDIO CLASSROOM #3

GYP 113 BD LOCKERS

CORRIDOR I

ACT CEILING

10' - 0"

CORRIDOR C

112

FEMALE RESTROOM #1

STUDIO CLASSROOM #3

DN CORRIDOR C

SOILS LAB

101

CORRIDOR A

LOBBY JANITOR CLOSET #2 207 216

BREAK OUT CONFERENCE #2 LOBBY BREAK OUT CONFERENCE #3 207 210 210

BREAK OUT CONFERENCE #3 209

MECH. ROOM

SWITCH FRONT ROW SEPARATELY

STUDIO CLASSROOM #3

ARMSTRONG FORMATIONS CEILING CANOPY 6' X 6' ASHLAR AND PLANK

 

0' - 2"

GWB

206

110

GWB ON METAL STUD

COOPER SHAPER PENANT 26" D MODEL #: 1250 120V

LECTURE CLASSROOM #1

CLG HT TYP 9'-0"

LOBBY

111

2' X 2' ACT SYSTEM

ULTRA RECESSED MODEL #: 11256 120V

205

GWB CEILING

105

CORRIDOR H

CORRIDOR H 109

109

COMPUTER TECH

212

RECEPTION

0' - 11 1/2"

STUDENT EXHIBITION

213

LECTURE CLASSROOM #2

211

0' - 2"

201 203

201

204

LARGE LECTURE

10' - 0"

RESOURCE LIBRARY

SECOND FLOOR REFLECTED CEILING PLAN 2 CORRIDOR C 1/16" = 1'-0"

CORRIDOR B 107

217

7' - 10 1/2"

108

CORRIDOR G

CORRIDOR CORRIDOR GF

CORRIDOR F 108

MALE RESTROOM #2

214

218

9' - 0"

MODEL SHOP

CORRIDOR J

215

CORRIDOR K

LECTURE CLASSROOM #3

115

MODEL SHOP

FEMALE RESTROOM #2

118

BREAK OUT CONFERENCE #1

107

7' - 11 1/8"

106

BREAK OUT CONFERENCE #2 BREAK OUT CONFERENCE #3 209 210

123

12/4/2014 11:09:49 AM

202

1 A-103

104

122

CORRIDOR E

114

3' - 6"

COMPUTER LAB

CORRIDOR B

105

   

120

CORRIDOR D

LOCKERS

SENIOR STUDIO

203

STUDENT LOUNGE

COMPUTER STORAGE 208

FEMALE RESTROOM #1 JANITOR CLOSET #1 MALE RESTROOM #1

103

CORRIDOR G

7' - 11 1/8"

CORRIDOR I COMPUTER TECH

113

CORRIDOR A

104

STUDENT EXHIBITION

107

CORRIDOR C

STUDIO CLASSROOM #3

COMPUTER LAB

216

CORRIDOR B

102

 

101

COMPUTER TECH

108

 

SENIOR

201

103

12/4/2014 11:09:49 AM

CORRIDOR A

ELE 3/8"

ACT CEIL

A-110 A-110

ENLARGED PLAN OF RECEPTION AREA ENLARGED PLAN OF RECEPTION AREA 1 = 1'-0" 1/4" 1/4" = 1'-0"

ELEV OF RECEPTION AREA ELEV OF RECEPTION AREA 2 = 1'-0" 3/8" 3/8" = 1'-0" 2

ENLARGED PLAN RECEPTION AREA ENLARGED PLAN OFOF RECEPTION AREA 1 1 1/4" = 1'-0" 1/4" = 1'-0"

ELEV RECEPTION AREA ELEV OFOF RECEPTION AREA 2 2 3/8" = 1'-0" 3/8" = 1'-0"

5' - 7 1/2"

4' - 11"

5' - 7 1/2"

4' - 11"

ENLARGED PLAN OF RECEPTION AREA 1 1/4" = 1'-0"

4' - 11"

5' - 2"

A-110 A-110

4' - 11"

CHERRY CHERRY WOOD PANEL WOOD PANEL

4' - 11"

2' - 6"

WOOD PANEL

A-110 A-110

6" METAL LETTERING 6" METAL LETTERING QUARTZ QUARTZ BACKLIT QUARTZ BACKLIT QUARTZ WOOD QUARTZ WOOD BACKLIT QUARTZ WOOD QUARTZ QUARTZ BACKLIT QUARTZ BACKLIT QUARTZ WOOD WOOD

2' - 6"

5 4 A-110

2' - 6"

A-110 A-110 A-1102 A-110

2' - 6"

A-110

3' - 9"

6" METAL LETTERING

3' - 9"

A-110

ALUMINUM METAL REVEAL CHERRY CHERRY WOOD PANEL ALUMINUM WOOD PANEL ALUMINUM METAL REVEAL METAL REVEAL CHERRY

4 A-110 A-110

4 3

8' - 9 1/2" 5' - 2" 5' - 2"

8' - 9 1/2"

A-110 2 A-110

6" METAL LETTERING 6" METAL LETTERING

ALUMINUM ALUMINUM METAL REVEAL METAL REVEAL

3 A-110 A-110

5' - 7 1/2" 5' - 7 1/2" 5' - 7 1/2"

3 A-110

5' - 2"

- 9 1/2" 8' - 9 1/2" 8' - 9 1/2"5' 8' - 2"

School of Construction

CUSTOM RECEPTION DETAILS

ELEV OF RECEPTION AREA 3/8" = 1'-0"

QUARTZ COUNTERTOP QUARTZ COUNTERTOP

FILE DRAWER SUPPLY DRAWER SUPPLY DRAWER FILE DRAWER FILE DRAWER

SECTION OF RECEPTION DESK 1 1/2" = 1'-0"

0' - 1 1/2"

QUARTZ COUNTER AGED CHERRY QUARTZ COUNTERTO AGED CHERRY SS SS PLYWOOD PLYWOOD AGED CHERRY SS

STRUCTURAL 1"X2"1"X2" STRUCTURAL PLYWOOD BLOCKING AGED CHERRY BLOCKING AGED CHERRY SSSS 1"X2" STRUCTURAL PLYWOOD PLYWOOD BLOCKING

1"X2" STRUCTURA 1"X2" STRUCTURAL BLOCKING BLOCKING 3' - 1 1/2"

1' - 1 1/2" 0' - 3"

3' - 1 1/2"

PLYWOOD BACKER PLYWOOD BACKER

SIDE GLIDERS SIDE GLIDERS

SECTION OF RECEPTION DESK SECTION OF RECEPTION DESK 5 1 1/2" = 1'-0" 1 1/2" = 1'-0" 5

PLYWOOD BACKER

QUARTZ COUNTERTO

STRUCTURAL 2"X4"2"X4" STRUCTURAL BLOCKING BLOCKING SPACERS SPACERS FORFOR 2"X4" STRUCTURAL LEVELING LEVELING BLOCKING SPACERS FOR 2"X4" STRUCTURA 2"X4" STRUCTURAL LEVELING BLOCKING BLOCKING SPACERS FOR SPACERS FOR LEVELING LEVELING

0' - 5 1/2"

KNEE SPACE ELEV OF BACK OF RECEPTION DESK ELEV OF BACK OF RECEPTION DESK 4 4 1/2" = 1'-0" 1/2" = 1'-0" KNEE SPACE KNEE SPACE ELEV OF BACK OF RECEPTION DESK 4 1/2" = 1'-0"

SIDE GLIDERS

3' - 1 1/2" 3' - 1 1/2" 3' - 1 1/2"

0' - 1 1/2"

KNEE SPACE KNEE SPACE

PLYWOOD BACKER PLYWOOD BACKER SIDE GLIDERS SIDE GLIDERS GLIDERS SIDESIDE GLIDERS

0' - 5 1/2"

DRAWER FILEFILE DRAWER SUPPLY DRAWER

SIDE GLIDERS

0' - 5 1/2" 0' - 5 1/2" 0' - 5 1/2"

0' - 5 1/2" 0' - 3"

SUPPLY DRAWER SUPPLY DRAWER

0' - 0 1/2" 0' - 6"

1' - 0"

ELEV SIDE RECEPTION DESK ELEV OFOF SIDE OFOF RECEPTION DESK 3 3 1/2" = 1'-0" 1/2" = 1'-0"

GLIDERS SIDESIDE GLIDERS

1' - 0"

ELEV OF SIDE OF RECEPTION DESK 1/2" = 1'-0"

0' - 0 1/2" 0' - 6"

0' - 3"

AGED CHERRY AGED CHERRY SSSS SIDE PANEL SIDE PANEL ELEV OF SIDE OF RECEPTION DESK ELEV OF SIDE OF RECEPTION DESK 3 3 1/2" = 1'-0" 1/2" = 1'-0"

0' - 5 1/2" 0' - 3"

1' - 1 1/2"

AGED CHERRY SS SIDE PANEL

1/2" 0' - 3" 0' 1/2" 0' - 6" - 3" 1' - 1 1/2" 1' - 1 1/2" 1' -- 00"1/2" 1' 0'0'-- -0" 06"1/2" 0'0'0'- -0-3" 6" 3"1' - 10'1/2" 0' - 5 1/2" 0'0'--53"1/2" 0'0'- 5- 3" 1' - 0"

AGED CHERRY SS QUARTZ COUNTERTOP AGED CHERRY SS QUARTZ COUNTERTOP PANEL SIDESIDE PANEL

0' - 1 1/2" 0' - 1 1/2" 0' - 1 1/2"

QUARTZ COUNTERTO QUARTZ COUNTERTOP QUARTZ COUNTERTOP

 

The University of Southern Mississippi

School of Construction



Date Drawn by Checked by

Project Number DECEMBER 9, 2014 HALEY WEATHERSBY Checker

 Scale

As indicated

ANALYTIQUE /4/2014 11:09:58 AM

Project number

65 healthcare

LUMBERTON CLINIC

ASID South Central Chapter Winner 1st Place Individual Beginning Studio Honorable Mention Institution Design

LUMBERTON CLINIC PROJECT TYPE: Individual SQUARE FOOTAGE: 6,705 LENGTH OF PROJECT: 9 Weeks SEMESTER COMPLETED: Sophomore Year - Fall & Spring Semesters PROJECT RESPONSIBILITIES: Renovation Planning, Codes Resarch, Space Planning, Technical Construction Documents, Colored Renderings, Finish Boards PROJECT CHALLENGE: Design a medical clinic in rural Mississippi that includes space for multiple healthcare styles. PROJECT SOLUTION: The Lumberton Clinic is designed with the patient in mind. The building has 14 standard exam rooms, exam rooms equipped for visiting physicians, a telemedicine office, and a radiology room. The goal for the Lumberton Clinic is to provide patients with a one-stop treatment facility for those who may not have the ability to travel outside of the region.

lumbert n

CLINIC

RESEARCH SUMMARY

DESIGN CONCEPT

Healthcare concerns in America seem to be the most prevalent in rural areas of the nation. Compared to urban locations, rural areas are typically composed of poorer, older, and less-educated populations. In general, there are fewer clinics and hospitals to serve rural communities. Therefore, people in these areas are sometimes forced to travel in order to receive the treatments they need, costing both time and money to the patient (Ormond, 2000). According to the National Rural Health Association, “only about ten percent of physicians practice in rural America despite the fact that nearly one-fourth of the population lives in these areas” (What’s Different about Rural Health Care, 2013). Because of alarming statistics such as this, telemedicine is the newest trend in healthcare. As defined by the American Telemedicine Association, “telemedicine is the use of medical information exchanged from one site to another via electronic communications to improve a patient’s clinical health issues”. As telemedicine expands in popularity, so do the many options of telecommunication devices. Currently, telemedicine is being practiced with the help of computer video systems, email, and smartphones (What is Telemedicine, 2012). This versatility is making it more and more easy for patients to obtain specialized healthcare that they may have to forfeit otherwise. Not only does telemedicine benefit patients by monitoring them in remote locations and translating medical data, but doctors can also use the technique to further their education with information targeted to those physicians serving people in rural areas (What is Telemedicine, 2012). Although there are many benefits to telemedicine, there are also a few negatives to consider. As with all electronic programs, glitches are something to consider. Bad weather can interfere with Internet connections, therefore making online communication less reliable. Also, a number of doctors are somewhat resistant to the new way of communicating with patients. These hesitant doctors also prefer to physically touch their patients, believing that is the most accurate way to treat their patients. However, over time, many physicians see that the positives outweigh the negatives when it comes to caring for chronically ill patients in remote areas (Harper, 2012). The town of Lumberton is situated in south Mississippi and is made up of 7.26 square miles. According to the 2010 United States census, Lumberton was home to 2,086 people, down 6.37 percent since the 2000 census. The population size is ranked number 118th in the state of Mississippi. The average household income in Lumberton is 20,625 dollars, and the average house value is 71,600 dollars (Lumberton, MS, 2010). The Lumberton population consists of people from multiple racial backgrounds, including 56.47 percent black, 42.38 white, 0.53 Hispanic, 0.14 percent native. Also, the community is 52.35 percent female and 47.65 percent male. The median age of those living in Lumberton is 34.30 years old (Lumberton, MS, 2010). Within the data given by USA.com, educational backgrounds are provided for the population ages 25 years and over. Nearly 22 percent of this portion of the population has less than a high school education and 37.92 percent has a high school degree. When it comes to college degrees obtained, the percentages are even less. Those that have some college or an associative degree make up 26.74 percent of the population, those with a bachelor degree make up 7.42 percent, and those with a master, doctorate or professional degree make up 6.26 percent (Lumberton, MS, 2010).

The concept behind the design of the Lumberton Clinic will be to mimic a residential space that is inviting to both the employees and patients. Using comfortable furniture, subtle colors of blues and greens, and luxury finishes will emphasize the relaxing theme. By using materials such as hardwood floors throughout the lobby and hallways and stone accents on the face of the reception desk, the décor will portray a stylish, yet rustic space that is attractive to the people of the community that is known for its rich history in logging.

DESIGN GOALS 1.) Community Friendly: By incorporating wood plank flooring and brick accents on the reception desk, the décor of the clinic is well reflective of the former logging community. 2.) Clear Way finding: Clear way finding will be addressed by using easy-to-navigate hallways and signage to lead patients throughout the clinic. By using accent paint colors, the public, private, and staff areas will be simple to identify. 3.) Infection Control: Various materials will help with infection control. By using Crypton and vinyl fabrics, solid surface counters, seamless vinyl flooring and other antimicrobial, nonporous surfaces, facility maintenance will be easy and visitors will feel more confident in their care. 4.) Health and Well-being: A calming environment will be created using accent colors in soft blues and greens. By using finishes that are relaxing, the overall welfare will be increased in both the patients and employees.

Lumberton Clinic

RECEP

LOBBY RENDERED FLOORPLAN

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

DIMENSIONED PLAN

LOBBY RENDERING

PTION ELEVATION

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Lumberton Clinic

FURNITURE PLAN

ADA EXAM ROOM

TYPICAL EXAM ROOM

HAND-RENDERED FLOORPLANS

BREAK ROOM

TELEMEDICINE

BUSINESS CENTER

CONFERENCE ROOM

product design

THE FISH AND FLOWER VASE

the fish and flower vase

PROJECT TYPE: Individual LENGTH OF PROJECT: 9 Weeks SEMESTER COMPLETED: Junior Year - Fall Semester PROJECT RESPONSIBILITIES: Product Research, Inspiration Research, Model Development, Colored Renderings PROJECT CHALLENGE: Create a unique product using a design program taught in class. It should be developed to a point that would suffice for product execution. PROJECT SOLUTION: The Fish and Flower Vase is part fish bowl and part flower vase. Its double-basin design prevents the water in the two entities from cross-contaminating. Its unique design makes it stand apart from similar products and is the perfect item for people who love the addition of natural elements in interior spaces.

DAYTIME RENDERED VIEW

REFLECTANCE FLOWERS

GLASS

SCALES

IDEA GENERATION

The Fish And Flower Vase

SIDE OF VASE

MODEL DEVELOPMENT

During the model development stage, I decided to create a vase with an overall organic shape. I wanted my design to resemble both a traditional fish bowl and a traditional vase. Therefore, the outer portion of my fish bowl is bulbous and will be made of clear glass. The material I plan on using on the inner vase is a colorful blown glass to add a pop of color.

SIDE OF VASE

BOTTOM OF VASE

As with all vases and fish bowls, I created a small lip on the bottom of the fish bowl/ vase combo so that it will sit flat on a tabletop once it is developed. The shape of the vase transforms from medium, to large, to small, giving it visual appeal and a playful look, all while remaining sleek and elegant.

During the model development phase, I decided to create a vase with an overall organic shape. I wanted my design to resemble both a traditional fish bowl and a traditional vase. Therefore, the outer portion of my fish bowl is bulbous and will be made of clear glass. The material I plan on using on the inner vase is a colorful blown glass to add a pop of color

SIDE SECTION

This section view shows the side of the design element. It illustrates the overall proportions of the vase and the fish bowl in comparison to each other. In this picture, it is easy to see that although the bowl is much larger in diameAs with all vases and fish bowls, I fish created a small ter, the vase is nearly as tall as it. lip on the bottom of the fish bowl/vase combodone so that This was strategically flowers with longitstems so that it will sit flat on a tabletop once is are attractive in transforms the bowl. My idea is to have developed. The shape of the vase the flowers appear to be blooming from medium, to large, to small, straight givingoutitofvisual the vase, so I want to eliminate being able to see the appeal and a playful look, all while remaining stems of the flowers as much as sleek and elegant. possible.

BOTTOM OF VASE

TOP SECTION OF VASE

N OF VASE

This section view was taken to better illustrate the bottom portion of the design and how the fish bowl and vase connect. As this picture shows, the vase and fish bowl are individual entities, meaning that they do not share a water supply. I decided to design the model this way to prevent contamination between the fish and the plants.

TOP SECTION OF VASE This section view was taken to better illustrate the bottom portion of the design and how the fish bowl and vase connect. As this picture shows, the vase and fish bowl are individual entities, meaning that they do not share a water supply. I decided to design the model this way to prevent contamination between the fish and the plants.

SIDE SECTION OF VASE This section view shows the side of the design element. It illustrates the overall proportions of the vase and the fish bowl in comparison to each other. In this picture, it is easy to see that although the fish bowl is much larger in diameter, the vase is nearly as tall. This was strategically designed so that flowers with long stems are attractive in the bowl. My idea is to have the flowers appear to be blooming straight out of the vase, so I want to eliminate being able to see the stems of the flowers as much as possible.