three poems of jessica hornik for Abigail Haynes Lennox and the Inscape Chamber Music Project
jhallman
i Š2008
three poems of jessica hornik
Oboe
Clarinet in A
Harp
jhallman
q = 42
p
5
p
in a clear yet pale voice, no vibrato
Viola
Violoncello
Contrabass
Soprano Solo
Violin
The mourn - ing dove p
mp
S. Solo
Vln.
Vc.
Cb.
3
pple tree
meets
6
6
the sol - i - tar - y
10
mp
that re - fused
3
to
warmer voice poco vibrato
3
3
mp
3
last pa - tients, they co - mmis - er - ate
3
fall.
pple
The tree's mp
-
a
-
6
mp
Vla.
in the a
sul pont.
Hp.
pp
Ob. Cl.
in the e - mpty blue
3 3 3
3
mp
3
mp
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3
Ob.
Cl.
Hp.
S. Solo
Vln.
3
Cb.
Snow
3
3
3
Vc.
3
3
3
pat - ches 3
3
3
3
the
dun
3
3
path
a crumb - trail of
3
3
3
3
3
3
3
3
3
cold.
3
3 3 3 3 3
3
mp
pa - tches
3
3
3
3
mp
Vla.
15
Ob.
5
mp
Cl.
Hp.
S. Solo
Vln.
mp
3
3
5
p
Vc.
p
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mp
p
Vla.
Cb.
5
20
3 3
4
Ob.
Cl.
Hp.
S. Solo
Vln.
mp
By the pond two cat - tails hav - ingmissed their cue to burst,
Vc.
Cb.
slightly more playful
Vla.
25
now
3
stand
help
-
less
as pop - sic - les
mp
mp
Ob.
Cl.
Hp.
30
mp
mp
3 mp
Vc.
Cb.
S. Solo
Vln.
3
Vla.
3
3
mp
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5
Ob. Cl.
Hp.
S. Solo
Vc.
Cb.
Vln. Vla.
3 3 3 3 3
3
3
3
3
3
3
3
mf
Ob.
Cl.
Hp.
S. Solo
Vln.
3
3
35
Vc.
Cb.
Vla.
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5
3 5
mp
5
6
Ob.
mf
Cl.
S. Solo
Ob.
Vln.
Cb.
f 40
f
In love
there
full big voice
f
3
is
no such thing
3
as
3
choice,
but
Vc.
Vla.
3
5
f
S. Solo
Cl.
Hp.
f
Cb.
3
3
f
f
f
Vc.
Vln. Vla.
Slightly Slower
Hp.
mf
3
3
3
un - lim - it - ed
sup - plies
of
re - gret
3
3 3 3
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7
Ob.
Cl.
Hp.
S. Solo
mp
3
mp Cb.
mp
mp
Vc.
Vla.
Vln.
45
Ob.
Cl.
Hp.
S. Solo
Vln.
3
Vc.
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play only if the bass part is not present enough
3
3
3
3
3
3
3
3
3
Vla.
Cb.
3
3
3
3
3
3
3
3
8
Ob.
Cl.
S. Solo
gli
ss.
s.
glis
gli
ss.
Vla.
Vc.
Cb.
6
6
6
6
6
6
6
6
Ob.
6
6
6
6
6
6
Vln.
. iss gl
. iss
S. Solo
p
Vla.
Vc.
Cb.
p
p pizz.
p
3
the need for me
on your ca nyon perch
in your ci - trus - circle - d house,
There,
pizz.
mp with irony inflected, poco vib.
pizz.
3
gl
Hp.
ss. gli
p Cl.
Slower Still
50
6
Vln. 6
ss.
Hp.
ss.
gli
gli
sub - sides
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9
Ob.
Cl.
55
S. Solo
Cb.
at
Here, a whit'n - ing aisle through a field
p simple, pale; no vib.
eve - ning.
p
come prima
heat
like
5
3
Vln.
Vc.
3
3
Vla.
Hp.
a ri
-
arco at the tip
pp
-
60
Ob.
Cl.
S. Solo
Vln.
Vc.
Cb.
ver
-
ted
3
p
cur
sul pont.
-
-
pp
from its
par
Vla.
p
Hp.
-
-
rent
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10
Ob.
Cl.
Hp.
S. Solo
Vln.
3
3
pp
pp
Vc.
Vla.
Cb.
65
70
3
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Pleasant Bay q= 60
11
Ob.
Cl.
Hp.
S. Solo
Vln.
mp
mp
Vla.
Be - cause
it rain'd all day, pizz.
3
mp
3
pizz.
3
mp
grew
3
3
3
sad.
3
Those
3
al
3
ev - ery - one
pp
75
3
-
read -
Vc.
Cb.
80
Ob.
Cl.
Hp.
S. Solo
Vln.
y sad
Cb.
85
grew sad -
der.
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mp pizz.
mp
mp
full, clear, poco vib.
The
mp
knock
mp
mp
Vc.
mp
Vla.
3
3
3
3
3
12
Ob. Cl.
S. Solo
Vln.
mf
3
3
3
3
3
3
3
3
3
the
of
arco
3
arco
3
knock
sim.
mf
3
sim. 3
blo - ssom cups
3
3
Vc.
Cb.
Vla.
90
mf
Hp.
3
mp
mp
Ob. Cl.
3
3
Hp.
S. Solo
Vla.
Vc.
Cb.
wood straw
95
ber
-
ries
broad
-
cast
3
mp
mp
-
-
more playful
Vln.
3
through
the
3
fields
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Ob.
Cl.
Hp.
S. Solo
3
mp
mp
5
Vln.
3
100
3
mp
Vla.
13
Slower q= 48
drain - ed
as quick - ly
fill
-
ed,
we were fill
while
-
Cb.
ed
up
easy, not rushed arco
mp Vc.
sub. pp
asthey
3
3
3
mp
3
3
3
Ob.
Cl.
Hp.
S. Solo
Vln.
mp
and
kept
on
fill - ing,
on
fill - ing,
and
kept
on
fill - ing,
no vib., meccanico
and kept
on
fill - ing,
3 3 3 3 3 3 3 3 3 3 3 3 3
Vc.
Cb.
knock
and kept
mp
Vla.
105
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3
3
3
3
3
14
Ob.
Cl.
Hp.
S. Solo
Vln.
Vla.
Vc.
Cb.
like clocks
110
tick - ing
aft
-
er
the
end
115
of the world
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15
Interlude q = 76 "Spoken": this effect should be "whispered" and sound like a ride cymbal. Use the sound "Tss" to achieve it
Cymbals
"Spoken":
mp
120
"Spoken":
this effect should be "whispered" and sound like a (high) kick drum. Use the sound "K(h)uh" in to achieve it
mp
Vla.
Vc.
Cb.
Hp.
S. Solo
Vln.
Bass Drum
mp
Cym. B. D.
Hp.
S. Solo
Vln.
3
130
pizz.
mp
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sul ponticello
arco
mp
fingers of one hand play against the cupped palm of the other
Vc.
Vla.
knock
(quiet) hand claps:
mp pizz.
Cb.
swung, almost if triplets
Cl.
125
mp
16
Cym.
B. D.
Hp.
"Spoken":
Vln.
135
Sung straight tone p, e meccanico
Vla.
Vc.
Cb.
rain'd
rain'd
rain'd
rain'd
rain'd
rain'd
rain'd
rain'd
rain'd
Sung ("ah")
p
rain'd
rit.
a tempo
m.o.
mp
Cym.
140
B. D.
Hp.
S. Solo
Vln.
Cb.
6
6
5
3
3
6
5
Vc.
mp
Vla.
5
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17
Cym.
B. D.
Hp.
S. Solo
145
Vln.
Vc.
Cb.
Vla.
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n.
Clarinet in A
Oboe
Postscript: The Harebell q= 104
18
150
Ob.
mp
Cl.
Hp.
S. Solo
155
mp
3
mp
3
160
3 3 3
mp
Vla.
Vc.
Cb.
Vln.
The hare
mp
-
bell
on her liss - ome,
on stoop - ing
Ob.
Cl.
165
170
mp
Hp.
S. Solo
Vln.
Vla.
Vc.
Cb.
stem,
goes
on
and
on
and
on,
on pizz.
pizz.
3
3
In
mp
to the weath - er of the snow
pizz.
mp pizz.
mp
and lone - ly ev - er
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19
175
Ob.
Cl.
S. Solo
Vln.
greens
180
q= 60
subito
Vc.
Cb.
Vla.
3
Hp.
p
mf
6
mf
mf
mf, fat and rich
vite
3
3
5
She pre - sides arco
3
o - ver the
mf arco
mf
arco
mf
Ob. Cl.
S. Solo
Vln.
3
3
-
3
5
froz
3
185
Hp.
-
-
5 3 sounds 8va higher 3 3 5
en
gard
-
-
-
-
en,
pizz.
pizz.
Vla.
Vc.
Cb.
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-
pizz.
20
Ob. Cl.
Hp.
S. Solo
Vln.
Ob.
Cl.
Hp.
S. Solo
190
an
or - phan
Vc.
the
on
-
ly,
arco
mp
3
I heard her sing
of an earth - ly ev - er
3
last - ing - ness
3
3
all
she loves
pp
3
pp arco
arco
a wo - man's cha - ri - ty to - wards
Slightly Slower
205
mp
p
her col - ors know
house
on - ly
on - ly,
pp
on, -ly
195
in
200
Vla.
Vln.
Cb.
Slower q=c. 52
Vc.
Vla.
Cb.
pizz.
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21
Ob.
210
pp
Cl.
Hp.
S. Solo
Vln.
p
215
220
3
Vla.
Vc.
Cb.
To
her
mydreams go begg - ing...
as if to wre - stle free
of what
they know
is in store
for me
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22
Ob.
Cl.
Epilogue q= 104
knock
W.B.
L R R mp
225
straightone
Vla.
Vc.
S. Solo
Vln.
Cb.
ppp
sfz
knock on back of bass
mp
sfz
knock on breast of cello
L R R mp
3
mp
Ob.
Cl.
W.B.
S. Solo
Vln.
Vla.
W.B.
pp
235
mp
3
3
Harp
3 3 3 3
mp
3
Taiko D.
230
mp
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23
Ob.
Cl.
Hp.
S. Solo
Vln.
3
3
3
mp
Vla.
240
3
3
3
W.B.
Taiko D.
Ob.
Cl.
Hp.
S. Solo
245
mf
Vln. Vla. W.B.
Taiko D.
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Violoncello
mf
3
mf
3
3
3
3
3
mf
mf 3
3
3
3
3
mf
3
3
3
3
f Contrabass
f
24 Ob.
Cl.
Hp.
S. Solo
Vln.
Vla.
3
3
3
3
3
Vc.
Cb.
3
3
3
3
3
3
3
250
3
3
3
3
3
3
3
3
3
3
3
3
Ob.
Cl.
Hp.
S. Solo
Vln.
Vla.
Vc.
Cb.
255
mp
mp pizz.
mp
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