Handan Akyürek, Architectural Portfolio 2020

Page 1

//Handan AkyĂźrek// Architectural Portfolio


www.behance.net/handanakyurek handanakyurek@gmail.com +905412674730 Ankara,Turkey

I


E D U C A T I O N 2019/- Middle East Technical University /Ankara TR MSc in Building Science 2009/2015 Yıldız Technical University /Istanbul TR Bachelor of Architecture 2012/2013 Escola Tècnica Superior d’Arquitectura de Barcelona/ Barcelona ES Erasmus Exchange Programme, Erasmus+ EU grant 2005/2009 Bafra Anadolu Lisesi / Samsun TR High Honor in Math and Science E X P E R I E N C E S Bukan / Gozo, Malta / Site Architect, 02.2020_03.2020 Spiteri Catering Showroom // Construction Management S AN AL ar c / I s t an b u l T R / Arc hitec t , 1 1 .2 01 5 _01 .2 01 9 Hacımimi Neighborhood Masterplan Development // Junior Architect Berkolon Realestate // Letafet Apartment and Galata61 Apartment //Design Architect Mzes Realestate // Hacımimi Garden Apartments // Design Architect Ceneviz Realestate, Yamaç Apartment and Kayıklar Apartment // Design Architect Robert College Commons and Community // Project Architect Kütahya Pazar // Design Architect Teğet Architectural Office / Istanbul TR / Internship, 06-09 2015 Architectural Design, Model Making Erginoğlu-Çalışlar Architects / Istanbul TR / Internship, 06-09 2012 Architectural Design, 3D modelling Mount Nif (Olympus) Excavation Site /Izmir TR / Internship, 06-09 2011 Archaeological Research, Documentation of Archaeological Remains A C T I V I T I E S

A N D

A W A R D S

Anamur Atatepe Social Center Architectural Design Competition / 2012 2D and 3D visualization / Team: Burak Pelenk, Ezgi Baştuğ, Tuna Torun Municipality Building Design in Adana / Mention / 2014 2D and 3D visualization, Design development / Team: Zafer Akdemir, Ece Günel, Hasan Taştan,Mihriban Şahin,Sayat Tulumçiyan Nature Complex Desing in Çerkeş for Lösev / First Prize / 2013 2D and 3D visualization / Team : Burak Pelenk, Eda Yazkurt, Özgür İşan, Hazal Eraslan Dark Room Workshop ,YTU / 2013 Analouge Film Processing / As tutor Fkare Photography Festival, YTU / 2012 Part of organization team S K I L L S AutoCAD / Google Sketchup Pro / Vray / Adobe Photoshop /Adobe Indesign / Adobe Illusrature /Rhinoceros / Grasshopper L A N G U A G E S English / Advance

Spanish / Intermediate

II

Turkish / Native


This portfolio involves my academic works from my undergraduate education at YÄąldÄąz Technical University and my postgraduate education at Middle East Technical University. The projects from my professional experiences in SANALarc and BUKAN can also be seen in this portfolio.

III


CV..................................................................................II TABLE OF CONTENT................................................IV SELECTED WORKS

Academic / Undergraduate // Wavy Cube....................................................................1 // La Adoberia Del Rec.....................................................5 // Collective Housing ......................................................13 // Greenery/Decay/Water..................................................17

Academic / Postgraduate // The Gallery House.......................................................29 // Good or Collapse..........................................................41

Professional // Integrated Circuits.......................................................53 // Hacımimi Neighbourhood............................................69 // Spiteri Catering..........................................................107

Creative Works // Visualization..............................................................111 // Photography..............................................................119

IV


V


Ac ad e m i c / U n d e r g r ad u a te // Wavy Cube...................................................................1 // La Adoberia Del Rec.... ..................................................5 // Collective Housing ..... .................................................1 3 // Greenery/Decay/Water..................................................1 7

VI


WAVY CUBE 1/1 PROTOTYPE EXPERIENCE 2011 Autumn Term // YTU, Yıldız Technical University,Istanbul, TR Instructor // Eylem Erdinç Type // Self-Supporting Structure Team // Burcu Karakaş, Harun Kolay, Neda Yağlı, Semih Bingül Role // Material Research, Constuction Planing and Management, Documentation of the process. Location// Y.E.M, Yapı Endüstri Merkezi, İstanbul, TR From an abstractive idea to its actualization, design practice requires an ability to manage different steps of the actualization processes. 1/1 prototype experience has been organized to introduce those steps to the first-year architecture students. The project’s scope was to design and actualize a self-supporting structure that serves a function. Each one has researched and developed ideas for the self-sufficient systems individually. After that, we have discussed and eliminated the ideas that have been accumulated. Finally, we have decided to create a wavy terrain that serves as a sitting unit. As a design tool, parametrical methods have been used to create polygonal surfaces. After the preliminary design process, we have started to research materials and application details. 10 cm of paper tubes has been selected to create the terrain. Each paper tube has been sized according to the outputs from the 3-dimensional digital model. To combine each paper tube, they have been perforated by a mold then electrical cables have been used to join all of them together. Besides the design and application processes, the transportation of the prototype was another aspect of developing strategies. To circulate and locate the cube pieces, we divided it into nine parts and clustered them according to their locations in the overall cube. Finally, we have joined each piece and finalize the design.

1


Division of the 3x3m surface

Subdivision of the 9 pieces

The lenght of each

to 9 (3x3) pieces , A1,A2,A3,

to 10x10 pieces which repre-

paper tube in A1.

B1,B2,B3,C1,C2,C3

sent each paper tube.

A1/a1- Lenght 50 cm A1/b1- Lenght 54 cm

SHORTEN

PERFORATE

JOIN

PLACE 2


//Shorten, Pe

//Preliminary studies

//Mock-up of the PROTOTYPE

3


//Categoraze and cluster

//Find the place, collect

//Transfer to the exhibition place

the PROTOTYPE togerher

rforate, Join

the components of (YEM, Biulding Endustry Center) //Merge all components and done.

4


L ’ A D OBE R IA D E L R E C STUDENT CENTER AND HOUSING IN IGUALADA 2013 Spring Term // ETSAB, Escola Tecnica Superior d’Arqueterctura de Barcelona Tutor // Javier San Jose Type // Cultural, Residental Role // Design Development Location// Igualada, Catalonia, ES The built environments of cities are affected by their industrial production methods. Industrial facilities and their supplementals can shape the massing of the cities and the habits of their inhabitants. Even these facilities shut down; their physical existences still influence the city dwellers. Igualada one of the towns that its history has shaped by its industrial production methods. Igualada is located in the province of Barcelona, Catalunia, Spain. As a natural aspect, the Anonia River surrounds the city and feeds agricultural fields with irrigation ditches. ‘El Rec’ is one of the most characteristic irrigation ditch that surrounds the old town and provides water to Tanneries. Besides the natural aspects of it, The City has a long tradition of tanning and textile industries. The tannery ‘Cal Gronates’ had been productive since it has stopped production. The tannery has been partially transformed into a leather museum to contribute to the legacy of the city’s tanning tradition. The scope of this project was creating design ideas for the student community of the city. Student housing and a social center that integrates with the students’ daily lives were the main aspects of the project. The decay part of the ‘Cal Gronates’ was selected for the social center, and the parking area located in front of the museum was considered for the student housing. In terms of design, the project had three main aspects: the tannery L’Adoberia, the ditch El Rec, and the Anonia River. The integration between those three aspects was the characteristic of the project.

5


// Student Center // 1/Leather Museum 2/Exhibition hole 3/Workshop 4/Open Courtyard

1

4 2

3

6 6

6

6

// Student Housing // 5/The Gathering

5

6

6

6/Housing

6

6

6

N

6

0

3

6

9m


// L’ADOBERIA //

// EL R

L’a Adoberia means tannery in Catalan. The building

El Rec is the name of the irrig

which was selected for the student center is known as L’a

over the Igualada as a water n

Adoberia Del Rec in Igualada.L’a Adoberia contains many

and agricultural fields. In th

tunning pools which are unfunctional since the tannery

ered as a bridge that connect

shut down. To expose the morphological beauty of them,

because of its physical networ

the pools are considered as exhibition zones and temporary gathering holes.

7


REC //

// ANONIA RIVER //

gation ditch that surrounds all

The Anonia River is the water source for tanneries and

network to feed the tanneries

agricultural lands in Igualada. The riverside is considered

his project, El Rec is consid-

as a complementtery feature for the student life as a rec-

ts L’a Adoberia with the city

reational purpose, it provides a rehabilitative land for the

rk.

students and the city dwellers.

8


The housing unit which is

Division of ‘the housing

The final form of the hous-

defined with solid walls,

unit’ with courtyards, ac-

ing unit.

cording to its funcitons.

//inside//

//courtyards//

//The Gathering//

9

//inside+courtyards//


courtyard//3

bedroom and study

courtyard//2

kitchen

inner garden

saloon

courtyard//1 entry

10


11


The courtyards and the inner areas are divided by sliding windows. Thus the housing unit can change its form according to need. When the users need bigger inner areas they can expand the space easily. 12


T E M P O R AR Y L I V I N G SOCIAL HOUSING IN ORTAKOY 2015 Spring Term // YTU, Yıldız Technical University Tutor // Tuğçe Şimşek Ercan Type // Residental, Commercial Role // Architectural Design Location// Ortaköy, Istanbul, TR The accommodation in the city centers has been an urgent topic recently because of the increasing demand. Living in the city center has many advantages. The vivid lifestyle that most of the city centers have is a magnetic tool for most people, no matter they require temporary or permanent accommodation. The collective housing project in Ortaköy has intended to focus on the design challenges while settling the center of the city. Ortaköy is one of the centers in Istanbul. The neighborhood has a typical settlement. Most of the building blocks are used as commercial facilities in the ground and accommodation in the upper levels. This typology maintains the vivid life in the neighborhood. The integrity of the commercial facilities and accommodation was adapted to endorse this dynamic lifestyle. Responding to different demands of the different potential users was the other design challenge. However, most of the housings was design for large families in the recent past, there is an increasing demand for studio houses today. The apartment buildings have designed as the collections of the different types of apartments from large family houses to studio ones. The building masses have designed with openings in the ground levels to create an open environment for the neighborhood. Open courtyards and squares have been design for the collective events where all city dwellers can use equally.

13


View from Public Square

Dense building settlement

The road typology of the

Settlement pattern of close

typology in the project zone.

project zone.

environment of the project zone. Mostly use as commertial in the ground level, and the residental in the upper levels.

Bosphorus Bridge

14


Type A

Type B

Type B1

Type C

60 m2

160 m2

100 m2

130 m2

0.00 Level

6.00 Level

2+1 Family Houses

Commercial Social Facilities

15


Type C

Type C2

Type D

Type D1

145 m2

160 m2

160 m2

160 m2

9.00,12.00, 15.00

-5.00 Level

Levels

1+1 Studios

Public Square Gathering, playing

16


GREENERY//DECAY//WATER RE-USE OF PASALIMANI FLOUR FACTORY 2014 Autumn Term // YTU, Yıldız Technical University Tutor // Hakan Demirel Type // Cultural, Urban Recreation, Industrial Heritage, Role // Architectural Design Location// Istanbul, TR What happens if a building ends its function and left by its users? Lose its connection with its surroundings and start to become decay through the years. The building of former Pasalimanı Flour Factory is one of the industrial decay that has remained without any function since it stopped to produce and was abandoned by its users in 1942. The Factory had been founded as one of the industrialization attempts of the Ottoman Empire in 1858. It had been located in Uskudar, Waterfront of Bosphorus, to provide coastal transportation of those times. The stairs, floor structures, and the roof of The Factory have disappeared through the years, only its solid walls and massive chimney have remained until today. Despite its ruined appearance, the interior has been covered by wild plantings where the definitions of inside-out and natural-artificial become blurred. Besides its physical legacy, The Factory Building is surrounded by a unique environment. It is standing between the green area, which had been used as a track garden previously, and the Coastline of Bosphorus, where the city dwellers frequently spend their time. Also, the building complex, which nearby it had been used as Tabacco Storage and have been re-functionalized as a public theatre hall recently. In the current situation, The Factory blocks the unity of greenery and water, which has substantial potential for public use. To unit those aspects, the Factory is considered an open-accessed event garden that remains its wild atmosphere and provides access between coastline and green zone. On the other hand, to boost the cultural atmosphere in the neighborhood, an additional building is designed as a contemporary art museum.

17


//Greenery//

//Decay//

//Water//

The green hill behind the Flour Factory

Remnants of the Flour Factory which

Bosphorus is one of the most significant

is used as agricultural land but not pub-

are the solid walls with window aper-

aspects in the near surroundings of the

lic use. The hill is considered as public

tures and a chimney are one of the ex-

project area. The coastline of Bosphorus

track garden where the city dwellers can

amples of urban decay. The factory is

is considered as a chilling zone for the

work collectively.

considered as a gateway between the

neighborhood.

greenery and the water.

18


// Existing Stuation // In the existing stuation, Flour Factory stands as an obstacle between the water and the greenery. In fact, there is a great potantial of the correlation of the tree main aspects which are the greenery, decay and water, for the city dweller.

// Green, Decay, Water // To be actualize the united potantial of the green, decay and water, The flou r Factory was touht as a ‘Gateway’ which unites the green and the water. Rather than a solid envelop it was considered as a pathway where people experience an alternative kind of relation between the manmade creation and the natural ones.

// Reconcilation With Past // As an abstractive way of repredenting it, the modern part of the museum surrender the walls of the Flour Factory as if creating a peace with the history of the location where it placed. In terms of human experience, the users have the oppertunity of experiencing the old one, provided by the new one which is a creation of the users.

19


6

5

2

3

1

// The Existing // 1/Bosphorus 2/Theatre Hall 3/Flour Factory // Proposed // 4/Contemprory Art Museum 5/Workshops 6/Track Garden

20

4


// The Floor Factory // The existing situation of the Flour Factory represents it unpresedented condition. Absence of the roof, decay walls and the ground that surrounded by wild greenery creates a unique atmosphere in the term of spatial experience.

21


//Floor Factory As a Gateway // To protect its unique condition, the Flour factory was considered as a ‘Gateway’ which connect the track garden and the bosphorus to each other. This gateway condition would sustain its temporarity and allow its transformation thruogh time.

22


Exhibition

Open garden

23


Exhibition

Library

Courtyard

Foyer

Saloon

24


0.00 Level 1-Entry 2-Museum Shop 3-Exhibition 4,5,6,7,8-Workshop

25


4.00 Level 1-Library

8.00 Level 1,2,3- Exhibiton 4-Wc 5-Storage

-6.00 Level 1-Foyer 2-Courtyard 3-Office 4-Lounge 5-Kitchen 6-Saloon 7-Backstage 8-Wc 26

9-Technical Zone


27


Academic / Postgraduate // The Gallery House.......................................................29 // Good or Collapse..........................................................41

28


GALLERY HOUSE ARC750 PERFORMATIVE ARCHITECTURE 2020 Spring Term // METU, Middle East Technical University Tutor // Ass. Prof. Ipek Gürsel Dino Type // Housing, Building Performance Optimization Role // Architectural Design, Location// Ankara, TR Gallery House is a conceptual housing project for two people, which is designed for the scope of the Arc750, Performative Architecture course. The course’s aim was experimenting with Honeybee and Ladybug tools, which are building performance optimization tools on Grasshopper. During the session, the main performative categories were energy loads calculations and daylighting measurements. As a term project, I wanted to experiment on the effects of the facade shadings on energy loads and daylighting comfort. The project’s objective was to increase the annual cooling and electric light loads and maintain interior daylighting comfort for the activities of the occupants. The living zone is designed as facing the south facade, and the southern facade was designed as double-height glass to visualize the effect of the shading devices better. As a comparative study, the calculations were made in two different shading types. One of them was the ‘Vertical Garden’ concept, a simple structure that allows the growth of ivy on the facade. As natural rules, the ivy changes its volume according to the session and works as a natural dynamic shading system on the facade. The other method was the dynamic shading system, which changed its rotation based on the values of daylighting values on the interior sensor point. As a result of the experiment, the ‘Vertical Garden’ method worked better on optimizing the annual heating loads; however, the ‘Dynamic Shading’ method was better on optimizing the cooling and electric light loads and the daylighting comfort.

29


21 December

25 April

Sun Position

No Shading

Vertical Garden

Dynamic Shading default state

Dynamic Shading state//1

Dynamic Shading state//2

Dynamic Shading state//3

30

21 June


//No Shading//

Massing

Radiance

Useful Daylight Simulation

Annually

Between 100-2000 lux

31


//Annual Results//

Hourly Annual Cooling Loads Annualy Total : 3007,27 kWh

Hourly Annual Heating Loads Annualy Total : 6741,71 kWh

Hourly Annual ElectLight Loads Annualy Total : 2383,86 kWh

Hourly Annual Daylight Illumination Annualy lux

32


//Vertical Garden//

Massing

Radiance

Transparance Schedule

Annually winter / / 0,9 spiring / / 0,3 summer / / 0,1 autumn / / 0,7

33


//Annual Results//

Hourly Annual Cooling Loads Annualy Total : 2559,05 kWh

Hourly Annual Heating Loads Annualy Total : 6160,67 kWh

Hourly Annual ElectLight Loads Annualy Total : 2383,86 kWh

Hourly Annual Daylight Illumination Annualy lux

34


//Kinetic Shading// State 1 0-150 lux

State 2 150-300 lux

State 3 300-500 lux

State 4 500-3.000 lux

Massing

Useful Daylight Simulation Between 100-2000 lux

35


//Annual Results//

Hourly Annual Cooling Loads Annualy Total : 2119,00 kWh

Hourly Annual Heating Loads Annualy Total : 7794,00 kWh

Hourly Annual ElectLight Loads Annualy Total : 324,00 kWh

Hourly Annual Daylight Illumination Annualy lux

36


//Conclusion//

//No Shading//

//Vertical G

Hourly Annual C

Hourly Annual Cooling Loads

Annualy Total : 2

Annualy Total : 3007,27 kWh

Hourly Annual H

Hourly Annual Heating Loads

Annualy Total : 6

Annualy Total : 6741,71 kWh

Hourly Annual Ele

Hourly Annual ElectLight Loads

Annualy Total : 2

Annualy Total : 2383,86 kWh

Hourly Annual Dayli

Hourly Annual Daylight Illumination

Annualy

Annualy lux

37


Garden//

//Kinetic Shading//

ooling Loads

Hourly Annual Cooling Loads

2559,05 kWh

Annualy Total : 2119,00 kWh

Heating Loads

Hourly Annual Heating Loads

6160,67 kWh

Annualy Total : 7794,00 kWh

ectLight Loads

Hourly Annual ElectLight Loads

2383,86 kWh

Annualy Total : 324,00 kWh

ight Illumination

Hourly Annual Daylight Illumination

y lux

Annualy lux

38


//Grasshopper Code//

Vertical Garden Schedule

Energy Simulation

Daylight Analysis

Honeybee Zones

Dynamic Shading States

39


Dynamic Shading Schedule

Annual Daylight Simulation-Embedded

40


GOOD OR COLLAPSE ARC585 COMPUTATIONAL DESIGN RESEARCH LAB. 2020 Spring Term // METU, Middle East Technical University Tutor // Prof. Dr. Zeynep Mennan, Egemen Berker Kızılcan, Duygu Tüntaş Type // Form Finding Role // Research Location// Ankara, TR CoDeReL, Computational Design Research Lab, is a postgraduate course focusing on computational design methods and form-finding. The scope of the course was doing perception experiments provided by Gestalt Theory. The word Gestalt is used in modern German to mean the way a thing has been ‘placed’ or ‘put together.’ (1). The theory originates beginning of the 20th Century. It’s mainly focusing on human perception and bringing forward that the perception of the whole defines the piece. The experiment was divided into two parts. Firstly we create a default form and deform it according to the homeomorphism concept. The set of ‘ First 50’ was created by six different operations: folding, bending, twisting, stretching, shrinking, and expanding. Five various forms were selected inside from the ‘First 50’ and evaluated according to six principles; closure, intricacy, complexity, pragnanz, whole, and Gestalt collapse. As the second step, the ‘First 50’ was increased into 500 forms and divided into two categories; ‘good’ and ‘collapse.’ Provided by those two categories, we wrote a machine learning classification algorithm on Tensorflow. I focused on the different scales of a matter and its classification based on the ml algorithm that we created. (1)https://www.britannica.com/science/Gestalt-psychology

41


// First 50 //

Folding

Twisting

Streching

Bending

Shrinking

Expanding

n1

n2

n3

n4

n5

n6

n7

n8

n9

n10

n11

n12

n13

n14

n15

n16

n17

n18

n19

n20

n21

n22

n23

n24

n25

n26

n27

n28

n29

n30

n31

n32

n33

n34

n35

n36

n37

n38

n39

n40

n41

n42

n43

n44

n45

n46

n47

n48

n49

n50

42


// Scoring Sheets //

43


// Scoring Sheets //

44


// Training Data // Good

45


// Training Data // Collapse

46


// Preprocessing, Phyton Script // import numpy as np import os

import cv2

import random # Initials

DATADIR = “/Users/handanakyurek/Desktop/METU/ARC585/final ml/data set” CATEGORIES = [“collapse”, “good”] IMG_SIZE = 50

training_data = [] # Preprocessing function

def create_training_data():

for category in CATEGORIES:

path = os.path.join(DATADIR, category)

for img in os.listdir(path):

class_num = CATEGORIES.index(category)

try:

img_array = cv2.imread(os.path.join(path, img), cv2.IMREAD_GRAYSCALE)

training_data.append([new_array, class_num])

new_array = cv2.resize(img_array, (IMG_SIZE, IMG_SIZE))

except Exception as e:

pass create_training_data() # Shuffle

random.shuffle(training_data)

X = [] y = []

for features, label in training_data: X.append(features) y.append(label)

X = np.array(X).reshape(-1, IMG_SIZE, IMG_SIZE, 1) y = np.array(y)

# Export and save data import pickle

pickle_out = open(“X.pickle”, “wb”) pickle.dump(X, pickle_out) pickle_out.close()

pickle_out = open(“y.pickle”, “wb”) pickle.dump(y, pickle_out) pickle_out.close()

47


// Training, Phyton Script // import tensorflow as tf

from tensorflow.keras.models import Sequential

from tensorflow.keras.layers import Dense, Dropout, Activation, Flatten, Conv2D, MaxPooling2D import pickle

X = pickle.load(open(“X.pickle”, “rb”)) y = pickle.load(open(“y.pickle”, “rb”)) X = X/255.0

model = Sequential()

model.add(Conv2D(64, (3,3), input_shape = X.shape[1:])) model.add(Activation(“relu”))

model.add(MaxPooling2D(pool_size=(2,2))) model.add(Conv2D(64, (3,3))) model.add(Activation(“relu”))

model.add(MaxPooling2D(pool_size=(2,2))) model.add(Flatten())

model.add(Dense(64))

model.add(Activation(“relu”)) model.add(Dense(1))

model.add(Activation(“sigmoid”)) model.compile(loss=”binary_crossentropy”, optimizer=”adam”, metrics=[“accuracy”]) model.fit(X, y, batch_size = 32, epochs = 15, validation_split = 0.3) model.save(“mlfınal_initial.model”) // Prediction, Phyton Script // import tensorflow as tf import cv2

CATEGORIES = [“collapse”, “good”] IMG_SIZE = 50

def prepare(filepath):

img_array = cv2.imread(filepath, cv2.IMREAD_GRAYSCALE)

new_array = cv2.resize(img_array, (IMG_SIZE, IMG_SIZE))

img_array = img_array/255.0

return new_array.reshape(-1, IMG_SIZE, IMG_SIZE, 1)

model = tf.keras.models.load_model(“mlfınal_initial.model”) def predict(filepath):

p = model.predict([prepare(filepath)])[0][0]

if p*10 > 1:

else:

print(p)

print(CATEGORIES[1]) print(CATEGORIES[0]) 48


Initial Model Image size=50 px

Model 01 Image size=100 px

Model 02 Image size=200 px

Model 03 Image size=300 px

Greenery scale/1

Greenery scale/2

Greenery scale/3

Earth scale/1

chlorophyll

leaf

woods

crystal

Good

Good

Good

Collapse

%18

%67

%37

%03

Good

Good

Good

Good

%35

%74

%48

%19

Collapse

Good

Collapse

Collapse

%0

%88

%05

%0

Good

Good

Good

Good

%79

%78

%99

%98

49

Earth s

glo

Coll

%

Coll

%0

Coll

%

Coll

%


scale/2

obe

apse

%0

apse

01

apse

%0

apse

%0

Earth scale/3

Skin scale/1

Skin scale/2

Skin scale/3

Controller

galaxy

cell

tissue

skin

drug cell

Collapse

Collapse

Good

Good

Collapse

%07

%0

%87

%93

%0

Collapse

Collapse

Good

Good

Collapse

%07

%03

%88

%93

%0

Collapse

Collapse

Good

Good

Collapse

%0

%0

%20

%96

%0

Collapse

Collapse

Good

Good

Collapse

%0

%0

%99

%79

%0

50


51


Professional // Integrated Circuits.......................................................53 // HacÄąmimi Neighbourhood............................................69 // Spiteri Catering..........................................................107

52


INTEGRATED CIRCUITS ROBERT COLLEGE COMMONS AND COMMUNITY 2018 // SANALarc Type // Educational Team // Alexis Sanal, Murat Şanal, Begüm Arseven Role // As Project Architect; Design Development, Project Coordination, Consruction Menegament, Visualization. Location// Robert College, İstanbul, TR The spacial quality of educational facilities has an essential impact on the quality of education itself. As the methods and technologies have been continuously developing in the education system, the design quality of educational facilities should correspond to those developments. The Common area for Robert College is one of the examples of this attitude. Common areas are newly discovered and adapted to educational environments. The necessity for alternative spaces for gathering, meeting, playing, and chilling at the same time in a shared location, increased the interest for common areas in educational facilities. The Robert College Commons is located in the semi-basement in the Gould Hall, which is the center of the campus buildings. According to the design, space was divided into three main zones that correspond to the functions that are willing to introduce to the area. The gathering zone, which called ‘Forum,’ was located at the center of the space. The quiet zone is specialized for the individual or small group studies, and the vibrant zone is where the canteen located. Robert College is located on a hill with a Bosphorus view. For material selection, the location of the Gould Hall was inspirational. The blue tones from Bosphorus and the green hues from the hill were identified the interior colors from ground to ceiling.

53


//The Forest//

DOOR

//The Bosphorus//

//RC Commons//

//Quiet Zone//

//Gathering Zone//

54

//Vibrant Zone//


//Actualized-2018// The project was actualized the summer of 2018. The space started to be using by the school community activly and fulfill their desire for the alternative gathering space.

//Rehearsal-2017// In the rehearsal phase, the design was applied to the space with alternative materials to experiment the space for both the prospected users and the designers.End of this phase the feedbacks from the school community were taken consideration in design development.

//Existing// The

existing

situation

of

the

semi-basement of the Gould Hall. In the existing stuation the space was used as chilling area with the support of the caferteria.

55


56


1

3

2

Lounge 10 9

7

7

1/Back Garden 2/Activity Lab 3/Student Activity 4/c.ı.p room 5/REC Room 6/Learning 7/Nook 8/Art Walk 9/Collaboration/1 10/Collaboration/2

Back Garden

57

Lounge


4

5

Forum

Canteen

8 7

7

6

Lounge

Forum 58

Canteen


//Mechanisms of Making Space// Forum // Genetating Life//

V1 V2

//Space Definition//

//Existing//

59


View/1

View/2

60


//Mechanisms of Making Space// Canteen // Genetating Life//

V1

//Space Definition//

//Existing//

61


View/1

62


//Mechanisms of Making Space// Nook // Genetating Life//

V1

//Space Definition//

//Existing//

63


View/1

64


//Principle Details// Canteen

Wooden L Profile

-Carpet -Mdf/30mm

Wooden Cladding

-Box Profile 40x60mm

65


//Materials//

Carpet Forest

Carpet

Carpet

Bosphorus

Naturel

Carpet Bosphorus

Wood

Cork

White Oak

66

Linoleum


//Principle Details// Canteen

Wooden Stick

-Iron T Profile -Cork/20mm

LED

-Mdf/30mm -Box Profile/60x60mm

Linoleum

67


//Principle Details// Nook

-Carpet -Mdf/30mm -Box Profile 40x60mm

68


HACIMIMI NEIGHBORHOOD A CONVERSATION BETWEEN YESTERDAY AND TODAY 2016-2019 // SANALarc Type // Residental Team // Alexis Sanal, Murat Şanal, Begüm Arseven, Matias Skardelli Role // As Design Architect; Design Development, Project Coordination, Visualization. Location// Galata, İstanbul, TR Hacımimi Neighborhood is located in Galata District, Istanbul, one of the most historical parts of the city. Its architectural character that has been shaped by the contributions of many different civilizations, displays a unique morphology in terms of architectural design. Hacımimi Masterplan development consists of six different properties, which are targeted as housing developments, public gardens, and pathways which are connecting the housing properties. The main design challenge is to settle in this historic neighborhood while creating architectural approaches that belong to today’s contemporary world. The characteristical morphologies from the neighborhood have been depicted and analyzed to create a conversation between yesterday and today. The contributions of those forms into the dweller’s daily life routine have inspired us as designers. For example, the form of bay windows, called ‘cumba,’ is prevalent in the neighborhood to create privacy while extending to the narrow streets. The enterance plantations of the apartment and local shops which are located beside the roads are strong characters of the neighborhood. During the design process, these characteristic properties have been considered as guidelines. These properties have been interpreted and adapted to a contemporary design approach.

Rendered by Reşad Çoban http://www.resadcoban.com 69


//Learning From Neighbourhood//

2

1

5 3

4

6

1//Hacımimi82, 2//Hacımimi61, 3//Hacımimi95, 4//Hacımimi44, 5//Hacımimi108, 70

6//Hacımimi05


//Learning From Neighbourhood//

Photographed by Ekin ร zbiรงer https://www.ekinozbicer.com 71


//Learning From Neighbourhood//

//Greenery Entries// The buildings in the neighborhood especially entries of them are decorated with the plantings and street greeneries. This is a long term tradition that is significant in the neighborhood.

//Local Shops// In the neighborhood, ground floors are mostly used as local shops. Those shops provide an inner circulation and also an identity among the neighborhood dwellers.

//Cumba// Cumba is a typical form of building masses in the neighborhood. Traditionally, people have used this form to create privacy in these narrow streets.

72


//HacÄąmimi 61//

//HacÄąmimi 82//

73


//Hacımimi 108//

//Hacımimi 95//

//Hacımimi 44//

74


//Hacımimi 82//

Rendered by Reşad Çoban http://www.resadcoban.com 75


//In and out//

76


// Sectional Perspective //

77


//Living in a Cumba//

78


Relation with the ground,

79


80


//Principle Details // Steel Eaves Profile

Steel Column

Zinc Roof Cladding

Pot Metal Parapet

Metal Roof Cladding

Metal Joint Curtain Glass

Curtain Window Profile

Window Profile Wooden Plank Parquet

Wooden Stick (4x16) Steel Stick (4x6)

Steel T Profile (4x6)

Steel T Profile (4x6) Ecterior Curtain

Steel Stick (4x6) Steel Webnet

Ondulated Perfore Zinc Pa Pot (25x40) Console for Pot

0

50

100 81

150 cm


//Floor Plan Features//

anel

82


//Perforated Facade Panels// Pattern of Perforation

Elevation of the Panel System

3rd Floor

2nd Floor

1st Floor

83


Structural Wall

Metal L Joint

Perforated Undulated Panel 1

Perforated Undulated Panel 2 84


//Hacımimi 61//

Rendered by Reşad Çoban http://www.resadcoban.com 85


//In and Out//

86


// Sectional Perspective //

87


//Living in a Cumba//

88


89


Relation with the ground,

90


//Hacımimi 95//

Rendered by Reşad Çoban http://www.resadcoban.com 91


//Sectional Perspective//

92


93


Relation with the ground,

94


//Hacımimi 44//

Rendered by Reşad Çoban http://www.resadcoban.com 95


//Sectional Perspective//

96


97


Relation with the ground,

98


//Hacımimi 5//

Rendered by Reşad Çoban http://www.resadcoban.com 99


//Sectional Perspective//

100


Relation with the ground,

101


102


//Hacımimi 5//

Rendered by Reşad Çoban http://www.resadcoban.com 103


//Sectional Perspective//

104


105


Relation with the ground,

106


SPITERI CATERING CONSTRUCTION MANAGEMENT 2020 // BUKAN Type // Commercial Team // Keiro Architects as design team, BUKAN as construction team Role // As Site Architect;Consruction Menegament Location// Gozo, Malta Spiteri Catering is a Malta-based catering company. To respond to their growing business, they decided to move a bigger and well-designed showroom space. The design of the showroom has done by Malta-based design office Keiro Architects. The construction phase and production of the designed units have done by BUKAN, an Istanbul-base construction company. As the site architect, my responsibility was to manage the construction phase of the project. As an interior project, it’s main assets were custom items of furniture made from metal and wood, glass office dividers, and metal stair construction. The construction phase was divided into two parts. Firstly the modules were produced in the workshop in Istanbul and shipped to the construction site in Gozo Island. During the second phase, the prefabricated modules were assembled and finalized by my management and control.

107


Ground Floor Plan

0

50

100 108

150 cm

First Floor Plan


//Sectional Perspective//

Office Cupboards

Office Tables 109


Entry

Galery 110


CREATIVE WORKS

111


// UNFOLDED // Cover Page Competetion RAF Magazine 2017//Shortlisted

112


// Imaginary Scenes // Digital IllĂźstration

113


// Togethernesses // Hand Drawing

114


// Beast // Gouache on Paper

115


// Mixed-Use // Gouache on Paper

116


// 3D Visualization // Sezin Collage Classroom and Library Commisioned with Atรถlyeist//2018

117


// 3D Visualization // HacÄąmimi Garden Apartments Sanalarc//2016

118


// VILLA SAVOYE // Legacy of Modernism MonoltaSRT Super // 2013

119


120


Handan AkyĂźrek www.behance.net/handanakyurek handanakyurek@gmail.com +905412674730 Ankara,Turkey

121


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.