H A N N A H STEUBEN hsteuben@gmail.com
(319) 230-8629
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TA B L E
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CONTENTS
INTRODUCTION
5 Design
ARCHITECTURE
6- 29 Boston Center for Experimental Music Musicians Residency Innovative Objects Museum
PHOTOGRAPHY & MEDIA METHODS
30- 51 Architectural Photography Study Abroad Analytical Drawing Bathroom Redesign
FULL-SCALE DESIGN
52- 61 Sustainable Furniture Design FALLOW: topography
RESUMÉ
62- 63 Work Experience References
TABLE OF C ON T E N T S
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How can design better the world?
I N T R OD U C T I ON
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ARCHITECTURE
“I tell my students: you must put into your work first effort, second love, and third suffering,” - Glen Murcutt
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BOSTON CENTER for EXPERIMENTAL MUSIC CSI of CENTRAL IOWA DESIGN COMPETITION PRIZE WINNER ARCH 403 STUDIO FALL 201 2
PROFESSOR MITCHELL SQU IRE
PAR TNERSHIP J AS M INE S ING H
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The Center for Experimental Music project maximizes its unique and rather difficult site condition by incorporating context into the design. By embracing the specific qualities the program had to offer, the proposal became a true benefactor of its surrounding neighborhood. A macro-to-micro scale approach enabled us to take into account the urban fabric patterns and cultural distinction that is Boston. A scheme of formal to informal spaces allows for the building to be known as a landmark of the city, but still encourages the very pedestrian-oriented culture that encompasses the area.
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HISTORIC PLACES, CIVIC BUILDINGS, VENUES FOR VISITING PERFORMERS, & PERFORMANCE VENUES ft. altitude SUBWAY20,000 STOPS, 1” = 1075’ PN PARKING, & WAlKING TOURS N 20,000 ft. altitude 1” = 1075’ N
material detailing, spacial configuration, and circulation understanding detail section:
zoom studies of 18. various types of city public gathering and performing spaces context research:
HISTORIC PLACES, CIVIC BUILDINGS, VENUES FOR VISITING PERFORMERS, & PERFORMANCE VENUES 20,000 ft. altitude 1” = 1075’ N
9. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21.
15. 9. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21.
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John Hurd House Edward Everett House Deacon Larkin House Charlestown Five Cent Savings Bank Austin Block Wang Center Quong Kow School Josiah Quincy School Jacob Wirth Buildings Hayden Building Boston Floating Hospital for Children
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Boston Children’s Museum
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John16. Hurd House Boston Fire Museum Edward CityHouse of Boston 23.Everett Deacon House MIT List Virtual Arts Center 26. Larkin Charlestown Five Cent Savings Bank Austin Block Wang Center 1. Berklee College of Music Quong 2. Kow School Emmanuel Church Josiah Quincy School 5. Huntington Theatre Jacob Wirth Buildings 9. Mary Baker Eddy Library Hayden Building 10. Museum of Science Boston Floating Hospital for 13. The Shops at the Prudential Children
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Center
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Boston Children’s Museum Boston Center for the Arts Boston1.Fire Museum 3. Charles Playhouse City of Boston MIT List Arts Center 4.Virtual Colonial Theatre
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1. 3. 4. 5. 6. 7. 10. 12. 13. 14.
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Cutler Majestic Theatre at Emerson College Lyric Stage Company Theatre
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Berklee7.College of Music Marine Industrial Park Emmanuel 10. Church Shubert Huntington Theatre 12. Wang Center Mary Baker Eddy Library 13. Stuart Street Playhouse Museum of Science 14. atWilbur Theatre The Shops the Prudential Center
Boston Center for the Arts Charles Playhouse Colonial Theatre Cutler Majestic Theatre at Emerson College Lyric Stage Company Theatre Marine Industrial Park Shubert Wang Center Stuart Street Playhouse Wilbur Theatre
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f loo r 4
f loo r 3 & t h e at e r fl o o r 3
floor 2 & t heat er floor 2
1. cafe 2. library 3. reading room 4. wellness facility lobby 5. wellness facility lounge
f loo r 1 & t h e at e r fl o o r 1
access diagram
general public paying admission collaborating wellness facility preformers administration diagraming
Diagrams indicating program locations and access availability micro city scale
A defined connection to the microlevel of Boston was the direct link to the neighboring nursing home
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FLOOR 2
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“Although apparently simple, this project demonstrates the type of thoughtful restraint found in well-regarded built works and serves as a fitting and sensitive addition to their site,� - Josh Ridgely, AIA, CSI, LEED AP, Competition Juror
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NEW YORK CITY MUSICIANS RESIDENCY BWBR DESIGN COMPETITION FINALIST ARCH 302 STUDIO SPRING 201 1
PROFESSOR
The development of the musicians residency, condo complex, and performance stage was to embrace the ideal lifestyle and rituals of musicians. A variety of studies preceded the program design to get a better understanding of life as a musician.
PETER GOCHÉ
PAR TNERSHIP YASM INE SEPEHR I
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Questioning the line of privacy and exploring the journey to the place of residence were the key components pushed throughout the design. Using circulation, degrees of transparency, and separation of program, a foreground was laid out to allow for the exploring of a life on display.
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“Alone time is the most special part of the day. I get to escape from school, daily worries, and outside noise. It’s time to just be,” - Javier Adnres, student musician
separation of time and space
An assemblage to represent Javiers need for a distiction of space between his music and outside stresses
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unit layout
Side-by-side units show the distint but coherent unit styles soho residency
Varying perspectives show the quality of space and circulation running along the units
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floor plans
Over-layed images begin to depict and explain the complex circulation unit details
Varying perspectives show the quality of space and circulation running along the units NORTH
GROUND FLOOR
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1/16� = 1’
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COLUMBUS MUSEUM for INNOVATIVE OBJECTS ARCH 401 STUDIO FALL 201 1
PROFESSOR RO B ER T WHITEHEAD
INIVIDUAL
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The Columbus Museum for Innovative Objects of Design was greatly inspired by is intended content and the city’s appreciation for innovative thinking. Using the spaces to push the limits of what is expected into the unexpected allowed for new perspectives, the backbone of innovation An understanding of section was extremely important in the development of the design and the idea of using anticipation as a driver in circulating and viewing. Using different kinds of sectional spaces allowed for a variety of display spaces, viewing opportunities, and continuity of the space as not only a holder of innovation but as inspiration.
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S TR E E T LO BBY
G AT H E R IN G SPA C E
P RES EN TAT I O N A D I T O RI U M
C IR C UL ATIO N
ST U DIO
ST U DIO
STUDIO
project proposal C LE A N - U P SPA C E
ST O R A G E
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UTILITIES
Prior to schematic design, a group designed project proposal book was individualized to the innovation inspired essence of the project
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ARCHIVES
STORAGE
ROTATING GALLERY
LARGE WORK S GALERY
CLA SSR OOM S
STORAG E
FORMAL R E CPE TION
OPEN GATHE RING
OPEN SPACE
BATHROO MS
DI SPLAY
OF FICES
S TORAGE
LI BRARY
OPEN SPAC E
REA DIN G ROOM
SEATI NG
MEETING RO OM
LOADING DOCK
JA NITO RI AL
ENTRANC E
K ITCHEN
FLAT DESKS
OF FICES
STO RA GE
CLEANI NG
FRONT DESK REC EPT ION
C OAT CHECK
G ENERAL STORA GE
CO LD/DRY S TORAGE
SER VICE
DIRECTOR
CU RATOR
REGISTER DESK
SECURI TY STO RA GE
STO RA GE
CURATION INNO VATIVE GALLERY
MECHANICAL/ELECTRICAL/PLUMBING
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underground museum
An underground museum design allowed for unique opportunities of spatial and lighting qualities
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PHOTOGRAPHY & MEDIA METHODS “ Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph,” – Matt Hardy
P H OTOGR AP H Y & ME D I A ME T H OD S
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ARCHITECTURAL PHOTOGRAPHY ARCH 437 ARCHITECTURAL PHOTOGRAPHY FALL 2012
PROFESSOR: C A MERON CAM PBEL L
BUILDING DESIGN: s u bstance ARCHITECTU R E
One aspect to architecture that has always been personally intriguing is the use of light and the development of different kinds of lighting conditions. As a way of studying that phenomenon, photographing existing works at varying times of day begins to explain how light effects a space. As a class study, Jasper Winery became the object of inquiry. Documenting the interior and exterior at different time intervals of the day brought to life the variety of spaces the building had to offer.
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exterior
exterior shot peeking into the reception hall; night lighting study reception hall
main receptional space adjacent to outdoor patio; daytime and mixed lighting study
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STUDY ABROAD EUROPEAN TRAVELS
PHOTOGRAPHERS’S FORUM COLLEGE PHOTOGRAPHY CONTEST FINALIST EXPLORITORY PHOTOGRAPHY SPRING 201 2
A semester abroad is a photographer’s dream come true. During the 5 months stay in Italy, explorations of color, black and white, contrast, depth of field, composition, and lighting styles were prevalently available.
SELF-TAUGHT PLACE OF STAY ROM E, ITALY
The variety of techniques were applied to places among and around the city of Rome, as well as, throughout the continent of Europe. This collection includes images from Budapest, Hungary, Lysefjord fiord, Norway, Paris, France, and Tivoli and Rome, Italy.
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via ettore rolli
view of Roman street scape; photostitch study
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city rooftop
forum detail
view from top of Palatine Hill, study of depth of field
column capital of temple ruin; contrast and color study
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roman kitchen
villa de este
classic layout; lighting and depth-offield study
view over Tivoli; study of exposure layering
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norway
view of Lysefjord fiord from Preikestolen (The Pulpit Rock); landscape study hungary
Magyard Museum of the Vajdahunyad Castle in Budapest; detail and contrast study next page: france
Louvre courtyard in Paris, black/white and contrast study
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P H OTOGR AP H Y & ME D I A ME T H OD S
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STUDY ABROAD ANALITICAL DRAWING ANALYTICAL DRAWING
SPRING 201 2
PROFESSORS KAREN BERM AN CALVIN LEWIS FRA N CES CO M ANCINI
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Sketching is a vital tool in design and communication. The study aboard programs includes an exhausted course of sketching and drawing exercises, including an independent study. The fifty piece series of sketches is an experimental drawing project exploring the effects of time and repetition on quality of figure drawing. The intention was to gain strength in ability to sketch more quickly by starting with longer set periods of time and progressively shortening the allowed time length to sketch. As the length of the drawing period decreased, the number of drawings done at that set period of time increased to encourage practice.
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BATHROOM MODEL & REDESIGN ARCH 432 DIGITAL CINEMA 4D FALL 201 1
The bathroom model and redesign project was an opportunity to use Cinema 4D for a project of choice. The bathroom design was chosen as a chance to give a little back to my parents and renovate one of the rooms in their home.
PROFESSOR ANSON CALL
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Techniques were highly focused on lighting proficiency and quality or render. Use of texturing, composition, and modeling were also under consideration.
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before
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FULL-SCALE DESIGN “To say that something is designed means it has intentions that go beyond its function. Otherwise it’s just planning.” - Ayse Birsel
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SUSTAINABLE FURNITURE DESIGN
FEATURED IN IOWA STATE UNIVERSITY STAINABILITY SYMPOSIUM AR T IS 360 SUSTAINABLE FURNITURE SPRING 201 3
PROFESSOR CHRIS M AR TIN
INDIVIDUAL
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An avid interest in furniture design, stainability, and re-use projects led to a course in Sustainable Furniture Design. An open-ended project allowed for the study of re-purposed materials and lighting design. The lamp was made from several recycled materials including two pieces of scrap plywood, 66 baby food jars, and one old holiday light set. The steel, sheet metal frame was customized around the size of the plywood and room needed for the wiring. CNC cut openings were used to allow the jars to be screwed in and out for bulb replacement and cleaning.
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FALLOW: topography TABLE TALK ARCH 404 OPTION STUDIO SPRING 201 3
The shelf fills the once desolated structure. New and foreign activity begin to fill the void. The act of eating in a seemingly unsanitary condition opens eyes to a new way of viewing how the void can function.
PROFESSOR PETER GOCHÉ
PAR TNERSHIP YASM INE SEPEHR I
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As each person lays out their own table setting, and sits in their own distinct way, they are presenting their own culture in the environment Similar to how the building sits in the landscape, the table is seemingly disconnected to its context, but upon examination, the connection begins to clarify itself. By placing people in balance of one another at the table, there is reciprocity similar to the exchange between humans and the building. At the table, each person is responsible for the other.
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H A N N A H STEUBEN hs t euben@i a s t a t e.edu
( 319) 230- 8629
EDUCATION BACHELOR OF ARCHITECTURE
FAL L 2008 - S P R I N G 2013
Iowa State University, Ames, IA Minor in Digital Media, Magna Cum Laude, Rome Study Abroad Program
HIGH SCHOOL DEGREE
FAL L 2004 - S P R I N G 2008
Jesup Community Schools, Jesup, IA Valedictorian, IHSAA Berni Saggua Award, Iowa Governor’s Scholarship Recognition, Class President
WORK EXPERIENCE INTERN ARCHITECT
Architecture intern for OPN Architects; Formats and constructs various models for use of client presentation and sketch work; Participates in design charrettes for competition schematic design
PHOTOGRAPHER/GRAPHIC DESIGNER Iowa State University’s Office of Pre-collegiate Programs for Talented and Gifted activities photographer; Creates promotional material through means of various prints and digital work
PHOTOGRAPHER ASSISTANT Assistant to the photographer for Integrated Studio; Assists with photograph compositions, lighting setups, clean-up, and studio/ space set up; Studies professional techniques
DETASSELING CREW LEADER
Crew leader and day-to-day manager for Steuben Detasselling with crews up to 50 workers; Contacts employees and assists with enrollment forms and training; Organizes workers, paperwork, and workers’ hours
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WI N T E R 2012 - S P RI N G 201 3 David Sorg, AIA principal (319) 363-6018
S U MMER 2012 - S P R I N G 20 1 3 Carmen Flagge senior admissions counselor (515) 294-5689
S U MMER 2012 Cameron Campbell photographer (515) 451-3730
S U MMER 2004 - FAL L 2012 Mary Steuben contractor (319) 827-1509
AWARDS
Photography Forum College Division Finalist Dean’s List Member CSI of Central Iowa Design Competition Prize Winner BWBR Design Competition Finalist ISU Architectural Program”8-4-2-1” Design Finalist Masonry Design Contest Prize Winner ISU President’s Leadership Class
S P RI N G 2013 FAL L 2008 - S P R I N G 20 1 3 FAL L 2012 S P RI N G 2011 FAL L 2009 FAL L 2009 FAL L 2008 - S P R I N G 20 0 9
TECHNOLOGY
STR O N G B A CKG R O U N D Adobe Suite Microsoft Office Suite AutoCAD
EQU I P ME N T Laser cutter printer Wood shop equipment CNC router
INVOLVEMENT
AIAS Iowa State University Chapter Member and prior Vice President Habitat for Humanity Member Track 1 Mentor Program Mentor & Mentee Iowa State University Design Career Days Committee Member Jesup Community Arts in the Park Member Destination Iowa State: Team Leader
REFERENCES
CA LV IN L E W IS , FA IA Iowa State Faculty 599 Design Ames, IA 50011 p. 515-294-2665 e. calewis@iastate.edu
MOD ERAT E BAC K G ROU N D AutoCAD Revit Cinema4D Rhino 3D
P E T ER G OC H É, AI A Iowa State Faculty 156 Design Ames, IA 50011 p. 515-294-4717 e. goche@iastate.edu
ROB WH I T EH EAD , AI A Iowa State Faculty 156 Design Ames, IA 50011 p. 515-294-4717 e. rwhitehd@iastate.edu
R E SU ME
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