portfolio
HANNAH GRACE PRICE CLIFTON INTERIOR SPATIAL DESIGN GRADUATE UTS
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CONTENTS
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03.
Biography
04.
CV
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Museum of Extinct Atmospheres
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Beyond the Necropolis, Cemetery
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Interior + Spatial Design Graduate Exhibition
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Temporary Pavilion, Unstable Architectures
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Micro-Inhabitation
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Digital Modelling (SKILLS)
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Visual Representation (SKILLS)
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Global Studio: Kefalonia, Greece
ABOUT ME I am 22 years old and just completed a Bachelor of Design (Interior and Spatial) at University of Technology Sydney. Next year I would love the opportunity to work a few days a week in a firm while completing my honours year at UTS. I approach my work from an artistic background always striving to create an outcome that carries a message, or makes some form of statement. I am particularly interested in and excited about projects that explore the limitations and opportunities of human interaction and social relations in space. Also in immaterial architecture – light and shadow, and material texturing and detail. I would love the opportunity to further my knowledge in all areas and develop my skills in digital modeling, rendering and analogue modeling and drafting. Other interests include architecture, sailing, travelling, cooking, history and art.
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CV
CONTACT Hannah Clifton 11/03/1993 18 The Scarp, Castlecrag 2068 hannah.clifton03@gmail.com +61 424 224 755
SKILLS
Archicad Revit SketchUp
T R AV E L
2012
Lived in Italy for 6 months. Backpacked throughout East/West Europe
2012
Los Angeles and London
2013-14
South East Asia
2014
New Zealand
2015
Japan and South Korea
2015
Indonesia
INTERESTS
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Photoshop Illustrator InDesign
Analogue Modelling Hand drawing Word Excel
Spatial design, People’s relations and interactions with one an other, architecture, space, their environment; Public/temporary interventions; exhibition and set design; architecture; sailing; travelling; history; theory; art; camping; trekking and cooking.
E D U C AT I O N
EXPERIENCE
19992011
K-12, HIGHER SCHOOL CERTIFICATE Glenaeon Rudolf Steiner School
20132015
BACHELOR OF DESIGN IN INTERIOR AND SPATIAL University of Technology Sydney
2014
MOLECULAR CLOUD CONFERENCE, ISTANBUL Intersection of art, design and science
2014
IONIAN CENTRE FOR ART AND CULTURE
2014
GLOBAL STUDIO: GREECE + VENICE BIENNALE Archaeological dig, concept for destroyed archaeological museum Kefalonia
2014
UTS PEER MENTOR PROGRAM Assisted in with technical and design problems and provided feedback during tutorial crits.
2015
GLOBAL STUDIO: BERLIN + DESSAU Fictional, utopian refugee shelter 1:1 model Bauhaus
2015 GLOBAL STUDIO: BALI + ROTE Research based - comparison of sustainable tourism between Bali and Rote Island, West Timor 2015 INTERIOR SPATIAL DESIGN GRAD SHOW COMMITTEE (UTS)
AWA R D S
REFEREES
2011
NOMINATED FOR DESIGN TECH
2014
STUDENT LEADERSHIP IN INTERIOR AND SPATIAL DESIGN PROGRAM
2015
CAMPBELL DRAKE (UTS) Third year tutor and lecturer Campbell.Drake@uts.edu.au | +61 2 9514 8068
2014
ANDREW DONALDSON (ADAD) Second Year Design Studio andrew@andrewdonaldson.com.au | +61 412 839 465
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VAPORISED museum of extinct atmospheres 2015
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The Museum of extinct atmospheres is an adaptive interior use of Pier 2/3 Walsh Bay. By inserting these spaces into the Pier, it becomes an agent of deextinction for the past five epochs all of which have become extinct due to the passing of millennia. The project redefines traditional relationships between objects and spectators; the public re-positioned to engage with the ‘live exhibits’ to become active spectators immersed within the specific conditions of particular epoch. Derived from data collected for each epoch, the five atmospheres are positioned in a horizontal relationship relative to today current sea level. Surrounding the ‘exhibits’ is the infrastructure and technological systems required to constitute and conserve the climatic conditions creating a Museum of Extinct Atmospheres.
SKIL L S: C A D - A RC H I CA D ; p ost produ c ti on - IL L USTRATOR; renderi ng - PHOTO S HO P
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Exploded Axonometric ARCHICAD, ILLUSTRATOR
Eocene Epoch ARCHICAD, PHOTOSHOP
Miocene Epoch ARCHICAD, PHOTOSHOP
transitional space The Superstructure ARCHICAD, PHOTOSHOP
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Section ARCHICAD, PHOTOSHOP
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ARCHICAD, PHOTOSHOP
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THE PUBLIC SPECTACLE
a cemetery beyond the necropolis 2015
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An open ampitheatre for funeral services providing passive public spectatorship and patron participation. Situated in the gully of Waverley Cemetery, Sydney. An adaptable use space with potential for other concerts, theatre, other services and events to occur within the gully. The public are integrated into the space via visual connection and by the repositioning of the boardwalk to be part of the ceremony. The intervention takes its cues off the surrounding contours an implied external amphitheatre-like shape orientated towards the horizon becomes the focal point of the ceremony and all other secondary viewing platforms.
SKIL L S: C A D - R HI N O (b a sic) , SKETCHUP; post product i on - IL L USTRATOR
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Circulation - patron + coďŹƒn
Access - public vs. patrons Axis
Visual connections - secondary viewing platforms Passive public spectatorship
Circulation - public
Structure Public vs. private Ceremony space Active patron participation
Skin Materiality
Program
Program Connection Integration - public + patron
Site Entrance/Access
Funeral Patrons
Public relationship (visual) to ceremony
Public
Service spcaces + bar Private service
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Exploded Axonometric SKETCH UP, ILLUSTRATOR
Plan SKETCH UP, ILLUSTRATOR
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Sectional Perspective SKETCH UP, ILLUSTRATOR
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Access/Thoroughfare Collective zone Open program
Axis based on site Intersection of patron and public
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Ceremony
Service area internal orientation Private modulated vs. Poros external ceremony
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Public Circulation
Separated Viewing platforms to ceremony
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Recreational/Gathering
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Orientation
Collective - funeral patrons and public
Focal point ceremony to horizon
Parti Diagram
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INTERIOR SPATIAL GRAD SHOW knowledge spaces Pier 2/3, Walsh Bay 11.11.2015
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Member of the exhibition committee responsible for designing, managing and executing 2015 ISD Graduation Exhibition at Pier 2/3, Walsh Bay. Roles included and participated in were: initial concept, design of floor plan; lighting design, fabrication and installation; graphics and communication; invitations, social media. Skills learnt and achieved include high level of team-work, communication within and to rest of cohort, tutors, lecturers and professors, some of the key components of hosting a show.
SKI LL S/PAR TICIPATION: C o m m u n ic a tion , Tea m pa r tici pati on, Desi gn/l ayout, L i ghti ng, Gra p hi c s .
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Potential Banner
x3
x3
Sit Down You're too Drunk
Sit Down You're too Drunk
Screen 4
Potential Banner
Potential Bar location
x4
x4
x4
Sit Down You're too Drunk
Sit Down You're too Drunk
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3
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Screen 6
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Potential Banner
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Projector 4
Projector 5
Projector 6
Model 1
Model 1
Model 1
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x4
x4
Sit Down You're too Drunk
Sit Down You're too Drunk
TO TOILETS
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2
Screen 5
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Model 1
Model 1
Catalogs
Dj Booth
7x Pallets
CITY OF MODELS 17
Potential Bar location
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Projector 1
Sit Down You're too Drunk x3
Sit Down You're too Drunk x3
Sit Down You're too Drunk x3
Sit Down You're too Drunk x3
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Screen 1
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Projector 2
Projector 3
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Screen 2
Screen 3
BAR ILLUMINATION
ACCESS
PANELS ILLUMINATION CATALOGS ILLUMINATION MODELS ILLUMINATION PROJECTOR
Exhibition Floor Plan
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ACCESS
x4
x4
Sit Down You're too Drunk
Sit Down You're too Drunk
Images courtesy of Feng Yuan
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SUBMERGED
a temporary public pavilion 2014
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Submerged, to descend below the surface. Situated at the harbour front of the MCA forecourt at Circular Quay, it becomes a tidal promenade offering an alternative connection to and from the city. Placed at the intersection of many public thoroughfares it gradually decomposes and dissolves the barrier between land and water allowing the tidal cycle to continually redefine what is fluid and solid. It becomes a gathering, refuge and resting place, and a release from the urban surroundings with potential for performance, spectacle and bathing.
SKIL L S: C A D - S K E T C H UP ; p ost p rodu ction - IL L USTRATOR; renderi ng - PHOTOG R A PHY; P HOT OSH OP; ANAL OGUE MODEL L ING
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Interior Perspective
Interior Perspective
PLASTER CAST MODEL, PHOTOGRAPHY, PHOTOSHOP
PLASTER CAST MODEL, PHOTOGRAPHY, PHOTOSHOP
Model Plan PLASTER CAST MODEL
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Section SKETCHUP, ILLUSTRATOR, PHOTOSHOP
Plan SKETCHUP, ILLUSTRATOR
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CANOPY
a micro inhabitation in residual spaces 2014
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Situated with a north aspect, at a high point of Oxford St, the interactive rock-climbing walls become a mode of elevation above the dense urban fabric providing the inhabitants with a disconnection from the city and views of natural landforms. The public rock-climbing facade also becomes a division between the public and private realm of the city. On the exterior, the public and internally the spaces are formed soley by the geometries of the rock climbing wall, where one is asked to interact and navigate the space not only through sight but also through feel and touch to uncover nooks of rest, sleep, study and living
SKIL L S: C A D - S K E T C H UP ; p ost p rodu ction - IL L USTRATOR; rend eri ng - PHOTOGRA PHY ( O F H A N D M O DE L) , H A N D P E N C IL AND WATERCOL OUR, PEN, PHOTOSH O P
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Interior Render HAND-MODEL, PHOTOGRAPHY, PENCIL, WATERCOLOUR, PEN
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Section HAND DRAFTING, SKETCHUP, PHOTOSHOP
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OXFORD STREET OXFORD STREET OXFORD STREET
Plans HAND DRAFTING, PENCIL, ILLUSTRATOR
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3D DIGITAL MODELLING sketch up | revit 2014/2015
SKIL L S: D e m o n st r a t e s ab ility to 3 D model a si t e/bui l d i ng f rom f ound (gi ve n) p l ans / s e ctio n s/ e le v ation s /ph otog r a p hs and f ro t hat create ow n d raw i ng se t and 3D
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int eri or renders.
Paddington Reservoir SKETCH UP, LAYOUT, ILLUSTRATOR
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Hall Scene
Expositions Temporaries
Info
Cafe
Small Auditorium
Info Center and Library
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Louvre Lens, SANAA REVIT, ILLUSTRATOR
Pier 2/3, Walsh Bay REVIT, ILLUSTRATOR PIER 2/3 WALSH BAY, SYDNEY
38 William Kelly Gabrielle Veringa Hannah Clifton
Pier 2/3 Walsh Bay Ground Plan 1.200
Center and Library
Galerie Du Temps
Pavilion de Verre
Members’ Space
Storage for artworks
Multimedia Space
Storage for artworks
Atelier
Multimedia Space
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VISUAL REPRESENTATION photoshop 2015
SKIL L S: D e m o n st r a t e s a b ility to crea te real i st i c and styl i sed rend ers and vi su al i s at i ons of 3 D modelled bui l di ng/proposal s i n Phot oshop.
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Barcelona Pavilion SKETCHUP, PHOTOSHOP
Fallingwater REVIT, PHOTOSHOP
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Barcalona Pavilion SKETCHUP, PHOTOSHOP
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EGELADOS
museum of archeological artefacts GLOBAL STUDIO 2014 The concept of the museum: ‘Egelados’: The motif of the shard recontextualised by the re-enactment of an explosion generates, through mapping, a gesture of the violent destruction of the artifact. As the shard penetrates the earth, it underlines the nature of an earthquake distorting the flat surface of the ground. This is echoed in the way in which light travels into the subterranean space. In this context, the shard begins to comment on the effects of both distortion and displacement that time exacts upon the whole; a condition explored through the shards positioned at the entrance into the structure to create a single, theatrical gesture. The form refers to and explores our personal experience at the archeological site. The narrative of digging and uncovering at the site therefore has influenced the layout and the design of the distinctive underground levels. Exploring the notion of time in reference to the sequence of expansion developed by the deconstruction of the artifacts has prompted the use of ramps. The continuity and cohesion between the slanted levels highlights the dynamic temporal experience through the building as a whole. The varied nature of these declines help express the uncertainty in the field of archeology and actively responds to the physical environment ok Kefalonia as well as the topography of the site itself.
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in collaboration with Eleanor Gibson, Melissa DaSilva + Charlotte Bailey
Entrance Condition
Circulation
HAND DRAWING
HAND DRAWING
Volumetric
Exploded Axo
HAND DRAWING
HAND DRAWING
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T HA N K Y OU F O R YOUR TIME AND CONSIDERATION I en th u sia sti cal l y aw ai t your repl y. Hannah C l i f ton
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