PORTFOLIO hannaholmlandmark
HELLO
This portfolio is a selection of some of the work I’ve done during the three first years studying architecture at NTNU and in my spare time.
INDEX
resume studio courses
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children in the city 8 artists in residence 14 make 20
spare time projects the bench 32 veita 34 the moomin house 38
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resume
Hanna Holm Landmark 01.02.1992 Hestavollen 20 5440 Mosterhamn NORWAY (+351) 93 401 39 45 hannaholm.landmark@gmail.com
graduated from High School
2011
graduated from Risøya FHS with focus on interior design
2012
2013
2014
2015
the moomin house started my master in architecture at NTNU
intern at Mellomrom Arkitekturpsykologi active in Studio Beta
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2016
veita
2017
the bench exchange Lisboa
2018
EXPERIENCES
20132014
INTERN AT MELLOMROM ARKITEKTURPSYKOLOGI
20142016
Studio Beta is a volunteer student organisation of and for architecture students in Trondheim, based in the city centre. The activities spans from workshops, lectures, social events or just a place to work outside school. With time, Studio Beta has become a place where students across years and courses meet, often resulting in collaborations that wouldn’t happen without this platform.
Reference Oddvar Skjæveland (+47) 90 20 50 00 os@mellomrom.no
Role: leader
web: www.mellomrom.no
2013-
2013 2014 2016
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MASTER IN ARCHITECTURE, NTNU
STUDIO BETA
20162017
EXCHANGE: UNIVERSIDADE AUTÓNOMA DE LISBOA
Reference Steffen Wellinger tel: +47 99 63 01 36 steffen.wellinger@ntnu.no
Reference Pedro Reis tel: +351 218870275 pr@pedroreis.pt
SUMMER JOB AT SÆVARHAGEN AVLASTNINGSBOLIG
SOFTWARE SKILLS
Sævarhagen avlastningsbolig is a leisure time offer for families with children with developmental disabilities. Working here has made me aware of the needs that come with strong identity and personality of each individual. The houses should be flexible enough to change inhabitants weekly without losing capacity, both for the children and for the workers. This is unfortunately not the case, and the houses the municipality often can offer is secondary and not suitable for the use. The relationship between what is an institution and what makes a home is something that deeply interest me.
Over average
Average
Basic
InDesign
Photoshop
Rhino
Illustrator
Archicad
Artlantis
AutoCad
Revit
Sketchup
Excel
web: www.autonoma.pt
Confident with model work, hand drawing, laser and 3D printing
studio courses
The details make the design, every building is a public building, every design decision should be justified in at least two ways, be carefull with the knife, good group dynamics is crucial, dead fish follows the stream. IMMERSE. If you build on your favourite place you will ruin it, translating opinions into shapes is difficult, learn how to make mistakes. Always Design For Change.
studio COURSES 6
yellow 040916 7
CHILDREN IN THE CITY Course:
Urban planning
Year:
Third year, first semester
Focus area:
Social sustainability, densification, urban ecology
Group members :
Sindre Sognnæs Andresen, Kari Røegh, Stian Thuen Lie and Janancija Arulanantham.
Where are all the kids? Adresseavisen writes 25th of November 2015 that it only lives six five-year olds in Midtbyen, the city centre of Trondheim. Big, newly renovated school buildings is left empty while the capacity of kindergartens and primary school in the rest of the city is blown. Only 3% of the inhabitants of Trondheim lives in Midtbyen, and when all the stores closed at 6pm and people flee the city, it is not much left that reminds us about this being the third biggest city of Norway. The math is fairly easy, and we’re trapped in an evil loop. No suitable housing, no families. No families, no children. No children, no schools. No schools no children.
Mixed strategies Trondheim is one of, if not the biggest, student cities in Norway and students usually wants to live central. The many landlords uses this opportunity to rent out expensive rooms to students or people that commute. The circulation of people staying for a shorter period of time with limited sense of ownership, decreases the quality of the houses and would most of the time not answer to the requirements of a family. The change has to come in stages, and nothing will happen over night. We think that with a strategy focusing on making better houses on a larger scale with room for students, elderly, singles and families is one solution. If we focused on making whole quarters and areas
better instead of big, fragmented projects only searching for profit, we could plan for a more sustainable future, both environmentally and social . Densify Within 2065, Trondheim will have about 80 000 new inhabitants. We want the city to grow inwards and not continue to spread over arable land, like it has been doing the last decades. We wish to densify and improve the areas close to the centre, with emphasis on developing good living conditions and vivid local communities so that we get a city core that offers something for everyone. We want Midtbyen to be a good place to grow up that
offers both good places to live, places to work, culture and activities, schools and kindergartens. A city centre with a strong identity, which is open, including, green and easy to use. We want the city to live 24/7. Why the children? With a child as a parameter for planning we need to have in mind that our cities need to be extra readable, safe, and put extra care into the interaction between green lungs and traffic.They should grow up in a city that they care about, and a city that shows that it cares about them. It is said that if the city is readable, safe and for a child, it is suitable for everyone.
Deliveries
Lade Concert in Munkeparken
02:00
Nyhavna Brattøra
Quiz night
Solsiden
Shopping at farmer’s market
Midtbyen
Ila
Rosenborg
Øya
Kindergarten
08:00
21:00
08:30
19:00
12:00 16:00
Footbal at Novataket
Gløshaugen
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06:00
Bike to work
Meeting friends for coffee
Hallo?! E det nånn fler onga her?
llustration Olav Tryggvasons gate
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CONTINUITY AND NEW QUARTALS
Continuity Today, Midtbyen is fragmented and you only find commerce is a small part of the centre. Our suggestion is to densify with a mixed strategy aiming towards continuous quartal structures, green lungs with housing, commerce and workplaces side by side. With better plans, better houses and safer streets, we believe Trondheim has the capacity to step up its game and become more than just a fragile historical centre- without losing identity.
The quartals of Midtbyen We chose to give an example on one specific quartal in Midtbyen which lies between one of the most trafficked streets in Trondheim, Olav Tryggvasons gate, and Nordre gate and Thomas Angells gate, which is car free shopping streets. This quartal has a lot of potential, much because of the buildings are owned by the same developer and the many sheds and dilapidated buildings in the back. We chose to keep the buildings facing the streets, and cleaned up on the inside to get a better use of each square meter and facilitate for different outdoor situations. The the old passage, “Midtbypassasjen� will be reopened to enhance the permeability on the streets.
MIDTBYEN 2015
MIXED USE IN THE QUARTALS
DOUBLE THE CAPACITY
kindergarten housing
squares/ parking
housing
housing
housing
services
office/services/storage
services
x
2x
THE QUARTAL OF MIDTBYEN BEFORE AND AFTER THE INTERVENTION
car free streets parks/ green lungs
interventions
The elevated street level serves as backyards for the residences secluded from the busy streets.
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green lungs car free tram street
Green roofs
680m² on 8 units 900m² on9 units 840m² on 8 units
New volumes
120m² storage+ 80m² service local 135m² storage+ 590m² service local 120m² storage+ 430m² service local Elevated backyards
Exsiting buldings
GATE
RE
ND SØ
GVASONS
G OLAV TRY
TE GA
R NO ATE
EG
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THO
E
LS GAT
NGEL MAS A
DR
Layout and new passage
Further analysis on issuu.com search �byen vi bor i�
Model photo of 1:200 model
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Illustration roofterrace looking over to Midtbykvartalet
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ARTISTS IN RESIDENCE Course:
Housing
Year:
Second year, second semester
Focus area:
Transformation, needs of living
Group members :
Hedda Angell
Strandveikaia 94 and 96. The assignment was to do a transformation of two buildings built by the Germans under WW2 as a coal storage hall and district heating for the submarine bunker, Dora I and facilitate for housing. Today it is filled with different cultural life such as a taekwondo club, a record company, bands and artists that benefits from the low rent and huge work spaces with freedom to express themselves within their own thick walls. How can we create a form of living that both helps and protects the artists?
Residences for travelling artists with connected atelier. Strandveikaia 96 consists of four floors and a basement. Each of the floors are structured with two big rooms separated with a narrow hall in between. The rooms are 140 m2 big and measures 8 meters wide, 18 meters long and 5 meters high. As an overall concept we made one living unit inside of each room with a connected atelier. What do you need for work, and what do you need for living? Is a big home equivalent to a good home? We don’t think so. With this in mind, we designed three different living units suited for 1-2 persons. In the storage
Lade
ham
hall we designed a bakery and a indoor market garden to facilitate all the future rooftop gardens and urban agriculture projects and recreation. Preservation of cultural and historical heritage.Today the buildings are protected and takes part in the new urban plan of Nyhavna. It is important to preserve the existing cultural life which is unique for the area. Several of these war memorials are great for such use, and this project is a comment on how to combine alternative living with work.
mer
kaia
Stra
ndve ita
Lade
atelier Strandveika
ia
Nyhavna Brattøra
living unit
Str a
nd
veie
n
Solsiden
Midtbyen
Ila
Rosenborg
Øya
Gløshaugen
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Atelier and residence Photo of of 1:20 model
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Fasade nord-vest ‘
Fasade nord-vest
Fasade nord-vest ‘
Original west facade, 1:800
New west facade, 1:800
Fasade sør-øst Fasade nord-vest
sør-vest Fasade sør-øst
The two buildigns. Storage to the right
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The hall that separates the rooms
View from the fourth floor. The crane is in daily use to load wood into the existing atelier
nord-øst
MARKET GARDEN AND BAKERY
Section AA 1:400
WC. WC.
WC.
Second floor 1:400
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The project was 1 out of 4 projects chosen to be exhibited in Dora I on the cultural event “Events on Nyhavna” in 2016. There was 50 projects in total in the course. Read more on issuu.com
search ”hendelser på nyhavna”
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Interior. Photo of of 1:20 model
MAKE Course:
Complex buildings
Year:
Third year, second semester
Focus area:
Duality of materials
Group members :
Tora Vollset and Kari Røegh
MAKE is a production community and innovation platform in the industry area in the East part of Trondheim, Nyhavna. It is set to be a common space for the performing artists, innovators, and hobby carpenters in the region and give added value to the inhabitants of Trondheim. Time span The project would in some way or another take part in the new urban plan of Nyhavna, and we wanted it to work independently whether it stays an industrial area or primarily housing. This made it especially important for us that parts of the site would maintain public and
serve the inhabitants of Trondheim regardless if you have interests in the building or not. The placement of the bridge emphasizes this idea. The building doesn’t interfere with the traffic on the bridge, and it also creates an important connection to Strandveikaia. We also wanted to keep thefunctions of the harbour and see this as an advantage for both our project and the city. The building is shaped as and L and opens up to the south and enables the crane to load and unload directly on the courtyard. The courtyard functions as an extension of the rooms inside and an invitation to the public to take part in the activities or just enjoy the occasional glimpse of sun.
Study of opacity MAKE is structured after a vision of big, open spaces between more enclosed concrete cores. The cores contains everything of verticals, wet rooms, technical features and other serving rooms. They also function as transition zones between the maker spaces, and creates a contrast to the big and lighter rooms. The facade consists partly of opaque concrete, transparent windows and areas of translucent canal glass. We wanted to take advantage of the possibilities that lies in these distinctive differences and let the facade become a composition of the three. This characteristics of the canal glass spreading the light removes the need for
sun screening, and gives us the opportunity to have full walls that lets in light in the work spaces. The windows stretches from the floor to the ceiling and functions as sliding doors so that big parts of the wall can be opened up On the first floor they become doors to the outside, while on the second floor they become french balconies.
Lade
Nyhavna Brattøra Solsiden
Midtbyen
Ila
Rosenborg
Øya
Gløshaugen
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The city council’s plan
Our suggestion
Transparant glass
Translucent canal glass
Opaque concrete
Indoor/ outdoor
Ilustration of MAKE coming from south blabla bla
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B
C
Middellavvann -4.07 Middelhøyvann -2.23 - 0.18 - 0.15 - 0.12 - 0.90 - 0.60 - 0.30 +0.00
sauna
silent room
A
kitchen
cleaning
laser
wardrobes
A
storage storage
cafĂŠ, store and showroom
storage
digilab
makerspace
wood workshop CNC
+0.00
workshop workshop hall
C
B
storage
Ground floor, scale 1:400 22
ceramic room
auditorium
A
atelier digilab
A
dark room atelier
storage storage spray room open down
coffee bar and library
makerspace
atelier atelier
+5.50
group room
group room
group room
storage
open down
open down
Second floor, scale 1:400
Bod
Kaffebar og bibliotek
KafĂŠ, butikk og utstillingsplass
Auditorium
Kjøkken
Makerspace
Hvilerom
Makerspace
Utstyrslager
Sponavsug
Sprayrom
Garderober
Atelier
Atelier
Finverksted
Laser
Section AA 1:400 23
sedum green roof
transparant sliding door translucent acrylic insulation
artificial lighting
250mm pressure-resistant insulation
silicone joint
sliding sun shade
railing canal glass profiles
300mm concrete
Horisontal section of the facade, scale 1:50
inner rail sliding door
vertical acoustic absorbers
translucent canal glass silicone joint
10mm perforated steel plates
canal glass profile
inner rail sliding door
translucent acrylic insulation
Transparant sliding door in glass
steel profile
Axonometric drawing of the canal glass drainage grate
Section through core and facade, scale 1:50 24
Elevation west 1:400
Illustration from the cafĂŠ
Elevation north 1:400 25
BLUE CLAY_A HUGE LOCAL RESOURCE Concrete is the single most widely used material in the world – and it has a carbon footprint to match. The concrete industry accounts for about five percent of the total CO₂ emission in the world. This being said, the advantages of using concrete is many, and it is too easy to turn our backs to the environmental challenges instead of finding better alternatives. In order to find them, we need to do research and collaborate with other fields- we can’t continue to do what is fast and cheap just because it is easier. Blue clay as a substitute for cement We wanted to take this opportunity to study concrete further, and read a column in Architecture N from SINTEF where they wrote about using the Norwegian blue clay as a substitute for cement in the concrete production. Clay, such as kaolin clay is used as a substitute for cement in warmer parts of the world already, but the blue clay we have in Norway has earlier shown not to be suitable. Despite of this, scientists at SINTEF in Trondheim have found out that we can replace up to 35% of the cement in reinforced concrete, and up to 50% unreinforced concrete with the very local blue clay. Why is this so great? The preparation of the cement constitutes about 90% of the total CO₂ emissions in the concrete production. The limestone is heated up to 1500 degrees and the calcination process makes the limestone separate CO₂. The calcination itself constitutes 70% of the total C0₂emission and the remaining 30% comes from the heating process. The production of the clay is much more environmentally friendly since it doesn’t emit CO₂ under heating other than the emissions caused by the heating itself. Even these are much lower since the clay only needs to be burned at 600- 800 degrees. This again gives us the possibility to use bio- fuel, which will decrease the emissions even further. Act local, impact global 10 000 years ago most of Trondheim was under water, and it is safe to say that the city is built on top of a huge mountain of clay. For every new building or house that is built, we transport the fill away from sight at own depots. The building activity is growing so fast that in 2013 it was even lack of depots and the building industry needed areas for 1 million more m³ than already available. Wouldn’t it be great if the clay could be used in the concrete industry instead of being dumped? We think so.
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We contacted The Concrete Group at SINTEF and got a lot of helpful information. We even got to cast our concrete cores in concrete made out of 50% blue clay.
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The project was 1 out of 4 projects chosen to be exhibited in Dora I on the cultural event “Events on Nyhavna” in 2016. There was 30 projects in total in the course. Read more on issuu.com
search ”hendelser på nyhavna” You can find all the slides here
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THE WORKSHOP- photo of 1:100 model made out of capa, blue clay concrete, cardboard and tape
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spare time projects
Small scale big scale, time is relative, communication is crucial, I’m not a capenter, no process is linear, never abstract reality. People rely on me. Ask questions. With a greater knowledge of the who, how and what before adding the it, we prevent making unnecessary interventions and lower the risk of failure. TEMPORARY projects gives us the opportunity to test out different hypothesis and make longer term decisions based on feedback from the surroundings. Rely on people. Answer the questions.
spare time PROJECTS 30
blue 291116 31
THE BENCH Type: Urban Design Year: 2016 Focus area: Changing the street section, repercussions Group members : Sindre SognnÌs Andresen, Kari Røegh, Stian Thuen Lie and Janancija Arulanantham.
Parallelly to the urban planning course, my group and I wanted to find out what we could do in the streets today without having to go through long bureaucratic processes. We wanted to study the life in Olav Tryggvasons gate, one of the most trafficked streets in Midtbyen. Today it is a four lane road with wide pavements on both sides and functions as a thoroughfare for cars and pedestrians. There is not much that invites for longer stays on the streets other than walking in and out of stores. Could we with a bottom- up method create long term repercussions? What can we do today? This is the base for The Bench. In collaboration with the innovation platform, DIGS, we designed a bench outside their coworking space in Olav Tryggvasons gate. The project consists of a series of steel and wood poles for bicycle parking on the left side of the entrance and a bench and table- furniture on the left side.
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VEITA Type: Temporary Urban Design Year: 2015 Role: Project Manager Group Main responsibilities: Planning applications, communication with engineer and entrepreneur, coordinate the workshop Group members : Kristin Solhaug NĂŚss and Maria Nervik
Veita is a stair and seating area in one of the slopes in the public park, Marinen, in the city centre of Trondheim. The basis of the project was a collaboration between the students, the annual Pstereo festival in Trondheim, and the municipality of Trondheim. The collaboration throughout the spring 2015 resulted in a three week building workshop with 20 students from architecture and music technology. The structure connects the lower level of the park with the upper level, to support the circulation of thousands of people during the festival. To further take part in the dialogue about how the city should be developed, the project also focuses on creating spaces for people to use all year around, and the municipality have accepted it for two years as a temporary experiment. More on NTNU Live Studio’s home pages
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IS IT SUCCESSFUL? From the festivals perspective, the answer would be a definite yes. Because of the enhanced circulation they can sell more tickets, and more seating areas is always preferable. But what about the city? The structure has two years to mark its importance, and collect information from the surroundings. If the answer is yes, the condition of the structure has to be checked, or plan a new intervention better suited to deal with time. If the answer is no, we learned a lot about Trondheim, the structure will be demolished and the traces will be erased when the grass under the cloth turns green again. Low risk, low budget, full scale building.
SELECTED ARTICLES
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ADRESSA
KOTE
UNDER DUSKEN
Denne trappa får stå i to år
Kan byutvikling prototypes?
Magisk trapp ved Marinen
2 NOV 2015
3 NOV 2015
22 AUG 2015
Vetia during Pstereo 2015. The lighting design is done in collaboration with students from music technology. The lanterns changed color and rythmn with the activity in the stair. Photo: Will Cilento
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THE MOOMIN HOUSE Type: Play House Year: 2014 Focus area: Proportions, scale, sponsors children Group members : Erik Frydenlund Hofsbro, Olaf Godtland Røe and Jonas Kyllenstjerna Pettersen,
The Moomin house is a project that we did for the public library in Trondheim. It might be small and pragmatic, but it addressed some themes that we hadn’t faced before, and introduced us to the responsibility that comes with someone relying on your expertise, when you don’t think you have any. The Moomin house is now a permanent part of the library More on NTNU Live Studio’s home pages
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Photo: Adressa
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hannaholmlandmark