Portfolio_30pages_Hanzhe

POR TFO LIO

ZHE

TIME & SPACE

This protfolio comes from my thoughts on the reconstruction of living space in the city, the ecological protection of surrounding suburbs, and the transformation of old blocks in the city when worked and lived in Beijing from 2019 to 2022. At the same time, it also integrates my thoughts on some events that touched me deeply during this period, such as human aerospace exploration of the moon, The isolation state caused by the outbreak of COVID-19. I try to give my critical thinking and views on the above problems and events through this protfolio, and try to express my views through interior space, installation art, urban furniture and architecture.

1. Light adv.

Can light be used as a way to express one's emotions?

2. Lunar House Rhapsody

What kind of feelings and memories should we take to the future life on the moon?

Reconstruction

Narrtive Design

3. Growing Mountain

How to use the characteristics of limestone mountains and construction waste to repair waste quarries?

4. Is That Okey ?

What is the relationship between people and their space under covid-19?

Environmental Architecture

Installation

Hutong Screen

How to solve comprehensive problems of streets in the old urban area of Beijing from the perspective of designers?

Hutong

Renewal

LIGHT adv.

Topic Type: Reconstruction \ Interactive Light Installation

Two-stage Design

This project is a residential reconstruction project in Beijing. The project took place before and after a year of COVID-19. At first, as a designer, tried to improve the natural lighting of the space as the starting point, carried out and completed the space design, and guided the construction work.

Then, with the outbreak and continuous progress of COVID-19, I have some new thoughts about the previous space design. found that the epidemic forced us to spend more time indoors. So try to design the second stage of the previous scheme from the perspective of the impact of light on space and people. In the second stage, try to increase the interaction between people and space and make the same space give people different feelings by changing the properties of natural light in the space. Through my design, I try to bring more possibilities for space users to get along with their living space at the moment of the epidemic.

[1] Laws and Regulations:

MY LIVING ROOM AT 3 P.M.

In my apartment, the window of livingroom, where most often live, faces west by North. Only around 3 p.m. will a ray of sunlight shine from the window onto the wall.

don't know when began to pay attention to its appearance. Although it appeared for a short time, every time saw this beam of sunshine shining on

the indoor wall, would be very happy. When it's raining or cloudy, will feel depressed because it disappears.

With the rise of Beijing's population in the past decade, Beijing has become more and more crowded.

As a result, the housing form in the city is generally apartment，many of which have problems such as low floor height and small windows. On the other hand, due to the restrictions of laws and regulations [1] and building structure, it is almost impossible to change the size and position of windows to improve the indoor lighting.

● <Regulations of Beijing Municipality on the management of keeping the facade of urban buildings clean and tidy>

Article 9: when redecorating and decorating the facade of a building, the tone and design style of the original building shall be maintained. If changes are required, they shall be reported for approval before proceeding.

● <Measures of Beijing Municipality on the renovation of building facades in urban areas>

Article 6: the construction of building facade reconstruction shall not be approved there are the following acts:

1. Incongruous with the surrounding environment.

6. Change the bearing structure of the building without the consent of the original design unit.

1.2

New building area in Beijing (2020)

1.8 Million people 21.89M

Location: Beijing Area: 292 ㎡

BACKGROUND &RESEARCH SITE ANALYSIS

This is a two-story apartment. The first floor is a common box shaped space, and the second floor is the sloping roof attic at the top of the building. The task is to transform the public space of this apartment.

In order to simulate the lighting of this apartment during the day, try to make a space model of the first and second floors with concrete, and simulate the sunlight through lights. By feeling the indoor lighting of this apartment when the lighting angle changes, can prepare for the next step to improve the space form.

0.6

20.19M

Population statistics of Beijing 2010-2020

The North-South span of the first floor is large, and the middle and North positions of the house are relatively dark. On the second floor, only the balcony can receive sunlight. The sloping roof creates many dark areas.

REFERENCE ANALYSIS

A Cemetery lgualada

The project creates multiple patios on the continuous top surface, introduces sunlight into the lower space of the building, and improves the lighting of the lower space.

B Mimesis Museum

This project makes great use of the reflection of natural light to illuminate the indoor space. The designer added a continuous ceiling plate under the skylight to make all light enter through multiple reflections. Under the condition that windows are rarely used, the room gets sufficient light.

BEFORE: SPATIAL GENERATION & PRACTICAL APPLICATION

Through the analysis of reference, try to improve the illumination of this space by opening the top surface and reflecting natural light. try to deduce the spatial form according to the top surface and facade, and finally combine the two parts to get the final spatial form.

After obtaining the space form, also independently completed the detailed design and construction drawing of this space and gave necessary technical guidance to workers in the construction process.

CEILING PART

At the beginning, found that the irregular roof on the second floor caused dark areas, and the light on the first floor could not enter the room more because of the large distance from north to south.

Then, try to cut corners where the light on the second floor is not good, and fully open the floor between the first floor and the second floor to make more sunlight shines indoors

FACADE PART

Finally, the top surface of the corner cutting of the second floor is further evolved into an arc, and the floor slab between the first floor and the second floor is left with necessary passage space.

Merge the prominent parts of the space into a Inclined plane to better refract the sun.

Adjust the Inclined plane of the first floor to make better use of the space of the first floor.

CONSTRUCTION SCENCE

Convert nclined plane of the first floor into a stepped shape.

After preliminary experiments, the corner cutting of the square space can indeed increase the brightness of the remaining part.

I try to generate the ceiling spatial form by analyzing the dark area in the space. Improve the natural lighting in the space by improving the shape of the second floor roof to better refract sunlight and opening first floor roof to make more sunlight shine into the space.

Detail Drawing

A Arc ceiling location

Equipment Room

East Section

External corner of ceiling Connection between ceiling and windowB C

NOW: STAGE TWO

SOME NEW IDEAS BROUGHT BY COVID-19

With the outbreak of the Covid-19, we spend less time out, spend more time in our own home, work, kill time spend time with our family... In contrast to us, our living space has not changed.

This makes me think, can our living space also have more possibilities of change? Can it produce different spatial feelings to adapt to the different behaviors we take place in it? Perhaps the space can also have more interaction to enhance our freshness. Or just give us a chance to take a breath and escape the invariable space we get along with every day.

‘Portraits in the Time of Corona’ Paul & Nicki Gero Combined with the spatial form of the ceiling part and the facade part, a complete spatial form is obtained.

In the design of the second stage, still take the research on natural light in the first stage as the starting point, and try to practice my idea by changing the natural light in the space.

Will it be better if our home can bring us more possibilities to get along with it at the moment of the epidemic?

Completion photography

Remove the first floor ceiling

Construction of second floor ceiling

A B

C

HOW DOES NATURAL LIGHT AFFECT SPACE?

The research on this problem is divided into two parts. The goal of the first part is to manufacture a device that can be used in experiments. The second part attempts to create a space that can give people different psychological feelings by changing the nature of natural light.

In order to study the different changes of natural light in the same space, designed an experimental device, which can control the incidence angle, light color and other variables of natural light.

ILLUMINATION EXPERIMENT

REFERENCE ANALYSIS

LIGHT MAYBE LPASTICITY, IT CAN REALLY EXPRESS SOMETHING

Ⅰ An art project designed for the protest in Sydney activated the residents of two 30 story residential buildings and created a building light sculpture with light from the inside (Harmon 2017). All participants received a lamp with a changed color and expressed their emotions individually with a constant color or flash.

F G C D B E A [2] Max Lusher. Color psychology effect. 1947.

Calm

A. Ambient light simulation module

B. Adjust light color and light intensity

C. Sunlight simulation module

D. Adjust the incident angle of light

E. Spatial form model

F. Urban texture photos

G. Picture color correction module

In this project, the designer used the relevant theories of color psychology effect [2] to make people find ways to express their emotions through the psychological state represented by different color lights, so as to protest the demolition and privatization of real estate development in this area.

Orange light

DRINK 45° / CLEAR 30° / HAZY 45° / CLEAR 30° / HAZY Ⅱ “The Weather Project” is an installation created by artist Olafur Eliasson. The circle creates an orange light source and obscures the light through humidifiers arranged in the site. This project changes people's feeling of the whole space through the adjustment of light parameters.

DATE

PASTIME READ HUG

I try to change the color, incident angle and softness of light through the experimental device to create different spatial feelings in the same spatial form. In the experiment, I tested the different states of the same spatial form under the shines of five colors, two solar altitude angles and two different softness lights.

Through the above experiments, confirmed that changing some properties of light in same space can produce a variety of spatial feelings. So I want to design a installation, so that people can adjust the light to the corresponding state under different circumstances.

Everyone has a different feeling

Dejected

Mysterious Active

To sum up, for the second stage design of this project, hope to design a light adjustment device in the space to change people's feeling of the space through people's interaction with the device and the device's adjustment of the natural light emitted into the room.

LUGHT ADJUESTING INSTALLATION

try to apply this light adjustment installation in the space already designed in the first stage, and add the functions of changing the color of natural light in the space and adjusting the clear and hazy of light to the original space on the basis of minimizing the change of the original space form.

When people sit on it, the color of natural light in the space changes. When people leave the seat, the space returns to its original state.

The hanging chair can be installed in different places indoors.

A: How to switch colors

try to switch between five different gear sets by designing a gear that can slide left and right, so as to realize the color conversion. This inspiration comes from the transmission of cars.

The color switching function is realized by changing the connection between the hanging chair and different gear sets.

The counterweight ensures that the color translucent film can be automatically retracted by gravity after people leave the hanging chair.

B: How to control the folding structure

tried to design a gear transmission installation to control the unfolding action of the folding structure. The deployment angle of the installation in different time periods is controlled by using the cam. At the same time, people can control the nstallation by shaking the

Sectional view of motion trajectory

The core concept of this installation is that the hanging chair will drive the installation to change the color of the space only when it is loaded. When there is no weight on the hanging chair, the device will retract automatically.

USAGE SCENARIO

The wife put the ingredients for tonight's dinner on the hanging chair and changed the color of the indoor light. At this time, the device acts as a "signal light" to avoid communication when the relationship between the two people is tense.

A couple put their home office equipment on the hanging chair. The color of the light changed. They hugged each other and temporarily fled their daily working state at home.

The two sit together for a close date. When they leave, the light in the room will return to its original color. They all want to spend more time with each other.

Finally, I try to express the application situation of the installation from some fragments in daily life. I hope that the interaction with people through this installation can be used as a tool to temporarily escape the current state of life, a reason to spend more time with family, and a "signal light" to avoid direct communication ,to ease the relationship between people.

The second stage is based on the design of COVID-19's demand for residential space and changes in behavior. This makes me realize that our demand for space will change with time or some events. The transformation of space will also have more and more humanized possibilities.

When you are in a bad mood, sitting on the hanging chair changes the feeling of indoor space. This can be noticed by other families.

Select the color of indoor light that can be changed through the handle, and control the opening of installation through the rocker to affect the clarity or haziness of indoor light.

Lunar House Rhapsody

Topic Type: Narrative Design Experiential Design Spatial Experience Installation

Lunar house Rhapsody is an installation used to inspire people initiative creativity and critical thinking ability when building a living space on the moon in the future. Makes people think about the possibility of cognitive changes when the moon immigrants come ture, and what kind of feelings and memories we should take to the future life on the moon.

BACKGROUND

OVERVIEW EFFECT & EMIGRATING TO THE MOON EXISTING PROJECT ABOUT LIVING ON THE MOON RESEARCH&ANALYSIS

HISTORICAL ANALYSIS: MODERN CHINESE MIGRATION

ORIGINAL BUILDING IN CHINA

" In 1967, Apollo 8 went to the moon. They did not land but they did circle the moon and was watching it on television and a certain point, one of the astronauts casually said we gonna turn the camera and show you the earth, and he did, that was first time ever seen the plant hanging in the space like that. It was profound." Author, 'The Overview Effect' Frank White says.

Altitude≈1000

Due to the change of perspective from near to far of astronauts from the ground to space, there is a psychological effect called Overview Effect. It makes the astronauts look at their living environment from an unprecedented perspective, which leads to their cognitive changes.

This makes me wonder, when we immigrate to the moon, will we have a new understanding of our original living environment? What emotions will we have? Will we miss the earth?

At present, most of the existing projects about living on the moon consider how to meet the needs of function and survival.

else

to?

HISTORICAL ANALYSIS: PREHISTORIC HUMAN MIGRATION

1 2 3

Chicago

Taking the history of modern Chinese immigrants as an example, the Chinatowns in many cities all over the world today are the communities with Chinese local culture developed by the continuous emigration of Chinese people for hundreds of years. Although people migrate from their hometown to live all over the world, they do not give up their feelings and memories of their hometown by inheriting the architectural forms and living habits of their hometown.

REFERENCE ANALYSIS

Riverbed Olafur Eliasson

Real scenes can give people more direct feelings and immersive experience of the environment.

The Adjustable Ruins and the Twins

Claire Trotignon

Building a new space framework in the original space makes people experience another space dimension that may exist outside the original space.

Watercolor Collage

Claire Trotignon

Use the fragments deconstructed from the architecture to build a new space composition, which makes people feel the impressionistic expression of space.

Migration Route 3.6 million years ago ~ 12000 years ago

The houses of prehistoric people mainly meet the needs of survival.

Migration to the moon is also a kind of human migration activity, from familiar regions to new territories. The study of technology can meet the needs of function and survival, but the migration behavior will be accompanied by the migration of feeling and memory. So want to make a installation used to inspire people initiative creativity and critical thinking ability when building a living space on the moon in the future. Makes people think about the possibility of cognitive changes when the moon immigrants come ture, and what kind of feelings and memories we should take to the future life on the moon.

Using 3D printing technology to build structure on the moon with lunar soil as building materials.

Using solar energy to support life support system. Extracting water ice deposits from the moon to produce respirable air and rocket propellants.

YokohamaManchester Paris

CONCEPT GENERATION

EXPRESSION OF LUNAR SURFACE SPATIAL ELEMENTS & FUNCTION ELEMENTS

INSTALLATION GENERATION

This installation tries to imitate the relationship between space and function in real life, arrange space elements around function elements, and reserve a passage for people to experience.

This project attempts to divide the indoor space into two parts, and the sinking part is used to arrange the installation, while the rest can provide a transition space for the experiencer and can obtain the perspective of a farreaching view of the installation.

Space

2D

SKETCH

The installation should meet the following three aspects:

1. Immerse everyone to experience the lunar surface environment with real scenes.

2. We need to express the living space objectively and conceptually, and try to make everyone get resonance.

3. Everyone can find their own feeling and memory connection with their living environment, and project it into this installation.

SITE

The project is located in a blank house in Mentougou District, Beijing, China.

The site has a high vertical height and the ground has subsidence area, the space is divided into two parts. The installation can be arranged according to the space level.

try to select some debris to be placed on the site to simulate the small meteorite debris on the surface of the moon.

3D

This project attempts to select the gray concrete fine powder which is easy to obtain and reuse to simulate the environment of the fine weathering layer on the lunar surface.

Reorganize and get spatial elements

Function Elements

This project attempts to extract space elements from common living space and simplify them, so as to summarize the characteristics of living space. Then try to rearrange the space elements like Claire trotagon's works. On this basis, the concrete shape of bed and sofa is added to further emphasize the expression of the device for the living space. The combination of the two creates a conceptual living space.

Function Elements

Spatial Elements

"Moon Surface"

Surround the spatial elements around the functional elements to form an abstract living space and leave a space for people to explore in the device.

This installation is arranged according to the characteristics of the site, and the space elements semi-circular surround the functional elements, so that visitors can obtain the overall perspective of the observation device in the raised part of the site.

lunar meteorite

lunar regolith

VIEWFINDER

This project attempts to make a "viewfinder" to extract fragments of personal emotion and memory. When a person chooses a perspective in his living space through the "viewfinder", the process of guiding him to think about the theme of the installation has already begun. After that, the extracted scene need to be projected to the installation. In this part, I try to use the projection device, because there is no limit on the display area like using the display. And the size and shape of the projection image can be controlled.

1.0

At the beginning, tried to make a viewfinder that can change the shape, so that people can view according to the outline they want. However, the problem is that the outline after shooting is difficult to adapt to the wall, which limits the size of the projected image and makes it difficult for people to better immerse themselves in the emotional and memory fragments they choose.

Version 2.0

After that, improved the viewfinder, designed the observation port with the outline of space and functional elements, and made it in the size of daily credit card or business card to facilitate carrying and using.

It is divided into two parts, the translucent part has a hole in the middle for viewfinder, and the other part has the use process of viewfinder box to help users view.

Then I made the viewfinder and experimented with it. I think using the viewfinder will make me think and choose the part that moves me most in a space.

OPERATION PROCESS: FROM VISIT TO PARTICIPATION

Spatial

Spatial Element:

Spatial Element: Column & Wall

Spatial Element: Stairs & Wall & Column

The cloth obscured the outside view

Funtion Element: Armchair

Funtion Element: Bed

Experience

Experience

When the scene is projected into the installation, the visitor turns into an experiencer, gets and shares thoughts on the living space of the moon with others.

This project attempts to change visitors into experiencers through the above process, so that people can participate in the theme from passive to active. Finally, share their thoughts about the living space on the moon.

Take a picture through the viewfinder Find a scene you want to take to the moon

MAKING PROCESS

Thank Mr. Zhang for his assistance in wood frame making and panel fixing as a worker in the 1:1scale model making stage of this project.All the other work of this project is completed by me independently.

1. Concept model 2. Making the elements

3. Making the ground surface

4. Test projection equipment

5. Use mirror to extend the ground

6. North view of the installation

EXPERIENCE

INTERVIEW

When the installation is ready, invited some people to experience it. After that, I conducted a brief interview with those people and collected their ideas about the future living space on the moon.

PARTICIPANT

For me, home on the moon should be have a big window to see the earth, with warm light and a wooden floor. I also want to take my saxophone to the moon and set up a small stage at home where can play against the universe and the earth.

I don't know if people will do the same thing when they arrive on the moon. mean, destroying the environment, wars and so on. So let's forget all our memories of the earth and start over. In that case, I hope my house is like never before on earth. I just want to take some books which record the best wisdom. In addition, I want to have a meditation room with some sculptures.

If live on the moon, I must build a house with thick walls to separate it from the outside world. There are warm and soft colors inside and outside the house, a Siamese cat that can collect dishes like a dog, and a yard full of big pink flowers.

I can also eat tomato flavor and spicy flavor hot pot, which reminds me of my life in Sichuan and Chongqing.

By recording the thoughts of people who have experienced the device on the future life on the moon, it is not difficult to see that everyone has obtained their own thoughts on the emotion and memory of the future living space on the moon. At the same time, we can also realize the infinite possibility of future life on the moon.

· The video file of this project is detailed in the following links: https://youtu.be/4w7XfLia35M

· The paper of this project is detailed in the following links: https://issuu.com/hanz2021/docs/article_on_lunar_house_rhapsody

1. Visitors are experiencing the installation

2. Visitors are watching the introduction

4. The image extracted by visitors is projected into the installation

5. Visitors are experiencing installation that project images selected by others

3. Visitors use the viewfinder to extract the view they want to project in their home

IF YOU ARE GOING TO IMMIGRATE TO THE MOON, WHAT DO YOU THINK YOUR HOME ON THE MOON WILL BE LIKE?

LIU HAOXIN

WANG BOWEN

TANG YUNYAO

Growing Mountain

On a camping trip to the suburbs, saw that many mountains were artificially cut from the middle. The original scenery has become scarred. Huge stones are exposed from the mountains like a cake with a corner cut off. Later learned that those scenes were thought to be caused by stone mining.

At present, China's urbanization is developing at a high speed. But the natural environment that provides us with all the building materials we need has been abandoned after being devastated by mining. The rapid renewal of buildings in the city has also caused a large number of abandoned buildings, construction waste, and accompanying pollution.

Based on the reconstruction of an abandoned quarry, this project attempts to use the characteristics that the mountain itself is composed of limestone to repair the damaged natural form by architectural means. At the same time, try to use the old buildings and construction waste in the city to solve their damage to the environment.

Topic Type: Quarry Reconstruction Montage Art / Environmental Architecture

Origin of quarry

This abandoned quarry is located in the mountainous area in the west of Beijing, 12km away from the edge of Beijing urban area and 32km away from the center of Beijing.

As this area is close to the urban area, the transportation is convenient. The mountain itself is mainly composed of limestone, so it is often temporarily mined. After mining, these temporary quarries are abandoned.

Natural landscape

This is the only pure mountain area in Beijing, which attracts many people living in the city to come here for outings and holidays every year.

Within 2km of the site, there are sightseeing roads for cyclists. Within 2 to 4 kilometers, there are naturally formed karst caves. At the same time, there are two national natural scenic spots within 12 kilometers. The winding mountain roads and roads along the river in this area also attract many self driving enthusiasts on weekends and holidays because of their beautiful scenery.

Cultural landscape

Within 12 kilometers, there are also ancient architectural sites, temples and other tourism resources here, and the largest traditional pilgrimage temple fair in northern China is held every year on Miaofeng Mountain in the north of this place.

Ancient architectural sites

CHEMICAL COMPOSITION OF LIMESTONE

Limestone is rich in calcium carbonate (CaCO3). Limestone can produce stalactite under natural conditions, and it is also an important raw material for construction.

CHEMICAL PRINCIPLE OF STALACTITE FORMATION

Under the action of water and carbon dioxide, CaCO3 in limestone is transformed into water-soluble Ca (HCO3) 2, which is brought to other places with the flow of water, and then CaCO3 is regenerated due to the evaporation of water. This process changes the shape of the rock and creates stalactite.

Each stalactite begins with a drop of water containing minerals. When the water drops, a thin layer of stalactite is left, and a conical stalactite is formed for a long time. Similarly, the falling water droplets precipitate more stalactites after reaching the ground, and finally form round or conical stalagmites. If the time is long enough, stalactites and stalagmites will merge into stone pillars.

Time line

The original cave forms stalactite pillars with the continuous erosion of water. This process eventually transforms ordinary caves into karst caves.

Lime (CaO) calcined from limestone (CaCO3) at 900 ~ 1100 ℃ is used as the raw material of various coatings in architecture.

04

Yongding River

Qingyin Temple & Yangshen Temple

Jufeng National Forest Park Sanjian karst cave

Beijing City Area

Beijing City Area

Lingxi natural scenic spot

Miaofeng Mountain

BACKGROUND ENVIRONMENTAL PROBLEMS

At present, China's cities are expanding rapidly. Take Beijing as an example. From 2010 to 2020, the built-up area of Beijing has increased by 254 square kilometers. The expansion of the city is also accompanied by the renewal of buildings. In 2020 alone, the area of houses demolished in Beijing was 588191square meter.

At the same time, the large demand for materials in the construction of cities has also led to a large number of natural mining around Beijing. Such practices have damaged the local natural environment. At the same time, it brings environmental pollution.

In the urban fringe of Beijing, it has changed from woodland to urban area in 20 years, and the area of Beijing has increased by 50% in these 20 years.

2001 2010 2020

Dust Pollution

Construction waste contains a lot of dust, and some organic substances decompose into harmful gases under the action of temperature and moisture.

Groundwater Pollution Soil Pollution

Construction waste is washed and soaked by rainwater to produce sewage, which pollutes groundwater.

INSPIRATION

Filling a metal mesh with stones or concrete blocks can build a loadbearing structure.

Stacking construction waste not only wastes land resources, but also the chemicals in the residual paint and glue will pollute the soil.

Montage art about architecture combines different spatial forms well.

MIND MAP

natural

Building translation technology can move old buildings with intact structure to new sites.

Urban renewal brings construction waste

CONCEPT GENERATION MORPHOLOGICAL EXTRACTION

The form of stalactite is formed by water erosion.

EXPERIMENTS ON MATERIALS

EXPERIMENTS ON SPATIAL FORM

Extract the natural form of limestone cave to repair the damaged mountain and create internal space.

Extract the natural form of stalactite, and water can be left from the outer and inner walls.

A1

SPATIAL FORM GENERATION

MORPHOLOGICAL APPLICATION

A B C

B: This shape can collect rainwater

Supplement the missing part according to the mountain form.

Add old buildings and add openings to facilitate the flow of water.

C: The limestone is wrapped with harmless construction waste in the outer layer, and these materials are returned to the mountain as

Exposed limestone also accelerates

C1

At the same time of concept generation, also carried out experiments on materials to assist in the generation of spatial form.

A1-A3

As limestone becomes stalactite, it goes through the process of dissolution and regeneration. Therefore, chose the sculpture oil clay that can melt when heated and solidify when cooled as my experimental material to simulate the material characteristics of stalactite.

MAKING PROCESS

On the basis of the spatial form, I further imagine the behavior and objects that may occur in this space.

CONCEPT SKETCH Elevation drawing

put some real construction waste into the pre adjusted barbed wire mesh, and pour melted sculpture oil clay into it to simulate the process of wrapping construction waste during the growth of stalactite.

B1-B3 C1-C3

poured the melted oil clay on the bricks representing waste buildings to simulate the relationship between the form of stalactites and caves and reusable waste buildings.

Making mountains with barbed wire

Making space form

On the basis of space form, add blocks symbolizing waste buildings. Then heat the surface of the model to make it similar to stalactite

FUNCTION ANALYSIS

Surrounding

SITE

Needs for better EFFECT

There

Lack

Natural

Collage for possible activities in this architecture

Sightseeing

ARCHITECTURAL FUNCTION

Bird sight

Stalactite Experience Area

Solar

Stalactite

Exhibition Area

View

Stand

Performance Venue

Based on the architectural form, the upper layer is covered with plant to restore the natural form of the original mountain.

the

experience area

IS THAT OKEY ?

Topic Type: installation

Isolation is a physical and spiritual journey that we will all experience in 2020. Covid-19 has spread all over the world, and people can't live as usual. We are isolated in our own home, behind the mask, behind the glass, after the protective clothing... But，is that okey? The spatial form developed from isolation stories in this project attempts to reflect our living state during isolation and the possible negative psychological effects behind this state, including fear, anger, Post traumatic stress disorder and depression. And promote people to evaluate their isolation from each other in the post epidemic era.

BACKGROUND: WE ARE BEING ISOLATED BY COVID-19

Since the discovery of the virus in 2019, the epidemic has not been completely eliminated, and even people who have been vaccinated may be infected by the mutated virus strain. In this post epidemic era, the virus may accompany us for a long time.

In this epidemic, we are more or less separated from each other. We can't live as usual. Personal protection and keeping social distance in public places have changed from epidemic prevention policy to a part of daily life. At the same time, the policy of home isolation continues for those diagnosed patients and people returning home from high-risk areas. Therefore, we are isolated in our own homes, behind masks, after glass, after protective clothing... While protecting us from virus infection, these measures are also making our physical distance farther and farther away and isolated from each other.

PHYSICAL ISOLATION MADE THE DISTANCE BETWEEN US FARTHER THAN USUAL.

DAY 1 DAY 15 NOW

WHAT CAN CONTINUOUS ISOLATION CAUSE?

MY DAILY LIFE RECORDS DURING COVID-19

When we are in a state of continuous isolation, what changes will our psychology have? What impact will this state bring to our lives? Driven by this idea, began to record the psychological changes in my daily life during and after a fourweek home isolation under the background of the epidemic

Through the records of my isolation period, I found that I had a lot of negative emotions. Meanwhile, due to the change of my behavior in different periods, the items around me will also change.

REFERENCE ANALYSIS

Installation: YOU prison

Artists: Atelier FCJZ

You prison aims to explore the idea of the boundary between space and freedom. The project guides people to think about the theme of this project by adjusting the scale comparison between people and building.

From the beginning, the prison building is to imprison the human body within the building boundary. "Imprisonment" is to take people as a part of architecture. The inside of the device is carved into the shape of a hollowed out human body, and visitors can open it and enter it to experience the concept prison.

Public performance: no escape

Artists: Chaosteria, Xixi Zi, Xuegang Wang

Covid-19 has swept the world, and people can't live normally as usual. In fact, long-term isolation in a narrow space, away from the external world makes people feel bored, anxious and irritable.Through the expression of behavior changes over a period of time, this project can remind people to pay attention to the disconnection between themselves and society under the epidemic situation.

During the epidemic, deeply realized that the distance between people is getting farther. People always wear masks when communicating and can't see each other's expressions.

More and more shops and entrances are closed. At the same time, we are more isolated at home. feel a strong spatial definition from these situations.

Therefore, try to extract people's isolation state and the space or objects that isolate people from people's life fragments under the epidemic. Taking this as the starting point, we further explore our psychological state in this isolated state and look for the way to design the device.

A couple"kisses"through masks and windows which become their physical barrier.

Man visited his hospitalized wife through a window, many "no entry" physically blocks our behavior.

Further social distance makes us lose a lot of opportunities to communicate with others.

ISOLATION EXPERIMENT BY MICHEL SIFFRE

Day1: began to home quarantine Relax, it should pass soon.

Because I didn't pay so much attention to the epidemic news, I began to draw to kill time. I didn't feel nervous. think this situation will pass soon.

Day15: continuous homequarantine Upset, I don't know how long this situation will last.

After two weeks of home isolation, was confused and spent a lot of time reading the news and information about the epidemic and drink liquor.

EXISTING RESEARCH:

Isolation brought negative emotions

In 1962, the French geologist Michel Siffre conducted a six-month isolation experiment, which was originally planned to last for 210 days. However, he had to terminate in advance and reluctantly lasted until 205 days because he had an increasingly strong fear but did not know where it came from.

NOW End homequarantine and back to "normal" Gradually accustomed to the current state of life.

Start working online and have been used to staying at home for a long time, although the restrictions on going out have been lifted.

Another research published in the lancet [1] believes that isolation caused by epidemics like SARS, Ebola virus and H1N1 influenza will have negative psychological effects and these psychological effects may exist for a long time.

[1] Brooks SK Webster RK Smith LE et al. The psychological impact of quarantine and how to reduce it: rapid review of the evidence. Lancet. 2020; 395 912-920

Home isolation keeps us from going out, makes us isolation from each other.

The trend of new cases of Covid-19

EXPREIMENT A :

How does the virus isolate us?

For this experiment, try to simulate and experience the process of our physical isolation by simulating the way the virus spreads in our daily life.

In terms of materials, use styrofoam to simulate the form of virus. And selected the elements that are very common in the epidemic: masks, medical gloves and goggles to represent the physical isolation factors that can block the virus. At the same time, the virus transmission process is divided into three stages.

From the experiment, realized that when the spread of the virus is more and more serious, our demand for the means to stop the virus is also growing. At the same time, these factors that can help us block the virus are also causing us more and more serious physical isolation.

At first, the virus had not started to spread, " masks" seemed unnecessary.

Then, the virus began to appear around us, the "Mask" played a role in blocking the virus.

EXPREIMENT B : What does the isolation look like?

In this experiment, I tried to isolate the space. Based on my previous records during my isolation, start from the items I will pay attention to in different isolation states and my psychological state at the same time. Therefore, selected a series of items from the space of my daily life and prepared their scaled model (1:15).

Then, I try to use acrylic box to simulate the isolation media in the epidemic, such as glass, mask and wall. Use these boxes to isolate the model of daily objects, and try to express the corresponding psychological feelings through the relationship between boxes and objects.

Finally, more and more viruses appear around us, "Mask" has become an essential measure to stop the virus.

Use acrylic boxes to represent the medium that Isolate people.

looked for the items involved and the possible combination of items from my personal behavior and psychological state before the outbreak, just after the outbreak and after a period of time.

Items (example)

Use the different relationships between the box, internal objects and the way they combine to express my behavior and psychological changes in different stages of the epidemic.

When COVID-19 was first discovered in other city, my life was very little affected. Although there are some restrictions on travel, still travel from time to time, and spend some time in spare time painting flowers and sketching.

When the epidemic started to break out, was told that needed to stay at home in isolation. felt at a loss and began to drink liquor, coffee and coke. In this group, tried to break the fit relationship between the size of the box and the items, creating a sense of confusion and conflict.

After the outbreak lasted for some time, began to find a new pace of life and began to work more from home.

After extracting my psychological state and daily items in different periods of epidemic development, try to combine the items and boxes in three periods into three groups of models to express my isolation and emotions in different periods.

Then I tried to remove the concrete objects in the model and preserve the spatial form. Then, the spatial forms representing the development of the epidemic in different periods are combined with each other, trying to synthesize them into a whole, so as to express and summarize the isolation state under the epidemic in this spatial form.

Because the three groups of spatial forms have a temporal order, I try to combine the order according to the X, y and Z axes in the space, and finally choose plan A for the next research.

Replace the items in the box with styrofoam and express different isolation conditions through the relationship between styrofoam and the box.

X Y Z

PLAN A

SPATIAL FORM OF PLAN A

REPLACE ITEMS WITH STYROFOAM

PLAN B PLAN C

EXPRESSION OF DIFFERENT ISOLATION CONDITIONS

BE SEPARATED GROWTH & EXPANSION

TRAPPED IN SPACE

MAKING PROCESS

Ⅱ PUT THESE DIFFERENT ISOLATION CONDITIONS INTO THE INSTALLATION

Spray the styrofoam into the acrylic box and get the shape need with the expansion of the styrofoam.

Cut the whole styrofoam into several parts and put them into different acrylic boxes

I try to add the application of styrofoam in experiment A on the basis of the derived spatial form. The different isolation conditions under the epidemic situation are expressed by the relationship between styrofoam, which is combined with the spatial form of isolation state in different periods under the epidemic situation obtained in experiment B.

ADJUST THE INSTALLATION TO ARCHITECTURAL SCALE

IS THAT OKEY?

COVID-19 has been going on for a long time, and it may continue for a longer time. We have experienced or are experiencing isolation more or less. This isolation may bring physical, behavioral and even the separation of life and death. Maybe you are worried and sad because of it, maybe you are used to it. hope people can have a chance to stop and ask themselves, is that okey?

I want to use this installation to express all kinds of isolated moments and possible negative emotions that people may encounter under the epidemic, and remind people to review and evaluate the state of themselves and their space since the outbreak of COVID-19.

I hope that through the visual expression of this installation, people can be subjectively aware of the changes of our behavior and psychological state under the background of the epidemic, and provide a point of view for people to think about what can make our life better under the background of the epidemic.

Finally, I try to add human model to the installation have made before to experiment its feeling on the architectural scale, so It can be used as an exhibition space or a space experience device.

Hutong Screen

Hutong Screen is a pavilion used to solve the problems of ldisappearance of historical features, lack of functions and emergence of new needs in the historical district (Hongtong) of Beijing. This project tries to find inspiration from Chinese traditional furniture, painting and landscape design, systematically solve the above problems and try to bring people a better feeling for the use of Hutong.

Topic Type: Urban furniture design \ Urban landscape installation Reconstruction of Historical District Urban Renewal

BEIJING HONGTONG

Beijing Hutong is the alley connecting the main streets in the old town of Beijing. It is a passageway for people to get in and out of their homes, and also carries the life of people living in this area. But now, the old hutong is more and more in conflict with modern people's life.

1960S

In this period, the hutongs were clean and spacious, which not only met the needs of transportation, but also made it possible for other functions to integrate.

Every family has its own yard

Siheyuan is the most common residential form in the old city.

People live in it as family unit (usually including three generations). Each family has its own yard to raise flowers, put sundries and dry clothes.

Hutong carries people's daily life

In this period, Hutong had other functions besides transportation.

Traders from all walks of life walk through the Hutong, where people can meet all the daily needs of consumer behavior. At the same time, it is also an important social place among residents, which shortens the distance between residents. People gather, entertain and communicate here.

and function:

The Hongtongs are getting narrower and narrower

The original average width of the Hutong was 6m, but now the average width of the hutong is less than 5m because residents began to pile up debris and bicycles in the Hutong.

With the continuous growth of urban population, more and more people live in the old town, and the living space in the Siheyuan becomes more and more crowded. The original courtyard became a passageway because of the addition of new houses.

The yard is getting more and more crowded

Historical features are disappearing...

The additional houses destroyed the original space layout of the Siheyuan. The disappearance of the yard made people lose their small gardens, storage rooms and clothes drying places.

The personal space of residents and tourists began to invade the Hutong

The act of building more room is still going on...

The personal space of residents began to invade the Hutong as a public space. The original social

Original width of Hutong

0m

Current width of Hutong

10m

Suitable for solar energy

Due to the low height of buildings in the old city, hutongs have good light during the day. In this case, the use of solar energy can bring more convenience to residents and tourists in Hutong.

0-5m

No impact on traffic

Reconstruction of historical features

A disappearing life style

Now Compared with the 1960s, the traffic users in today's hutongs are more diversified, and their social functions are basically lost. The items appearing in hutongs have changed from flowers and seats to residents' sundries and more and more garbage cans for tourists. The good old life style is disappearing.

As hutong is a living museum for people to experience traditional Beijing life, it attracts more and

10-15m

Building heights

5-10m 15-25m

Open space & green space

There are many small open spaces in the Hutong that have not been used yet. On the other hand, although there are many green spaces in the old urban area, they are concentrated in residents' yards, and there is a lack of green space in hutongs.

Add social functions Add bicycle parking function

Open space in Hutong

Green spaces

Increasing amount of garbage

The history and culture of the old city attract a large number of tourists, but also bring a lot of garbage, most of which can be recycled.

Of all recyclable waste generated by residents and tourists, 40% are plastic bottles and 30% are cans.

Increase the space for laundry

Increase the space for flowers

Can hold sundriesDisposal of garbage from tourists

Sun path

COMCEPT GENERATIONMIND MAP

Resident SiteTourist

1.0 Mountains in the Hongtong (failure)

However, due to the low utilization of space and the large space occupied by the bottom of the pyramid, it is difficult to arrange in the Hutong with insufficient width, so this scheme is

Attempts to apply this method to the spatial scale of Hutong.

From the folding of the screen to the flipping of the face, looking for the possibility of forming a function.

Integrate the original texture of Hutong.

Applicable to all Hutongs

Rebuilding the texture of Hutong

Update the area with its rubbish

Using the elements of traditional culture

Folding system

Extraction the space design method of opening windows.

Extraction the folding method. Extraction the line and spatial form of mountain.

2.0 HUTONG SCREEN

Width from 3m to 10m Historical features are disappearing Most of them are recyclable waste Scheme 2.0 attempts to add window and mountain elements to the folding system and evolve various functions to systematically solve various problems of the current Hutong. At the same time, it tries to integrate the pavilion into the original texture of the Hutong and reconstruct the historical

multi-function

Folding systemVision

In traditional Chinese landscape design, some windows are often used to control the opening and blocking of vision to create interesting view. This project attempts to use this method to improve the visual clutter of the existing Hutong.

The screen of traditional Chinese furniture is made up of many interlaced planes. This project attempts to extract the basic structure of the screen and optimize its spatial layout with the least intervention to the Hutong.

Space form & Culture

Mountains in traditional Chinese paintings overlap each other. Houses and trees are interspersed in them. This project attempts to extract the form of the mountain and the spatial relationship between the mountains, beautify the facade of the Hutong and create a space with social function.

Bring garbage Experience historical features

Eco-design

Find a better way to show people's lives

Help this area grow prosperously

ECO-DESIGN: SELF SUFFICIENT PRODUCTION MODE

This project attempts to use the waste plastic bottles and cans brought by tourists as raw materials to produce the screen. Through the continuous recycling of garbage, the screen will gradually update and change the appearance of the whole Hongtong area.

· Hold sundries

· Charging electric bikes

· Raising

box

Production

· Hold sundries

· Parking bicycle

· Recycling wastes

Social function

smart

EXAMPLE B

EXAMPLE A

It is located at the crossroads of Hutong, with large flow of people, more tourists and small area for screen layout. It is suitable for bicycle parking and garbage collection.

· As a

Hanging laundry

· Raising

The solar panel can be flipped and set

The screens are connected by hinges and can be adjusted to adapt to different site

The specular material can reflect the surrounding environment to better hide the objects behind the screen without changing the original texture of the alley.

It is located in a wide area of the Hutong, and can be arranged on both sides of the road, with a large area of screens. It is suitable for the hanging laundry, flowers and other functions.

The plastic bottles with different colors can be used to make parts with various colors

EXAMPLE C

It is located in the narrow part of the Hutong, with small flow of people, small area and long and narrow shape of the screen that can be arranged. Suitable for social arrangement and storage of sundries.

SITE C

Because the residents here can choose parts to assemble the screen, the screen can also be more flexibly arranged where the residents need it, and there can be more ways to use it. For example, residents can arrange roadside restaurants or small shops to increase residents' income.

OTHER WORKS

This project is a simultaneous project of architectural design and interior design in Beijing.

We try to create a building with a courtyard in the center within the limited site area for the owner's family of 7 people to live here. participated in the design of early architectural space form and the production of grass mold, and participated in the preliminary design of the first floor of interior design.

In this project, I participated in real architectural design for the first time and learned a lot of basic knowledge about architectural structure.

Raincoat Hutong

This project is a residential renovation project in Raincoat Hutong, Beijing, China. We try to create a comfortable and quiet living environment for our owner: a middle aged couple and their daughter in the limited space. My scope of work is the initial space design, material selection, and construction supervision.

In this project, learned how to use the secondary structure and blend different functions to make more rational use of space. For example, on the basis of the original building, the steel structure floor is added to create the daughter's bedroom. The living room and the bedroom for the couple can be transformed into each other according to needs.

Interior Design 2019-2021

This is an interior design project for a villa in Beijing, with two floors above the ground and one floor underground. am responsible for the overall lighting design and construction supervision.

In this project, mainly learned how to use different combinations of direct lighting and indirect lighting to distinguish different spaces, and through close communication with designers of lamp, manufacturers to ensure that the illumination of each space is in a reasonable range.

Architectural Design & Interior Design 2019-2020 Reconstruction 2019-2020

Light analysis diagram of living room

Light analysis diagram of bedroom