E M E R G E N C E A R C H I T E C T U R E
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U R B A N
D E S I G N
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WU
HAOWEN P O R T F O L I O F
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S E L E C T E D
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W O R K S
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S O U T H E R N C AL I F O R N I A I N S T I T U T E O F AR C H I T E C T U R E A C
N H
2009
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2018
Haowen Wu 323-403-3217 wuhaowen90@gmail.com
SKILLS: Softwares: Rhinoceros 3D, AutoCAD, Sketchup, Adobe Illustrator, Adobe Photoshop, Adobe Indesign, Revit Architecture, Lumion 3D, Vary, Mexwell, Keyshot. Other Skills: Physical Model Making, Water Color Rendering, Sketch, Woodwork, Animation .
WORKING EXPERIENCES: 1. Landscape Architecture Design Institute of China Academy of Art, Hangzhou, China (July-August, 2012) - Facade design. 2. Jianxue Architecture and Engineering Design CO., LTD, Hangzhou, China (July-August, 2013) - Three landmark buildings design of the master plan for Kaifeng City, Henan Province.
3. Urban Space Geography Laboratory of China Academy of Art, Hangzhou, China (April-June, 2014) - Two landmark buildings of the master plan for the bid of Wujiang District, Suzhou City. - Redesign the buildings of the main street and made an animation for the bid.
4. Lin Tongyan Li Guohao Civil Engineering Consulting CO., LTD, Shanghai, China (February-May, 2015) - Individual urban design scheme for the business district project in Ali county, Tibet. - Individual urban design scheme for the Pulan international market project in Pulan, Tibet. - Individual scheme and renderings for the Nanjing Museum project.
5. Archimorphic Architects, Los Angeles, USA (April-July, 2016) - 3D modeling for a residential community with 12 towers and community center. - 3D modeling and 2D drawings for a commercial mall in Zhengzhou City, Hernan Province.
6. MAD Architects, Los Angeles, USA (May-August, 2017) - 50% DD drawings and 3D modeling and renderings for Lucas Museum in Los Angeles. - 3D modeling and renderings for Gardenhouse residential project in Los Angeles. - Individual conceptial scheme for Wilshire Fairfax residential project in Los Angeles. - Interior conceptial design for Nextjump in New York. - Renderings for Hyperloop project in Dubai.
EDUCATION: Southern California Institute of Architecture, Master of Architecture.
2015-2018
Architecture School of China Academy of Art, Bachelor of Urban Design, Graduated with Hornor.
2009-2014
TABLE OF CONTENTS SOUTHERN CALIFORNIA INSTITUTE OF ARCHITECTURE 2018-2015, M. ARCH (SELECTED WORKS) 3GB Vertical Studio I T A L I A N - J A P A N E S E C U L T U R E M U S E U M 1 3GA Applied Studies A D V P R O J E C T D E L I V E R Y 25 3GA Vertical Studio S O C I A L A F F O R D A B L E H O U S I N G 39 2GA Design Studio E X C E P T I O N A L V O L U M E S 59 2GA Visual Studies M A R S 77 1GA Design Studio L I B R A R Y R E P L A C E M E N T D E S I G N 83 Summer Intern Works 5 0 % D D O F L U C A S M U S E U M, W I L S H I R E F A I R F A X I N D I V I D U A L C O N C E P T P R O P O S A L 99
CHINA ACADEMY OF ART 2014-2009, B. UD (SELECTED WORKS) 4BA Design Studio C I T Y C O M P L E X D E S I G N 109 3BA Design Studio G L A S S A R T F A C T O R Y 117 2BA Design Studio T R A D I T I O N A L P A I N T I N G
A N D C A L L I G R A P H Y G A L L E R Y 125
Other Skills P A I N T I N G / W O O D W O R K / P H O T O G R A P H Y 137
SOUTHERN CALIFORNIA INSTITUTE OF ARCHITECTURE 2018-2015
3GB VERTICAL DESIGN STUDIO INSTRUCTOR: COY HOWARD TEAM MEMBERS: HAOWEN WU
I T AL I AN - J AP AN E S E C U L T U R E M U S E U M C
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RECREATING FROM THE PORTION TO THE ENTIRETY
The
purpose of this design course is to reflect on the design of sci-arc. We wanted to make a different attempt compared to the architectural design method of creating a fancy container. The most difficult part of the course is to develop a sense of how to fuse two or more different cultural elements and create a new element that combines both features. Then apply this elemental feature to architectural design. In order to cultivate this unbiased awareness, we are asked to start with creating collages. We search a large number of street photographs, and then we perform a series of processing, such as tailoring, overlapping, scaling etc., to create a long scroll to tell a story with a strong logic line by collaging the individual event in the photos. As we become more familiar with this kind of operation, we are asked to collect paintings, sculptures, furniture, clothes and other objects of interest to us from Renaissance Italy and Japan. Then use these objects to create a series of new objects. At the same time, we also use these objects to create a unique space for storing new objects and present them in the form of scrolls. After completing these two steps of training, we gradually have a clearer sense of creative ways. In the next part of the architectural design, we were asked to apply the previous achievements in both the architectural design and the interior design.
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DESIGN STUDIO ITALIAN-JAPANESE CULTURE MUSEUM
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DESIGN STUDIO ITALIAN-JAPANESE CULTURE MUSEUM
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DESIGN STUDIO ITALIAN-JAPANESE CULTURE MUSEUM
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THE FUSION OF RENAISSANCE ITALIAN
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TURE AND JAPANESE CULTURE 7
DESIGN STUDIO ITALIAN-JAPANESE CULTURE MUSEUM
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The objects need to have both features of Italian and Japanese traditional objects. However, they do not clearly show the characteristics of the two cultures. The new objects must allow the two cultural qualities to be in a situation where the two cultures converge.
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DESIGN STUDIO ITALIAN-JAPANESE CULTURE MUSEUM
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DESIGN STUDIO ITALIAN-JAPANESE CULTURE MUSEUM
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In the final scroll, we need to create a space with mystery. All new objects must have a close connection with space and some kind of sheltering relationship, giving space a sense of depth and inexhaustibility. All materials and patterns will be subverted. What the viewers see is a brand-new space containing brand-new objects, but always reveals the breath of Italian culture and Japanese culture. 12
Ground PLan 1’=1/16”
Ground Plan 1’=1/16”
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DESIGN STUDIO ITALIAN-JAPANESE CULTURE MUSEUM
A A Gallery Plan 1’=1/16”
Gallery Plan 1’=1/16”
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A-A Section 1’=1/16”
A-A Section 1’=1/16”
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DESIGN STUDIO ITALIAN-JAPANESE CULTURE MUSEUM
Worm View 1’=1/16”
Worm View 1’=1/16”
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DESIGN STUDIO ITALIAN-JAPANESE CULTURE MUSEUM
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DESIGN STUDIO ITALIAN-JAPANESE CULTURE MUSEUM
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DESIGN STUDIO ITALIAN-JAPANESE CULTURE MUSEUM
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DESIGN STUDIO ITALIAN-JAPANESE CULTURE MUSEUM
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3GA Applied Studies INSTRUCTOR: KERENZA HARRIS, PAVEL GETOV TEAM MEMBERS: HAOWEN WU, IVAN ORQUERA
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1 1 0 1 S O U T H R O B E R T S O N B O U L E V A R D , L O S A N G E L E S , C A 90035
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APPLIED STUDIES ADV PROJECT DELIVERY
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APPLIED STUDIES ADV PROJECT DELIVERY
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APPLIED STUDIES ADV PROJECT DELIVERY
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APPLIED STUDIES ADV PROJECT DELIVERY
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APPLIED STUDIES ADV PROJECT DELIVERY
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APPLIED STUDIES ADV PROJECT DELIVERY
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APPLIED STUDIES ADV PROJECT DELIVERY
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3GA VERTICAL DESIGN STUDIO INSTRUCTOR: ERIC OWEN MOSS TEAM MEMBERS: HAOWEN WU, EVAN SHANER
SOCIAL AFFORDABLE HOUSING S
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LOW INCOME PEOPLE IN VENICE BEACH
The
requirement of this studio is to design a social affordable housing project in Venice Beach to help low-income people and homeless to have a better living condition. But the neighbors around the site are protesting this project. For them the social affordable housing project is going to bring unstable factors. They are keeping againsting in the community hearings about this project. They believe that low-income people and homeless people can not make any contribution to the community, but will reduce the quality of community life. Obviously, the biggest obstacle to the project is the mutual misunderstanding and mutual exclusion between the aboriginal people and low-income groups in the community. According to the statistics, there are a lot of students in UCLA are living in their cars. They are kind of homeless. But they are well educated people. Many low in-come people in venice beach also have skills, some of them are artists, sculptors, handcraftmen and so on. So it is not enough for us to just design a residancial buidling with a cool form, we want to try to solve the problem between local neighbors and new tenants. We concerned to add more functions to help those new tenants who are going to move in the local community. An education center with skill training function and a gallery for trained people to exhibit their achievements were decided to be installed. Local neighbors can come and get to know their new neighbors better.
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DESIGN STUDIO SOCIAL AFFORDABLE HOUSING
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Low in-come handicraftsman in venice beach Low in-come musician in venice beach
Low in-come people & homeless education
Low in-come painter in venice beach Low in-come sand sculptor in venice beach
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DESIGN STUDIO SOCIAL AFFORDABLE HOUSING
Basic programs of the residantial project
COMMERCIAL
RESIDENTIAL PARKING
TRAINING
EDUCATION
GALLERY
Extra programs are concerned for solving the problems of the community
RESIDENTIAL RESIDENTIAL
RESIDENTIAL
RESIDENTIAL RESIDENTIAL EDUCATION EDUCATION EDUCATION EDUCATION EDUCATION TRAINING EDUCATION
RESIDENTIAL
RESIDENTIAL
EDUCATION EDUCATION
EDUCATION
COMMERCIAL
TRAINING TRAINING
COMMERCIAL
TRAINING
EDUCATION
COMMERCIAL
TRAINING
PARKING
PARKING PARKING
PARKING PARKING
PARKING PARKING PARKING
PARKING
COMMERCIAL
PARKING
PARKING
PARKING
PARKING
GALLERY
GALLERY
GALLERY
PARKING
GALLERY
GALLERY
GALLERY GALLERY
GALLERY
PARKING
PARKING
COMMERCIAL
GALLERY
EDUCATION
PARKING
COMMERCIAL
COMMERCIAL
TRAINING
EDUCATION
PARKING
GALLERY
EDUCATION
EDUCATION
RESIDENTIAL
RESIDENTIAL
RESIDENTIAL
GALLERY
GALLERY
EDUCATION
EDUCATION
PARKING
RESIDENTIAL RESIDENTIAL
EDUCATION
EDUCATION
PARKING
RESIDENTIAL
EDUCATION
EDUCATION
TRAINING
RESIDENTIAL
RESIDENTIAL
RESIDENTIAL
RESIDENTIAL
TRAINING
RESIDENTIAL
RESIDENTIAL
GALLERY GALLERY
GALLERY
GALLERY PARKING
GALLERY PARKING
COMMERCIAL
COMMERCIAL
COMMERCIAL COMMERCIAL COMMERCIAL
COMMERCIAL
GALLERY GALLERY PARKING
PARKING
PARKINGPARKING PARKING PARKING PARKING PARKING PARKING PARKING PARKING PARKING PARKING PARKING PARKING PARKING PARKING PARKING PARKING
Diagram of programs
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Historical map of canals in venice beach
The old canals as one of the elements of building component
Public storage boxes for homeless
T R A N S F O R M A T I O N S
Public storage boxes provid a potential element for design
F O R
P R O P O S A L
Residential part is from the transformation of old canals which was gone in 1930’. We fold the old canals pattern in 90 degrees and keep folding it to match the size of the site and lay it down on the ground. Storage boxes are extruded to create more useful spaces for educational and commercial. As a part of landscape, we put two mountain shap spaces in between the residential and other function spaces to create a gallery space. 43
DESIGN STUDIO SOCIAL AFFORDABLE HOUSING
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DESIGN STUDIO SOCIAL AFFORDABLE HOUSING
Diagram of transformaion of residential part
Diagram of final scheme
Diagram of structure
Diagram of units arrangement
Diagram of programs
Diagram of units plans 46
Roof Plan 1:850 47
DESIGN STUDIO SOCIAL AFFORDABLE HOUSING
Residential Plan 1:850 48
Cafe Plan 1:850 49
DESIGN STUDIO SOCIAL AFFORDABLE HOUSING
Edicational and Commercial Plan 1:850 50
Short Section 1 1:850 51
DESIGN STUDIO SOCIAL AFFORDABLE HOUSING
Short Section 2 1:850 52
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DESIGN STUDIO SOCIAL AFFORDABLE HOUSING
Long Section 54
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DESIGN STUDIO SOCIAL AFFORDABLE HOUSING
Northwest Elevation 56
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DESIGN STUDIO SOCIAL AFFORDABLE HOUSING
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2GA DESIGN STUDIO INSTRUCTOR: KRISTY BALLIET TEAM MEMBERS: HAOWEN WU, NICOLE LI
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Volumes team studio starts from the analysis of architecture precedents. Me and my partner, Nicole Li, chose to analyze the Très Grande Bibliothèque by OMA, Rem Koolhaas in Paris, France. We were asked to provid three different methods individually to transform the precedent building in different aspects: scale, multiple, extention, rotation...... After that we got some new generated components and put them into a GH program to create rough building proposals. The site is next to and in the front of a transbay building which has been reconstracted as a station and shopping mall. Its’ height is half of our project and the roof is a huge garden with leisure facilities. In order to respond to the transpay, we diveded the building mass as two parts and open the middle part as a semi-outdoor space with dynamic forms to have some visually interactions with the transbay garden. The programs for this project are LINE headquarters, a gallery, a store and a cafe. The top and bottom masses are concerned as office spaces, the middle part is concerned as the gallery. All service functions are installed into irregular spaces. The biggest volume of the project contains an auditorium for the LINE. It faces to the main street and has an extra vertical circulation. In this project we try to understand structure and details of building. We cut a mega chunk of the main volume space and design structre for it. We designed the facade details as well to make the building has adequate natural lighting but keep the visual privacy at the same time.
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Worm View
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DESIGN STUDIO EXCEPTIONAL VOLUMES
T R A N S F O R M A T I O N S
F O R
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Multiple was concerned as the main technique to transform the precedent building. We multiple the inside volumes from 9 to 27. Than put a cube into the multipled spaces and move it or rotate it to touch the volumes from precedent building and unify them to get several basic components for next step.
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DESIGN STUDIO EXCEPTIONAL VOLUMES
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Egress Diagrams 65
DESIGN STUDIO EXCEPTIONAL VOLUMES
Ground Plan 66
Gallery Plan 67
DESIGN STUDIO EXCEPTIONAL VOLUMES
Auditorium Plan 68
Front Elevation 69
DESIGN STUDIO EXCEPTIONAL VOLUMES
Back Elevation 70
Short Section 71
DESIGN STUDIO EXCEPTIONAL VOLUMES
Chunk Diagram 72
Volume Mega Chunk 73
DESIGN STUDIO EXCEPTIONAL VOLUMES
Facade Details 74
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DESIGN STUDIO EXCEPTIONAL VOLUMES
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2GA VISUAL STUDIES INSTRUCTOR: RAMIRO DIAZ-GRANADOS TEAM MEMBERS: HAOWEN WU
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Physical model is created by a series processes. We used silicon to cover the overall lamp and take it off when it was drt out. Unfolded the silicon and fixed it on a board and draw grids on the model and 3D scan the model to get digital model. Rebuild it and design a texture and apply the texture on the surface of the model and start to render it.
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VISUAL STUDIES MARS
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VISUAL STUDIES MARS
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1GA DESIGN STUDIO INSTRUCTOR: ANNA NEIMARK TEAM MEMBERS: HAOWEN WU
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There
are three steps from SMOKE to a library. First step, we need a main structure as the most important space of the library. We try to extract one of the center lines of the SMOKE units and combined it with two other basic geometry frames to generate a new frame. And find an unique method to cover the frame as much as possible without triangle surfaces. I was try to use continued surfaces to cover the fame and got a special surface model. To understand the thickness of the wall, we made a foam core fat model with half inche thickness and the surface model turns to a different appearance, poche came out. Second step, we need to understand the relationship between facade and the main structure of the library. We try to start from basic geometry model: cube. One cut generate one new geometry. And cut the new geometry again to generate another one and so on. So we got a geometry family with similar shap. Than we try to scale down one of them and put it into another one as the main space and the in-between space becomes the poche. Third step, we need a facade and use the facade to cover the main structure. When covering the main structure we need to clear the relationship between the facade and main structure. We have to decide where should the facade follow the main structure, where should not. This is the first time that I have understood so deeply the relationship between facades and architecture.
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DESIGN STUDIO LIBRARY REPLACEMENT DESIGN
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Covering the Frame by Continued Surfaces
Surface Physical Model
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DESIGN STUDIO LIBRARY REPLACEMENT DESIGN
Fat Model
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DESIGN STUDIO LIBRARY REPLACEMENT DESIGN
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First Plan 93
DESIGN STUDIO LIBRARY REPLACEMENT DESIGN
Second Plan 94
Third Plan 95
DESIGN STUDIO LIBRARY REPLACEMENT DESIGN
Section 96
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DESIGN STUDIO LIBRARY REPLACEMENT DESIGN
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on the confidentiality agreement, the displayable parts are very limited.
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SUMMER INTERN WORK LUCAS MUSEUM
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1'-0"
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SECTION DETAIL AT STAIR - EDUCATION LOBBY 1 1/2" = 1'-0"
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CLEAR SPACE
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HANDRAIL DETAIL - EDUCATION LOBBY 1'-0" = 1'-0"
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SUMMER INTERN WORK LUCAS MUSEUM
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DETAILS - EDUCATION LOBBY
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1" VENEERED PLYWOOD 3" RADIUS 10
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CAFE BENCH DETAIL 1'-0" = 1'-0"
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CHINA ACADEMY OF ART 2014-2009
4BA DESIGN STUDIO INSTRUCTOR: LI WENLI TEAM MEMBERS: HAOWEN WU
C I T Y
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tried to do an experiment of a high density design in the site where has strong trace of history. It has been playing a significant role in assuming the area node between urban area and suburban area. The harmonious atmosphere between the historical building which was remained and the new buildings which were about to be designed was one of the biggest challenges in this project. Based on a great quantity of investigations about history and the site, the basic conception of the design became clearer.
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4BA DESIGN STUDIO CITY COMPLEX DESIGN
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1. The Spatial Role of Site in City
URBAN
It locates in the node position of the district (outside the city in Song Dynasty and inside now), and the new buildings presented is highly recognizable in the form (the ancient Zhaoqing Temple is the reference for tourists to tell the direction and test the height and depth), it should play the role of converting the space atmosphere with extremely open room, meanwhile realizing the transition and conversion of mountain, water, and city.
NATURE
2. The Stream of People and the Setting of Entrance The stream of people from Yan’an Road has a great influence on the region, the north-south line Hubin Road and east-westline Wulin Walking Street also have a noticeable influence on it, and forming the first people gathering intersection; the Beishan Road and Baochu Road formed the second people gathering intersection. So, the main entrance of new buildings will be set in the south. The new buildings may have certain dimension that enables them to establish dialogical relationship with North official buildings.
3. Considerations about Regional Axis and Atmosphere The design of new buildings should take full consideration about the reservation of the historical role of buildings and special atmosphere of temples, it is not suitable to design without the consideration of above mentioned characters of buildings, or using the new to cover the old. It should response to the trend of the whole axis, and designing elements may extract from the history of ancient temples, especially the creating of the landscape shape the historical memory.
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4BA DESIGN STUDIO CITY COMPLEX DESIGN
“Pagoda of a temple will be seen cross the bridge, the fragrant cloud returns after touching the stone.” —— West Lake Great Zhaoqing Temple
The Analogy of Chinese Ancient Cloudy Image
The deduction of “cloud” building forms
The analogy Of religious buildings and business integration modes
Floating, open public distributing business integration modes 112
The remained building (Zhaoqing Temple) Young Palace of Hangzhou Hotel Governmental Buildings Retail Buildings Hospital Restaurant Schools Residences City Complexes The Hill West Lake
Site Condition Arrangement of functions within the site make adjustments to correspond improve their respective advantages quality: Youth Palace integration become a building facing the landscape district, quiet atmosphere suitable for blue juvenile learning and activities; lord topics for business and offices open to the west lake, collect people stream; hotel facing east most busy commercial street, plus wide waters enhance the overall hotel quality.
Scrutiny of lifting new buildings entrance relationship
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4BA DESIGN STUDIO CITY COMPLEX DESIGN
Second Plan
Ground Plan 114
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4BA DESIGN STUDIO CITY COMPLEX DESIGN
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3BA DESIGN STUDIO INSTRUCTOR: LI KAISHENG TEAM MEMBERS: HAOWEN WU
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site is in the new industry area at pasturelands of Mianzhu in Sichuan Province, with total area of 5.6 thousands square meters. Surroundings were still fields and villages at that time. In the beginning of the design, I was deeply touched and gained the inspiration from the group atmosphere of Chuanxilinpan village. Besides the function requirements of the glass factory and the owners’ desire, the village organization and the invisible logic between the village and fields are also the important part.
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3BA DESIGN STUDIO GLASS ART FACTORY
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System Diagram of Linpan Village 118
Fields offers the basic requirements for the operation of villiage and village also has the positive effects to fields, such as iproving production through the change of producing methods and better the producing environment. The is invisible logic of mutual support in Linpan Village.
The factory is separated into productive and non-productive two parts in term of the function of the glass factory. Both parts have close relationship with each other and has the similarlogic relationship with Linpan.
Club Meeting room
R&D Museum
Kiln
Meeting room
Club
Dining-hall
Decals Workshop
Raw material workshop
Office
Restaurant Dormitory
Decorated Workshop
Museum
Spray Workshop
The finished product warehouse
R&D Dormitory Dining-hall Resta.
The finished Spray Decorated Decals Raw material product wareKiln Workshop Workshop Workshop workshop house
Function Separation
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3BA DESIGN STUDIO GLASS ART FACTORY
Public Green area
Intermediary Space
Plan Diagram of Linpan Village
Final Scheme of Glass Art Factory
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Second Plan
Ground Plan
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3BA DESIGN STUDIO GLASS ART FACTORY
System Diagram of Glass Art Factory 122
Worm View of Glass Art Factory
Structure Diagram of Glass Art Factory
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3BA DESIGN STUDIO GLASS ART FACTORY
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2BA DESIGN STUDIO INSTRUCTOR: WANG SHU TEAM MEMBERS: HAOWEN WU
TRADITIONAL PAINTING A ND CALLIGRAPHY GALLERY THE SPACE INTERPRETATION OF LANDSCAPE PAINTING
SPACE TRANSLATION OF CHINESE LANDSCAPE PAINTING Look
at the painting, in the middle of the mountain is the head-on stone. Listen to people’s whispering in the empty valley, crisscross footpaths make people lost their way. When we first got the topic, we faced the problem of how to read the picture. our professor, Wang Shu, said, the best way to experience the scene in the painting is to imagine ourselves in the situation and observe things as the person in the painting, then to describe the painting scenes based on the space plot. His words became my starting point in designing. If I were in the painting:
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2BA DESIGN STUDIO TRADITIONAL PAINTING AND CALLIGRAPHY GALLERY
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If I were in somewhere of the painting, I would stand with some height to have the visual effect of the wide middle valley and narrow mountain head and foot, and what will it look like of my relation between where I stand and other space? The extension of space is also a part of the design.
Bin Wu, Landscape Scroll Ming Dynasty
The basic space of painting is the direct reference of material architecture space. Reorganize it after separating it into close shot, middle distance and distant prospect. 127
2BA DESIGN STUDIO TRADITIONAL PAINTING AND CALLIGRAPHY GALLERY
Looking for the details of the painting to prepare for the organization of narrative space.
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2BA DESIGN STUDIO TRADITIONAL PAINTING AND CALLIGRAPHY GALLERY
First Plan
Second Plan 130
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2BA DESIGN STUDIO TRADITIONAL PAINTING AND CALLIGRAPHY GALLERY
Third Plan
Short Section
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2BA DESIGN STUDIO TRADITIONAL PAINTING AND CALLIGRAPHY GALLERY
Long Section
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2BA DESIGN STUDIO TRADITIONAL PAINTING AND CALLIGRAPHY GALLERY
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OTHER SKILLS PAINTING, WOODWORK, PHOTOGRAPY
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OTHER SKILLS PAINTING, WOODWORK, PHOTOGRAPHY
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OTHER SKILLS PAINTING
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OTHER SKILLS WOODWORK
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OTHER SKILLS PHOTOGRAPHY
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