Hao Chen
HC 2012 - 2014 B.Arch, University of Melbourne 2016 - now M.Arch, University of Melbourne ID: 397001
PORTFOLIO
陳昊
year 2 design studio:
Water
Refined Individual Work
Design Brief: The Original Studley Boathouse situated on a picturesque river bend in Yarra Bend Park featuring a restaurant, kiosk, cafe and a boat club which offers hiring and storage services.
The idea of this design is to create a new boathouse which embrace this picturesque site. Its form comes from a series of testing based on site analysis so it can has the maximum views over the river and a rationalized spatial relationships.
The theme of the studio is to ‘learn from the master’ and propose a new design for the Boathouse based on the design philosophy we abstracted from the master.
The following scheme is a further developed conceptual design of the original scheme.
In my studio, the master architect are Herzog & de Mueron. Figure 1: Conceptual Drawing
Figure 2: Perspective View from the river 1
year 2 design studio:
Water
Refined Individual Work Figure 4: Proposed contextual relationship
1
2
3
4
5
6
1. Original Site Relationship 2. New building size 3. Elevated Structure to create more space on the ground level
Site Analysis The site is located in the Studley park next to the Yarra River. The key features of the site is its picturesque surroundings. It is a beautiful river bend where you can see the water flowing from the east and turn towards the north. So based on the views and its site context, I developed this site analysis diagram. As you can see, there are nearly 140 degrees on the northern side that has great views worth exploring. So based on this diagram and my intention to fully use this advantage. I decide to change the original contextual relationship of the site. Figure 5: Perspective View from south
4. Horizontally Spread-out Massing 5. Improved function based on site analysis 6. To design a space with closer connection to create more fun and possibilities
year 2 design studio:
Water
Refined Individual Work
Learn From the master Yarra Bend
In the projects I selected from master Herzog & De Mueron’s previous designs, there are three main design philosophies I will try to learn from. 1. Function determine Form 2. The use of Courtyard 3. The use of “Stripe”s as design form
Actelion Business Centre
Based on the master’s design philosophies, I started experimenting with these design elements, and combining the result with my site analysis in order to rationalize it. The conceptual drawing(Fighre 1) which briefly Summarized my design intention. Vitre Hause
Figure 1: Conceptual Drawing
Design Elements: Firstly, I start to experiment with the possibilities of how can a
space been divided into stripes two-dimensionally. The stripes can be either with equal width or not and the number of stripes can varies as well. From the results shown in Figure 8, It is clear that the possibilities of these arrangement can be infinite. There can be even more possibilities if we try to split the space three dimensionally(Figure 7). The changes of the stripes sizes and the direction and orientation of the stacking will always lead to more possibilities and more potentials.
Figure 6: Site feature Break down
As a result, I need to introduce more variables to determine which would be the best in this situation. Therefore, I decide to look back into the site analysis and design brief.
Figure 7: Three Dimensional Experimentation
Figure 8: Two Dimensional Experimentation
year 2 design studio:
Water Storage
Kitchen
Office Toilets
Restaurant
This 120° vision is the best view available on site.
Café is placed facing the north west side of the river.
Resturant is placed facing north east side of the river.
Kitchen were placed next to the resturant and near the Café as well.
Café
Stacking the elements to avoid blocking the views from each other . Also, to adapt to the sloping site and allow people passing underneath.
Refined Individual Work
N
The span of the kitchen is too big therefore I placed the Office and Storage area underneath it to support the span.
The toilets will be hidden inside the mountain so that it will have minimum impact to the whole site.
Function Determine Form + Stripe
Boat Storage
The relationship between every function is different, some have stronger bond such as kitchen and restaurant, which means they should not only physically close to each other, but also have to have a simple circulation to travel among these two. Similar rules apply to all other functions(seen Figure 8)
Kiosk
Hire Counter Toilets
Cafe
Therefore, based on the need of the functions and their relationship, using stripe as a shell for every function then stack them according to site analysis.
Restaurant
Figure 9 shows how every place relates. Due to the height differences, this design was able to create more public space for landscape and public activities while still able to keep all the views.
Kitchen
Office
Figure 9: Function Relationship
Figure 10: Spatial Relationship
A A
B
B 5
2
6
X
3
1
X 4
First Floor
A
B
First Floor:
X
1. Kitchen 2. Outdoor Dinning 3. Restaurant 4. First Floor Entrance
Ground Floor: 5. Cafe 6. Courtyard 7. Staff Storage & WC 8. Office 9. Public Garden 10. Public Toilet 11. Kiosk
X
7 9
8
11
10
Ground Floor
A
B
year 2 design studio:
Water
Refined Individual Work
Figure 13: Physical Model
Figure 14: Building Block Diagram
Figure 11: Artistic Impression from the South
Building Block Diagram Vertically the building is divided into three levels, The first level is the restaurant with both indoor and outdoor dinning area. The kitchen has a long horizontal window for them to showcasing their cooking skills. The ground level is where most of the amenities at such as the cafe, Kiosk, Office, Public Toilet etc. Because most of the first floor were supported by a grid of steel columns. The open space created by it will be used for landscaping or future potential public activities. The lower level is for the boat hiring and storage as it is connected to the river. The space underneath the canter-livered areas can be used as a storage space for the boats. Figure 12: Artistic Impression of CafĂŠ
Section B-B
Section X-X
Section A-A
year 3 design studio:
Air
Group Work, Refined after Graduation
Design Brief:
The Wave Pavilion, is a school project based on a competition called LAGI 2014. According to the brief, we need to design a public place which can act as a a land of art as well as an ultility scale power generator. Another key requirement is to use Rhino and Grasshopper as the main software for the design.
Design Agenda:
Based on the development of current technology and artistic consideration. It has to be able to response to its context as well as distinguish itself from it to indicate the trend of new development in the area. My design is a large pavilion which provides shelter underneath and sufficient surface to install solar panels to generates a ultility scale solar energy.
Site Analysis
year 3 design studio:
Air
Group Work, Refined after Graduation Ship Circulation
Old harbor
Concept The concept of this design comes from its context. The site is a manmade land which was once an important part of a major harbor. It is surrounded by the sea and was located right opposite of the famouse 'Little Mermaid' statue. Since both historically and geologically the site is closely related with the sea. Therefore I decide to use Wave as my concept for this design.
Original Site Context Original Site View from the Little Mermaid
The up sand downs of waves often used to symbolize changes over time. Which is the same theme I am trying to convey in this design. The wave pavillion is a symbolic feature which symbolized the history of the site as well as showing the future of the site. A younger and greener Copenhagen. Current Site View from the Little Mermaid
Preliminary Concept Experiment & Drawing
year 3 design studio:
Air
One Variable
Group Work, Refined after Graduation
Two Variables
Three Variables
Four Variables
Plan Section
From the previous analysis, I gained a set of referencing points. With these points I developed a set of reference lines that I can use to experiment in Rhino.
Major Views
By moving these curves vertically and horizontally as well as trim them accroing to the circulation. I was able to create more reference lines. Then using these lines I developped a surface that I can planneling with.
Dynamic Form
Only till I got this form. I started to use grasshopper to work out the supporting structuture. I do not want the idea of parametric design dominate my own ideas. Or tools determine my design. Therefore, grasshopper was only used to panel the frame-structure for the surface.
Context Relationship
Internal Circulation
FIgure 1: Refined Structure
Internal View
year 3 design studio:
Air
Group Work, Refined after Graduation
FIgure 2: Perspective View South
Summary This version of design was a refined version after I graduated from school. This is because after I started working, I found that there are so many aspects of design that needs to be rationalized. And due to the limitation of our knowledge and time, the result still have much to be improved. As a result, although I am still not an expert in solar or civil engineering, but I restarted the design process based on our original idea. And designwise, I rationalized our concept development and the generation process of our form. Also, I redeloped our structure frame from a random triangular pattern (previous page Figure 1) into a fixed size of rectangular pattern so it can be more compatible with solar pannels. These is just the changes I made to rationalize the concept design. However, constructibility and power efficiency still needs to be further investigated in order to get a more practical design.
South Elevation
West Elevation
FIgure 3: Perspective View West
year 3 design studio:
Fire
Individual Work
FIgure 1: Perspective View West
Design Brief: This design studio is to design a new shop for Outré Gallery in one of the most multi-cultural suburb in Melbourne-Brunswick. The shop consists of a bookshop, Café, Outré Gallery, its office and manager suite. The idea of this design is to design a shop that can represent the culture of the gallery as well as responding to the trending cultural change in the suburb.
FIgure 2: Physical Model
FIgure 3: Physical Model
year 3 design studio:
Fire
Individual Work
Concept
The concept of this design comes from the sculptures we studied in the studio. Concept Development: Topological diagram is a great diagram to assist the control of area factors. In the diagram, we can rotate, tilt, mirror, stacking and other means using selected element. CORE.A (LEVEL 1) CELL (LEVEL 1)
FIgure 4: Sculptures CORE.B (LEVEL 2)
CORE.A (LEVEL 1)
COMBINATION (LEVEL 2)
CORE.B (LEVEL 2)
EXAMPLE (LEVEL 3)
CORE.C (LEVEL 3)
RESULT.A (LEVEL 4)
FREE
Figure 5: Topological Diagram RESULT.B
GRAFFITI ON THE WALL
REGULAR
STAGGER ARRANGEMENT
RESULT.D CORE.C (LEVEL 3) MY ELEVATION
FROM THE FOUR ELEMENTS, WHAT WILL BE LIKE OF THE FACADE?
From the previous topological diagram in Figure 3. These are the concepts and the cultural context of Brunswick. The above elements can be translated into a certain pattern that can help me to create a pattern.
RESULT.C
RESULT.E
year 3 design studio:
Fire
Individual Work
CORE.A (LEVEL 1)
CORE.B (LEVEL 2)
CORE.C (LEVEL 3)
Lounge, a relaxing space to everyone, at the same time as an exchange space exists.
Staff kitchen
Reception,located in the center of the whole house, to maximize the use of services in the
Staff dinning Area, disposed in the corner, with separate open area
Lighting atrium area, a special space on behalf of quiet.
Staff toilet, right in the general population does not use.
Reading area, for people to learn, access to information and rest.
Living room,Rest space.
Parking.
Bathroom.
FIgure 6: Internal Architectual Form
Internal Layout development Control of area factors is a means of using selected fundamental elements to redefine the area or space. often used in facade or plan layout. I used it to analysis the space needed for every level and how should they be distributed. In this way, the internal layout and facade design will be more rational and closely related to the concept. Benroom (small).
Albert Street Y
Vertical transportation. Employees and the general population is divided into two.
Benroom (big).
Open tour space, set exhibition, learning and thinking as one place.
Laundry room, while keeping the room clean.
Reception.
Vertical transportation.
Open office, to visit the people to provide an opportunity to learn and exchange.
Graffiti roofs, open Area, where you can do!
5. C 1.
1. Café
B 6.
X
2. Bookstore
4.
3.
7.
3. Courtyard
2.
4. Reception 5. Gallery Storage 6. Manager’s Car Park 7. Staircase
Ground Floor Y
A
X
Sydney Road
Ground Floor
year 3 design studio:
Fire
Individual Work First Floor
Summary
8. Outré Gallery
The pattern of the facade was derived from the pattern of the brickwork commonly seen in Brunswick. I used a scaled dimension of a most commonly used brick to be my basic element. Also the stagger pattern is a reflection of its neighborhood character. However, the characteristic of Outré Gallery and Brunswick need something special. Therefore, based on the pattern i choose, the use of bold color and new materials will help this design distinguish itself from its neighborhood while still able to fit into the trendy context of Brunswick.
9. Reception 10. Open Plan Office 11. Staff Kitchen
10.
12. Staff Dinning Area
11.
13. Staff Toilet 14. Living Room
8.
13.
9.
15. Kitchen & Dinning 16. Bathroom
18.
17.
17. Bedroom
FIgure 7: North Perspective
18. Laundry
14.
15.
First Floor
Second Floor 19. Graffiti Roof Garden
21. 19.
20. Courtyard. 21. Bridge
20.
Services A: Main Customer Lift B. Staff Lift C. Staircases FIgure 8: Ground Floor Model
Section Y-Y
Second Floor
Section X-X
Outré Gallery
Sdyney Road Elevation
16.
Albert Street Elevation Albert Street Elevation
16.
17.
Master 1 design studio:
C
Individual Work
The Grand Casa
Atherton Garden Social Housing
Each of us is a living system within a greater living system, connected to each other in more ways than we can fathom. Due to the development of technology, communities of today is getting denser and denser than before. However, residents feels much further and stranger than it used to be. It is this design’s aim to change this. The design concept of the Grand Casa was developed from the idea of leaf vein. The vein will divide the leaf into different individual parts however each was connected through vein. Similar to the design of this community. The sky corridor of the courtyard is the ‘vein’ of the community which divide the public space more reasonably as well as connects the residents more closely.
Master 1 design studio:
C
Individual Work Due to its prime location, which is at the corner of Brunswick Street and James Street. Therefore it is neither as busy as the corner of Gertrude and Brunswick Street nor as quite as the north eastern corner of the site. Moreover, it is located at the center of the entire site which gave it the potential to be the interception point of the entire Atherton Community. Building Programs
Volumetric Stacking
Wind Channel Diagram
Building Circulations
Shadow Diagram
Typical Unit Plan 2 Bed 1 Bath
First Floor Plan
Ground Floor Plan
First Floor Plan
Typical Unit Plan 2 Bed 2 Bath
Typical Unit Plan 3 Bed 2 Bath
Master 1 design studio:
C
Individual Work
Master 1 design studio:
C
Individual Work
Detail Section of Landscape Downpipe 1:50
Work Experience (Local) 2014-Now
Selected Portfolio (Professional)
Amber
G03
G04
G05
G06
Energy Rating requirements
G07
dimension to mid point of the dividing fence
994 Toorak Road, Camberwell, Melbourne, VIC 3124
Draught Control methods
Multi Storey Residential Building
W12
G03 terrace
G03 bed1
W13
G03 bed2
W14
G04 living
W15
G05 bed
W16
G05 living
W17
G06 living
W18
G06 bed
W19
G07 living
-
W20
G07 ens
‘
-
G07 bed 1
’
-
LIVING
BED1
LIVING
G07 terrace G07 ens
ENS
LIVING
BED
G06 terrace
A/C
A/C P D
BED
P D
G04
NO.1 SINGLE STOREY
1 W'BOARD HOUSE TILE ROOF
F/A
P D F/A
LIVING
’ ’
DIMENSION MEASURE TO NORTH EAST SETOUT POINT
F
P D
A/C
P D
A/C
G05 bed
G04 living
G03 bed2
E
179°35' 45.72m
G07 terrace
D
‘
G06
P D
2
dimension to mid point of the dividing fence
F/A BED2
WC DINING
KITCHEN
STUDY
W22
G06
G08 bed2
G05
STUDY
G07 wc
BED
KITCHEN
G06 study
WC
1
A/C F/A P D
F/A P
P
D
W23 W25
G08 privacy screen
G08 G08 wc
G08
F/A D
A/C
4
F/A
P D
D
P
WC
G01 terrace
P
LIVING BED
LOBBY
G09 privacy screen
2
8
G09 bed
3
7
G09 terrace
4
6
G09 terrace
5
P
6
D
4
G08 bed
G06 wc corridor G09 wc
D 7 5
P
F/A
BED2
8
9
F/A
BED1
9
4
D
fire stair
G01 bed2
LIVING
BED2
DN
2 3
D
UP 1
G09
G09
STUDY
P
BED1
G09 study
KITCHEN & DINING
G01
corridor
3
KITCHEN & DINING
G08 living
LIVING
service
P D F/A P D
269°40' 25m
F F
F
F
P
lift
G08
WC WC
LIFT
A/C
G01 wc
KITCHEN & DINING
WC
KITCHEN
G08
F
ENS
G02 LIVING
G01 bed1
G01
G02 ens G02 bed1
PLATFORM LIFT
D
P
G01 terrace
BED
DINING
F/A
89°40' 25m
UP
3
ENS
fence
STUDY
UP
D
G04 ens
corridor
G05 wc
corridor G01 ens
corridor G02 kit
vent
G03 kit
G03 living
W09 W08
STUDY WC
UP
F/A
G02
ENS
P
W06
KITCHEN & DINING
KITCHEN
D
G02 wc
DINING
WC
A/C
W07
G03
P
dimension to mid point of the dividing fence
LIVING
D
W10
F
G04 bed
G05 study
P D
2
KITCHEN & DINING
F/A
P D
G04 G03 wc
ENS
G07
P D
G07 DINING
G03 ens
W11
BED1 BED2
ALL Windows/glazed doors DIMENSION MEASURE TO SOUTH WEST SETOUT POINT
G08 bed
‘
F/A P D
G05 terrace
A/C
1
F/A
G04 terrace
C
P
G03 terrace
B
D
G03 bed1
G08 study
F/A
G04 terrace
A
NORTH EAST SETOUT POINT
G07 entrance
SINGLE SPLIT LEVEL BRICK HOUSE ADDITION TILE ROOF
NO.998 TILE ROOF SINGLE STOREY BRICK HOUSE
DIMENSION MEASURE TO NORTH EAST SETOUT POINT
G06 wc
G07
G06 kit&dining
G07 bed2
W21
G05 kit&dining
G07 wc
G07 terrace
G05 wc
G07 kit&dining
G08 bed1
G04 ens
G06
G06 terrace
G04
G05
G06 bed
G03
G04 bed
F/A
G03 terrace
G04 kit
P D P D
G03 wc
P D
G03 living
P
Jesse Ant Architects (Group Work) Stage: Under Construction Role: Drafting of the construction drawings
G03 terrace
D
DIMENSION MEASURE TO NORTH EAST SETOUT POINT
UP
DIMENSION MEASURE TO NORTH WEST SETOUT POINT
NORTH WEST SETOUT POINT
A
B
C
359°35' 45.72m
D
E
F
SOUTH WEST SETOUT POINT
DIMENSION MEASURE TO SOUTH WEST SETOUT POINT EXISTING CONC. CROSSOVER TO BE REMOVED;KERB & CHANNEL TO BE REINSTATED
G02&3 terrace fence
DIMENSION MEASURE TO NORTH WEST SETOUT POINT
G02 terrace
G02 terrace
wall adjoining G02&3
G02
G02 bed2
G02 ens
G02 wc
W05
G02 bed1
corridor
G01
G01 living
W04
corridor
G01 bed
G01 bed2
W03
fire stair
G01 bed1
W02
lobby
fire stair
lobby
W89
D06
W01
G09 living
G09 bed
G09 terrace
W30
W29
ı ı
G08
G09 bed
DIMENSION MEASURE TO SOUTH WEST SETOUT POINT
car path
ı ı
G09 terrace
W28
W27
W26
ı ı
W24
G08 terrace
steps Front fence
GROUND FLOOR PLAN
ISSUE FOR CONSTRUCTION
SCALE 1:100 @ A1
Amendments
No. K L M N O P
Date
WALL TYPE A - EXTERNAL WALL
WALL TYPE A2 - EXTERNAL WALL
Project
Notes
Description Size for service cupboards revised; balustrade and retaining wall height added where indicated location of lift core revised; section markers added to service cbd and mailbox; brick fence dimension revised location of steps next to grid C & D moved wall types updated; stair in corridor moved by 88mm; door opening revised Wall types revised Down pipe location from 107 balcony revised
17/06/2015 22/06/2015 25/06/2015 06/07/2015 18/08/2015 24/08/2015
WALL TYPE B - EXTERNAL WALL
ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.
WALL TYPE B2 - CSR 167 - EXTERNAL WALL
JESSE ANT ARCHITECTS
994 TOORAK ROAD CAMBERWELL
Suite 801, Level 8, 492 St Kilda Rd, Melbourne, VIC 3004 Date Drawn Project No.
Title
GROUND FLOOR PLAN
WALL TYPE C - EXTERNAL WALL (no fire requirement)
WALL TYPE C2 --- CSR 165 - EXTERNAL WALL (no fire requirement)
WALL TYPE D - CSR 184 - EXTERNAL WALL
Ph: (03)98205211 Drawing No.
1:100 15.07.2015 Scale AL/JW Checked
JW
AL
13040
WALL TYPE E - CORRIDOR WALL (non-discontinuous)
Amendment
A102
P
WALL TYPE F - CSR 218 - INTERTENANCY WALL (discontinuous)
WALL TYPE F2 - CSR 218 - INTERTENANCY WALL (discontinuous)
FIgure 1: Artistic Impression
WALL TYPE G -INTERTENANCY WALL (discontinuous)
FIgure 2: Artistic Impression
WALL TYPE H - CSR 255 - CORRIDOR WALL
WALL TYPE H2 - CSR 155 - CORRIDOR WALL
WALL TYPE I - STAIR/LIFT SHAFT
WALL TYPE I2 - STAIR/LIFT SHAFT
WALL TYPE I3 - STAIR/LIFT SHAFT
WALL TYPE J - EXTERNAL WALL
WALL TYPE K - CSR 907 - 2ND FLOOR EXTERNAL WALL
WALL TYPE K2 - G TO 1ST FLOOR EXTERNAL WALL
FIgure 3: Artistic Impression WALL TYPE L - CSR 475 - 2nd FLOOR INTERTENANCY WALL (non-discontinuous)
WALL TYPE M--- CSR 575 -2nd FLOOR INTERTENANCY (discontinuous)
WALL TYPE N - LIFT SHAFT (discontinuous)
WALL TYPE O - LIFT SHAFT/ BASEMENT LOBBY WALL
WALL TYPE P - INTERTENANCY WALL (non-discontinuous)
WALL TYPE S - DUCT WALL
WALL TYPE T - INTERNAL WALL GROUND TO FIRST FLOOR
WALL TYPE T2 - INTERNAL WALL SECOND FLOOR
WALL TYPE T5 - INTERNAL WALL CAVITY SLIDER PARTITION TO WET AREA
WALL TYPE T6 - INTERNAL WALL PARTITION TO WET AREA
WALL TYPE T3 - INTERNAL WALL CAVITY SLIDER PARTITION
Figure 4: Construction Site till September
Figure 5: Selected Drawings
ISSUE FOR CONSTRUCTION
SCALE 1:10 @ A1
Amendments
No. D E F
Date 21.01.2015 03.03.2015 08.05.2015
Description
WALL TYPE T4 - INTERNAL WALL PARTITION TO WET AREA
Wet Area Lining: Moisture resistant plasterboard to all wet area wall and ceiling
WALL TYPE DETAILS
FIgure 4: Bathroom
WALL TYPE K3 - 2ND FLOOR EXTERNAL WALL
Notes
wall type revised generally to include required FRL value; wall type N added wall type c change to system 165; wall type E & P revised as per acoustic report
ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING.
wall thickness revised generally. Wall A,B,C,D,F,H &K have been split into 2 -3 types to address the changes in wall thickness.
DO NOT SCALE FROM DRAWINGS
Project
994 TOORAK ROAD CAMBERWELL
JESSE ANT ARCHITECTS Suite 801, Level 8, 492 St Kilda Rd, Melbourne, VIC 3004
Ph: (03)98205211
Work Experience (Overseas) 2013-2014
Selected Portfolio (Professional)
Qianhai Bay's Integrated Transport Hub QIanhai Bay, Shenzhen, China Multiple Use Building Complex
gmp Architekten (Group Work) Stage: Competition Entry (2013 - 3 months as an intern) Role: Drafting of the plans Building models for concept drawings
This project is a part of the major urban development in Shenzhen, one of the most developed city in China. Compare to the scale of this project, I was only a very small part of the entire design. However, the reason why I place it into my portfolio is because it is the first project that show me how useful a multi-disciplinary approach can be to a design. A group of experts such as Urban Planners, Civil Engineers, Service Engineers, Quantity Surveyor, Land Surveyor and more, work together to turn this design from concept to reality. Every factors can lead to a change of form or layout. Many aspects needs to be considered which is a very different experience from school projects.
Figure 3: Selected Drawings
Figure 4: Selected Drawings
Figure 3: Scaled Selected Drawings
Brunswick Westw yck
Redeve lo p m e nt
Gardenia Urban Collective Hao Chen In an urban intensification context. What might multi-generational community for young couples be? The need for different generation is different. While space is getting smaller and smaller, how do we balance the need of children and parents? How do we create a safe, playful and children friendly environment in a dense residential area? How do we distinguish the boundary between private and public in such dense community? Apart from these questions, there are a lot more needs to be considered and researched. The impact which urban intensification had on these factors are crucial in understanding what multi-generational community for young couples might be in this context.
Context
Concept
For an intensified urban environment, the most direct change is decrease in the size of personal space. This will have significant impact on people’s life style and hence architecture design.
Firstly we Studied the context of the site and Identified both problems and opportunities of the site. During the study a general understandingof the site was developped.
This design will be focusing on developing a multi-generation community for Brunswick which has a soft edge with the adjacent community center.
Since multi-generation family normally have more complex need. Significant reduce on personal space would have the most impact on these families.
Analysis
Outcome
Problems
Based on the site to develop a design strategy which balanced the need of public and private as well as provide sufficient amount of dwelling type for the site to accomandate a multi-generation community.
Victoria Street
Anticipate reasonable amount of dwellings to make sure it is financially practical and comply to local regulations.
Practicality
Unit 1
Unit 2
SAFETY Safety is always very important. Especially in a design which soften the boundary between two specific sites. This design uses visual survalliance to increase the safety of the community.
RESIDENTS Residential areas should provide enough space to accomandate private need of a multi-generation community. However, the needs for social, safety & amenities are also very important.
RESIDENTS
SAFETY Unit 5 Unit 3
Unit 4
First Floor Interior Plan SOCIAL SOCIAL Social activities are crucial. The balance of public and private sometimes can be hard to find. Also a publicaly accessable community may raise safety risks for residents as well as visitors.
1:200 @ A1
COMMUNITY CENTER
Victoria Street
COMMUNITY CENTER A community center will provide amenties for its surrounding residents. It will provide spaces for multiple functions such as gathering, learning and other activites.
Gardenia locates in the heart of Brunswick, a vibrant inner city suburb which is experiencing great changes in the past two decades. As the inner city circle continues to expand and immigrants from all over the world drawn by its multi-cultural atmosphere, Brunswick is currently going through an urban intensification proces. Based on this context, and the questions raised at the start, it is Gardenia's design intension to provide an example for Brunswick on how to embrace this change and how to help multi-generation families to cope with this changes through architectural design. Unlike most convential redevelopment projects, the owner of the adjacent site, the historical Westwyck School, is open to an unconvential way of development. The boundaries between two sites can be softened by consider the development as a whole. This creates great opportunities for a multi-generation community. Gardenia was proposed based on the assumption that the original Westwyck Site will be converted in to a community center with varies activity rooms, counciling offices with libraries etc. Gardenia will serve as an active member of this community center by providing cafe, BBQ, locally grown vegetables etc. Residents in Gardenia will all be contributing a certain amount of private space to create a shared public space which allows Westwyck to have more space to host larger events if needed.
2
Landscape 1. Community Entrance 2. Outdoor Seating 3. Planter Box 4. Garden 5. Brick Pavement 6. Timber Pavement 7. Transitional Space 8. Bicycle Rack
20
Unit 1
Café
Unit 2
21
Community Center 9. Building Entrance 10. Waitting Area 11. Office 12. Reception 13. Library 14. Book Shelves 15. Computer Desk 16. Reading Room 17. Toilets 18. Activities Room 19. Outdoor Reading Space
Unit 3
Unit 5
Unit 4
Gathering Space 20. café 21. BBQ Grill
Ground Floor Interior Plan 1:200 @ A1
Victoria Street 1 4 5
9 2
10
8
11 12 14
18
13
19 15
11
7 11
17
3
2 6
1
4 18
16
Underground Carpark Plan
Community Center & Landscape Plan
1:200 @ A1
1:200 @ A1
9 11 10
10 8
9
16
9
8
14
11
8
9 12
8
10 12
10
15
12
8 15
14
14 14
14
12
12 13 13
8 13 8 13
Unit 1 1. Entrance 2. Kitchen 3. Dining 4. Living Room 5. Study 6. Courtyard 7. Toilet 8. Bedroom 9. Master Room 10. Ensuite 11. WIR 12. Sitting Room 13. Balcony 14. Bathroom 15. Lndry 16. Sitting Web
Unit 1 First Floor Plan 1:100 @ A1
Unit 2 1. Entrance 2. Kitchen 3. Dining 4. Living Room 5. Study 6. Courtyard 7. Toilet 8. Bedroom 9. Master Room 10. Ensuite 11. WIR 12. Sitting Room 13. Balcony 14. Bathroom 15. Laundry
Unit 2 First Floor Plan 1:100 @ A1
Unit 3 1. Entrance 2. Kitchen 3. Dining 4. Living Room 5. Study 6. Courtyard 7. Toilet 8. Bedroom 9. Master Room 10. Ensuite 11. WIR 12. Sitting Room 13. Balcony 14. Bathroom 15. Laundry 16. Timber Deck 17. Backyard
Unit 3 First Floor Plan 1:100 @ A1
Unit 4 1. Entrance 2. Kitchen 3. Dining 4. Living Room 5. Study 6. Courtyard 7. Toilet 8. Bedroom 9. Master Room 10. Ensuite 11. WIR 12. Sitting Room 13. Balcony 14. Bathroom 15. Laundry
Unit 4 First Floor Plan 1:100 @ A1
Unit 5 1. Entrance 2. Kitchen 3. Dining 4. Living Room 5. Study 6. Courtyard 7. Toilet 8. Bedroom 9. Master Room 10. Ensuite 11. WIR 12. Sitting Room 13. Balcony 14. Bathroom 15. Laundry
Unit 5 First Floor Plan 1:100 @ A1
2 1
1 1
3
3 4
1 4
6
2
4
2
5
4 3
7 7
3
4
6
6
14
14
3
14 8
6
2
8
2
1 16
8
16 17
1 17
17
Unit 1 Ground Floor Plan
Unit 2 Ground Floor Plan
Unit 3 Ground Floor Plan
Unit 4 Ground Floor Plan
Unit 5 Ground Floor Plan
1:100 @ A1
1:100 @ A1
1:100 @ A1
1:100 @ A1
1:100 @ A1
Unit 1
Unit 2
Unit 3
Unit 4
Victoria Street Elevation
Unit 3,4,5 Elevation
1:200 @ A1
1:200 @ A1
Unit 5
T R I N I T Y S t a c k
H e a t E x h a u s t Fa n
J o i n t
M u l l i o n
M u l l i o n
M u l l i o n
i t U n
M u l l i o n
T r a n s o m
Rising Heat
1 A3.2
Aluminum Horizontal Shade
W I N D A N A LY S I S
+350.00 ROOF
2 A3.2 +320.00 L75 +312.00 +308.00 +304.00 +300.00 +296.00 +292.00 +288.00 +284.00 +280.00 +276.00 +272.00 +268.00 +264.00 +260.00 +256.00 +252.00 +248.00 +244.00 +240.00
L 7 4 S E R V I C E F LO O R L73 L72 L71 L70 L69 L68 L67 L66 L65 L64 L63 L62 L61 L60 L59 L58 L57 L56
+232.00 +228.00 +224.00 +220.00 +216.00 +212.00 +208.00 +204.00 +200.00 +196.00 +192.00 +188.00 +184.00 +180.00 +176.00 +172.00 +168.00 +164.00 +160.00
L 5 5 S E R V I C E F LO O R L54 L53 L52 L51 L50 L49 L48 L47 L46 L45 L44 L43 L42 L41 L40 L39 L38 L37
+ 1 5 2 . 0 0 L 3 6 S E R V I C E F LO O R +148.00 L35 +144.00 L34 +140.00 L33 +136.00 L32 +132.00 L31 +128.00 L30 +124.00 L29 +120.00 L28 +116.00 L27 +112.00 L26 +108.00 L25 +104.00 L24 +100.00 L23 +96.00 L22 +92.00 L21
3 A3.2
+84.00 +80.00 +76.00 +72.00 +68.00 +64.00 +60.00 +56.00 +52.00 +48.00 +44.00 +40.00 +36.00 +32.00 +28.00 +24.00
L 2 0 S E R V I C E F LO O R L19 L18 L17 L16 L15 L14 L13 L12 L11 L10 L9 L8 L7 L6 L5
The wind turbulence is sharp at the triangular conner, creating negative air pressure at the back of the facade.
PRECEDENTS
MEGA FACADE Hancock Building, 875 North Michigan Avenue
CLEAN FACADE Opera Melbourne, 450 St Kilda Rd
+ 1 6 . 0 0 L 4 S E R V I C E F LO O R
+ 0 . 0 0 LG
Applied ArchitecturAl technology
Project
308 Exhibition Street, Melbourne, VIC
Group Member
Hao CHEN, Jiqi CHEN
T R I N I T Y T20_Group3 Carlos Lara, Tutor
A3.1
Applied ArchitecturAl technology
Project
308 Exhibition Street, Melbourne, VIC
Group Member
Hao CHEN, Jiqi CHEN
T R I N I T Y T20_Group3 Carlos Lara, Tutor
A3.3
T R I N I T Y
TYPICAL FACADE PLAN DETAIL (mid-rise)
TYPICAL FACADE SECTION DETAIL(mid-rise)
TYPICAL SERVICE FLOOR PLAN DETAIL (mid-rise)
TYPICAL SERVICE FLOOR SECTION DETAIL (mid-rise)
Scale 1:5 @ A3
Scale 1:10 @ A3
Scale 1:5 @ A3
Scale 1:10 @ A3
Material Schedule
Black Aluminium Cladding
Applied ArchitecturAl technology
Project
Concrete
308 Exhibition Street, Melbourne, VIC
Group Member
Hao CHEN, Jiqi CHEN
Suspended Floor Finish
Light-Grey Perforated Aluminium Cladding
T R I N I T Y T20_Group3 Carlos Lara, Tutor
A5.1
Perspctive Dawn View Approach Public
Transitional
Residential
Large Open Space
Accessible
Children-Friendly
Children-Friendly
Simple
Liveable
Welcoming
Safe
Private
User Friendly
Since the pavilion will be the most exciting and important feature for the site. Also as the starting point of the redevelopment of the Buddhist Discussion Centre. I wanted the design of the Pavilion to be more than just a shelter for the Naga Statue. It should be the centre of the site both physically and conceptually. The ideology in the design of the pavilion should be able to extend in the design of its surrounding landscape. Also act as a guide line for future redevelopment in other elements of the site as well.
Quiet
Sacred
The goal is to provide a reasonable and considerate solution based on the existing environment.
View
Dandenong Ranges
Site
Buddhist Discussion Centre Churchil National Park Cardinia Reservior
Objectives Amenity
Pavilion
Areas
Water Tanks
Functional
Landscape
Circulation
Scale
Safety
10 Years
20 Years
Buddha
Style
Privacy
Worshipping Area
Traditional
Natural Sunlight
Meditation Space
Material
Neighbourhood Impact
Circulation Design
Practicality
Planning Regulation
Gates
Budget
Temporary Structure
Sitting Areas
Theme
Building Layout
Car Park
Adaptable
Permanent Structure
Teaching Room
Monumental
Building Upgrade
Backyards
Sacred
Redevelop Existing Building
Residential/Public Spaces
Responsive
Northern Gate
North 火
Design
Y2
West Gate
Heaven & Eath Temple
Summer Meditation Garden
West
Center
East
Autumn
Ku
Spring
金
Cost
土
Waterpond
Bohdi Garden
木
Deck +0.2m
Environment
Watertank
X1
Lecture Room
Meeting Room Publice Sitting
Deck
South
Watertank
Planning
Buddha Garden
Buddha Garden
Meditation Garden
Waterpond
5 Years
Five Elements
+1.1m
Y1
水
Deck
Storage
Y2
+1.1m
Winter
X1
Space
East Gate
Zen Garden
Concept
Mandala
The key idea is to redesign the site based on the existing environment. Like most traditional Chinese garden, I do not consider them as individuals. Neither the architecture and landscape will not designed separately. They should respond to each other under a certain theme or a design principle. Only in this way we can maximize the efficiency of the design. Nevertheless, the layout of the entire site is problematic due to the unplanned development throughout history. So we also need to consider the site as a whole to provide a guide line for possible future development.
North
Residential Space Watertank
夏 Summer
South Gate
Watertank Watertank
Watertank
Deck
Y1
+0.5m Buddha Garden
Buddha Garden
Meditation Garden
Backyard (Private)
Northern Gate
West Gate
Heaven & Eath Temple Meditation Garden
Bohdi Garden Deck +0.2m
Meeting Room
Watertank
Lecture Room
Publice Sitting Deck
Watertank
West 秋
Waterpond
Since the site is already using the elements of a mandala, such as the four gates and the way they practice religion. I wanted to continue this idea in my design. Moreover, because the site consist of places with different functions. Such as Meditation Space, Worshing Space, Sitting Area, Teaching Area and gathering Space etc. So one uniformed mandala concept may not be enough to be the guide line for the development of the entire site.
Waterpond
+1.1m
Space
Deck
Storage
+1.1m
Autumn
East Gate
Zen Garden
Residential Space Watertank
South Gate
East 春
Garage Amenity / Guest Room
Driveway
Watertank
Spring
Watertank Watertank
Watertank
Deck +0.5m
As a result, I wanted to introduce another important ideology in traditional eastern culture, the Five Element. It is one of the most important cosmology for ancient Chinese which can extend and evolve into many other things such as seasons and directions.
Backyard (Private)
Garage Amenity / Guest Room
South 冬
So my design will be based on the four gates idea in a Mandala design which defines the sacred ground which the pavilion will locate. Moreover, with the addition of the five elements concept, the rest of the site will be able to follow this concept due to the nature of their need.
Meditation Garden
Waterpond
Bohdi Garden Deck Waterpond
+0.2m
Meeting Room
Watertank
Lecture Room
Publice Sitting Watertank
Deck +1.1m
Space
Deck +1.1m
East Gate
Zen Garden
Residential Space Watertank
South Gate
Watertank Watertank
Watertank
Deck
East 春
树绕村庄,水满陂塘。倚东风、豪兴徜徉。 小园几许,收尽春光。有桃花红,李花白,菜花黄。 远远围墙,隐隐茅堂。飏青旗、流水桥旁。 偶然乘兴、步过东冈。 正莺儿啼,燕儿舞,蝶儿忙。 -----秦观《行香子》
Buddha Garden
Buddha Garden
Meditation Garden
Northern Gate
West Gate
Heaven & Eath Temple Meditation Garden
Waterpond
Bohdi Garden Deck +0.2m
Meeting Room
Watertank
Lecture Room
Publice Sitting Deck
Watertank
Heaven & Eath Temple
Waterpond
Northern Gate
West Gate
GROUND FLOOR PLAN 1 : 200 @ A0
Winter
Buddha Garden
Buddha Garden
Meditation Garden
Driveway
Watertank
+1.1m
+1.1m
East Gate
Zen Garden
Residential Space Watertank
South Gate
Watertank Watertank
+0.5m
North 夏
Watertank
Deck +0.5m
Backyard (Private)
Backyard (Private)
Garage Amenity / Guest Room
Space
Deck
Storage
Driveway
Watertank
Garage Amenity / Guest Room
Watertank
Driveway
风老莺雏,雨肥梅子,午阴嘉树清圆。 地卑山近,衣润费炉烟。 人静乌鸢自乐,小桥外、新绿溅溅。 凭栏久,黄芦苦竹,拟泛九江船。 年年如社燕,飘流瀚海,来寄修椽。 且莫思身外,长近尊前。 憔悴江南倦客,不堪听、急管繁弦。 歌筵畔,先安簟枕,容我醉时眠。 -----周邦彦 《满庭芳-夏景》
Concrete Slab Under Statue ROOF SECTION 3
COLUMN-BEAM FINISH DETAIL SECTION 1
COLUMN-SLAB FINISH DETAIL SECTION 1
SCALE 1:1 @ A1
TYPICAL SLIDING DOOR RAIL SECTION 1
COLUMN-BEAM FINISH DETAIL SECTION 2
SCALE 1:1 @ A1
SCALE 1:1 @ A1
SCALE 1:4 @ A1
TYPICAL SLIDING DOOR RAIL SECTION 2
SCALE 1:1 @ A1
SCALE 1:1 @ A1
SCALE 1:1 @ A1
Notes
Notes
ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.
East Elevation 1 : 40 @ A0
Project
Project Number
33 Brooking Street,Upwey, 3108
STUDIO 10
Drawing
Date
Detail Sections
Drawn
Drawing Number
CD2
08-10-2017 HC
Scale
1:1
Checked
HC
Amendment
Notes
ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.
West Elevation 1 : 40 @ A0
Project
Project Number
33 Brooking Street,Upwey, 3108
STUDIO 10
Drawing
Date
Detail Sections
Drawn
Drawing Number
CD1
08-10-2017 HC
Scale
1:1
Checked
HC
Amendment
Notes
Project
ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.
33 Brooking Street,Upwey, 3108
Project Number
Drawing Number
CD3
STUDIO 10
Drawing
Date
Detail Sections
Drawn
08-10-2017 HC
Scale
1:1
Checked
HC
Amendment
ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.
South Elevation 1 : 40 @ A0
Project
33 Brooking Street,Upwey, 3108
Project Number
Drawing Number
CD3
STUDIO 10
Drawing
Date
Detail Sections
Drawn
08-10-2017 HC
Scale
1:1
Checked
HC
Amendment
This portfolio is a on-going and selected collection of the work I have participated in till 2018. I hope this would give you a brief understanding of my design philosophy and skills. As I try to demonstrate as many types of projects as I can, there are still many exciting projects which I did not put into this porfolio.
North Elevation 1 : 40 @ A0
Winter
Summer
Ground Floor Plan 1 : 40 @ A0
To be continued... Pavilion Interior View