PORTFOLIO
2018 UNDERGRAGUATE ARCHITECTURAL FOLIO -HARSH BARAD
FROM 2016 MID TILL DATE
SAL SCHOOL OF ARCHITECTURE (AHEMDABAD,INDIA)
BACHLOR OF ARCHITECTURE COMPLETED IN 2016
MOUNT CARMEL HIGH SCHOOL (GANDHINAGAR,INDIA) SECONDARY EDUCATION IN DEPARTMENT OF MATHEMATICS & PHYSICS
TECHNICAL SKILLS
HARSH BARAD STUDENT OF BACHLOR OF ARCHITECTURE CONTACT +91 7096392919 HB.BARAD10@GMAIL.COM HARSH_PHOTOGRAPHY10 BORN:16-APRIL-1997 KODINAR,GUJARAT,INDIA ADRESS:E-501 SUYASH STATUS, NEAR CITYPULSE CINEMA, KUDASAN,GANDHINAGAR, GUJ. INDIA.
ADOBE PHOTOSHOP ADOBE ILLUSTRATOR ADOBE INDESIGN AUTODESK 3DS MAX AUTODESK AUTOCAD AUTODESK REVIT AUTODESK SKETCHBOOK GRASSHOPPER GOOGLE SKETCHUP LUMION 3D MICROSOFT OFFICE RHINOCEROS VELUX V-RAY PHYSICAL MODEL
EXHIBITION INCIPIENT 2017 & 2018
LANGUAGES GUJARATI NATIVE
ENGLISH EXCELLENT
HINDI
EXCELLENT
TRAVEL JAIPUR AJMAIR BIKANER MANDU
UDAIPUR SPITI VALLEY AGRA HUNARSHALA
CONTENT CULTURAL CENTRE - MANDU STORY TELLING LIBRARY - AHEMDABAD BASIC DESIGN
WORKSHOPS WALL PAINTING MODEL MAKING WORKSHOP SKETCHING WORKSHOP PAPER MESH WORKSHOP CLAY WORKSHOP CANVAS PAINTIG CERAMIC WORLSHOP PAVILION LCJ WORKSHOP LIGHT BOX DESIGN BRICK MASONARY
RSP WORK RE-DESIGN LCJ LIGHT STUDY PAINTINGS SKETCHES PHOTOGRAPHY
INTEREST PHOTOGRAPHY SKETCHING TREKKING PAINTING
WOODEN WORKSHOP TRAVEL SPORTS BIKNG
CULTURAL CENTER AS I HAVE TO DESIGN A CULTURAL CENTER AT MANDU AND THE WHOLE CITY IS BUILT ON ARCHES AS IT IS A HERITAGE CITY. SO I HAVE TAKEN ARCHES AS MY MAIN CONCEPT SO IT CAN REFLECT THE CULTURE OF MANDU. THE SITE WAS NEXT TO THE PALACE AND ON THE OTHER SIDE THERE IS A LAKE ,SO ITS GOOD TO GIVE ARCHES IN A ROW FROM WHICH ON CAN GET BEAUTIFUL VIEW TOWARDS THE LAKE.
1 ENTRY 2 FOYER 3 AUDITORIUM 4 BACKSTAGE 5 BACKOFFICE 6 WASHROOM 7 LIBRARY 8 FOODCOURT 9 KITCHEN 10 STOREROOM
STORY TELLING LIBRARY
OUR STUDIO WAS CONTEXIAL STUDIO AS OUR SITE WAS NEAR THE GANDHIASHRAM,WADAJ SLUM, AND RIVERFRONT. SO WE HAVE TO MAKE OUR OWN PROGRAM BASED ON THE SITE AND IT SHOULD BE USEFUL TO THE PEOPLE LIVING IN THE SLUM, AND ALSO THE VISITORS COMING AT THE GANDHIASHRAM. AS IT IS A HERITAGE PLACE MANY TOURISTS VISITS EVERYDAY. SO I HAVE CHOSE TO DESIGN A STORY TELLING LIBRARY ON THE SITE.
BASIC DESIGN THIS WAS A BASIC DESIGN EXERCISE IN WHICH TAKING THE THICK ACRYLIC SHEET AND BURNING IT,IT WAS MOULDED AND THROUGH WHICH DIFFRENT SHAPES WHERE FORMED AND THAN CONNECTING ONE ACRYLIC SHEET WITH THE OTHER DIFFERENT SPACES WERE FORMED. BY MELTING THE ACRYLIC THE CURVES WHICH FORMS ACTS AS VOIDS AND WALLS.
MEASURE DRAWING -SPITI VALLEY THE HOUSE UNDER OUR OBSERVATION WAS ONE OF THE OLDEST HOUSE IN KIBBER VILLAGE. IT WAS AROUND 50 YEARS OLD AND WAS OWNED BY AN OLD LADY. THE CONSTRUCTION OF THE HOUSE WAS DONE BY THEIR TRADITIONAL TECHNICAL OF RAMMED EARTH AND STONES. THOUGH THE HOUSE LOOKED LARGE AND BEAUTIFUL FROM OUTSIDE, IT WAS VERY DENSE AND DARK FROM INSIDE AS IT LACKED NATURAL LIGHT. ONE MIGHT FEEL CLAUSTROPHOBIC IN SOME PLACES OF THE HOUSE. THE OUTER WALLS OF THE HOUSE LOOK FINISHED ENOUGH AS COMPARED TO THE INNER WALLS. ONE VERY INTERESTING THING ABOUT OUR HOUSE WAS THAT IT HAD A CONTINUOUS RAMP ACROSS THE HOUSE.
THE HOUSE HAD A LOT OF DIFFERENT SPACES FOR VARIOUS PURPOSES SUCH AS STORING WINE, UTENSILS, WOOD, CATTLE SHELTERS, ETC. THERE WAS ALSO A SPACE WHICH WAS VERY IMPORTANT FOR WINTER SEASON AS IT WAS INSULATED. THIS SPACE WAS FILLED WITH NECESSARY FURNITURE AND HAD A RICH DAYLIGHT. THE CATTLE SHELTERS WERE VERY NICELY DIVIDED INTO 4 PARTS WHICH DEPICTS THAT THE RESIDENT MAY HAVE 4 DIFFERENT TYPES OF CATTLE’S. MOVING TOWARDS THE 1ST FLOOR, THE STAIRS WERE VERY UNCOMFORTABLE AS IT HAD VERY SHORT TREAD AND VERY SHORT HEADROOM. AS SOON AS WE REACH THE 1ST FLOOR, ON THE RIGHT HAND SIDE THERE WAS A DRY TOILET SO, THERE WAS A LOT OF POOR SMELL AROUND IT. ON THE 1ST FLOOR THE RESIDENT HAD DEVELOPED A LARGE OF STORAGE SPACE FOR STORING CATTLE FOOD, UTENSILS, WOOD, CLOTHES, ETC. THE KITCHEN AND WASH SPACE WERE BESIDES EACH OTHER ON THE 1ST FLOOR. ALSO, OUR HOUSE HAD A VERY FEW DOORS, IT MOSTLY HAD CURTAIN OPENINGS. MOVING TOWARDS THE ROOF OF THE HOUSE, THERE WAS A WORSHIP SPACE. WHICH WAS USUALLY KEPT LOCKED.
MANDU MANDU IS A PLACE FOR HISTORICAL MONUMENTS.THE MONUMENT WHICH WAS ALLOTED TO US WAS HINDOLA MAHAL.IT WAS FOR THE QUEEN OF THE PALACIAL COMPLEX.HINDOLA MAHAL HAD TAPERED WALL.THE TAPERED WALL HAD SLOPE OF 70 DEGREE.IT HAD GROUND FLOOR+ ONE AND IT WAS IN T SHAPE. HINDOLA MAHAL WAS SUPPORTED BY ARCHES IN THE MIDDLE AND IT HAD NO ROOF AND WAS OPEN TO SKY.
EXISTING BUILDING AS I HAVE DONE REDESIGN ON HOUSE IV MADE BY PETER EISENMAN. AS HE USED TO WORKED ON GRIDS AND CUBES. IN REDESIGN I HAVE BREAK THE GRIDS AND JOIN THEM AT DIFFERENT ANGLES. FROM THIS I GOT DIFFERENT SPACES FOR DIFFERENT FUNTION.
PROCESS
RE-DESIGN
LCJ MODEL
FORMING SPACES AND VOLUMES WITH THE HELP OF L,C & J. IT ALSO GIVES AN IDEA OF LEVELS, AREA & HEIGHT.
SECTION
LIGHT STUDY
PAINTINGS
EXPLORING DIFFERENT COLOURS WITH DIFFEERNT MEDIAM. ITS ALWAYS FUN TO PLAY WITH COLOURS AND MAKE AN ABSTRACT PAINTING.I WAS INSPIRED FROM THE FAMOUS PAINTER JACKSON PALLOCK & VINCENT VAN GOGH.
SKETCHES
PHOTOGRAPHY
FOUR WOOD MEMBERS ARE JOINED INTO EACH OTHER ON THE HORIZONTAL METAL MEMBER AND ARE TIED UP BY SCREWS.
THE FOUNDATION IS STRENGTHENED BY J-BOLTS IN THE GROUND TIED UP WITH METAL MEMBERSABOVE THE GROUND, WHERE THE WOODEN MEMBERS WOULD BE FIXED ONTO.
A WOOD BATTERN IS INTRODUCED TO SUPPORT THE REPETITIVE MODULE IN A DIRECTION
THE TOP MEMBERS ARE GROOVED AND JOINED BY VERTICAL MEMBERS NY SCREWS
MAIL ID :- hb.barad10@gmail.com PHONE :- +91 7096392919