HARUKA KOTANI 2016-2019
h0130kotani@gmail.com
-ABOUT MEI would like to create architecture whose elements
HARUKA KOTANI
and ground are well harmonized with each other. I'm
Born in Osaka, Japan (30/1/1996),23 years.
inside and outside together. I would like to study how
Waseda University, Tokyo, Master1.
studying furniture scale and urban scale together , or crate a unique architecture directon architects who work practically.
-Contact-
-Education-
-Skills-
Mail:
2014-17 Waseda University / Department of Architecture
Program
h0130kotani@gmail.com
2017
Thesis "Expression and meaning of "standardization" in Charlotte
+819081713817
Perriand works"
2018
Waseda University / Master
Takeshi Yamamura Labratory
2019
Going to La vilette University , Paris
Adress: Hatsudai1-48-5-1301, Shibuya , Tokyo , Japan
-Experience2018
Workshop with EVSAV University
2017
Workshop with Barcelona University Project of Exhibition at YamamuraLab with nendo
2016
Architectual school in Norisada Maeda Architects, Tokyo
-Other Experience2015-18 Stage lighting designer at Roppongi, Tokyo 2018
Stage lighting designer at Shinjuku, Tokyo
Photoshop illustrator indesign AutoCAD Rhinoceros V-ray Sketch-up cinema4D Personal brave Responsibility thoughtful secsitive
●●●●●●●●●●●● ●●●●●●●●●●●○ ●●●●●●●●●●●○ ●●●●●●●●●● ○○ ●●●●●●●●●●●● ●●●●●●●●●●●○ ●●●●●●●●●●○○ ●●●●●●●●●○○○
●●●●●●●●●●●● ●●●●●●●●●●●● ●●●●●●●●●●●○ ●●●●●●●●●●●○
Device
CITY
-Table of Contents0.Introduction
p.2
1.AI cave
p.5
2."Uncomplete" museum
p.9
3.Ground Ring
p.19
4.Device into Architecture
p.29
5.Gaudi Persiana
p.41
6.Living Harbor
p.49
7.Other Works
p.58
Moving Oasis
AI CAVE
Pocket Bazaar
"Uncomplete" Museum
Immersive Messing
Living Horbor
LAND
History
Moving Oasis Immersive Messhing Pocket Bazaar Stage Lighting
Gaudi Pershiana
Device into Arch
Ground Ring
3
- AI CAVE -
finction: AI house site: Underground term: March 2018-(1month) note:collabolation with Shun Kuronuma
AI CAVE
In the future, AI will recover the connection between humana and ground.
DIAGRAM
This program have a hope. Recently, we can see many highbuildings and the connection with the ground is
PreHistory
DIAGRAM
Modern
PreHistory Present
HOUSE
BULIDING
dissapearing. So I hoe this AI cave will recover their connection .
CAVE
CAVE
Modern
Present
HOUSE
BULIDING
FutureFuture NEW LIVING
NEW LIVING Insert AI
Start Living
IDEAS
Insert AI
Start Living
IDEAS
PLAN UNDER GROUND
GROUND
・・・
・・・
3FACTOR Topology
Module
Adjustment just only Module “α”
α
α
too large to write
2α
2α
3α
3α
・・・
too small to sit
・・・
▼GL ▼AI’s GL
Today, there are many furniture or equipments to live. AI found the alternative rule for them. That rule origins “Topology”. Through this exchange, AI can make many formfunctions from one form.
AI use a number “α” as module and recognize forms and produced. AI can exchange furniture into dwelling through that module “α.”
The form made from “α” yet to fit to human behavior. So AI moves ground and ajustment.
7
- "Uncomplete" Museum Antoni Gaudi i colnet Museum
finction: Museum site: Aomi-Whalf , Tokyo term: Apr 2017- (2month) note: work in Waseda University
Uncomplete imagene The works of Gaudi sometimes develop their value with keeping uncompleted. The picture on left is the whole image of Sagradafamilia drew during underconstruction. Some parts are expressed as atmosphere and give many feelings to peple. Uncomplete things are tottaly only one. This site is a walf and its soil is all artificial and doesn't want to be cut or heap up. So I buried and put structure in underground. That is mean, it doen't belong any space and time. The works of Gaudi will keep uncompleted and people imagine the beyond of completed image.
whole image of Sagradafamilia
The structure of underground
Aomi'Walf with Gaudi"s column
show exhibitionitem as public model or private model
11
G r o u n d P l a n ≧B1 0
X9
Y5
0
X8
1
2 5
1/150 Scale
4 10
8 20
30
X6
24
展示室 5 GL-5480
Y2 25
Y1 Y0
26
展示室 6 GL-5500
27
展示室 7 GL-3500
収蔵庫 GL-3500
設備室 GL-3500
事務室 GL-3500
12 11 10
ショップ 受付 GL-3500
9
カフェ
エントランス
A
地上
X5 X4
X3
X2 X1
B
12
50
1/250
X7 Y4
16 40
(m) (Ft)
F l o o r P l a n B1 ≦ 0 0
1
2 5
1/150 Scale
4 10
8 20
30
16 40
50
(m) (Ft)
X8
Y
1 . グエル邸 立面図案 size:A0 2 . カサ・カルベット 安楽椅子 3 . コロニア・グエル教会 平面図 sixe:A1
Y
4 . コロニア・グエル教会 構造模式図 size:A1 5 . コロニア・グエル教会 ポーチ天井ヴォールト図 size:A1 6-8. カサ・ミラ 扉の引手、取手 9-12.(Groundp n に記載 13. サグラダファミリア 生誕のファサード 鳩スタディ模型 14-19. サグラダファミリア 柱 20. サグラダファミリア 身廊部の大窓の詳細模型 1/10 21. サグラダファミリア 身廊部の大窓のゲーブル 1/10
23
22. サグラダファミリア 身廊部の大窓 23. サグラダファミリア 側廊部の屋根の明かり取り 1/10
22
Y3
24. サグラダファミリア 後陣部
展示室 4 Y
21
GL-8500
20
WC
Y
19
18
17
16
Y
15 14
3
2 1
13
展示室 1
4
GL-6500
ホール
5
GL-9500
12 11 10 6-7-8
展示室 2 GL-9500
9
A
X X4
X3
X2 X X0 B
13
In this elevation, you can see nothing on the ground and hide its exists. Just only column will stands. During you are approach to the column, the entrance will apear and welcome to you.
Elevation
North Elevation 0
1
0
2 5
0
1
2 5
8 20
West Elevation 0
South Elevation
Scale 1/150
4 10
30
50
(m) (Ft)
ンy
カ
8 20
30
16 40
50
(m) (Ft)
ンy
カ
0
1
0
Scale 1/150
4 10
16 40
ンy
カ
ンy
カ
2 5
0
1
2 5
8 20
East Elevation 0
Scale 1/150
4 10
30
50
(m) (Ft)
Scale 1/150
4 10
16 40
8 20
30
16 40
50
(m) (Ft)
15
Section A-A’ 0
1
0
2 5
10
These section shows this architecture take the sky
Scale 1/150
4
8 20
30
16 40
50
(m) (Ft)
inside and gives people openspace.
▼ GL±0,TOP
事務室
設備室
展示室7
収蔵庫
生誕の間
展示室2 展示室1 ホール
▼ GL-6500
▼ GL-950
0
▼ BOTTOM GL-10000
X0
X1
X2
X3
X5
▼ TOP
X9
GL±0
カフェ ▼ GL -3500
Section Detail S:1/100 0 10 展示室1
▼ GL -9500 ▼ BOTTOM GL -10000
Section B-B’ 0 0
16
1
2 5
Scale 1/150 4
10
8 20
30
16 40
50
(m) (Ft)
Y1
Y2
ホール
展示室3
50
100
17
- Ground Ring -
finction: Plaza / Urban museum site: Seoul , Korea term: Nov 2018- (3 month) note: team Project
Structure for a new plaza 21th type in Korea This plan is planning to show the way of the new plaza in the 21st century from the Republic of Korea to the world. Gwanghwamun Square has repeatedly undergone various transitions many times since 1394. This square has been updating the urban structure every time, so it is a place where many history is deposited. In thinking about a new plaza of the 21st century type, we thought about the design from the following three perspectives. 20
3 persepectives 1.【Historical Design】 To make a square that can recognize the historical multilayer. Especially as a public urban history museum which can hide historical plaza from Gwanghwamun gates to underground, let us understand diverse historical properties all at once, can make thought to the future. 2.【Environmental Design】 To open the ground plaza to people. Now that the future of automated driving of cars is anticipated, we believe that it is important for the 21st century type plaza to be not a car but a people's center square, and the whole ground will be opened as a new soul square. In addition to the reduction of CO2 in the uncollateralized society, Light Shade, which drops the light under the ground, also becomes a power generator that makes full use of solar energy and is an Eco resilient square. 3.【Space Design】 To make a plaza as a new attractions. Three new circular rings and two underground slopes make up the square design. By connecting them with Kyng-bokkung and Cheonggyecheon, they will attract new flow of people and this place will be a place for people to gather as a new attraction.
Ground/UnderGround plan 1/450 0
10
50
100
21
Water curlce -- water plaza
22
landscape/ Lightshade
sejong circle-sky ring
Time circle - museum
Ground/UnderGround plan 1/450 50 0 10
100
23
Road and Greenroad
MainPlaza
Road,Green road and Light shade expand plaza We make roads following old historical river and plant Greens sorround road. It makes the relationship the road and Green road. Gingko tree is historical tree for Korea , so we use it as light shade and connect ground and Underground. These program exchanges road to familiar with citizen and expands plaza.
Sky Ring is the turminal of underground network and it has two main street.
Light Shade expand the green roads and connects Ground and Underground.
24
Arcade and Museum act as gate and connect plaza to cultual village.
Long DIrection Section(Isunshin-sejong) S:1/4000 100 50 0 10 20
Short DIrection Section(Cheonggyecheon) S:1/4000 100 50 0 10 20
25
Long DIrection Section(Isunshin) S:1/4000 50 0 10 20
100
Short DIrection Section(Cheonggyecheon) S:1/4000 100 50 0 10 20
Underground roal will continue Cheonggyecheon river is the citizen place and our underground street connects with this river and give citizen the entrance to historical field. River will open place for citizen future.
Cheonggyecheon Plan S:1/4000 50 0 10 20
26
100
Network for future While city will be urban museum Ground wi l l be t he f i el d f or ci t i zen and Underground will be the historical field. Through this proposal, many historical material will be connected each other and whole of this city will be the urban museum.
27
- DEVICE → ARCHITECTURE -
finction: city hall, garden , storehouse site: Harie'village round Biwa'Lake term: 11 2017-(3month) note: team (3 people)
Mecanism of Water 高島市 針江
1940
1890
台風 21 号最高水位 BSL+0.63m 管理以降最高水位 BSL+0.93m 常時満水位 BSL+0.30(m)
観測史上最低水位 BSL-1.23m 1
2
3
4
5
6
7
8
9
10
琵琶湖基準水位BSL(m)
11
12
H29水位
平均水位
We tried to remain the cultual device ( cultual kitchen , called "Kabata") by exchanging them into architecture. 1895
1955
Around the Biwako-Lake, there are two types of village. One is getting water from the Biwako-Lake,the other is exporting water to the Biwako-Lake, so if we found method to remain this device, it
400万年前
100-200万年前
will be trigger to saving historical device around the Biwako-Lake.
1/10 Model of "Kabata".
30
Drew sketches of "Kabata" as a research.
Dismantled to three Factor At First, we separated functions of Kabata-kitchen into 3 factors "Grow up", "Copntrol","Circulate."
3 element of “Kabata”
heir of this device. We hope it will be the pomp tup power ti this village.
4月
3. Clean up and release to river
(site1)
Circulate
2月
2
5月
Garden
2. Use for living
We pland them to be good at feeling the ecosystem of "Kabata" amd easy to learn. Tourist ould be the
Life cicle through “Kagaba”
1. Insert waterway into house
1
3月
12 月
Grow up
“Kabata” Kitchen
storehouse
1月
6月 7月
(site2)
(site3)
11 月 8月 10 月 9 月
Use
Grow up Control
Circulate
31
市場
水路
縁側
農具庫前広場
畑
事務室
水路
2
1."Grow up" Tourist learn the basic structure of "Kabata" here through the communication with civil.
32
Market Civil cam buy vegetables from here.
”Kabata” = kitchen & refrigerator Wash vegetables and learn the system of water.
Farm tool’s Hat and part of city officce
33
2."Control"
宿泊部屋 宿泊部屋 便所
宿泊部屋
便所
便所
宿泊部屋
洗面所
倉庫(コモノ) 兼 展示室
風呂
倉庫(ナガモノ) 兼 展示室
脱衣所
事務所 市民生活部
建具
第会議室 教室 水路
円形広場 と
食卓
食卓
食卓 玄関
かばた
カワト
カワト
参道と水路の交点
カワト
1つのかばた、2つのカワトから造形を受け、それぞれに対して三様な受け答 えの仕方をする。
平面図 S=1/150
0
1.5
7.5(m) N
Tourists cooks vegetables here. Here is the crosspoint of the approach to shrine shaped "X" and river belongs to the Biwako-Lake. City gives hotel and controls the number of tourist here because this village is very private. They have storehouses of cultual tool and it could be the museum.
35
パッキン付きステンレスネジ i4ァ P 棟補強金具 片流れ 冠瓦
=ケX
平プレート ボルト
定規アングル
キ
大梁
ルーフィング
耐火塗料
ート
仕上げ材: 藁入りモルタル 平プレート ボルト
定規アングル
大梁
耐火塗料
耐火塗料 焼き ? [
シャッター
ボルト
フォームラーモルタル充填 コーキング
;
モルタ レ
6>
コーキング フォームラーモルタル充填 捨筋電気溶接
防水紙 P
焼き ? [
ボルト
テラゾーブロック
コーキング
モルタル
モルタル
割栗石
捨てコンクリートy ; 割栗石
ヤ
36
ガラス
500
▽GL±0
2000
1200
精米機 800
change thegarvage hogwash or vegetables
▽GL+2100
500
210
With Kabata's air conditional function,
▽TOP GL+2310
1000
We make some starehouses in this villege.
2100
3."Circulate"
▽GL±0
into fertilizer. 米床棚
1400
米ぬか溜め
かばた 150
900
field people will do cultual event in winter.
1800
3400
Large room next to storehouse could be the
6000
5500
6000 17500
Section S=1/120
0
5(m)
1
断面図 S=1/100
0
X1 1
X2
X3
X4
5(m)
かばた
米床(ぬか漬けのつぼ)
肥料溜
37
▽
▽
精米機
かばた
▽TOP GL+2500
かばた
900
1200 20
1650
800
▽GL±0
500
▽GL+2000
2000
500
米ぬかパイプ
5000
3500 8500
Y3
Section S=1/120
38
Y2 0
1
Y1 5(m)
Section S=1/120
0
1
5(m)
- Gaudi Persiana -
finction: furniture site: a patio term: Aug 2017 (3 days) note: WS with BCN University
42
Ploblems in some scales
■ Problem of Barcelona in CITY SCALE ・in reality
… walls
Cerdà though that patios belong to e v e r y o n e , i s t o t all y public.
But in f act, these residents against he and occupied theso public space which makes the boundary irregular.
■ Problem scale in HOUSE SCALE
lack of light
lack of balcony
Could not control the persiana delicately, which means it only exists two
Resolution
It's a strategy for every patio.Creationg a new waving layer for facade which covers part of old broken and make the whole facade more continuous. 43
44
45
Simplified structure Nomal persiana has more than two band as structure. After analysing the existing form of Persiana, we are willing to create one with more flexible structure, which not only works for making shadow, but also create a artical atmosphere.
Structure of Gaudi To solve problems of persiana, we find that the element ʻSLADSʼof Gaudiʼs work. This can make not only straight surface but also curved surface. Curved surface has dalicacy. To establish two aspects of structural dynamics rationality and decoration full of human nature, we refered to the Escola /Escuela de Sagrada Familia which already satisfies that need. 46
47
- LIVING HORBOR -
finction: living / working space site: HARBOUR IN AM STERDAM term: May 2017- (2 month) note: team Project
URBAN STRATEGY
NEW HUB "LIVING HARBOUR" in AMSTERDAM NOORD
Future Vision of AMSTELDAM
The project serves to resolve these relationships by proposing a new lifestyle - productive life, thereby transforming into a new focal point. We propose a "Living Harbour" as the focal point that transmits productive life throughout Buiksloterham, Amsterdam-Noord and consequently Amsterdam. 2017 50
2025
the city and the suburbs, land and water...These are some naturally contradictory relationships that clash within the site. The project serves to resolve these relationships by proposing a new lifestyle - productive life, thereby transforming into a new focal point. We propose a "Living Harbour" as the focal point that transmits productive life throughout Buiksloterham, Amsterdam-Noord and consequently Amsterdam.
AMSTERDAM
BUIKSLOTERHAM
URBAN STRUCTURE : LAYER OF THE CITY
THREE ROLES OF LIVING HARBOUR
1.
GREEN SURFACE ■ : park ■ : roadside green ■ : crops
URBAN GREEN PLAZA
The amount of green decreases approaching the city centre of Amsterdam. The site is wedged between the natural landscape and cropland extending towards the Northern area of Amsterdam.
WORKING AND LIVING
-groundstairs -playground -market -private terrace for each room
■ : leisure facilities ■ : commercial facilities
■ : factory ■ : office ■ : residence
The industrial areas and business districts are spread out on the outskirts of Amsterdam city, while the residential and commercial areas are concentrated around the city centre. The site is located at the edge of the industrial and residential area.
ACCESSIBILITY ■ : tram station ■ : subway station ■ : bridge
2.
URBAN FUNCTION COMPLEXITY
■ : port ■ : highway
While most of transportation networks are developed and well-spread in the Southern area of Amsterdam IJ, the site is located in an area of Amsterdam Noord that acts as the sole gate connecting the North and South.
The urban green plaza consists of a lowered open square, an elevated ground floor bridge, and individual terraces on each floor. Aerially, these green spaces create an overlapping phenomenon of continuous green, albeit on a multi-dimensional scale. Incorporating this green plaza within the site allows the permeation of green network throughout the urban areas of Amsterdam Noord.
-working space 6 rooms flat type (87m2) maisonette type (107m2) 3 rooms -living space flat type (87m2) 6 rooms maisonette type (107m2) 3 rooms
In a site sandwiched between the residential and industrial areas of Amsterdam Noord, the criss-crossing combination of living and working spaces within our architecture allows for the induction of a new lifestyle within the study area. In this sense, the living harbour becomes the starting point of a productive lifestyle within Buiksloterham. With this harbour, a future where this lifestyle permeates the city is envisioned.
WATER NETWORK ■ : kanal ■ : granch ■ : vaart
■ : singel ■ : slot
3.
The fact that Amsterdam, Netherlands developed from water transportation networks made the construction of canal networks throughout the whole city and on various scales possible.
URBAN ACCESSIBILITY
BASE FRAMEWORK -port -retail -cafe -kindergarten -playground for children
As the history of its city creation begun from the surface of the water level, the development of Amsterdam can be said to be the amassment of numerous layers.
The bridge in the Living Harbour allows the engagement of visitors from the canals, as well as the public from the city through the entrance facing Papaverweg, thereby linking the city and canals via the site. Furthermore, lowering the street level of the harbour to match the water level opens up an intermediary medium between the city and canals and allows for a smooth transition from land to sea and vice versa.
FUTURE VISION OF BUIKSLOTERHAM ▼ 2017
▼ 2025 Currently, the green in Buiksloterham is sporadic and far and few between. Also, working and living spaces are fragmented and the land and sea are of two separate
We propose a future with a comprehensive green network whereby the pixelisation and blending of living and working spaces and the connection of land and sea become the backbone of
51
CONCEPT of "LIVING HARBOUR"
PLAN OF LIVING HARBOUR
PRODUCTIVE ACTIVITIES
- INTERACTIVE CONNECTION between CITY,CANAL and GROUND The newly lowered ground level of the site and the elevated bridge at the normal street level are the key areas behind this plan in which a vibrant living atmosphere is envisioned.
Having two different levels of public interaction overlapping within the same open area allows the birth of complex relationships between different groups of people to happen spontaneously.
▼ PLAYGROUND
The lowered street level (B1F) opens to the green plaza and holds a playground where families gather and children play.
The city planning of Amsterdam was derived from its canal system in the early 17th century. Reclamation of land from the water surface of the canals gave rise to the city.
MAKING WATER GROUNDSCAPE
MAKING WATER GROUNDSCAPE 1. MAKING WATER GROUNDSCAPE WATER GROUND
WATER GROUND
アムステルダムの運河を介した発展の歴史を読み解き、 大 地 を 運 河 と 同 じ レ ベ ル ま で 掘 り 下 げ る こ と で、 アムステルダムの運河を介した発展の歴史を読み解き、 productive life の基盤とした。 大 地 を 運 河 と 同 じ レ ベ ル ま で 掘 り 下 げ る こ と で、
After analysing the pivotal role of canals
productive life の基盤とした。
▼ FREE MARKET
b e h i n WATER d t h eGROUNDSCAPE history MAKING
WATER GROUND
WATER GROUND
of Amsterdam`s d e v e l oWATER pment, we reMAKING 大 地 を 運 河 と 同 じ レ ベ ル GROUNDSCAPE ま で 掘 り 下 げ る こ と で、 interpret the site by productive life の基盤とした。 アムステルダムの運河を介した発展の歴史を読み解き、 lowering the ground 大 地 を 運 河 と 同 じ レ ベ ル ま で 掘 り 下 げ る こ と で、 level to that of the water. productive life の基盤とした。 アムステルダムの運河を介した発展の歴史を読み解き、
2. CONNECTING GROUND TO CITY GREEN HILL
GREEN HILL WATER GROUND
WATER GROUND
PLAYGROUND
GREEN PLAZA
WATER GROUND GREEN HILL
WATER GROUND
3. CROSSING THE BRIDGE
PARKING
GREEN HILL
CONNECTING GROUND TO CITY CONNECTING GROUND TO CITY
ENTRANCE HALL
運河と同じレベルまで下げた大地が (GREEN HILL) を介 して都市に接続する。 運河と同じレベルまで下げた大地が (GREEN HILL) を介
GREEN HILL
The free market is located on the bridge that acts as the elevated ground floor (1F) of this project. On weekends, temporary street shops open to throngs of people using the harbour.
The lowered ground level is connected to the city via the Green Hill.
KINDERGARTEN
して都市に接続する。
CONNECTING GROUND TO CITY 運河と同じレベルまで下げた大地が (GREEN HILL) を介
CONNECTING GROUND TO CITY
して都市に接続する。
運河と同じレベルまで下げた大地が (GREEN HILL) を介 して都市に接続する。
BRIDGE
BRIDGE GREEN HILL
GREEN HILL WATER GROUND
WATER GROUND BRIDGE
CROSSING THE BRIDGE
FREE MARKET
CROSSING THE BRIDGE
掘り下げられた大地のうえに橋がかかり、その橋によっ て都市と運河が接続される。 掘り下げられた大地のうえに橋がかかり、その橋によっ
A bridge is laid over the て都市と運河が接続される。 lowered ground, thereby connecting the water to CROSSING THE BRIDGE the city.
▼ CAFE / HARBOUR TERRACE
HARBOUR BRIDGE
By setting a few pieces of furniture, the open space outside the retail shops on the bridge can be transformed into outdoor cafe and resting spots.
掘り下げられた大地のうえに橋がかかり、その橋によっ GREEN HILL BRIDGE
CROSSING THE BRIDGE
て都市と運河が接続される。
4. BUILDING "LIVING HARBOUR" WATER GROUND
GREEN HILL
掘り下げられた大地のうえに橋がかかり、その橋によっ て都市と運河が接続される。
WATER GROUND
SLAB
ARCH SLAB
ARCH
BRIDGE SLAB BRIDGE GREENARCH HILL SLAB GREEN HILL WATER GROUND ARCH WATER GROUND
URBAN SECTION
BRIDGE
GREEN HILL BRIDGE
52
WATER GROUND
BUILDING “LIVING HARVOR”
With the stacking of bridges as slabs that connect the city and 続によって LIVING HARVOR が形作られる。 water and the continuous series of arches, the BUILDING “LIVING HARVOR” shape of the Living 都市と運河を接続した橋の、スラブの積層とアーチの連 Harbour is conceived. 続によって LIVING HARVOR が形作られる。 BUILDING “LIVING HARVOR”
都市と運河を接続した橋の、スラブの積層とアーチの連 続によって LIVING HARVOR が形作られる。 都市と運河を接続した橋の、スラブの積層とアーチの連
SCALE 1:350 N
BUILDING “LIVING HARVOR”
都市と運河を接続した橋の、スラブの積層とアーチの連 続によって LIVING HARVOR が形作られる。
roof top terrace residence
GREEN HILL
residence WATER GROUND
office office
ARCHITECTUAL STRATEGY
SCALE 1 350
URBAN SECTION
53
SCALE 1 350
URBAN ELEVATION
PRODUCTIVE STRATEGY
54
ACTVITYSCAPE of LIVING HARBOUR
PLANS
INTERIOR SCENES
Here we observe the melting of various separate living and working functions, coming together as a physical manifestation in the form of a unified architecture within the site.
The result is a well balanced Living Harbour with living, working, commercial and leisure activities mutually complementing each other. This is the epitome of“Productive Life” we envision in our project.
▼ LIVING ROOM & TERRACE The spaces of living room and terrace transform into a continuous space via the arches.
6F
5F
4F
▼ MAISONETTE OFFICE
ROOF TOP GARDEN
The atrium space that connects two floors of the office allows the increase in productivity at work.
3F
RESIDENCE
2F
HARBOUR BRIDGE
OFFICE
1F
GREEN PLAZA GREEN HILL
FLOWER SHOP
▼ GREEN PLAZA
The green plaza is a medium that allows the mixing of various activities.
KINDERGARTEN
TEXTILE SHOP CAFE
GF
FREE MARKET PARKING
PLAYGROUND
BICYCLE SHOP
▼ HARBOUR BRIDGE The marketplace along the bridge is a medium that allows the interaction between the people who cross the canals and the residents in this area.
B1F
B2F
LEGEND ■ : office ■ : residence(87m2) ■ : residence(107m2) ■ : retail ■ : kindergarten ■ : parking
LIVING-WORKING PERMUTATIONS
▲ only residence
▲ only office
▲ separation horizontally
▲ separation vertically
▲ random
▲ others
The flexibility of the plan constitutes the variety of permutations for the interaction between living and working spaces.
URBAN ELEVATION 55
- Other Works -
- Aging and Behavior Moving Oasis
Function: LAND Furniture
00
Aging and Behavior 58
01
site: ultimate environment
term: Sep 2018- (2 weeks)
02
00.INITIAL SETTING
01.DAMAGE PHASE
Aging from・・・
Behavior as・・・
We designed glass as one of a creature which ages and adapt many situation. We focused on glass soil materials and designed glass cubes and phenomena related to them using glass containing fertilizer. The external shape needs to roll in order to change and spread. Therefore, we adopted the tetrahedron of Rurow. The hollow interior space was filled with water. Place these Limit zone with many factors to change like Desert. Desert movement, collision with huge rock, sudden temperature difference, sand dust .... After experiencing these, the glass is dispersed and changes over time. And, as it breaks little by little, it changes behavior. Work as animal nest. It is illuminated by the moonlight and becomes a landmark. It saves rainwater as a pool and becomes a nursery bed that raises plants. Depending on the situation, it starts to behave like a creature.
02.ADAPTAION
59
- IMMERSIVE MESSING A NEW HORIZON
Ground Infrastructure In Yanaka-city,Tokyo has inclination and it make an isolated island beterrn two cities. And also,there are many pots or plants in human scale around inflastructures , so we make a footbridge and put them on it. The footbridge connects with many nitches and grow and expand to two cities .
RailwAays
RAILWAYS
Roads & Highways
RAILWAYS
Infrastructual Altimately
MESHING THE INFRASTRUCTURAL LAYERS
60
Function: Footbridge
site: Yanaka,Tokyo
term: Apr 2018- (2 weeks)
#1
STATION & TOWERS
駅と塔
how? a new network of footbridge / a ramp who link the unused segment for who? daily passengers / employee of the towers
#2
HOUSING ハウジング for who? buildings residents / walkers and cyclists how? new apartment housing / access point of the footbridge
#3
ISOLATED ISLAND 孤立した島 for who? daily passengers / walkers and cyclists how? new cultural center / introverted space (shop/exhibition/music)
#4
PUT LITTE ELEMENTS
STATION & FOOTBRIDGE 鉄道駅とフットブリッジ for who? daily passengers / walkers and cyclists how? footbridge extension / observatory
#5
By road plan, we reconstruct the square for the central pedestrian and the two avenue for east and west cars, and extend the plaza space for pedestrians In the pocket spaces scattered around the restored river and surrounding areas, a green area is formed by the planting plan to activate the walking space on the ground
TEMPLE
寺院
for who? Yanaka residents / family, walkers, cyclists of Mikawajima how? connection to the cultural center / aerial access point for Mikawajima
61
- Pocket Bazaar -
Pocket park and Bazaar
62
Function: Bazaar,flowershop
site: Aoyama,Tokyo
term: Sep 2015- (2 month)
Flower for someone This site is in middlepoint of highway, houses, and next to the grave and long road. I made Bazaar which mainly sells flower. Different culture will melt here and through flower, people will buy flower for family, ghost , or themselves. A
▽TOP GL+10000
▽GL±0
東側立面図 1/100
▽TOP GL+10000
▽GL±0
南側立面図 1/100
コンセプト平面模型 1/100
コンセプト立面模型
▽TOP GL+10000
▽GL±0
▽BOTTOM GL-800
B-B’ 断面図 1/100
▽TOP GL+10000
▽GL±0
▽BOTTOM GL-800
A-A’ 断面 1/100
63
- Stage Lighting Origin of "space" I worked as a stage light designer because the acts of human could be the origin of "space" and LIGHT can explain "time".
on
pp
Ro
et
tre
s gi
2015-18 at Roppongi, Tokyo
64
2016 at Roppongi
2017 at Roppongi
2015,2016 at Roppongi
2018 at Hokkaido
2018 at Shinjuku 65
Thank you for reading!